—A child,—yes, if you choose to call her so, but such a child! Do you know how Art brings all ages together? There is no age to the angels and ideal human forms among which the artist lives, and he shares their youth until his hand trembles and his eye grows dim. The youthful painter talks of white-bearded Leonardo as if he were a brother, and the veteran forgets that Raphael died at an age to which his own is of patriarchal antiquity.

But why this lover of the beautiful should be so drawn to one whom Nature has wronged so deeply seems hard to explain. Pity, I suppose. They say that leads to love.

—I thought this matter over until I became excited and curious, and determined to set myself more seriously at work to find out what was going on in these wild hearts and where their passionate lives were drifting. I say wild hearts and passionate lives, because I think I can look through this seeming calmness of youth and this apparent feebleness of organization, and see that Nature, whom it is very hard to cheat, is only waiting as the sapper waits in his mine, knowing that all is in readiness and the slow-match burning quietly down to the powder. He will leave it by-and-by, and then it will take care of itself.

One need not wait to see the smoke coming through the roof of a house and the flames breaking out of the windows to know that the building is on fire. Hark! There is a quiet, steady, unobtrusive, crisp, not loud, but very knowing little creeping crackle that is tolerably intelligible. There is a whiff of something floating about, suggestive of toasting shingles. Also a sharp pyroligneous-acid pungency in the air that stings one's eyes. Let us get up and see what is going on.—Oh,—oh,—oh! do you know what has got hold of you? It is the great red dragon that is born of the little red eggs we call sparks, with his hundred blowing red manes, and his thousand lashing red tails, and his multitudinous red eyes glaring at every crack and key-hole, and his countless red tongues lapping the beams he is going to crunch presently, and his hot breath warping the panels and cracking the glass and making old timber sweat that had forgotten it was ever alive with sap. Run for your life! leap! or you will be a cinder in five minutes, that nothing but a coroner would take for the wreck of a human being!

If any gentleman will have the kindness to stop this run-away comparison, I shall be much obliged to him. All I intended to say was, that we need not wait for hearts to break out in flames to know that they are full of combustibles and that a spark has got among them. I don't pretend to say or know what it is that brings these two persons together;—and when I say together, I only mean that there is an evident affinity of some kind or other which makes their commonest intercourse strangely significant, as that each seems to understand a look or a word of the other. When the young girl laid her hand on the Little Gentleman's arm,—which so greatly shocked the Model, you may remember,—I saw that she had learned the lion-tamer's secret. She masters him, and yet I can see she has a kind of awe of him, as the man who goes into the cage has of the monster that he makes a baby of.

One of two things must happen. The first is love, downright love, on the part of this young girl, for the poor little misshapen man. You may laugh, if you like. But women are apt to love the men who they think have the largest capacity of loving;—and who can love like one that has thirsted all his life long for the smile of youth and beauty, and seen it fly his presence as the wave ebbed from the parched lips of him whose fabled punishment is the perpetual type of human longing and disappointment? What would become of him, if this fresh soul should stoop upon him in her first young passion, as the flamingo drops out of the sky upon some lonely and dark lagoon in the marshes of Cagliari, with a flutter of scarlet feathers and a kindling of strange fires in the shadowy waters that hold her burning image?

—Marry her, of course?—Why, no, not of course. I should think the chance less, on the whole, that he would be willing to marry her than she to marry him.

There is one other thing that might happen. If the interest he awakes in her gets to be a deep one, and yet has nothing of love in it, she will glance off from him into some great passion or other. All excitements run to love in women of a certain—let us not say age, but youth. An electrical current passing through a coil of wire makes a magnet of a bar of iron lying within it, but not touching it. So a woman is turned into a love-magnet by a tingling current of life running round her. I should like to see one of them balanced on a pivot properly adjusted, and watch if she did not turn so as to point north and south,—as she would, if the love-currents are like those of the earth our mother.

Pray, do you happen to remember Wordsworth's "Boy of Windermere"? This boy used to put his hands to his mouth, and shout aloud, mimicking the hooting of the owls, who would answer him

"with quivering peals, And long halloos and screams, and echoes loud Redoubled and redoubled."

When they failed to answer him, and he hung listening intently for their voices, he would sometimes catch the faint sound of far distant waterfalls, or the whole scene around him would imprint itself with new force upon his perceptions.—Read the sonnet, if you please;—it is Wordsworth all over,—trivial in subject, solemn in style, vivid in description, prolix in detail, true metaphysically, but immensely suggestive of "imagination," to use a mild term, when related as an actual fact of a sprightly youngster. All I want of it is to enforce the principle, that, when the door of the soul is once opened to a guest, there is no knowing who will come in next.

—Our young girl keeps up her early habit of sketching heads and characters. Nobody is, I should think, more faithful and exact in the drawing of the academical figures given her as lessons, but there is a perpetual arabesque of fancies that runs round the margin of her drawings, and there is one book which I know she keeps to run riot in, where, if anywhere, a shrewd eye would be most likely to read her thoughts. This book of hers I mean to see, if I can get at it honorably.

I have never yet crossed the threshold of the Little Gentleman's chamber. How he lives, when he once gets within it, I can only guess. His hours are late, as I have said; often, on waking late in the night, I see the light through cracks in his window-shutters on the wall of the house opposite. If the times of witchcraft were not over, I should be afraid to be so close a neighbor to a place from which there come such strange noises. Sometimes it is the dragging of something heavy over the floor, that makes me shiver to hear it,—it sounds so like what people that kill other people have to do now and then. Occasionally I hear very sweet strains of music,—whether of a wind or stringed instrument, or a human voice, strange as it may seem, I have often tried to find out, but through the partition I could not be quite sure. If I have not heard a woman cry and moan, and then again laugh as though she would die laughing, I have heard sounds so like them that—I am a fool to confess it—I have covered my head with the bedclothes; for I have had a fancy in my dreams, that I could hardly shake off when I woke up, about that so-called witch that was his great-grandmother, or whatever it was,—a sort of fancy that she visited the Little Gentleman,—a young woman in old-fashioned dress, with a red ring round her white neck,—not a neck-lace, but a dull-stain.

Of course you don't suppose that I have any foolish superstitions about the matter,—I, the Professor, who have seen enough to take all that nonsense out of any man's head! It is not our beliefs that frighten us half so much as our fancies. A man not only believes, but knows he runs a risk, whenever he steps into a railroad car; but it does n't worry him much. On the other hand, carry that man across a pasture a little way from some dreary country-village, and show him an old house where there were strange deaths a good many years ago, and there are rumors of ugly spots on the walls,—the old man hung himself in the garret, that is certain, and ever since the country-people have called it "the haunted house,"—the owners have n't been able to let it since the last tenants left on account of the noises,—so it has fallen into sad decay, and the moss grows on the rotten shingles of the roof, and the clapboards have turned black, and the windows rattle like teeth that chatter with fear, and the walls of the house begin to lean as if its knees were shaking, —take the man who did n't mind the real risk of the cars to that old house, on some dreary November evening, and ask him to sleep there alone,—how do you think he will like it? He doesn't believe one word of ghosts,—but then he knows, that, whether waking or sleeping, his imagination will people the haunted chambers with ghostly images. It is not what we believe, as I said before, that frightens us commonly, but what we conceive. A principle that reaches a good way if I am not mistaken. I say, then, that, if these odd sounds coming from the Little Gentleman's chamber sometimes make me nervous, so that I cannot get to sleep, it is not because I suppose he is engaged in any unlawful or mysterious way. The only wicked suggestion that ever came into my head was one that was founded on the landlady's story of his having a pile of gold; it was a ridiculous fancy; besides, I suspect the story of sweating gold was only one of the many fables got up to make the Jews odious and afford a pretext for plundering them. As for the sound like a woman laughing and crying, I never said it was a woman's voice; for, in the first place, I could only hear indistinctly; and, secondly, he may have an organ, or some queer instrument or other, with what they call the vox humana stop. If he moves his bed round to get away from the window, or for any such reason, there is nothing very frightful in that simple operation. Most of our foolish conceits explain themselves in some such simple way. And, yet, for all that, I confess, that, when I woke up the other evening, and heard, first a sweet complaining cry, and then footsteps, and then the dragging sound,—nothing but his bed, I am quite sure,—I felt a stirring in the roots of my hair as the feasters did in Keats's terrible poem of "Lamia."

