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Uncle Max
by Rosa Nouchette Carey
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Before the evening was over I felt I liked Colonel Ferguson immensely, and thought far more of Sara for being his choice; there was an air of frankness and bonhomie about him that won one's heart; he was sensible and practical. In spite of his fondness for Sara, he would keep her in order: one could see that. I heard him rebuke her very gently that first evening for some extravagance she was planning. They were standing apart from the others on the balcony, but I was near the open window, and I heard him say distinctly, in a grave voice,—

'I am very sorry to disappoint you, but I must ask you to give up this idea, my darling; it would not be right in our position: surely you must see that.'

'No, Donald, I do not see it a bit,' she answered quickly.

'Then will you be satisfied with my seeing it, and give it up for my sake, dear?'

I knew when they came back into the room that he had got his way. Sara was smiling as happily as usual: her disappointment had not gone very deep. Her future husband would have very little trouble with her. She was neither self-willed nor selfish. She wanted to be happy herself and make other people happy; she would be easily guided.

When we left the Park Colonel Ferguson rode off to his club, and we drove home rather quickly. There were some visitors waiting for Sara in the drawing-room, so I went up to my old room to take off my bonnet. Martha would unpack my boxes, Aunt Philippa told me, as she gave me another kiss in the hall.

I had not been there for five minutes when I heard flying footsteps down the passage, and the next moment Jill's strong arms had taken me by the shoulders and turned me round.

'Now, Jill, I don't mean to be strangled as usual'; but she left me no breath for more.

'Oh, my dear, precious old bear, this is too good to be true! I nearly cried with joy this morning at the idea of seeing you in your old room and knowing you will be here a whole fortnight. I declare, after all, Sara is very nice to get married.'

No, Jill was not changed; she was as real and big and demonstrative as usual, but somehow she looked nicer.

'You must be quick,' she continued, 'for father has come in, and Clayton has taken in the tea. We must go down directly; but I want you to see Miss Gillespie first.' And Jill looked proud and eager as she led me down the passage.

The schoolroom was still the same dull back room that Aunt Philippa thought so conducive to her young daughter's studies, but it certainly looked more cheerful this evening.

The window was opened. There was a window-box full of gay flowers. A great bowl of my favourite wall-flowers was on the table, and another vase, with trails of laburnum and lilac, was on Jill's little table. The fresh air and sunshine and the sweet scent of the flowers had quite transformed the dingy room. There was new cretonne on the old sofa, a handsome cloth on the centre-table, and a new easy-chair.

Miss Gillespie was sitting by the window, reading. She had an interesting face and rather sad gray eyes, but her manner was decidedly prepossessing.

She looked at her pupil with affection. Evidently Jill's abruptness and awkwardness were not misunderstood by her.

'I want you two to like each other,' Jill had said, without a pretence of introduction; and we had both laughed and extended our hands.

'I seem to know you already, Miss Garston,' she said, in a pleasant voice. 'Jocelyn talks about you so much that you cannot be a stranger to me.—Do you know your father has come in, dear?' turning to Jill.

'Yes, and I must take my cousin downstairs. Good-bye for the present, Gypsy.'

Miss Gillespie smiled again when she saw my astonishment at Jill's familiarity.

'Jocelyn thinks my name too long, and has abbreviated it to Gypsy. Mrs. Garston was terribly shocked at first, but I told her that it did not matter in the least: in fact, I like it.'

'She is such a dear old thing!' burst out Jill, as we left the schoolroom and proceeded downstairs arm in arm. 'I never think of her as my governess; she is just a kind friend who helps me with my lessons and walks with me. We do have such cosy times together. Does not the schoolroom look nice, Ursie?'

'Very nice indeed, my dear.'

'So I think; but Sara says it is horrid: she has made mother promise to give me her room directly she is married. Sara has a beautiful piano there, and a book-case, and all sorts of pretty things. It is a lovely room, you know, and looks out over the Park. Mother thinks it too nice and pretty for a schoolroom; but I am to call it my study and keep it tidy. And Gypsy is to have the old schoolroom for herself: so we are both pleased. It is nice for her to have a room of her own, where she can be alone.'

'Your mother is very kind to you, Jill.'

'Awfully kind—I mean very kind: Gypsy does so dislike that expression. Do you know, I think you two are rather alike in that? Gypsy is very unhappy sometimes, though. I have found her crying more than once when I have left her long alone; only mother does not know, and I don't mean to tell her, because she thinks people ought always to be cheerful. It was so sad that clergyman dying,—the one she was to marry; his name was Maurice Compton. I saw the name in one of her books: "Lilian Gillespie, from her devoted friend, Maurice Compton."'

'My dear Jill, how long are you going to keep me standing in the hall? Clayton will find us here directly.'

'Yes, I know'; but Jill showed no intention of moving; the prospect of cold tea did not trouble her; 'but I want to tell you something before you go in. Mother is certainly kinder to me than she ever has been; she says I am to drive with her very often, and that she shall take me to see picture-galleries. And father is going to buy a horse for me, because he says I ride so well that I may go out with him, as a rule, instead of with a master; and—'

'You shall tell me all that presently,' I returned, 'for I am too tired to stand on this mat any longer. Are you coming, Jill? or shall I go in without you?' but of course I knew she would follow me.

The room seemed full when we entered. Aunt Philippa was at the tea-table; Sara was flitting about the room from one guest to another. Uncle Brian, who was standing on the hearth-rug, put out his hand to me.

'I am glad to see you back again, Ursula,' looking at me with his cool, penetrating glance. Uncle Brian was never demonstrative. 'I think the work suits you, to judge by your looks. Take that chair by your aunt, child, and she will give you some tea.' And accordingly I placed myself under Aunt Philippa's wing, while Jill and a boy-officer with a budding moustache waited on me.

The rest of the evening passed very pleasantly. I had a long conversation with Miss Gillespie in the inner drawing-room while Sara and Jill played duets: of course our subject was Jill. Miss Gillespie spoke most warmly of her excellent abilities and fine development of character. 'She will be a very striking woman,' she finished, when the last chords were played and a soft clapping of hands succeeded. 'Whether she will be a happy one is more doubtful: she must not be thwarted too much, and she must have room to expand. Jocelyn wants space and sunshine.'

I thought these remarks very sensible; they taught me that Miss Gillespie had grasped the true idea of Jill's character. There was nothing little about Jill: she never did things by halves: she either loved or hated. She was truthful to a fault. There was a massive freedom and simplicity about her that would guide her safely through the world's pitfalls. 'Space and sunshine,' that was all Jill needed to bring her to maturity and fruition. Some girls may be trusted to educate themselves. Jill was one of these.

The next morning Sara took possession of me. A great honour was to be vouchsafed me: I was to be treated to a private view of the trousseau and wedding-presents.

I had exhausted my vocabulary of admiring epithets, and sat in eloquent silence, long before Sara had finished her display. It was like the picture of Pandora opening her box, to see the pretty creature opening the big, carved wardrobe to show me the layers of delicate embroidered raiment, muslin and laces and jewels, curious trinkets and wonderful gifts worthy of the Arabian Nights. There were two rooms full of treasures that had been laid at her feet, and no doubt, like Pandora, Sara had the rainbow-tinted hope lying amid the bridal gifts.

'This is Donald's present,' she said, smiling, showing me a diamond spray. 'I am to wear it on Thursday: it is the loveliest present of all,—though mother has given me that beautiful pearl necklace.'

'Wait a moment, Sara,' I said, detaining her as she closed the morocco case: 'tell me, do you not feel like a princess in fairy-land, with all this glitter round you? Does it all seem real, somehow?'

'Donald is real, anyhow,' she returned, with a charming blush. 'Nothing would be real without him. Oh, Ursula, it is nice to be so happy! I always have been happier than other girls.' And something like a tear stole to her pretty eyes.

'Now you must see your own dress,' she continued, brushing off the tiny tear-drop, with a laugh at her own sentimentality. 'What do you think of that? Is that not charming taste?'

'It is far too good for me,' I returned seriously. 'How could Uncle Brain buy that for me? It is beautiful; it is perfect, and just my taste.' And then I could say no more, for Sara had placed her hands across my lips to silence me.

'Then you must wear it, dear. Father and mother wanted to give you something nice, because you were so good to Jocelyn, and I knew you had a fancy for a velvet gown. Is not that yellowish lace charming, Ursula? and the bonnet harmonises so well! Your bouquet is to be cream-coloured, too, with just a tea-rose or so. You will look quite pretty in it, Ursula dear. Do you know Donald liked the look of you so yesterday? he said you looked so strong and sensible; he called you an interesting woman.'

I hastened to change the subject, for it recalled certain words that I vainly tried to forget. It was a relief when visitors were announced and Sara left me to go down to the drawing-room. I was glad to be alone for a few minutes. Aunt Philippa came up soon afterwards with a bevy of friends, and I escaped to my own room until luncheon-time.

I grew a little weary of the bustle by and by, and yet I was pleased and interested too; the excitement was infectious; one smiled to see so many happy faces; and then there was so much to do, every one was pressed into the service. Jill shut up her books with a bang; her piano remained closed. She and Miss Gillespie were answering notes, unpacking presents, running to and fro with messages; people came all day long; they talked in corners on the balcony, in Uncle Brian's study; no room was held sacred.

A cargo of flowers arrived presently; the hall and drawing-room were to be transformed into bowers. It must rain roses as well as sunshine on the young princess. Sara's bright face appeared every now and then among the workers; a little court surrounded her; sometimes Colonel Ferguson's bronzed face looked over her shoulders.

