The Story Girl
by Lucy Maud Montgomery
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"You said once you knew a story about the Awkward Man," said Felix. "You might tell it to us."

"All right," agreed the Story Girl. "The only trouble is, I don't know the whole story. But I'll tell you all I do know. I call it 'The Mystery of the Golden Milestone.'"

"Oh, I don't believe that story is true," said Felicity. "I believe Mrs. Griggs was just romancing. She DOES romance, mother says."

"Yes; but I don't believe she could ever have thought of such a thing as this herself, so I believe it must be true," said the Story Girl. "Anyway, this is the story, boys. You know the Awkward Man has lived alone ever since his mother died, ten years ago. Abel Griggs is his hired man, and he and his wife live in a little house down the Awkward Man's lane. Mrs. Griggs makes his bread for him, and she cleans up his house now and then. She says he keeps it very neat. But till last fall there was one room she never saw. It was always locked—the west one, looking out over his garden. One day last fall the Awkward Man went to Summerside, and Mrs. Griggs scrubbed his kitchen. Then she went over the whole house and she tried the door of the west room. Mrs. Griggs is a VERY curious woman. Uncle Roger says all women have as much curiosity as is good for them, but Mrs. Griggs has more. She expected to find the door locked as usual. It was NOT locked. She opened it and went in. What do you suppose she found?"

"Something like—like Bluebeard's chamber?" suggested Felix in a scared tone.

"Oh, no, NO! Nothing like THAT could happen in Prince Edward Island. But if there HAD been beautiful wives hanging up by their hair all round the walls I don't believe Mrs. Griggs could have been much more astonished. The room had never been furnished in his mother's time, but now it was ELEGANTLY furnished, though Mrs. Griggs says SHE doesn't know when or how that furniture was brought there. She says she never saw a room like it in a country farmhouse. It was like a bed-room and sitting-room combined. The floor was covered with a carpet like green velvet. There were fine lace curtains at the windows and beautiful pictures on the walls. There was a little white bed, and a dressing-table, a bookcase full of books, a stand with a work basket on it, and a rocking-chair. There was a woman's picture above the bookcase. Mrs. Griggs says she thinks it was a coloured photograph, but she didn't know who it was. Anyway, it was a very pretty girl. But the most amazing thing of all was that A WOMAN'S DRESS was hanging over a chair by the table. Mrs. Griggs says it NEVER belonged to Jasper Dale's mother, for she thought it a sin to wear anything but print and drugget; and this dress was of PALE BLUE silk. Besides that, there was a pair of blue satin slippers on the floor beside it—HIGH-HEELED slippers. And on the fly-leaves of the books the name 'Alice' was written. Now, there never was an Alice in the Dale connection and nobody ever heard of the Awkward Man having a sweetheart. There, isn't that a lovely mystery?"

"It's a pretty queer yarn," said Felix. "I wonder if it is true—and what it means."

"I intend to find out what it means," said the Story Girl. "I am going to get acquainted with the Awkward Man sometime, and then I'll find out his Alice-secret."

"I don't see how you'll ever get acquainted with him," said Felicity. "He never goes anywhere except to church. He just stays home and reads books when he isn't working. Mother says he is a perfect hermit."

"I'll manage it somehow," said the Story Girl—and we had no doubt that she would. "But I must wait until I'm a little older, for he wouldn't tell the secret of the west room to a little girl. And I mustn't wait till I'm TOO old, for he is frightened of grown-up girls, because he thinks they laugh at his awkwardness. I know I will like him. He has such a nice face, even if he is awkward. He looks like a man you could tell things to."

"Well, I'd like a man who could move around without falling over his own feet," said Felicity. "And then the look of him! Uncle Roger says he is long, lank, lean, narrow, and contracted."

"Things always sound worse than they are when Uncle Roger says them," said the Story Girl. "Uncle Edward says Jasper Dale is a very clever man and it's a great pity he wasn't able to finish his college course. He went to college two years, you know. Then his father died, and he stayed home with his mother because she was very delicate. I call him a hero. I wonder if it is true that he writes poetry. Mrs. Griggs says it is. She says she has seen him writing it in a brown book. She said she couldn't get near enough to read it, but she knew it was poetry by the shape of it."

"Very likely. If that blue silk dress story is true, I'd believe ANYTHING of him," said Felicity.

We were near Golden Milestone now. The house was a big, weather-gray structure, overgrown with vines and climbing roses. Something about the three square windows in the second story gave it an appearance of winking at us in a friendly fashion through its vines—at least, so the Story Girl said; and, indeed, we could see it for ourselves after she had once pointed it out to us.

We did not get into the house, however. We met the Awkward man in his yard, and he gave us a quarter apiece for our library. He did not seem awkward or shy; but then we were only children, and his foot was on his native heath.

He was a tall, slender man, who did not look his forty years, so unwrinkled was his high, white forehead, so clear and lustrous his large, dark-blue eyes, so free from silver threads his rather long black hair. He had large hands and feet, and walked with a slight stoop. I am afraid we stared at him rather rudely while the Story Girl talked to him. But was not an Awkward Man, who was also a hermit and kept blue silk dresses in a locked room, and possibly wrote poetry, a legitimate object of curiosity? I leave it to you.

When we got away we compared notes, and found that we all liked him—and this, although he had said little and had appeared somewhat glad to get rid of us.

"He gave us the money like a gentleman," said the Story Girl. "I felt he didn't grudge it. And now for Mr. Campbell. It was on HIS account I put on my red silk. I don't suppose the Awkward Man noticed it at all, but Mr. Campbell will, or I'm much mistaken."


The rest of us did not share the Story Girl's enthusiasm regarding our call on Mr. Campbell. We secretly dreaded it. If, as was said, he detested children, who knew what sort of a reception we might meet?

Mr. Campbell was a rich, retired farmer, who took life easily. He had visited New York and Boston, Toronto and Montreal; he had even been as far as the Pacific coast. Therefore he was regarded in Carlisle as a much travelled man; and he was known to be "well read" and intelligent. But it was also known that Mr. Campbell was not always in a good humour. If he liked you there was nothing he would not do for you; if he disliked you—well, you were not left in ignorance of it. In short, we had the impression that Mr. Campbell resembled the famous little girl with the curl in the middle of her forehead. "When he was good, he was very, very good, and when he was bad he was horrid." What if this were one of his horrid days?

"He can't DO anything to us, you know," said the Story Girl. "He may be rude, but that won't hurt any one but himself."

"Hard words break no bones," observed Felicity philosophically.

"But they hurt your feelings. I am afraid of Mr. Campbell," said Cecily candidly.

"Perhaps we'd better give up and go home," suggested Dan.

"You can go home if you like," said the Story Girl scornfully. "But I am going to see Mr. Campbell. I know I can manage him. But if I have to go alone, and he gives me anything, I'll keep it all for my own collection, mind you."

That settled it. We were not going to let the Story Girl get ahead of us in the manner of collecting.

Mr. Campbell's housekeeper ushered us into his parlour and left us. Presently Mr. Campbell himself was standing in the doorway, looking us over. We took heart of grace. It seemed to be one of his good days, for there was a quizzical smile on his broad, clean-shaven, strongly-featured face. Mr. Campbell was a tall man, with a massive head, well thatched with thick, black hair, gray-streaked. He had big, black eyes, with many wrinkles around them, and a thin, firm, long-lipped mouth. We thought him handsome, for an old man.

His gaze wandered over us with uncomplimentary indifference until it fell on the Story Girl, leaning back in an arm-chair. She looked like a slender red lily in the unstudied grace of her attitude. A spark flashed into Mr. Campbell's black eyes.

"Is this a Sunday School deputation?" he inquired rather ironically.

"No. We have come to ask a favour of you," said the Story Girl.

The magic of her voice worked its will on Mr. Campbell, as on all others. He came in, sat down, hooked his thumb into his vest pocket, and smiled at her.

"What is it?" he asked.

"We are collecting for our school library, and we have called to ask you for a contribution," she replied.

"Why should I contribute to your school library?" demanded Mr. Campbell.

This was a poser for us. Why should he, indeed? But the Story Girl was quite equal to it. Leaning forward, and throwing an indescribable witchery into tone and eyes and smile, she said,

"Because a lady asks you."

Mr. Campbell chuckled.

"The best of all reasons," he said. "But see here, my dear young lady, I'm an old miser and curmudgeon, as you may have heard. I HATE to part with my money, even for a good reason. And I NEVER part with any of it, unless I am to receive some benefit from the expenditure. Now, what earthly good could I get from your three by six school library? None whatever. But I shall make you a fair offer. I have heard from my housekeeper's urchin of a son that you are a 'master hand' to tell stories. Tell me one, here and now. I shall pay you in proportion to the entertainment you afford me. Come now, and do your prettiest."

There was a fine mockery in his tone that put the Story Girl on her mettle instantly. She sprang to her feet, an amazing change coming over her. Her eyes flashed and burned; crimson spots glowed in her cheeks.

"I shall tell you the story of the Sherman girls, and how Betty Sherman won a husband," she said.

We gasped. Was the Story Girl crazy? Or had she forgotten that Betty Sherman was Mr. Campbell's own great-grandmother, and that her method of winning a husband was not exactly in accordance with maidenly traditions.

But Mr. Campbell chuckled again.

"An excellent test," he said. "If you can amuse ME with that story you must be a wonder. I've heard it so often that it has no more interest for me than the alphabet."