There is nothing very odd in my feeling nervous when I happen to lie awake and get listening for sounds. Just keep your ears open any time after midnight, when you are lying in bed in a lone attic of a dark night. What horrid, strange, suggestive, unaccountable noises you will hear! The stillness of night is a vulgar error. All the dead things seem to be alive. Crack! That is the old chest of drawers; you never hear it crack in the daytime. Creak! There's a door ajar; you know you shut them all.

Where can that latch be that rattles so? Is anybody trying it softly? or, worse than any body, is—-? (Cold shiver.) Then a sudden gust that jars all the windows;—very strange!—there does not seem to be any wind about that it belongs to. When it stops, you hear the worms boring in the powdery beams overhead. Then steps outside,—a stray animal, no doubt. All right,—but a gentle moisture breaks out all over you; and then something like a whistle or a cry,—another gust of wind, perhaps; that accounts for the rustling that just made your heart roll over and tumble about, so that it felt more like a live rat under your ribs than a part of your own body; then a crash of something that has fallen,—blown over, very likely—-Pater noster, qui es in coelis! for you are damp and cold, and sitting bolt upright, and the bed trembling so that the death-watch is frightened and has stopped ticking!

No,—night is an awful time for strange noises and secret doings. Who ever dreamed, till one of our sleepless neighbors told us of it, of that Walpurgis gathering of birds and beasts of prey,—foxes, and owls, and crows, and eagles, that come from all the country round on moonshiny nights to crunch the clams and muscles, and pick out the eyes of dead fishes that the storm has thrown on Chelsea Beach? Our old mother Nature has pleasant and cheery tones enough for us when she comes in her dress of blue and gold over the eastern hill-tops; but when she follows us up-stairs to our beds in her suit of black velvet and diamonds, every creak of her sandals and every whisper of her lips is full of mystery and fear.

You understand, then, distinctly, that I do not believe there is anything about this singular little neighbor of mine which is as it should not be. Probably a visit to his room would clear up all that has puzzled me, and make me laugh at the notions which began, I suppose, in nightmares, and ended by keeping my imagination at work so as almost to make me uncomfortable at times. But it is not so easy to visit him as some of our other boarders, for various reasons which I will not stop to mention. I think some of them are rather pleased to get "the Professor" under their ceilings.

The young man John, for instance, asked me to come up one day and try some "old Burbon," which he said was A 1. On asking him what was the number of his room, he answered, that it was forty-'leven, sky-parlor floor, but that I shouldn't find it, if he did n't go ahead to show me the way. I followed him to his habitat, being very willing to see in what kind of warren he burrowed, and thinking I might pick up something about the boarders who had excited my curiosity.

Mighty close quarters they were where the young man John bestowed himself and his furniture; this last consisting of a bed, a chair, a bureau, a trunk, and numerous pegs with coats and "pants" and "vests,"—as he was in the habit of calling waist-coats and pantaloons or trousers,—hanging up as if the owner had melted out of them. Several prints were pinned up unframed,—among them that grand national portrait-piece, "Barnum presenting Ossian E. Dodge to Jenny Lind," and a picture of a famous trot, in which I admired anew the cabalistic air of that imposing array of expressions, and especially the Italicized word, "Dan Mace names b. h. Major Slocum," and "Hiram Woodruff names g. m. Lady Smith." "Best three in five. Time: 2.40, 2.46, 2.50."

That set me thinking how very odd this matter of trotting horses is, as an index of the mathematical exactness of the laws of living mechanism. I saw Lady Suffolk trot a mile in 2.26. Flora Temple has trotted close down to 2.20; and Ethan Allen in 2.25, or less. Many horses have trotted their mile under 2.30; none that I remember in public as low down as 2.20. From five to ten seconds, then, in about a hundred and sixty is the whole range of the maxima of the present race of trotting horses. The same thing is seen in the running of men. Many can run a mile in five minutes; but when one comes to the fractions below, they taper down until somewhere about 4.30 the maximum is reached. Averages of masses have been studied more than averages of maxima and minima. We know from the Registrar-General's Reports, that a certain number of children—say from one to two dozen—die every year in England from drinking hot water out of spouts of teakettles. We know, that, among suicides, women and men past a certain age almost never use fire-arms. A woman who has made up her mind to die is still afraid of a pistol or a gun. Or is it that the explosion would derange her costume?

I say, averages of masses we have, but our tables of maxima we owe to the sporting men more than to the philosophers. The lesson their experience teaches is, that Nature makes no leaps,—does nothing per saltum. The greatest brain that ever lived, no doubt, was only a small fraction of an idea ahead of the second best. Just look at the chess-players. Leaving out the phenomenal exceptions, the nice shades that separate the skilful ones show how closely their brains approximate,—almost as closely as chronometers. Such a person is a "knight-player,"—he must have that piece given him. Another must have two pawns. Another, "pawn and two," or one pawn and two moves. Then we find one who claims "pawn and move," holding himself, with this fractional advantage, a match for one who would be pretty sure to beat him playing even.—So much are minds alike; and you and I think we are "peculiar,"—that Nature broke her jelly-mould after shaping our cerebral convolutions. So I reflected, standing and looking at the picture.

—I say, Governor,—broke in the young man John,—them bosses '11 stay jest as well, if you'll only set down. I've had 'em this year, and they haven't stirred.—He spoke, and handed the chair towards me,—seating himself, at the same time, on the end of the bed.

You have lived in this house some time?—I said,—with a note of interrogation at the end of the statement.

Do I look as if I'd lost much flesh—said he, answering my question by another.

No,—said I;—for that matter, I think you do credit to "the bountifully furnished table of the excellent lady who provides so liberally for the company that meets around her hospitable board."

[The sentence in quotation-marks was from one of those disinterested editorials in small type, which I suspect to have been furnished by a friend of the landlady's, and paid for as an advertisement. This impartial testimony to the superior qualities of the establishment and its head attracted a number of applicants for admission, and a couple of new boarders made a brief appearance at the table. One of them was of the class of people who grumble if they don't get canvas-backs and woodcocks every day, for three-fifty per week. The other was subject to somnambulism, or walking in the night, when he ought to have been asleep in his bed. In this state he walked into several of the boarders' chambers, his eyes wide open, as is usual with somnambulists, and, from some odd instinct or other, wishing to know what the hour was, got together a number of their watches, for the purpose of comparing them, as it would seem. Among them was a repeater, belonging to our young Marylander. He happened to wake up while the somnambulist was in his chamber, and, not knowing his infirmity, caught hold of him and gave him a dreadful shaking, after which he tied his hands and feet, and so left him till morning, when he introduced him to a gentleman used to taking care of such cases of somnambulism.]

If you, my reader, will please to skip backward, over this parenthesis, you will come to our conversation, which it has interrupted.

It a'n't the feed,—said the young man John,—it's the old woman's looks when a fellah lays it in too strong. The feed's well enough. After geese have got tough, 'n' turkeys have got strong, 'n' lamb's got old, 'n' veal's pretty nigh beef, 'n' sparragrass 's growin' tall 'n' slim 'n' scattery about the head, 'n' green peas are gettin' so big 'n' hard they'd be dangerous if you fired 'em out of a revolver, we get hold of all them delicacies of the season. But it's too much like feedin' on live folks and devourin' widdah's substance, to lay yourself out in the eatin' way, when a fellah 's as hungry as the chap that said a turkey was too much for one 'n' not enough for two. I can't help lookin' at the old woman. Corned-beef-days she's tolerable calm. Roastin'-days she worries some, 'n' keeps a sharp eye on the chap that carves. But when there's anything in the poultry line, it seems to hurt her feelin's so to see the knife goin' into the breast and joints comin' to pieces, that there's no comfort in eatin'. When I cut up an old fowl and help the boarders, I always feel as if I ought to say, Won't you have a slice of widdah?—instead of chicken.

The young man John fell into a train of reflections which ended in his producing a Bologna sausage, a plate of "crackers," as we Boston folks call certain biscuits, and the bottle of whiskey described as being A 1.

Under the influence of the crackers and sausage, he grew cordial and communicative.

It was time, I thought, to sound him as to those of our boarders who had excited my curiosity.

What do you think of our young Iris?—I began.

Fust-rate little filly;-he said.—Pootiest and nicest little chap I've seen since the schoolma'am left. Schoolma'am was a brown-haired one,—eyes coffee-color. This one has got wine-colored eyes,—'n' that 's the reason they turn a fellah's head, I suppose.

This is a splendid blonde,—I said,—the other was a brunette. Which style do you like best?