'That is very pretty, Ursula. I see you have caught the right idea. Jocelyn dear, you are overfilling that basket, and some of the stalks are showing. Miss Gillespie will put it right for you. Come, Grace, shall we go upstairs?'

Sara nodded and smiled at us as she led the way to the upper regions. Pandora was for ever opening her box in those days: she was never weary of fingering her silks and satins.

'Now she has gone, let us rest a little,' Jill exclaimed, letting her arms fall to her side. 'Are you not tired of it all, Ursie dear? I get so giddy that I keep rubbing my eyes. I never knew weddings meant all this fuss. Why cannot people do things more quietly? If I ever get married I shall just put on my bonnet and walk to the nearest church with father. What is the use of all this nonsense? It is like decking the victim for the sacrifice, to see all these roses and green leaves. Supposing we have a band of music to drown her groans while she is dressing,' finished Jill rebelliously, as she contemplated her flower-basket with dissatisfied eyes.

Jill's speech recalled Mr. Hamilton's words most vividly: 'Because two people elect to join hands for the journey of life, is there any adequate reason why all their idle acquaintances should accompany them with cymbals and prancings, and all sorts of fooleries, just at the most solemn moment of life?' and again, '"Till death us do part,"—can any one, man or woman, say those words lightly and not bring down a doom upon himself?'

Could I ever forget how solemnly he had said this? After all, Mr. Hamilton was right, and I think Jill was right too.



CHAPTER XXXI

WEDDING-CHIMES

When we had finished the flowers and brought in Aunt Philippa to see the effect, I left the others and went up to my room. I had been busy since the early morning, and felt I had fairly earned a little rest.

The room that was still called mine had a side-window looking over the Park. Down below carriages were passing and repassing; a detachment of hussars trotted past; people were pouring out from the Albert Hall,—some afternoon concert was just over; the children were playing as usual on the grass; the soft evening shadows were creeping up between the trees; the sky was blue and cloudless. May was wearing her choicest smiles on the eve of Sara's wedding-day.

Martha, the schoolroom maid, had brought me a cup of tea; the rest of the family were crowded in Uncle Brian's study; the dining-room was already in the hands of Gunter's assistants; the long drawing-room and inner drawing-room were sweet with roses and baskets of costly hot-house flowers; a bank of rhododendrons was under the hall window; the house was full of sunshine, flowers, and the ripple of laughter. I could hear the laughter through the closed door. Sara's musical tinkle rang out whenever the door opened. I had fallen into a sort of waking dream, when something white and golden passed between me and the sunlight; a light kiss was dropped on my drowsy eyelids, and there was Lesbia smiling at me.

She looked so cool and fair in her white gown, with a tiny bouquet of delicious tea-roses in her hand, her golden hair shining under her little lace bonnet. I thought she looked more than ever like Charlie's white lily, only now there was a touch of colour on her face.

'Oh, Ursie dear, I am so pleased to see you!' she said gently, laying the flowers on my lap. 'Clayton told me that every one else was in Mr. Garston's study, so I begged to run up here. We only came up from Rutherford this morning, and we have been so busy ever since. I was afraid you were asleep, for I knocked at the door without getting any answer; but no, your eyes were wide open; so you were only dreaming.'

'I believe I was very tired, they have kept me running about all day. Take this low chair by the window, dear, and tell me all about yourself. Do you know it is six months since we met? There must be so much to say on both sides. But, first, how is Mrs. Fullerton? and is it Rutherford that has given you those pretty roses, Lesbia?' But the roses I meant were certainly not on my lap.

She answered literally and seriously, in her usual way: 'Yes, they are from Rutherford: I cut them myself, in spite of Patrick's grumbling. Mother is very well, Ursula; I am sure the country agrees with her. We have been there since March, and these two months have been the happiest to me since dear Charlie died.'

'You need not tell me that,' I returned, with a satisfied look at the sweet face. 'Health has returned to you; you are no longer languid and weary; your eyes are bright, your voice has a stronger tone in it.'

'Is it wrong?' she answered quickly. 'I do not forget, I shall never forget, but the pain seems soothed somehow. When I wake up in the bed where I slept as a child, I hear the birds singing, and I do not say to myself, "Here is another long weary day to get through." On the contrary, I jump up and dress myself as quickly as I can, for I love to be out among the dews; everything is so sweet and still in the early morning; there is such freshness in the air.'

'And these early walks are good for you.'

'Oh, I never leave the grounds. I just saunter about with Flo and Rover. When breakfast is ready I have a bouquet to lay beside mother's plate. Dear, good mother! do you know she cannot say enough in praise of Rutherford, now she sees the breakfasts I eat? I think she would be reconciled to any place if she saw me enjoy my food: at the Albert Hall Mansions I never felt hungry; I was always too tired to eat.'

'I knew Mrs. Fullerton would never repent her sacrifice.'

'No, indeed; mother and I have never been so cosy in our lives. She sits in the verandah and laughs over my quarrels with Patrick: he is quite as cross-grained as ever, dear old fellow, but there is nothing that he will not do for me. We are making a rose-garden now. Do you remember that sunny corner by the terrace and sundial?—dear Charlie always wanted me to have a rose-garden there. We have trellis-work arches and a little arbour. Patrick and Hawkins are doing the work, but I fancy they cannot get on without me.'

She stopped with a little laugh at her own conceit, and then went on:

'And I am so busy in other ways, Ursula. Every Monday I go to the mothers' meeting with Mrs. Trevor, and I have some of the old women at the almshouses besides,—I am so fond of those old women,—and I have just begun afternoons for tennis; people like these, and they come from such a distance. Mr. Manners declares the Rutherford Thursdays will soon be known all over the country.'

'Bravo, Lesbia! you are taking your position nobly, my dear; this is just what Charlie wanted to see you,—a brave sweet woman who would not let sorrow and disappointment spoil her own and other people's lives.' Then, as she blushed with pleasure at my words, I said carelessly, 'Do you often see Mr. Manners?'

'Oh yes,' she returned without hesitation,—'on my Thursdays, and at church, and at the vicarage: we are always meeting somewhere. He was Charlie's friend, you know, and he is so nice and sympathising, and tells me so much about their school life and college life together. He was so fond of Charlie, and the undergraduates used to call them Damon and Pythias.'

'To be sure: Charlie was always talking about Harcourt. He has grown very handsome, I have heard.'

'Mother says so: he is certainly good-looking,' she answered simply; 'and then he is so kind. I feel almost ashamed at troubling him so much with our business and commissions, but he never seems to mind any amount of trouble. I have never met any one so unselfish.'

I turned away my head to hide a smile. Lesbia was quite serious. She was too much absorbed in the memory of Charlie to read the secret of Harcourt Manners's unselfishness: the kindly attentions of the young man, his solicitude and sympathy, had not yet awakened a suspicion of the truth.

One day Lesbia's eyes would be opened, and she would be shocked and surprised to find the hold that Charlie's friend had got over her heart. Very likely she would dismiss him and lock herself up in her room and cry for hours; probably she would persist for some weeks in making herself and him exceedingly unhappy. But it would be all no use; the tie of sympathy would be too strong; he would have made himself too necessary to her. One day she would have to yield, and find her life's happiness in thus yielding. Charlie's white lily was too fair to be left to wither alone, and I knew Harcourt Manners would be worthy to win the prize.

I could see it all before it happened, while Lesbia talked in her serious way of Mr. Manners's unselfishness. Presently, however, she changed the subject, and began questioning me eagerly about my work; and just then Jill joined us, and placed herself on the floor at my feet, with the firm intention, evidently, of listening to our remarks.

The conversation drifted round to Gladwyn presently. I could see Lesbia was a little curious about these friends of mine that I had mentioned casually in my letters.

'I can't quite make out the relationship,' she said, in a puzzled tone. 'You are always talking about this Gladys. Is she really so beautiful and fascinating? And who is Miss Darrell?'

'You had better ask me,' interrupted Jill, quite rudely, 'for Ursula is so absurdly infatuated about the whole family; she thinks them all quite perfect, with the exception of the double-faced lady, Miss Darrell; but they are very ordinary,—quite ordinary people, I assure you.'

'Now, Jill, we do not want any of your impertinence. Lesbia would rather hear my description of my friends.'

'On the contrary, she would prefer the opinion of an unprejudiced person,' persisted Jill, with a voluble eloquence that took away my breath. 'Listen to me, Lesbia. This Mr. Hamilton that Ursula is always talking about'—how I longed to box Jill's pretty little ears! she had lovely ears, pink and shell-like, hidden under her black locks—'is an ugly, disagreeable-looking man.'

'Oh!' from Lesbia, in rather a disappointed tone.

'He is quite old,—about five-and-thirty, they say,—and he has a long smooth-shaven face like a Jesuit. I don't recollect seeing a Jesuit, though; but he is very like one all the same. He has dark eyes that stare somehow and seem to put you down, and he has a way of laughing at you civilly that makes you wild; and Ursula believes in him, and is quite meek in his presence, just because he is a doctor and orders her about.'

'My dear Lesbia, I hope you are taking Jill's measure with a grain of salt. Mr. Hamilton is not disagreeable, and he never orders me about.'

Jill shook her head at me, and went on:

'Then there is the double-faced lady—but never mind her; we both hate her.'

'You mean Miss Darrell, Mr. Hamilton's cousin?'

'Yes, Witch Etta, as Lady Betty calls her. She is a dark-eyed, slim piece of elegance, utterly dependent on her clothes for beauty; she dresses perfectly, and makes herself out a good-looking woman, but she is not really good-looking; and she is always talking, and her talk is exciting, because there is always something behind her words, something mildly suggestive of volcanoes, or something equally pleasant and enlivening. If she smiles, for instance, one seems to think one must find out the meaning of that.'