"One cold winter day, eighty years ago," began the Story Girl without further parley, "Donald Fraser was sitting by the window of his new house, playing his fiddle for company, and looking out over the white, frozen bay before his door. It was bitter, bitter cold, and a storm was brewing. But, storm, or no storm, Donald meant to go over the bay that evening to see Nancy Sherman. He was thinking of her as he played 'Annie Laurie,' for Nancy was more beautiful than the lady of the song. 'Her face, it is the fairest that e'er the sun shone on,' hummed Donald—and oh, he thought so, too! He did not know whether Nancy cared for him or not. He had many rivals. But he knew that if she would not come to be the mistress of his new house no one else ever should. So he sat there that afternoon and dreamed of her, as he played sweet old songs and rollicking jigs on his fiddle.

"While he was playing a sleigh drove up to the door, and Neil Campbell came in. Donald was not overly glad to see him, for he suspected where he was going. Neil Campbell, who was Highland Scotch and lived down at Berwick, was courting Nancy Sherman, too; and, what was far worse, Nancy's father favoured him, because he was a richer man than Donald Fraser. But Donald was not going to show all he thought—Scotch people never do—and he pretended to be very glad to see Neil and made him heartily welcome.

"Neil sat down by the roaring fire, looking quite well satisfied with himself. It was ten miles from Berwick to the bay shore, and a call at a half way house was just the thing. Then Donald brought out the whisky. They always did that eighty years ago, you know. If you were a woman, you could give your visitors a dish of tea; but if you were a man and did not offer them a 'taste' of whisky, you were thought either very mean or very ignorant.

"'You look cold,' said Donald, in his great, hearty voice. 'Sit nearer the fire, man, and put a bit of warmth in your veins. It's bitter cold the day. And now tell me the Berwick news. Has Jean McLean made up with her man yet? And is it true that Sandy McQuarrie is to marry Kate Ferguson? 'Twill be a match now! Sure, with her red hair, Sandy will not be like to lose his bride past finding.'

"Neil had plenty of news to tell. And the more whisky he drank the more he told. He didn't notice that Donald was not taking much. Neil talked on and on, and of course he soon began to tell things it would have been much wiser not to tell. Finally he told Donald that he was going over the bay to ask Nancy Sherman that very night to marry him. And if she would have him, then Donald and all the folks should see a wedding that WAS a wedding.

"Oh, wasn't Donald taken aback! This was more than he had expected. Neil hadn't been courting Nancy very long, and Donald never dreamed he would propose to her QUITE so soon.

"At first Donald didn't know what to do. He felt sure deep down in his heart, that Nancy liked HIM. She was very shy and modest, but you know a girl can let a man see she likes him without going out of her way. But Donald knew that if Neil proposed first he would have the best chance. Neil was rich and the Shermans were poor, and old Elias Sherman would have the most to say in the matter. If he told Nancy she must take Neil Campbell she would never dream of disobeying him. Old Elias Sherman was a man who had to be obeyed. But if Nancy had only promised some one else first her father would not make her break her word.

"Wasn't it a hard plight for poor Donald? But he was a Scotchman, you know, and it's pretty hard to stick a Scotchman long. Presently a twinkle came into his eyes, for he remembered that all was fair in love and war. So he said to Neil, oh, so persuasively,

"'Have some more, man, have some more. 'Twill keep the heart in you in the teeth of that wind. Help yourself. There's plenty more where that came from.'

"Neil didn't want MUCH persuasion. He took some more, and said slyly,

"'Is it going over the bay the night that yourself will be doing?'

"Donald shook his head.

"'I had thought of it,' he owned, 'but it looks a wee like a storm, and my sleigh is at the blacksmith's to be shod. If I went it must be on Black Dan's back, and he likes a canter over the ice in a snow-storm as little as I. His own fireside is the best place for a man to-night, Campbell. Have another taste, man, have another taste.'

"Neil went on 'tasting,' and that sly Donald sat there with a sober face, but laughing eyes, and coaxed him on. At last Neil's head fell forward on his breast, and he was sound asleep. Donald got up, put on his overcoat and cap, and went to the door.

"'May your sleep be long and sweet, man,' he said, laughing softly, 'and as for the waking, 'twill be betwixt you and me.'

"With that he untied Neil's horse, climbed into Neil's sleigh, and tucked Neil's buffalo robe about him.

"'Now, Bess, old girl, do your bonniest,' he said. 'There's more than you know hangs on your speed. If the Campbell wakes too soon Black Dan could show you a pair of clean heels for all your good start. On, my girl.'

"Brown Bess went over the ice like a deer, and Donald kept thinking of what he should say to Nancy—and more still of what she would say to him. SUPPOSE he was mistaken. SUPPOSE she said 'no!'

"'Neil would have the laugh on me then. Sure he's sleeping well. And the snow is coming soon. There'll be a bonny swirl on the bay ere long. I hope no harm will come to the lad if he starts to cross. When he wakes he'll be in such a fine Highland temper that he'll never stop to think of danger. Well, Bess, old girl, here we are. Now, Donald Fraser, pluck up heart and play the man. Never flinch because a slip of a lass looks scornful at you out of the bonniest dark-blue eyes on earth.'

"But in spite of his bold words Donald's heart was thumping as he drove into the Sherman yard. Nancy was there milking a cow by the stable door, but she stood up when she saw Donald coming. Oh, she was very beautiful! Her hair was like a skein of golden silk, and her eyes were as blue as the gulf water when the sun breaks out after a storm. Donald felt more nervous than ever. But he knew he must make the most of his chance. He might not see Nancy alone again before Neil came. He caught her hand and stammered out,

"'Nan, lass, I love you. You may think 'tis a hasty wooing, but that's a story I can tell you later maybe. I know well I'm not worthy of you, but if true love could make a man worthy there'd be none before me. Will you have me, Nan?'

"Nancy didn't SAY she would have him. She just LOOKED it, and Donald kissed her right there in the snow.

"The next morning the storm was over. Donald knew Neil must be soon on his track. He did not want to make the Sherman house the scene of a quarrel, so he resolved to get away before the Campbell came. He persuaded Nancy to go with him to visit some friends in another settlement. As he brought Neil's sleigh up to the door he saw a black speck far out on the bay and laughed.

"'Black Dan goes well, but he'll not be quick enough,' he said.

"Half an hour later Neil Campbell rushed into the Sherman kitchen and oh, how angry he was! There was nobody there but Betty Sherman, and Betty was not afraid of him. She was never afraid of anybody. She was very handsome, with hair as brown as October nuts and black eyes and crimson cheeks; and she had always been in love with Neil Campbell herself.

"'Good morning, Mr. Campbell,' she said, with a toss of her head. 'It's early abroad you are. And on Black Dan, no less! Was I mistaken in thinking that Donald Fraser said once that his favourite horse should never be backed by any man but him? But doubtless a fair exchange is no robbery, and Brown Bess is a good mare in her way.'

"'Where is Donald Fraser?' said Neil, shaking his fist. 'It's him I'm seeking, and it's him I will be finding. Where is he, Betty Sherman?'

"'Donald Fraser is far enough away by this time,' mocked Betty. 'He is a prudent fellow, and has some quickness of wit under that sandy thatch of his. He came here last night at sunset, with a horse and sleigh not his own, or lately gotten, and he asked Nan in the stable yard to marry him. Did a man ask ME to marry him at the cow's side with a milking pail in my hand, it's a cold answer he'd get for his pains. But Nan thought differently, and they sat late together last night, and 'twas a bonny story Nan wakened me to hear when she came to bed—the story of a braw lover who let his secret out when the whisky was above the wit, and then fell asleep while his rival was away to woo and win his lass. Did you ever hear a like story, Mr. Campbell?'

"'Oh, yes,' said Neil fiercely. 'It is laughing at me over the country side and telling that story that Donald Fraser will be doing, is it? But when I meet him it is not laughing he will be doing. Oh, no. There will be another story to tell!'

"'Now, don't meddle with the man,' cried Betty. 'What a state to be in because one good-looking lass likes sandy hair and gray eyes better than Highland black and blue! You have not the spirit of a wren, Neil Campbell. Were I you, I would show Donald Fraser that I could woo and win a lass as speedily as any Lowlander of them all; that I would! There's many a girl would gladly say 'yes' for your asking. And here stands one! Why not marry ME, Neil Campbell? Folks say I'm as bonny as Nan—and I could love you as well as Nan loves her Donald—ay, and ten times better!'

"What do you suppose the Campbell did? Why, just the thing he ought to have done. He took Betty at her word on the spot; and there was a double wedding soon after. And it is said that Neil and Betty were the happiest couple in the world—happier even than Donald and Nancy. So all was well because it ended well!"

The Story Girl curtsied until her silken skirts swept the floor. Then she flung herself in her chair and looked at Mr. Campbell, flushed, triumphant, daring.

The story was old to us. It had once been published in a Charlottetown paper, and we had read in Aunt Olivia's scrapbook, where the Story Girl had learned it. But we had listened entranced. I have written down the bare words of the story, as she told it; but I can never reproduce the charm and colour and spirit she infused into it. It LIVED for us. Donald and Neil, Nancy and Betty, were there in that room with us. We saw the flashes of expression on their faces, we heard their voices, angry or tender, mocking or merry, in Lowland and Highland accent. We realized all the mingled coquetry and feeling and defiance and archness in Betty Sherman's daring speech. We had even forgotten all about Mr. Campbell.