Which do I like best, boiled mutton or roast mutton?—said the young man John. Like 'em both,—it a'n't the color of 'em makes the goodness. I 've been kind of lonely since schoolma'am went away. Used to like to look at her. I never said anything particular to her, that I remember, but—

I don't know whether it was the cracker and sausage, or that the young fellow's feet were treading on the hot ashes of some longing that had not had time to cool, but his eye glistened as he stopped.

I suppose she wouldn't have looked at a fellah like me,—he said,—but I come pretty near tryin'. If she had said, Yes, though, I shouldn't have known what to have done with her. Can't marry a woman now-a-days till you're so deaf you have to cock your head like a parrot to hear what she says, and so longsighted you can't see what she looks like nearer than arm's-length.

Here is another chance for you,—I said.—What do you want nicer than such a young lady as Iris?

It's no use,—he answered.—I look at them girls and feel as the fellah did when he missed catchin' the trout.—'To'od 'a' cost more butter to cook him 'n' he's worth,—says the fellah.—Takes a whole piece o' goods to cover a girl up now-a-days. I'd as lief undertake to keep a span of elephants,—and take an ostrich to board, too,—as to marry one of 'em. What's the use? Clerks and counter-jumpers ain't anything. Sparragrass and green peas a'n't for them,—not while they're young and tender. Hossback-ridin' a'n't for them,—except once a year, on Fast-day. And marryin' a'n't for them. Sometimes a fellah feels lonely, and would like to have a nice young woman, to tell her how lonely he feels. And sometimes a fellah,—here the young man John looked very confidential, and, perhaps, as if a little ashamed of his weakness,—sometimes a fellah would like to have one o' them small young ones to trot on his knee and push about in a little wagon,—a kind of a little Johnny, you know;—it's odd enough, but, it seems to me, nobody can afford them little articles, except the folks that are so rich they can buy everything, and the folks that are so poor they don't want anything. It makes nice boys of us young fellahs, no doubt! And it's pleasant to see fine young girls sittin', like shopkeepers behind their goods, waitin', and waitin', and waitin', 'n' no customers,—and the men lingerin' round and lookin' at the goods, like folks that want to be customers, but have n't the money!

Do you think the deformed gentleman means to make love to Iris?—I said.

What! Little Boston ask that girl to marry him! Well, now, that's cumin' of it a little too strong. Yes, I guess she will marry him and carry him round in a basket, like a lame bantam: Look here!—he said, mysteriously;—one of the boarders swears there's a woman comes to see him, and that he has heard her singin' and screechin'. I should like to know what he's about in that den of his. He lays low 'n' keeps dark,—and, I tell you, there's a good many of the boarders would like to get into his chamber, but he don't seem to want 'em. Biddy could tell somethin' about what she's seen when she 's been to put his room to rights. She's a Paddy 'n' a fool, but she knows enough to keep her tongue still. All I know is, I saw her crossin' herself one day when she came out of that room. She looked pale enough, 'n' I heard her mutterin' somethin' or other about the Blessed Virgin. If it had n't been for the double doors to that chamber of his, I'd have had a squint inside before this; but, somehow or other, it never seems to happen that they're both open at once.

What do you think he employs himself about? said I.

The young man John winked.

I waited patiently for the thought, of which this wink was the blossom, to come to fruit in words.

I don't believe in witches,—said the young man John.

Nor I.

We were both silent for a few minutes.

—Did you ever see the young girl's drawing-books,—I said, presently.

All but one,—he answered;—she keeps a lock on that, and won't show it. Ma'am Allen, (the young rogue sticks to that name, in speaking of the gentleman with the diamond,) Ma'am Allen tried to peek into it one day when she left it on the sideboard. "If you please," says she,—'n' took it from him, 'n' gave him a look that made him curl up like a caterpillar on a hot shovel. I only wished he had n't, and had jest given her a little sass, for I've been takin' boxin'-lessons, 'n' I 've got a new way of counterin' I want to try on to somebody.

—The end of all this was, that I came away from the young fellow's room, feeling that there were two principal things that I had to live for, for the next six weeks or six months, if it should take so long. These were, to get a sight of the young girl's drawing-book, which I suspected had her heart shut up in it, and to get a look into the Little Gentleman's room.

I don't doubt you think it rather absurd that I should trouble myself about these matters. You tell me, with some show of reason, that all I shall find in the young girl's—book will be some outlines of angels with immense eyes, traceries of flowers, rural sketches, and caricatures, among which I shall probably have the pleasure of seeing my own features figuring. Very likely. But I'll tell you what I think I shall find. If this child has idealized the strange little bit of humanity over which she seems to have spread her wings like a brooding dove,—if, in one of those wild vagaries that passionate natures are so liable to, she has fairly sprung upon him with her clasping nature, as the sea-flowers fold about the first stray shell-fish that brushes their outspread tentacles, depend upon it, I shall find the marks of it in this drawing-book of hers,—if I can ever get a look at it,—fairly, of course, for I would not play tricks to satisfy my curiosity.

Then, if I can get into this Little Gentleman's room under any fair pretext, I shall, no doubt, satisfy myself in five minutes that he is just like other people, and that there is no particular mystery about him.

The night after my visit to the young man John, I made all these and many more reflections. It was about two o'clock in the morning,—bright starlight,—so light that I could make out the time on my alarm-clock,—when I woke up trembling and very moist. It was the heavy dragging sound, as I had often heard it before that waked me. Presently a window was softly closed. I had just begun to get over the agitation with which we always awake from nightmare dreams, when I heard the sound which seemed to me as of a woman's voice,—the clearest, purest soprano which one could well conceive of. It was not loud, and I could not distinguish a word, if it was a woman's voice; but there were recurring phrases of sound and snatches of rhythm that reached me, which suggested the idea of complaint, and sometimes, I thought, of passionate grief and despair. It died away at last,—and then I heard the opening of a door, followed by a low, monotonous sound, as of one talking,—and then the closing of a door,—and presently the light on the opposite wall disappeared and all was still for the night.

By George! this gets interesting,—I said, as I got out of bed for a change of night-clothes.

I had this in my pocket the other day, but thought I would n't read it at our celebration. So I read it to the boarders instead, and print it to finish off this record with.

ROBINSON OF LEYDEN.

He sleeps not here; in hope and prayer His wandering flock had gone before, But he, the shepherd, might not share Their sorrows on the wintry shore.

Before the Speedwell's anchor swung, Ere yet the Mayflower's sail was spread, While round his feet the Pilgrims clung, The pastor spake, and thus he said:—

"Men, brethren, sisters, children dear! God calls you hence from over sea; Ye may not build by Haerlem Meer, Nor yet along the Zuyder-Zee.

"Ye go to bear the saving word To tribes unnamed and shores untrod: Heed well the lessons ye have heard From those old teachers taught of God.

"Yet think not unto them was lent All light for all the coming days, And Heaven's eternal wisdom spent In making straight the ancient ways.

"The living fountain overflows For every flock, for every lamb, Nor heeds, though angry creeds oppose With Luther's dike or Calvin's dam."

He spake; with lingering, long embrace, With tears of love and partings fond, They floated down the creeping Maas, Along the isle of Ysselmond.

They passed the frowning towers of Briel, The "Hook of Holland's" shelf of sand, And grated soon with lifting keel The sullen shores of Fatherland.

No home for these!—too well they knew The mitred king behind the throne; The sails were set, the pennons flew, And westward ho! for worlds unknown.

—And these were they who gave us birth, The Pilgrims of the sunset wave, Who won for us this virgin earth, And freedom with the soil they gave.

The pastor slumbers by the Rhine, —In alien earth the exiles lie, —Their nameless graves our holiest shrine, His words our noblest battle-cry!

Still cry them, and the world shall hear, Ye dwellers by the storm-swept sea! Ye have not built by Haerlem Meer, Nor on the land-locked Zuyder-Zee!



VIII

There has been a sort of stillness in the atmosphere of our boarding-house since my last record, as if something or other were going on. There is no particular change that I can think of in the aspect of things; yet I have a feeling as if some game of life were quietly playing and strange forces were at work, underneath this smooth surface of every-day boardinghouse life, which would show themselves some fine morning or other in events, if not in catastrophes. I have been watchful, as I said I should be, but have little to tell as yet. You may laugh at me, and very likely think me foolishly fanciful to trouble myself about what is going on in a middling-class household like ours. Do as you like. But here is that terrible fact to begin with,—a beautiful young girl, with the blood and the nerve-fibre that belong to Nature's women, turned loose among live men.