'Who has taught you all this, Jill?' asked Lesbia, bewildered by this sarcasm.

'My mother-wit,' returned Jill, utterly unabashed. 'Well, then there is Gladys. Ah, now we are coming to the saddest part. Once upon a time there was a beautiful maiden, really a lovely creature,—oh, I grant you that, Ursula,—but she fell under the power of some wicked magician, male or female,—some folks say Witch Etta,—who changed her into a snow-maiden or an ice-maiden. If she were only alive, this Gladys would be most lovely and bewitching; but, you see, she is only a poor snow-maiden, very white and cold. If she gives you her hand, it quite freezes you; her kiss turns you to ice too; her smile is congealing. Ursula tries to thaw her sometimes, but it does no good. She is only Gladys, the snow-maiden.'

I was too angry with Jill to say a word. Lesbia looked more mystified than ever.

'If she be so cold and sad, how can Ursula be so fond of her?' she demanded, in her practical way. But Jill took no notice, but rattled on:

'Little brown Betsy—I beg her pardon—Lady Betty, is the best of all: she is really human. Gladys is only half alive. Lady Betty laughs and talks and pouts; she wrinkles up like an old woman when she is cross, and has lovely dimples when she smiles. She is not pretty, but she is quaint, and interesting, and childlike. I am very fond of Lady Betty,' finished Jill, with a benevolent nod.

I proceeded to annotate Jill's mischievous remarks with much severity. I left Mr. Hamilton alone, with the exception of a brief sentence; I assured Lesbia that he was not ugly, but only peculiar-looking, and that he was an intellectual, earnest-minded man who had known much trouble. Jill made a wry face, but did not dare to contradict me.

'As for his sister Gladys,' I went on, 'she is simply a most beautiful girl, whose health has failed a little from a great shock'; here Jill and Lesbia both looked curious, but I showed no intention of enlightening them. 'She is a little too sad and quiet for Jill's taste,' I continued, 'and she is also somewhat reserved in manner, but when she likes a person thoroughly she is charming.'

I went on a little longer in this strain, until I had thoroughly vindicated my favourite from Jill's aspersion.

'You are very fond of her, Ursula: your eyes soften as you talk of her. I should like to see this wonderful Gladys.'

'You must see her one day,' I rejoined; and then the gong sounded, and Lesbia jumped up in a fright, because she said she would keep her mother waiting, and Jill hurried off to her room to dress.

We had what Jill called a picnic dinner in Uncle Brian's study. Every one enjoyed it but Clayton, who seemed rather put out by the disorganised state of the house, and who was always getting helplessly wedged in between the escritoire and the table. We would have much rather waited on ourselves, and we wished Mrs. Martin had forgone the usual number of courses. When it was over we all went into the long drawing-room, and Jill played soft snatches of Chopin, while Sara and Colonel Ferguson whispered together on the dark balcony.

Mrs. Fullerton and Lesbia joined us later on, and then Colonel Ferguson took his leave. I thought Sara looked a little quiet and subdued when she joined us; her gay chatter had died away, her eyes were a little plaintive. When we had said good-night, and Jill and I were passing down the corridor hand in hand, we could hear voices from Aunt Philippa's room. Through the half-opened door I caught a glimpse of Sara: she was kneeling by her mother's chair, with her head on Aunt Philippa's shoulder. Was she bidding a tearful regret to her old happy life? I wondered; was she looking forward with natural shrinking and a little fear to the new responsibility that awaited her on the morrow? It was the mother who was talking; one could imagine how her heart would yearn over her child to-night,—what fond prayers would be uttered for the girl. Aunt Philippa was a loving mother: worldliness had not touched the ingrained warmth of her nature.

I am glad to remember how brightly the sun shone on Sara's wedding-day. There was not a cloud in the sky. When I woke, the birds were singing in Hyde Park, and Jill in her white wrapper was looking at me with bright, excited eyes.

'It is such a lovely morning!' she exclaimed rapturously. 'Actually Sara is asleep! Fancy sleeping under such circumstances! She and mother are going to have breakfast together in the schoolroom. Do be quick and dress, Ursula; father is always so early, you know.'

Uncle Brian was reading his paper as usual when I entered the study. Miss Gillespie was pouring out coffee. Jill was fidgeting about the room, until her father called her to order, and then she sat down to the table. I do not think any of us enjoyed our breakfast. Uncle Brian certainly looked dull; Jill was too excited to eat; poor Miss Gillespie had tears in her eyes; she poured out tea and coffee with cold shaking hands. 'Lilian Gillespie, from her devoted friend Maurice Compton,' came into my head: no wonder the thought of marriage-bells and bridal finery made her sad. I am afraid I should have shut myself up in my own room, and refused to mingle with the crowd, under these circumstances. I quite understood the feeling of sympathy that made Jill stoop down and kiss the smooth brown hair as she passed the governess's chair: it was a sort of affectionate homage to misfortune patiently borne.

I went up to the schoolroom when breakfast was over. Aunt Philippa looked as though she had not slept: there was a jaded look about her eyes. Sara, on the contrary, looked fresh and smiling; she was just going to put herself in her maid's hands; but she tripped back in her pretty muslin dressing-gown and rose-coloured ribbons to kiss me and ask me to look after Jill's toilet.

'Every one is so busy, and mother and Draper will be attending to me. Do, please, Ursie dear, see that she puts on her bonnet straight.' And of course I promised to do my best.

As it happened, Jill was very tractable and obedient. I think her beautiful bridesmaid's dress rather impressed her. I saw a look of awe in her eyes as she regarded herself, and then she dropped a mocking courtesy to her own image.

'I am Jocelyn to-day, remember that, Ursula. I don't look a bit like Jill. Jocelyn Adelaide Garston, bridesmaid.'

'You look charming, Jill—I mean Jocelyn.'

'Oh, how horrid it sounds from your lips, Ursie! I like my own funny little name best from you. Now come and let me finish you.' And Jill, in spite of her fine dress, would persist in waiting on me. She was very voluble in her expression of admiration when I had finished, but I did not seem to recognise 'Nurse Ursula' in the elegantly-dressed woman that I saw reflected in the pier-glass. 'Fine feathers make fine birds,' I said to myself.

I think we all agreed that Sara looked lovely. Lesbia, who joined us in the drawing-room, contemplated her with tears in her eyes.

'You look like a picture, Sara,' she whispered,—'like a fairy queen,—in all that whiteness.' Sara dimpled and blushed. Of course she knew how pretty she was, and how people liked to look at her; but I am sure she was thinking of Donald, as her eyes rested on her bridal bouquet. Dearly as she loved all this finery and consequence, there was a soft, thoughtful expression in her eyes that was quite new to them, and that I loved to see.

We went to church presently, and Lesbia and I, standing side by side, heard the beautiful, awful service. 'Till death us do part.' Oh, what words to say to any man! Surely false lips would grow paralysed over them!

A most curious thing happened just then. I had raised my eyes, when they suddenly encountered Mr. Hamilton's. A sort of shock crossed me. Why was he here? How had he come? How strange! how very strange! The next moment he had disappeared from my view: probably he had withdrawn behind a pillar that he might not attract my notice. I could almost have believed that it was an illusion and fancied resemblance, only I had never seen a face like Mr. Hamilton's.

The momentary glimpse had distracted me, and I heard the remainder of the service rather absently; then the pealing notes of the wedding-march resounded through the church; we all stood waiting until Sara had signed her name, and had come out of the vestry leaning on her husband's arm.

I was under Major Egerton's care. The crowd round the door was so great that it was with the greatest difficulty that he could pilot me to the carriage. Lesbia was following us with another officer, whose name I did not know. As we took our seats I distinctly saw Mr. Hamilton cross the road. He was walking quietly down Hyde Park. As we passed he turned and took off his hat. I thought it was a strange thing that he should be in the neighbourhood on Sara's wedding-day, and that he should have deigned to play the part of a spectator after his severe strictures on gay weddings. I supposed his business in Edinburgh was finished, and he had an idle day or two on his hands. I half expected him to call the next day, for I had given him my address; but he did not come, and I heard from Mr. Tudor afterwards that he had gone on to Folkestone.



CHAPTER XXXII

A FIERY ORDEAL

It is a hackneyed truism, and, like other axioms, profoundly true, that wedding-festivities are invariably followed by a sense of blank dulness.

It is like the early morning after a ball, when the last guests have left the house: the lights flicker in the dawn, the empty rooms want sweeping and furnishing to be fit for habitation. Yawns, weariness, satiety, drive the jaded entertainers to their resting-places. Every one knows how tawdry the ball-dress looks in the clear morning light. The diamonds cease to flash, the flowers are withered, the game is played out.

Something of this languor and vacuum is felt when the bride and bridegroom have driven away amid the typical shower of rice. The smiles seem quenched, somehow; mother and sisters shed tears; a sense of loss pervades the house; the bridal finery is heaped up in the empty room; one little glove is on the table, another has fallen to the floor. All sorts of girlish trinkets that have been forgotten lie unheeded in corners.

I know we all thought that evening would never end, and I quite understood why Jill hovered near her mother's chair, listening to her conversation with Mrs. Fullerton. Every now and then Aunt Philippa broke down and shed a few quiet tears. I heard her mention Ralph's name once. 'Poor boy! how proud he would have been of his sister!' Uncle Brian heard it too, for I saw him wince at the sound of his son's name; but Jill stroked her mother's hand, and said, quite naturally, 'Most likely Ralph knows all about it, mamma, and of course he is glad that Sara is so happy.'