That gentleman, in silence, took out his wallet, extracted a note therefrom, and handed it gravely to the Story Girl.

"There are five dollars for you," he said, "and your story was well worth it. You ARE a wonder. Some day you will make the world realize it. I've been about a bit, and heard some good things, but I've never enjoyed anything more than that threadbare old story I heard in my cradle. And now, will you do me a favour?"

"Of course," said the delighted Story Girl.

"Recite the multiplication table for me," said Mr. Campbell.

We stared. Well might Mr. Campbell be called eccentric. What on earth did he want the multiplication table recited for? Even the Story Girl was surprised. But she began promptly, with twice one and went through it to twelve times twelve. She repeated it simply, but her voice changed from one tone to another as each in succession grew tired. We had never dreamed that there was so much in the multiplication table. As she announced it, the fact that three times three was nine was exquisitely ridiculous, five times six almost brought tears to our eyes, eight times seven was the most tragic and frightful thing ever heard of, and twelve times twelve rang like a trumpet call to victory.

Mr. Campbell nodded his satisfaction.

"I thought you could do it," he said. "The other day I found this statement in a book. 'Her voice would have made the multiplication table charming!' I thought of it when I heard yours. I didn't believe it before, but I do now."

Then he let us go.

"You see," said the Story Girl as we went home, "you need never be afraid of people."

"But we are not all Story Girls," said Cecily.

That night we heard Felicity talking to Cecily in their room.

"Mr. Campbell never noticed one of us except the Story Girl," she said, "but if I had put on MY best dress as she did maybe she wouldn't have taken all the attention."

"Could you ever do what Betty Sherman did, do you suppose?" asked Cecily absently.

"No; but I believe the Story Girl could," answered Felicity rather snappishly.


The Story Girl went to Charlottetown for a week in June to visit Aunt Louisa. Life seemed very colourless without her, and even Felicity admitted that it was lonesome. But three days after her departure Felix told us something on the way home from school which lent some spice to existence immediately.

"What do you think?" he said in a very solemn, yet excited, tone. "Jerry Cowan told me at recess this afternoon that he HAD SEEN A PICTURE OF GOD—that he has it at home in an old, red-covered history of the world, and has looked at it OFTEN."

To think that Jerry Cowan should have seen such a picture often! We were as deeply impressed as Felix had meant us to be.

"Did he say what it was like?" asked Peter.

"No—only that it was a picture of God, walking in the garden of Eden."

"Oh," whispered Felicity—we all spoke in low tones on the subject, for, by instinct and training, we thought and uttered the Great Name with reverence, in spite of our devouring curiosity—"oh, WOULD Jerry Cowan bring it to school and let us see it?"

"I asked him that, soon as ever he told me," said Felix. "He said he might, but he couldn't promise, for he'd have to ask his mother if he could bring the book to school. If she'll let him he'll bring it to-morrow."

"Oh, I'll be almost afraid to look at it," said Sara Ray tremulously.

I think we all shared her fear to some extent. Nevertheless, we went to school the next day burning with curiosity. And we were disappointed. Possibly night had brought counsel to Jerry Cowan; or perhaps his mother had put him up to it. At all events, he announced to us that he couldn't bring the red-covered history to school, but if we wanted to buy the picture outright he would tear it out of the book and sell it to us for fifty cents.

We talked the matter over in serious conclave in the orchard that evening. We were all rather short of hard cash, having devoted most of our spare means to the school library fund. But the general consensus of opinion was that we must have the picture, no matter what pecuniary sacrifices were involved. If we could each give about seven cents we would have the amount. Peter could only give four, but Dan gave eleven, which squared matters.

"Fifty cents would be pretty dear for any other picture, but of course this is different," said Dan.

"And there's a picture of Eden thrown in, too, you know," added Felicity.

"Fancy selling God's picture," said Cecily in a shocked, awed tone.

"Nobody but a Cowan would do it, and that's a fact," said Dan.

"When we get it we'll keep it in the family Bible," said Felicity. "That's the only proper place."

"Oh, I wonder what it will be like," breathed Cecily.

We all wondered. Next day in school we agreed to Jerry Cowan's terms, and Jerry promised to bring the picture up to Uncle Alec's the following afternoon.

We were all intensely excited Saturday morning. To our dismay, it began to rain just before dinner.

"What if Jerry doesn't bring the picture to-day because of the rain?" I suggested.

"Never you fear," answered Felicity decidedly. "A Cowan would come through ANYTHING for fifty cents."

After dinner we all, without any verbal decision about it, washed our faces and combed our hair. The girls put on their second best dresses, and we boys donned white collars. We all had the unuttered feeling that we must do such honour to that Picture as we could. Felicity and Dan began a small spat over something, but stopped at once when Cecily said severely,

"How DARE you quarrel when you are going to look at a picture of God to-day?"

Owing to the rain we could not foregather in the orchard, where we had meant to transact the business with Jerry. We did not wish our grown-ups around at our great moment, so we betook ourselves to the loft of the granary in the spruce wood, from whose window we could see the main road and hail Jerry. Sara Ray had joined us, very pale and nervous, having had, so it appeared, a difference of opinion with her mother about coming up the hill in the rain.

"I'm afraid I did very wrong to come against ma's will," she said miserably, "but I COULDN'T wait. I wanted to see the picture as soon as you did."

We waited and watched at the window. The valley was full of mist, and the rain was coming down in slanting lines over the tops of the spruces. But as we waited the clouds broke away and the sun came out flashingly; the drops on the spruce boughs glittered like diamonds.

"I don't believe Jerry can be coming," said Cecily in despair. "I suppose his mother must have thought it was dreadful, after all, to sell such a picture."

"There he is now!" cried Dan, waving excitedly from the window.

"He's carrying a fish-basket," said Felicity. "You surely don't suppose he would bring THAT picture in a fish-basket!"

Jerry HAD brought it in a fish-basket, as appeared when he mounted the granary stairs shortly afterwards. It was folded up in a newspaper packet on top of the dried herring with which the basket was filled. We paid him his money, but we would not open the packet until he had gone.

"Cecily," said Felicity in a hushed tone. "You are the best of us all. YOU open the parcel."

"Oh, I'm no gooder than the rest of you," breathed Cecily, "but I'll open it if you like."

With trembling fingers Cecily opened the parcel. We stood around, hardly breathing. She unfolded it and held it up. We saw it.

Suddenly Sara began to cry.

"Oh, oh, oh, does God look like THAT?" she wailed.

Felix and I spoke not. Disappointment, and something worse, sealed our speech. DID God look like that—like that stern, angrily frowning old man with the tossing hair and beard of the wood-cut Cecily held.

"I suppose He must, since that is His picture," said Dan miserably.

"He looks awful cross," said Peter simply.

"Oh, I wish we'd never, never seen it," cried Cecily.

We all wished that—too late. Our curiosity had led us into some Holy of Holies, not to be profaned by human eyes, and this was our punishment.

"I've always had a feeling right along," wept Sara, "that it wasn't RIGHT to buy—or LOOK AT—God's picture."

As we stood there wretchedly we heard flying feet below and a blithe voice calling,

"Where are you, children?"

The Story Girl had returned! At any other moment we would have rushed to meet her in wild joy. But now we were too crushed and miserable to move.

"Whatever is the matter with you all?" demanded the Story Girl, appearing at the top of the stairs. "What is Sara crying about? What have you got there?"

"A picture of God," said Cecily with a sob in her voice, "and oh, it is so dreadful and ugly. Look!"

The Story Girl looked. An expression of scorn came over her face.

"Surely you don't believe God looks like that," she said impatiently, while her fine eyes flashed. "He doesn't—He couldn't. He is wonderful and beautiful. I'm surprised at you. THAT is nothing but the picture of a cross old man."

Hope sprang up in our hearts, although we were not wholly convinced.

"I don't know," said Dan dubiously. "It says under the picture 'God in the Garden of Eden.' It's PRINTED."

"Well, I suppose that's what the man who drew it thought God was like," answered the Story Girl carelessly. "But HE couldn't have known any more than you do. HE had never seen Him."

"It's all very well for you to say so," said Felicity, "but YOU don't know either. I wish I could believe that isn't like God—but I don't know what to believe."

"Well, if you won't believe me, I suppose you'll believe the minister," said the Story Girl. "Go and ask him. He's in the house this very minute. He came up with us in the buggy."

At any other time we would never have dared catechize the minister about anything. But desperate cases call for desperate measures. We drew straws to see who should go and do the asking, and the lot fell to Felix.

"Better wait until Mr. Marwood leaves, and catch him in the lane," advised the Story Girl. "You'll have a lot of grown-ups around you in the house."

Felix took her advice. Mr. Marwood, presently walking benignantly along the lane, was confronted by a fat, small boy with a pale face but resolute eyes.

The rest of us remained in the background but within hearing.

"Well, Felix, what is it?" asked Mr. Marwood kindly.

"Please, sir, does God really look like this?" asked Felix, holding out the picture. "We hope He doesn't—but we want to know the truth, and that is why I'm bothering you. Please excuse us and tell me."

The minister looked at the picture. A stern expression came into his gentle blue eyes and he got as near to frowning as it was possible for him to get.

"Where did you get that thing?" he asked.

THING! We began to breathe easier.

"We bought it from Jerry Cowan. He found it in a red-covered history of the world. It SAYS it's God's picture," said Felix.

