"You are a drunken loafer," repeated the boy. "And you know it. And I mean that to-morrow morning every one on the Zone shall know it. And I mean to-morrow night every one in the States shall know it. You've killed a man, or tried to, and I'm going to break you." With his arm he pointed to Meehan. "Break that man?" he demanded. "For doing his duty, for trying to stop a murder? Strip him of his shield?" The boy laughed savagely. "It's you I am going to strip, Aintree," he cried, "you 'hero of Batangas'; I'm going to strip you naked. I'm going to 'cut the buttons off your coat, and tear the stripes away.' I'm going to degrade you and disgrace you, and drive you out of the army!" He threw his note-book on the table. "There's your dossier, Aintree," he said. "For three months you've been drunk, and there's your record. The police got it for me; it's written there with dates and the names of witnesses. I'll swear to it. I've been after you to get you, and I've got you. With that book, with what you did to-night, you'll leave the army. You may resign, you may be court-martialled, you may be hung. I don't give a damn what they do to you, but you will leave the army!"

He turned to Meehan, and with a jerk of the hand signified Aintree.

"Put him in a cell," he said. "If he resists—"

Aintree gave no sign of resisting. He stood motionless, his arms hanging limp, his eyes protruding. The liquor had died in him, and his anger had turned chill. He tried to moisten his lips to speak, but his throat was baked, and no sound issued. He tried to focus his eyes upon the menacing little figure behind the desk, but between the two lamps it swayed, and shrank and swelled. Of one thing only was he sure, that some grave disaster had overtaken him, something that when he came fully to his senses still would overwhelm him, something he could not conquer with his fists. His brain, even befuddled as it was, told him he had been caught by the heels, that he was in a trap, that smashing this boy who threatened him could not set him free. He recognized, and it was this knowledge that stirred him with alarm, that this was no ordinary officer of justice, but a personal enemy, an avenging spirit who, for some unknown reason, had spread a trap; who, for some private purpose of revenge, would drag him down.

Frowning painfully, he waved Meehan from him.

"Wait," he commanded. "I don' unnerstan'. What good's it goin' to do you to lock me up an' disgrace me? What harm have I done you? Who asked you to run the army, anyway? Who are you?"

"My name is Standish," said the lieutenant. "My father was colonel of the Thirty-third when you first joined it from the Academy."

Aintree exclaimed with surprise and enlightenment. He broke into hurried speech, but Standish cut him short.

"And General Standish of the Mexican War," he continued, "was my grandfather. Since Washington all my people have been officers of the regular army, and I'd been one, too, if I'd been bright enough. That's why I respect the army. That's why I'm going to throw you out of it. You've done harm fifty men as good as you can't undo. You've made drunkards of a whole battalion. You've taught boys who looked up to you, as I looked up to you once, to laugh at discipline, to make swine of themselves. You've set them an example. I'm going to make an example of you. That's all there is to this. I've got no grudge against you. I'm not vindictive; I'm sorry for you. But," he paused and pointed his hand at Aintree as though it held a gun, "you are going to leave the army!"

Like a man coming out of an ugly dream, Aintree opened and shut his eyes, shivered, and stretched his great muscles. They watched him with an effort of the will force himself back to consciousness. When again he spoke, his tone was sane.

"See here, Standish," he began, "I'll not beg of you or any man. I only ask you to think what you're doing. This means my finish. If you force this through to-night it means court-martial, it means I lose my commission, I lose—lose things you know nothing about. And, if I've got a record for drinking, I've got a record for other things, too. Don't forget that!"

Standish shook his head. "I didn't forget it," he said.

"Well, suppose I did," demanded Aintree. "Suppose I did go on the loose, just to pass the time, just because I'm sick of this damned ditch? Is it fair to wipe out all that went before, for that? I'm the youngest major in the army, I served in three campaigns, I'm a medal-of-honor man, I've got a career ahead of me, and—and I'm going to be married. If you give me a chance-"

Standish struck the table with his fist.

"I will give you a chance," he cried. "If you'll give your word to this man and to me, that, so help you God, you'll never drink again—I'll let you go."

If what Standish proposed had been something base, Aintree could not have accepted it with more contempt.

"I'll see you in hell first," he said.

As though the interview was at an end, Standish dropped into his chair and leaning forward, from the table picked up a cigar. As he lit it, he motioned Meehan toward his prisoner, but before the policeman could advance the sound of footsteps halted him.

Bullard, his eyes filled with concern, leaped up the steps, and ran to the desk.

