The two dark, sullen hills that stood on each side were clothed from tip to hollow with dark scrub and scraggy box-trees; but above the highest row of shafts on one side ran a line of wattle-trees in full bloom.

The top of the western hill was shaped somewhat like a saddle, and standing high above the eucalypti on the point corresponding with the pommel were three tall pines. These lonely trees, seen for many miles around, had caught the yellow rays of many a setting sun long before the white man wandered over the ranges.

The predominant note of the scene was a painful sense of listening, that never seemed to lose its tension—a listening as though for the sounds of digger life, sounds that had gone and left a void that was accentuated by the signs of a former presence. The main army of diggers had long ago vanished to new rushes, leaving only its stragglers and deserters behind. These were men who were too poor to drag families about, men who were old and feeble, and men who had lost their faith in fortune. They had dropped unnoticed out of the ranks; and remained to scratch out a living among the abandoned claims.

Golden Gully had its little community of fossickers who lived in a clearing called Spencer's Flat on one side and Pounding Flat on the other, but they lent no life to the scene; they only haunted it. A stranger might have thought the field entirely deserted until he came on a coat and a billy at the foot of saplings amongst the holes, and heard, in the shallow ground underneath, the thud of a pick, which told of some fossicker below rooting out what little wash remained.

One afternoon towards Christmas, a windlass was erected over an old shaft of considerable depth at the foot of the gully. A greenhide bucket attached to a rope on the windlass was lying next morning near the mouth of the shaft, and beside it, on a clear-swept patch, was a little mound of cool wet wash-dirt.

A clump of saplings near at hand threw a shade over part of the mullock heap, and in this shade, seated on an old coat, was a small boy of eleven or twelve years, writing on a slate.

He had fair hair, blue eyes, and a thin old-fashioned face—a face that would scarcely alter as he grew to manhood. His costume consisted of a pair of moleskin trousers, a cotton shirt, and one suspender. He held the slate rigidly with a corner of its frame pressed close against his ribs, whilst his head hung to one side, so close to the slate that his straggling hair almost touched it. He was regarding his work fixedly out of the corners of his eyes, whilst he painfully copied down the head line, spelling it in a different way each time. In this laborious task he appeared to be greatly assisted by a tongue that lolled out of the corner of his mouth and made an occasional revolution round it, leaving a circle of temporarily clean face. His small clay-covered toes also entered into the spirit of the thing, and helped him not a little by their energetic wriggling. He paused occasionally to draw the back of his small brown arm across his mouth.

Little Isley Mason, or, as he was called, "His Father's Mate," had always been a favourite with the diggers and fossickers from the days when he used to slip out first thing in the morning and take a run across the frosty flat in his shirt. Long Bob Sawkins would often tell how Isley came home one morning from his run in the long, wet grass as naked as he was born, with the information that he had lost his shirt.

Later on, when most of the diggers had gone, and Isley's mother was dead, he was to be seen about the place with bare, sunbrowned arms and legs, a pick and shovel, and a gold dish about two-thirds of his height in diameter, with which he used to go "a-speckin'" and "fossickin'" amongst the old mullock heaps. Long Bob was Isley's special crony, and he would often go out of his way to lay the boy outer bits o' wash and likely spots, lamely excusing his long yarns with the child by the explanation that it was "amusin' to draw Isley out."

Isley had been sitting writing for some time when a deep voice called out from below:

"Isley!"

"Yes, father."

"Send down the bucket."

"Right."

Isley put down his slate, and going to the shaft dropped the bucket down as far as the slack rope reached; then, placing one hand on the bole of the windlass and holding the other against it underneath, he let it slip round between his palms until the bucket reached bottom. A sound of shovelling was heard for a few moments, and presently the voice cried, "Wind away, sonny."

"Thet ain't half enough," said the boy, peering down. "Don't be frightened to pile it in, father. I kin wind up a lot more'n thet."

A little more scraping, and the boy braced his feet well upon the little mound of clay which he had raised under the handle of the windlass to make up for his deficiency in stature.

"Now then, Isley!"

Isley wound slowly but sturdily, and soon the bucket of "wash" appeared above the surface; then he took it in short lifts and deposited it with the rest of the wash-dirt.

"Isley!" called his father again.

"Yes, father."

"Have you done that writing lesson yet?"

"Very near."

"Then send down the slate next time for some sums."

"All right."

The boy resumed his seat, fixed the corner of the slate well into his ribs, humped his back, and commenced another wavering line.

Tom Mason was known on the place as a silent, hard worker. He was a man of about sixty, tall, and dark bearded. There was nothing uncommon about his face, except, perhaps, that it hardened, as the face of a man might harden who had suffered a long succession of griefs and disappointments. He lived in little hut under a peppermint tree at the far edge of Pounding Flat. His wife had died there about six years before, and new rushes broke out and he was well able to go, he never left Golden Gully.

Mason was kneeling in front of the "face" digging away by the light of a tallow candle stuck in the side. The floor of the drive was very wet, and his trousers were heavy and cold with clay and water; but the old digger was used to this sort of thing. His pick was not bringing out much to-day, however, for he seemed abstracted and would occasionally pause in his work, while his thoughts wandered far away from the narrow streak of wash-dirt in the "face."

He was digging out pictures from a past life. They were not pleasant ones, for his face was stony and white in the dim glow of the candle.

Thud, thud, thud—the blows became slower and more irregular as the fossicker's mind wandered off into the past. The sides of the drive seemed to vanish slowly away, and the "face" retreated far out beyond a horizon that was hazy in the glow of the southern ocean. He was standing on the deck of a ship and by his side stood a brother. They were sailing southward to the Land of Promise that was shining there in all its golden glory! The sails pressed forward in the bracing wind, and the clipper ship raced along with its burden of the wildest dreamers ever borne in a vessel's hull! Up over long blue ocean ridges, down into long blue ocean gullies; on to lands so new, and yet so old, where above the sunny glow of the southern skies blazed the shining names of Ballarat! and Bendigo! The deck seemed to lurch, and the fossicker fell forward against the face of the drive. The shock recalled him, and he lifted his pick once more.

But the blows slacken again as another vision rises before him. It is Ballarat now. He is working in a shallow claim at Eureka, his brother by his side. The brother looks pale and ill, for he has been up all night dancing and drinking. Out behind them is the line of blue hills; in front is the famous Bakery Hill, and down to the left Golden Point. Two mounted troopers are riding up over Specimen Hill. What do they want?

They take the brother away, handcuffed. Manslaughter last night. Cause—drink and jealousy.

The vision is gone again. Thud, thud, goes the pick; it counts the years that follow—one, two, three, four, up to twenty, and then it stops for the next scene—a selection on the banks of a bright river in New South Wales. The little homestead is surrounded by vines and fruit-trees. Many swarms of bees work under the shade of the trees, and a crop of wheat is nearly ripe on the hillside.

A man and a boy are engaged in clearing a paddock just below the homestead. They are father and son; the son, a boy of about seventeen, is the image of his father.

Horses' feet again! Here comes Nemesis in mounted troopers' uniform.

The mail was stuck up last night about five miles away, and a refractory passenger shot. The son had been out 'possum shooting' all night with some friends.

The troopers take the son away handcuffed: "Robbery under arms."

The father was taking out a stump when the troopers came. His foot is still resting on the spade, which is half driven home. He watches the troopers take the boy up to the house, and then, driving the spade to its full depth, he turns up another sod. The troopers reach the door of the homestead; but still he digs steadily, and does not seem to hear his wife's cry of despair. The troopers search the boy's room and bring out some clothing in two bundles; but still the father digs. They have saddled up one of the farm horses and made the boy mount. The father digs. They ride off along the ridge with the boy between them. The father never lifts his eyes; the hole widens round the stump; he digs away till the brave little wife comes and takes him gently by the arm. He half rouses himself and follows her to the house like an obedient dog.

Trial and disgrace follow, and then other misfortunes, pleuro among the cattle, drought, and poverty.

Thud, thud, thud again! But it is not the sound of the fossicker's pick—it is the fall of sods on his wife's coffin.

It is a little bush cemetery, and he stands stonily watching them fill up her grave. She died of a broken heart and shame. "I can't bear disgrace! I can't bear disgrace!" she had moaned all these six weary years—for the poor are often proud.

But he lives on, for it takes a lot to break a man's heart. He holds up his head and toils on for the sake of a child that is left, and that child is—Isley.

And now the fossicker seems to see a vision of the future. He seems to be standing somewhere, an old, old man, with a younger one at his side; the younger one has Isley's face. Horses' feet again! Ah, God! Nemesis once more in troopers' uniform!

The fossicker falls on his knees in the mud and clay at the bottom of the drive, and prays Heaven to take his last child ere Nemesis comes for him.

Long Bob Sawkins had been known on the diggings as "Bob the Devil." His profile at least from one side, certainly did recall that of the sarcastic Mephistopheles; but the other side, like his true character, was by no means a devil's. His physiognomy had been much damaged, and one eye removed by the premature explosion of a blast in some old Ballarat mine. The blind eye was covered with a green patch, which gave a sardonic appearance to the remaining features.

He was a stupid, heavy, good-natured Englishman. He stuttered a little, and had a peculiar habit of wedging the monosyllable "why" into his conversation at times when it served no other purpose than to fill up the pauses caused by his stuttering; but this by no means assisted him in his speech, for he often stuttered over the "why" itself.

The sun was getting low down, and its yellow rays reached far up among the saplings of Golden Gully when Bob appeared coming down by the path that ran under the western hill. He was dressed in the usual costume-cotton shirt, moleskin trousers, faded hat and waistcoat, and blucher boots. He carried a pick over his shoulder, the handle of which was run through the heft of a short shovel that hung down behind, and he had a big dish under his arm. He paused opposite the shaft with the windlass, and hailed the boy in his usual form of salutation.