Our pretty light-hearted Sara. I had no idea that I should miss her so much! Indeed, we all missed her: it seemed to me now that I had undervalued her. True, she had not been a congenial companion to me in my dark days; but even then I had wronged her. Why should I have expected her to grope among the shadows with me, instead of following her into the sunshine? Sara could not act contrary to her nature. Sad things depressed her. She wanted to cause every one to be happy.

Her feelings were far deeper than I had imagined them to be. I liked the way she spoke to Jill when she was bidding good-bye to us all.

'Jocelyn dear, promise me that you will be good to mother. She has no one but you now to study her little ways and make her comfortable, and she is not as young as she was, and things tire her.' Of course Jill promised with tears in her eyes, and Sara went away smiling and radiant. Jill was already trying to redeem her promise, as she hovered like a tall slim shadow behind her mother's chair in the twilight.

'Come and sit down, Jocelyn, my dear,' observed Aunt Philippa at last, in her motherly voice. When I looked again, Jill's black locks were bobbing on her mother's lap, and the three seemed all talking together.

There was very little rest for any one during the next few days. Sara's marriage had brought sundry relations from their country homes up to town, and there was open house kept for all. Jill went sight-seeing with the young people. Aunt Philippa drove some of the elder ladies to the Academy, to the Grosvenor Gallery, to the Park, and other places.

Every day there were luncheon-parties, tea-parties, dinner-parties; the long drawing-room seemed full every evening. Jill put on one or other of her pretty new gowns, and played her pieces industriously; there was no stealing away in corners now. There were round games for the young people; now and then they went to the theatre or opera: no wonder Jill was too tired and excited to open her lesson-books. My fortnight's visit extended itself to three weeks. Aunt Philippa could not spare me; she said I was much too useful to her and Uncle Brian. I wrote to Mrs. Barton and also to Lady Betty, and I begged the latter to inform her brother that I could not leave my relations just yet.

Lady Betty wrote back at once. She had given my message, she said, but Giles had not seemed half pleased with it. She thought he was going away somewhere, she did not know where; but he had told her to say that there were no fresh cases, and that Robert Lambert was going on all right, and that as I seemed enjoying myself so much it was a pity not to take a longer holiday while I was about it, and he sent his kind regards; and that was all. I suppose I ought to have been satisfied, but it struck me that there was a flavour of sarcasm about Mr. Hamilton's message.

But he was right; I was enjoying myself. Lesbia was still in town, and I saw her every day. My acquaintance with Miss Gillespie grew to intimacy, and I think we mutually enjoyed each other's society. Aunt Philippa seemed to turn to me naturally for help and comfort, and her constant 'Ursula, my dear, will you do this for me?' gave me a real feeling of pleasure; and then there was Jill to pet and praise at every odd moment.

One day we were all called upon to admire Sara's new signature, 'Sara Ferguson,' written in bold, girlish characters. 'Donald is looking over my shoulder as I write it, dear mamma,' Sara wrote, in a long postscript. 'Are husbands always so impertinent? Donald pretends that it is part of his duty to see that I dot my i's and cross my t's: he will talk such nonsense. There, he has gone off laughing, and I may end comfortably by telling you that he spoils me dreadfully and is so good to me, and that I am happier than I deserve to be, and your very loving child, Sara.'

'Poor darling! she always did make her own sunshine,' murmured Aunt Philippa fondly.

Now, that afternoon who should call upon us but Mr. Tudor? Jill was out, as usual, riding with two of her cousins and Uncle Brian; they had gone off to Kew or Richmond for the afternoon; but Aunt Philippa, who had been dozing in her easy-chair by the window, welcomed the young man very kindly, and made him promise to stay to dinner.

Mr. Tudor tried not to look too much pleased as he accepted the invitation. A sort of blush crossed his honest face as he turned to me: he had two or three messages to deliver, he said. Mr. Cunliffe had given him one, and Mrs. Barton, and Lady Betty. She, Lady Betty, wanted me to know that Miss Darrell was going to Brighton for a week or ten days, and that she hoped I should come home before then.

I heard, too, that Mr. Hamilton had gone to Folkestone, and that he had tried to induce Uncle Max to go with him. 'But it is no use telling him he wants a change,' finished Mr. Tudor, with a sigh; 'he is bent on wearing himself out for other people.'

Mr. Tudor and I chatted on for the remainder of the afternoon. I had taken him out on the balcony: there were an awning and some chairs, and we could sit there in comparative privacy looking down on the passers-by. Aunt Philippa was nodding again: we could hear her regular breathing behind us: poor woman! she was worn out with bustle and gaiety. I was thankful that a grand horticultural fete kept all the aunts and cousins away, with the exception of the two who were riding with Jill.

Clayton brought us out some tea presently, and we found plenty of topics for conversation.

All at once I stopped in the middle of a conversation.

'Mr. Tudor, have my eyes deceived me, or was that Leah?'

'Who?—what Leah? I do not know whom you mean!' he returned, rather stupidly, staring in another direction. There was a cavalcade coming up the road,—a tall slim girl, on a chestnut mare, riding on in front with a young man, another girl and an elderly man with a gray moustache following them, a groom bringing up the rear.

Of course it was Jill, smiling and waving towards the balcony; she could not see Mr. Tudor under the awning, but she had caught sight of my silk dress. Jill looked very well on horseback: people always turned round to watch her. She had a good seat, and rode gracefully; the dark habit suited her; she braided her unmanageable locks into an invisible net that kept them tidy.

'Is that Miss Jocelyn?' asked Lawrence, almost in a voice of awe. The young curate grew very red as Jill rode under the balcony and nodded to him in a friendly manner.

'There is Mr. Tudor,' we heard her say. 'Be quick and lift me off my horse, Clarence.' But she had slipped to the ground before her cousin could touch her, and had run indoors.

Mr. Tudor went into the room at once, but I sat still for a moment. Why had I asked him? Of course it was Leah. I could see her strange light-coloured eyes glancing up in my direction. What was she doing in London? I wondered. She was dressed well, evidently in her mistress's cast-off clothes, for she wore a handsome silk dress and mantle. Had they quarrelled and parted? I felt instinctively that it would be a good day for Gladwyn if Leah ever shook off its dust from her feet. Gladys regarded her as a spy and informer, and she had evidently an unwholesome influence over her mistress.

We separated soon after this to dress for dinner, and Mr. Tudor went to his hotel. I was rather sorry when I came downstairs to find that Jill had made rather a careless toilet. She wore the flimsy Indian muslin gown that I thought so unbecoming to her style, with a string of gold beads of curious Florentine work round her neck. She looked so different from the graceful young Amazon who had ridden up an hour ago that I felt provoked, and was not surprised to hear the old sharp tone in Aunt Philippa's voice:

'My dear Jocelyn, why have you put on that old gown? Surely your new cream-coloured dress with coffee lace would have been more suitable. What was Draper thinking about?'

'I was in too great a hurry; I did not wait for Draper,' returned Jill candidly. 'Draper was dreadfully cross about it, but I ran away from her. What does it matter, mamma? They have all seen my cream-coloured dress, except—' But here Jill laughed: the naughty child meant Mr. Tudor.

'I am afraid there is not time to change it now; but I am very much vexed about it,' returned Aunt Philippa, in a loud whisper. 'You are really looking your worst to-night.' But Jill only laughed again, and asked her cousin Clarence when he took her down to dinner if it were not a very pretty gown.

'I don't know much about gowns,' drawled the young man,—Mr. Tudor and I were following them: 'it looks rather flimsy and washed out. If I were you I would wear something more substantial. You see, you are so big, Jocelyn; your habit suits you better.'

We heard Jill laughing in a shrill fashion at this dubious compliment, and presently she and Mr. Tudor, who sat next to her, were talking as happily as possible. I do not believe he noticed her unbecoming gown: his face had lighted up, and he was full of animation. Poor Lawrence! he was five-and-twenty, and yet the presence of this girl of sixteen was more to him than all the young-ladyhood of Heathfield. Even charming little Lady Betty was beaten out of the field by Jill's dark eyes and sprightly tongue.

It was a very pleasant evening, and we were all enjoying ourselves: no one imagined anything could or would happen; life is just like that: we should just take up our candlesticks, we thought, and march off to bed when Aunt Philippa gave the signal. No one could have imagined that there would be a moment's deadly peril for one of the party,—an additional thanksgiving for a life preserved that night.

And then no one seemed to know how it happened; people never do see, somehow.

There was music going on. Agatha Chudleigh—the Chudleighs were Aunt Philippa's belongings—was playing the piano, and her brother Clarence was accompanying her on the violoncello. There was a little group round the piano. Jill was beating time, standing with her back to a small inlaid table with a lamp on it. Mr. Tudor was beside her. Jill made a backward movement in her forgetfulness and enthusiasm. The next moment the music stopped with a crash. There was a cry of horror, the lamp seemed falling, glass smashed, liquid fire was pouring down Jill's unfortunate dress. If Mr. Tudor had not caught it, they said afterwards, with all that lace drapery, the room must have been in flames; but he had jerked it back in its place, and, snatching up a bear-skin rug that lay under the piano, had wrapped it round Jill. He was so strong and prompt, there was not a moment lost.

We had all crowded round in a moment, but no one dared to interfere with Mr. Tudor. We could hear Aunt Philippa sobbing with terror. Clarence Chudleigh extinguished the lamp, some one else flung an Indian blanket and a striped rug at Jill's feet. For one instant I could see the girl's face, white and rigid as a statue, as the young man's powerful arms enveloped her. Then the danger was over, and Jill was standing among us unhurt, with her muslin gown hanging in blackened shreds, and with bruises on her round white arms from the rough grip that had saved her life.