-Terrible fact?

Very terrible. Nothing more so. Do you forget the angels who lost heaven for the daughters of men? Do you forget Helen, and the fair women who made mischief and set nations by the ears before Helen was born? If jealousies that gnaw men's hearts out of their bodies,—if pangs that waste men to shadows and drive them into raving madness or moping melancholy,—if assassination and suicide are dreadful possibilities, then there is always something frightful about a lovely young woman.—I love to look at this "Rainbow," as her father used sometimes to call her, of ours. Handsome creature that she is in forms and colors,—the very picture, as it seems to me, of that "golden blonde" my friend whose book you read last year fell in love with when he was a boy, (as you remember, no doubt,)—handsome as she is, fit for a sea-king's bride, it is not her beauty alone that holds my eyes upon her. Let me tell you one of my fancies, and then you will understand the strange sort of fascination she has for me.

It is in the hearts of many men and women—let me add children—that there is a Great Secret waiting for them,—a secret of which they get hints now and then, perhaps oftener in early than in later years. These hints come sometimes in dreams, sometimes in sudden startling flashes,—second wakings, as it were,—a waking out of the waking state, which last is very apt to be a half-sleep. I have many times stopped short and held my breath, and felt the blood leaving my cheeks, in one of these sudden clairvoyant flashes. Of course I cannot tell what kind of a secret this is, but I think of it as a disclosure of certain relations of our personal being to time and space, to other intelligences, to the procession of events, and to their First Great Cause. This secret seems to be broken up, as it were, into fragments, so that we find here a word and there a syllable, and then again only a letter of it; but it never is written out for most of us as a complete sentence, in this life. I do not think it could be; for I am disposed to consider our beliefs about such a possible disclosure rather as a kind of premonition of an enlargement of our faculties in some future state than as an expectation to be fulfilled for most of us in this life. Persons, however, have fallen into trances,—as did the Reverend William Tennent, among many others,—and learned some things which they could not tell in our human words.

Now among the visible objects which hint to us fragments of this infinite secret for which our souls are waiting, the faces of women are those that carry the most legible hieroglyphics of the great mystery. There are women's faces, some real, some ideal, which contain something in them that becomes a positive element in our creed, so direct and palpable a revelation is it of the infinite purity and love. I remember two faces of women with wings, such as they call angels, of Fra Angelico,—and I just now came across a print of Raphael's Santa Apollina, with something of the same quality,—which I was sure had their prototypes in the world above ours. No wonder the Catholics pay their vows to the Queen of Heaven! The unpoetical side of Protestantism is, that it has no women to be worshipped.

But mind you, it is not every beautiful face that hints the Great Secret to us, nor is it only in beautiful faces that we find traces of it. Sometimes it looks out from a sweet sad eye, the only beauty of a plain countenance; sometimes there is so much meaning in the lips of a woman, not otherwise fascinating, that we know they have a message for us, and wait almost with awe to hear their accents. But this young girl has at once the beauty of feature and the unspoken mystery of expression. Can she tell me anything?

Is her life a complement of mine, with the missing element in it which I have been groping after through so many friendships that I have tired of, and through—Hush! Is the door fast? Talking loud is a bad trick in these curious boarding-houses.

You must have sometimes noted this fact that I am going to remind you of and to use for a special illustration. Riding along over a rocky road, suddenly the slow monotonous grinding of the crushing gravel changes to a deep heavy rumble. There is a great hollow under your feet,—a huge unsunned cavern. Deep, deep beneath you in the core of the living rock, it arches its awful vault, and far away it stretches its winding galleries, their roofs dripping into streams where fishes have been swimming and spawning in the dark until their scales are white as milk and their eyes have withered out, obsolete and useless.

So it is in life. We jog quietly along, meeting the same faces, grinding over the same thoughts, the gravel of the soul's highway,—now and then jarred against an obstacle we cannot crush, but must ride over or round as we best may, sometimes bringing short up against a disappointment, but still working along with the creaking and rattling and grating and jerking that belong to the journey of life, even in the smoothest-rolling vehicle. Suddenly we hear the deep underground reverberation that reveals the unsuspected depth of some abyss of thought or passion beneath us.

I wish the girl would go. I don't like to look at her so much, and yet I cannot help it. Always that same expression of something that I ought to know,—something that she was made to tell and I to hear,—lying there ready to fall off from her lips, ready to leap out of her eyes and make a saint of me, or a devil or a lunatic, or perhaps a prophet to tell the truth and be hated of men, or a poet whose words shall flash upon the dry stubble-field of worn-out thoughts and burn over an age of lies in an hour of passion.

It suddenly occurs to me that I may have put you on the wrong track. The Great Secret that I refer to has nothing to do with the Three Words. Set your mind at ease about that,—there are reasons I could give you which settle all that matter. I don't wonder, however, that you confounded the Great Secret with the Three Words.

I LOVE YOU is all the secret that many, nay, most women have to tell. When that is said, they are like China-crackers on the morning of the fifth of July. And just as that little patriotic implement is made with a slender train which leads to the magazine in its interior, so a sharp eye can almost always see the train leading from a young girl's eye or lip to the "I love you" in her heart. But the Three Words are not the Great Secret I mean. No, women's faces are only one of the tablets on which that is written in its partial, fragmentary symbols. It lies deeper than Love, though very probably Love is a part of it. Some, I think,—Wordsworth might be one of them,—spell out a portion of it from certain beautiful natural objects, landscapes, flowers, and others. I can mention several poems of his that have shadowy hints which seem to me to come near the region where I think it lies. I have known two persons who pursued it with the passion of the old alchemists,—all wrong evidently, but infatuated, and never giving up the daily search for it until they got tremulous and feeble, and their dreams changed to visions of things that ran and crawled about their floor and ceilings, and so they died. The vulgar called them drunkards.

I told you that I would let you know the mystery of the effect this young girl's face produces on me. It is akin to those influences a friend of mine has described, you may remember, as coming from certain voices. I cannot translate it into words,—only into feelings; and these I have attempted to shadow by showing that her face hinted that revelation of something we are close to knowing, which all imaginative persons are looking for either in this world or on the very threshold of the next.

You shake your head at the vagueness and fanciful incomprehensibleness of my description of the expression in a young girl's face. You forget what a miserable surface-matter this language is in which we try to reproduce our interior state of being. Articulation is a shallow trick. From the light Poh! which we toss off from our lips as we fling a nameless scribbler's impertinence into our waste-baskets, to the gravest utterances which comes from our throats in our moments of deepest need, is only a space of some three or four inches. Words, which are a set of clickings, hissings, lispings, and so on, mean very little, compared to tones and expression of the features. I give it up; I thought I could shadow forth in some feeble way, by their aid, the effect this young girl's face produces on my imagination; but it is of no use. No doubt your head aches, trying to make something of my description. If there is here and there one that can make anything intelligible out of my talk about the Great Secret, and who has spelt out a syllable or two of it on some woman's face, dead or living, that is all I can expect. One should see the person with whom he converses about such matters. There are dreamy-eyed people to whom I should say all these things with a certainty of being understood;—

That moment that his face I see, I know the man that must hear me To him my tale I teach.

—I am afraid some of them have not got a spare quarter of a dollar for this August number, so that they will never see it.

—Let us start again, just as if we had not made this ambitious attempt, which may go for nothing, and you can have your money refunded, if you will make the change.

This young girl, about whom I have talked so unintelligibly, is the unconscious centre of attraction to the whole solar system of our breakfast-table. The Little Gentleman leans towards her, and she again seems to be swayed as by some invisible gentle force towards him. That slight inclination of two persons with a strong affinity towards each other, throwing them a little out of plumb when they sit side by side, is a physical fact I have often noticed. Then there is a tendency in all the men's eyes to converge on her; and I do firmly believe, that, if all their chairs were examined, they would be found a little obliquely placed, so as to favor the direction in which their occupants love to look.

That bland, quiet old gentleman, of whom I have spoken as sitting opposite to me, is no exception to the rule. She brought down some mignonette one morning, which she had grown in her chamber. She gave a sprig to her little neighbor, and one to the landlady, and sent another by the hand of Bridget to this old gentleman.

