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Alone
by Norman Douglas
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The thing can be done, up to a point, with patient humility; for everybody writes himself down more or less, though not everybody is worth the trouble of deciphering.

I purpose to apply this method; to squeeze the juice, the life-blood, out of what some would call a rather dry Scotch traveller. I read his book in England for the first time two years ago, and have brought it here with a view to further dissection. Would I had known of its existence five years earlier! Strange to say, despite my deplorable bookishness (vide Press) this was not the case; I could never ascertain either the author's name or the title of his volume, though I had heard about him, rather vaguely, long before that time. It was Dr. Dohrn of the Naples Aquarium who said to me in those days:

"Going to the South? Whatever you do, don't forget to read that book by an old Scotch clergyman. He ran all over the country with a top-hat and an umbrella, copying inscriptions. He was just your style: perfectly crazy."

Flattered at the notion of being likened to a Scottish divine, I made all kinds of inquiries—in vain. I abandoned hope of unearthing the top-hatted antiquarian and had indeed concluded him to be a myth, when a friend supplied me with what may be absurdly familiar to less bookish people: "The Nooks and By-ways of Italy." By Craufurd Tait Ramage, LL.D. Liverpool, 1868.

A glance sufficed to prove that this Ramage belonged to the brotherhood of David Urquhart, Mure of Caldwell, and the rest of them. Where are they gone, those candid inquirers, so full of gentlemanly curiosity, so informative and yet shrewdly human; so practical—think of Urquhart's Turkish Baths—though stuffed with whimsicality and abstractions? Where is the spirit that gave them birth?

One grows attached to these "Nooks and By-ways." An honest book, richly thoughtful, and abounding in kindly twinkles.

Now, regarding the top-hat. I find no mention of it in these letters. For letters they are; letters extracted from a diary which was written on his return from Italy in 1828 from "very full notes made from day to day during my journey." 1828: that date is important. It was in 1828, therefore, when the events occurred which he relates, and he allowed an interval of forty years to elapse ere making them public.

The umbrella on the other hand is always cropping up. It pervades the volume like a Leitmotif. It is "a most invaluable article" for protecting the head against the sun's rays; so constantly is it used that after a single month's wear we find it already in "a sad state of dilapidation." Still, he clings to it. As a defence against brigands it might prove useful, and on one occasion, indeed, he seizes it in his hand "prepared to show fight." This happened, be it remembered, in 1828. Vainly one conjectures what the mountain folk of South Italy thought of such a phenomenon. Even now, if they saw you carrying an umbrella about in the sunshine, they would cross themselves and perhaps pray for your recovery—perhaps not. Yet Ramage was not mad at all. He was only more individualistic and centrifugal than many people. Having formed by bitter experience a sensible theory—to wit, that sunstroke is unpleasant and can be avoided by the use of an umbrella—he is not above putting it into practice. Let others think and do as they please!

For the rest, his general appearance was quite in keeping. How delightful he must have looked! Why have we no such types nowadays? Wearing a "white merino frock-coat, nankeen trowsers, a large-brimmed straw hat, and white shoes," he must have been a fairly conspicuous object in the landscape. That hat alone will have alarmed the peasantry who to this day and hour wear nothing but felt on their heads. And note the predominance of the colour white in his attire; it was popular, at that period, with English travellers. Such men, however, were unknown in most of the regions which Ramage explored. The colour must have inspired feelings akin to awe in the minds of the natives, for white is their bete noire. They have a rooted aversion to it and never employ it in their clothing, because it suggests to their fancy the idea of bloodlessness—of anaemia and death. If you want to make one of them ill over his dinner, wear a white waistcoat.

Accordingly, it is not surprising that he sometimes finds himself "an object of curiosity." An English Vice-Consul, at one place, was "quite alarmed at my appearance." Elsewhere he meets a band of peasant-women who "took fright at my appearance and scampered off in the utmost confusion." And what happened at Taranto? By the time of his arrival in that town his clothes were already in such a state that "they would scarcely fit an Irish beggar." Umbrella in hand—he is careful to apprise us of this detail—and soaked moreover from head to foot after an immersion in the river Tara, he entered the public square, which was full of inhabitants, and soon found himself the centre of a large crowd. Looking, he says, like a drowned rat, his appearance caused "great amazement."

"What is the matter? Who is he?" they asked.

The muleteer explained that he was an Englishman, and "that immediately seemed to satisfy them."

Of course it did. People in those times were prepared for anything on the part of an Englishman, who was a far more self-assertive and self-confident creature than nowadays.

Thus arrayed in snowy hue, like the lilies of the field, he perambulates during the hot season the wildest parts of South Italy, strangely unprejudiced, heedless of bugs and brigands—a real danger in 1828: did he not find the large place Rossano actually blocked by them?—sleeping in stables and execrable inns, viewing sites of antiquity and natural beauty, interrogating everybody about everything and, in general, "satisfying his curiosity." That curiosity took a great deal to satisfy. It is a positive relief to come upon a sentence in this book, a sentence unique, which betrays a relaxing or waning of this terrible curiosity. "It requires a strong mania for antiquities to persevere examining such remains as Alife furnishes, and I was soon satisfied with what I had seen." Nor did he climb to the summit of Mount Vulture, as he would have done if the view had not been obscured by a haze.

His chief concern could not be better summed up than in the sub-title he has chosen for this volume: Wanderings in search of ancient remains and modern superstitions. To any one who knows the country it appears astonishing how much he contrived to see, and in how brief a space of time. He accomplished wonders. For it was no mean task he had proposed to himself, namely, "to visit every spot in Italy which classic writers had rendered famous."

To visit every spot—what a Gargantuan undertaking! None but a quite young man could have conceived such a project, and even Ramage, with all his good health and zest, might have spent half a lifetime over the business but for his habit of breathless hustle, which leaves the reader panting behind. He is always on the move. He reminds one of Mr. Phineas Fogg in that old tale. The moment he has "satisfied his curiosity" there is no holding him; off he goes; the smiles of the girls whom he adores, the entreaties of some gentle scholar who fain would keep him as guest for the night—they are vain; he is tired to death, but "time is precious" and he "tears himself away from his intelligent host" and scampers into the wilderness once more, as if the Furies were at his heels. He thinks nothing of rushing from Catanzaro to Cotrone, from Manduria to Brindisi, in a single day—at a time when there was hardly a respectable road in the country. Up to the final paragraph of the book he is "hurrying" because time is "fast running out."

This sense of fateful hustle—this, and the umbrella—they impart quite a peculiar flavour to his pages.

One would like to learn more about so lovable a type—for such he was, unquestionably; one would like to know, above all things, why his descriptions of other parts of Italy have never been printed. Was the enterprise interrupted by his death? He tells us that the diaries of his tours through the central and northern regions were written; that he visited "every celebrated spot in Umbria and Etruria" and wandered "as far as the valley of the Po." Where are these notes? Those on Etruria, especially, would make good reading at this distance of time, when even Dennis has acquired an old-world aroma. The Dictionary of National Biography might tell us something about him, but that handy little volume is not here; moreover, it has a knack of telling you everything about people save what you ought to know.

So, for example, I had occasion not long ago to look up the account of Charles Waterton the naturalist. [3] He did good work in his line, but nothing is more peculiar to the man than his waywardness. It was impossible for him to do anything after the manner of other folks. In all his words and actions he was a freak, a curiosity, the prince of eccentrics. Yet this, the essence of the man, the fundamental trait of his character which shines out of every page of his writing and every detail of his daily life—this, the feature by which he was known to his fellows and ought to be known to posterity—it is intelligible from that account only if you read between the lines. Is that the way to write "biography"?

Fortunately he has written himself down; so has Ramage; and it is instructive to compare the wayside reflections of these two contemporaries as they rove about the ruins of Italy; the first, ardent Catholic, his horizon close-bounded by what the good fathers of Stonyhurst had seen fit to teach him; the other, less complacent, all alive indeed with Calvinistic disputatiousness and ready to embark upon bold speculations anent the origin of heathen gods and their modern representatives in the Church of Rome; amiable scholars and gentlemen, both of them; yet neither venturing to draw those plain conclusions which the "classic remains of paganism" would have forced upon anybody else—upon anybody, that is, who lacked their initial warp, whose mind had not been twisted in youth or divided, rather, into watertight compartments.

A long sentence....



Pisa

After a glacial journey—those English! They will not even give us coal for steam-heating—I arrived here. It is warmer, appreciably warmer. Yet I leave to-morrow or next day. The streets of the town, the distant beach of San Rossore and its pine trees—they are fraught with sad memories; memories of an autumn month in the early nineties. A city of ghosts....

The old hotel had put on a new face; freshly decorated, it wears none the less a poverty-stricken air. My dinner was bad and insufficient. One grows sick of those vile maccheroni made with war-time flour. The place is full of rigid officers taking themselves seriously. Odd, how a uniform can fill a simpleton with self-importance. What does Bacon say? I forget. Something apposite—something about the connection between military costumes and vanity. For the worst of this career is that it is liable to transform even a sensible man into a fool. I never see these sinister-clanking marionettes without feelings of distrust. They are the outward symbol of an atavistic striving: the modern infame. We have been dying for sometime past from over-legislation. Now we are caught in the noose. A bureaucracy is bad enough. A bureaucracy can at least be bribed. Militarism dries up even that little fount of the imagination.