"It is nothing of the sort," said Mr. Marwood indignantly. "There is no such thing as a picture of God, Felix. No human being knows what he looks like—no human being CAN know. We should not even try to think what He looks like. But, Felix, you may be sure that God is infinitely more beautiful and loving and tender and kind than anything we can imagine of Him. Never believe anything else, my boy. As for this—this SACRILEGE—take it and burn it."

We did not know what a sacrilege meant, but we knew that Mr. Marwood had declared that the picture was not like God. That was enough for us. We felt as if a terrible weight had been lifted from our minds.

"I could hardly believe the Story Girl, but of course the minister KNOWS," said Dan happily.

"We've lost fifty cents because of it," said Felicity gloomily.

We had lost something of infinitely more value than fifty cents, although we did not realize it just then. The minister's words had removed from our minds the bitter belief that God was like that picture; but on something deeper and more enduring than mind an impression had been made that was never to be removed. The mischief was done. From that day to this the thought or the mention of God brings up before us involuntarily the vision of a stern, angry, old man. Such was the price we were to pay for the indulgence of a curiosity which each of us, deep in our hearts, had, like Sara Ray, felt ought not to be gratified.

"Mr. Marwood told me to burn it," said Felix.

"It doesn't seem reverent to do that," said Cecily. "Even if it isn't God's picture, it has His name on it."

"Bury it," said the Story Girl.

We did bury it after tea, in the depths of the spruce grove; and then we went into the orchard. It was so nice to have the Story Girl back again. She had wreathed her hair with Canterbury Bells, and looked like the incarnation of rhyme and story and dream.

"Canterbury Bells is a lovely name for a flower, isn't it?" she said. "It makes you think of cathedrals and chimes, doesn't it? Let's go over to Uncle Stephen's Walk, and sit on the branches of the big tree. It's too wet on the grass, and I know a story—a TRUE story, about an old lady I saw in town at Aunt Louisa's. Such a dear old lady, with lovely silvery curls."

After the rain the air seemed dripping with odours in the warm west wind—the tang of fir balsam, the spice of mint, the wild woodsiness of ferns, the aroma of grasses steeping in the sunshine,—and with it all a breath of wild sweetness from far hill pastures.

Scattered through the grass in Uncle Stephen's Walk, were blossoming pale, aerial flowers which had no name that we could ever discover. Nobody seemed to know anything about them. They had been there when Great-grandfather King bought the place. I have never seen them elsewhere, or found them described in any floral catalogue. We called them the White Ladies. The Story Girl gave them the name. She said they looked like the souls of good women who had had to suffer much and had been very patient. They were wonderfully dainty, with a strange, faint, aromatic perfume which was only to be detected at a little distance and vanished if you bent over them. They faded soon after they were plucked; and, although strangers, greatly admiring them, often carried away roots and seeds, they could never be coaxed to grow elsewhere.

"My story is about Mrs. Dunbar and the Captain of the FANNY," said the Story Girl, settling herself comfortably on a bough, with her brown head against a gnarled trunk. "It's sad and beautiful—and true. I do love to tell stories that I know really happened. Mrs. Dunbar lives next door to Aunt Louisa in town. She is so sweet. You wouldn't think to look at her that she had a tragedy in her life, but she has. Aunt Louisa told me the tale. It all happened long, long ago. Interesting things like this all did happen long ago, it seems to me. They never seem to happen now. This was in '49, when people were rushing to the gold fields in California. It was just like a fever, Aunt Louisa says. People took it, right here on the Island; and a number of young men determined they would go to California.

"It is easy to go to California now; but it was a very different matter then. There were no railroads across the land, as there are now, and if you wanted to go to California you had to go in a sailing vessel, all the way around Cape Horn. It was a long and dangerous journey; and sometimes it took over six months. When you got there you had no way of sending word home again except by the same plan. It might be over a year before your people at home heard a word about you—and fancy what their feelings would be!

"But these young men didn't think of these things; they were led on by a golden vision. They made all their arrangements, and they chartered the brig Fanny to take them to California.

"The captain of the Fanny is the hero of my story. His name was Alan Dunbar, and he was young and handsome. Heroes always are, you know, but Aunt Louisa says he really was. And he was in love—wildly in love,—with Margaret Grant. Margaret was as beautiful as a dream, with soft blue eyes and clouds of golden hair; and she loved Alan Dunbar just as much as he loved her. But her parents were bitterly opposed to him, and they had forbidden Margaret to see him or speak to him. They hadn't anything against him as a MAN, but they didn't want her to throw herself away on a sailor.

"Well, when Alan Dunbar knew that he must go to California in the Fanny he was in despair. He felt that he could NEVER go so far away for so long and leave his Margaret behind. And Margaret felt that she could never let him go. I know EXACTLY how she felt."

"How can you know?" interrupted Peter suddenly. "You ain't old enough to have a beau. How can you know?"

The Story Girl looked at Peter with a frown. She did not like to be interrupted when telling a story.

"Those are not things one KNOWS about," she said with dignity. "One FEELS about them."

Peter, crushed but not convinced, subsided, and the Story Girl went on.

"Finally, Margaret ran away with Alan, and they were married in Charlottetown. Alan intended to take his wife with him to California in the Fanny. If it was a hard journey for a man it was harder still for a woman, but Margaret would have dared anything for Alan's sake. They had three days—ONLY three days—of happiness, and then the blow fell. The crew and the passengers of the Fanny refused to let Captain Dunbar take his wife with him. They told him he must leave her behind. And all his prayers were of no avail. They say he stood on the deck of the Fanny and pleaded with the men while the tears ran down his face; but they would not yield, and he had to leave Margaret behind. Oh, what a parting it was!"

There was heartbreak in the Story Girl's voice and tears came into our eyes. There, in the green bower of Uncle Stephen's Walk, we cried over the pathos of a parting whose anguish had been stilled for many years.

"When it was all over, Margaret's father and mother forgave her, and she went back home to wait—to WAIT. Oh, it is so dreadful just to WAIT, and do nothing else. Margaret waited for nearly a year. How long it must have seemed to her! And at last there came a letter—but not from Alan. Alan was DEAD. He had died in California and had been buried there. While Margaret had been thinking of him and longing for him and praying for him he had been lying in his lonely, faraway grave."

Cecily sprang up, shaking with sobs.

"Oh, don't—don't go on," she implored. "I CAN'T bear any more."

"There is no more," said the Story Girl. "That was the end of it—the end of everything for Margaret. It didn't kill HER, but her heart died."

"I just wish I'd hold of those fellows who wouldn't let the Captain take his wife," said Peter savagely.

"Well, it was awful said," said Felicity, wiping her eyes. "But it was long ago and we can't do any good by crying over it now. Let us go and get something to eat. I made some nice little rhubarb tarts this morning."

We went. In spite of new disappointments and old heartbreaks we had appetites. And Felicity did make scrumptious rhubarb tarts!


When the time came to hand in our collections for the library fund Peter had the largest—three dollars. Felicity was a good second with two and a half. This was simply because the hens had laid so well.

"If you'd had to pay father for all the extra handfuls of wheat you've fed to those hens, Miss Felicity, you wouldn't have so much," said Dan spitefully.

"I didn't," said Felicity indignantly. "Look how Aunt Olivia's hens laid, too, and she fed them herself just the same as usual."

"Never mind," said Cecily, "we have all got something to give. If you were like poor Sara Ray, and hadn't been able to collect anything, you might feel bad."

But Sara Ray HAD something to give. She came up the hill after tea, all radiant. When Sara Ray smiled—and she did not waste her smiles—she was rather pretty in a plaintive, apologetic way. A dimple or two came into sight, and she had very nice teeth—small and white, like the traditional row of pearls.

"Oh, just look," she said. "Here are three dollars—and I'm going to give it all to the library fund. I had a letter to-day from Uncle Arthur in Winnipeg, and he sent me three dollars. He said I was to use it ANY way I liked, so ma couldn't refuse to let me give it to the fund. She thinks it's an awful waste, but she always goes by what Uncle Arthur says. Oh, I've prayed so hard that some money might come some way, and now it has. See what praying does!"

I was very much afraid that we did not rejoice quite as unselfishly in Sara's good fortune as we should have done. WE had earned our contributions by the sweat of our brow, or by the scarcely less disagreeable method of "begging." And Sara's had as good as descended upon her out of the skies, as much like a miracle as anything you could imagine.

"She prayed for it, you know," said Felix, after Sara had gone home.

"That's too easy a way of earning money," grumbled Peter resentfully. "If the rest of us had just set down and done nothing, only prayed, how much do you s'pose we'd have? It don't seem fair to me."

"Oh, well, it's different with Sara," said Dan. "We COULD earn money and she COULDN'T. You see? But come on down to the orchard. The Story Girl had a letter from her father to-day and she's going to read it to us."

We went promptly. A letter from the Story Girl's father was always an event; and to hear her read it was almost as good as hearing her tell a story.

Before coming to Carlisle, Uncle Blair Stanley had been a mere name to us. Now he was a personality. His letters to the Story Girl, the pictures and sketches he sent her, her adoring and frequent mention of him, all combined to make him very real to us.

We FELT then, what we did not understand till later years, that our grown-up relatives did not altogether admire or approve of Uncle Blair. He belonged to a different world from theirs. They had never known him very intimately or understood him. I realize now that Uncle Blair was a bit of a Bohemian—a respectable sort of tramp. Had he been a poor man he might have been a more successful artist. But he had a small fortune of his own and, lacking the spur of necessity, or of disquieting ambition, he remained little more than a clever amateur. Once in a while he painted a picture which showed what he could do; but for the rest, he was satisfied to wander over the world, light-hearted and content. We knew that the Story Girl was thought to resemble him strongly in appearance and temperament, but she had far more fire and intensity and strength of will—her inheritance from King and Ward. She would never be satisfied as a dabbler; whatever her future career should be, into it she would throw all her powers of mind and heart and soul.

