"What am I to do with life?" that was the question that besieged me.

I wondered if all the world was even as I, urged to this by one motive and to that by another, creatures of chance and impulse and unmeaning traditions. Had I indeed to abide by what I had said and done and chosen? Was there nothing for me in honour but to provide for Effie, go back penitent to Marion and keep to my trade in rubbish—or find some fresh one—and so work out the residue of my days? I didn't accept that for a moment. But what else was I to do? I wondered if my case was the case of many men, whether in former ages, too, men had been so guideless, so uncharted, so haphazard in their journey into life. In the Middle Ages, in the old Catholic days, one went to a priest, and he said with all the finality of natural law, this you are and this you must do. I wondered whether even in the Middle Ages I should have accepted that ruling without question.

I remember too very distinctly how Effie came and sat beside me on a little box: that was before the casement window of our room.

"Gloomkins," said she.

I smiled and remained head on hand, looking out of the window forgetful of her.

"Did you love your wife so well?" she whispered softly.

"Oh!" I cried, recalled again; "I don't know. I don't understand these things. Life is a thing that hurts, my dear! It hurts without logic or reason. I've blundered! I didn't understand. Anyhow—there is no need to go hurting you, is there?"

And I turned about and drew her to me, and kissed her ear....

Yes, I had a very bad time—I still recall. I suffered, I suppose, from a sort of ennui of the imagination. I found myself without an object to hold my will together. I sought. I read restlessly and discursively. I tried Ewart and got no help from him. As I regard it all now in this retrospect, it seems to me as if in those days of disgust and abandoned aims I discovered myself for the first time. Before that I had seen only the world and things in it, had sought them self-forgetful of all but my impulse. Now I found myself GROUPED with a system of appetites and satisfactions, with much work to do—and no desire, it seemed, left in me.

There were moments when I thought of suicide. At times my life appeared before me in bleak, relentless light, a series of ignorances, crude blunderings, degradation and cruelty. I had what the old theologians call a "conviction of sin." I sought salvation—not perhaps in the formula a Methodist preacher would recognise but salvation nevertheless.

Men find their salvation nowadays in many ways. Names and forms don't, I think, matter very much; the real need is something that we can hold and that holds one. I have known a man find that determining factor in a dry-plate factory, and another in writing a history of the Manor. So long as it holds one, it does not matter. Many men and women nowadays take up some concrete aspect of Socialism or social reform. But Socialism for me has always been a little bit too human, too set about with personalities and foolishness. It isn't my line. I don't like things so human. I don't think I'm blind to the fun, the surprises, the jolly little coarsenesses and insufficiency of life, to the "humour of it," as people say, and to adventure, but that isn't the root of the matter with me. There's no humour in my blood. I'm in earnest in warp and woof. I stumble and flounder, but I know that over all these merry immediate things, there are other things that are great and serene, very high, beautiful things—the reality. I haven't got it, but it's there nevertheless. I'm a spiritual guttersnipe in love with unimaginable goddesses. I've never seen the goddesses nor ever shall—but it takes all the fun out of the mud—and at times I fear it takes all the kindliness, too.

But I'm talking of things I can't expect the reader to understand, because I don't half understand them myself. There is something links things for me, a sunset or so, a mood or so, the high air, something there was in Marion's form and colour, something I find and lose in Mantegna's pictures, something in the lines of these boats I make. (You should see X2, my last and best!)

I can't explain myself, I perceive. Perhaps it all comes to this, that I am a hard and morally limited cad with a mind beyond my merits. Naturally I resist that as a complete solution. Anyhow, I had a sense of inexorable need, of distress and insufficiency that was unendurable, and for a time this aeronautical engineering allayed it....

In the end of this particular crisis of which I tell so badly, I idealised Science. I decided that in power and knowledge lay the salvation of my life, the secret that would fill my need; that to these things I would give myself.

I emerged at last like a man who has been diving in darkness, clutching at a new resolve for which he had groped desperately and long.

I came into the inner office suddenly one day—it must have been just before the time of Marion's suit for restitution—and sat down before my uncle.

"Look here," I said, "I'm sick of this."

"HulLO!" he answered, and put some papers aside.

"What's up, George?"

"Things are wrong."

"As how?"

"My life," I said, "it's a mess, an infinite mess."

"She's been a stupid girl, George," he said; "I partly understand. But you're quit of her now, practically, and there's just as good fish in the sea—"

"Oh! it's not that!" I cried. "That's only the part that shows. I'm sick—I'm sick of all this damned rascality."

"Eh? Eh?" said my uncle. "WHAT—rascality?"

"Oh, YOU know. I want some STUFF, man. I want something to hold on to. I shall go amok if I don't get it. I'm a different sort of beast from you. You float in all this bunkum. I feel like a man floundering in a universe of soapsuds, up and downs, east and west. I can't stand it. I must get my foot on something solid or—I don't know what."

I laughed at the consternation in his face.

"I mean it," I said. "I've been thinking it over. I've made up my mind. It's no good arguing. I shall go in for work—real work. No! this isn't work; it's only laborious cheating. But I've got an idea! It's an old idea—I thought of years ago, but it came back to me. Look here! Why should I fence about with you? I believe the time has come for flying to be possible. Real flying!"

"Flying!"

I stuck to that, and it helped me through the worst time in my life. My uncle, after some half-hearted resistance and a talk with my aunt, behaved like the father of a spoilt son. He fixed up an arrangement that gave me capital to play with, released me from too constant a solicitude for the newer business developments—this was in what I may call the later Moggs period of our enterprises—and I went to work at once with grim intensity.

But I will tell of my soaring and flying machines in the proper place. I've been leaving the story of my uncle altogether too long. I wanted merely to tell how it was I took to this work. I took to these experiments after I had sought something that Marion in some indefinable way had seemed to promise. I toiled and forgot myself for a time, and did many things. Science too has been something of an irresponsive mistress since, though I've served her better than I served Marion. But at the time Science, with her order, her inhuman distance, yet steely certainties, saved me from despair.

Well, I have still to fly; but incidentally I have invented the lightest engines in the world.

I am trying to tell of all the things that happened to me. It's hard enough simply to get it put down in the remotest degree right. But this is a novel, not a treatise. Don't imagine that I am coming presently to any sort of solution of my difficulties. Here among my drawings and hammerings NOW, I still question unanswering problems. All my life has been at bottom, SEEKING, disbelieving always, dissatisfied always with the thing seen and the thing believed, seeking something in toil, in force, in danger, something whose name and nature I do not clearly understand, something beautiful, worshipful, enduring, mine profoundly and fundamentally, and the utter redemption of myself; I don't know—all I can tell is that it is something I have ever failed to find.

XI

But before I finish this chapter and book altogether and go on with the great adventure of my uncle's career. I may perhaps tell what else remains to tell of Marion and Effie, and then for a time set my private life behind me.

For a time Marion and I corresponded with some regularity, writing friendly but rather uninforming letters about small business things. The clumsy process of divorce completed itself.

She left the house at Ealing and went into the country with her aunt and parents, taking a small farm near Lewes in Sussex. She put up glass, she put in heat for her father, happy man! and spoke of figs and peaches. The thing seemed to promise well throughout a spring and summer, but the Sussex winter after London was too much for the Ramboats. They got very muddy and dull; Mr. Ramboat killed a cow by improper feeding, and that disheartened them all. A twelvemonth saw the enterprise in difficulties. I had to help her out of this, and then they returned to London and she went into partnership with Smithie at Streatham, and ran a business that was intimated on the firm's stationery as "Robes." The parents and aunt were stowed away in a cottage somewhere. After that the letters became infrequent. But in one I remember a postscript that had a little stab of our old intimacy: "Poor old Miggles is dead."

Nearly eight years slipped by. I grew up. I grew in experience, in capacity, until I was fully a man, but with many new interests, living on a larger scale in a wider world than I could have dreamt of in my Marion days. Her letters become rare and insignificant. At last came a gap of silence that made me curious. For eighteen months or more I had nothing from Marion save her quarterly receipts through the bank. Then I damned at Smithie, and wrote a card to Marion.

"Dear Marion," I said, "how goes it?"

She astonished me tremendously by telling me she had married again—"a Mr. Wachorn, a leading agent in the paper-pattern trade." But she still wrote on the Ponderevo and Smith (Robes) notepaper, from the Ponderevo and Smith address.

And that, except for a little difference of opinion about the continuance of alimony which gave me some passages of anger, and the use of my name by the firm, which also annoyed me, is the end of Marion's history for me, and she vanishes out of this story. I do not know where she is or what she is doing. I do not know whether she is alive or dead. It seems to me utterly grotesque that two people who have stood so close to one another as she and I should be so separated, but so it is between us.

Effie, too, I have parted from, though I still see her at times. Between us there was never any intention of marriage nor intimacy of soul. She had a sudden, fierce, hot-blooded passion for me and I for her, but I was not her first lover nor her last. She was in another world from Marion. She had a queer, delightful nature; I've no memory of ever seeing her sullen or malicious. She was—indeed she was magnificently—eupeptic. That, I think, was the central secret of her agreeableness, and, moreover, that she was infinitely kind-hearted. I helped her at last into an opening she coveted, and she amazed me by a sudden display of business capacity. She has now a typewriting bureau in Riffle's Inn, and she runs it with a brisk vigour and considerable success, albeit a certain plumpness has overtaken her. And she still loves her kind. She married a year or so ago a boy half her age—a wretch of a poet, a wretched poet, and given to drugs, a thing with lank fair hair always getting into his blue eyes, and limp legs. She did it, she said, because he needed nursing....