Another twenty years of this, and we may be living in caves again; they came near it, at the end of the Thirty Years' War. Such a cataclysm as ours may account for the extinction of the great Cro-Magnon civilization—as fine a race, physically, as has yet appeared on earth; they too may have been afflicted with the plague of nationalism, unless, as is quite likely, that horrid work was accomplished by a microbe of some kind....

In the hour of evening, under a wintry sky amid whose darkly massed vapours a young moon is peering down upon this maddened world, I wander alone through deserted roadways towards that old solitary brick-tower. Here I stand, and watch the Arno rolling its sullen waves. In Pisa, at such an hour, the Arno is the emblem of Despair. Swollen with melted snow from the mountains, it has gnawed its miserable clay banks and now creeps along, leaden and inert, half solid, like a torrent of liquid mud—irresolute whether to be earth or water; whether to stagnate here for ever at my feet, or crawl onward yet another sluggish league into the sea. So may Lethe look, or Styx: the nightmare of a flood.

There is dreary monotony in all Italian rivers, once they have reached the plain. They are livelier in their upper reaches. At Florence—where those citron-tinted houses are mirrored in the stream—you may study the Arno in all its ever-changing moods. Seldom is its colour quite the same. The hue of cafe-au-lait in full spate, it shifts at other times between apple-green and jade, between celadon and chrysolite and eau-de-Nil. In the weariness of summer the tints are prone to fade altogether out of the waves. They grow bleached, devitalized; they are spent, withering away like grass that has lain in the sun. [4] Yet with every thunder-storm on yonder hills the colour-sprite leaps back into the waters.

Your Florentine of the humbler sort loves to dawdle along the bank on a bright afternoon, watching the play of the river and drawing a kind of philosophic contentment out of its cool aquatic humours. Presently he reaches that bridge—the jewellers' bridge. He thinks he must buy a ring. Be sure the stone will reflect his Arno in one of its moods. I will wager he selects a translucent chrysoprase set in silver, a cheap and stubborn gem whose frigidly uncompromising hue appeals in mysterious fashion to his own temperament.

Whoever suffers from insomnia will find himself puzzling at night over questions which have no particular concern for him at other times. And one seems to be more wide awake, during those moments, than by day. Yet the promptings of the brain, which then appear so lucid, so novel and convincing, will seldom bear examination in the light of the sun. To test the truth of this, one has only to jot down one's thoughts at the time, and peruse them after breakfast. How trite they read, those brilliant imaginings!

For reasons which I cannot fathom, I pondered last night upon the subject of heredity; a subject that had a certain fascination for me in my biological days. The lacunae of science! We weigh the distant stars and count up their ingredients. Yet here is a phenomenon which lies under our very hand and to which is devoted the most passionate study: what have we learnt of its laws? Be that as it may, there occurred to me last night a new idea. It consisted in putting together two facts which have struck me separately on many occasions, but never conjointly. Taken together, I said to myself, and granted that both are correct, they may help to elucidate a dark problem of national psychology.

The first one I state rather tentatively, having hardly sufficient material to go upon. It is this. You will find it more common in Italy than in England for the male offspring of a family to resemble the father and the female the mother. I cannot suggest a reason for this. I have observed the fact—that is all.

Let me say, in parenthesis, that it is well to confine oneself to adults in such researches. Childhood and youth is a period of changing lights and half-tones and temperamental interplay. Characteristics of body and mind are held, as it were, in solution. We think a child takes after its mother because of this or that feature. If we wait for twenty-five years, we see the true state of affairs; the hair has grown dark like the father's, the nose, the most telling item of the face, has also approximated to his type, likewise the character—in fact the offspring is clearly built on paternal lines. And vice-versa. To study children for these purposes would be waste of time.

The second observation I regard as axiomatic. It is this. You will nowhere find an adult offspring which reproduces in any marked degree the physical features of one parent displaying in any marked degree the mental features of the other. That man whose external build and complexion is entirely modelled upon that of his hard materialistic father and who yet possesses all the artistic idealism of his maternal parent—such creatures do not exist in nature, though you may encounter them as often as you please in the pages of novelists.

Let me insert another parenthesis to observe that I am speaking of the broad mass, the average, in a general way. For it stands to reason that the offspring may be vaguely intermediate between two parents, may resemble one or both in certain particulars and not in others, may hark back to ancestral types or bear no appreciable likeness to any one discoverable. It is a theme admitting of endless combinations and permutations. Or again, in reference to the first proposition, it would be easy for any traveller in this country to point out, for example, a woman who portrays the qualities of her father in the clearest manner. I know a dozen such cases. Hundreds of them would not make them otherwise than what I think they are—rarer here than in England.

Granting that both these propositions are correct, what should we expect to find? That in Italy the male type of character and temperament is more constant, more intimately associated with the male type of feature; and the same with the female. In other words, that the categories into which their men and women fall are fewer and more clearly defined, by reason of the fact that their mental and moral sex-characteristics are more closely correlated with their physical sex-characteristics. That the Englishman, on the other hand, male or female, does not fall so easily into categories; he is complex and difficult to "place," the psychological sex-boundaries being more hazily demarcated. There is iridescence and ambiguity here, whereas Italians of either sex, once the rainbow period of youth is over, are relatively unambiguous; easily "placed."

Is this what we find? I think so.

Speculations....

I never pass through Pisa without calling to mind certain rat-hunts in company with J. O. M., who was carried out of the train at this very station, dead, because he refused to follow my advice. He was my neighbour at one time; he lived near the river Mole in relative seclusion; coursing rats with Dandie Dinmonts was the only form of exercise which entailed no strain on his weakened constitution. How he loved it!

This O—— was a man of mystery and violence, who threw himself into every kind of human activity with superhuman, Satanic, zest; traveller, sportsman, financier, mining expert, lover of wine and women, of books and prints; one of the founders, I believe, of the Rhodesia Company; faultlessly dressed, infernally rich and, when he chose—which was fairly often—preposterously brutal. Neither manner nor face were winning. He was swarthy almost to blackness, quite un-English in looks, with rather long hair, a most menacing moustache and the fiercest eyes imaginable; a king of the gipsies, so far as features went. Something sinister hung about his personality. A predatory type, unquestionably; never so happy as when pitting his wits or strength against others, tracking down this or that—by choice, living creatures. He had taken life by the throat, and excesses of various kinds having shattered his frame, there was an end, for the time being, of deer-stalking and tigers; it was a tame period of rat-hunts with those terriers whose murderous energies were a pis aller, yielding a sort of vicarious pleasure. The neighbourhood was depopulated of such beasts, purchased at fancy prices; when a sufficient quantity (say, half a hundred) had been collected together, I used to receive a telegram containing the single word "rats." Then the pony was saddled, and I rode down for the grand field day.

We once gave the hugest of these destroyed rodents, I remember, to an amiable old sow, a friend of the family. What was she going to do? She ate it, as you would eat a pear. She engulfed the corpse methodically, beginning at the head, working her way through breast and entrails while her chops dripped with gore, and ending with the tail, which gave some little trouble to masticate, on account of its length and tenuity. Altogether, decidedly good sport....

Then O—— disappeared from my ken. Years went by. Improving health, in the course of time, tempted him back into his former habits; he built himself a shooting lodge in the Alps. We were neighbours again, having no ridge worth mentioning save the Schadona pass between us. I joined him once or twice—chamois, instead of rats. This place was constructed on a pretentious scale, and he must have paid fantastic sums for the transport of material to that remote region (you could watch the chamois from the very windows) and for the rights over all the country round about. [5] O—— told me that the superstitious Catholic peasants raised every kind of difficulty and objection to his life there; it was a regular conspiracy. I suggested a more friendly demeanour, especially towards their priests. That was not his way. He merely said: "I'll be even with them. Mark my words."....

There followed another long interval, during which he vanished completely. Then, one April afternoon on the Posilipo, a sailor climbed up with a note from him. The Consul-General said I lived here. If so, would I come to Bertolini's hotel at once? He was seriously ill.

Neighbours once more!

I left then and there, and was appalled at the change in him. His skin was drawn tight as parchment over a face the colour of earth, there was no flesh on his hands, the voice was gone, though fire still gleamed viciously in the hollows of his eyes. That raven-black hair was streaked with grey and longer than ever, which gave him an incongruously devout appearance. He had taken pitiful pains to look fresh and appetizing.

So we sat down to dinner on Bertolini's terrace, in the light of a full moon. O—— ate nothing whatever.

He arrived from Egypt some time ago, on his way to England. The doctor had forbidden further travelling or any other exertion on account of various internal complications; among other things, his heart, he told me, was as large as a child's head.