But Uncle Blair could do at least one thing surpassingly well. He could write letters. Such letters! By contrast, Felix and I were secretly ashamed of father's epistles. Father could talk well but, as Felix said, he couldn't write worth a cent. The letters we had received from him since his arrival in Rio de Janeiro were mere scrawls, telling us to be good boys and not trouble Aunt Janet, incidentally adding that he was well and lonesome. Felix and I were always glad to get his letters, but we never read them aloud to an admiring circle in the orchard.

Uncle Blair was spending the summer in Switzerland; and the letter the Story Girl read to us, among the fair, frail White Ladies of the Walk, where the west wind came now with a sigh, and again with a rush, and then brushed our faces as softly as the down of a thistle, was full of the glamour of mountain-rimmed lakes, and purple chalets, and "snowy summits old in story." We climbed Mount Blanc, saw the Jungfrau soaring into cloudland, and walked among the gloomy pillars of Bonnivard's prison. Finally, the Story Girl told us the tale of the Prisoner of Chillon, in words that were Byron's, but in a voice that was all her own.

"It must be splendid to go to Europe," sighed Cecily longingly.

"I am going some day," said the Story Girl airily.

We looked at her with a slightly incredulous awe. To us, in those years, Europe seemed almost as remote and unreachable as the moon. It was hard to believe that one of US should ever go there. But Aunt Julia had gone—and SHE had been brought up in Carlisle on this very farm. So it was possible that the Story Girl might go too.

"What will you do there?" asked Peter practically.

"I shall learn how to tell stories to all the world," said the Story Girl dreamily.

It was a lovely, golden-brown evening; the orchard, and the farm-lands beyond, were full of ruby lights and kissing shadows. Over in the east, above the Awkward Man's house, the Wedding Veil of the Proud Princess floated across the sky, presently turning as rosy as if bedewed with her heart's blood. We sat there and talked until the first star lighted a white taper over the beech hill.

Then I remembered that I had forgotten to take my dose of magic seed, and I hastened to do it, although I was beginning to lose faith in it. I had not grown a single bit, by the merciless testimony of the hall door.

I took the box of seed out of my trunk in the twilit room and swallowed the decreed pinch. As I did so, Dan's voice rang out behind me.

"Beverley King, what have you got there?"

I thrust the box hastily into my trunk and confronted Dan.

"None of your business," I said defiantly.

"Yes, 'tis." Dan was too much in earnest to resent my blunt speech. "Look here, Bev, is that magic seed? And did you get it from Billy Robinson?"

Dan and I looked at each other, suspicion dawning in our eyes.

"What do you know about Billy Robinson and his magic seed?" I demanded.

"Just this. I bought a box from him for—for—something. He said he wasn't going to sell any of it to anybody else. Did he sell any to you?"

"Yes, he did," I said in disgust—for I was beginning to understand that Billy and his magic seed were arrant frauds.

"What for? YOUR mouth is a decent size," said Dan.

"Mouth? It had nothing to do with my mouth! He said it would make me grow tall. And it hasn't—not an inch! I don't see what you wanted it for! You are tall enough."

"I got it for my mouth," said Dan with a shame-faced grin. "The girls in school laugh at it so. Kate Marr says it's like a gash in a pie. Billy said that seed would shrink it for sure."

Well, there it was! Billy had deceived us both. Nor were we the only victims. We did not find the whole story out at once. Indeed, the summer was almost over before, in one way or another, the full measure of that shameless Billy Robinson's iniquity was revealed to us. But I shall anticipate the successive relations in this chapter. Every pupil of Carlisle school, so it eventually appeared, had bought magic seed, under solemn promise of secrecy. Felix had believed blissfully that it would make him thin. Cecily's hair was to become naturally curly, and Sara Ray was not to be afraid of Peg Bowen any more. It was to make Felicity as clever as the Story Girl and it was to make the Story Girl as good a cook as Felicity. What Peter had bought magic seed for remained a secret longer than any of the others. Finally—it was the night before what we expected would be the Judgment Day—he confessed to me that he had taken it to make Felicity fond of him. Skilfully indeed had that astute Billy played on our respective weaknesses.

The keenest edge to our humiliation was given by the discovery that the magic seed was nothing more or less than caraway, which grew in abundance at Billy Robinson's uncle's in Markdale. Peg Bowen had had nothing to do with it.

Well, we had all been badly hoaxed. But we did not trumpet our wrongs abroad. We did not even call Billy to account. We thought that least said was soonest mended in such a matter. We went very softly indeed, lest the grown-ups, especially that terrible Uncle Roger, should hear of it.

"We should have known better than to trust Billy Robinson," said Felicity, summing up the case one evening when all had been made known. "After all, what could you expect from a pig but a grunt?"

We were not surprised to find that Billy Robinson's contribution to the library fund was the largest handed in by any of the scholars. Cecily said she didn't envy him his conscience. But I am afraid she measured his conscience by her own. I doubt very much if Billy's troubled him at all.


"I hate the thought of growing up," said the Story Girl reflectively, "because I can never go barefooted then, and nobody will ever see what beautiful feet I have."

She was sitting, the July sunlight, on the ledge of the open hayloft window in Uncle Roger's big barn; and the bare feet below her print skirt WERE beautiful. They were slender and shapely and satin smooth with arched insteps, the daintiest of toes, and nails like pink shells.

We were all the hayloft. The Story Girl had been telling us a tale

"Of old, unhappy, far-off things, And battles long ago."

Felicity and Cecily were curled up in a corner, and we boys sprawled idly on the fragrant, sun-warm heaps. We had "stowed" the hay in the loft that morning for Uncle Roger, so we felt that we had earned the right to loll on our sweet-smelling couch. Haylofts are delicious places, with just enough of shadow and soft, uncertain noises to give an agreeable tang of mystery. The swallows flew in and out of their nest above our heads, and whenever a sunbeam fell through a chink the air swarmed with golden dust. Outside of the loft was a vast, sunshiny gulf of blue sky and mellow air, wherein floated argosies of fluffy cloud, and airy tops of maple and spruce.

Pat was with us, of course, prowling about stealthily, or making frantic, bootless leaps at the swallows. A cat in a hayloft is a beautiful example of the eternal fitness of things. We had not heard of this fitness then, but we all felt that Paddy was in his own place in a hayloft.

"I think it is very vain to talk about anything you have yourself being beautiful," said Felicity.

"I am not a bit vain," said the Story Girl, with entire truthfulness. "It is not vanity to know your own good points. It would just be stupidity if you didn't. It's only vanity when you get puffed up about them. I am not a bit pretty. My only good points are my hair and eyes and feet. So I think it's real mean that one of them has to be covered up the most of the time. I'm always glad when it gets warm enough to go barefooted. But, when I grow up they'll have to covered all the time. It IS mean."

"You'll have to put your shoes and stockings on when you go to the magic lantern show to-night," said Felicity in a tone of satisfaction.

"I don't know that. I'm thinking of going barefooted."

"Oh, you wouldn't! Sara Stanley, you're not in earnest!" exclaimed Felicity, her blue eyes filling with horror.

The Story Girl winked with the side of her face next to Felix and me, but the side next the girls changed not a muscle. She dearly loved to "take a rise" out of Felicity now and then.

"Indeed, I would if I just made up my mind to. Why not? Why not bare feet—if they're clean—as well as bare hands and face?"

"Oh, you wouldn't! It would be such a disgrace!" said poor Felicity in real distress.

"We went to school barefooted all June," argued that wicked Story Girl. "What is the difference between going to the schoolhouse barefooted in the daytime and going in the evening?"

"Oh, there's EVERY difference. I can't just explain it—but every one KNOWS there is a difference. You know it yourself. Oh, PLEASE, don't do such a thing, Sara."

"Well, I won't, just to oblige you," said the Story Girl, who would have died the death before she would have gone to a "public meeting" barefooted.

We were all rather excited over the magic lantern show which an itinerant lecturer was to give in the schoolhouse that evening. Even Felix and I, who had seen such shows galore, were interested, and the rest were quite wild. There had never been such a thing in Carlisle before. We were all going, Peter included. Peter went everywhere with us now. He was a regular attendant at church and Sunday School, where his behaviour was as irreproachable as if he had been "raised" in the caste of Vere de Vere. It was feather in the Story Girl's cap, for she took all the credit of having started Peter on the right road. Felicity was resigned, although the fatal patch on Peter's best trousers was still an eyesore to her. She declared she never got any good of the singing, because Peter stood up then and every one could see the patch. Mrs. James Clark, whose pew was behind ours, never took her eye off it—or so Felicity averred.

But Peter's stockings were always darned. Aunt Olivia had seen to that, ever since she heard of Peter's singular device regarding them on his first Sunday. She had also given Peter a Bible, of which he was so proud that he hated to use it lest he should soil it.

"I think I'll wrap it up and keep it in my box," he said. "I've an old Bible of Aunt Jane's at home that I can use. I s'pose it's just the same, even if it is old, isn't it?"

"Oh, yes," Cecily had assured him. "The Bible is always the same."

"I thought maybe they'd got some new improvements on it since Aunt Jane's day," said Peter, relieved.