But enough of this disaster of my marriage and of my early love affairs; I have told all that is needed for my picture to explain how I came to take up aeroplane experiments and engineering science; let me get back to my essential story, to Tono-Bungay and my uncle's promotions and to the vision of the world these things have given me.



BOOK THE THIRD

THE GREAT DAYS OF TONO-BUNGAY



CHAPTER THE FIRST

THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE

I

But now that I resume the main line of my story it may be well to describe the personal appearance of my uncle as I remember him during those magnificent years that followed his passage from trade to finance. The little man plumped up very considerably during the creation of the Tono-Bungay property, but with the increasing excitements that followed that first flotation came dyspepsia and a certain flabbiness and falling away. His abdomen—if the reader will pardon my taking his features in the order of their value—had at first a nice full roundness, but afterwards it lost tone without, however, losing size. He always went as though he was proud of it and would make as much of it as possible. To the last his movements remained quick and sudden, his short firm legs, as he walked, seemed to twinkle rather than display the scissors-stride of common humanity, and he never seemed to have knees, but instead, a dispersed flexibility of limb.

There was, I seem to remember, a secular intensification of his features; his nose developed character, became aggressive, stuck out at the world more and more; the obliquity of his mouth, I think, increased. From the face that returns to my memory projects a long cigar that is sometimes cocked jauntily up from the higher corner, that sometimes droops from the lower;—it was as eloquent as a dog's tail, and he removed it only for the more emphatic modes of speech. He assumed a broad black ribbon for his glasses, and wore them more and more askew as time went on. His hair seemed to stiffen with success, but towards the climax it thinned greatly over the crown, and he brushed it hard back over his ears where, however, it stuck out fiercely. It always stuck out fiercely over his forehead, up and forward.

He adopted an urban style of dressing with the onset of Tono-Bungay and rarely abandoned it. He preferred silk hats with ample rich brims, often a trifle large for him by modern ideas, and he wore them at various angles to his axis; his taste in trouserings was towards fairly emphatic stripes and his trouser cut was neat; he liked his frock-coat long and full, although that seemed to shorten him. He displayed a number of valuable rings, and I remember one upon his left little finger with a large red stone bearing Gnostic symbols. "Clever chaps, those Gnostics, George," he told me. "Means a lot. Lucky!" He never had any but a black mohair watch-chair. In the country he affected grey and a large grey cloth top-hat, except when motoring; then he would have a brown deer-stalker cap and a fur suit of esquimaux cut with a sort of boot-end to the trousers. Of an evening he would wear white waistcoats and plain gold studs. He hated diamonds. "Flashy," he said they were. "Might as well wear—an income tax-receipt. All very well for Park Lane. Unsold stock. Not my style. Sober financier, George."

So much for his visible presence. For a time it was very familiar to the world, for at the crest of the boom he allowed quite a number of photographs and at least one pencil sketch to be published in the sixpenny papers.

His voice declined during those years from his early tenor to a flat rich quality of sound that my knowledge of music is inadequate to describe. His Zzz-ing inrush of air became less frequent as he ripened, but returned in moments of excitement. Throughout his career, in spite of his increasing and at last astounding opulence, his more intimate habits remained as simple as they had been at Wimblehurst. He would never avail himself of the services of a valet; at the very climax of his greatness his trousers were folded by a housemaid and his shoulders brushed as he left his house or hotel. He became wary about breakfast as life advanced, and at one time talked much of Dr. Haig and uric acid. But for other meals he remained reasonably omnivorous. He was something of a gastronome, and would eat anything he particularly liked in an audible manner, and perspire upon his forehead. He was a studiously moderate drinker—except when the spirit of some public banquet or some great occasion caught him and bore him beyond his wariness—there he would, as it were, drink inadvertently and become flushed and talkative—about everything but his business projects.

To make the portrait complete one wants to convey an effect of sudden, quick bursts of movement like the jumps of a Chinese-cracker to indicate that his pose whatever it is, has been preceded and will be followed by a rush. If I were painting him, I should certainly give him for a background that distressed, uneasy sky that was popular in the eighteenth century, and at a convenient distance a throbbing motor-car, very big and contemporary, a secretary hurrying with papers, and an alert chauffeur.

Such was the figure that created and directed the great property of Tono-Bungay, and from the successful reconstruction of that company passed on to a slow crescendo of magnificent creations and promotions until the whole world of investors marveled. I have already I think, mentioned how, long before we offered Tono Bungay to the public, we took over the English agency of certain American specialties. To this was presently added our exploitation of Moggs' Domestic Soap, and so he took up the Domestic Convenience Campaign that, coupled with his equatorial rotundity and a certain resolute convexity in his bearings won my uncle his Napoleonic title.

II

It illustrates the romantic element in modern commerce that my uncle met young Moggs at a city dinner—I think it was the Bottle-makers' Company—when both were some way advanced beyond the initial sobriety of the occasion. This was the grandson of the original Moggs, and a very typical instance of an educated, cultivated, degenerate plutocrat. His people had taken him about in his youth as the Ruskins took their John and fostered a passion for history in him, and the actual management of the Moggs' industry had devolved upon a cousin and a junior partner.

Mr. Moggs, being of a studious and refined disposition, had just decided—after a careful search for a congenial subject in which he would not be constantly reminded of soap—to devote himself to the History of the Thebaid, when this cousin died suddenly and precipitated responsibilities upon him. In the frankness of conviviality, Moggs bewailed the uncongenial task thus thrust into his hands, and my uncle offered to lighten his burden by a partnership then and there. They even got to terms—extremely muzzy terms, but terms nevertheless.

Each gentleman wrote the name and address of the other on his cuff, and they separated in a mood of brotherly carelessness, and next morning neither seems to have thought to rescue his shirt from the wash until it was too late. My uncle made a painful struggle—it was one of my business mornings—to recall name and particulars.

"He was an aquarium-faced, long, blond sort of chap, George, with glasses and a genteel accent," he said.

I was puzzled. "Aquarium-faced?"

"You know how they look at you. His stuff was soap, I'm pretty nearly certain. And he had a name—And the thing was the straightest Bit-of-All-right you ever. I was clear enough to spot that..."

We went out at last with knitted brows, and wandered up into Finsbury seeking a good, well-stocked looking grocer. We called first on a chemist for a pick-me-up for my uncle, and then we found the shop we needed.

"I want," said my uncle, "half a pound of every sort of soap you got. Yes, I want to take them now. Wait a moment, George.... Now what sort of soap d'you call THAT?"

At the third repetition of that question the young man said, "Moggs' Domestic."

"Right," said my uncle. "You needn't guess again. Come along, George, let's go to a telephone and get on to Moggs. Oh—the order? Certainly. I confirm it. Send it all—send it all to the Bishop of London; he'll have some good use for it—(First-rate man, George, he is—charities and all that)—and put it down to me, here's a card—Ponderevo—Tono-Bungay."

Then we went on to Moggs and found him in a camel-hair dressing-jacket in a luxurious bed, drinking China tea, and got the shape of everything but the figures fixed by lunch time.

Young Moggs enlarged my mind considerably; he was a sort of thing I hadn't met before; he seemed quite clean and well-informed and he assured me to never read newspapers nor used soap in any form at all, "Delicate skin," he said.

"No objection to our advertising you wide and free?" said my uncle.

"I draw the line at railway stations," said Moggs, "south-coast cliffs, theatre programmes, books by me and poetry generally—scenery—oh!—and the Mercure de France."

"We'll get along," said my uncle.

"So long as you don't annoy me," said Moggs, lighting a cigarette, "you can make me as rich as you like."

We certainly made him no poorer. His was the first firm that was advertised by a circumstantial history; we even got to illustrated magazine articles telling of the quaint past of Moggs. We concocted Moggsiana. Trusting to our partner's preoccupation with the uncommercial aspects of life, we gave graceful history—of Moggs the First, Moggs the Second, Moggs the Third, and Moggs the Fourth. You must, unless you are very young, remember some of them and our admirable block of a Georgian shop window. My uncle brought early nineteenth-century memoirs, soaked himself in the style, and devised stories about old Moggs the First and the Duke of Wellington, George the Third and the soap dealer ("almost certainly old Moggs"). Very soon we had added to the original Moggs' Primrose several varieties of scented and superfatted, a "special nurseries used in the household of the Duke of Kent and for the old Queen in Infancy," a plate powder, "the Paragon," and a knife powder. We roped in a good little second-rate black-lead firm, and carried their origins back into the mists of antiquity. It was my uncle's own unaided idea that we should associate that commodity with the Black Prince. He became industriously curious about the past of black-lead. I remember his button-holing the president of the Pepys Society.

"I say, is there any black-lead in Pepys? You know—black-lead—for grates! OR DOES HE PASS IT OVER AS A MATTER OF COURSE?"

He became in those days the terror of eminent historians. "Don't want your drum and trumpet history—no fear," he used to say. "Don't want to know who was who's mistress, and why so-and-so devastated such a province; that's bound to be all lies and upsy-down anyhow. Not my affair. Nobody's affair now. Chaps who did it didn't clearly know.... What I want to know is, in the Middle Ages, did they do anything for Housemaid's Knee? What did they put in their hot baths after jousting, and was the Black Prince—you know the Black Prince—was he enameled or painted, or what? I think myself, black-leaded—very likely—like pipe-clay—but DID they use blacking so early?"

So it came about that in designing and writing those Moggs' Soap Advertisements, that wrought a revolution in that department of literature, my uncle was brought to realise not only the lost history, but also the enormous field for invention and enterprise that lurked among the little articles, the dustpans and mincers, the mousetraps and carpet-sweepers that fringe the shops of the oilman and domestic ironmonger. He was recalled to one of the dreams of his youth, to his conception of the Ponderevo Patent Flat that had been in his mind so early as the days before I went to serve him at Wimblehurst. "The Home, George," he said, "wants straightening up. Silly muddle! Things that get in the way. Got to organise it."