"Look, see here Isley!"

"What is it, Bob?"

"I seed a young—why—magpie up in the scrub, and yer oughter be able to catch it."

"Can't leave the shaft; father's b'low."

"How did yer father know there was any—why—wash in the old shaft?"

"Seed old Corney in town Saturday, 'n he said thur was enough to make it worth while bailin' out. Bin bailin' all the mornin'."

Bob came over, and letting his tools down with a clatter he hitched up the knees of his moleskins and sat down on one heel.

"What are yer—why—doin' on the slate, Isley?" said he, taking out an old clay pipe and lighting it.

"Sums," said Isley.

Bob puffed away at his pipe a moment.

"'Tain't no use!" he said, sitting down on the clay and drawing his knees up. "Edication's a failyer."

"Listen at 'im!" exclaimed the boy. "D'yer mean ter say it ain't no use learnin' readin' and writin' and sums?"

"Isley!"

"Right, father."

The boy went to the windlass and let the bucket down. Bob offered to help him wind up, but Isley, proud of showing his strength to his friend, insisted on winding by himself.

"You'll be—why—a strong man some day, Isley," said Bob, landing the bucket.

"Oh, I could wind up a lot more'n father puts in. Look how I greased the handles! It works like butter now," and the boy sent the handles spinning round with a jerk to illustrate his meaning.

"Why did they call yer Isley for?" queried Bob, as they resumed their seats. "It ain't yer real name, is it?"

"No, my name's Harry. A digger useter say I was a isle in the ocean to father 'n mother, 'n then I was nicknamed Isle, 'n then Isley."

"You hed a—why—brother once, didn't yer?"

"Yes, but thet was afore I was borned. He died, at least mother used ter say she didn't know if he was dead; but father says he's dead as fur's he's concerned."

"And your father hed a brother, too. Did yer ever—why—hear of him?"

"Yes, I heard father talkin' about it wonst to mother. I think father's brother got into some row in a bar where a man was killed."

"And was yer—why—father—why—fond of him?"

"I heard father say that he was wonst, but thet was all past."

Bob smoked in silence for a while, and seemed to look at some dark clouds that were drifting along like a funeral out in the west. Presently he said half aloud something that sounded like "All, all—why—past."

"Eh?" said Isley.

"Oh, it's—why, why—nothin'," answered Bob, rousing himself. "Is that a paper in yer father's coat-pocket, Isley?"

"Yes," said the boy, taking it out.

Bob took the paper and stared hard at it for a moment or so.

"There's something about the new goldfields there," said Bob, putting his finger on a tailor's advertisement. "I wish you'd—why—read it to me, Isley; I can't see the small print they uses nowadays."

"No, thet's not it," said the boy, taking the paper, "it's something about—"

"Isley!"

"'Old on, Bob, father wants me."

The boy ran to the shaft, rested his hands and forehead against the bole of the windlass, and leant over to hear what his father was saying.

Without a moment's warning the treacherous bole slipped round; a small body bounded a couple of times against the sides of the shaft and fell at Mason's feet, where it lay motionless!

"Mason!"

"Ay?"

"Put him in the bucket and lash him to the rope with your belt!"

A few moments, and—

"Now, Bob!"

Bob's trembling hands would scarcely grasp the handle, but he managed to wind somehow.

Presently the form of the child appeared, motionless and covered with clay and water. Mason was climbing up by the steps in the side of the shaft.

Bob tenderly unlashed the boy and laid him under the saplings on the grass; then he wiped some of the clay and blood away from the child's forehead, and dashed over him some muddy water.

Presently Isley gave a gasp and opened his eyes.

"Are yer—why—hurt much, Isley?" asked Bob.

"Ba-back's bruk, Bob!"

"Not so bad as that, old man."

"Where's father?"

"Coming up."

Silence awhile, and then—

"Father! father! be quick, father!"

Mason reached the surface and came and knelt by the other side of the boy.

"I'll, I'll—why—run fur some brandy," said Bob.

"No use, Bob," said Isley. "I'm all bruk up."

"Don't yer feel better, sonny?"

"No—I'm—goin' to—die, Bob."

"Don't say it, Isley," groaned Bob.

A short silence, and then the boy's body suddenly twisted with pain. But it was soon over. He lay still awhile, and then said quietly:

"Good-bye, Bob!"

Bob made a vain attempt to speak. "Isley!" he said,"—-"

The child turned and stretched out his hands to the silent, stony-faced man on the other side.

"Father—father, I'm goin'!"

A shuddering groan broke from Mason's lips, and then all was quiet.

Bob had taken off his hat to wipe his, forehead, and his face, in spite of its disfigurement, was strangely like the face of the stone-like man opposite.

For a moment they looked at one another across the body of the child, and then Bob said quietly:

"He never knowed."

"What does it matter?" said Mason gruffly; and, taking up the dead child, he walked towards the hut.

It was a very sad little group that gathered outside Mason's but next morning. Martin's wife had been there all the morning cleaning up and doing what she could. One of the women had torn up her husband's only white shirt for a shroud, and they had made the little body look clean and even beautiful in the wretched little hut.

One after another the fossickers took off their hats and entered, stooping through the low door. Mason sat silently at the foot of the bunk with his head supported by his hand, and watched the men with a strange, abstracted air.

Bob had ransacked the camp in search of some boards for a coffin.

"It will be the last I'll be able to—why—do for him," he said.

At last he came to Mrs Martin in despair. That lady took him into the dining-room, and pointed to a large pine table, of which she was very proud.

"Knock that table to pieces," she said.

Taking off the few things that were lying on it, Bob turned it over and began to knock the top off.

When he had finished the coffin one of the fossicker's wives said it looked too bare, and she ripped up her black riding-skirt, and made Bob tack the cloth over the coffin.

There was only one vehicle available in the place, and that was Martin's old dray; so about two o'clock Pat Martin attached his old horse Dublin to the shafts with sundry bits of harness and plenty of old rope, and dragged Dublin, dray and all, across to Mason's hut.

The little coffin was carried out, and two gin-cases were placed by its side in the dray to serve as seats for Mrs Martin and Mrs Grimshaw, who mounted in tearful silence.

Pat Martin felt for his pipe, but remembered himself and mounted on the shaft. Mason fastened up the door of the hut with a padlock. A couple of blows on one of his sharp points roused Dublin from his reverie. With a lurch to the right and another to the left he started, and presently the little funeral disappeared down the road that led to the "town" and its cemetery.

About six months afterwards Bob Sawkins went on a short journey, and returned with a tall, bearded young man. He and Bob arrived after dark, and went straight to Mason's hut. There was a light inside, but when Bob knocked there was no answer.

"Go in; don't be afraid,'" he said to his companion.

The stranger pushed open the creaking door, and stood bareheaded just inside the doorway.

A billy was boiling unheeded on the fire. Mason sat at the table with his face buried in his arms.

"Father!"

There was no answer, but the flickering of the firelight made the stranger think he could detect an impatient shrug in Mason's shoulders.

For a moment the stranger paused irresolute, and then stepping up to the table he laid his hand on Mason's arm, and said gently:

"Father! Do you want another mate?"

But the sleeper did not—at least, not in this world.



AN ECHO FROM THE OLD BARK SCHOOL



It was the first Monday after the holidays. The children had taken their seats in the Old Bark School, and the master called out the roll as usual:

"Arvie Aspinall."... "'Es, sir."

"David Cooper."... "Yes, sir."

"John Heegard."... "Yezzer."

"Joseph Swallow."... "Yesser."

"James Bullock."... "Present."

"Frederick Swallow."... "Y'sir."

"James Nowlett."... . (Chorus of "Absent.")

"William Atkins."... (Chorus of "Absent.")

"Daniel Lyons."... "Perresent, sor-r-r."

Dan was a young immigrant, just out from the sod, and rolled his "r's" like a cock-dove. His brogue was rich enough to make an Irishman laugh.

Bill was "wagging it." His own especial chum was of the opinion that Bill was sick. The master's opinion did not coincide, so he penned a note to William's parents, to be delivered by the model boy of the school.

"Bertha Lambert."... "Yes, 'air."

"May Carey."... "Pesin', sair."

"Rose Cooper."... "Yes, sir."

"Janet Wild."... "Y-y-yes, s-sir."

"Mary Wild."...

A solemn hush fell upon the school, and presently Janet Wild threw her arms out on the desk before her, let her face fall on them, and sobbed heart-brokenly. The master saw his mistake too late; he gave his head a little half-affirmative, half-negative movement, in that pathetic old way of his; rested his head on one hand, gazed sadly at the name, and sighed.

But the galoot of the school spoilt the pathos of it all, for, during the awed silence which followed the calling of the girl's name, he suddenly brightened up—the first time he was ever observed to do so during school hours—and said, briskly and cheerfully "Dead—sir!"

He hadn't been able to answer a question correctly for several days.

"Children," said the master gravely and sadly, "children, this is the first time I ever had to put 'D' to the name of one of my scholars. Poor Mary! she was one of my first pupils—came the first morning the school was opened. Children, I want you to be a little quieter to-day during play-hour, out of respect for the name of your dead schoolmate whom it has pleased the Almighty to take in her youth."

"Please, sir," asked the galoot, evidently encouraged by his fancied success, "please, sir, what does 'D' stand for?"

"Damn you for a hass!" snarled Jim Bullock between his teeth, giving the galoot a vicious dig in the side with his elbow.