"Lieutenant!" he stammered, "that man—the nigger that officer shot—he's dead!"

Aintree gave a gasp that was partly a groan, partly a cry of protest, and Bullard, as though for the first time aware of his presence, sprang back to the open door and placed himself between it and Aintree.

"It's murder!" he said.

None of the three men spoke; and when Meehan crossed to where Aintree stood, staring fearfully at nothing, he had only to touch his sleeve, and Aintree, still staring, fell into step beside him.

From the yard outside Standish heard the iron door of the cell swing shut, heard the key grate in the lock, and the footsteps of Meehan returning.

Meehan laid the key upon the desk, and with Bullard stood at attention, waiting.

"Give him time," whispered Standish. "Let it sink in!"

At the end of half an hour Standish heard Aintree calling, and, with Meehan carrying a lantern, stepped into the yard and stopped at the cell door.

Aintree was quite sober. His face was set and white, his voice was dull with suffering. He stood erect, clasping the bars in his hands.

"Standish," he said, "you gave me a chance a while ago, and I refused it. I was rough about it. I'm sorry. It made me hot because I thought you were forcing my hand, blackmailing me into doing something I ought to do as a free agent. Now, I am a free agent. You couldn't give me a chance now, you couldn't let me go now, not if I swore on a thousand Bibles. I don't know what they'll give me—Leavenworth for life, or hanging, or just dismissal. But, you've got what you wanted—I'm leaving the army!" Between the bars he stretched out his arms and held a hand toward Meehan and Standish. In the same dull, numbed voice he continued.

"So, now," he went on, "that I've nothing to gain by it, I want to swear to you and to this man here, that whether I hang, or go to jail, or am turned loose, I will never, so help me God, take another drink."

Standish was holding the hand of the man who once had been his hero. He clutched it tight.

"Aintree," he cried, "suppose I could work a miracle; suppose I've played a trick on you, to show you your danger, to show you what might come to you any day—does that oath still stand?"

The hand that held his ground the bones together.

"I've given my word!" cried Aintree. "For the love of God, don't torture me. Is the man alive?"

As Standish swung open the cell door, the hero of Batangas, he who could thrash any man on the isthmus, crumpled up like a child upon his shoulder.

And Meehan, as he ran for water, shouted joyfully.

"That nigger," he called to Bullard, "can go home now. The lieutenant don't want him no more."



EVIL TO HIM WHO EVIL THINKS

As a rule, the instant the season closed Aline Proctor sailed on the first steamer for London, where awaited her many friends, both English and American—and to Paris, where she selected those gowns that on and off the stage helped to make her famous. But this particular summer she had spent with the Endicotts at Bar Harbor, and it was at their house Herbert Nelson met her. After Herbert met her very few other men enjoyed that privilege. This was her wish as well as his.

They behaved disgracefully. Every morning after breakfast they disappeared and spent the day at opposite ends of a canoe. She, knowing nothing of a canoe, was happy in stabbing the waters with her paddle while he told her how he loved her and at the same time, with anxious eyes on his own paddle, skilfully frustrated her efforts to drown them both. While the affair lasted it was ideal and beautiful, but unfortunately it lasted only two months.

Then Lord Albany, temporarily in America as honorary attache to the British embassy, his adoring glances, his accent, and the way he brushed his hair, proved too much for the susceptible heart of Aline, and she chucked Herbert and asked herself how a woman of her age could have seriously considered marrying a youth just out of Harvard! At that time she was a woman of nineteen; but, as she had been before the public ever since she was eleven, the women declared she was not a day under twenty-six; and the men knew she could not possibly be over sixteen!

Aline's own idea of herself was that without some one in love with her she could not exist—that, unless she knew some man cared for her and for her alone, she would wither and die. As a matter of fact, whether any one loved her or not did not in the least interest her. There were several dozen men who could testify to that. They knew! What she really wanted was to be head over ears in love—to adore some one, to worship him, to imagine herself starving for him and making sacrifice hits for him; but when the moment came to make the sacrifice hit and marry the man, she invariably found that a greater, truer love had arisen—for some one else.

This greater and truer love always made her behave abominably to the youth she had just jilted. She wasted no time on post-mortems. She was so eager to show her absolute loyalty to the new monarch that she grudged every thought she ever had given the one she had cast into exile. She resented him bitterly. She could not forgive him for having allowed her to be desperately in love with him. He should have known he was not worthy of such a love as hers. He should have known that the real prince was waiting only just round the corner.