For a time he displayed something like the zeal of a genuine social reformer in relation to these matters.

"We've got to bring the Home Up to Date? That's my idee, George. We got to make a civilised domestic machine out of these relics of barbarism. I'm going to hunt up inventors, make a corner in d'mestic ideas. Everything. Balls of string that won't dissolve into a tangle, and gum that won't dry into horn. See? Then after conveniences—beauty. Beauty, George! All these few things ought to be made fit to look at; it's your aunt's idea, that. Beautiful jam-pots! Get one of those new art chaps to design all the things they make ugly now. Patent carpet-sweepers by these greenwood chaps, housemaid's boxes it'll be a pleasure to fall over—rich coloured house-flannels. Zzzz. Pails, f'rinstance. Hang 'em up on the walls like warming-pans. All the polishes and things in such tins—you'll want to cuddle 'em, George! See the notion? 'Sted of all the silly ugly things we got."...

We had some magnificent visions; they so affected me that when I passed ironmongers and oil-shops they seemed to me as full of promise as trees in late winter, flushed with the effort to burst into leaf and flower.... And really we did do much towards that very brightness these shops display. They were dingy things in the eighties compared to what our efforts have made them now, grey quiet displays.

Well, I don't intend to write down here the tortuous financial history of Moggs' Limited, which was our first development of Moggs and Sons; nor will I tell very much of how from that we spread ourselves with a larger and larger conception throughout the chandlery and minor ironmongery, how we became agents for this little commodity, partners in that, got a tentacle round the neck of a specialised manufacturer or so, secured a pull upon this or that supply of raw material, and so prepared the way for our second flotation, Domestic Utilities; "Do it," they reordered it in the city. And then came the reconstruction of Tono-Bungay, and then "Household services" and the Boom!

That sort of development is not to be told in detail in a novel. I have, indeed, told much of it elsewhere. It is to be found set out at length, painfully at length, in my uncle's examination and mine in the bankruptcy proceedings, and in my own various statements after his death. Some people know everything in that story, some know it all too well, most do not want the details, it is the story of a man of imagination among figures, and unless you are prepared to collate columns of pounds, shillings and pence, compare dates and check additions, you will find it very unmeaning and perplexing. And after all, you wouldn't find the early figures so much wrong as STRAINED. In the matter of Moggs and Do Ut, as in the first Tono-Bungay promotion and in its reconstruction, we left the court by city standards without a stain on our characters. The great amalgamation of Household Services was my uncle's first really big-scale enterprise and his first display of bolder methods: for this we bought back Do Ut, Moggs (going strong with a seven per cent. dividend) and acquired Skinnerton's polishes, the Riffleshaw properties and the Runcorn's mincer and coffee-mill business. To that Amalgamation I was really not a party; I left it to my uncle because I was then beginning to get keen upon the soaring experiments I had taken on from the results then to hand of Lilienthal, Pilcher and the Wright brothers. I was developing a glider into a flyer. I meant to apply power to this glider as soon as I could work out one or two residual problems affecting the longitudinal stability. I knew that I had a sufficiently light motor in my own modification of Bridger's light turbine, but I knew too that until I had cured my aeroplane of a tendency demanding constant alertness from me, a tendency to jerk up its nose at unexpected moments and slide back upon me, the application of an engine would be little short of suicide.

But that I will tell about later. The point I was coming to was that I did not realise until after the crash how recklessly my uncle had kept his promise of paying a dividend of over eight per cent. on the ordinary shares of that hugely over-capitalised enterprise, Household Services.

I drifted out of business affairs into my research much more than either I or my uncle had contemplated. Finance was much less to my taste than the organisation of the Tono-Bungay factory. In the new field of enterprise there was a great deal of bluffing and gambling, of taking chances and concealing material facts—and these are hateful things to the scientific type of mind. It wasn't fear I felt so much as an uneasy inaccuracy. I didn't realise dangers, I simply disliked the sloppy, relaxing quality of this new sort of work. I was at last constantly making excuses not to come up to him in London. The latter part of his business career recedes therefore beyond the circle of any particular life. I lived more or less with him; I talked, I advised, I helped him at times to fight his Sunday crowd at Crest Hill, but I did not follow nor guide him. From the Do Ut time onward he rushed up the financial world like a bubble in water and left me like some busy water-thing down below in the deeps.

Anyhow, he was an immense success. The public was, I think, particularly attracted by the homely familiarity of his field of work—you never lost sight of your investment they felt, with the name on the house-flannel and shaving-strop—and its allegiance was secured by the Egyptian solidity of his apparent results. Tono-Bungay, after its reconstruction, paid thirteen, Moggs seven, Domestic Utilities had been a safe-looking nine; here was Household Services with eight; on such a showing he had merely to buy and sell Roeburn's Antiseptic fluid, Razor soaks and Bath crystals in three weeks to clear twenty thousand pounds.

I do think that as a matter of fact Roeburn's was good value at the price at which he gave it to the public, at least until it was strained by ill-conserved advertisement. It was a period of expansion and confidence; much money was seeking investment and "Industrials" were the fashion. Prices were rising all round. There remained little more for my uncle to do therefore, in his climb to the high unstable crest of Financial Greatness but, as he said, to "grasp the cosmic oyster, George, while it gaped," which, being translated, meant for him to buy respectable businesses confidently and courageously at the vendor's estimate, add thirty or forty thousand to the price and sell them again. His sole difficulty indeed was the tactful management of the load of shares that each of these transactions left upon his hands. But I thought so little of these later things that I never fully appreciated the peculiar inconveniences of that until it was too late to help him.

III

When I think of my uncle near the days of his Great Boom and in connection with the actualities of his enterprises, I think of him as I used to see him in the suite of rooms he occupied in the Hardingham Hotel, seated at a great old oak writing-table, smoking, drinking, and incoherently busy; that was his typical financial aspect—our evenings, our mornings, our holidays, our motor-car expeditions, Lady Grove and Crest Hill belong to an altogether different set of memories.

These rooms in the Hardingham were a string of apartments along one handsome thick-carpeted corridor. All the doors upon the corridor were locked except the first; and my uncle's bedroom, breakfast-room and private sanctum were the least accessible and served by an entrance from the adjacent passage, which he also used at times as a means of escape from importunate callers. The most eternal room was a general waiting-room and very business-like in quality; it had one or two uneasy sofas, a number of chairs, a green baize table, and a collection of the very best Moggs and Tone posters: and the plush carpets normal to the Hardingham had been replaced by a grey-green cork linoleum; Here I would always find a remarkable miscellany of people presided over by a peculiarly faithful and ferocious looking commissioner, Ropper, who guarded the door that led a step nearer my uncle. Usually there would be a parson or so, and one or two widows; hairy, eyeglassy, middle-aged gentlemen, some of them looking singularly like Edward Ponderevos who hadn't come off, a variety of young and youngish men more or less attractively dressed, some with papers protruding from their pockets, others with their papers decently concealed. And wonderful, incidental, frowsy people.

All these persons maintained a practically hopeless siege—sometimes for weeks together; they had better have stayed at home. Next came a room full of people who had some sort of appointment, and here one would find smart-looking people, brilliantly dressed, nervous women hiding behind magazines, nonconformist divines, clergy in gaiters, real business men, these latter for the most part gentlemen in admirable morning dress who stood up and scrutinised my uncle's taste in water colours manfully and sometimes by the hour together. Young men again were here of various social origins, young Americans, treasonable clerks from other concerns, university young men, keen-looking, most of them, resolute, reserved, but on a sort of hair trigger, ready at any moment to be most voluble, most persuasive.

This room had a window, too, looking out into the hotel courtyard with its fern-set fountains and mosaic pavement, and the young men would stand against this and sometimes even mutter. One day I heard one repeating in all urgent whisper as I passed "But you don't quite see, Mr. Ponderevo, the full advantages, the FULL advantages—" I met his eye and he was embarrassed.

Then came a room with a couple of secretaries—no typewriters, because my uncle hated the clatter—and a casual person or two sitting about, projectors whose projects were being entertained. Here and in a further room nearer the private apartments, my uncle's correspondence underwent an exhaustive process of pruning and digestion before it reached him. Then the two little rooms in which my uncle talked; my magic uncle who had got the investing public—to whom all things were possible. As one came in we would find him squatting with his cigar up and an expression of dubious beatitude upon his face, while some one urged him to grow still richer by this or that.

"That'ju, George?" he used to say. "Come in. Here's a thing. Tell him—Mister—over again. Have a drink, George? No! Wise man! Liss'n."

I was always ready to listen. All sorts of financial marvels came out of the Hardingham, more particularly during my uncle's last great flurry, but they were nothing to the projects that passed in. It was the little brown and gold room he sat in usually. He had had it redecorated by Bordingly and half a dozen Sussex pictures by Webster hung about it. Latterly he wore a velveteen jacket of a golden-brown colour in this apartment that I think over-emphasised its esthetic intention, and he also added some gross Chinese bronzes.

He was, on the whole, a very happy man throughout all that wildly enterprising time. He made and, as I shall tell in its place, spent great sums of money. He was constantly in violent motion, constantly stimulated mentally and physically and rarely tired. About him was an atmosphere of immense deference much of his waking life was triumphal and all his dreams. I doubt if he had any dissatisfaction with himself at all until the crash bore him down. Things must have gone very rapidly with him.... I think he must have been very happy.