THE SHEARING OF THE COOK'S DOG



The dog was a little conservative mongrel poodle, with long dirty white hair all over him—longest and most over his eyes, which glistened through it like black beads. Also he seemed to have a bad liver. He always looked as if he was suffering from a sense of injury, past or to come. It did come. He used to follow the shearers up to the shed after breakfast every morning, but he couldn't have done this for love—there was none lost between him and the men. He wasn't an affectionate dog; it wasn't his style. He would sit close against the shed for an hour or two, and hump himself, and sulk, and look sick, and snarl whenever the "Sheep-Ho" dog passed, or a man took notice of him. Then he'd go home. What he wanted at the shed at all was only known to himself; no one asked him to come. Perhaps he came to collect evidence against us. The cook called him "my darg," and the men called the cook "Curry and Rice," with "old" before it mostly.

Rice was a little, dumpy, fat man, with a round, smooth, good-humoured face, a bald head, feet wide apart, and a big blue cotton apron. He had been a ship's cook. He didn't look so much out of place in the hut as the hut did round him. To a man with a vivid imagination, if he regarded the cook dreamily for a while, the floor might seem to roll gently like the deck of a ship, and mast, rigging, and cuddy rise mistily in the background. Curry might have dreamed of the cook's galley at times, but he never mentioned it. He ought to have been at sea, or comfortably dead and stowed away under ground, instead of cooking for a mob of unredeemed rouseabouts in an uncivilized shed in the scrub, six hundred miles from the ocean.

They chyacked the cook occasionally, and grumbled—or pretended to grumble—about their tucker, and then he'd make a roughly pathetic speech, with many references to his age, and the hardness of his work, and the smallness of his wages, and the inconsiderateness of the men. Then the joker of the shed would sympathize with the cook with his tongue and one side of his face—and joke with the other.

One day in the shed, during smoke-ho the devil whispered to a shearer named Geordie that it would be a lark to shear the cook's dog—the Evil One having previously arranged that the dog should be there, sitting close to Geordie's pen, and that the shearer should have a fine lamb comb on his machine. The idea was communicated through Geordie to his mates, and met with entire and general approval; and for five or ten minutes the air was kept alive by shouting and laughter of the men, and the protestations of the dog. When the shearer touched skin, he yelled "Tar!" and when he finished he shouted "Wool away!" at the top of his voice, and his mates echoed him with a will. A picker-up gathered the fleece with a great show of labour and care, and tabled it, to the well-ventilated disgust of old Scotty, the wool-roller. When they let the dog go he struck for home—a clean-shaven poodle, except for a ferocious moustache and a tuft at the end of his tail.

The cook's assistant said that he'd have given a five-pound note for a portrait of Curry-and-Rice when that poodle came back from the shed. The cook was naturally very indignant; he was surprised at first—then he got mad. He had the whole afternoon to get worked up in, and at tea-time he went for the men properly.

"Wotter yer growlin' about?" asked one. "Wot's the matter with yer, anyway?"

"I don't know nothing about yer dog!" protested a rouseabout; "wotyer gettin' on to me for?"

"Wotter they bin doin' to the cook now?" inquired a ring leader innocently, as he sprawled into his place at the table. "Can't yer let Curry alone? Wot d'yer want to be chyackin' him for? Give it a rest."

"Well, look here, chaps," observed Geordie, in a determined tone, "I call it a shame, that's what I call it. Why couldn't you leave an old man's dog alone? It was a mean, dirty trick to do, and I suppose you thought it funny. You ought to be ashamed of yourselves, the whole lot of you, for a drafted mob of crawlers. If I'd been there it wouldn't have been done; and I wouldn't blame Curry if he was to poison the whole convicted push."

General lowering of faces and pulling of hats down over eyes, and great working of knives and forks; also sounds like men trying not to laugh.

"Why couldn't you play a trick on another man's darg?" said Curry. "It's no use tellin' me. I can see it all as plain as if I was on the board—all of you runnin' an' shoutin' an' cheerin' an' laughin', and all over shearin' and ill-usin' a poor little darg! Why couldn't you play a trick on another man's darg?... It doesn't matter much—I'm nearly done cookie' here now.... Only that I've got a family to think of I wouldn't 'a' stayed so long. I've got to be up at five every mornin', an' don't get to bed till ten at night, cookin' an' bakin' an' cleanin' for you an' waitin' on you. First one lot in from the wool-wash, an' then one lot in from the shed, an' another lot in, an' at all hours an' times, an' all wantin' their meals kept hot, an' then they ain't satisfied. And now you must go an' play a dirty trick on my darg! Why couldn't you have a lark with some other man's darg!"

Geordie bowed his head and ate as though he had a cud, like a cow, and could chew at leisure. He seemed ashamed, as indeed we all were—secretly. Poor old Curry's oft-repeated appeal, "Why couldn't you play a trick with another man's dog?" seemed to have something pathetic about it. The men didn't notice that it lacked philanthropy and logic, and probably the cook didn't notice it either, else he wouldn't have harped on it. Geordie lowered his face, and just then, as luck or the devil would have it, he caught sight of the dog. Then he exploded.

The cook usually forgot all about it in an hour, and then, if you asked him what the chaps had been doing, he'd say, "Oh, nothing! nothing! Only their larks!" But this time he didn't; he was narked for three days, and the chaps marvelled much and were sorry, and treated him with great respect and consideration. They hadn't thought he'd take it so hard—the dog shearing business—else they wouldn't have done it. They were a little puzzled too, and getting a trifle angry, and would shortly be prepared to take the place of the injured party, and make things unpleasant for the cook. However, he brightened up towards the end of the week, and then it all came out.

"I wouldn't 'a' minded so much," he said, standing by the table with a dipper in one hand, a bucket in the other, and a smile on his face. "I wouldn't 'a' minded so much only they'll think me a flash man in Bourke with that theer darg trimmed up like that!"



"DOSSING OUT" AND "CAMPING"



At least two hundred poor beggars were counted sleeping out on the pavements of the main streets of Sydney the other night—grotesque bundles of rags lying under the verandas of the old Fruit Markets and York Street shops, with their heads to the wall and their feet to the gutter. It was raining and cold that night, and the unemployed had been driven in from Hyde Park and the bleak Domain—from dripping trees, damp seats, and drenched grass—from the rain, and cold, and the wind. Some had sheets of old newspapers to cover them-and some hadn't. Two were mates, and they divided a Herald between them. One had a sheet of brown paper, and another (lucky man!) had a bag—the only bag there. They all shrank as far into their rags as possible—and tried to sleep. The rats seemed to take them for rubbish, too, and only scampered away when one of the outcasts moved uneasily, or coughed, or groaned—or when a policeman came along.

One or two rose occasionally and rooted in the dust-boxes on the pavement outside the shops—but they didn't seem to get anything. They were feeling "peckish," no doubt, and wanted to see if they could get something to eat before the corporation carts came along. So did the rats.

Some men can't sleep very well on an empty stomach—at least, not at first; but it mostly comes with practice. They often sleep for ever in London. Not in Sydney as yet—so we say.

Now and then one of our outcasts would stretch his cramped limbs to ease them—but the cold soon made him huddle again. The pavement must have been hard on the men's "points," too; they couldn't dig holes nor make soft places for their hips, as you can in camp out back. And then, again, the stones had nasty edges and awkward slopes, for the pavements were very uneven.

The Law came along now and then, and had a careless glance at the unemployed in bed. They didn't look like sleeping beauties. The Law appeared to regard them as so much rubbish that ought not to have been placed there, and for the presence of which somebody ought to be prosecuted by the Inspector of Nuisances. At least, that was the expression the policeman had on his face.

And so Australian workmen lay at two o'clock in the morning in the streets of Sydney, and tried to get a little sleep before the traffic came along and took their bed.

The idea of sleeping out might be nothing to bushmen—not even an idea; but "dossing out" in the city and "camping" in the bush are two very different things. In the bush you can light a fire, boil your billy, and make some tea—if you have any; also fry a chop (there are no sheep running round in the city). You can have a clean meal, take off your shirt and wash it, and wash yourself—if there's water enough—and feel fresh and clean. You can whistle and sing by the camp-fire, and make poetry, and breathe fresh air, and watch the everlasting stars that keep the mateless traveller from going mad as he lies in his lonely camp on the plains. Your privacy is even more perfect than if you had a suite of rooms at the Australia; you are at the mercy of no policeman; there's no one to watch you but God—and He won't move you on. God watches the "dossers-out," too, in the city, but He doesn't keep them from being moved on or run in.

With the city unemployed the case is entirely different. The city outcast cannot light a fire and boil a billy—even if he has one—he'd be run in at once for attempting to commit arson, or create a riot, or on suspicion of being a person of unsound mind. If he took off his shirt to wash it, or went in for a swim, he'd be had up for indecently exposing his bones—and perhaps he'd get flogged. He cannot whistle or sing on his pavement bed at night, for, if he did, he'd be violently arrested by two great policemen for riotous conduct. He doesn't see many stars, and he's generally too hungry to make poetry. He only sleeps on the pavement on sufferance, and when the policeman finds the small hours hang heavily on him, he can root up the unemployed with his big foot and move him on—or arrest him for being around with the intention to commit a felony; and, when the wretched "dosser" rises in the morning, he cannot shoulder his swag and take the track—he must cadge a breakfast at some back gate or restaurant, and then sit in the park or walk round and round, the same old hopeless round, all day. There's no prison like the city for a poor man.

Nearly every man the traveller meets in the bush is about as dirty and ragged as himself, and just about as hard up; but in the city nearly every man the poor unemployed meets is a dude, or at least, well dressed, and the unemployed feels dirty and mean and degraded by the contrast—and despised.

And he can't help feeling like a criminal. It may be imagination, but every policeman seems to regard him with suspicion, and this is terrible to a sensitive man.