One instant's delay, and the fiery fluid must have covered her from head to foot; if Lawrence had not caught the falling lamp, if he had lost one moment in smothering the lighted gown, she must have perished in agony before our eyes; but he was strong as a young Hercules, and, half suffocated and bruised as she was, Jill knew from what he had saved her.

As the scorched bear-skin dropped to the floor, Lawrence picked up the Indian blanket and flung it over Jill's tattered gown. 'Go up to your room, Miss Jocelyn,' he whispered: 'you are all right now.' And she obeyed without a word. Miss Gillespie and I followed. I think Aunt Philippa was faint or had palpitations, for I heard Uncle Brian calling loudly to some one to open the windows. Jill was hysterical as soon as she reached her room. She was quite unnerved, and clung to me, shaking with sobs, while Miss Gillespie mixed some sal-volatile. I could not help crying a little with her from joy and thankfulness; but we got her quiet after a time, and took off the poor gown, and Jill showed us her bruises, and cheered up when we told her how brave and quiet she had been; and then she sat for some minutes with her face hidden in my lap, while I stroked her hair silently and thanked God in my heart for sparing our Jill.

Miss Gillespie had gone downstairs to carry a good report to Aunt Philippa. Directly she had gone, Jill jumped up, still shaking a little, and went to her wardrobe.

'I must go downstairs,' she said, a little feverishly. 'I have never thanked Mr. Tudor for saving my life. Help me to be quick, Ursie dear, for I feel so queer and tottery.' And nothing I could say would prevail on her to remain quietly in her room. While I was arguing with her, she had dragged out her ruby velveteen and was trying to fasten it with her trembling fingers.

'Oh, you are obstinate, Jill: you ought to be good on this night of all nights.' But she made no answer to this, and, seeing her bent on her own way, I brought her a brooch, and would have smoothed her hair, but she pushed me away.

'It does not matter how I look. I am only going down for a few minutes. He is going away, and I want to say good-night to him, and thank him.' And Jill walked downstairs rather unsteadily.

Mr. Tudor was just crossing the hall. When he saw Jill, he hurried up to her at once.

'Miss Jocelyn, this is very imprudent. You ought to have gone to bed: you are not fit to be up after such a shock,' looking at her pale face and swollen eyes with evident emotion.

Jill looked at him gently and seriously, and held out her hands to him quite simply.

'I could not go to bed without thanking you, I am not quite so selfish and thoughtless. You have saved my life: do you think I shall ever forget that?'

Poor Lawrence! the excitement, the terror, and the relief were too much for him; and there was Jill holding his hands and looking up in his face, with her great eyes full of tears. It was not very wonderful that for a moment he forgot himself.

'I could not help doing it,' he returned. 'What would have become of me if you had died? I could not have borne it.'

Jill drew her hands away, and her face looked a little paler in the moonlight. The young man's excited voice, his strange words, must have told her the truth. No, she was not too young to understand; her head drooped, and she turned away as she answered him,—

'I shall always be grateful. Good-night, Mr. Tudor: I must go to my mother. Come, Ursula.'

She did not look back as we walked across the hall, though poor Lawrence stood quite still watching us. Why had the foolish boy said that? Why had he forgotten his position and her youth? Why had he hinted that her life was necessary to his happiness? Would Jill ever forget those words, or the look that accompanied them? I felt almost angry with Lawrence as I followed Jill into the room.

Jill need never have doubted her mother's love. Aunt Philippa had been too faint and ill to follow her daughter to her room, but her face was quite beautiful with maternal tenderness as she folded the girl in her arms. Not even her father, who especially petted Jill, showed more affection for her that night.

'Oh, Jocelyn, my darling, are you quite sure that you are unhurt? Miss Gillespie says you were only frightened and a little bruised; but I wanted to see for myself. Mr. Tudor will not let us thank him, but we shall be grateful to him all our lives, my pet. What would your poor father and I have done without you?'

Jill hid her face like a baby on her mother's bosom: she was crying quietly. Her interview with Mr. Tudor had certainly upset her. Uncle Brian put his hand in her rough locks. 'Never mind, my little girl: it is now over; you must go to bed and forget it,'—which was certainly very good advice. I coaxed Aunt Philippa to let her go, and promised to remain with her until she was asleep. She was very quiet, and hardly said a word as I helped her to undress, but as I sat down by the bedside she drew my head down beside hers on the pillow.

'Don't think I am not grateful because I do not talk about it, Ursie dear,' she whispered. 'I hope to be better all my life for what has happened to-night.' But as Jill lay, with wide, solemn eyes, in the moonlight, I wondered what thoughts were coursing through her mind. Was she looking upon her life preserved as a life dedicated, regarding herself as set apart for higher work and nobler uses? or was her gratitude to her young preserver mixed with deeper and more mysterious feelings? I could not tell, but from that night I noticed a regular change in Jill: she became less girlish and fanciful, a new sort of womanliness developed itself, her high spirits were tempered with softness. Uncle Brian was right when he said a few days afterwards 'that his little girl was growing a woman.'



CHAPTER XXXIII

JACK POYNTER

My conscience felt decidedly uneasy that night: in spite of all argument to the contrary, I could not shake off the conviction that it was my duty to speak to Aunt Philippa. I ought to warn her of the growing intimacy between the young people. She and Uncle Brian ought to know that Mr. Tudor was not quite so harmless as he looked.

It made me very unhappy to act the traitor to this honest, simple young fellow. I would rather have taken his hand and bidden him God-speed with his wooing. If I had been Uncle Brian I would have welcomed him heartily as a suitor for Jill. True, she was absurdly young,—only sixteen,—but I would have said to him, 'If you are in earnest, if you really love this girl, and are willing to wait for her, go about your business for three years, and then come and try your chance with her. If she likes you she shall have you. I am quite aware you are poor,—that you are a curate on a hundred and fifty a year; but you are well connected and a gentleman, and as guileless as a young Nathaniel. I could not desire a better husband for my daughter.'

But it was not likely that Uncle Brian would be so quixotic. And I knew that Aunt Philippa was rather ambitious for her children, and it had been a great disappointment to her that Sara had refused a young baronet. So it was with the guilty feelings of a culprit that I entered the morning-room the next morning and asked Aunt Philippa if I might have a few minutes' conversation with her.

To my relief, she treated the whole matter very coolly, and with a mixture of shrewdness and common sense that quite surprised me.

She assured me that it was not of the least consequence. Young creatures like Jocelyn must pass through this sort of experiences. She was certainly rather young for such an experiment, but it would do her no harm. On the contrary, a little stimulus of gratified vanity might be extremely beneficial in its after-effects. She was somewhat backward and childish for her age. She would have more self-respect at finding herself the object of masculine admiration.

'Depend upon it, it will do her a great deal of good,' went on Aunt Philippa placidly. 'She will try now in earnest to break herself off her little gaucheries. As for Mr. Tudor, do not distress yourself about him. He is young enough to have half-a-dozen butterfly fancies before he settles down seriously.'

'I remember,' she continued, 'that during Sara's first season we had rather a trouble about a young barrister. He was a handsome fellow, but terribly poor, and your uncle told me privately that he must not be encouraged. Well, Sara got it into her head that she was in love with him, and, in spite of all I could say to her by way of warning, she would promise him dances, and, in fact, they did a good bit of flirting together. So I told your uncle that we had better leave town earlier that year. We went into Yorkshire, paying visits, and then to Scotland. Sara had never been there before, and we took care that she should have a thoroughly enjoyable trip. My dear, before three months were over she had forgotten Henry Brabazon's existence. It was just a girlish sentimentality; nothing more. When we got back to town we made Mr. Brabazon understand that his attentions were displeasing to your uncle, and before the next season he was engaged to a rich young widow. I do not believe Sara ever missed him.'

I listened to all this in silence. I was much relieved to find that Aunt Philippa was not disposed to blame me for Lawrence Tudor's infatuation. She told me that she was not the least afraid of his influence, and should not discourage his visits. Jocelyn would never see him alone, and it was not likely that she would be staying at Heathfield again. I thought it useless to say any more. I had satisfied my conscience, and might now safely wash my hands of all responsibility. If the thought crossed my mind that Jill was very different from Sara,—that her will was stronger and her affections more tenacious,—there was no need to give it utterance. Sixteen was hardly the age for a serious love-affair, and I might well be content to leave Jill in her mother's care.

Now and then a doubt of Aunt Philippa's wisdom came to me,—on the last evening, for instance, when I was speaking to Jill about Heathfield, and when I rather incautiously mentioned Lawrence Tudor's name.

I recollected then that Jill had never once spoken of him since the night of the accident. It had dropped completely out of our conversation. I forget what I said then, but it was something about my seeing him at Heathfield.

We were standing together on the balcony, and as I spoke Jill stooped suddenly to look at a little flower-girl who was offering her wares on the pavement below. For a moment she did not answer. But I could see her cheek and even her little ear was flushed.

'Oh yes, you will see him,' she returned presently. 'What a little mite of a child! Look, Ursula. Please remember us to him, and—and we hope he is quite well.' And Jill walked away from me rather abruptly, saying she must ask her mother for some pence. It was then that a doubt of Aunt Philippa's policy crossed my mind; Jill was so different from other girls; and Lawrence Tudor had saved her life.

I had other things to occupy my mind just then,—a fresh anxiety that I could share with no one, and which effectually spoiled the last few days of my London visit.