As I sit here writing about all these things, jerking down notes and throwing them aside in my attempt to give some literary form to the tale of our promotions, the marvel of it all comes to me as if it came for the first time the supreme unreason of it. At the climax of his Boom, my uncle at the most sparing estimate must have possessed in substance and credit about two million pounds'-worth of property to set off against his vague colossal liabilities, and from first to last he must have had a controlling influence in the direction of nearly thirty millions.

This irrational muddle of a community in which we live gave him that, paid him at that rate for sitting in a room and scheming and telling it lies. For he created nothing, he invented nothing, he economised nothing. I cannot claim that a single one of the great businesses we organised added any real value to human life at all. Several like Tono-Bungay were unmitigated frauds by any honest standard, the giving of nothing coated in advertisements for money. And the things the Hardingham gave out, I repeat, were nothing to the things that came in. I think of the long procession of people who sat down before us and propounded this and that. Now it was a device for selling bread under a fancy name and so escaping the laws as to weight—this was afterwards floated as the Decorticated Health-Bread Company and bumped against the law—now it was a new scheme for still more strident advertisement, now it was a story of unsuspected deposits of minerals, now a cheap and nasty substitute for this or that common necessity, now the treachery of a too well-informed employee, anxious to become our partner. It was all put to us tentatively, persuasively. Sometimes one had a large pink blusterous person trying to carry us off our feet by his pseudo-boyish frankness, now some dyspeptically yellow whisperer, now some earnest, specially dressed youth with an eye-glass and a buttonhole, now some homely-speaking, shrewd Manchester man or some Scotchman eager to be very clear and full.

Many came in couples or trios, often in tow of an explanatory solicitor. Some were white and earnest, some flustered beyond measure at their opportunity. Some of them begged and prayed to be taken up. My uncle chose what he wanted and left the rest. He became very autocratic to these applicants.

He felt he could make them, and they felt so too. He had but to say "No!" and they faded out of existence.... He had become a sort of vortex to which wealth flowed of its own accord. His possessions increased by heaps; his shares, his leaseholds and mortgages and debentures.

Behind his first-line things he found it necessary at last, and sanctioned by all the precincts, to set up three general trading companies, the London and African Investment Company, the British Traders' Loan Company, and Business Organisations Limited. This was in the culminating time when I had least to do with affairs. I don't say that with any desire to exculpate myself; I admit I was a director of all three, and I will confess I was willfully incurious in that capacity. Each of these companies ended its financial year solvent by selling great holdings of shares to one or other of its sisters, and paying a dividend out of the proceeds. I sat at the table and agreed. That was our method of equilibrium at the iridescent climax of the bubble.

You perceive now, however, the nature of the services for which this fantastic community have him unmanageable wealth and power and real respect. It was all a monstrous payment for courageous fiction, a gratuity in return for the one reality of human life—illusion. We gave them a feeling of hope and profit; we sent a tidal wave of water and confidence into their stranded affairs. "We mint Faith, George," said my uncle one day. "That's what we do. And by Jove we got to keep minting! We been making human confidence ever since I drove the first cork of Tono-Bungay."

"Coining" would have been a better word than minting! And yet, you know, in a sense he was right. Civilisation is possible only through confidence, so that we can bank our money and go unarmed about the streets. The bank reserve or a policeman keeping order in a jostling multitude of people, are only slightly less impudent bluffs than my uncle's prospectuses. They couldn't for a moment "make good" if the quarter of what they guarantee was demanded of them. The whole of this modern mercantile investing civilisation is indeed such stuff as dreams are made of. A mass of people swelters and toils, great railway systems grow, cities arise to the skies and spread wide and far, mines are opened, factories hum, foundries roar, ships plough the seas, countries are settled; about this busy striving world the rich owners go, controlling all, enjoying all, confident and creating the confidence that draws us all together into a reluctant, nearly unconscious brotherhood. I wonder and plan my engines. The flags flutter, the crowds cheer, the legislatures meet. Yet it seems to me indeed at times that all this present commercial civilisation is no more than my poor uncle's career writ large, a swelling, thinning bubble of assurances; that its arithmetic is just as unsound, its dividends as ill-advised, its ultimate aim as vague and forgotten; that it all drifts on perhaps to some tremendous parallel to his individual disaster...

Well, so it was we Boomed, and for four years and a half we lived a life of mingled substance and moonshine. Until our particular unsoundness overtook us we went about in the most magnificent of motor-cars upon tangible high roads, made ourselves conspicuous and stately in splendid houses, ate sumptuously and had a perpetual stream of notes and money trickling into our pockets; hundreds of thousands of men and women respected us, saluted us and gave us toil and honour; I asked, and my worksheets rose, my aeroplanes swooped out of nothingness to scare the downland pe-wits; my uncle waved his hand and Lady Grove and all its associations of chivalry and ancient peace were his; waved again, and architects were busy planning the great palace he never finished at Crest Hill and an army of folkmen gathered to do his bidding, blue marble came from Canada, and timber from New Zealand; and beneath it all, you know, there was nothing but fictitious values as evanescent as rainbow gold.

IV

I pass the Hardingham ever and again and glance aside through the great archway at the fountain and the ferns, and think of those receding days when I was so near the centre of our eddy of greed and enterprise. I see again my uncle's face, white and intent, and hear him discourse, hear him make consciously Napoleonic decisions, "grip" his nettles, put his "finger on the spot," "bluff," say "snap." He became particularly addicted to the last idiom. Towards the end every conceivable act took the form of saying "snap!"

The odd fish that came to us! And among others came Gordon-Nasmyth, that queer blend of romance and illegality who was destined to drag me into the most irrelevant adventure in my life the Mordet Island affair; and leave me, as they say, with blood upon my hands. It is remarkable how little it troubles my conscience and how much it stirs my imagination, that particular memory of the life I took. The story of Mordet Island has been told in a government report and told all wrong; there are still excellent reasons for leaving it wrong in places, but the liveliest appeals of discretion forbid my leaving it out altogether.

I've still the vividest memory of Gordon-Nasmyth's appearance in the inner sanctum, a lank, sunburnt person in tweeds with a yellow-brown hatchet face and one faded blue eye—the other was a closed and sunken lid—and how he told us with a stiff affectation of ease his incredible story of this great heap of quap that lay abandoned or undiscovered on the beach behind Mordet's Island among white dead mangroves and the black ooze of brackish water.

"What's quap?" said my uncle on the fourth repetition of the word.

"They call it quap, or quab, or quabb," said Gordon-Nasmyth; "but our relations weren't friendly enough to get the accent right....

"But there the stuff is for the taking. They don't know about it. Nobody knows about it. I got down to the damned place in a canoe alone. The boys wouldn't come. I pretended to be botanising." ...

To begin with, Gordon-Nasmyth was inclined to be dramatic.

"Look here," he said when he first came in, shutting the door rather carefully behind him as he spoke, "do you two men—yes or no—want to put up six thousand—for—a clear good chance of fifteen hundred per cent. on your money in a year?"

"We're always getting chances like that," said my uncle, cocking his cigar offensively, wiping his glasses and tilting his chair back. "We stick to a safe twenty."

Gordon-Nasmyth's quick temper showed in a slight stiffening of his attitude.

"Don't you believe him," said I, getting up before he could reply. "You're different, and I know your books. We're very glad you've come to us. Confound it, uncle! Its Gordon-Nasmyth! Sit down. What is it? Minerals?"

"Quap," said Gordon-Nasmyth, fixing his eye on me, "in heaps."

"In heaps," said my uncle softly, with his glasses very oblique.

"You're only fit for the grocery," said Gordon-Nasmyth scornfully, sitting down and helping himself to one of my uncle's cigars. "I'm sorry I came. But, still, now I'm here.... And first as to quap; quap, sir, is the most radio-active stuff in the world. That's quap! It's a festering mass of earths and heavy metals, polonium, radium, ythorium, thorium, carium, and new things, too. There's a stuff called Xk—provisionally. There they are, mucked up together in a sort of rotting sand. What it is, how it got made, I don't know. It's like as if some young creator had been playing about there. There it lies in two heaps, one small, one great, and the world for miles about it is blasted and scorched and dead. You can have it for the getting. You've got to take it—that's all!"

"That sounds all right," said I. "Have you samples?"

"Well—should I? You can have anything—up to two ounces."

"Where is it?"...

His blue eye smiled at me and scrutinised me. He smoked and was fragmentary for a time, fending off my questions; then his story began to piece itself together. He conjured up a vision of this strange forgotten kink in the world's littoral, of the long meandering channels that spread and divaricate and spend their burden of mud and silt within the thunderbelt of Atlantic surf, of the dense tangled vegetation that creeps into the shimmering water with root and sucker. He gave a sense of heat and a perpetual reek of vegetable decay, and told how at last comes a break among these things, an arena fringed with bone-white dead trees, a sight of the hard-blue sea line beyond the dazzling surf and a wide desolation of dirty shingle and mud, bleached and scarred.... A little way off among charred dead weeds stands the abandoned station,—abandoned because every man who stayed two months at that station stayed to die, eaten up mysteriously like a leper with its dismantled sheds and its decaying pier of wormrotten and oblique piles and planks, still insecurely possible.

And in the midst, two clumsy heaps shaped like the backs of hogs, one small, one great, sticking out under a rib of rock that cuts the space across,—quap!

"There it is," said Gordon-Nasmyth, "worth three pounds an ounce, if it's worth a penny; two great heaps of it, rotten stuff and soft, ready to shovel and wheel, and you may get it by the ton!"

"How did it get there?"

"God knows! ... There it is—for the taking! In a country where you mustn't trade. In a country where the company waits for good kind men to find it riches and then take 'em away from 'em. There you have it—derelict."

"Can't you do any sort of deal?"