We once had the key of the street for a night. We don't know how much tobacco we smoked, how many seats we sat on, or how many miles we walked before morning. But we do know that we felt like a felon, and that every policeman seemed to regard us with a suspicious eye; and at last we began to squint furtively at every trap we met, which, perhaps, made him more suspicious, till finally we felt bad enough to be run in and to get six months' hard.

Three winters ago a man, whose name doesn't matter, had a small office near Elizabeth Street, Sydney. He was an hotel broker, debt collector, commission agent, canvasser, and so on, in a small way—a very small way—but his heart was big. He had a partner. They batched in the office, and did their cooking over a gas lamp. Now, every day the man-whose-name-doesn't-matter would carefully collect the scraps of food, add a slice or two of bread and butter, wrap it all up in a piece of newspaper, and, after dark, step out and leave the parcel on a ledge of the stonework outside the building in the street. Every morning it would be gone. A shadow came along in the night and took it. This went on for many months, till at last one night the man-whose-name-doesn't-matter forgot to put the parcel out, and didn't think of it till he was in bed. It worried him, so that at last he had to get up and put the scraps outside. It was midnight. He felt curious to see the shadow, so he waited until it came along. It wasn't his long-lost brother, but it was an old mate of his.

Let us finish with a sketch:

The scene was Circular Quay, outside the Messageries sheds. The usual number of bundles of misery—covered more or less with dirty sheets of newspaper—lay along the wall under the ghastly glare of the electric light. Time—shortly after midnight. From among the bundles an old man sat up. He cautiously drew off his pants, and then stood close to the wall, in his shirt, tenderly examining the seat of the trousers. Presently he shook them out, folded them with great care, wrapped them in a scrap of newspaper, and laid them down where his head was to be. He had thin, hairy legs and a long grey beard. From a bundle of rags he extracted another pair of pants, which were all patches and tatters, and into which he engineered his way with great caution. Then he sat down, arranged the paper over his knees, laid his old ragged grey head back on his precious Sunday-go-meetings-and slept.



ACROSS THE STRAITS



We crossed Cook's Straits from Wellington in one of those rusty little iron tanks that go up and down and across there for twenty or thirty years and never get wrecked—for no other reason, apparently, than that they have every possible excuse to go ashore or go down on those stormy coasts. The age, construction, or condition of these boats, and the south-easters, and the construction of the coastline, are all decidedly in favour of their going down; the fares are high and the accommodation is small and dirty. It is always the same where there is no competition.

A year or two ago, when a company was running boats between Australia and New Zealand without competition, the steerage fare was three pound direct single, and two pound ten shillings between Auckland and Wellington. The potatoes were black and green and soggy, the beef like bits scraped off the inside of a hide which had lain out for a day or so, the cabbage was cabbage leaves, the tea muddy. The whole business took away our appetite regularly three times a day, and there wasn't enough to go round, even if it had been good—enough tucker, we mean; there was enough appetite to go round three or four times, but it was driven away by disgust until after meals. If we had not, under cover of darkness, broached a deck cargo of oranges, lemons, and pineapples, and thereby run the risk of being run in on arrival, there would have been starvation, disease, and death on that boat before the end—perhaps mutiny.

You can go across now for one pound, and get something to eat on the road; but the travelling public will go on patronizing the latest reducer of fares until the poorer company gets starved out and fares go up again—then the travelling public will have to pay three or four times as much as they do now, and go hungry on the voyage; all of which ought to go to prove that the travelling public is as big a fool as the general public.

We can't help thinking that the captains and crews of our primitive little coastal steamers take the chances so often that they in time get used to it, and, being used to it, have no longer any misgivings or anxiety in rough weather concerning a watery grave, but feel as perfectly safe as if they were in church with their wives or sisters—only more comfortable—and go on feeling so until the worn-out machinery breaks down and lets the old tub run ashore, or knocks a hole in her side, or the side itself rusts through at last and lets the water in, or the last straw in the shape of an extra ton of brine tumbles on board, and the John Smith (Newcastle), goes down with a swoosh before the cook has time to leave off peeling his potatoes and take to prayer.

These cheerful—and, maybe, unjust—reflections are perhaps in consequence of our having lost half a sovereign to start with. We arrived at the booking-office with two minutes to spare, two sticks of Juno tobacco, a spare wooden pipe—in case we lost the other—a letter to a friend's friend down south, a pound note (Bank of New Zealand), and two half-crowns, with which to try our fortunes in the South Island. We also had a few things in a portmanteau and two blankets in a three-bushel bag, but they didn't amount to much. The clerk put down the ticket with the half-sovereign on top of it, and we wrapped the latter in the former and ran for the wharf. On the way we snatched the ticket out to see the name of the boat we were going by, in order to find it, and it was then, we suppose, that the semi-quid got lost.

Did you ever lose a sovereign or a half-sovereign under similar circumstances? You think of it casually and feel for it carelessly at first, to be sure that it's there all right; then, after going through your pockets three or four times with rapidly growing uneasiness, you lose your head a little and dredge for that coin hurriedly and with painful anxiety. Then you force yourself to be calm, and proceed to search yourself systematically, in a methodical manner. At this stage, if you have time, it's a good plan to sit down and think out when and where you last had that half-sovereign, and where you have been since, and which way you came from there, and what you took out of your pocket, and where, and whether you might have given it in mistake for sixpence at that pub where you rushed in to have a beer—and then you calculate the chances against getting it back again. The last of these reflections is apt to be painful, and the painfulness is complicated and increased when there happen to have been several pubs and a like number of hurried farewell beers in the recent past.

And for months after that you cannot get rid of the idea that that half-sov. might be about your clothes somewhere. It haunts you. You turn your pockets out, and feel the lining of your coat and vest inch by inch, and examine your letter papers—everything you happen to have had in your pocket that day—over and over again, and by and by you peer in envelopes and unfold papers that you didn't have in your pocket at all, but might have had. And when the novelty of the first search has worn off, and the fit takes you, you make another search. Even after many months have passed away, some day—or night—when you are hard up for tobacco and a drink, you suddenly think of that late lamented half-sov., and are moved by adverse circumstances to look through your old clothes in a sort of forlorn hope, or to give good luck a sort of chance to surprise you—the only chance that you can give it.

By the way, seven-and-six of that half-quid should have gone to the landlord of the hotel where we stayed last, and somehow, in spite of this enlightened age, the loss of it seemed a judgment; and seeing that the boat was old and primitive, and there was every sign of a three days' sou'-easter, we sincerely hoped that judgment was complete—that supreme wrath had been appeased by the fine of ten bob without adding any Jonah business to it.

This reminds us that we once found a lost half-sovereign in the bowl of a spare pipe six months after it was lost. We wish it had stayed there and turned up to-night. But, although when you are in great danger—say, adrift in an open boat—tales of providential escapes and rescues may interest and comfort you, you can't get any comfort out of anecdotes concerning the turning up of lost quids when you have just lost one yourself. All you want is to find it.

It bothers you even not to be able to account for a bob. You always like to know that you have had something for your money, if only a long beer. You would sooner know that you fooled your money away on a spree, and made yourself sick than lost it out of an extra hole in your pocket, and kept well.

We left Wellington with a feeling of pained regret, a fellow-wanderer by our side telling us how he had once lost "fi-pun-note"—and about two-thirds of the city unemployed on the wharf looking for that half-sovereign. Well, we hope that some poor devil found it; although, to tell the truth, we would then have by far preferred to have found it ourselves.

A sailor said that the Moa was a good sea-boat, and, although she was small and old, he was never afraid of her. He'd sooner travel in her than in some of those big cheap ocean liners with more sand in them than iron or steel—You, know the rest. Further on, in a conversation concerning the age of these coasters, he said that they'd last fully thirty years if well painted and looked after. He said that this one was seldom painted, and never painted properly; and then, seemingly in direct contradiction to his previously expressed confidence in the safety and seaworthiness of the Moa, he said that he could poke a stick through her anywhere. We asked him not to do it.

It came on to splash, and we went below to reflect, and search once more for that half-sovereign. The cabin was small and close, and dimly lighted, and evil smelling, and shaped like the butt end of a coffin. It might not have smelt so bad if we hadn't lost that half-sovereign. There was a party of those gipsy-like Assyrians—two families apparently—the women and children lying very sick about the lower bunks; and a big, good-humoured-looking young Maori propped between the end of the table and the wall, playing a concertina. The sick people were too sick, and the concertina seemed too much in sympathy with them, and the lost half-quid haunted us more than ever down there; so we started to climb out.

The first thing that struck us was the jagged top edge of that iron hood-like arrangement over the gangway. The top half only of the scuttle was open. There was nothing to be seen except a fog of spray and a Newfoundland dog sea-sick under the lee of something. The next thing that struck us was a tub of salt water, which came like a cannon ball and broke against the hood affair, and spattered on deck like a crockery shop. We climbed down again backwards, and sat on the floor with emphasis, in consequence of stepping down a last step that wasn't there, and cracked the back of our heads against the edge of the table. The Maori helped us up, and we had a drink with him at the expense of one of the half-casers mentioned in the beginning of this sketch. Then the Maori shouted, then we, then the Maori again, then we again; and then we thought, "Dash it, what's a half-sovereign? We'll fall on our feet all right."

We went up Queen Charlotte's Sound, a long crooked arm of the sea between big, rugged, black-looking hills. There was a sort of lighthouse down near the entrance, and they said an old Maori woman kept it. There were some whitish things on the sides of the hills, which we at first took for cattle, and then for goats. They were sheep. Someone said that that country was only fit to carry sheep. It must have been bad, then, judging from some of the country in Australia which is only fit to carry sheep. Country that wouldn't carry goats would carry sheep, we think. Sheep are about the hardiest animals on the face of this planet—barring crocodiles.