The sight of Leah had somewhat disturbed me. It had brought back memories of the perplexities and mysteries of Gladwyn. Strange to say, I saw her again the very next day.

Mr. Tudor was calling at the door to inquire after Jill: he had his bag in his hand, and was on his way to the station. I was just going out to call on Lesbia, and we walked a few yards together. Just as I was bidding him good-bye, two women passed us: as I looked at them casually, I saw Leah's flickering light-coloured eyes; she was looking in my direction, but, though I nodded to her, she did not appear to recognise me. The other woman was a stranger.

I was sitting alone on the balcony that afternoon. Aunt Philippa and Jill and Miss Gillespie were driving. I took advantage of their absence and the unusual quiet of the house to finish a book in which I was much interested.

I was very fond of this balcony seat: the awning protected me from the hot June sun, and the flower-boxes at my feet were sweet with mignonette. I could see without being seen, and the cool glimpses of the green Park were pleasant on this hot afternoon.

The adjoining house was unoccupied: it was therefore with feelings of discomfort that I heard the sound of workmen moving about the premises, and by and by the smell of fresh paint made me put down my book with suppressed annoyance.

A house-painter was standing very near me, painting the outside sashes of the window: he had his back turned to me, and was whistling to himself in the careless way peculiar to his class. It was a clear, sweet whistling, and I listened to it with pleasure.

A sudden noise in the street caused him to look round, and then he saw me, and stopped whistling.

Where had I seen that face? It seemed familiar to me. Of whom did that young house-painter remind me? Could I have seen him at St. Thomas's Hospital? Was it some patient whose name I had forgotten during my year's nursing? I had had more than one house-painter on my list.

I was tormented by the idea that I ought to recognise the face before me, and yet recognition eluded me. I felt baffled and perplexed by some subtile fancied resemblance. As for the young painter himself, he looked at me quietly for a moment, as though I were a stranger, touched his cap, and went on painting. When he had finished his job, he went inside, and I heard him whistling again as he moved about the empty room.

It was a beautiful face: the features were very clearly cut and defined, like—Good heavens! I had it now: it reminded me of Gladys Hamilton's. The next moment I was holding the balcony railing as though I were giddy; it was like Gladys, but it was still more like the closed picture in Gladys's room. I pressed my hands on my eyelids as with a strong effort I recalled her brother Eric's face, and the next moment the young painter had come to the window again, and I was looking at him between my fingers.

The resemblance could not be my fancy; those were Eric's eyes looking at me. It was the same face, only older and less boyish-looking. The fair moustache was fully grown; the face was altogether more manly and full of character. It must be he; I must go and speak to him; but as I rose, my limbs trembling with excitement, he moved away, and his whistle seemed to die in the distance.

It was nearly six o'clock, and there was no time to be lost. I ran upstairs and put on my bonnet and mantle. I thought that Clayton looked at me in some surprise,—I was leaving the house without gloves; but I did not wait for any explanation: the men would be leaving off work. The door was open, and I quickly found my way to the drawing-room, but, to my chagrin, it was empty, and an elderly man with gray hair came out of a back room with a basket of carpenter's tools and looked at me inquiringly.

'There is a workman here that I want to find,' I said breathlessly,—'the one that was painting the window-frames just now,—a tall, fair young man.'

'Oh, you'll be meaning Jack Poynter,' he returned civilly; 'he and his mate have just gone.'

'It cannot be the one I mean,' I answered, somewhat perplexed at this. 'He was very young, not more than three-or four-and-twenty, good-looking, with a fair moustache, and he was whistling while he worked.'

'Ay, that's Jack Poynter,' returned the man, taking off his paper cap and rubbing up his bristly gray hair. 'We call Jack "The Blackbird" among us; he is a famous whistler, is Jack.'

'Oh, but that is not his name,' I persisted, in a distressed voice. 'Why do you call him Jack Poynter?'

'That is what he calls himself,' returned the man drily. Evidently he thought my remarks a little odd. 'Folks mostly calls themselves by their own names; among his mates he is known as "The Whistler," or "The Blackbird," or "Gentleman Jack."'

'Well, never mind about his name,' I replied impatiently. 'I want to speak to him. Where does he live? Will you kindly give me his address?'

'You would be welcome to it if I knew it, but "Gentleman Jack" keeps himself dark. None of us know where he lives. I believe it used to be down Holloway; but he has moved lately.'

'I wish you would tell me what you know about him,' I pleaded. 'It is not idle curiosity, believe me, but I think I shall be able to do him a service.'

'I suppose you know something of his belongings,' returned the man with a shrewd glance. 'Now that is what me and my mates say. We would none of us be surprised if "Gentleman Jack" has respectable folk belonging to him. He has not quite our ways. He is a cut above us, and clips his words like the gentlefolk do. But he is an industrious young fellow, and does not give himself airs.'

'Could you not find out for me where he lives?'

'Well, for the matter of that, you might ask him yourself, miss; he will be here again to-morrow morning, and I am off to Watford on a job. Jack is not at work regularly in these parts. He is doing a turn for a mate of his who is down with a touch of colic. He is working at Bayswater mostly, and he will be here to-morrow morning.'

'You are sure of that?'

'Oh yes. Tom Handley won't be fit for work for a spell yet. He will be here sharp enough, and then you can question him yourself.' And, bidding me a civil good-evening, the man took up his tools and went heavily downstairs, evidently expecting me to follow him. I went back and stole up quietly to my room. Aunt Philippa and Jill had returned from their drive. I could hear their voices as I passed the drawing-room; but I wanted to be alone to think over this strange occurrence.

My pulses were beating high with excitement. Not for one moment did I doubt that I had really seen Eric in the flesh. Gladys's intuition was right: her brother was not dead. I felt that this assurance alone would make her happy.

If she were only at Heathfield, or even at Bournemouth, I would telegraph for her to come; I could word the message so that she would have hastened to me at once; but Paris was too far; too much time would be lost.

Uncle Max, too, had been called to Norwich to attend a cousin's death-bed: I had had a note from him that very morning, so I could not have the benefit of his advice and assistance. I knew that I dared not summon Mr. Hamilton: the brothers had parted in ill blood, with bitter words and looks. Eric looked on his step-brother as his worst enemy. All these years he had been hiding himself from him. I dared not run the risk of bringing them together. I could not make a confidante of Aunt Philippa or Uncle Brian. They had old-fashioned views, and would have at once stigmatised Eric as a worthless fellow. Circumstantial evidence was so strong against him that few would have believed in his innocence. Even Uncle Max condemned him, and in my own heart there lurked a secret doubt whether Gladys had not deceived herself.

No, my only course would be to speak to him myself, to implore him for Gladys's sake to listen to me. My best plan would be to rise as early as possible the next morning, and to be on the balcony by six o'clock. I should see the men come in to their work, and should have no difficulty in making my way to them. The household was not an early one, especially in the season. I should have the house to myself for an hour or so.

Of course my future movements were uncertain. I must speak to Eric first, and induce him to reopen communications with his family. I would tell him how his brother grieved over his supposed death, how changed he was; and he should hear, too, of Gladys's failing health and spirits. I should not be wanting in eloquence on that subject. If he loved Gladys he would not refuse to listen to me.

After a time I tried to set aside these thoughts, and to occupy myself with dressing for the evening. We had a dinner-party that night. Mrs. Fullerton and Lesbia were to be of the party. They were going down to Rutherford the next day, so I should have to bid them good-bye.

The evening was very tedious and wearisome to me: my head ached, and the glitter of lights and the sound of many voices seemed to bewilder me. Lesbia came up after dinner to ask if I were not well, I was so pale and quiet. We sat out on the balcony together in the starlight for a little while, until Mrs. Fullerton called Lesbia in. I would gladly have remained there alone, drinking in the freshness of the night dews, but Jill came out and began chattering to me, until I went back with her into the room.

There was very little sleep for me that night. When at last I fell into a dose, I was tormented by a succession of miserable dreams. I was following a supposed Eric down long country roads in the darkness. Something seemed always to retard me: my feet were weighted with lead, invisible hands were pulling me back. I heard him whistling in the distance, then I stumbled, and a black bog engulfed me, and I woke with a stifled cry.

I woke to the knowledge that the sun was streaming in at my windows, and that some sound like a falling plank had roused me from my uneasy slumbers. It must be past six o'clock, I thought; surely the men must be at work. Yes, I could hear their voices; and the next moment I had jumped out of bed, and was dressing myself with all possible haste.

It was nearly seven when I crept down into the drawing-room to reconnoitre the adjoining house. As I unfastened the window I heard the same sweet whistling that had arrested my attention yesterday.

Without a moment's hesitation I walked out on the balcony. The young painter looked round in some surprise at the sound of my footsteps, and touched his cap with a half-smile.

'It is a beautiful morning,' I began nervously, for I wanted to make him speak. 'Have you been at work long?'

'Ever since six o'clock,' he returned, and I think he was a little surprised at hearing himself addressed. 'We work early these light mornings.' And then he took up his brush and went on painting.

I watched him for a minute or two without a word. How was I to proceed? My presence seemed to puzzle him. Perhaps he wondered why a lady should take such interest in his work. I saw him glance at me uneasily.

'Will you let me speak to you?' I said, in a very low voice, and as he came towards me, rather unwillingly, I continued: 'I know the men call you Jack Poynter, but that is not your name. You are Eric Hamilton; no, do not be frightened: I am Gladys's friend, and I will not injure you.'

I had broken off abruptly, for I was alarmed at the effect of my words. The young painter's face had become ashen pale, and the brush had fallen out of his shaking hand. The next moment a fierce, angry light had come to his eyes.