"Sara Ray is coming along the lane, and she's crying," announced Dan, who was peering out of a knot-hole on the opposite side of the loft.

"Sara Ray is crying half her time," said Cecily impatiently. "I'm sure she cries a quartful of tears a month. There are times when you can't help crying. But I hide then. Sara just goes and cries in public."

The lachrymose Sara presently joined us and we discovered the cause of her tears to be the doleful fact that her mother had forbidden her to go to the magic lantern show that night. We all showed the sympathy we felt.

"She SAID yesterday you could go," said the Story Girl indignantly. "Why has she changed her mind?"

"Because of the measles in Markdale," sobbed Sara. "She says Markdale is full of them, and there'll be sure to be some of the Markdale people at the show. So I'm not to go. And I've never seen a magic lantern—I've never seen ANYTHING."

"I don't believe there's any danger of catching measles," said Felicity. "If there was we wouldn't be allowed to go."

"I wish I COULD get the measles," said Sara defiantly. "Maybe I'd be of some importance to ma then."

"Suppose Cecily goes down with you and coaxes your mother," suggested the Story Girl. "Perhaps she'd let you go then. She likes Cecily. She doesn't like either Felicity or me, so it would only make matters worse for us to try."

"Ma's gone to town—pa and her went this afternoon—and they're not coming back till to-morrow. There's nobody home but Judy Pineau and me."

"Then," said the Story Girl, "why don't you just go to the show anyhow? Your mother won't ever know, if you coax Judy to hold her tongue."

"Oh, but that's wrong," said Felicity. "You shouldn't put Sara up to disobeying her mother."

Now, Felicity for once was undoubtedly right. The Story Girl's suggestion WAS wrong; and if it had been Cecily who protested, the Story Girl would probably have listened to her, and proceeded no further in the matter. But Felicity was one of those unfortunate people whose protests against wrong-doing serve only to drive the wrong-doer further on her sinful way.

The Story Girl resented Felicity's superior tone, and proceeded to tempt Sara in right good earnest. The rest of us held our tongues. It was, we told ourselves, Sara's own lookout.

"I have a good mind to do it," said Sara. "but I can't get my good clothes; they're in the spare room, and ma locked the door, for fear somebody would get at the fruit cake. I haven't a single thing to wear, except my school gingham."

"Well, that's new and pretty," said the Story Girl. "We'll lend you some things. You can have my lace collar. That'll make the gingham quite elegant. And Cecily will lend you her second best hat."

"But I've no shoes or stockings. They're locked up too."

"You can have a pair of mine," said Felicity, who probably thought that since Sara was certain to yield to temptation, she might as well be garbed decently for her transgression.

Sara did yield. When the Story Girl's voice entreated it was not easy to resist its temptation, even if you wanted to. That evening, when we started for the schoolhouse, Sara Ray was among us, decked out in borrowed plumes.

"Suppose she DOES catch the measles?" Felicity said aside.

"I don't believe there'll be anybody there from Markdale. The lecturer is going to Markdale next week. They'll wait for that," said the Story Girl airily.

It was a cool, dewy evening, and we walked down the long, red hill in the highest of spirits. Over a valley filled with beech and spruce was a sunset afterglow—creamy yellow and a hue that was not so much red as the dream of red, with a young moon swung low in it. The air was sweet with the breath of mown hayfields where swaths of clover had been steeping in the sun. Wild roses grew pinkly along the fences, and the roadsides were star-dusted with buttercups.

Those of us who had nothing the matter with our consciences enjoyed our walk to the little whitewashed schoolhouse in the valley. Felicity and Cecily were void of offence towards all men. The Story Girl walked uprightly like an incarnate flame in her crimson silk. Her pretty feet were hidden in the tan-coloured, buttoned Paris boots which were the secret envy of every school girl in Carlisle.

But Sara Ray was not happy. Her face was so melancholy that the Story Girl lost patience with her. The Story Girl herself was not altogether at ease. Probably her own conscience was troubling her. But admit it she would not.

"Now, Sara," she said, "you just take my advice and go into this with all your heart if you go at all. Never mind if it is bad. There's no use being naughty if you spoil your fun by wishing all the time you were good. You can repent afterwards, but there is no use in mixing the two things together."

"I'm not repenting," protested Sara. "I'm only scared of ma finding it out."

"Oh!" The Story Girl's voice expressed her scorn. For remorse she had understanding and sympathy; but fear of her fellow creatures was something unknown to her. "Didn't Judy Pineau promise you solemnly she wouldn't tell?"

"Yes; but maybe some one who sees me there will mention it to ma."

"Well, if you're so scared you'd better not go. It isn't too late. Here's your own gate," said Cecily.

But Sara could not give up the delights of the show. So she walked on, a small, miserable testimony that the way of the transgressor is never easy, even when said transgressor is only a damsel of eleven.

The magic lantern show was a splendid one. The views were good and the lecturer witty. We repeated his jokes to each other all the way home. Sara, who had not enjoyed the exhibition at all, seemed to feel more cheerful when it was over and she was going home. The Story Girl on the contrary was gloomy.

"There WERE Markdale people there," she confided to me, "and the Williamsons live next door to the Cowans, who have measles. I wish I'd never egged Sara on to going—but don't tell Felicity I said so. If Sara Ray had really enjoyed the show I wouldn't mind. But she didn't. I could see that. So I've done wrong and made her do wrong—and there's nothing to show for it."

The night was scented and mysterious. The wind was playing an eerie fleshless melody in the reeds of the brook hollow. The sky was dark and starry, and across it the Milky Way flung its shimmering misty ribbons.

"There's four hundred million stars in the Milky Way," quoth Peter, who frequently astonished us by knowing more than any hired boy could be expected to. He had a retentive memory, and never forgot anything he heard or read. The few books left to him by his oft-referred-to Aunt Jane had stocked his mind with a miscellaneous information which sometimes made Felix and me doubt if we knew as much as Peter after all. Felicity was so impressed by his knowledge of astronomy that she dropped back from the other girls and walked beside him. She had not done so before because he was barefooted. It was permissible for hired boys to go to public meetings—when not held in the church—with bare feet, and no particular disgrace attached to it. But Felicity would not walk with a barefooted companion. It was dark now, so nobody would notice his feet.

"I know a story about the Milky Way," said the Story Girl, brightening up. "I read it in a book of Aunt Louisa's in town, and I learned it off by heart. Once there were two archangels in heaven, named Zerah and Zulamith—"

"Have angels names—same as people?" interrupted Peter.

"Yes, of course. They MUST have. They'd be all mixed up if they hadn't."

"And when I'm an angel—if I ever get to be one—will my name still be Peter?"

"No. You'll have a new name up there," said Cecily gently. "It says so in the Bible."

"Well, I'm glad of that. Peter would be such a funny name for an angel. And what is the difference between angels and archangels?"

"Oh, archangels are angels that have been angels so long that they've had time to grow better and brighter and more beautiful than newer angels," said the Story Girl, who probably made that explanation up on the spur of the moment, just to pacify Peter.

"How long does it take for an angel to grow into an archangel?" pursued Peter.

"Oh, I don't know. Millions of years likely. And even then I don't suppose ALL the angels do. A good many of them must just stay plain angels, I expect."

"I shall be satisfied just to be a plain angel," said Felicity modestly.

"Oh, see here, if you're going to interrupt and argue over everything, we'll never get the story told," said Felix. "Dry up, all of you, and let the Story Girl go on."

We dried up, and the Story Girl went on.

"Zerah and Zulamith loved each other, just as mortals love, and this is forbidden by the laws of the Almighty. And because Zerah and Zulamith had so broken God's law they were banished from His presence to the uttermost bounds of the universe. If they had been banished TOGETHER it would have been no punishment; so Zerah was exiled to a star on one side of the universe, and Zulamith was sent to a star on the other side of the universe; and between them was a fathomless abyss which thought itself could not cross. Only one thing could cross it—and that was love. Zulamith yearned for Zerah with such fidelity and longing that he began to build up a bridge of light from his star; and Zerah, not knowing this, but loving and longing for him, began to build a similar bridge of light from her star. For a thousand thousand years they both built the bridge of light, and at last they met and sprang into each other's arms. Their toil and loneliness and suffering were all over and forgotten, and the bridge they had built spanned the gulf between their stars of exile.

"Now, when the other archangels saw what had been done they flew in fear and anger to God's white throne, and cried to Him,

"'See what these rebellious ones have done! They have built them a bridge of light across the universe, and set Thy decree of separation at naught. Do Thou, then, stretch forth Thine arm and destroy their impious work.'

"They ceased—and all heaven was hushed. Through the silence sounded the voice of the Almighty.

"'Nay,' He said, 'whatsoever in my universe true love hath builded not even the Almighty can destroy. The bridge must stand forever.'

"And," concluded the Story Girl, her face upturned to the sky and her big eyes filled with starlight, "it stands still. That bridge is the Milky Way."

"What a lovely story," sighed Sara Ray, who had been wooed to a temporary forgetfulness of her woes by its charm.

The rest of us came back to earth, feeling that we had been wandering among the hosts of heaven. We were not old enough to appreciate fully the wonderful meaning of the legend; but we felt its beauty and its appeal. To us forevermore the Milky Way would be, not Peter's overwhelming garland of suns, but the lucent bridge, love-created, on which the banished archangels crossed from star to star.