You may rip a sheep open whilst watching for the boss's boots or yarning to a pen-mate, and then when you have stuffed the works back into the animal, and put a stitch in the slit, and poked it somewhere with a tar-stick (it doesn't matter much where) the jumbuck will be all right and just as lively as ever, and turn up next shearing without the ghost of a scratch on its skin.

We reached Picton, a small collection of twinkling lights in a dark pocket, apparently at the top of a sound. We climbed up on to the wharf, got through between two railway trucks, and asked a policeman where we were, and where the telegraph office was. There were several pretty girls in the office, laughing and chyacking the counter clerks, which jarred upon the feelings of this poor orphan wanderer in strange lands. We gloomily took a telegram form, and wired to a friend in North Island, using the following words: "Wire quid; stumped."

Then we crossed the street to a pub and asked for a roof and they told us to go up to No. 8. We went up, struck a match, lit the candle, put our bag in a corner, cleared the looking-glass off the toilet table, got some paper and a pencil out of our portmanteau, and sat down and wrote this sketch.

The candle is going out.



"SOME DAY"



The two travellers had yarned late in their camp, and the moon was getting low down through the mulga. Mitchell's mate had just finished a rather racy yarn, but it seemed to fall flat on Mitchell—he was in a sentimental mood. He smoked a while, and thought, and then said:

"Ah! there was one little girl that I was properly struck on. She came to our place on a visit to my sister. I think she was the best little girl that ever lived, and about the prettiest. She was just eighteen, and didn't come up to my shoulder; the biggest blue eyes you ever saw, and she had hair that reached down to her knees, and so thick you couldn't span it with your two hands—brown and glossy—and her skin with like lilies and roses. Of course, I never thought she'd look at a rough, ugly, ignorant brute like me, and I used to keep out of her way and act a little stiff towards her; I didn't want the others to think I was gone on her, because I knew they'd laugh at me, and maybe she'd laugh at me more than all. She would come and talk to me, and sit near me at table; but I thought that that was on account of her good nature, and she pitied me because I was such a rough, awkward chap. I was gone on that girl, and no joking; and I felt quite proud to think she was a countrywoman of mine. But I wouldn't let her know that, for I felt sure she'd only laugh.

"Well, things went on till I got the offer of two or three years' work on a station up near the border, and I had to go, for I was hard up; besides, I wanted to get away. Stopping round where she was only made me miserable.

"The night I left they were all down at the station to see me off—including the girl I was gone on. When the train was ready to start she was standing away by herself on the dark end of the platform, and my sister kept nudging me and winking, and fooling about, but I didn't know what she was driving at. At last she said:

"'Go and speak to her, you noodle; go and say good-bye to Edie.'

"So I went up to where she was, and, when the others turned their backs—

"'Well, good-bye, Miss Brown,' I said, holding out my hand; 'I don't suppose I'll ever see you again, for Lord knows when I'll be back. Thank you for coming to see me off.'

"Just then she turned her face to the light, and I saw she was crying. She was trembling all over. Suddenly she said, 'Jack! Jack!' just like that, and held up her arms like this."

Mitchell was speaking in a tone of voice that didn't belong to him, and his mate looked up. Mitchell's face was solemn, and his eyes were fixed on the fire.

"I suppose you gave her a good hug then, and a kiss?" asked the mate.

"I s'pose so," snapped Mitchell. "There is some things a man doesn't want to joke about.... Well, I think we'll shove on one of the billies, and have a drink of tea before we turn in."

"I suppose," said Mitchell's mate, as they drank their tea, "I suppose you'll go back and marry her some day?"

"Some day! That's it; it looks like it, doesn't it? We all say, 'Some day.' I used to say it ten years ago, and look at me now. I've been knocking round for five years, and the last two years constant on the track, and no show of getting off it unless I go for good, and what have I got for it? I look like going home and getting married, without a penny in my pocket or a rag to my back scarcely, and no show of getting them. I swore I'd never go back home without a cheque, and, what's more, I never will; but the cheque days are past. Look at that boot! If we were down among the settled districts we'd be called tramps and beggars; and what's the difference? I've been a fool, I know, but I've paid for it; and now there's nothing for it but to tramp, tramp, tramp for your tucker, and keep tramping till you get old and careless and dirty, and older, and more careless and dirtier, and you get used to the dust and sand, and heat, and flies, and mosquitoes, just as a bullock does, and lose ambition and hope, and get contented with this animal life, like a dog, and till your swag seems part of yourself, and you'd be lost and uneasy and light-shouldered without it, and you don't care a damn if you'll ever get work again, or live like a Christian; and you go on like this till the spirit of a bullock takes the place of the heart of a man. Who cares? If we hadn't found the track yesterday we might have lain and rotted in that lignum, and no one been any the wiser—or sorrier—who knows? Somebody might have found us in the end, but it mightn't have been worth his while to go out of his way and report us. Damn the world, say I!"

He smoked for a while in savage silence; then he knocked the ashes out of his pipe, felt for his tobacco with a sigh, and said:

"Well, I am a bit out of sorts to-night. I've been thinking.... I think we'd best turn in, old man; we've got a long, dry stretch before us to-morrow."

They rolled out their swags on the sand, lay down, and wrapped themselves in their blankets. Mitchell covered his face with a piece of calico, because the moonlight and wind kept him awake.



"BRUMMY USEN"



We caught up with an old swagman crossing the plain, and tramped along with him till we came to good shade to have a smoke in. We had got yarning about men getting lost in the bush or going away and being reported dead.

"Yes," said the old 'whaler', as he dropped his swag in the shade, sat down on it, and felt for his smoking tackle, "there's scarcely an old bushman alive—or dead, for the matter of that—who hasn't been dead a few times in his life—or reported dead, which amounts to the same thing for a while. In my time there was as many live men in the bush who was supposed to be dead as there was dead men who was supposed to be alive—though it's the other way about now—what with so many jackaroos tramping about out back and getting lost in the dry country that they don't know anything about, and dying within a few yards of water sometimes. But even now, whenever I hear that an old bush mate of mine is dead, I don't fret about it or put a black band round my hat, because I know he'll be pretty sure to turn up sometimes, pretty bad with the booze, and want to borrow half a crown.

"I've been dead a few times myself, and found out afterwards that my friends was so sorry about it, and that I was such a good sort of a chap after all, when I was dead that—that I was sorry I didn't stop dead. You see, I was one of them chaps that's better treated by their friends and better thought of when—when they're dead.

"Ah, well! Never mind.... Talking of killing bushmen before their time reminds me of some cases I knew. They mostly happened among the western spurs of the ranges. There was a bullock-driver named Billy Nowlett. He had a small selection, where he kept his family, and used to carry from the railway terminus to the stations up-country. One time he went up with a load and was not heard of for such a long time that his missus got mighty uneasy; and then she got a letter from a publican up Coonamble way to say that Billy was dead. Someone wrote, for the widow, to ask about the wagon and the bullocks, but the shanty-keeper wrote that Billy had drunk them before he died, and that he'd also to say that he'd drunk the money he got for the carrying; and the publican enclosed a five-pound note for the widow—which was considered very kind of him.

"Well, the widow struggled along and managed without her husband just the same as she had always struggled along and managed with him—a little better, perhaps. An old digger used to drop in of evenings and sit by the widow's fire, and yarn, and sympathize, and smoke, and think; and just as he began to yarn a lot less, and smoke and think a lot more, Billy Nowlett himself turned up with a load of rations for a sheep station. He'd been down by the other road, and the letter he'd wrote to his missus had gone astray. Billy wasn't surprised to hear that he was dead—he'd been killed before—but he was surprised about the five quid.

"You see, it must have been another bullock-driver that died. There was an old shanty-keeper up Coonamble way, so Billy said, that used to always mistake him for another bullocky and mistake the other bullocky for him—couldn't tell the one from the other no way—and he used to have bills against Billy that the other bullock-driver'd run up, and bills against the other that Billy'd run up, and generally got things mixed up in various ways, till Billy wished that one of 'em was dead. And the funniest part of the business was that Billy wasn't no more like the other man than chalk is like cheese. You'll often drop across some colour-blind old codger that can't tell the difference between two people that ain't got a bit of likeness between 'em.

"Then there was young Joe Swallow. He was found dead under a burned-down tree in Dead Man's Gully—'dead past all recognition,' they said—and he was buried there, and by and by his ghost began to haunt the gully: at least, all the schoolkids seen it, and there was scarcely a grown-up person who didn't know another person who'd seen the ghost—and the other person was always a sober chap that wouldn't bother about telling a lie. But just as the ghost was beginning to settle down to work in the gully, Joe himself turned up, and then the folks began to reckon that it was another man was killed there, and that the ghost belonged to the other man; and some of them began to recollect that they'd thought all along that the ghost wasn't Joe's ghost—even when they thought that it was really Joe that was killed there.

"Then, again, there was the case of Brummy Usen—Hughison I think they spelled it—the bushranger; he was shot by old Mr S—-, of E—-, while trying to stick the old gentleman up. There's something about it in a book called 'Robbery Under Arms', though the names is all altered—and some other time I'll tell you all about the digging of the body up for the inquest and burying it again. This Brummy used to work for a publican in a sawmill that the publican had; and this publican and his daughter identified the body by a woman holding up a branch tattooed on the right arm. I'll tell you all about that another time. This girl remembered how she used to watch this tattooed woman going up and down on Brummy's arm when he was working in the saw-pit—going up and down and up and down, like this, while Brummy was working his end of the saw. So the bushranger was inquested and justifiable-homicided as Brummy Usen, and buried again in his dust and blood stains and monkey-jacket.