'What do you mean? who are you?' he demanded, in a trembling voice, but even at the moment's agitation I noticed he spoke with the refined intonation of a gentleman. 'I know nothing of what you say: you must take me for another man. I am Jack Poynter.'

'Oh, Mr. Hamilton,' I implored, stretching out my hands across the balcony, 'do not treat me as an enemy. I am a friend, who only means well. For Gladys's sake listen to me a moment.'

'I will hear nothing!' he stammered angrily. 'I will not be hindered in my work any longer. Excuse me if I am rude to a lady, but you take me for another man.' And before I could say another word he had stepped through the open window.

I could have wrung my hands in despair. He had denied his own identity at the very moment when his paleness and terror had proved it to me without doubt. 'You take me for another man,' he had said; and yet I could have sworn in a court of justice that he was Eric Hamilton; not only his face, but his voice; his manner, told me he was Gladys's brother.

But he should not elude me like this, and I hurried downstairs, determined to find my way into the empty house and confront him again. The fastenings of the hall door gave me a little difficulty. I was afraid Clayton would hear me, but I found myself outside at last, and in another minute I was in the deserted drawing-room.

Alas! Eric was not there: only his paint-pot and brush lay on the balcony outside. Surely he could not have escaped me in these few minutes; he must be in one of the other rooms. At the top of the stairs I encountered a young workman, and began questioning him at once.

'Well, this is a queer start,' he observed, in some perplexity. 'I saw Jack only this moment: he wanted his jacket, for he said he had a summons somewhere. I noticed he was palish, and seemed all of a shake, but he did not answer when I called out to him.'

'Do you mean he has gone?' I asked, feeling ready to cry with disappointment.

'Yes, he has gone right enough; but he'll be back presently, by the time the governor comes round. I wonder what's up with Jack; he looked mighty queer, as though the peelers were after him; in an awful funk, I should say.'

'Will you do me a favour, my man?' and as I spoke a shining half-crown changed hands rather quietly. 'I want to speak to your friend Jack Poynter very particularly, but I am quite sure that he wishes to avoid me. If he comes back, will you write a word on a slip of paper and throw it on to the balcony of 64?—Just the words "At work now" will do, or any direction that will find him. I am very much in earnest over this.'

The man looked at me and then at the half-crown. He had a good-humoured, stupid-looking face, but was young enough to like an unusual job.

'It will be worth more than that to you to bring me face to face with Jack Poynter, or to give me any news of him,' I continued. 'You do not know where he lives, for example?'

'No: we are none of us his mates, except Fowler and Dunn, and they don't know where he lodges: "Gentleman Jack" keeps himself close. But he'll be here sure enough by and by, and then I will let you know,' and with this I was obliged to be content. I was terribly vexed with myself. I felt I had managed badly. I ought to have confronted him in the empty house, where he could not have escaped me so easily. Would he come back again? As I recalled his terrified expression, his agitated words, I doubted whether he would put himself within my reach. I was so worried and miserable that I was obliged to own myself ill and to beg that I might be left in quiet. I had to endure a good deal of petting from Jill, who would keep coming into my room to see how my poor head was. Happily, one of my windows commanded an uncovered corner of the balcony. I could see without going down if any scrap of paper lay there. It was not until evening that I caught sight of an envelope lying on one of the seats.

I rang my bell and begged Draper to bring it to me at once. She thought it had fluttered out of my window, and went down smilingly to fulfil my behest.

It was a blank envelope, closely fastened, and I waited until Draper was out of the room to open it: the slip of paper was inside.

'Jack has not been here all day,' was scrawled on it, 'and the governor is precious angry. I doubt Jack has got into some trouble or other.—Your obedient servant, Joe Muggins.'



CHAPTER XXXIV

I COMMUNICATE WITH JOE MUGGINS

Of course I knew it would be so; Eric had escaped me; but I could not help feeling very down-hearted over the disappointment of all my hopes.

I longed so much to comfort Gladys, to bring back peace and unity to that troubled household. I had nourished the secret hope, too, that I might benefit Mr. Hamilton without his knowledge, and so return some of his many kindnesses to me. I knew—none better—how sincerely he had mourned over the supposed fate of his young brother, how truly he lamented his past harshness. If I could have brought back their young wanderer, if I could have said to them, 'If he has done wrong he is sorry for his fault; take him back to your hearts,' would not Mr. Hamilton have been the first to hold out his hand to the prodigal? Here there was no father; it must be the elder brother who would order the fatted calf to be killed.

I had forgotten Miss Darrell. The sudden thought of her was like a dash of cold water to me. Would she have welcomed Eric? There again was the miserable complication!

All the next day I watched and fretted. The following evening Clayton told me, with rather a supercilious air, that a workman calling himself Joe Muggins wanted to speak to me. 'He did not know your name, ma'am, but he described the lady he wanted, so I knew it was you. He said you had asked him a question about a man named Jack Poynter.'

'Oh, it is all right, thank you, Clayton,' I returned quickly, and I went out into the hall.

Joe Muggins looked decidedly nervous. He was in his working dress, having, as he said, 'come straight to me, without waiting to clean himself.'

'I made so bold, miss,' went on Joe, 'because you seemed anxious about Jack, and I would not lose time. Well, Jack has been and given the governor the sack,—says he has colic too; but we know that is a sham. My mate saw him in Lisson Grove last night. He was walking along, his hands in his pockets, when Ned pounces on him. "What are you up to, Jack?" he says. "Why haven't you turned up at our place? The governor's in a precious wax, I can tell you. They want him to put on more men, as there's a press for time."—"Well, I am not coming there any more," says Jack, looking as black as possible. "The work doesn't suit my complaint, and I have written to tell Page so." And he stuck to that, and Ned could not get another word out of him: but he says he is shamming, and is not ill a bit. It is my belief, and Ned's too, that he has got into some trouble with the governor.'

'No, I am sure you are wrong,' I returned, with a sigh; 'but I am very much obliged to you for the trouble you have taken. If you hear anything more about Jack Poynter, or can find out where he lives, will you communicate with me at this address?' And I handed Joe my card and a half-sovereign.

'Yes, I'll do it, sure and certain,' he replied, with alacrity. 'Some of us will come across him again, one of these days, and we will follow him for a bit. You may trust me for that, miss. We will find him, sure enough.' And then I thanked him, and bade him good-night.

There was only one thing now that I could do before taking counsel with Gladys, and that was to advertise in some of the London papers. I wrote out some of these advertisements that evening:

'Jack Poynter is earnestly requested to communicate with Ursula G. He may possibly hear of something to his advantage.' And I gave the address of an old lawyer who managed my business, writing a note to Mr. Berkeley at the same time, begging him to forward any answer to Ursula G.

Another advertisement was of a different character:

'For Gladys's sake, please write to me, or give me a chance of speaking to you. An unknown but most sincere friend, U. G.'

The third advertisement was still more pressing:

'Jack Poynter's friends believe him dead, and are in great trouble: he is entreated to undeceive them. One word to the old address will be a comfort to his poor sister.'

As soon as I had despatched these advertisements to the paper offices, I sat down and wrote to Gladys. It was not my intention to tell her about Eric, but I must say some word to her that would induce her to come home. I told her that I was going back to Heathfield the following afternoon, and that I was beginning to feel impatient for her return.

'I cannot do without you any longer, my dear Gladys,' I wrote. 'There is so much that I want to talk to you about, and that I cannot write. I have heard something that has greatly excited me, and that makes me think that your view of the case is right, and that your brother Eric is alive. Of course we must not be too sanguine, but I begin to have hopes that you may see him again.'

More than this I did not venture to say, but I knew that these few words would make Gladys set her face homeward: she would not rest until she asked me my meaning. As I gave Clayton the letter I felt convinced that before a week was over Gladys would find her way to Heathfield.

I had to give all my attention to Jill after this; but, though she hung about me in her old affectionate way, I felt that I should leave her far happier than she had ever been before, and she did not deny this, only begged me to come and see them sometimes.

'You know I can't do without you, you darling bear,' she finished, with one of her old hugs.

I was still more touched by Aunt Philippa's regret at parting with me; she said so many kind things; and, to my surprise, Uncle Brian relaxed from his usual coldness, and quite warmed into demonstration.

'Come to us as often as you can, Ursula,' he said. 'Your aunt and I will be only too pleased to see you.' And then he asked me, a little anxiously, if I found my small income sufficient for my needs.

I assured him that my wants were so few, and Mrs. Barton was so economical, that but for my poorer neighbours I could hardly use it all.

'Well, well,' he returned, putting a handsome cheque in my hands, 'you can always draw on me when you feel disposed. I suppose you like pretty things as much as other girls.' And he would not let me even thank him for his generosity.

Aunt Philippa only smiled when I showed her the cheque.

'My dear, your uncle likes to do it, and you must not be too proud to accept his gifts: you may need it some day. We have only two daughters: as it is, Jocelyn will be far too rich. I do not like the idea that Harley's child should want anything.' And she kissed me with tears in her eyes.

Dear Aunt Philippa! she had grown quite motherly during those three weeks.

It was a lovely June afternoon: when I started from Victoria there was a scent of hay in the air. Jill had brought with her to the station a great basketful of roses and narcissus and heliotrope, and had put it on the seat beside me that its fragrance might refresh me.