—Sarvant, Ma'am I Much obleeged,—he said, and put it gallantly in his button-hole.—After breakfast he must see some of her drawings. Very fine performances,—very fine!—truly elegant productions, truly elegant!—Had seen Miss Linwood's needlework in London, in the year (eighteen hundred and little or nothing, I think he said,)—patronized by the nobility and gentry, and Her Majesty,—elegant, truly elegant productions, very fine performances; these drawings reminded him of them;—wonderful resemblance to Nature; an extraordinary art, painting; Mr. Copley made some very fine pictures that he remembered seeing when he was a boy. Used to remember some lines about a portrait Written by Mr. Cowper, beginning,

"Oh that those lips had language! Life has pass'd With me but roughly since I heard thee last."

And with this the old gentleman fell to thinking about a dead mother of his that he remembered ever so much younger than he now was, and looking, not as his mother, but as his daughter should look. The dead young mother was looking at the old man, her child, as she used to look at him so many, many years ago. He stood still as if in a waking dream, his eyes fixed on the drawings till their outlines grew indistinct and they ran into each other, and a pale, sweet face shaped itself out of the glimmering light through which he saw them.—What is there quite so profoundly human as an old man's memory of a mother who died in his earlier years? Mother she remains till manhood, and by-and-by she grows to be as a sister; and at last, when, wrinkled and bowed and broken, he looks back upon her in her fair youth, he sees in the sweet image he caresses, not his parent, but, as it were, his child.

If I had not seen all this in the old gentleman's face, the words with which he broke his silence would have betrayed his train of thought.

—If they had only taken pictures then as they do now!—he said.—All gone! all gone! nothing but her face as she leaned on the arms of her great chair; and I would give a hundred pound for the poorest little picture of her, such as you can buy for a shilling of anybody that you don't want to see.—The old gentleman put his hand to his forehead so as to shade his eyes. I saw he was looking at the dim photograph of memory, and turned from him to Iris.

How many drawing-books have you filled,—I said,—since you began to take lessons?—This was the first,—she answered,—since she was here; and it was not full, but there were many separate sheets of large size she had covered with drawings.

I turned over the leaves of the book before us. Academic studies, principally of the human figure. Heads of sibyls, prophets, and so forth. Limbs from statues. Hands and feet from Nature. What a superb drawing of an arm! I don't remember it among the figures from Michel Angelo, which seem to have been her patterns mainly. From Nature, I think, or after a cast from Nature.—Oh!

—Your smaller studies are in this, I suppose,—I said, taking up the drawing-book with a lock on it,—Yes,—she said.—I should like to see her style of working on a small scale.—There was nothing in it worth showing,—she said; and presently I saw her try the lock, which proved to be fast. We are all caricatured in it, I haven't the least doubt. I think, though, I could tell by her way of dealing with us what her fancies were about us boarders. Some of them act as if they were bewitched with her, but she does not seem to notice it much. Her thoughts seem to be on her little neighbor more than on anybody else. The young fellow John appears to stand second in her good graces. I think he has once or twice sent her what the landlady's daughter calls bo-kays of flowers,—somebody has, at any rate.—I saw a book she had, which must have come from the divinity-student. It had a dreary title-page, which she had enlivened with a fancy portrait of the author,—a face from memory, apparently,—one of those faces that small children loathe without knowing why, and which give them that inward disgust for heaven so many of the little wretches betray, when they hear that these are "good men," and that heaven is full of such.—The gentleman with the diamond—the Koh-i-noor, so called by us—was not encouraged, I think, by the reception of his packet of perfumed soap. He pulls his purple moustache and looks appreciatingly at Iris, who never sees him, as it should seem. The young Marylander, who I thought would have been in love with her before this time, sometimes looks from his corner across the long diagonal of the table, as much as to say, I wish you were up here by me, or I were down there by you,—which would, perhaps, be a more natural arrangement than the present one. But nothing comes of all this,—and nothing has come of my sagacious idea of finding out the girl's fancies by looking into her locked drawing-book.

Not to give up all the questions I was determined to solve, I made an attempt also to work into the Little Gentleman's chamber. For this purpose, I kept him in conversation, one morning, until he was just ready to go up-stairs, and then, as if to continue the talk, followed him as he toiled back to his room. He rested on the landing and faced round toward me. There was something in his eye which said, Stop there! So we finished our conversation on the landing. The next day, I mustered assurance enough to knock at his door, having a pretext ready.—No answer.—Knock again. A door, as if of a cabinet, was shut softly and locked, and presently I heard the peculiar dead beat of his thick-soled, misshapen boots. The bolts and the lock of the inner door were unfastened,—with unnecessary noise, I thought,—and he came into the passage. He pulled the inner door after him and opened the outer one at which I stood. He had on a flowered silk dressing-gown, such as "Mr. Copley" used to paint his old-fashioned merchant-princes in; and a quaint-looking key in his hand. Our conversation was short, but long enough to convince me that the Little Gentleman did not want my company in his chamber, and did not mean to have it.

I have been making a great fuss about what is no mystery at all,—a schoolgirl's secrets and a whimsical man's habits. I mean to give up such nonsense and mind my own business.—Hark! What the deuse is that odd noise in his chamber?

—I think I am a little superstitious. There were two things, when I was a boy, that diabolized my imagination,—I mean, that gave me a distinct apprehension of a formidable bodily shape which prowled round the neighborhood where I was born and bred. The first was a series of marks called the "Devil's footsteps." These were patches of sand in the pastures, where no grass grew, where the low-bush blackberry, the "dewberry," as our Southern neighbors call it, in prettier and more Shakspearian language, did not spread its clinging creepers,—where even the pale, dry, sadly-sweet "everlasting" could not grow, but all was bare and blasted. The second was a mark in one of the public buildings near my home,—the college dormitory named after a Colonial Governor. I do not think many persons are aware of the existence of this mark,—little having been said about the story in print, as it was considered very desirable, for the sake of the Institution, to hush it up. In the northwest corner, and on the level of the third or fourth story, there are signs of a breach in the walls, mended pretty well, but not to be mistaken. A considerable portion of that corner must have been carried away, from within outward. It was an unpleasant affair; and I do not care to repeat the particulars; but some young men had been using sacred things in a profane and unlawful way, when the occurrence, which was variously explained, took place. The story of the Appearance in the chamber was, I suppose, invented afterwards; but of the injury to the building there could be no question; and the zig-zag line, where the mortar is a little thicker than before, is still distinctly visible. The queer burnt spots, called the "Devil's footsteps," had never attracted attention before this time, though there is no evidence that they had not existed previously, except that of the late Miss M., a "Goody," so called, or sweeper, who was positive on the subject, but had a strange horror of referring to an affair of which she was thought to know something.—I tell you it was not so pleasant for a little boy of impressible nature to go up to bed in an old gambrel-roofed house, with untenanted, locked upper-chambers, and a most ghostly garret,—with the "Devil's footsteps" in the fields behind the house and in front of it the patched dormitory where the unexplained occurrence had taken place which startled those godless youths at their mock devotions, so that one of them was epileptic from that day forward, and another, after a dreadful season of mental conflict, took holy orders and became renowned for his ascetic sanctity.

There were other circumstances that kept up the impression produced by these two singular facts I have just mentioned. There was a dark storeroom, on looking through the key-hole of which, I could dimly see a heap of chairs and tables, and other four-footed things, which seemed to me to have rushed in there, frightened, and in their fright to have huddled together and climbed up on each other's backs,—as the people did in that awful crush where so many were killed, at the execution of Holloway and Haggerty. Then the Lady's portrait, up-stairs, with the sword-thrusts through it,—marks of the British officers' rapiers,—and the tall mirror in which they used to look at their red coats,—confound them for smashing its mate?—and the deep, cunningly wrought arm-chair in which Lord Percy used to sit while his hair was dressing;—he was a gentleman, and always had it covered with a large peignoir, to save the silk covering my grandmother embroidered. Then the little room downstairs from which went the orders to throw up a bank of earth on the hill yonder, where you may now observe a granite obelisk,—"the study" in my father's time, but in those days the council-chamber of armed men,—sometimes filled with soldiers; come with me, and I will show you the "dents" left by the butts of their muskets all over the floor. With all these suggestive objects round me, aided by the wild stories those awful country-boys that came to live in our service brought with them;—of contracts written in blood and left out over night, not to be found the next morning, (removed by the Evil One, who takes his nightly round among our dwellings, and filed away for future use,)—of dreams coming true,—of death-signs,—of apparitions, no wonder that my imagination got excited, and I was liable to superstitious fancies.