"I hope you can stand this food," he whispered, or rather croaked. "For God's sake, order anything you fancy. As for me, I can't even eat like you people. Asses' milk is what I get, and slops. Done for, this time. I'm a dying man; anybody can see that. A dying man——"

"Something," I said, "is happening to that moon."

It was in eclipse. Half the bright surface had been ominously obscured since we took our seats. O—— scowled at the satellite, and went on:

"But I won't be carried out of this dirty hole (Bertolini's)—not feet first. Would you mind my gasping another day or two at your place? Rolfe has told me about it."

We moved him, with infinite trouble. The journey woke his dormant capacities for invective. He cursed at the way they jolted him about; he cursed himself into a collapse that day, and we thought it was all over. Then he rallied, and became more abusive than before. Nothing was right. Stairs being forbidden, the whole lower floor of the house was placed at his disposal; the establishment was dislocated, convulsed; and still he swore. He swore at me for the better part of a week; at the servants, and even at the good doctor Malbranc, who came every morning in a specially hired steam-launch to make that examination which always ended in his saying to me: "You must humour him. Heart-patients are apt to be irritable." Irritable was a mild term for this particular patient. His appetite, meanwhile, began to improve.

It was soon evident that my cook had not the common sense to prepare his invalid dishes; a second one was engaged. Then, my gardener and sailor-boy being manifest idiots, it became necessary to procure an extra porter to fetch the numberless odd things he needed from town every day, and every hour of the day. I wrote to the messenger people to send the most capable lad on their books; we would engage him by the week, at twice his ordinary pay. He arrived; a limp and lean nonentity, with a face like a boiled codfish.

This miserable youth promptly became the object of O——'s bitterest execration. I soon learnt to dread those conferences, those terrific scenes which I was forced to witness in my capacity of interpreter. O—— revelled in them with exceeding gusto. He used to gird his loins for the effort of vituperation; I think he regarded the performance as a legitimate kind of exercise—his last remaining one. As soon as the boy returned from town and presented himself with his purchases, O—— would glare at him for two or three minutes with such virulence, such concentration of hatred and loathing, such a blaze of malignity in his black eyes, that one fully expected to see the victim wither away; all this in dead silence. Then he would address me in his usual whisper, quite calmly, as though referring to the weather:

"Would you mind telling that double-distilled abortion that if he goes on making such a face I shall have to shoot him. Tell him, will you; there's a good fellow."

And I had to "humour" him.

"The gentleman"—I would say—"begs you will try to assume another expression of countenance," or words to that effect; whereto he would tearfully reply something about the will of God and the workmanship of his father and mother, honest folks, both of them. I was then obliged to add gravely:

"You had better try, all the same, or he may shoot you. He has a revolver in his pocket, and a shooting licence from your government."

This generally led to the production of a most ghastly smile, calculated to convey an ingratiating impression.

"Look at him," O—— would continue. "He is almost too good to be shot. And now let's see. What does he call these things? Ask him, will you?"

"Asparagus."

"Tell him that when I order asparagus I mean asparagus and not walking-sticks. Tell him that if he brings me such objects again, I'll ram the whole bundle up—down his throat. What does he expect me to do with them, eh? You might ask him, will you? And, God! what's this? Tell him (accellerando) that when I send a prescription to be made up at the Royal Pharmacy——"

"He explained about that. He went to the other place because he wanted to hurry up."

"To hurry up? Tell him to hurry up and get to blazes. Oh, tell him——"

"You'll curse yourself into another collapse, at this rate."

To the doctor's intense surprise, he lingered on; he actually grew stronger. Although never seeming to gain an ounce in weight, he could eat a formidable breakfast and used to insist, to my horror and shame, in importing his own wine, which he accused my German maid Bertha of drinking on the sly. Callers cheered him up—Rolfe the Consul, Dr. Dohrn of the Aquarium, and old Marquis Valiante, that perfect botanist—all of them dead now! After a month and a half of painful experiences, we at last learnt to handle him. The household machinery worked smoothly.

A final and excruciating interview ended in the dismissal of the errand-boy, and I personally selected another one—a pretty little rascal to whom he took a great fancy, over-tipping him scandalously. He needed absolute rest; he got it; and I think was fairly happy or at least tranquil (when not writhing in agony) at the end of that period. I can still see him in the sunny garden, his clothes hanging about an emaciated body—a skeleton in a deck-chair, a death's head among the roses. Humiliated in this inactivity, he used to lie dumb for long hours, watching the butterflies or gazing wistfully towards those distant southern mountains which I proposed to visit later in the season. Once a spark of that old throttling instinct flared up. It was when a kestrel dashed overhead, bearing in its talons a captured lizard whose tail fluttered in the air: the poor beast never made a faster journey in its life. "Ha!" said O——. "That's sport."

At other times he related, always in that hoarse whisper, anecdotes of his life, a life of reckless adventure, of fortunes made and fortunes lost; or spoke of his old passion for art and books. He seemed to have known, at one time or another, every artist and connoisseur on either side of the Atlantic; he told me it had cost about L10,000 to acquire his unique knowledge and taste in the matter of mezzotints, and that he was concerned about the fate of his "Daphnis and Chloe" collection which contained, he said, a copy of every edition in every language—all except the unique Elizabethan version in the Huth library (now British Museum). I happened to have one of the few modern reprints of that stupid and ungainly book: would he accept it? Not likely! He was after originals.

One day he suddenly announced:

"I am leaving you my small library of erotic literature, five or six hundred pieces, worth a couple of thousand, I should say. Some wonderful old French stuff, and as many Rops as you like, and Persian and Chinese things—I can see you gloating over them! Don't thank me. And now I'm off to England."

"To England?"

The doctor peremptorily forbade the journey; if he must go, let him wait another couple of weeks and gain some more strength. But O—— was obdurate; buoyed up, I imagine, with the prospect of movement and of causing some little trouble at home. As the weather had grown unusually hot, I booked at his own suggestion a luxurious cabin on a home-bound liner and engaged a valet for the journey. On my handing him the tickets, he said he had just changed his mind; he would travel overland; there were some copper mines in Etruria of which he was director; he meant to have a look at them en route and "give those people Hell" for something or other. I tried to dissuade him, and all in vain. Finally I said:

"You'll die, if you travel by land in this heat."

So he did. They carried him out of the train in the early days of June, here at Pisa, feet first....

I never learnt the fate of that library of erotic literature. But his will contained one singular provision: the body was to be cremated and its ashes scattered among the hills of his Alpine property. This was his idea of "being even" with the superstitious peasantry, who would thenceforward never have ventured out of doors after dark, for fear of encountering his ghost. He would harass them eternally! It was no bad notion of revenge. A sandy-haired gentleman came from Austria to Italy to convey this handful of potential horrors to the mountains, but the customs officials at Ala refused to allow it to enter the country and it ultimately came to rest in England.

Another queer thing happened. Since his arrival from Egypt, O—— had never been able to make up his mind to pay any of his innumerable bills; the creditors, aware of the man's wealth and position, not pressing for a settlement. I rather think that this procrastination, this reluctance to disburse ready money, is a symptom of his particular state of ill-health; I have observed it with several heart-patients (and others as well); however that may be, it became a source of real vexation to me, for hardly was the news of his death made public before I began to be deluged with outstanding accounts from every quarter—tradespeople, hotel keepers, professional men, etc. I finally sent the documents with a pressing note to his representatives who, after some demur, paid up, English-fashion, in full. Then a noteworthy change came over the faces of men. Everybody beamed upon me in the streets, and there arrived multitudinous little gifts at my house—choice wines, tie-pins, game, cigars, ebony walking-sticks, confectionery, baskets of red mullets, old prints, Capodimonte ware, candied fruits, amber mouthpieces, maraschino—all from donors who plainly desired to remain anonymous. Such things were dropped from the clouds, so to speak, on my doorstep: an enigmatic but not unpleasant state of affairs. Gradually it dawned upon me, it was forced upon me, that I had worked a miracle. These good people, thinking that their demands upon O——'s executors would be cut down, Italian-fashion, by at least fifty per cent, had anticipated that eventuality by demanding twice or thrice as much as was really due to them. And they got it! No wonder men smiled, when the benefactor of the human race walked abroad.



Viareggio (February)

Viareggio, dead at this season, is a rowdy place in summer; not rowdy, however, after the fashion of Margate. There is a suggestive difference between the two. The upper classes in both towns are of course irreproachable in externals—it is their uniformity of behaviour throughout the world which makes them so uninteresting from a spectacular point of view. A place does not receive its tone from them (save possibly Bournemouth) but from their inferiors; and here, in this matter of public decorum, the comparison is to the credit of Italy. It is beside the point to say that the one lies relatively remote, while the other is convenient for cheap trips from a capital. Set Viareggio down at the very gate of Rome and fill it with the scum of Trastevere: the difference would still be there. It might be more noisy than Margate. It would certainly be less blatant.

As for myself, I hate Viareggio at all seasons, and nothing would have brought me here but the prospect of visiting the neighbouring Carrara mines with Attilio to whom I have written, enclosing a postcard for reply.