"They're too damned stupid. You've got to go and take it. That's all."

"They might catch you."

"They might, of course. But they're not great at catching."

We went into the particulars of that difficulty. "They wouldn't catch me, because I'd sink first. Give me a yacht," said Gordon-Nasmyth; "that's all I need."

"But if you get caught," said my uncle.

I am inclined to think Gordon-Nasmyth imagined we would give him a cheque for six thousand pounds on the strength of his talk. It was very good talk, but we didn't do that. I stipulated for samples of his stuff for analysis, and he consented—reluctantly.

I think, on the whole, he would rather I didn't examine samples. He made a motion pocketwards, that gave us an invincible persuasion that he had a sample upon him, and that at the last instant he decided not to produce it prematurely.

There was evidently a curious strain of secretiveness in him. He didn't like to give us samples, and he wouldn't indicate within three hundred miles the position of this Mordet Island of his. He had it clear in his mind that he had a secret of immense value, and he had no idea at all of just how far he ought to go with business people. And so presently, to gain time for these hesitations of his, he began to talk of other things. He talked very well. He talked of the Dutch East Indies and of the Congo, of Portuguese East Africa and Paraguay, of Malays and rich Chinese merchants, Dyaks and negroes and the spread of the Mahometan world in Africa to-day. And all this time he was trying to judge if we were good enough to trust with his adventure. Our cosy inner office became a little place, and all our business cold and lifeless exploits beside his glimpses of strange minglings of men, of slayings unavenged and curious customs, of trade where no writs run, and the dark treacheries of eastern ports and uncharted channels.

We had neither of us gone abroad except for a few vulgar raids on Paris; our world was England, are the places of origin of half the raw material of the goods we sold had seemed to us as remote as fairyland or the forest of Arden. But Gordon-Nasmyth made it so real and intimate for us that afternoon—for me, at any rate—that it seemed like something seen and forgotten and now again remembered.

And in the end he produced his sample, a little lump of muddy clay speckled with brownish grains, in a glass bottle wrapped about with lead and flannel—red flannel it was, I remember—a hue which is, I know, popularly supposed to double all the mystical efficacies of flannel.

"Don't carry it about on you," said Gordon-Nasmyth. "It makes a sore."

I took the stuff to Thorold, and Thorold had the exquisite agony of discovering two new elements in what was then a confidential analysis. He has christened them and published since, but at the time Gordon-Nasmyth wouldn't hear for a moment of our publication of any facts at all; indeed, he flew into a violent passion and abused me mercilessly even for showing the stuff to Thorold. "I thought you were going to analyse it yourself," he said with the touching persuasion of the layman that a scientific man knows and practises at the sciences.

I made some commercial inquiries, and there seemed even then much truth in Gordon-Nasmyth's estimate of the value of the stuff. It was before the days of Capern's discovery of the value of canadium and his use of it in the Capern filament, but the cerium and thorium alone were worth the money he extracted for the gas-mantles then in vogue. There were, however, doubts. Indeed, there were numerous doubts. What were the limits of the gas-mantle trade? How much thorium, not to speak of cerium, could they take at a maximum. Suppose that quantity was high enough to justify our shipload, came doubts in another quarter. Were the heaps up to sample? Were they as big as he said? Was Gordon-Nasmyth—imaginative? And if these values held, could we after all get the stuff? It wasn't ours. It was on forbidden ground. You see, there were doubts of every grade and class in the way of this adventure.

We went some way, nevertheless, in the discussion of his project, though I think we tried his patience. Then suddenly he vanished from London, and I saw no more of him for a year and a half.

My uncle said that was what he had expected, and when at last Gordon-Nasmyth reappeared and mentioned in an incidental way that he had been to Paraguay on private (and we guessed passionate) affairs, the business of the "quap" expedition had to be begun again at the beginning. My uncle was disposed to be altogether sceptical, but I wasn't so decided. I think I was drawn by its picturesque aspects. But we neither of us dreamt of touching it seriously until Capern's discovery.

Nasmyth's story had laid hold of my imagination like one small, intense picture of tropical sunshine hung on a wall of grey business affairs. I kept it going during Gordon-Nasmyth's intermittent appearances in England. Every now and then he and I would meet and reinforce its effect. We would lunch in London, or he would cone to see my gliders at Crest Hill, and make new projects for getting at those heaps again now with me, now alone.

At times they became a sort of fairy-story with us, an imaginative exercise. And there came Capern's discovery of what he called the ideal filament and with it an altogether less problematical quality about the business side of quap. For the ideal filament needed five per cent. of canadium, and canadium was known to the world only as a newly separated constituent of a variety of the rare mineral rutile. But to Thorold it was better known as an element in a mysterious sample brought to him by me, and to me it was known as one of the elements in quap. I told my uncle, and we jumped on to the process at once. We found that Gordon-Nasmyth, still unaware of the altered value of the stuff, and still thinking of the experimental prices of radium and the rarity value of cerium, had got hold of a cousin named Pollack, made some extraordinary transaction about his life insurance policy, and was buying a brig. We put in, put down three thousand pounds, and forthwith the life insurance transaction and the Pollack side of this finance vanished into thin air, leaving Pollack, I regret to say, in the brig and in the secret—except so far as canadium and the filament went—as residuum. We discussed earnestly whether we should charter a steamer or go on with the brig, but we decided on the brig as a less conspicuous instrument for an enterprise that was after all, to put it plainly, stealing.

But that was one of our last enterprises before our great crisis, and I will tell of it in its place.

So it was quap came into our affairs, came in as a fairy-tale and became real. More and more real it grew until at last it was real, until at last I saw with my eyes the heaps my imagination had seen for so long, and felt between my fingers again that half-gritty, half soft texture of quap, like sanded moist-sugar mixed with clay in which there stirs something—

One must feel it to understand.

V

All sorts of things came to the Hardingham and offered themselves to my uncle. Gordon-Nasmyth stands but only because he played a part at last in the crisis of our fortunes. So much came to us that it seemed to me at times as though the whole world of human affairs was ready to prostitute itself to our real and imaginary millions. As I look back, I am still dazzled and incredulous to think of the quality of our opportunities.

We did the most extraordinary things; things that it seems absurd to me to leave to any casual man of wealth and enterprise who cares to do them. I had some amazing perceptions of just how modern thought and the supply of fact to the general mind may be controlled by money. Among other things that my uncle offered for, he tried very hard to buy the British Medical Journal and the Lancet, and run them on what he called modern lines, and when they resisted him he talked very vigorously for a time of organising a rival enterprise. That was a very magnificent idea indeed in its way; it would have given a tremendous advantage in the handling of innumerable specialties and indeed I scarcely know how far it would not have put the medical profession in our grip. It still amazes me—I shall die amazed—that such a thing can be possible in the modern state. If my uncle failed to bring the thing off, some one else may succeed. But I doubt, even if he had got both these weeklies, whether his peculiar style would have suited them. The change of purpose would have shown. He would have found it difficult to keep up their dignity.

He certainly did not keep up the dignity of the Sacred Grove, an important critical organ which he acquired one day—by saying "snap"—for eight hundred pounds. He got it "lock, stock and barrel"—under one or other of which three aspects the editor was included. Even at that price it didn't pay. If you are a literary person you will remember the bright new cover he gave that representative organ of British intellectual culture, and how his sound business instincts jarred with the exalted pretensions of a vanishing age. One old wrapper I discovered the other day runs:—

"THE SACRED GROVE."

Weekly Magazine of Art, Philosophy, Science and Belles Lettres. ———————————————————————

HAVE YOU A NASTY TASTE IN YOUR MOUTH? IT IS LIVER.

YOU NEED ONE TWENTY-THREE PILL.

(JUST ONE.)

NOT A DRUG BUT A LIVE AMERICAN REMEDY. ———————————————————————-

CONTENTS.

A Hitherto Unpublished Letter from Walter Pater. Charlotte Bronte's Maternal Great Aunt. A New Catholic History of England. The Genius of Shakespeare. Correspondence:—The Mendelian Hypothesis; The Split Infinitive;

"Commence," or "Begin;" Claverhouse; Socialism and the

Individual; The Dignity of Letters. Folk-lore Gossip. The Stage; the Paradox of Acting. Travel Biography, Verse, Fiction, etc. —————————————————————————— THE BEST PILL IN THE WORLD FOR AN IRREGULAR LIVER

I suppose it is some lingering traces of the Bladesover tradition to me that makes this combination of letters and pills seem so incongruous, just as I suppose it is a lingering trace of Plutarch and my ineradicable boyish imagination that at bottom our State should be wise, sane and dignified, that makes me think a country which leaves its medical and literary criticism, or indeed any such vitally important criticism, entirely to private enterprise and open to the advances of any purchaser must be in a frankly hopeless condition. These are ideal conceptions of mine.

As a matter of fact, nothing would be more entirely natural and representative of the relations of learning, thought and the economic situation in the world at the present time than this cover of the Sacred Grove—the quiet conservatism of the one element embedded in the aggressive brilliance of the other; the contrasted notes of bold physiological experiment and extreme mental immobility.

VI

There comes back, too, among these Hardingham memories, an impression of a drizzling November day, and how we looked out of the windows upon a procession of the London unemployed.

It was like looking down a well into some momentarily revealed nether world. Some thousands of needy ineffectual men had been raked together to trail their spiritless misery through the West Eire with an appeal that was also in its way a weak and insubstantial threat: "It is Work we need, not Charity."

There they were, half-phantom through the fog, a silent, foot-dragging, interminable, grey procession. They carried wet, dirty banners, they rattled boxes for pence; these men who had not said "snap" in the right place, the men who had "snapped" too eagerly, the men who had never said "snap," the men who had never had a chance of saying "snap." A shambling, shameful stream they made, oozing along the street, the gutter waste of competitive civilisation. And we stood high out of it all, as high as if we looked godlike from another world, standing in a room beautifully lit and furnished, skillfully warmed, filled with costly things.