"All the same it wasn't him; for the real Brummy turned up later on; but he couldn't make the people believe he wasn't dead. They was mostly English country people from Kent and Yorkshire and those places; and the most self-opinionated and obstinate people that ever lived when they got a thing into their heads; and they got it into their heads that Brummy Usen was shot while trying to bail up old Mr S—— and was dead and buried.

"But the wife of the publican that had the saw-pit knew him; he went to her, and she recognized him at once; she'd got it into her head from the first that it wasn't Brummy that was shot, and she stuck to it—she was just as self-opinionated as the neighbours, and many a barney she had with them about it. She would argue about it till the day she died, and then she said with her dying breath: 'It wasn't Brummy Usen.' No more it was—he was a different kind of man; he hadn't spunk enough to be a bushranger, and it was a better man that was buried for him; it was a different kind of woman, holding up a different kind of branch, that was tattooed on Brummy's arm. But, you see, Brummy'd always kept himself pretty much to himself, and no one knew him very well; and, besides, most of them were pretty drunk at the inquest—except the girl, and she was too scared to know what she was saying—they had to be so because the corpse was in such a bad state.

"Well, Brummy hung around for a time, and tried to prove that he wasn't an impostor, but no one wouldn't believe him. He wanted to get some wages that was owing to him.

"He tried the police, but they were just as obstinate as the rest; and, beside, they had their dignity to hold up. 'If I ain't Brummy,' he'd say, 'who are I?' But they answered that he knew best. So he did.

"At last he said that it didn't matter much, any road; and so he went away—Lord knows where—to begin life again, I s'pose."

The traveller smoked awhile reflectively; then he quietly rolled up his right sleeve and scratched his arm.

And on that arm we saw the tattooed figure of a woman, holding up a branch.

We tramped on by his side again towards the station-thinking very hard and not feeling very comfortable.

He must have been an awful old liar, now we come to think of it.



SECOND SERIES



THE DROVER'S WIFE

The two-roomed house is built of round timber, slabs, and stringy-bark, and floored with split slabs. A big bark kitchen standing at one end is larger than the house itself, veranda included.

Bush all round—bush with no horizon, for the country is flat. No ranges in the distance. The bush consists of stunted, rotten native apple-trees. No undergrowth. Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek. Nineteen miles to the nearest sign of civilization—a shanty on the main road.

The drover, an ex-squatter, is away with sheep. His wife and children are left here alone.

Four ragged, dried-up-looking children are playing about the house. Suddenly one of them yells: "Snake! Mother, here's a snake!"

The gaunt, sun-browned bushwoman dashes from the kitchen, snatches her baby from the ground, holds it on her left hip, and reaches for a stick.

"Where is it?"

"Here! gone into the wood-heap!" yells the eldest boy—a sharp-faced urchin of eleven. "Stop there, mother! I'll have him. Stand back! I'll have the beggar!"

"Tommy, come here, or you'll be bit. Come here at once when I tell you, you little wretch!"

The youngster comes reluctantly, carrying a stick bigger than himself. Then he yells, triumphantly:

"There it goes—under the house!" and darts away with club uplifted. At the same time the big, black, yellow-eyed dog-of-all-breeds, who has shown the wildest interest in the proceedings, breaks his chain and rushes after that snake. He is a moment late, however, and his nose reaches the crack in the slabs just as the end of its tail disappears. Almost at the same moment the boy's club comes down and skins the aforesaid nose. Alligator takes small notice of this, and proceeds to undermine the building; but he is subdued after a struggle and chained up. They cannot afford to lose him.

The drover's wife makes the children stand together near the dog-house while she watches for the snake. She gets two small dishes of milk and sets them down near the wall to tempt it to come out; but an hour goes by and it does not show itself.

It is near sunset, and a thunderstorm is coming. The children must be brought inside. She will not take them into the house, for she knows the snake is there, and may at any moment come up through a crack in the rough slab floor; so she carries several armfuls of firewood into the kitchen, and then takes the children there. The kitchen has no floor—or, rather, an earthen one—called a "ground floor" in this part of the bush. There is a large, roughly-made table in the centre of the place. She brings the children in, and makes them get on this table. They are two boys and two girls—mere babies. She gives them some supper, and then, before it gets dark, she goes into the house, and snatches up some pillows and bedclothes—expecting to see or lay her hand on the snake any minute. She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.

She has an eye on the corner, and a green sapling club laid in readiness on the dresser by her side; also her sewing basket and a copy of the Young Ladies' Journal. She has brought the dog into the room.

Tommy turns in, under protest, but says he'll lie awake all night and smash that blinded snake.

His mother asks him how many times she has told him not to swear.

He has his club with him under the bedclothes, and Jacky protests:

"Mummy! Tommy's skinnin' me alive wif his club. Make him take it out."

Tommy: "Shet up, you little—-! D'yer want to be bit with the snake?"

Jacky shuts up.

"If yer bit," says Tommy, after a pause, "you'll swell up, an' smell, an' turn red an' green an' blue all over till yer bust. Won't he, mother?"

"Now then, don't frighten the child. Go to sleep," she says.

The two younger children go to sleep, and now and then Jacky complains of being "skeezed." More room is made for him. Presently Tommy says: "Mother! listen to them (adjective) little possums. I'd like to screw their blanky necks."

And Jacky protests drowsily.

"But they don't hurt us, the little blanks!".

Mother: "There, I told you you'd teach Jacky to swear." But the remark makes her smile. Jacky goes to sleep. Presently Tommy asks:

"Mother! Do you think they'll ever extricate the (adjective) kangaroo?"

"Lord! How am I to know, child? Go to sleep."

"Will you wake me if the snake comes out?"

"Yes. Go to sleep."

Near midnight. The children are all asleep and she sits there still, sewing and reading by turns. From time to time she glances round the floor and wall-plate, and, whenever she hears a noise, she reaches for the stick. The thunderstorm comes on, and the wind, rushing through the cracks in the slab wall, threatens to blow out her candle. She places it on a sheltered part of the dresser and fixes up a newspaper to protect it. At every flash of lightning, the cracks between the slabs gleam like polished silver. The thunder rolls, and the rain comes down in torrents.

Alligator lies at full length on the floor, with his eyes turned towards the partition. She knows by this that the snake is there. There are large cracks in that wall opening under the floor of the dwelling-house.

She is not a coward, but recent events have shaken her nerves. A little son of her brother-in-law was lately bitten by a snake, and died. Besides, she has not heard from her husband for six months, and is anxious about him.

He was a drover, and started squatting here when they were married. The drought of 18— ruined him. He had to sacrifice the remnant of his flock and go droving again. He intends to move his family into the nearest town when he comes back, and, in the meantime, his brother, who keeps a shanty on the main road, comes over about once a month with provisions. The wife has still a couple of cows, one horse, and a few sheep. The brother-in-law kills one of the latter occasionally, gives her what she needs of it, and takes the rest in return for other provisions. She is used to being left alone. She once lived like this for eighteen months. As a girl she built the usual castles in the air; but all her girlish hopes and aspirations have long been dead. She finds all the excitement and recreation she needs in the Young Ladies' Journal, and Heaven help her! takes a pleasure in the fashion-plates.

Her husband is an Australian, and so is she. He is careless, but a good enough husband. If he had the means he would take her to the city and keep her there like a princess. They are used to being apart, or at least she is. "No use fretting," she says. He may forget sometimes that he is married; but if he has a good cheque when he comes back he will give most of it to her. When he had money he took her to the city several times—hired a railway sleeping compartment, and put up at the best hotels. He also bought her a buggy, but they had to sacrifice that along with the rest.

The last two children were born in the bush—one while her husband was bringing a drunken doctor, by force, to attend to her. She was alone on this occasion, and very weak. She had been ill with a fever. She prayed to God to send her assistance. God sent Black Mary—the "whitest" gin in all the land. Or, at least, God sent King Jimmy first, and he sent Black Mary. He put his black face round the door post, took in the situation at a glance, and said cheerfully: "All right, missus—I bring my old woman, she down alonga creek."

One of the children died while she was here alone. She rode nineteen miles for assistance, carrying the dead child.

It must be near one or two o'clock. The fire is burning low. Alligator lies with his head resting on his paws, and watches the wall. He is not a very beautiful dog, and the light shows numerous old wounds where the hair will not grow. He is afraid of nothing on the face of the earth or under it. He will tackle a bullock as readily as he will tackle a flea. He hates all other dogs—except kangaroo-dogs—and has a marked dislike to friends or relations of the family. They seldom call, however. He sometimes makes friends with strangers. He hates snakes and has killed many, but he will be bitten some day and die; most snake-dogs end that way.

Now and then the bushwoman lays down her work and watches, and listens, and thinks. She thinks of things in her own life, for there is little else to think about.

The rain will make the grass grow, and this reminds her how she fought a bush-fire once while her husband was away. The grass was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband's trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his "mummy." The fire would have mastered her but for four excited bushmen who arrived in the nick of time. It was a mixed-up affair all round; when she went to take up the baby he screamed and struggled convulsively, thinking it was a "blackman;" and Alligator, trusting more to the child's sense than his own instinct, charged furiously, and (being old and slightly deaf) did not in his excitement at first recognize his mistress's voice, but continued to hang on to the moleskins until choked off by Tommy with a saddle-strap. The dog's sorrow for his blunder, and his anxiety to let it be known that it was all a mistake, was as evident as his ragged tail and a twelve-inch grin could make it. It was a glorious time for the boys; a day to look back to, and talk about, and laugh over for many years.

She thinks how she fought a flood during her husband's absence. She stood for hours in the drenching downpour, and dug an overflow gutter to save the dam across the creek. But she could not save it. There are things that a bushwoman can not do. Next morning the dam was broken, and her heart was nearly broken too, for she thought how her husband would feel when he came home and saw the result of years of labour swept away. She cried then.