For this is a modern town built on a plain of mud and sand, a town of heartrending monotony, the least picturesque of all cities in the peninsula, the least Italian. It has not even a central piazza! You may conjure up visions of Holland and detect something of an old-world aroma, if you stroll about the canal and harbour where sails are now flapping furiously in the north wind; you may look up to the snow-covered peaks and imagine yourself in Switzerland, and then thank God you are not there; of Italy I perceive little or nothing. The people are birds of prey; a shallow and rapacious brood who fleece visitors during those summer weeks and live on the proceeds for the rest of the year. There is no commerce to liven them up and make them smilingly polite; no historical tradition to give them self-respect; no agriculture worth mentioning (the soil is too poor)—in other words, no peasantry to replenish the gaps in city life and infuse an element of decency and depth. An inordinate amount of singing and whistling goes on all day long. Is it not a sign of empty-headedness? I would like the opinion of schoolmasters on this point, whether, among the children committed to their charge, the habitual whistlers be not the dullest of wit.

And so five days have passed. A pension proving uninhabitable, and most of the better-class hotels being closed for the winter, I threw myself upon the mercy of an octroi official who stood guarding a forlorn gate somewhere in the wilderness. He has sent me to a villa bearing the name of a certain lady and situated in a street called after a certain politician. He has done well.

A kindlier dame than my hostess could nowhere be found. She hails from the province of the Marche and has no high opinion of this town, where she only lives on account of her husband, a retired something-or-other who owns the house. Although convulsed with grief, both of them, at the moment of my arrival—a favourite kitten had just been run over—they at once set about making me comfortable in a room with exposure due south. The flooring is of cement: the usual Viareggio custom. Bricks are cold, stone is cold, tiles are cold; but cement! It freezes your marrow through double carpets. For meals I go to the "Assassino" or the Vittoria hotel; the fare is better at the first, the company at the other....

The large dining-room at the "Vittoria" is not in use just now. We take our meals in two smaller rooms adjoining each other, one of which leads into the kitchen where privileged guests may talk secrets with the cook and poke their noses into saucepans. At a table by herself sits the little signorina who controls the establishment, wide awake, pale of complexion, slightly hump-backed, close-fisted as the devil though sufficiently vulnerable to a bluff masculine protest. Our waiter is noteworthy in his line. He is that exceptional being, an Italian snob; he can talk of nothing but dukes and princes, Bourbons by choice, because he once served at a banquet given by some tuppenny Parma royalties round the corner.

The food would be endurable, save for those vile war-time maccheroni. The wine is of doubtful origin. Doubtful, at least, to the uninitiated who smacks his lips and wonders vaguely where he has tasted the stuff before. The concoction has so many flavours—a veritable Proteus! I know it well, though its father and mother would be hard to identify. It was born on the banks of the Tiber and goes by the name of ripa: ask any Roman. Certain cheap and heady products of the south—Sicily, Sardinia, Naples, Apulia, Ischia—have contributed their share to its composition; Tiber-water is the one and constant ingredient. This ripa is exported by the ton to wine-less centres like Genoa and there drunk under any name you please. A few butts have doubtless been dropped overboard at Viareggio for the poisoning of its ten thousand summer visitors.

Quite a jolly crowd of folk assembles here every evening. There is, of course, the ubiquitous retired major; also some amusing gentlemen who run up and down between this place and Lucca on mysterious errands connected, I fancy, with oil; as well as a dissipated young marquis sent hither from Rimini by the ridiculously old-fashioned father to expiate his sins—his gambling debts, his multifarious and costly love-adventures, and the manslaughter of a carpenter whom he ran over in his car. [6] My favourite is a fat creature with a glorious fleshy face, the face of some Neronian parvenu—a memorable face, full of the brutal prosperity of Trimalchio's Banquet. He told me, yesterday, a long story about a local saint in one of their villages—a saint of yesterday who, curing diseases and performing various other miracles, began to think himself, as their manner is, God Almighty, or something to that effect. The police shot him as a revolutionary, because he had gathered a few adherents.

"Rather an extreme measure," I suggested.

"It is. Not that I love the saints. But I love the police still less."

"Like every good Italian."

"Like every good Italian...."

News from Attilio. He cannot come. Both mother and sister are ill. He delayed writing in the hopes of their getting better; he wanted to join me, but they are always "auguale"—the same; in short, he must stay at home, as appears from the following plaintive and rather puzzling postcard, the address of which I had providentially written myself:

Caro G. N. Dorcola ho ricevuto la sua cara lettera e son cozi contento da sentire le sue notizzie io non posso venire perche mia madre e amalata e mia sorella Enrica era tardato ascirvere perche mi credevo che tesano mellio ma invece sono sempre auguale perche volevo venire ci mando dici mille baci e una setta dimano addio al Signior D. Dor.

But for the fact that, counting on a fortnight's trip to Carrara, I have asked for certain printed matter to be forwarded here from England, I would jump into the next train for anywhere.

Running along the sea on either side of Viareggio is a noble forest of stone pines where the wind is scarce felt, though you may hear it sighing overhead among the crowns. This is the place for a promenade at all hours of the day. Children climb the trunks to fetch down a few remaining cones or break off dried branches as fuel. A sportsman told me that several of them lose their lives every year at this adventure. What was he doing here, with a gun? Waiting for a hare, he said. They always wait for hares. There are none!

Then a poor thin woman, dressed in black and gathering the prickly stalks of gorse for firewood, began to converse with me, reasonably enough at first. All of a sudden her language changed into a burning torrent of insanity, with wild gesticulations. She was the Queen of the country, she avowed, the rightful Queen, and they had robbed her of all her children, every one of them, and all her jewels. I agreed—what else could one do? Being in the combustible stage, she went over the argument again and again, her eyes fiercely flashing. Nothing could stop the flow of her words. I was right glad when another woman came to my rescue and pushed her along, as you would a calf, saying:

"You go home now, it's getting dark, run along!—yes, yes! you're the Queen right enough—she was in the asylum, Sir, for three months and then they let her out, the fools—of course you are, everybody knows that! But you really mustn't annoy this gentleman any more—her husband and son were both killed in the war, that's what started it—we'll fetch them tomorrow at the palace, all those things, and the children, only don't talk so much—they thought she was cured, but just hark at her!—va bene, it's all yours, only get along—she'll be back there in a day or two, won't she?—really, you are chattering much too much, for a Queen; va bene, va bene, va bene—"

A sad little incident, under the pines....

A fortnight has elapsed.

I refuse to budge from Viareggio, having discovered the village of Corsanico on the heights yonder and, in that village, a family altogether to my liking. How one stumbles upon delightful folks! Set me down in furthest Cathay and I will undertake to find, soon afterwards, some person with whom I am quite prepared to spend the remaining years of life.

The driving-road to Corsanico is a never-ending affair. Deep in mire, it meanders perversely about the plain; meanders more than ever, but of necessity, once the foot of the hills is reached. I soon gave it up in favour of the steam-tram to Cammaiore which deposits you at a station whose name I forget, whence you may ascend to Corsanico through a village called, I think, Momio. That route, also, was promptly abandoned when the path along the canal was revealed to me. This waterway runs in an almost straight line from Viareggio to the base of that particular hill on whose summit lies my village. It is a monotonous walk at this season; the rich marsh vegetation slumbers in the ooze underground, waiting for a breath of summer. At last you cross that big road and strike the limestone rock.

Here is no intermediate region, no undulating ground, between the upland and the plain. They converge abruptly upon each other, as might have been expected, seeing that these hills used to be the old sea-board and this green level, in olden days, the Mediterranean. Three different tracks, leading steeply upward through olives and pines and chestnuts from where the canal ends, will bring you to Corsanico. I know them all. I could find my way in darkest midnight.

Days have passed; days of delight. I climb up in the morning and descend at nightfall, my mind well stored with recollections of pleasant talk and smiling faces. A large place, this Corsanico, straggling about the hill-top with scattered farms and gardens; to reach the tobacconist—near whose house, by the way, you obtain an unexpected glimpse into the valley of Cammaiore—is something of an excursion. As a rule we repose, after luncheon, on a certain wooded knoll. We are high up; seven or eight hundred feet above the canal. The blue Tyrrhenian is dotted with steamers and sailing boats, and yonder lies Viareggio in its belt of forest; far away, to the left, you discern the tower of Pisa. A placid lake between the two, wood-engirdled, is now famous as being the spot selected by the great Maestro Puccini to spend a summer month in much-advertised seclusion. I am learning the name of every locality in the plain, of every peak among the mountains at our back.

"And that little ridge of stone," says my companion, "—do you see it, jutting into the fields down there? It has a queer name. We call it La Sirena."

La Sirena....

It is good to live in a land where such memories cling to old rocks.

By what a chance has the name survived to haunt this inland crag, defying geological changes, outlasting the generations of men, their creeds and tongues and races! How it takes one back—back into hoary antiquity, into another landscape altogether! One thinks of those Greek mariners coasting past this promontory, and pouring libations to the Siren into an ocean on whose untrampled floor the countryman now sows his rice and turnips.