We had to go up Sara Ray's lane with her to her very door, for she was afraid Peg Bowen would catch her if she went alone. Then the Story Girl and I walked up the hill together. Peter and Felicity lagged behind. Cecily and Dan and Felix were walking before us, hand in hand, singing a hymn. Cecily had a very sweet voice, and I listened in delight. But the Story Girl sighed.

"What if Sara does take the measles?" she asked miserably.

"Everyone has to have the measles sometime," I said comfortingly, "and the younger you are the better."


Ten days later, Aunt Olivia and Uncle Roger went to town one evening, to remain over night, and the next day. Peter and the Story Girl were to stay at Uncle Alec's during their absence.

We were in the orchard at sunset, listening to the story of King Cophetua and the beggar maid—all of us, except Peter, who was hoeing turnips, and Felicity, who had gone down the hill on an errand to Mrs. Ray.

The Story Girl impersonated the beggar maid so vividly, and with such an illusion of beauty, that we did not wonder in the least at the king's love for her. I had read the story before, and it had been my opinion that it was "rot." No king, I felt certain, would ever marry a beggar maid when he had princesses galore from whom to choose. But now I understood it all.

When Felicity returned we concluded from her expression that she had news. And she had.

"Sara is real sick," she said, with regret, and something that was not regret mingled in her voice. "She has a cold and sore throat, and she is feverish. Mrs. Ray says if she isn't better by the morning she's going to send for the doctor. AND SHE IS AFRAID IT'S THE MEASLES."

Felicity flung the last sentence at the Story Girl, who turned very pale.

"Oh, do you suppose she caught them at the magic lantern show?" she said miserably.

"Where else could she have caught them?" said Felicity mercilessly. "I didn't see her, of course—Mrs. Ray met me at the door and told me not to come in. But Mrs. Ray says the measles always go awful hard with the Rays—if they don't die completely of them it leaves them deaf or half blind, or something like that. Of course," added Felicity, her heart melting at sight of the misery in the Story Girl's piteous eyes, "Mrs. Ray always looks on the dark side, and it may not be the measles Sara has after all."

But Felicity had done her work too thoroughly. The Story Girl was not to be comforted.

"I'd give anything if I'd never put Sara up to going to that show," she said. "It's all my fault—but the punishment falls on Sara, and that isn't fair. I'd go this minute and confess the whole thing to Mrs. Ray; but if I did it might get Sara into more trouble, and I mustn't do that. I sha'n't sleep a wink to-night."

I don't think she did. She looked very pale and woebegone when she came down to breakfast. But, for all that, there was a certain exhilaration about her.

"I'm going to do penance all day for coaxing Sara to disobey her mother," she announced with chastened triumph.

"Penance?" we murmured in bewilderment.

"Yes. I'm going to deny myself everything I like, and do everything I can think of that I don't like, just to punish myself for being so wicked. And if any of you think of anything I don't, just mention it to me. I thought it out last night. Maybe Sara won't be so very sick if God sees I'm truly sorry."

"He can see it anyhow, without you're doing anything," said Cecily.

"Well, my conscience will feel better."

"I don't believe Presbyterians ever do penance," said Felicity dubiously. "I never heard of one doing it."

But the rest of us rather looked with favour on the Story Girl's idea. We felt sure that she would do penance as picturesquely and thoroughly as she did everything else.

"You might put peas in your shoes, you know," suggested Peter.

"The very thing! I never thought of that. I'll get some after breakfast. I'm not going to eat a single thing all day, except bread and water—and not much of that!"

This, we felt, was a heroic measure indeed. To sit down to one of Aunt Janet's meals, in ordinary health and appetite, and eat nothing but bread and water—that would be penance with a vengeance! We felt WE could never do it. But the Story Girl did it. We admired and pitied her. But now I do not think that she either needed our pity or deserved our admiration. Her ascetic fare was really sweeter to her than honey of Hymettus. She was, though quite unconsciously, acting a part, and tasting all the subtle joy of the artist, which is so much more exquisite than any material pleasure.

Aunt Janet, of course, noticed the Story Girl's abstinence and asked if she was sick.

"No. I am just doing penance, Aunt Janet, for a sin I committed. I can't confess it, because that would bring trouble on another person. So I'm going to do penance all day. You don't mind, do you?"

Aunt Janet was in a very good humour that morning, so she merely laughed.

"Not if you don't go too far with your nonsense," she said tolerantly.

"Thank you. And will you give me a handful of hard peas after breakfast, Aunt Janet? I want to put them in my shoes."

"There isn't any; I used the last in the soup yesterday."

"Oh!" The Story Girl was much disappointed. "Then I suppose I'll have to do without. The new peas wouldn't hurt enough. They're so soft they'd just squash flat."

"I'll tell you," said Peter, "I'll pick up a lot of those little round pebbles on Mr. King's front walk. They'll be just as good as peas."

"You'll do nothing of the sort," said Aunt Janet. "Sara must not do penance in that way. She would wear holes in her stockings, and might seriously bruise her feet."

"What would you say if I took a whip and whipped my bare shoulders till the blood came?" demanded the Story Girl aggrieved.

"I wouldn't SAY anything," retorted Aunt Janet. "I'd simply turn you over my knee and give you a sound, solid spanking, Miss Sara. You'd find that penance enough."

The Story Girl was crimson with indignation. To have such a remark made to you—when you were fourteen and a half—and before the boys, too! Really, Aunt Janet could be very dreadful.

It was vacation, and there was not much to do that day; we were soon free to seek the orchard. But the Story Girl would not come. She had seated herself in the darkest, hottest corner of the kitchen, with a piece of old cotton in her hand.

"I am not going to play to-day," she said, "and I'm not going to tell a single story. Aunt Janet won't let me put pebbles in my shoes, but I've put a thistle next my skin on my back and it sticks into me if I lean back the least bit. And I'm going to work buttonholes all over this cotton. I hate working buttonholes worse than anything in the world, so I'm going to work them all day."

"What's the good of working buttonholes on an old rag?" asked Felicity.

"It isn't any good. The beauty of penance is that it makes you feel uncomfortable. So it doesn't matter what you do, whether it's useful or not, so long as it's nasty. Oh, I wonder how Sara is this morning."

"Mother's going down this afternoon," said Felicity. "She says none of us must go near the place till we know whether it is the measles or not."

"I've thought of a great penance," said Cecily eagerly. "Don't go to the missionary meeting to-night."

The Story Girl looked piteous.

"I thought of that myself—but I CAN'T stay home, Cecily. It would be more than flesh and blood could endure. I MUST hear that missionary speak. They say he was all but eaten by cannibals once. Just think how many new stories I'd have to tell after I'd heard him! No, I must go, but I'll tell you what I'll do. I'll wear my school dress and hat. THAT will be penance. Felicity, when you set the table for dinner, put the broken-handled knife for me. I hate it so. And I'm going to take a dose of Mexican Tea every two hours. It's such dreadful tasting stuff—but it's a good blood purifier, so Aunt Janet can't object to it."

The Story Girl carried out her self-imposed penance fully. All day she sat in the kitchen and worked buttonholes, subsisting on bread and water and Mexican Tea.

Felicity did a mean thing. She went to work and made little raisin pies, right there in the kitchen before the Story Girl. The smell of raisin pies is something to tempt an anchorite; and the Story Girl was exceedingly fond of them. Felicity ate two in her very presence, and then brought the rest out to us in the orchard. The Story Girl could see us through the window, carousing without stint on raisin pies and Uncle Edward's cherries. But she worked on at her buttonholes. She would not look at the exciting serial in the new magazine Dan brought home from the post-office, neither would she open a letter from her father. Pat came over, but his most seductive purrs won no notice from his mistress, who refused herself the pleasure of even patting him.

Aunt Janet could not go down the hill in the afternoon to find out how Sara was because company came to tea—the Millwards from Markdale. Mr. Millward was a doctor, and Mrs. Millward was a B.A. Aunt Janet was very desirous that everything should be as nice as possible, and we were all sent to our rooms before tea to wash and dress up. The Story Girl slipped over home, and when she came back we gasped. She had combed her hair out straight, and braided it in a tight, kinky, pudgy braid; and she wore an old dress of faded print, with holes in the elbows and ragged flounces, which was much too short for her.

"Sara Stanley, have you taken leave of your senses?" demanded Aunt Janet. "What do you mean by putting on such a rig! Don't you know I have company to tea?"

"Yes, and that is just why I put it on, Aunt Janet. I want to mortify the flesh—"

"I'll 'mortify' you, if I catch you showing yourself to the Millwards like that, my girl! Go right home and dress yourself decently—or eat your supper in the kitchen."

The Story Girl chose the latter alternative. She was highly indignant. I verily believe that to sit at the dining-room table, in that shabby, outgrown dress, conscious of looking her ugliest, and eating only bread and water before the critical Millwards would have been positive bliss to her.

When we went to the missionary meeting that evening, the Story Girl wore her school dress and hat, while Felicity and Cecily were in their pretty muslins. And she had tied her hair with a snuff-brown ribbon which was very unbecoming to her.

The first person we saw in the church porch was Mrs. Ray. She told us that Sara had nothing worse than a feverish cold.

The missionary had at least seven happy listeners that night. We were all glad that Sara did not have measles, and the Story Girl was radiant.

"Now you see all your penance was wasted," said Felicity, as we walked home, keeping close together because of the rumour that Peg Bowen was abroad.