She also fought the pleuro-pneumonia—dosed and bled the few remaining cattle, and wept again when her two best cows died.

Again, she fought a mad bullock that besieged the house for a day. She made bullets and fired at him through cracks in the slabs with an old shot-gun. He was dead in the morning. She skinned him and got seventeen-and-sixpence for the hide.

She also fights the crows and eagles that have designs on her chickens. Her plan of campaign is very original. The children cry "Crows, mother!" and she rushes out and aims a broomstick at the birds as though it were a gun, and says "Bung!" The crows leave in a hurry; they are cunning, but a woman's cunning is greater.

Occasionally a bushman in the horrors, or a villainous-looking sundowner, comes and nearly scares the life out of her. She generally tells the suspicious-looking stranger that her husband and two sons are at work below the dam, or over at the yard, for he always cunningly inquires for the boss.

Only last week a gallows-faced swagman—having satisfied himself that there were no men on the place—threw his swag down on the veranda, and demanded tucker. She gave him something to eat; then he expressed his intention of staying for the night. It was sundown then. She got a batten from the sofa, loosened the dog, and confronted the stranger, holding the batten in one hand and the dog's collar with the other. "Now you go!" she said. He looked at her and at the dog, said "All right, mum," in a cringing tone, and left. She was a determined-looking woman, and Alligator's yellow eyes glared unpleasantly—besides, the dog's chawing-up apparatus greatly resembled that of the reptile he was named after.

She has few pleasures to think of as she sits here alone by the fire, on guard against a snake. All days are much the same to her; but on Sunday afternoon she dresses herself, tidies the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her. She does this every Sunday. She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city. There is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees—that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail—and farther.

But this bushwoman is used to the loneliness of it. As a girl-wife she hated it, but now she would feel strange away from it.

She is glad when her husband returns, but she does not gush or make a fuss about it. She gets him something good to eat, and tidies up the children.

She seems contented with her lot. She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the development of the "womanly" or sentimental side of nature.

It must be near morning now; but the clock is in the dwellinghouse. Her candle is nearly done; she forgot that she was out of candles. Some more wood must be got to keep the fire up, and so she shuts the dog inside and hurries round to the woodheap. The rain has cleared off. She seizes a stick, pulls it out, and—crash! the whole pile collapses.

Yesterday she bargained with a stray blackfellow to bring her some wood, and while he was at work she went in search of a missing cow. She was absent an hour or so, and the native black made good use of his time. On her return she was so astonished to see a good heap of wood by the chimney, that she gave him an extra fig of tobacco, and praised him for not being lazy. He thanked her, and left with head erect and chest well out. He was the last of his tribe and a King; but he had built that wood-heap hollow.

She is hurt now, and tears spring to her eyes as she sits down again by the table. She takes up a handkerchief to wipe the tears away, but pokes her eyes with her bare fingers instead. The handkerchief is full of holes, and she finds that she has put her thumb through one, and her forefinger through another.

This makes her laugh, to the surprise of the dog. She has a keen, very keen, sense of the ridiculous; and some time or other she will amuse bushmen with the story.

She had been amused before like that. One day she sat down "to have a good cry," as she said—and the old cat rubbed against her dress and "cried too." Then she had to laugh.

It must be near daylight now. The room is very close and hot because of the fire. Alligator still watches the wall from time to time. Suddenly he becomes greatly interested; he draws himself a few inches nearer the partition, and a thrill runs through his body. The hair on the back of his neck begins to bristle, and the battle-light is in his yellow eyes. She knows what this means, and lays her hand on the stick. The lower end of one of the partition slabs has a large crack on both sides. An evil pair of small, bright bead-like eyes glisten at one of these holes. The snake—a black one—comes slowly out, about a foot, and moves its head up and down. The dog lies still, and the woman sits as one fascinated. The snake comes out a foot farther. She lifts her stick, and the reptile, as though suddenly aware of danger, sticks his head in through the crack on the other side of the slab, and hurries to get his tail round after him. Alligator springs, and his jaws come together with a snap. He misses, for his nose is large, and the snake's body close down in the angle formed by the slabs and the floor. He snaps again as the tail comes round. He has the snake now, and tugs it out eighteen inches. Thud, thud comes the woman's club on the ground. Alligator pulls again. Thud, thud. Alligator gives another pull and he has the snake out—a black brute, five feet long. The head rises to dart about, but the dog has the enemy close to the neck. He is a big, heavy dog, but quick as a terrier. He shakes the snake as though he felt the original curse in common with mankind. The eldest boy wakes up, seizes his stick, and tries to get out of bed, but his mother forces him back with a grip of iron. Thud, thud—the snake's back is broken in several places. Thud, thud—its head is crushed, and Alligator's nose skinned again.

She lifts the mangled reptile on the point of her stick, carries it to the fire, and throws it in; then piles on the wood and watches the snake burn. The boy and dog watch too. She lays her hand on the dog's head, and all the fierce, angry light dies out of his yellow eyes. The younger children are quieted, and presently go to sleep. The dirty-legged boy stands for a moment in his shirt, watching the fire. Presently he looks up at her, sees the tears in her eyes, and, throwing his arms round her neck exclaims:

"Mother, I won't never go drovin'; blarst me if I do!" And she hugs him to her worn-out breast and kisses him; and they sit thus together while the sickly daylight breaks over the bush.



STEELMAN'S PUPIL



Steelman was a hard case, but some said that Smith was harder. Steelman was big and good-looking, and good-natured in his way; he was a spieler, pure and simple, but did things in humorous style. Smith was small and weedy, of the sneak variety; he had a whining tone and a cringing manner. He seemed to be always so afraid you were going to hit him that he would make you want to hit him on that account alone.

Steelman "had" you in a fashion that would make your friends laugh. Smith would "have" you in a way which made you feel mad at the bare recollection of having been taken in by so contemptible a little sneak.

They battled round together in the North Island of Maoriland for a couple of years.

One day Steelman said to Smith:

"Look here, Smithy, you don't know you're born yet. I'm going to take you in hand and teach you."

And he did. If Smith wouldn't do as Steelman told him, or wasn't successful in cadging, or mugged any game they had in hand, Steelman would threaten to stoush him; and, if the warning proved ineffectual after the second or third time, he would stoush him.

One day, on the track, they came to a place where an old Scottish couple kept a general store and shanty. They camped alongside the road, and Smith was just starting up to the house to beg supplies when Steelman cried:

"Here!—hold on. Now where do you think you're going to?"

"Why, I'm going to try and chew the old party's lug, of course. We'll be out of tucker in a couple of days," said Smith.

Steelman sat down on a stump in a hopeless, discouraged sort of way.

"It's no use," he said, regarding Smith with mingled reproach and disgust. "It's no use. I might as well give it best. I can see that it's only waste of time trying to learn you anything. Will I ever be able to knock some gumption into your thick skull? After all the time and trouble and pains I've took with your education, you hain't got any more sense than to go and mug a business like that! When will you learn sense? Hey? After all, I—Smith, you're a born mug!"

He always called Smith a "mug" when he was particularly wild at him, for it hurt Smith more than anything else. "There's only two classes in the world, spielers and mugs—and you're a mug, Smith."

"What have I done, anyway?" asked Smith helplessly. "That's all I want to know."

Steelman wearily rested his brow on his hand.

"That will do, Smith," he said listlessly; "don't say another word, old man; it'll only make my head worse; don't talk. You might, at the very least, have a little consideration for my feelings—even if you haven't for your own interests." He paused and regarded Smith sadly. "Well, I'll give you another show. I'll stage the business for you."

He made Smith doff his coat and get into his worst pair of trousers—and they were bad enough; they were hopelessly "gone" beyond the extreme limit of bush decency. He made Smith put on a rag of a felt hat and a pair of "'lastic-sides" which had fallen off a tramp and lain baking and rotting by turns on a rubbish heap; they had to be tied on Smith with bits of rag and string. He drew dark shadows round Smith's eyes, and burning spots on his cheek-bones with some greasepaints he used when they travelled as "The Great Steelman and Smith Combination Star Dramatic Co." He damped Smith's hair to make it dark and lank, and his face more corpse-like by comparison—in short, he made him up to look like a man who had long passed the very last stage of consumption, and had been artificially kept alive in the interests of science.

"Now you're ready," said Steelman to Smith. "You left your whare the day before yesterday and started to walk to the hospital at Palmerston. An old mate picked you up dying on the road, brought you round, and carried you on his back most of the way here. You firmly believe that Providence had something to do with the sending of that old mate along at that time and place above all others. Your mate also was hard up; he was going to a job—the first show for work he'd had in nine months—but he gave it up to see you through; he'd give up his life rather than desert a mate in trouble. You only want a couple of shillings or a bit of tucker to help you on to Palmerston. You know you've got to die, and you only want to live long enough to get word to your poor old mother, and die on a bed.

"Remember, they're Scotch up at that house. You understand the Scotch barrack pretty well by now—if you don't it ain't my fault. You were born in Aberdeen, but came out too young to remember much about the town. Your father's dead. You ran away to sea and came out in the Bobbie Burns to Sydney. Your poor old mother's in Aberdeen now—Bruce or Wallace Wynd will do. Your mother might be dead now—poor old soul!—any way, you'll never see her again. You wish you'd never run away from home. You wish you'd been a better son to your poor old mother; you wish you'd written to her and answered her last letter. You only want to live long enough to write home and ask for forgiveness and a blessing before you die. If you had a drop of spirits of some sort to brace you up you might get along the road better. (Put this delicately.) Get the whine out of your voice and breathe with a wheeze—like this; get up the nearest approach to a deathrattle that you can. Move as if you were badly hurt in your wind—like this. (If you don't do it better'n that, I'll stoush you.) Make your face a bit longer and keep your lips dry—don't lick them, you damned fool!-breathe on them; make 'em dry as chips. That's the only decent pair of breeks you've got, and the only shoon. You're a Presbyterian—not a U.P., the Auld Kirk. Your mate would have come up to the house only—well, you'll have to use the stuffing in your head a bit; you can't expect me to do all the brain work. Remember it's consumption you've got—galloping consumption; you know all the symptoms—pain on top of your right lung, bad cough, and night sweats. Something tells you that you won't see the new year—it's a week off Christmas now. And if you come back without anything, I'll blessed soon put you out of your misery."