Jeremy Bentham's logic, by which he proved that he couldn't possibly see a ghost is all very well-in the day-time. All the reason in the world will never get those impressions of childhood, created by just such circumstances as I have been telling, out of a man's head. That is the only excuse I have to give for the nervous kind of curiosity with which I watch my little neighbor, and the obstinacy with which I lie awake whenever I hear anything going on in his chamber after midnight.

But whatever further observations I may have made must be deferred for the present. You will see in what way it happened that my thoughts were turned from spiritual matters to bodily ones, and how I got my fancy full of material images,—faces, heads, figures, muscles, and so forth,—in such a way that I should have no chance in this number to gratify any curiosity you may feel, if I had the means of so doing.

Indeed, I have come pretty near omitting my periodical record this time. It was all the work of a friend of mine, who would have it that I should sit to him for my portrait. When a soul draws a body in the great lottery of life, where every one is sure of a prize, such as it is, the said soul inspects the said body with the same curious interest with which one who has ventured into a "gift enterprise" examines the "massive silver pencil-case" with the coppery smell and impressible tube, or the "splendid gold ring" with the questionable specific gravity, which it has been his fortune to obtain in addition to his purchase.

The soul, having studied the article of which it finds itself proprietor, thinks, after a time, it knows it pretty well. But there is this difference between its view and that of a person looking at us:—we look from within, and see nothing but the mould formed by the elements in which we are incased; other observers look from without, and see us as living statues. To be sure, by the aid of mirrors, we get a few glimpses of our outside aspect; but this occasional impression is always modified by that look of the soul from within outward which none but ourselves can take. A portrait is apt, therefore, to be a surprise to us. The artist looks only from without. He sees us, too, with a hundred aspects on our faces we are never likely to see. No genuine expression can be studied by the subject of it in the looking-glass.

More than this; he sees us in a way in which many of our friends or acquaintances never see us. Without wearing any mask we are conscious of, we have a special face for each friend. For, in the first place, each puts a special reflection of himself upon us, on the principle of assimilation you found referred to in my last record, if you happened to read that document. And secondly, each of our friends is capable of seeing just so far, and no farther, into our face, and each sees in it the particular thing that he looks for. Now the artist, if he is truly an artist, does not take any one of these special views. Suppose he should copy you as you appear to the man who wants your name to a subscription-list, you could hardly expect a friend who entertains you to recognize the likeness to the smiling face which sheds its radiance at his board. Even within your own family, I am afraid there is a face which the rich uncle knows, that is not so familiar to the poor relation. The artist must take one or the other, or something compounded of the two, or something different from either. What the daguerreotype and photograph do is to give the features and one particular look, the very look which kills all expression, that of self-consciousness. The artist throws you off your guard, watches you in movement and in repose, puts your face through its exercises, observes its transitions, and so gets the whole range of its expression. Out of all this he forms an ideal portrait, which is not a copy of your exact look at any one time or to any particular person. Such a portrait cannot be to everybody what the ungloved call "as nat'ral as life." Every good picture, therefore, must be considered wanting in resemblance by many persons.

There is one strange revelation which comes out, as the artist shapes your features from his outline. It is that you resemble so many relatives to whom you yourself never had noticed any particular likeness in your countenance.

He is at work at me now, when I catch some of these resemblances, thus:

There! that is just the look my father used to have sometimes; I never thought I had a sign of it. The mother's eyebrow and grayish-blue eye, those I knew I had. But there is a something which recalls a smile that faded away from my sister's lips—how many years ago! I thought it so pleasant in her, that I love myself better for having a trace of it.

Are we not young? Are we not fresh and blooming? Wait, a bit. The artist takes a mean little brush and draws three fine lines, diverging outwards from the eye over the temple. Five years.—The artist draws one tolerably distinct and two faint lines, perpendicularly between the eyebrows. Ten years.—The artist breaks up the contours round the mouth, so that they look a little as a hat does that has been sat upon and recovered itself, ready, as one would say, to crumple up again in the same creases, on smiling or other change of feature.—Hold on! Stop that! Give a young fellow a chance! Are we not whole years short of that interesting period of life when Mr. Balzac says that a man, etc., etc., etc.?

There now! That is ourself, as we look after finishing an article, getting a three-mile pull with the ten-foot sculls, redressing the wrongs of the toilet, and standing with the light of hope in our eye and the reflection of a red curtain on our cheek. Is he not a POET that painted us?

"Blest be the art that can immortalize!" COWPER.

—Young folks look on a face as a unit; children who go to school with any given little John Smith see in his name a distinctive appellation, and in his features as special and definite an expression of his sole individuality as if he were the first created of his race: As soon as we are old enough to get the range of three or four generations well in hand, and to take in large family histories, we never see an individual in a face of any stock we know, but a mosaic copy of a pattern, with fragmentary tints from this and that ancestor. The analysis of a face into its ancestral elements requires that it should be examined in the very earliest infancy, before it has lost that ancient and solemn look it brings with it out of the past eternity; and again in that brief space when Life, the mighty sculptor, has done his work, and Death, his silent servant, lifts the veil and lets us look at the marble lines he has wrought so faithfully; and lastly, while a painter who can seize all the traits of a countenance is building it up, feature after feature, from the slight outline to the finished portrait.

—I am satisfied, that, as we grow older, we learn to look upon our bodies more and more as a temporary possession and less and less as identified with ourselves. In early years, while the child "feels its life in every limb," it lives in the body and for the body to a very great extent. It ought to be so. There have been many very interesting children who have shown a wonderful indifference to the things of earth and an extraordinary development of the spiritual nature. There is a perfect literature of their biographies, all alike in their essentials; the same "disinclination to the usual amusements of childhood "; the same remarkable sensibility; the same docility; the same conscientiousness; in short, an almost uniform character, marked by beautiful traits, which we look at with a painful admiration. It will be found that most of these children are the subjects of some constitutional unfitness for living, the most frequent of which I need not mention. They are like the beautiful, blushing, half-grown fruit that falls before its time because its core is gnawed out. They have their meaning,—they do not-live in vain,—but they are windfalls. I am convinced that many healthy children are injured morally by being forced to read too much about these little meek sufferers and their spiritual exercises. Here is a boy that loves to run, swim, kick football, turn somersets, make faces, whittle, fish, tear his clothes, coast, skate, fire crackers, blow squash "tooters," cut his name on fences, read about Robinson Crusoe and Sinbad the Sailor, eat the widest-angled slices of pie and untold cakes and candies, crack nuts with his back teeth and bite out the better part of another boy's apple with his front ones, turn up coppers, "stick" knives, call names, throw stones, knock off hats, set mousetraps, chalk doorsteps, "cut behind" anything on wheels or runners, whistle through his teeth, "holler" Fire! on slight evidence, run after soldiers, patronize an engine-company, or, in his own words, "blow for tub No. 11," or whatever it may be;—isn't that a pretty nice sort of a boy, though he has not got anything the matter with him that takes the taste of this world out? Now, when you put into such a hot-blooded, hard-fisted, round-cheeked little rogue's hand a sad-looking volume or pamphlet, with the portrait of a thin, white-faced child, whose life is really as much a training for death as the last month of a condemned criminal's existence, what does he find in common between his own overflowing and exulting sense of vitality and the experiences of the doomed offspring of invalid parents? The time comes when we have learned to understand the music of sorrow, the beauty of resigned suffering, the holy light that plays over the pillow of those who die before their time, in humble hope and trust. But it is not until he has worked his way through the period of honest hearty animal existence, which every robust child should make the most of,—not until he has learned the use of his various faculties, which is his first duty,—that a boy of courage and animal vigor is in a proper state to read these tearful records of premature decay. I have no doubt that disgust is implanted in the minds of many healthy children by early surfeits of pathological piety. I do verily believe that He who took children in His arms and blessed them loved the healthiest and most playful of them just as well as those who were richest in the tuberculous virtues. I know what I am talking about, and there are more parents in this country who will be willing to listen to what I say than there are fools to pick a quarrel with me. In the sensibility and the sanctity which often accompany premature decay I see one of the most beautiful instances of the principle of compensation which marks the Divine benevolence. But to get the spiritual hygiene of robust natures out of the exceptional regimen of invalids is just simply what we Professors call "bad practice"; and I know by experience that there are worthy people who not only try it on their own children, but actually force it on those of their neighbors.