Paganisme immortel, es-tu mort? On le dit. Mais Pan, tout bas, s'en moque, et la Sirene en rit.

They are still here, both sea and Siren; they have only agreed to separate for a while. The ocean shines out yonder in all its luminous splendour of old. And the Siren, too, can be found by those to whom the gods are kind.

My Siren dwells at Corsanico.



Viareggio (May)

Those Sirens! They have called me back, after nearly three months in Florence, to that village on the hill-top. Nothing but smiles up there.

And never was Corsanico more charming, all drenched in sunlight and pranked out with fresh green. On this fourteenth of May, I said to myself, I am wont to attend a certain yearly festival far away, and there enjoy myself prodigiously. Yet—can it be possible?—I am even happier here. Seldom does the event surpass one's hopes.

Later than usual, long after sunset, under olives already heavy-laden, through patches of high-standing corn and beans, across the little brook, past that familiar and solitary farmhouse, I descended to the canal, in full content. Another golden moment of life! Strong exhalations rose up from the swampy soil, that teemed and steamed under the hot breath of spring; the pond-like water, once so bare, was smothered under a riot of monstrous marsh-plants and loud with the music of love-sick frogs. Stars were reflected on its surface.

Star-gazing, my Star? Would I were Heaven, to gaze on thee with many eyes.

Such was my mood, a Hellenic mood, a mood summed up in that one word [Greek: tetelestai]—not to be taken, however, in the sense of "all's over." Quite the reverse! Did Shelley ever walk in like humour along this canal? I doubt it. He lacked the master-key. An evangelist of a kind, he was streaked, for all his paganism, with the craze of world-improvement. One day he escaped from his chains into those mountains and there beheld a certain Witch—only to be called back to mortality by a domestic and critic-bitten lady. He tried to translate the Symposium. He never tried to live it....

I have now interposed a day of rest.

My welcome in the villa situated in the street called after a certain politician was that of the Prodigal Son. There was a look bordering on affection in the landlady's eyes. She knew I would come back, once the weather was warmer. She would now give me a cool room, instead of that old one facing south. Those much-abused cement floors—they were not so inconvenient, were they, at this season? The honey for breakfast? Assuredly; the very same. And there was a tailor she had discovered in the interval, cheaper and better than that other one, if anything required attention.

And thus, having lived long at the mercy of London landladies and London charwomen—having suffered the torments of Hell, for more years than I care to remember, at the hands of these pickpockets and hags and harpies and drunken sluts—I am now rewarded by the services of something at the other end of the human scale. Impossible to say too much of this good dame's solicitude for me. Her main object in life seems to be to save my money and make me comfortable. "Don't get your shoes soled there!" she told me two days ago. "That man is from Viareggio. I know a better place. Let me see to it. I will say they are my husband's, and you will pay less and get better work." With a kind of motherly instinct she forestalls my every wish, and at the end of a few days had already known my habits better than one of those London sharks and furies would have known them at the end of a century....

My thoughts go back to her of Florence, whom I have just left. Equally efficient, she represented quite a different type. She was not of the familiar kind, but rather grave and formal, with spectacles, dyed hair and an upright carriage. She never mothered me; she conversed, and gave me the impression of being in the presence of a grande dame. Such, I used to say to myself, while listening to her well-turned periods enlivened with steely glints of humour—such were the feelings of those who conversed with Madame de Maintenon; such and not otherwise. It would be difficult to conceive her saying anything equivocal or vulgar. Yet she must have been a naughty little girl not long ago. She never dreams that I know what I do know: that she is mistress of a high police functionary and greatly in favour with his set—a most useful landlady, in short, for a virtuous young bachelor like myself.

On learning this fact, I made it my business to study her weaknesses and soon discovered that she was fond of a particular brand of Chianti. A flask of this vintage was promptly secured; then, dissatisfied with its materialistic aspect, I caused it to be garlanded with a wreath of violets and despatched it to her private apartment by the prettiest child I could pick up in the street. That is the way to touch their hearts. The offering was repeated at convenient intervals.

A little item in the newspaper led to some talk, one morning, about the war. I found she shared the view common to many others, that this is an "interested" war. Society has organized itself on new lines, lines which work against peace. There are so many persons "interested" in keeping up the present state of affairs, people who now make more money than they ever made before. Everybody has a finger in the pie. The soldier in the field, the chief person concerned, is voiceless and of no account when compared with this army of civilians, every one of whom would lose, if the war came to an end. They will fight like demons, to keep the fun going. What else should they do? Their income is at stake. A man's heart is in his purse.

I asked:

"Supposing, Madame, you desired to end the war, how would you set about it?"

Whereupon a delightfully Tuscan idea occurred to her.

"I think I would abolish this Red-Cross nonsense. It makes things too pleasant. It would bring the troops to their senses and cause them to march home and say: Basta! We have had enough."

"Don't you find the Germans a little prepotenti?" "Prepotenti: yes. By all means let us break their heads. And then, caro Lei, let us learn to imitate them...."

That afternoon, I remember, being wondrously fine and myself in such mellow mood that I would have shared my last crust with some shipwrecked archduchess and almost forgiven mine enemies, though not until I had hit them back—I strolled about the Cascine. They have done something to make this place attractive; just then, at all events, the shortcomings were unobserved amid the burst of green things overhead and underfoot. Originally it must have been an unpromising stretch of land, running, as it does, in a dead level along the Arno. Yet there is earth and water; and a good deal can be done with such materials to diversify the surface. More might have been accomplished here. For in the matter of hill and dale and lake, and variety of vegetation, the Cascine are not remarkable. One calls to mind what has been attained at Kew Gardens in an identical situation, and with far less sunshine for the landscape gardener to play with. One thinks of a certain town in Germany where, on a plain as flat as a billiard table, they actually reared a mountain, now covered with houses and timber, for the disport of the citizens. To think that I used to skate over the meadows where that mountain now stands!

There was no horse-racing in the Cascine that afternoon; nothing but the usual football. The pastime is well worth a glance, if only for the sake of sympathizing with the poor referee. Several hundred opprobrious epithets are hurled at his head in the course of a single game, and play is often suspended while somebody or other hotly disputes his decision and refuses to be guided any longer by his perverse interpretation of the rules. And whoever wishes to know whence those plastic artists of old Florence drew their inspiration need only come here. Figures of consummate grace and strength, and clothed, moreover, in a costume which leaves little to the imagination. Those shorts fully deserve their name. They are shortness itself, and their brevity is only equalled by their tightness. One wonders how they can squeeze themselves into such an outfit or, that feat accomplished, play in it with any sense of comfort. Play they do, and furiously, despite the heat.

Watching the game and mindful of that morning's discourse with Madame de Maintenon, a sudden wave of Anglo-Saxon feeling swept over me. I grew strangely warlike, and began to snort with indignation. What were all these young fellows doing here? Big chaps of eighteen and twenty! Half of them ought to be in the trenches, damn it, instead of fooling about with a ball.

It would have been instructive to learn the true ideas of the rising generation in regard to the political outlook; to single out one of the younger spectators and make him talk. But these better-class lads cluster together at the approach of a stranger, and one does not want to start a public discussion with half a dozen of them. My chance came from another direction. It was half-time and a certain player limped out of the field and sat down on the grass. I was beside him before his friends had time to come up. A superb specimen, all dewy with perspiration.

"Any damage?"

Nothing much, he gasped. A man on the other side had just caught him with the full swing of his fist under the ribs. It hurt confoundedly.

"Hardly fair play," I commented.

"It was cleverly done."

"Ah, well," I said, warming to my English character, "you may get harder knocks in the trenches. I suppose you are nearly due?"

Not for a year or so, he replied. And even then ... of course, he was quite eligible as to physique ... it was really rather awkward ... but as to serving in the army ... there were other jobs going. ... Was anything more precious than life?... Could anything replace his life to him?... To die at his age....

"It would certainly be a pity from an artistic point of view. But if everybody thought like that, where would the Isonzo line be?"

If everybody thought as he did, there would be no Isonzo line at all. German influence in Italy—why not? They had been there before; it was no dark page in Italian history. Was his own government so admirable that one should regret its disappearance? A pack of knaves and cutthroats. Patriotism—a phrase; auto-intoxication. They say one thing and mean another. The English too. Yes, the English too. Purely mercenary motives, for all their noble talk.

It is always entertaining to see ourselves as others see us. I had the presence of mind to interject some anti-British remark, which produced the desired effect.

"Now they howl about the sufferings of Belgium, because their money-bags are threatened. They fight for poor Belgium. They did not fight for France in 1870, or for Denmark or Poland or Armenia. Trade was not threatened. There was no profit in view. Profit! And they won't even supply us with coal——"

Always that coal.

It is clear as daylight. England has failed in her duty—her duty being to supply everybody with coal, ships, money, cannons and anything else, at the purchaser's valuation.

He made a few more statements of this nature, and I think he enjoyed his little fling at that, for him, relatively speaking, since the war began, rara avis, a genuine Englishman (Teutonic construction); I certainly relished it. Then I asked:

"Where did you learn this? About Armenia, I mean, and Poland?"