Smith came back with about four pounds of shortbread and as much various tucker as they could conveniently carry; a pretty good suit of cast-off tweeds; a new pair of 'lastic-sides from the store stock; two bottles of patent medicine and a black bottle half-full of home-made consumption-cure; also a letter to a hospital-committee man, and three shillings to help him on his way to Palmerston. He also got about half a mile of sympathy, religious consolation, and medical advice which he didn't remember.

"Now," he said, triumphantly, "am I a mug or not?"

Steelman kindly ignored the question. "I did have a better opinion of the Scotch," he said, contemptuously.

Steelman got on at an hotel as billiard-marker and decoy, and in six months he managed that pub. Smith, who'd been away on his own account, turned up in the town one day clean broke, and in a deplorable state. He heard of Steelman's luck, and thought he was "all right," so went to his old friend.

Cold type—or any other kind of type—couldn't do justice to Steelman's disgust. To think that this was the reward of all the time and trouble he'd spent on Smith's education! However, when he cooled down, he said:

"Smith, you're a young man yet, and it's never too late to mend. There is still time for reformation. I can't help you now; it would only demoralize you altogether. To think, after the way I trained you, you can't battle round any better'n this! I always thought you were an irreclaimable mug, but I expected better things of you towards the end. I thought I'd make something of you. It's enough to dishearten any man and disgust him with the world. Why! you ought to be a rich man now with the chances and training you had! To think—but I won't talk of that; it has made me ill. I suppose I'll have to give you something, if it's only to get rid of the sight of you. Here's a quid, and I'm a mug for giving it to you. It'll do you more harm than good; and it ain't a friendly thing nor the right thing for me—who always had your welfare at heart—to give it to you under the circumstances. Now, get away out of my sight, and don't come near me till you've reformed. If you do, I'll have to stoush you out of regard for my own health and feelings."

But Steelman came down in the world again and picked up Smith on the road, and they battled round together for another year or so; and at last they were in Wellington—Steelman "flush" and stopping at an hotel, and Smith stumped, as usual, and staying with a friend. One night they were drinking together at the hotel, at the expense of some mugs whom Steelman was "educating." It was raining hard. When Smith was going home, he said:

"Look here, Steely, old man. Listen to the rain! I'll get wringing wet going home. You might as well lend me your overcoat to-night. You won't want it, and I won't hurt it."

And, Steelman's heart being warmed by his successes, he lent the overcoat.

Smith went and pawned it, got glorious on the proceeds, and took the pawn-ticket to Steelman next day.

Smith had reformed.



AN UNFINISHED LOVE STORY



Brook let down the heavy, awkward sliprails, and the gaunt cattle stumbled through, with aggravating deliberation, and scattered slowly among the native apple-trees along the sidling. First there came an old easygoing red poley cow, then a dusty white cow; then two shaggy, half-grown calves—who seemed already to have lost all interest in existence—and after them a couple of "babies," sleek, glossy, and cheerful; then three more tired-looking cows, with ragged udders and hollow sides; then a lanky barren heifer—red, of course—with half-blind eyes and one crooked horn—she was noted for her great agility in jumping two-rail fences, and she was known to the selector as "Queen Elizabeth;" and behind her came a young cream-coloured milker—a mighty proud and contented young mother—painfully and patiently dragging her first calf, which was hanging obstinately to a teat, with its head beneath her hind legs. Last of all there came the inevitable red steer, who scratched the dust and let a stupid "bwoo-ur-r-rr" out of him as he snuffed at the rails.

Brook had shifted the rails there often before—fifteen years ago—perhaps the selfsame rails, for stringy-bark lasts long; and the action brought the past near to him—nearer than he wished. He did not like to think of that hungry, wretched selection existence; he felt more contempt than pity for the old-fashioned, unhappy boy, who used to let down the rails there, and drive the cattle through.

He had spent those fifteen years in cities, and had come here, prompted more by curiosity than anything else, to have a quiet holiday. His father was dead; his other relations had moved away, leaving a tenant on the old selection.

Brook rested his elbow on the top rail of an adjacent panel and watched the cattle pass, and thought until Lizzie—the tenant's niece—shoved the red steer through and stood gravely regarding him (Brook, and not the steer); then he shifted his back to the fence and looked at her. He had not much to look at: a short, plain, thin girl of nineteen, with rather vacant grey eyes, dark ringlets, and freckles; she had no complexion to speak of; she wore an ill-fitting print frock, and a pair of men's 'lastic-sides several sizes too large for her. She was "studying for a school-teacher;" that was the height of the ambition of local youth. Brook was studying her.

He turned away to put up the rails. The lower rail went into its place all right, but the top one had got jammed, and it stuck as though it was spiked. He worked the rail up and down and to and fro, took it under his arm and tugged it; but he might as well have pulled at one of the posts. Then he lifted the loose end as high as he could, and let it fall—jumping back out of the way at the same time; this loosened it, but when he lifted it again it slid so easily and far into its socket that the other end came out and fell, barking Brook's knee. He swore a little, then tackled the rail again; he had the same trouble as before with the other end, but succeeded at last. Then he turned away, rubbing his knee.

Lizzie hadn't smiled, not once; she watched him gravely all the while.

"Did you hurt your knee?" she asked, without emotion.

"No. The rail did."

She reflected solemnly for a while, and then asked him if it felt sore.

He replied rather briefly in the negative.

"They were always nasty, awkward rails to put up," she remarked, after some more reflection.

Brook agreed, and then they turned their faces towards the homestead. Half-way down the sidling was a clump of saplings, with a big log lying amongst them. Here Brook paused. "We'll sit down for a while and have a rest," said he. "Sit down, Lizzie."

She obeyed with the greatest of gravity. Nothing was said for awhile. She sat with her hands folded in her lap, gazing thoughtfully at the ridge, which was growing dim. It looked better when it was dim, and so did the rest of the scenery. There was no beauty lost when darkness hid the scenery altogether. Brook wondered what the girl was thinking about. The silence between them did not seem awkward, somehow; but it didn't suit him just then, and so presently he broke it.

"Well, I must go to-morrow."

"Must you?"

"Yes."

She thought awhile, and then she asked him if he was glad to go.

"Well, I don't know. Are you sorry, Lizzie?"

She thought a good long while, and then she said she was.

He moved closer to the girl, and suddenly slipped his arm round her waist. She did not seem agitated; she still gazed dreamily at the line of ridges, but her head inclined slightly towards him.

"Lizzie, did you ever love anyone?"—then anticipating the usual reply—"except, of course, your father and mother, and all that sort of thing." Then, abruptly: "I mean did you ever have a sweetheart?"

She reflected, so as to be sure; then she said she hadn't. Long pause, and he, the city man, breathed hard—not the girl. Suddenly he moved nervously, and said:

"Lizzie—Lizzie! Do you know what love means?"

She pondered over this for some minutes, as a result of which she said she thought that she did.

"Lizzie! Do you think you can love me?"

She didn't seem able to find an answer to that. So he caught her to him in both arms, and kissed her hard and long on the mouth. She was agitated now—he had some complexion now; she struggled to her feet, trembling.

"We must go now," she said quickly. "They will be waiting for tea."

He stood up before her, and held her there by both hands.

"There is plenty of time. Lizzie—"

"Mis-ter Br-o-o-k-er! Li-i-z-zee-e-e! Come ter yer tea-e-e!" yelled a boy from the house.

"We must really go now."

"Oh, they can wait a minute. Lizzie, don't be frightened"—bending his head—"Lizzie, put your arms round my neck and kiss me—now. Do as I tell you, Lizzie—they cannot see us," and he drew her behind a bush. "Now, Lizzie."

She obeyed just as a frightened child might.

"We must go now," she panted, breathless from such an embrace.

"Lizzie, you will come for a walk with me after tea?"

"I don't know—I can't promise. I don't think it would be right. Aunt mightn't like me to."

"Never mind aunt. I'll fix her. We'll go for a walk over to the school-teacher's place. It will be bright moonlight."

"I don't like to promise. My father and mother might not—"

"Why, what are you frightened of? What harm is there in it?" Then, softly, "Promise, Lizzie."

"Promise, Lizzie."

She was hesitating.

"Promise, Lizzie. I'm going away to-morrow—might never see you again. You will come, Lizzie? It will be our last talk together. Promise, Lizzie.... Oh, then, if you don't like to, I won't press you.... Will you come, or no?"

"Ye-es."

"One more, and I'll take you home."

It was nearly dark.

Brook was moved to get up early next morning and give the girl a hand with the cows. There were two rickety bails in the yard. He had not forgotten how to milk, but the occupation gave him no pleasure—it brought the past near again.

Now and then he would turn his face, rest his head against the side of the cow, and watch Lizzie at her work; and each time she would, as though in obedience to an influence she could not resist, turn her face to him—having noted the pause in his milking. There was a wonder in her expression—as if something had come into her life which she could not realize—curiosity in his.

When the spare pail was full, he would follow her with it to the little bark dairy; and she held out the cloth which served as a strainer whilst he poured the milk in, and, as the last drops went through, their mouths would come together.