"There," thought I, "but for the grace of God, go George and Edward Ponderevo."

But my uncle's thoughts ran in a different channel, and he made that vision the test of a spirited but inconclusive harangue upon Tariff Reform.

CHAPTER THE SECOND

OUR PROGRESS FROM CAMDEN TOWN TO CREST HILL

I

So far my history of my aunt and uncle has dealt chiefly with his industrial and financial exploits. But side by side with that history of inflation from the infinitesimal to the immense is another development, the change year by year from the shabby impecuniosity of the Camden Town lodging to the lavish munificence of the Crest Hill marble staircase and my aunt's golden bed, the bed that was facsimiled from Fontainebleau. And the odd thing is that as I come to this nearer part of my story I find it much more difficult to tell than the clear little perspective memories of the earlier days. Impressions crowd upon one another and overlap one another; I was presently to fall in love again, to be seized by a passion to which I still faintly respond, a passion that still clouds my mind. I came and went between Ealing and my aunt and uncle, and presently between Effie and clubland, and then between business and a life of research that became far more continuous, infinitely more consecutive and memorable than any of these other sets of experiences. I didn't witness a regular social progress therefore; my aunt and uncle went up in the world, so far as I was concerned, as if they were displayed by an early cinematograph, with little jumps and flickers.

As I recall this side of our life, the figure of my round-eyes, button-nosed, pink-and-white Aunt Susan tends always to the central position. We drove the car and sustained the car, she sat in it with a magnificent variety of headgear poised upon her delicate neck, and always with that faint ghost of a lisp no misspelling can render—commented on and illuminated the new aspects.

I've already sketched the little home behind the Wimblehurst chemist's shop, the lodging near the Cobden statue, and the apartments in Gower Street. Thence my aunt and uncle went into a flat in Redgauntlet Mansions. There they lived when I married. It was a compact flat, with very little for a woman to do in it In those days my aunt, I think, used to find the time heavy upon her hands, and so she took to books and reading, and after a time even to going to lectures in the afternoon. I began to find unexpected books upon her table: sociological books, travels, Shaw's plays. "Hullo!" I said, at the sight of some volume of the latter.

"I'm keeping a mind, George," she explained.

"Eh?"

"Keeping a mind. Dogs I never cared for. It's been a toss-up between setting up a mind and setting up a soul. It's jolly lucky for Him and you it's a mind. I've joined the London Library, and I'm going in for the Royal Institution and every blessed lecture that comes along next winter. You'd better look out."...

And I remember her coming in late one evening with a note-book in her hand.

"Where ya been, Susan?" said my uncle.

"Birkbeck—Physiology. I'm getting on." She sat down and took off her gloves. "You're just glass to me," she sighed, and then in a note of grave reproach: "You old PACKAGE! I had no idea! The Things you've kept from me!"

Presently they were setting; up the house at Beckengham, and my aunt intermitted her intellectual activities. The house at Beckengham was something of an enterprise for them at that time, a reasonably large place by the standards of the early years of Tono-Bungay. It was a big, rather gaunt villa, with a conservatory and a shrubbery, a tennis-lawn, a quite considerable vegetable garden, and a small disused coach-house. I had some glimpses of the excitements of its inauguration, but not many because of the estrangement between my aunt and Marion.

My aunt went into that house with considerable zest, and my uncle distinguished himself by the thoroughness with which he did the repainting and replumbing. He had all the drains up and most of the garden with them, and stood administrative on heaps—administrating whisky to the workmen. I found him there one day, most Napoleonic, on a little Elba of dirt, in an atmosphere that defies print. He also, I remember, chose what he considered cheerful contrasts of colours for the painting of the woodwork. This exasperated my aunt extremely—she called him a "Pestilential old Splosher" with an unusual note of earnestness—and he also enraged her into novelties of abuse by giving each bedroom the name of some favourite hero—Cliff, Napoleon, Caesar, and so forth—and having it painted on the door in gilt letters on a black label. "Martin Luther" was kept for me. Only her respect for domestic discipline, she said, prevented her retaliating with "Old Pondo" on the housemaid's cupboard.

Also he went and ordered one of the completest sets of garden requisites I have ever seen—and had them all painted a hard clear blue. My aunt got herself large tins of a kindlier hued enamel and had everything secretly recoated, and this done, she found great joy in the garden and became an ardent rose grower and herbaceous borderer, leaving her Mind, indeed, to damp evenings and the winter months. When I think of her at Beckenham, I always think first of her as dressed in that blue cotton stuff she affected, with her arms in huge gauntleted gardening gloves, a trowel in one hand and a small but no doubt hardy and promising annual, limp and very young-looking and sheepish, in the other.

Beckenham, in the persons of a vicar, a doctor's wife, and a large proud lady called Hogberry, "called" on my uncle and aunt almost at once, so soon in fact as the lawn was down again, and afterwards my aunt made friends with a quiet gentlewoman next door, a propos of an overhanging cherry tree and the need of repairing the party fence. So she resumed her place in society from which she had fallen with the disaster of Wimblehurst. She made a partially facetious study of the etiquette of her position, had cards engraved and retaliated calls. And then she received a card for one of Mrs. Hogberry's At Homes, gave an old garden party herself, participated in a bazaar and sale of work, and was really becoming quite cheerfully entangled in Beckenham society when she was suddenly taken up by the roots again by my uncle and transplanted to Chiselhurst.

"Old Trek, George," she said compactly, "Onward and Up," when I found her superintending the loading of two big furniture vans. "Go up and say good-bye to 'Martin Luther,' and then I'll see what you can do to help me."

II

I look into the jumbled stores of the middle distance of memory, and Beckenham seems to me a quite transitory phase. But really they were there several years; through nearly all my married life, in fact, and far longer than the year and odd months we lived together at Wimblehurst. But the Wimblehurst time with them is fuller in my memory by far then the Beckenham period. There comes back to me with a quite considerable amount of detail the effect of that garden party of my aunt's and of a little social misbehaviour of which I was guilty on that occasion. It's like a scrap from another life. It's all set in what is for me a kind of cutaneous feeling, the feeling of rather ill-cut city clothes, frock coat and grey trousers, and of a high collar and tie worn in sunshine among flowers. I have still a quite vivid memory of the little trapezoidal lawn, of the gathering, and particularly of the hats and feathers of the gathering, of the parlour-maid and the blue tea-cups, and of the magnificent presence of Mrs. Hogberry and of her clear, resonant voice. It was a voice that would have gone with a garden party on a larger scale; it went into adjacent premises; it included the gardener who was far up the vegetable patch and technically out of play. The only other men were my aunt's doctor, two of the clergy, amiable contrasted men, and Mrs. Hogberry's imperfectly grown-up son, a youth just bursting into collar. The rest were women, except for a young girl or so in a state of speechless good behaviour. Marion also was there.

Marion and I had arrived a little estranged, and I remember her as a silent presence, a shadow across all that sunlit emptiness of intercourse. We had embittered each other with one of those miserable little disputes that seemed so unavoidable between us. She had, with the help of Smithie, dressed rather elaborately for the occasion, and when she saw me prepared to accompany her in, I think it was a grey suit, she protested that silk hat and frock coat were imperative. I was recalcitrant, she quoted an illustrated paper showing a garden party with the King present, and finally I capitulated—but after my evil habit, resentfully.... Eh, dear! those old quarrels, how pitiful they were, how trivial! And how sorrowful they are to recall! I think they grow more sorrowful as I grow older, and all the small passionate reasons for our mutual anger fade and fade out of memory.

The impression that Beckenham company has left on my mind is one of a modest unreality; they were all maintaining a front of unspecified social pretension, and evading the display of the economic facts of the case. Most of the husbands were "in business" off stage, it would have been outrageous to ask what the business was—and the wives were giving their energies to produce, with the assistance of novels and the illustrated magazines, a moralised version of the afternoon life of the aristocratic class. They hadn't the intellectual or moral enterprise of the upper-class woman, they had no political interests, they had no views about anything, and consequently they were, I remember, extremely difficult to talk to. They all sat about in the summer-house and in garden-chairs, and were very hatty and ruffley and sunshady. Three ladies and the curate played croquet with a general immense gravity, broken by occasional loud cries of feigned distress from the curate. "Oh! Whacking me about again! Augh!"

The dominant social fact that afternoon was Mrs. Hogberry; she took up a certain position commanding the croquet and went on, as my aunt said to me in an incidental aside, "like an old Roundabout." She talked of the way in which Beckenham society was getting mixed, and turned on to a touching letter she had recently received from her former nurse at Little Gossdean. Followed a loud account of Little Gossdean and how much she and her eight sisters had been looked up to there. "My poor mother was quite a little Queen there," she said. "And such NICE Common people! People say the country labourers are getting disrespectful nowadays. It isn't so—not if they're properly treated. Here of course in Beckenham it's different. I won't call the people we get here a Poor—they're certainly not a proper Poor. They're Masses. I always tell Mr. Bugshoot they're Masses, and ought to be treated as such."...

Dim memories of Mrs. Mackridge floated through my mind as I listened to her....

I was whirled on this roundabout for a bit, and then had the fortune to fall off into a tete-a-tete with a lady whom my aunt introduced as Mrs. Mumble—but then she introduced everybody to me as Mumble that afternoon, either by way of humour or necessity.

That must have been one of my earliest essays in the art of polite conversation, and I remember that I began by criticising the local railway service, and that at the third sentence or thereabouts Mrs. Mumble said in a distinctly bright and encouraging way that she feared I was a very "frivolous" person.