"From my father. He was University Professor and Deputy in Parliament. One also picks up a little something at school. Don't you agree with me?"

"Not altogether. You seem to forget that a nation cannot indulge in those freaks of humanitarianism which may possibly befit an individual. A certain heroic dreamer told men to give all they had to the poor. You, if you like, may adopt this idealistic attitude. You may do generous actions such as your country cannot afford to do, since a nation which abandons the line of expediency is on the high road to suicide. If I have a bilious attack, by all means come and console me; if Poland has a bilious attack, there is no reason why England should step in as dry-nurse; there may be every reason, indeed, why England should stand aloof. Now in Belgium, as you say, money is involved. Money, in this national sense, means well-being; and well-being, in this national sense, is one of the few things worth fighting for. However, I am only throwing out one or two suggestions. On some other day, I would like to discuss the matter with you point by point—some other day, that is, when you are not playing football and have just a few clothes on. I am now at a disadvantage. You could never get me to impugn your statements courageously—not in that costume. It would be like haggling with Apollo Belvedere. Why do you wear those baby things?"

"We are all wearing them, this season."

"So I perceive. How do you get into them?"

"Very slowly."

"Are they elastic?"

"I wish they were."....

Four minutes' talk. It gave me an insight. He was an intellectualist. As such, he admired brute force but refused to employ it. He was civilized. Like many products of civilization, he was unaware of its blessings and unconcerned in its fate. Is it not a feature peculiar to civilization that it thinks of everything save war? That is why they are uprooted, these flowerings, each in its turn.

My father told me; often one hears that remark, even from adults. As if a father could not be a fool like anybody else! That a child should have hard-and-fast opinions—it is engaging. Children are egocentric. A fellow of this size ought to be less positive.

These refined youths are fastidious about their clothes. They would not dream of buying a ready-made suit, however well-fitting. They are content to take their opinions second-hand. Unlike ours, they are seldom alone; they lack those stretches of solitude during which they might wrestle with themselves and do a little thinking on their own account. When not with their family, they are always among companions, being far more sociable and fond of herding together than their English representatives. They talk more; they think less; they seem to do each other's thinking, which takes away all hesitation and gives them a precocious air of maturity. If this decorative lad engages in some profession like medicine or engineering there is hope for him, even as others of his age rectify their perspective by contact with crude facts—groceries and calicoes and carburettors and so forth. Otherwise, his doom is sealed. He remains a doctrinaire. This country is full of them.

And then—the sterilizing influence of pavements. Even when summer comes round, they all flock in a mass to some rowdy place like this Viareggio or Ancona where, however pleasant the bathing, spiritual life is yet shallower than at home. What says Craufurd Tait Ramage, LL.D.? "Their country life consists merely in breathing a different air, though in nothing else does it differ from the life they live in town."

He notices things, does Ramage; and might, indeed, have elaborated this argument. The average Italian townsman seems to have lost all sense for the beauty of rural existence; he is incurious about it; dislodge him from the pavement—no easy task—and he gasps like a fish out of water. Squares and cafes—they stimulate his fancy; the doings and opinions of fellow-creatures—thence alone he derives inspiration. What is the result? A considerable surface polish, but also another quality which I should call dewlessness. Often glittering like a diamond, he is every bit as dewless. His materialistic and supercilious outlook results, I think, from contempt or nescience of nature; you will notice the trait still more at Venice, whose inhabitants seldom forsake their congested mud-flat. Depth of character and ideality and humour—such things require a rustic landscape for their nurture. These citizens are arid, for lack of dew; unquestionably more so than their English representatives.

POSTSCRIPT.—The pavements of Florence, by the way, have an objectionable quality. Their stone is too soft. They wear down rapidly and an army of masons is employed in levelling them straight again all the year round. And yet they sometimes use this very sandstone, instead of marble, for mural inscriptions. How long are these expected to remain legible? They employ the same material for their buildings, and I observe that the older monuments last, on the whole, better than the new ones, which flake away rapidly—exfoliate or crack, according to the direction from which the grain of the rock has been attacked by the chisel. It may well be that Florentines of past centuries left the hewn blocks in their shady caverns for a certain length of time, as do the Parisians of to-day, in order to allow for the slow discharge and evaporation of liquid; whereas now the material, saturated with moisture, is torn from its damp and cool quarries and set in the blazing sunshine. At the Bourse, for instance,—quite a modern structure—the columns already begin to show fissures. [7]

Amply content with Viareggio, because the Siren dwells so near, I stroll forth. The town is awake. Hotels are open. Bathing is beginning. Summer has dawned upon the land.

I am not in the city mood, three months in Florence having abated my interest in humanity. Past a line of booths and pensions I wander in the direction of that pinery which year by year is creeping further into the waves, and driving the sea back from its old shore. There is peace in this green domain; all is hushed, and yet pervaded by the mysterious melody of things that stir in May-time. Here are no sombre patches, as under oak or beech; only a tremulous interlacing of light and shade. A peculiarly attractive bole not far from the sea, gleaming rosy in the sunshine, tempts me to recline at its foot.

This insomnia, this fiend of the darkness—the only way to counteract his mischief is by guile; by snatching a brief oblivion in the hours of day, when the demon is far afield, tormenting pious Aethiopians at the Antipodes. How well one rests at such moments of self-created night, merged into the warm earth! The extreme quietude of my present room, after Florentine street-noises, may have contributed to this restlessness. Also, perhaps, the excitement of Corsanico. But chiefly, the dream—that recurrent dream.

Everybody, I suppose, is subject to recurrent dreams of some kind. My present one is of a painful or at least sad nature; it returns approximately every three months and never varies by a hair's breadth. I am in a distant town where I lived many years back, and where each stone is familiar to me. I have come to look for a friend—one who, as a matter of fact, died long ago. My sleeping self refuses to admit this fact; once embarked on the dream-voyage, I hold him to be still alive. Glad at the prospect of meeting my friend again, I traverse cheerfully those well-known squares in the direction of his home.... Where is it, that house; where has it gone? I cannot find it. Ages seem to pass while I trample up and down, in ever-increasing harassment of mind, along interminable rows of buildings and canals; that door, that well-remembered door—vanished! All search is vain. I shall never meet him: him whom I came so far to see. The dismal truth, once established, fills me with an intensity of suffering such as only night-visions can inspire. There is no reason for feeling so strongly; it is the way of dreams! At this point I wake up, thoroughly exhausted, and say to myself: "Why seek his house? Is he not dead?"

This stupid nightmare leaves me unrefreshed next morning, and often bears in its rear a trail of wistfulness which may endure a week. Only within the last few years has it dared to invade my slumbers. Before that period there was a series of other recurrent dreams. What will the next be? For I mean to oust this particular incubus. The monster annoys me, and even our mulish dream-consciousness can be taught to acquiesce in a fact, after a sufficient lapse of time.

There are dreams peculiar to every age of man. That celebrated one of flying, for instance—it fades away with manhood. I once indulged in a correspondence about it with a well-known psychologist, [8] and would like to think, even now, that this dream is a reminiscence of leaping habits in our tree-haunting days; a ghost of the dim past, therefore, which revisits us at night when recent adjustments are cast aside and man takes on the credulity and savagery of his remotest forefathers; a ghost which comes in youth when these ancient etchings are easier to decypher, being not yet overscored by fresh personal experiences. What is human life but a never-ending palimpsest?

So I pondered, when my musings under that pine tree were interrupted by the arrival on the scene of a young snake. I cannot say with any degree of truthfulness which of us two was more surprised at the encounter. I picked him up, as I always do when they give me a chance, and began to make myself agreeable to him. He had those pretty juvenile markings which disappear with maturity. Snakes of this kind, when they become full-sized, are nearly always of a uniform shade, generally black. And when they are very, very old, they begin to grow ears and seek out solitary places. What is the origin of this belief? I have come across it all over the country. If you wish to go to any remote or inaccessible spot, be sure some peasant will say: "Ah! There you find the serpent with ears."

These snakes are not easy to catch with the hand, living as they do among stones and brushwood, and gliding off rapidly once their suspicions are aroused. This one, I should say, was bent on some youthful voyage of discovery or amorous exploit; he walked into the trap from inexperience. As a rule, your best chance for securing them is when they bask on the top of some bush or hedge in relative unconcern, knowing they are hard to detect in such places. They climb into these aerial situations after the lizards, which go there after the insects, which go there after the flowers, which go there after the sunshine, struggling upwards through the thick undergrowth. You must have a quick eye and ready hand to grasp them by the tail ere they have time to lash themselves round some stem where, once anchored, they will allow themselves to be pulled in pieces rather than yield to your efforts. If you fail to seize them, they trickle earthward through the tangle like a thread of running water.