I felt a strange sort of excitement and pleasure at the thought of returning home. Mrs. Barton would be glad to get me back, I knew. Uncle Max would not be at the station to meet me, for he had written to say that he was still detained at Norwich. His cousin was dead, and had left him her little property,—some six or seven hundred a year. There were some valuable books and antiquities, and some old silver besides. He was the only near relation, and business connected with the property would oblige him to remain for another week or ten days. I was rather sorry to hear this, for Heathfield was not the same without Uncle Max.

But not even Uncle Max's absence could damp me, I felt so light-hearted. 'I hope I am not fey,' I said to myself, with a little thrill of excitement and expectation as the familiar station came in view. Never since Charlie's death had I felt so cheerful and full of life.

Nathaniel was on the platform to look after my luggage, so I walked up the hill quietly, with my basket of flowers. As I passed the vicarage, Mr. Tudor came out and walked with me to the gate of the White Cottage. I had a dim suspicion that he had been watching for me.

Of course he asked after the family at Hyde Park Gate, and was most particular in his inquiries after Aunt Philippa. Just at the last he mentioned Jill.

'I hope your cousin Jocelyn is well,—I mean none the worse for her accident,' he said, turning very red.

'Oh no,' I returned carelessly; 'nothing hurts Jill. She was riding in the Park the next morning as though nothing had happened.'

'I remember you told me so, when I called to inquire,' was his answer. 'It was a nasty accident, and might have upset her nerves; but she is very strong and courageous.'

'She has great reason to be grateful to you,' I returned, for I felt very sorry for him. He was hoping that she had sent him some message; she would surely desire to be remembered to him. When I repeated Jill's abrupt little speech his face cleared, and he looked quite bright.

'There is Mrs. Barton looking out for you: I must not keep you at the gate talking,' he said cheerfully. 'Besides, I see Leah Bates coming down from Gladwyn, and I want to speak to her.' And he ran off in his boyish fashion.

I was glad to escape Leah, so I went quickly up the garden-path. The little widow was waiting for me in the porch, her face beaming with welcome. Tinker rushed out of the kitchen as soon as he heard my voice, and gambolled round us with awkward demonstrations of joy that nearly upset us, and Joe the black cat came and rubbed himself against my gown, with tail erect and loud purring.

The little parlour looked snug and inviting. The fireplace was decorated with fir cones and tiny boughs covered with silvery lichen. A great pot of mignonette perfumed the room with its sweetness. Charlie's face seemed to greet me with grave sweet smiles. I seemed to hear his voice, 'Welcome home, Ursula.'

'Oh, I am so glad to be home!' I said, as I went upstairs to my pretty bedroom.

When I had finished my unpacking, and had had tea, I sat down in my easy-chair, with a book that Miss Gillespie had lent me. Tinker laid his head in my lap, and we both disposed ourselves for an idle, luxurious evening. The bees were still humming about the honeysuckles; one great brown fellow had buried himself in one of my crimson roses; the birds were twittering in the acacia-tree, chirping their good-night to each other; the sun was setting behind the limes in a glory of pink and golden clouds, and a mingled scent of roses, mignonette, and hay seemed to pervade the atmosphere.

I laid down my book and fell into a waking dream; my thoughts seemed to take bird-flights into all sorts of strange places; the summer sounds and scents seemed to lull me into infinite content. Now I heard a drowsy cluck-cluck from the poultry-yard,—Dame Partlet remonstrating with her lord; then a faint moo from the field where pretty brown-eyed Daisy was chewing the cud; down below they were singing in the little dissenting chapel; sweet shrill voices reached me every now and then. I could hear Nathaniel chanting in a deep bass, as he worked in the back-yard, 'All people that on earth do dwell,'—the dear homely Old Hundredth. It was no wonder that a light, very light, footstep on the gravel outside did not rouse me. The door behind me opened, and Tinker turned his head lazily, and his tail began to flop heavier against the floor. The next moment two soft arms were round my neck.

'Gladys,—oh, Gladys!' and for the moment I could say no more, in my delight and surprise at seeing the dear beautiful face again.

'I wanted to surprise you, Ursula dear,' she said, laughing and kissing me. 'How still and quiet you and Tinker were! I believe you were both asleep. When I heard you were coming home I planned with Lady Betty that I would creep down to the cottage and take you unawares. I made Mrs. Barton promise not to betray me.'

'When did you come back?' I asked, bewildered. 'Why did you not write and tell me you were coming?'

'Oh, it was decided all in a hurry. The Maberleys heard that their daughter, Mrs. Egerton, would arrive in England this week, a whole month before they expected her, so they have gone down to Southampton, and left me to find my way home alone. I arrived last night, much to Giles's astonishment. You know Dora is their only surviving child, and she has been in India the last five years. She is bringing her two boys home.'

'Last night. Then you did not get my letter?'

'No; but it will follow me. How good you have been to write so often, Ursula! I have quite lived on your letters.'

'Let me see how you look,' was my answer to this; and indeed I thought she had never looked more beautiful. There was a lovely colour in her face, and she seemed bright and animated, though I could not deny that she was still very thin.

'You have not grown fatter,' I went on, pretending to grumble; 'you are still too transparent, in my opinion; but Jill's snow-maiden has a little life in her.'

'Does Jill call me that?' she returned, in some surprise. 'Oh, I am quite well: even Giles says so. He declares he is glad to have me back, and poor little Lady Betty quite cried with joy. It was nice, after all, coming home.'

'I am so glad to hear you say that.'

'Etta is away, you know: that makes the difference. Gladwyn never seemed so homelike before. By the bye, Ursula, Giles has sent you a message; he—no, we all three, want you to spend a long evening with us to-morrow. He has been called away to Brighton, and will not be back until mid-day; but we all three agreed that it would be so nice if you came early in the afternoon, and we would have tea in the little oak avenue. Etta never cares about these al fresco meals, she is so afraid of spiders and caterpillars; but Lady Betty and I delight in it.'

I wish Jill could have heard Gladys talk in this bright, natural way. I am sure she would not have recognised her snow-maiden. There was no weary constraint in her manner to-night, no heavy pressure of unnatural care on her young brow: she seemed too happy to see me again to think of herself at all.

When we had talked a little more I began to approach the subject of Eric very gradually. At my first word her cheek paled, and the old wistfulness came to her eyes.

'What of Eric?' she asked quickly. 'You look a little strange, Ursula. Do not be afraid of speaking his name: he is never out of my thoughts, waking or sleeping.'

I told her that I knew this, but that I had something very singular to narrate, which I feared might excite and disappoint her, but that I could assure her of the certainty that he was alive and well.

She clasped her hands almost convulsively together, and looked at me imploringly. 'Only tell me that, and I can bear everything else,' she exclaimed.

But as she listened her face grew paler and paler, and presently she burst into tears, and sobbed so violently that I was alarmed.

'It is nothing,—nothing but joy,' she gasped out at length. 'I could not hear you say that you had seen him, my own Eric, and not be overcome. Oh, Ursula, if I had only been with you!' And she hid her face on my shoulder, and for a little while I could say no more.

When she was calmed I finished all that I had to tell, and read her the advertisements, but they seemed to frighten her.

'How dreadful if Etta or Giles should see them!' she said nervously. 'Etta is so clever, she finds out everything. I would not have her read one of them for worlds. Why did you put your name, Ursula?—it is so uncommon.'

'No one will connect me with Jack Poynter. I did not think there would be any risk,' I replied soothingly. 'I put "for Gladys's sake" in the Daily Telegraph. You see, we must try to attract his notice.'

'Giles never takes in the Daily Telegraph. We have the Times and the Standard, and the Morning Post for Etta. Which did you put in the Standard?'

I repeated the advertisement: 'Jack Poynter's friends believe him dead, and are in great trouble: he is entreated to undeceive them. One word to the old address will be a comfort to his poor sister.'

'That will do,' she answered, in a relieved tone. 'Etta cannot read between the lines there. Oh, Ursula, do you think that Eric will see them?'

I assured her that there was no doubt on the subject. All the better class of workmen had access to some club or society, where they saw the leading papers. I thought the Daily Telegraph the most likely to meet his eyes, and should continue to insert an advertisement from time to time. 'We must be patient and wait a little,' I continued. 'Even if our appeals do not reach him, there is every probability that Joe Muggins or one of the other workmen will come across him. We want to find out where Jack Poynter lives. I mean to write to Joe in a few days, and offer him a handsome sum if he can tell me his address.'

'That will be the best plan; but, oh, Ursula, how am I to be patient? To think of my dear boy becoming a common workman! he is poor, then; he wants money. I feel as though I cannot rest, as though I must go to London and look for him myself.'

Gladys looked so excited and feverish that I almost repented my confidence. I did all I could to soothe her.

'Surely, dear, it is not so difficult to wait a little, knowing him to be alive and well, as it was to bear that long suspense.'

'Oh, but I never believed him to be dead,' she answered quickly. 'I was very anxious, very unhappy, about him, often miserable, but in my dreams he was always full of life. When I woke up I said to myself, "They are wrong; Eric is in the world somewhere; I shall see him again."'

'Just so; and now with my own eyes I have seen him, evidently in perfect health and in good spirits.'

'Ah, but that troubles me a little,' she returned, and her beautiful mouth began to quiver like an unhappy child's. 'How can Eric, my Eric who loved me so, be so light-hearted, knowing that all these years I have been mourning for him? I remember how he used,' she went on plaintively, 'to whistle over his work, and how Giles used to listen to him. Sometimes they kept up a duet together, but Eric's note was the sweeter.'

'We must be careful not to misjudge him even in this,' was my answer: 'how do you know, Gladys, that he has not assured himself that you are all well, and, as far as he knows, happy? Or perhaps his heart was very heavy in spite of his whistling. A young man does not show his feelings like a girl.'

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