I wonder now what it was I said that was "frivolous."

I don't know what happened to end that conversation, or if it had an end. I remember talking to one of the clergy for a time rather awkwardly, and being given a sort of topographical history of Beckenham, which he assured me time after time was "Quite an old place. Quite an old place." As though I had treated it as new and he meant to be very patient but very convincing. Then we hung up in a distinct pause, and my aunt rescued me. "George," she said in a confidential undertone, "keep the pot a-boiling." And then audibly, "I say, will you both old trot about with tea a bit?"

"Only too delighted to TROT for you, Mrs. Ponderevo," said the clergyman, becoming fearfully expert and in his elements; "only too delighted."

I found we were near a rustic table, and that the housemaid was behind us in a suitable position to catch us on the rebound with the tea things.

"Trot!" repeated the clergyman to me, much amused; "excellent expression!" And I just saved him from the tray as he turned about.

We handed tea for a while....

"Give 'em cakes," said my aunt, flushed, but well in hand. "Helps 'em to talk, George. Always talk best after a little nourishment. Like throwing a bit of turf down an old geyser."

She surveyed the gathering with a predominant blue eye and helped herself to tea.

"They keep on going stiff," she said in an undertone.... "I've done my best."

"It's been a huge success," I said encouragingly.

"That boy has had his legs crossed in that position and hasn't spoken for ten minutes. Stiffer and stiffer. Brittle. He's beginning a dry cough—always a bad sign, George.... Walk 'em about, shall I?—rub their noses with snow?"

Happily she didn't. I got myself involved with the gentlewoman from next door, a pensive, languid-looking little woman with a low voice, and fell talking; our topic, Cats and Dogs, and which it was we liked best.

"I always feel," said the pensive little woman, "that there's something about a dog—A cat hasn't got it."

"Yes," I found myself admitting with great enthusiasm, "there is something. And yet again—"

"Oh! I know there's something about a cat, too. But it isn't the same."

"Not quite the same," I admitted; "but still it's something."

"Ah! But such a different something!"

"More sinuous."

"Much more."

"Ever so much more."

"It makes all the difference, don't you think?"

"Yes," I said, "ALL."

She glanced at me gravely and sighed a long, deeply felt "Yes." A long pause.

The thing seemed to me to amount to a stale-mate. Fear came into my heart and much perplexity.

"The—er—Roses," I said. I felt like a drowning man. "Those roses—don't you think they are—very beautiful flowers?"

"Aren't they!" she agreed gently. "There seems to be something in roses—something—I don't know how to express it."

"Something," I said helpfully.

"Yes," she said, "something. Isn't there?"

"So few people see it," I said; "more's the pity!"

She sighed and said again very softly, "Yes."...

There was another long pause. I looked at her and she was thinking dreamily. The drowning sensation returned, the fear and enfeeblement. I perceived by a sort of inspiration that her tea-cup was empty.

"Let me take your cup," I said abruptly, and, that secured, made for the table by the summer-house. I had no intention then of deserting my aunt. But close at hand the big French window of the drawing-room yawned inviting and suggestive. I can feel all that temptation now, and particularly the provocation of my collar. In an instant I was lost. I would—Just for a moment!

I dashed in, put down the cup on the keys of the grand piano and fled upstairs, softly, swiftly, three steps at a time, to the sanctuary of my uncle's study, his snuggery. I arrived there breathless, convinced there was no return for me. I was very glad and ashamed of myself, and desperate. By means of a penknife I contrived to break open his cabinet of cigars, drew a chair to the window, took off my coat, collar and tie, and remained smoking guiltily and rebelliously, and peeping through the blind at the assembly on the lawn until it was altogether gone....

The clergymen, I thought, were wonderful.

III

A few such pictures of those early days at Beckenham stand out, and then I find myself among the Chiselhurst memories. The Chiselhurst mansion had "grounds" rather than a mere garden, and there was a gardener's cottage and a little lodge at the gate. The ascendant movement was always far more in evidence there than at Beckenham. The velocity was increasing.

One night picks itself out as typical, as, in its way, marking an epoch. I was there, I think, about some advertisement stuff, on some sort of business anyhow, and my uncle and aunt had come back in a fly from a dinner at the Runcorns. (Even there he was nibbling at Runcorn with the idea of our great Amalgamation budding in his mind.) I got down there, I suppose, about eleven. I found the two of them sitting in the study, my aunt on a chair-arm with a whimsical pensiveness on her face, regarding my uncle, and he, much extended and very rotund, in the low arm-chair drawn up to the fender.

"Look here, George," said my uncle, after my first greetings. "I just been saying: We aren't Oh Fay!"

"Eh?"

"Not Oh Fay! Socially!"

"Old FLY, he means, George—French!"

"Oh! Didn't think of French. One never knows where to have him. What's gone wrong to-night?"

"I been thinking. It isn't any particular thing. I ate too much of that fishy stuff at first, like salt frog spawn, and was a bit confused by olives; and—well, I didn't know which wine was which. Had to say THAT each time. It puts your talk all wrong. And she wasn't in evening dress, not like the others. We can't go on in that style, George—not a proper ad."

"I'm not sure you were right," I said, "in having a fly."

"We got to do it all better," said my uncle, "we got to do it in Style. Smart business, smart men. She tries to pass it off as humorous"—my aunt pulled a grimace—"it isn't humorous! See! We're on the up-grade now, fair and square. We're going to be big. We aren't going to be laughed at as Poovenoos, see!"

"Nobody laughed at you," said my aunt. "Old Bladder!"

"Nobody isn't going to laugh at me," said my uncle, glancing at his contours and suddenly sitting up.

My aunt raised her eyebrows slightly, swung her foot, and said nothing.

"We aren't keeping pace with our own progress, George. We got to. We're bumping against new people, and they set up to be gentlefolks—etiquette dinners and all the rest of it. They give themselves airs and expect us to be fish-out-of-water. We aren't going to be. They think we've no Style. Well, we give them Style for our advertisements, and we're going to give 'em Style all through.... You needn't be born to it to dance well on the wires of the Bond Street tradesmen. See?"

I handed him the cigar-box.

"Runcorn hadn't cigars like these," he said, truncating one lovingly. "We beat him at cigars. We'll beat him all round."

My aunt and I regarded him, full of apprehensions.

"I got idees," he said darkly to the cigar, deepening our dread.

He pocketed his cigar-cutter and spoke again.

"We got to learn all the rotten little game first. See, F'rinstance, we got to get samples of all the blessed wines there are—and learn 'em up. Stern, Smoor, Burgundy, all of 'em! She took Stern to-night—and when she tasted it first—you pulled a face, Susan, you did. I saw you. It surprised you. You bunched your nose. We got to get used to wine and not do that. We got to get used to wearing evening dress—YOU, Susan, too."

"Always have had a tendency to stick out of my clothes," said my aunt. "However—Who cares?" She shrugged her shoulders.

I had never seen my uncle so immensely serious.

"Got to get the hang of etiquette," he went on to the fire. "Horses even. Practise everything. Dine every night in evening dress.... Get a brougham or something. Learn up golf and tennis and things. Country gentleman. Oh Fay. It isn't only freedom from Goochery."

"Eh?" I said.

"Oh!—Gawshery, if you like!"

"French, George," said my aunt. "But I'M not ol' Gooch. I made that face for fun."

"It isn't only freedom from Gawshery. We got to have Style. See! Style! Just all right and one better. That's what I call Style. We can do it, and we will."

He mumbled his cigar and smoked for a space, leaning forward and looking into the fire.

"What is it," he asked, "after all? What is it? Tips about eating; tips about drinking. Clothes. How to hold yourself, and not say jes' the few little things they know for certain are wrong—jes' the shibboleth things."

He was silent again, and the cigar crept up from the horizontal towards the zenith as the confidence of his mouth increased.

"Learn the whole bag of tricks in six months." he said, becoming more cheerful. "Ah, Susan? Beat it out! George, you in particular ought to get hold of it. Ought to get into a good club, and all that."

"Always ready to learn!" I said. "Ever since you gave me the chance of Latin. So far we don't seem to have hit upon any Latin-speaking stratum in the population."

"We've come to French," said my aunt, "anyhow."

"It's a very useful language," said my uncle. "Put a point on things. Zzzz. As for accent, no Englishman has an accent. No Englishman pronounces French properly. Don't you tell ME. It's a Bluff.—It's all a Bluff. Life's a Bluff—practically. That's why it's so important, Susan, for us to attend to Style. Le Steel Say Lum. The Style it's the man. Whad you laughing at, Susan? George, you're not smoking. These cigars are good for the mind.... What do YOU think of it all? We got to adapt ourselves. We have—so far.... Not going to be beat by these silly things."

IV

"What do you think of it, George?" he insisted.

What I said I thought of it I don't now recall. Only I have very distinctly the impression of meeting for a moment my aunt's impenetrable eye. And anyhow he started in with his accustomed energy to rape the mysteries of the Costly Life, and become the calmest of its lords. On the whole, I think he did it—thoroughly. I have crowded memories, a little difficult to disentangle, of his experimental stages, his experimental proceedings. It's hard at times to say which memory comes in front of which. I recall him as presenting on the whole a series of small surprises, as being again and again, unexpectedly, a little more self-confident, a little more polished, a little richer and finer, a little more aware of the positions and values of things and men.