He belonged to that common Italian kind which has no English name—Germans call them Zornnatter, in allusion to their choleric disposition. Most of them are quite ready to snap at the least provocation; maybe they find it pays, as it does with other folks, to assume the offensive and be first in the field, demanding your place in the sun with an air of wrathful determination. Some of the big fellows can draw blood with their teeth. Yet the jawbones are weak and one can force them asunder without much difficulty; whereas the bite of a full-grown emerald lizard, for instance, will provide quite a novel sensation. The mouth closes on you like a steel trap, tightly compressing the flesh and often refusing to relax its hold. In such cases, try a puff of tobacco. It works! Two puffs will daze them; a fragment of a cigar, laid in the mouth, stretches them out dead. And this is the beast which, they say, will gulp down prussic acid as if it were treacle.

But snakes vary in temperament as we do, and some of these Zamenis serpents are as gentle and amiable as their cousin the Aesculap snake. My friend of this afternoon could not be induced to bite. Perhaps he was naturally mild, perhaps drowsy from his winter sleep or ignorant of the ways of the world; perhaps he had not yet shed his milk teeth. I am disposed to think that he forgot about biting because I made a favourable impression on him from the first. He crawled up my arm. It was pleasantly warm, but a little too dark; soon he emerged again and glanced around, relieved to discover that the world was still in its old place. He was not clever at learning tricks. I tried to make him stand on his head, but he refused to stiffen out. Snakes have not much sense of humour.

Lizards are far more companionable. During two consecutive summers I had a close friendship with a wall-lizard who spent in my society certain of his leisure moments—which were not many, for he always had an astonishing number of other things on hand. He was a full-grown male, bejewelled with blue spots. A fierce fighter was Alfonso (such was his name), and conspicuous for a most impressive manner of stamping his front foot when impatient. Concerning his other virtues I know little, for I learnt no details of his private life save what I saw with my eyes, and they were not always worthy of imitation. He was a polygamist, or worse; obsessed, moreover, by a deplorable habit of biting off the tails of his own or other people's children. He went even further. For sometimes, without a word of warning, he would pounce upon some innocent youngster and carry him in his powerful jaws far away, over the wall, right out of my sight. What happened yonder I cannot guess. It was probably a little old-fashioned cannibalism.

Though my meals in those days were all out of doors, his attendance at dinner-time was rather uncertain; I suspect he retired early in order to spend the night, like other polygamists, in prayer and fasting. At the hours of breakfast and luncheon—he knew them as well as I did—he was generally free, and then quite monopolized my company, climbing up my leg on to the table, eating out of my hand, sipping sugar-water out of his own private bowl and, in fact, doing everything I suggested. I did not suggest impossibilities. A friendship should never be strained to breaking-point. Had I cared to risk such a calamity, I might have taught him to play skittles....

For the rest, it is not very amusing to be either a lizard or a snake in Italy. Lizards are caught in nooses and then tied by one leg and made to run on the remaining three; or secured by a cord round the neck and swung about in the air—mighty good sport, this; or deprived of their tails and given to the baby or cat to play with; or dragged along at the end of a string, like a reluctant pig that is led to market. There are quite a number of ways of making lizards feel at home.

With snakes the procedure is simple. They are killed; treated to that self-same system to which they used to treat us in our arboreal days when the glassy eye of the serpent, gleaming through the branches, will have caused our fur to stand on end with horror. No beast provokes human hatred like that old coiling serpent. Long and cruel must have been his reign for the memory to have lingered—how many years? Let us say, in order to be on the safe side, a million. Here, then, is another ghost of the past, a daylight ghost.

And look around you; the world is full of them. We live amid a legion of ancestral terrors which creep from their limbo and peer in upon our weaker moments, ready to make us their prey. A man whose wits are not firmly rooted in earth, in warm friends and warm food, might well live a life of ceaseless trepidation. Many do. They brood over their immortal soul—a ghost. Others there are, whose dreams have altogether devoured their realities. These live, for the most part, in asylums.

There flits, along this very shore, a ghost of another kind—that of Shelley. Maybe the spot where they burnt his body can still be pointed out. I have forgotten all I ever read on that subject. An Italian enthusiast, the librarian of the Laurentian Library in Florence, garnered certain information from ancient fishermen of Viareggio in regard to this occurrence and set it down in a little book, a book with white covers which I possessed during my Shelley period. They have erected a memorial to the English poet in one of the public squares here. The features of the bust do not strike me as remarkably etherial, but the inscription is a good specimen of Italian adapted to lapidary uses—it avoids those insipid verbal terminations which weaken the language and sometimes render it almost ridiculous.

Smollet lies yonder, at Livorno; and Ouida hard by, at Bagni di Lucca. She died in one of these same featureless streets of Viareggio, alone, half blind, and in poverty....

I know Suffolk, that ripe old county of hers, with its pink villages nestling among drowsy elms and cornfields; I know their "Spread Eagles" and "Angels" and "White Horses" and other taverns suggestive—sure sign of antiquity—of zoological gardens; I know their goodly ale and old brown sherries. Her birthplace, despite those venerable green mounds, is comparatively dull—I would not care to live at Bury; give me Lavenham or Melford or some place of that kind. While looking one day at the house where she was born, I was sorely tempted to crave permission to view the interior, but refrained; something of her own dislike of prying and meddlesomeness came over me. Thence down to that commemorative fountain among the drooping trees. The good animals for whose comfort it was built would have had some difficulty in slaking their thirst just then, its basin being chocked up with decayed leaves.

We corresponded for a good while and I still possess her letters somewhere; I see in memory that large and bold handwriting, often only two words to a line, on the high-class slate-coloured paper. The sums she spent on writing materials! It was one of her many ladylike traits.

I tried to induce her to stay with me in South Italy. She made three conditions: to be allowed to bring her dogs, to have a hot bath every day, and two litres of cream. Everything could be managed except the cream, which was unprocurable. Later on, while living in the Tyrolese mountains, I renewed the invitation; that third condition could now be fulfilled as easily as the other two. She was unwell, she replied, and could not move out of the house, having been poisoned by a cook. So we never met, though she wrote me much about herself and about "Helianthus," which was printed after her death. In return, I dedicated to her a book of short stories; they were published, thank God, under a pseudonym, and eight copies were sold.

She is now out of date. Why, yes. Those guardsmen who drenched their beards in scent and breakfasted off caviare and chocolate and sparkling Moselle—they certainly seem fantastic. They really were fantastic. They did drench their beards in scent. The language and habits of these martial heroes are authenticated in the records of their day; glance, for instance, into back numbers of Punch. The fact is, we were all rather ludicrous formerly. The characters of Dickens, to say nothing of Cruikshank's pictures of them: can such beings ever have walked the earth?

If her novels are somewhat faded, the same cannot be said of her letters and articles and critiques. To our rising generation of authors—the youngsters, I mean; those who have not yet sold themselves to the devil—I should say: read these things of Ouida's. Read them attentively, not for their matter, which is always of interest, nor yet for their vibrant and lucid style, which often rivals that of Huxley. Read them for their tone, their temper; for that pervasive good breeding, that shining honesty, that capacity of scorn. These are qualities which our present age lacks, and needs; they are conspicuous in Ouida. Abhorrence of meanness was her dominant trait. She was intelligent, fearless; as ready to praise without stint as to voice the warmest womanly indignation. She was courageous not only in matters of literature; courageous, and how right! Is it not satisfactory to be right, when others are wrong? How right about the Japanese, about Feminism and Conscription and German brutalitarianism! How she puts her finger on the spot when discussing Marion Crawford and D'Annunzio! Those local politicians—how she hits them off! Hers was a sure touch. Do we not all now agree with what she wrote at the time of Queen Victoria and Joseph Chamberlain? When she remarks of Tolstoy, in an age which adored him (I am quoting from memory), that "his morality and monogamy are against nature and common sense," adding that he is dangerous, because he is an "educated Christ"—out of date? When she says that the world is ruled by two enemies of all beauty, commerce and militarism—out of date? When she dismisses Oscar Wilde as a cabotin and yet thinks that the law should not have meddled with him—is not that the man and the situation in a nutshell?

No wonder straightforward sentiments like these do not appeal to our age of neutral tints and compromise, to our vegetarian world-reformers who are as incapable of enthusiasm as they are of contempt, because their blood-temperature is invariably two degrees below the normal. Ouida's critical and social opinions are infernally out of date—quite inconveniently modern, in fact. There is the milk of humanity in them, glowing conviction and sincerity; they are written from a standpoint altogether too European, too womanly, too personally-poignant for present-day needs; and in a language, moreover, whose picturesque and vigorous independence comes as a positive shock after the colourless Grub-street brand of to-day.

They come as a shock, these writings, because in the brief interval since they were published our view of life and letters has shifted. A swarm of mystics and pragmatists has replaced the lonely giants of Ouida's era. It is an epoch of closed pores, of constriction. The novel has changed. Pick up the average one and ask yourself whether this crafty and malodorous sex-problem be not a deliberately commercial speculation—a frenzied attempt to "sell" by scandalizing our unscandalizable, because hermaphroditic, middle classes? Ouida was not one of these professional hacks, but a personality of refined instincts who wrote, when she cared to write at all, to please her equals; a rationalistic anti-vulgarian; a woman of wide horizons who fought for generous issues and despised all shams; the last, almost the last, of lady-authors. What has such a genial creature in common with our anaemic and woolly generation? "The Massarenes" may have faults, but how many of our actual woman-scribes, for all their monkey-tricks of cleverness, could have written it? The haunting charm of "In Maremma": why ask our public to taste such stuff? You might as well invite a bilious nut-fooder to a Lord Mayor's banquet.