—Having been photographed, and stereographed, and chromatographed, or done in colors, it only remained to be phrenologized. A polite note from Messrs. Bumpus and Crane, requesting our attendance at their Physiological Emporium, was too tempting to be resisted. We repaired to that scientific Golgotha.

Messrs. Bumpus and Crane are arranged on the plan of the man and the woman in the toy called a "weather-house," both on the same wooden arm suspended on a pivot,—so that when one comes to the door, the other retires backwards, and vice versa. The more particular speciality of one is to lubricate your entrance and exit,—that of the other to polish you off phrenologically in the recesses of the establishment. Suppose yourself in a room full of casts and pictures, before a counterful of books with taking titles. I wonder if the picture of the brain is there, "approved" by a noted Phrenologist, which was copied from my, the Professor's, folio plate, in the work of Gall and Spurzheim. An extra convolution, No. 9, Destructiveness, according to the list beneath, which was not to be seen in the plate, itself a copy of Nature, was very liberally supplied by the artist, to meet the wants of the catalogue of "organs." Professor Bumpus is seated in front of a row of women, —horn-combers and gold-beaders, or somewhere about that range of life,—looking so credulous, that, if any Second-Advent Miller or Joe Smith should come along, he could string the whole lot of them on his cheapest lie, as a boy strings a dozen "shiners" on a stripped twig of willow.

The Professor (meaning ourselves) is in a hurry, as usual; let the horn-combers wait,—he shall be bumped without inspecting the antechamber.

Tape round the head,—22 inches. (Come on, old 23 inches, if you think you are the better man!)

Feels thorax and arm, and nuzzles round among muscles as those horrid old women poke their fingers into the salt-meat on the provision-stalls at the Quincy Market. Vitality, No. 5 or 6, or something or other. Victuality, (organ at epigastrium,) some other number equally significant.

Mild champooing of head now commences. 'Extraordinary revelations! Cupidiphilous, 6! Hymeniphilous, 6 +! Paediphilous, 5! Deipniphilous, 6! Gelasmiphilous, 6! Musikiphilous, 5! Uraniphilous, 5! Glossiphilous, 8!! and so on. Meant for a linguist.—Invaluable information. Will invest in grammars and dictionaries immediately.—I have nothing against the grand total of my phrenological endowments.

I never set great store by my head, and did not think Messrs. Bumpus and Crane would give me so good a lot of organs as they did, especially considering that I was a dead-head on that occasion. Much obliged to them for their politeness. They have been useful in their way by calling attention to important physiological facts. (This concession is due to our immense bump of Candor.)

A short Lecture on Phrenology, read to the Boarders at our Breakfast-Table.

I shall begin, my friends, with the definition of a Pseudo-science. A Pseudo-science consists of a nomenclature, with a self-adjusting arrangement, by which all positive evidence, or such as favors its doctrines, is admitted, and all negative evidence, or such as tells against it, is excluded. It is invariably connected with some lucrative practical application. Its professors and practitioners are usually shrewd people; they are very serious with the public, but wink and laugh a good deal among themselves. The believing multitude consists of women of both sexes, feeble minded inquirers, poetical optimists, people who always get cheated in buying horses, philanthropists who insist on hurrying up the millennium, and others of this class, with here and there a clergyman, less frequently a lawyer, very rarely a physician, and almost never a horse-jockey or a member of the detective police.—I do not say that Phrenology was one of the Pseudo-sciences.

A Pseudo-science does not necessarily consist wholly of lies. It may contain many truths, and even valuable ones. The rottenest bank starts with a little specie. It puts out a thousand promises to pay on the strength of a single dollar, but the dollar is very commonly a good one. The practitioners of the Pseudo-sciences know that common minds, after they have been baited with a real fact or two, will jump at the merest rag of a lie, or even at the bare hook. When we have one fact found us, we are very apt to supply the next out of our own imagination. (How many persons can read Judges xv. 16 correctly the first time?) The Pseudo-sciences take advantage of this.—I did not say that it was so with Phrenology.

I have rarely met a sensible man who would not allow that there was something in Phrenology. A broad, high forehead, it is commonly agreed, promises intellect; one that is "villanous low" and has a huge hind-head back of it, is wont to mark an animal nature. I have as rarely met an unbiassed and sensible man who really believed in the bumps. It is observed, however, that persons with what the Phrenologists call "good heads" are more prone than others toward plenary belief in the doctrine.

It is so hard to prove a negative, that, if a man should assert that the moon was in truth a green cheese, formed by the coagulable substance of the Milky Way, and challenge me to prove the contrary, I might be puzzled. But if he offer to sell me a ton of this lunar cheese, I call on him to prove the truth of the Gaseous nature of our satellite, before I purchase.

It is not necessary to prove the falsity of the phrenological statement. It is only necessary to show that its truth is not proved, and cannot be, by the common course of argument. The walls of the head are double, with a great air-chamber between them, over the smallest and most closely crowded "organs." Can you tell how much money there is in a safe, which also has thick double walls, by kneading its knobs with your fingers? So when a man fumbles about my forehead, and talks about the organs of Individuality, Size, etc., I trust him as much as I should if he felt of the outside of my strong-box and told me that there was a five-dollar or a ten-dollar-bill under this or that particular rivet. Perhaps there is; only he does n't know anything about at. But this is a point that I, the Professor, understand, my friends, or ought to, certainly, better than you do. The next argument you will all appreciate.

I proceed, therefore, to explain the self-adjusting mechanism of Phrenology, which is very similar to that of the Pseudo-sciences. An example will show it most conveniently.

A. is a notorious thief. Messrs. Bumpus and Crane examine him and find a good-sized organ of Acquisitiveness. Positive fact for Phrenology. Casts and drawings of A. are multiplied, and the bump does not lose in the act of copying.—I did not say it gained.—What do you look so for? (to the boarders.)

Presently B. turns up, a bigger thief than A. But B. has no bump at all over Acquisitiveness. Negative fact; goes against Phrenology.—Not a bit of it. Don't you see how small Conscientiousness is? That's the reason B. stole.

And then comes C., ten times as much a thief as either A. or B.,—used to steal before he was weaned, and would pick one of his own pockets and put its contents in another, if he could find no other way of committing petty larceny. Unfortunately, C. has a hollow, instead of a bump, over Acquisitiveness. Ah, but just look and see what a bump of Alimentiveness! Did not C. buy nuts and gingerbread, when a boy, with the money he stole? Of course you see why he is a thief, and how his example confirms our noble science.

At last comes along a case which is apparently a settler, for there is a little brain with vast and varied powers,—a case like that of Byron, for instance. Then comes out the grand reserve-reason which covers everything and renders it simply impossible ever to corner a Phrenologist. "It is not the size alone, but the quality of an organ, which determines its degree of power."

Oh! oh! I see.—The argument may be briefly stated thus by the Phrenologist: "Heads I win, tails you lose." Well, that's convenient.

It must be confessed that Phrenology has a certain resemblance to the Pseudo-sciences. I did not say it was a Pseudo-science.

I have often met persons who have been altogether struck up and amazed at the accuracy with which some wandering Professor of Phrenology had read their characters written upon their skulls. Of course the Professor acquires his information solely through his cranial inspections and manipulations.—What are you laughing at? (to the boarders.)—But let us just suppose, for a moment, that a tolerably cunning fellow, who did not know or care anything about Phrenology, should open a shop and undertake to read off people's characters at fifty cents or a dollar apiece. Let us see how well he could get along without the "organs."

I will suppose myself to set up such a shop. I would invest one hundred dollars, more or less, in casts of brains, skulls, charts, and other matters that would make the most show for the money. That would do to begin with. I would then advertise myself as the celebrated Professor Brainey, or whatever name I might choose, and wait for my first customer. My first customer is a middle-aged man. I look at him,—ask him a question or two, so as to hear him talk. When I have got the hang of him, I ask him to sit down, and proceed to fumble his skull, dictating as follows: SCALE FROM 1 TO 10.

LIST OF FACULTIES FOR PRIVATE NOTES FOR MY PUPIL. CUSTOMER. Each to be accompanied with a wink.

Amativeness, 7. Most men love the conflicting sex, and all men love to be told they do.

Alimentiveness, 8. Don't you see that he has burst off his lowest waistcoat-button with feeding,—hey

Acquisitiveness, 8. Of course. A middle-aged Yankee.

Approbativeness 7+. Hat well brushed. Hair ditto. Mark the effect of that plus sign.

Self-Esteem 6. His face shows that.

Benevolence 9. That'll please him.