There was a time—it must have been very early—when I saw him deeply impressed by the splendours of the dining-room of the National Liberal Club. Heaven knows who our host was or what that particular little "feed" was about now!—all that sticks is the impression of our straggling entry, a string of six or seven guests, and my uncle looking about him at the numerous bright red-shaded tables, at the exotics in great Majolica jars, at the shining ceramic columns and pilasters, at the impressive portraits of Liberal statesmen and heroes, and all that contributes to the ensemble of that palatial spectacle. He was betrayed into a whisper to me, "This is all Right, George!" he said. That artless comment seems almost incredible as I set it down; there came a time so speedily when not even the clubs of New York could have overawed my uncle, and when he could walk through the bowing magnificence of the Royal Grand Hotel to his chosen table in that aggressively exquisite gallery upon the river, with all the easy calm of one of earth's legitimate kings.

The two of them learnt the new game rapidly and well; they experimented abroad, they experimented at home. At Chiselhurst, with the aid of a new, very costly, but highly instructive cook, they tried over everything they heard of that roused their curiosity and had any reputation for difficulty, from asparagus to plover's eggs. They afterwards got a gardener who could wait at table—and he brought the soil home to one. Then there came a butler.

I remember my aunt's first dinner-gown very brightly, and how she stood before the fire in the drawing-room confessing once unsuspected pretty arms with all the courage she possessed, and looking over her shoulder at herself in a mirror.

"A ham," she remarked reflectively, "must feel like this. Just a necklace."...

I attempted, I think, some commonplace compliment.

My uncle appeared at the door in a white waistcoat and with his hands in his trouser pockets; he halted and surveyed her critically.

"Couldn't tell you from a duchess, Susan," he remarked. "I'd like to have you painted, standin' at the fire like that. Sargent! You look—spirited, somehow. Lord!—I wish some of those damned tradesmen at Wimblehurst could see you."...

They did a lot of week-ending at hotels, and sometimes I went down with them. We seemed to fall into a vast drifting crowd of social learners. I don't know whether it is due simply to my changed circumstances, but it seems to me there have been immensely disproportionate developments of the hotel-frequenting and restaurant-using population during the last twenty years. It is not only, I think, that there are crowds of people who, like we were, are in the economically ascendant phase, but whole masses of the prosperous section of the population must be altering its habits, giving up high-tea for dinner and taking to evening dress, using the week-end hotels as a practise-ground for these new social arts. A swift and systematic conversion to gentility has been going on, I am convinced, throughout the whole commercial upper-middle class since I was twenty-one. Curiously mixed was the personal quality of the people one saw in these raids. There were conscientiously refined and low-voiced people reeking with proud bashfulness; there were aggressively smart people using pet diminutives for each other loudly and seeking fresh occasions for brilliant rudeness; there were awkward husbands and wives quarrelling furtively about their manners and ill at ease under the eye of the winter; cheerfully amiable and often discrepant couples with a disposition to inconspicuous corners, and the jolly sort, affecting an unaffected ease; plump happy ladies who laughed too loud, and gentlemen in evening dress who subsequently "got their pipes." And nobody, you knew, was anybody, however expensively they dressed and whatever rooms they took.

I look back now with a curious remoteness of spirit to those crowded dining-rooms with their dispersed tables and their inevitable red-shaded lights and the unsympathetic, unskillful waiters, and the choice of "Thig or Glear, Sir?" I've not dined in that way, in that sort of place, now for five years—it must be quite five years, so specialised and narrow is my life becoming.

My uncle's earlier motor-car phases work in with these associations, and there stands out a little bright vignette of the hall of the Magnificent, Bexhill-on-Sea, and people dressed for dinner and sitting about amidst the scarlet furniture—satin and white-enameled woodwork until the gong should gather them; and my aunt is there, very marvelously wrapped about in a dust cloak and a cage-like veil, and there are hotel porters and under-porters very alert, and an obsequious manager; and the tall young lady in black from the office is surprised into admiration, and in the middle of the picture is my uncle, making his first appearance in that Esquimaux costume I have already mentioned, a short figure, compactly immense, hugely goggled, wearing a sort of brown rubber proboscis, and surmounted by a table-land of motoring cap.

V

So it was we recognised our new needs as fresh invaders of the upper levels of the social system, and set ourselves quite consciously to the acquisition of Style and Savoir Faire. We became part of what is nowadays quite an important element in the confusion of our world, that multitude of economically ascendant people who are learning how to spend money. It is made up of financial people, the owners of the businesses that are eating up their competitors, inventors of new sources of wealth, such as ourselves; it includes nearly all America as one sees it on the European stage. It is a various multitude having only this in common: they are all moving, and particularly their womankind are moving, from conditions in which means were insistently finite, things were few, and customs simple, towards a limitless expenditure and the sphere of attraction of Bond Street, Fifth Avenue, and Paris. Their general effect is one of progressive revolution, of limitless rope.

They discover suddenly indulgences their moral code never foresaw and has no provision for, elaborations, ornaments, possessions beyond their wildest dreams. With an immense astonished zest they begin shopping begin a systematic adaptation to a new life crowded and brilliant with things shopped, with jewels, maids, butlers, coachmen, electric broughams, hired town and country houses. They plunge into it as one plunges into a career; as a class, they talk, think, and dream possessions. Their literature, their Press, turns all on that; immense illustrated weeklies of unsurpassed magnificence guide them in domestic architecture, in the art of owning a garden, in the achievement of the sumptuous in motor-cars, in an elaborate sporting equipment, in the purchase and control of their estates, in travel and stupendous hotels. Once they begin to move they go far and fast. Acquisition becomes the substance of their lives. They find a world organised to gratify that passion. In a brief year or so they are connoisseurs. They join in the plunder of the eighteenth century, buy rare old books, fine old pictures, good old furniture. Their first crude conception of dazzling suites of the newly perfect is replaced almost from the outset by a jackdaw dream of accumulating costly discrepant old things.

I seem to remember my uncle taking to shopping quite suddenly. In the Beckenham days and in the early Chiselhurst days he was chiefly interested in getting money, and except for his onslaught on the Beckenham house, bothered very little about his personal surroundings and possessions. I forget now when the change came and he began to spend. Some accident must have revealed to him this new source of power, or some subtle shifting occurred in the tissues of his brain. He began to spend and "shop." So soon as he began to shop, he began to shop violently. He began buying pictures, and then, oddly enough, old clocks. For the Chiselhurst house he bought nearly a dozen grandfather clocks and three copper warming pans. After that he bought much furniture. Then he plunged into art patronage, and began to commission pictures and to make presents to churches and institutions. His buying increased with a regular acceleration. Its development was a part of the mental changes that came to him in the wild excitements of the last four years of his ascent. Towards the climax he was a furious spender; he shopped with large unexpected purchases, he shopped like a mind seeking expression, he shopped to astonish and dismay; shopped crescendo, shopped fortissimo, con molto espressione until the magnificent smash of Crest Hill eroded his shopping for ever. Always it was he who shopped. My aunt did not shine as a purchaser. It is a curious thing, due to I know not what fine strain in her composition, that my aunt never set any great store upon possessions. She plunged through that crowded bazaar of Vanity Fair during those feverish years, spending no doubt freely and largely, but spending with detachment and a touch of humorous contempt for the things, even the "old" things, that money can buy. It came to me suddenly one afternoon just how detached she was, as I saw her going towards the Hardingham, sitting up, as she always did, rather stiffly in her electric brougham, regarding the glittering world with interested and ironically innocent blue eyes from under the brim of a hat that defied comment. "No one," I thought, "would sit so apart if she hadn't dreams—and what are her dreams?"

I'd never thought.

And I remember, too, an outburst of scornful description after she had lunched with a party of women at the Imperial Cosmic Club. She came round to my rooms on the chance of finding me there, and I gave her tea. She professed herself tired and cross, and flung herself into my chair....

"George," she cried, "the Things women are! Do I stink of money?"

"Lunching?" I asked.

She nodded.

"Plutocratic ladies?"

"Yes."

"Oriental type?"

"Oh! Like a burst hareem!... Bragging of possessions.... They feel you. They feel your clothes, George, to see if they are good!"

I soothed her as well as I could. "They ARE Good aren't they?" I said.

"It's the old pawnshop in their blood," she said, drinking tea; and then in infinite disgust, "They run their hands over your clothes—they paw you."

I had a moment of doubt whether perhaps she had not been discovered in possession of unsuspected forgeries. I don't know. After that my eyes were quickened, and I began to see for myself women running their hands over other women's furs, scrutinising their lace, even demanding to handle jewelry, appraising, envying, testing. They have a kind of etiquette. The woman who feels says, "What beautiful sables?" "What lovely lace?" The woman felt admits proudly: "It's Real, you know," or disavows pretension modestly and hastily, "It's Rot Good." In each other's houses they peer at the pictures, handle the selvage of hangings, look at the bottoms of china....

I wonder if it IS the old pawnshop in the blood.

I doubt if Lady Drew and the Olympians did that sort of thing, but here I may be only clinging to another of my former illusions about aristocracy and the State. Perhaps always possessions have been Booty, and never anywhere has there been such a thing as house and furnishings native and natural to the women and men who made use of them....

VI

For me, at least, it marked an epoch in my uncle's career when I learnt one day that he had "shopped" Lady Grove. I realised a fresh, wide, unpreluded step. He took me by surprise with the sudden change of scale from such portable possessions as jewels and motor-cars to a stretch of countryside. The transaction was Napoleonic; he was told of the place; he said "snap"; there were no preliminary desirings or searchings. Then he came home and said what he had done. Even my aunt was for a day or so measurably awestricken by this exploit in purchase, and we both went down with him to see the house in a mood near consternation. It struck us then as a very lordly place indeed. I remember the three of us standing on the terrace that looked westward, surveying the sky-reflecting windows of the house, and a feeling of unwarrantable intrusion comes back to me.