The mention of banquets reminds me that she was blamed for preferring the society of duchesses and diplomats to that of the Florentine literati, as if there were something reprehensible in Ouida's fondness for decent food and amusing talk when she could have revelled in Ceylon tea and dough-nuts and listened to babble concerning Quattro-Cento glazes in any of the fifty squabbling art-coteries of that City of Misunderstandings. It was one of her several failings, chiefest among them being this: that she had no reverence for money. She was unable to hoard—an unpardonable sin. Envied in prosperity, she was smugly pitied in her distress. Such is the fate of those who stand apart from the crowd, among a nation of canting shopkeepers. To die penniless, after being the friend of duchesses, is distinctly bad form—a slur on society. True, she might have bettered her state by accepting a lucrative proposal to write her autobiography, but she considered such literature a "degrading form of vanity" and refused the offer. She preferred to remain ladylike to the last, in this and other little trifles—in her lack of humour, her redundancies, her love of expensive clothes and genuinely humble people, of hot baths and latinisms and flowers and pet dogs and sealing-wax. All through life she made no attempt to hide her woman's nature, her preference for male over female company; she was even guilty of saying that disease serves the world better than war, because it kills more women than men. Out of date, with a vengeance!

There recurs to me a sentence in a printed letter written by a celebrated novelist of the artificial school, a sentence I wish I could forget, describing Ouida as "a little terrible and finally pathetic grotesque." Does not a phrase like this reveal, even better than his own romances, the essentially non-human fibre of the writer's mind? Whether this derivative intellectualist spiderishly spinning his own plots and phrases and calling Ouida a "grotesque"—whether this echo ever tried to grasp the bearing of her essays on Shelley or Blind Guides or Alma Veniesia or The Quality of Mercy—tried to sense her burning words of pity for those that suffer, her hatred of hypocrisy and oppression and betrayal of friendship, her so righteous pleadings, coined out of the heart's red blood, for all that makes life worthy to be lived? He may have tried. He never could succeed. He lacked the sympathy, the sex. He lacked the sex. Ah, well—Schwamm drueber, as the Norwegians say. Ouida, for all her femininity, was more than this feline and gelatinous New Englander.



Rome

The railway station at Rome has put on a new face. Blown to the winds is that old dignity and sense of leisure. Bustle everywhere; soldiers in line, officers strutting about; feverish scurryings for tickets. A young baggage employe, who allowed me to effect a change of raiment in the inner recesses of his department, alone seemed to keep up the traditions of former days. He was unruffled and polite; he told me, incidentally, that he came from ——. That was odd, I said; I had often met persons born at ——, and never yet encountered one who was not civil beyond the common measure. His native place must be worthy of a visit.

"It is," he replied. "There are also certain fountains...."

That restaurant, for example—one of those few for which a man in olden days of peace would desert his own tavern in the town—how changed! The fare has deteriorated beyond recognition. Where are those succulent joints and ragouts, the aromatic wine, the snow-white macaroni, the cafe-au-lait with genuine butter and genuine honey?

War-time!

Conversed awhile with an Englishman at my side, who was gleefully devouring lumps of a particular something which I would not have liked to touch with tongs.

"I don't care what I eat," he remarked.

So it seemed.

I don't care what I eat: what a confession to make! Is it not the same as saying, I don't care whether I am dirty or clean? When others tell me this, I regard it as a pose, or a poor joke. This person was manifestly sincere in his profession of faith. He did not care what he ate. He looked it. Were I afflicted with this peculiar ailment, this attenuated form of coprophagia, I should try to keep the hideous secret to myself. It is nothing to boast of. A man owes something to those traditions of our race which has helped to raise us above the level of the brute. Good taste in viands has been painfully acquired; it is a sacred trust. Beware of gross feeders. They are a menace to their fellow-creatures. Will they not act, on occasion, even as they feed? Assuredly they will. Everybody acts as he feeds.

Then lingered on the departure platform, comparing its tone with that of similar places in England. A mournful little crowd is collected here. Conscripts, untidy-looking fellows, are leaving—perhaps for ever. They climb into those tightly packed carriages, loaded down with parcels and endless recommendations. Some of the groups are cheerful over their farewells, though the English note of deliberate jocularity is absent. The older people are resigned; in the features of the middle generation, the parents, you may read a certain grimness and hostility to fate; they are the potential mourners. The weeping note predominates among the sisters and children, who give themselves away pretty freely. An infectious thing, this shedding of tears. One little girl, loth to part from that big brother, contrived by her wailing to break down the reserve of the entire family....

It rains persistently in soft, warm showers. Rome is mirthless.

There arises, before my mind's eye, the vision of a sweet old lady friend who said to me, in years gone by:

"When next you go to Rome, please let me know if it is still raining there."

It was here that she celebrated her honeymoon—an event which must have taken place in the 'sixties or thereabouts. She is dead now. So is her husband, the prince of moralizers, the man who first taught me how contemptible the human race may become. Doubtless he expired with some edifying platitude on his lips and is deblatterating them at this very moment in Heaven, where the folks may well be seasoned to that kind of talk.

Let us be charitable, now that he is gone!

To have lived so long with a person of this incurable respectability would have soured any ordinary woman's temper. Hers it refined; it made her into something akin to an angel. He was her cross; she bore him meekly and not, I like to think, without extracting a kind of sly, dry fun out of the horrible creature. A past master in the art of gentle domestic nagging, he made everybody miserable as long as he lived, and I would give something for an official assurance that he is now miserable himself. He was a worm; a good man in the worse sense of the word. It was the contrast—the contrast between his gentle clothing and ungentle heart, which moved my spleen. What a self-sufficient and inhuman brood were the Victorians of that type, hag-ridden by their nightmare of duty; a brood that has never yet been called by its proper name. Victorians? Why, not altogether. The mischief has its roots further back. Addison, for example, is a fair specimen.

Why say unkind things about a dead man? He cannot answer back.

Upon my word, I am rather glad to think he cannot. The last thing I ever wish to hear again is that voice of his. And what a face: gorgonizing in its assumption of virtue! Now the whole species is dying out, and none too soon. Graft abstract principles of conduct upon natures devoid of sympathy and you produce a monster; a sanctimonious fish; the coldest beast that ever infested the earth. This man's affinities were with Robespierre and Torquemada—both of them actuated by the purest intentions and without a grain of self-interest: pillars of integrity. What floods of tears would have been spared to mankind, had they only been a little corrupt! How corrupt a person of principles? He lacks the vulgar yet divine gift of imagination.

That is what these Victorians lacked. They would never have subscribed to this palpable truth: that justice is too good for some men, and not good enough for the rest. They cultivated the Cato or Brutus tone; they strove to be stern old Romans—Romans of the sour and imperfect Republic; for the Empire, that golden blossom, was to them a period of luxury and debauch. Nero—most reprehensible! It was not Nero, however, but our complacent British reptiles, who filled the prisons with the wailing of young children, and hanged a boy of thirteen for stealing a spoon. I wish I had it here, that book which everybody ought to read, that book by George Ives on the History of Penal Methods—it would help me to say a few more polite things. The villainies of the virtuous: who shall recount them? I can picture this vastly offensive old man acting as judge on that occasion and then, his "duties towards society" accomplished, being driven home in his brougham to thank Providence for one of those succulent luncheons, the enjoyment of which he invariably managed to ruin for every one except himself.

God rest his soul, the unspeakable phenomenon! He ought to have throttled himself at his mother's breast. Only a woman imbued with ultra-terrestrial notions of humour could have tolerated such an infliction. Anybody else would have poisoned him in the name of Christian charity and common sense, and earned the gratitude of generations yet unborn.

Well, well! R.I.P....

On returning to Rome after a considerable absence—a year or so—a few things have to be done for the sake of auld lang syne ere one may again feel at home. Rites must be performed. I am to take my fill of memories and conjure up certain bitter-sweet phantoms of the past. Meals must be taken in definite restaurants; a certain church must be entered; a sip of water taken from a fountain—from one, and one only (no easy task, this, for most of the fountains of Rome are so constructed that, however abundant their flow, a man may die of thirst ere obtaining a mouthful); I must linger awhile at the very end, the dirty end, of the horrible Via Principe Amedeo and, again, at a corner near the Portico d'Ottavia; perambulate the Protestant cemetery, Monte Mario, and a few quite uninteresting modern sites; the Acqua Acetosa, a stupid place, may on no account be forgotten, nor yet that bridge on the Via Nomentana—not the celebrated bridge but another one, miles away in the Campagna, the dreariest of little bridges, in the dreariest of landscapes. Why? It has been hallowed by the tread of certain feet.

Thus, by a kind of sacred procedure, I immerge myself into those old stones and recreate my peculiar Roman mood. It is rather ridiculous. Tradition wills it.

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