Conscientiousness 8 1/2 That fraction looks first-rate.

Mirthfulness 7 Has laughed twice since he came in.

Ideality 9 That sounds well.

Form, Size, Weight, 4 to 6. Average everything that Color, Locality, cannot be guessed. Eventuality, etc. etc.

And so of the other faculties.

Of course, you know, that isn't the way the Phrenologists do. They go only by the bumps.—What do you keep laughing so for? (to the boarders.) I only said that is the way I should practise "Phrenology" for a living.

End of my Lecture.

—The Reformers have good heads, generally. Their faces are commonly serene enough, and they are lambs in private intercourse, even though their voices may be like

The wolf's long howl from Oonalaska's shore,

when heard from the platform. Their greatest spiritual danger is from the perpetual flattery of abuse to which they are exposed. These lines are meant to caution them.

SAINT ANTHONY THE REFORMER.

HIS TEMPTATION.

No fear lest praise should make us proud! We know how cheaply that is won; The idle homage of the crowd Is proof of tasks as idly done.

A surface-smile may pay the toil That follows still the conquering Right, With soft, white hands to dress the spoil That sunbrowned valor clutched in fight.

Sing the sweet song of other days, Serenely placid, safely true, And o'er the present's parching ways Thy verse distils like evening dew.

But speak in words of living power, —They fall like drops of scalding rain That plashed before the burning shower Swept o'er the cities of the plain!

Then scowling Hate turns deadly pale, —Then Passion's half-coiled adders spring, And, smitten through their leprous mail, Strike right and left in hope to sting.

If thou, unmoved by poisoning wrath, Thy feet on earth, thy heart above, Canst walk in peace thy kingly path, Unchanged in trust, unchilled in love,—

Too kind for bitter words to grieve, Too firm for clamor to dismay, When Faith forbids thee to believe, And Meekness calls to disobey,—

Ah, then beware of mortal pride! The smiling pride that calmly scorns Those foolish fingers, crimson dyed In laboring on thy crown of thorns!



IX

One of our boarders—perhaps more than one was concerned in it—sent in some questions to me, the other day, which, trivial as some of them are, I felt bound to answer.

1.—Whether a lady was ever known to write a letter covering only a single page?

To this I answered, that there was a case on record where a lady had but half a sheet of paper and no envelope; and being obliged to send through the post-office, she covered only one side of the paper (crosswise, lengthwise, and diagonally).

2.—What constitutes a man a gentleman?

To this I gave several answers, adapted to particular classes of questioners.

a. Not trying to be a gentleman.

b. Self-respect underlying courtesy.

c. Knowledge and observance of the fitness of things in social intercourse.

d. f. s. d. (as many suppose.)

3.—Whether face or figure is most attractive in the female sex?

Answered in the following epigram, by a young man about town:

Quoth Tom, "Though fair her features be, It is her figure pleases me." "What may her figure be?" I cried. "One hundred thousand!" he replied.

When this was read to the boarders, the young man John said he should like a chance to "step up" to a figger of that kind, if the girl was one of the right sort.

The landlady said them that merried for money didn't deserve the blessin' of a good wife. Money was a great thing when them that had it made a good use of it. She had seen better days herself, and knew what it was never to want for anything. One of her cousins merried a very rich old gentleman, and she had heerd that he said he lived ten year longer than if he'd staid by himself without anybody to take care of him. There was nothin' like a wife for nussin' sick folks and them that couldn't take care of themselves.

The young man John got off a little wink, and pointed slyly with his thumb in the direction of our diminutive friend, for whom he seemed to think this speech was intended.

If it was meant for him, he did n't appear to know that it was. Indeed, he seems somewhat listless of late, except when the conversation falls upon one of those larger topics that specially interest him, and then he grows excited, speaks loud and fast, sometimes almost savagely,—and, I have noticed once or twice, presses his left hand to his right side, as if there were something that ached, or weighed, or throbbed in that region.

While he speaks in this way, the general conversation is interrupted, and we all listen to him. Iris looks steadily in his face, and then he will turn as if magnetized and meet the amber eyes with his own melancholy gaze. I do believe that they have some kind of understanding together, that they meet elsewhere than at our table, and that there is a mystery, which is going to break upon us all of a sudden, involving the relations of these two persons. From the very first, they have taken to each other. The one thing they have in common is the heroic will. In him, it shows itself in thinking his way straightforward, in doing battle for "free trade and no right of search" on the high seas of religious controversy, and especially in fighting the battles of his crooked old city. In her, it is standing up for her little friend with the most queenly disregard of the code of boarding-house etiquette. People may say or look what they like,—she will have her way about this sentiment of hers.

The Poor Relation is in a dreadful fidget whenever the Little Gentleman says anything that interferes with her own infallibility. She seems to think Faith must go with her face tied up, as if she had the toothache,—and that if she opens her mouth to the quarter the wind blows from, she will catch her "death o' cold."

The landlady herself came to him one day, as I have found out, and tried to persuade him to hold his tongue.—The boarders was gettin' uneasy,—she said,—and some of 'em would go, she mistrusted, if he talked any more about things that belonged to the ministers to settle. She was a poor woman, that had known better days, but all her livin' depended on her boarders, and she was sure there was n't any of 'em she set so much by as she did by him; but there was them that never liked to hear about sech things, except on Sundays.

The Little Gentleman looked very smiling at the landlady, who smiled even more cordially in return, and adjusted her cap-ribbon with an unconscious movement,—a reminiscence of the long-past pairing-time, when she had smoothed her locks and softened her voice, and won her mate by these and other bird-like graces.—My dear Madam,—he said,—I will remember your interests, and speak only of matters to which I am totally indifferent.—I don't doubt he meant this; but a day or two after, something stirred him up, and I heard his voice uttering itself aloud, thus:

-It must be done, Sir!—he was saying,—it must be done! Our religion has been Judaized, it has been Romanized, it has been Orientalized, it has been Anglicized, and the time is at hand when it must be AMERICANIZED! Now, Sir, you see what Americanizing is in politics;—it means that a man shall have a vote because he is a man,—and shall vote for whom he pleases, without his neighbor's interference. If he chooses to vote for the Devil, that is his lookout;—perhaps he thinks the Devil is better than the other candidates; and I don't doubt he's often right, Sir. Just so a man's soul has a vote in the spiritual community; and it doesn't do, Sir, or it won't do long, to call him "schismatic" and "heretic" and those other wicked names that the old murderous Inquisitors have left us to help along "peace and goodwill to men"!

As long as you could catch a man and drop him into an oubliette, or pull him out a few inches longer by machinery, or put a hot iron through his tongue, or make him climb up a ladder and sit on a board at the top of a stake so that he should be slowly broiled by the fire kindled round it, there was some sense in these words; they led to something. But since we have done with those tools, we had better give up those words. I should like to see a Yankee advertisement like this!—(the Little Gentleman laughed fiercely as he uttered the words,—)

—Patent thumb-screws,—will crush the bone in three turns.

—The cast-iron boot, with wedge and mallet, only five dollars!

—The celebrated extension-rack, warranted to stretch a man six inches in twenty minutes,—money returned, if it proves unsatisfactory.

I should like to see such an advertisement, I say, Sir! Now, what's the use of using the words that belonged with the thumb-screws, and the Blessed Virgin with the knives under her petticoats and sleeves and bodice, and the dry pan and gradual fire, if we can't have the things themselves, Sir? What's the use of painting the fire round a poor fellow, when you think it won't do to kindle one under him,—as they did at Valencia or Valladolid, or wherever it was?

—What story is that?—I said.

Why,—he answered,—at the last auto-da-fe, in 1824 or '5, or somewhere there,—it's a traveller's story, but a mighty knowing traveller he is,—they had a "heretic" to use up according to the statutes provided for the crime of private opinion. They could n't quite make up their minds to burn him, so they only hung him in a hogshead painted all over with flames!

No, Sir! when a man calls you names because you go to the ballot-box and vote for your candidate, or because you say this or that is your opinion, he forgets in which half of the world he was born, Sir! It won't be long, Sir, before we have Americanized religion as we have Americanized government; and then, Sir, every soul God sends into the world will be good in the face of all men for just so much of His "inspiration" as "giveth him understanding"!—None of my words, Sir! none of my words!

—If Iris does not love this Little Gentleman, what does love look like when one sees it? She follows him with her eyes, she leans over toward him when he speaks, her face changes with the changes of his speech, so that one might think it was with her as with Christabel,—