"Oh, I don't know. I feel better since I punished myself. But I'm going to make up for it to-morrow," said the Story Girl energetically. "In fact, I'll begin to-night. I'm going to the pantry as soon as I get home, and I'll read father's letter before I go to bed. Wasn't the missionary splendid? That cannibal story was simply grand. I tried to remember every word, so that I can tell it just as he told it. Missionaries are such noble people."

"I'd like to be a missionary and have adventures like that," said Felix.

"It would be all right if you could be sure the cannibals would be interrupted in the nick of time as his were," said Dan. "But sposen they weren't?"

"Nothing would prevent cannibals from eating Felix if they once caught him," giggled Felicity. "He's so nice and fat."

I am sure Felix felt very unlike a missionary at that precise moment.

"I'm going to put two cents more a week in my missionary box than I've been doing," said Cecily determinedly.

Two cents more a week out of Cecily's egg money, meant something of a sacrifice. It inspired the rest of us. We all decided to increase our weekly contribution by a cent or so. And Peter, who had had no missionary box at all, up to this time, determined to start one.

"I don't seem to be able to feel as int'rested in missionaries as you folks do," he said, "but maybe if I begin to give something I'll get int'rested. I'll want to know how my money's being spent. I won't be able to give much. When your father's run away, and your mother goes out washing, and you're only old enough to get fifty cents a week, you can't give much to the heathen. But I'll do the best I can. My Aunt Jane was fond of missions. Are there any Methodist heathen? I s'pose I ought to give my box to them, rather than to Presbyterian heathen."

"No, it's only after they're converted that they're anything in particular," said Felicity. "Before that, they're just plain heathen. But if you want your money to go to a Methodist missionary you can give it to the Methodist minister at Markdale. I guess the Presbyterians can get along without it, and look after their own heathen."

"Just smell Mrs. Sampson's flowers," said Cecily, as we passed a trim white paling close to the road, over which blew odours sweeter than the perfume of Araby's shore. "Her roses are all out and that bed of Sweet William is a sight by daylight."

"Sweet William is a dreadful name for a flower," said the Story Girl. "William is a man's name, and men are NEVER sweet. They are a great many nice things, but they are NOT sweet and shouldn't be. That is for women. Oh, look at the moonshine on the road in that gap between the spruces! I'd like a dress of moonshine, with stars for buttons."

"It wouldn't do," said Felicity decidedly. "You could see through it."

Which seemed to settle the question of moonshine dresses effectually.


"It's utterly out of the question," said Aunt Janet seriously. When Aunt Janet said seriously that anything was out of the question it meant that she was thinking about it, and would probably end up by doing it. If a thing really was out of the question she merely laughed and refused to discuss it at all.

The particular matter in or out of the question that opening day of August was a project which Uncle Edward had recently mooted. Uncle Edward's youngest daughter was to be married; and Uncle Edward had written over, urging Uncle Alec, Aunt Janet and Aunt Olivia to go down to Halifax for the wedding and spend a week there.

Uncle Alec and Aunt Olivia were eager to go; but Aunt Janet at first declared it was impossible.

"How could we go away and leave the place to the mercy of all those young ones?" she demanded. "We'd come home and find them all sick, and the house burned down."

"Not a bit of fear of it," scoffed Uncle Roger. "Felicity is as good a housekeeper as you are; and I shall be here to look after them all, and keep them from burning the house down. You've been promising Edward for years to visit him, and you'll never have a better chance. The haying is over and harvest isn't on, and Alec needs a change. He isn't looking well at all."

I think it was Uncle Roger's last argument which convinced Aunt Janet. In the end she decided to go. Uncle Roger's house was to be closed, and he and Peter and the Story Girl were to take up their abode with us.

We were all delighted. Felicity, in especial, seemed to be in seventh heaven. To be left in sole charge of a big house, with three meals a day to plan and prepare, with poultry and cows and dairy and garden to superintend, apparently furnished forth Felicity's conception of Paradise. Of course, we were all to help; but Felicity was to "run things," and she gloried in it.

The Story Girl was pleased, too.

"Felicity is going to give me cooking lessons," she confided to me, as we walked in the orchard. "Isn't that fine? It will be easier when there are no grown-ups around to make me nervous, and laugh if I make mistakes."

Uncle Alec and aunts left on Monday morning. Poor Aunt Janet was full of dismal forebodings, and gave us so many charges and warnings that we did not try to remember any of them; Uncle Alec merely told us to be good and mind what Uncle Roger said. Aunt Olivia laughed at us out of her pansy-blue eyes, and told us she knew exactly what we felt like and hoped we'd have a gorgeous time.

"Mind they go to bed at a decent hour," Aunt Janet called back to Uncle Roger as she drove out of the gate. "And if anything dreadful happens telegraph us."

Then they were really gone and we were all left "to keep house."

Uncle Roger and Peter went away to their work. Felicity at once set the preparations for dinner a-going, and allotted to each of us his portion of service. The Story Girl was to prepare the potatoes; Felix and Dan were to pick and shell the peas; Cecily was to attend the fire; I was to peel the turnips. Felicity made our mouths water by announcing that she was going to make a roly-poly jam pudding for dinner.

I peeled my turnips on the back porch, put them in their pot, and set them on the stove. Then I was at liberty to watch the others, who had longer jobs. The kitchen was a scene of happy activity. The Story Girl peeled her potatoes, somewhat slowly and awkwardly—for she was not deft at household tasks; Dan and Felix shelled peas and tormented Pat by attaching pods to his ears and tail; Felicity, flushed and serious, measured and stirred skilfully.

"I am sitting on a tragedy," said the Story Girl suddenly.

Felix and I stared. We were not quite sure what a "tragedy" was, but we did not think it was an old blue wooden chest, such as the Story Girl was undoubtedly sitting on, if eyesight counted for anything.

The old chest filled up the corner between the table and the wall. Neither Felix nor I had ever thought about it particularly. It was very large and heavy, and Felicity generally said hard things of it when she swept the kitchen.

"This old blue chest holds a tragedy," explained the Story Girl. "I know a story about it."

"Cousin Rachel Ward's wedding things are all in that old chest," said Felicity.

Who was Cousin Rachel Ward? And why were her wedding things shut up in an old blue chest in Uncle Alec's kitchen? We demanded the tale instantly. The Story Girl told it to us as she peeled her potatoes. Perhaps the potatoes suffered—Felicity declared the eyes were not properly done at all—but the story did not.

"It is a sad story," said the Story Girl, "and it happened fifty years ago, when Grandfather and Grandmother King were quite young. Grandmother's cousin Rachel Ward came to spend a winter with them. She belonged to Montreal and she was an orphan too, just like the Family Ghost. I have never heard what she looked like, but she MUST have been beautiful, of course."

"Mother says she was awful sentimental and romantic," interjected Felicity.

"Well, anyway, she met Will Montague that winter. He was handsome—everybody says so"—

"And an awful flirt," said Felicity.

"Felicity, I WISH you wouldn't interrupt. It spoils the effect. What would you feel like if I went and kept stirring things that didn't belong to it into that pudding? I feel just the same way. Well, Will Montague fell in love with Rachel Ward, and she with him, and it was all arranged that they were to be married from here in the spring. Poor Rachel was so happy that winter; she made all her wedding things with her own hands. Girls did, then, you know, for there was no such thing as a sewing-machine. Well, at last in April the wedding day came, and all the guests were here, and Rachel was dressed in her wedding robes, waiting for her bridegroom. And"—the Story Girl laid down her knife and potato and clasped her wet hands—"WILL MONTAGUE NEVER CAME!"

We felt as much of a shock as if we had been one of the expectant guests ourselves.

"What happened to him? Was HE killed too?" asked Felix.

The Story Girl sighed and resumed her work.

"No, indeed. I wish he had been. THAT would have been suitable and romantic. No, it was just something horrid. He had to run away for debt! Fancy! He acted mean right through, Aunt Janet says. He never sent even a word to Rachel, and she never heard from him again."

"Pig!" said Felix forcibly.

"She was broken-hearted of course. When she found out what had happened, she took all her wedding things, and her supply of linen, and some presents that had been given her, and packed them all away in this old blue chest. Then she went away back to Montreal, and took the key with her. She never came back to the Island again—I suppose she couldn't bear to. And she has lived in Montreal ever since and never married. She is an old woman now—nearly seventy-five. And this chest has never been opened since."

"Mother wrote to Cousin Rachel ten years ago," said Cecily, "and asked her if she might open the chest to see if the moths had got into it. There's a crack in the back as big as your finger. Cousin Rachel wrote back that if it wasn't for one thing that was in the trunk she would ask mother to open the chest and dispose of the things as she liked. But she could not bear that any one but herself should see or touch that one thing. So she wanted it left as it was. Ma said she washed her hands of it, moths or no moths. She said if Cousin Rachel had to move that chest every time the floor had to be scrubbed it would cure her of her sentimental nonsense. But I think," concluded Cecily, "that I would feel just like Cousin Rachel in her place."

"What was the thing she couldn't bear any one to see?" I asked.

"Ma thinks it was her wedding dress. But father says he believes it was Will Montague's picture," said Felicity. "He saw her put it in. Father knows some of the things that are in the chest. He was ten years old, and he saw her pack it. There's a white muslin wedding dress and a veil—and—and—a—a"—Felicity dropped her eyes and blushed painfully.

"A petticoat, embroidered by hand from hem to belt," said the Story Girl calmly.

"And a china fruit basket with an apple on the handle," went on Felicity, much relieved. "And a tea set, and a blue candle-stick."

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