As a rule the rejected ones behaved well. Each decided Aline was much too wonderful a creature for him, and continued to love her cautiously and from a distance. None of them ever spoke or thought ill of her and would gladly have punched any one who did. It was only the women whose young men Aline had temporarily confiscated, and then returned saddened and chastened, who were spiteful. And they dared say no more than that Aline would probably have known her mind better if she had had a mother to look after her. This, coming to the ears of Aline, caused her to reply that a girl who could not keep straight herself, but needed a mother to help her, would not keep straight had she a dozen mothers. As she put it cheerfully, a girl who goes wrong and then pleads "no mother to guide her" is like a jockey who pulls a race and then blames the horse.

Each of the young men Aline rejected married some one else and, except when the name of Aline Proctor in the theatrical advertisements or in electric lights on Broadway gave him a start, forgot that for a month her name and his own had been linked together from Portland to San Francisco. But the girl he married did not forget. She never understood what the public saw in Aline Proctor. That Aline was the queen of musical comedy she attributed to the fact that Aline knew the right people and got herself written about in the right way. But that she could sing, dance, act; that she possessed compelling charm; that she "got across" not only to the tired business man, the wine agent, the college boy, but also to the children and the old ladies, was to her never apparent.

Just as Aline could not forgive the rejected suitor for allowing her to love him, so the girl he married never forgave Aline for having loved her husband. Least of all could Sally Winthrop, who two years after the summer at Bar Harbor married Herbert Nelson, forgive her. And she let Herbert know it. Herbert was properly in love with Sally Winthrop, but he liked to think that his engagement to Aline, though brief and abruptly terminated, had proved him to be a man fatally attractive to all women. And though he was hypnotizing himself into believing that his feeling for Aline had been the grand passion, the truth was that all that kept her in his thoughts was his own vanity. He was not discontented with his lot—his lot being Sally Winthrop, her millions, and her estate of three hundred acres near Westbury. Nor was he still longing for Aline. It was only that his vanity was flattered by the recollection that one of the young women most beloved by the public had once loved him.

"I once was a king in Babylon," he used to misquote to himself, "and she was a Christian slave."

He was as young as that.

Had he been content in secret to assure himself that he once had been a reigning monarch, his vanity would have harmed no one; but, unfortunately, he possessed certain documentary evidence to that fact. And he was sufficiently foolish not to wish to destroy it. The evidence consisted of a dozen photographs he had snapped of Aline during the happy days at Bar Harbor, and on which she had written phrases somewhat exuberant and sentimental.

From these photographs Nelson was loath to part—especially with one that showed Aline seated on a rock that ran into the waters of the harbor, and on which she had written: "As long as this rock lasts!" Each time she was in love Aline believed it would last. That in the past it never had lasted did not discourage her.

What to do with these photographs that so vividly recalled the most tumultuous period of his life Nelson could not decide. If he hid them away and Sally found them, he knew she would make his life miserable. If he died and Sally then found them, when he no longer was able to explain that they meant nothing to him, she would believe he always had loved the other woman, and it would make her miserable. He felt he could not safely keep them in his own house; his vanity did not permit him to burn them, and, accordingly, he decided to unload them on some one else.

The young man to whom he confided his collection was Charles Cochran. Cochran was a charming person from the West. He had studied in the Beaux Arts and on foot had travelled over England and Europe, preparing himself to try his fortune in New York as an architect. He was now in the office of the architects Post & Constant, and lived alone in a tiny farmhouse he had made over for himself near Herbert Nelson, at Westbury, Long Island.

Post & Constant were a fashionable firm and were responsible for many of the French chateaux and English country houses that were rising near Westbury, Hempstead, and Roslyn; and it was Cochran's duty to drive over that territory in his runabout, keep an eye on the contractors, and dissuade clients from grafting mansard roofs on Italian villas. He had built the summer home of the Herbert Nelsons, and Herbert and Charles were very warm friends. Charles was of the same lack of years as was Herbert, of an enthusiastic and sentimental nature; and, like many other young men, the story of his life also was the lovely and much-desired Aline Proctor. It was this coincidence that had made them friends and that had led Herbert to select Charles as the custodian of his treasure. As a custodian and confidant Charles especially appealed to his new friend, because, except upon the stage and in restaurants, Charles had never seen Aline Proctor, did not know her—and considered her so far above him, so unattainable, that he had no wish to seek her out. Unknown, he preferred to worship at a distance. In this determination Herbert strongly encouraged him.

When he turned over the pictures to Charles, Herbert could not resist showing them to him. They were in many ways charming. They presented the queen of musical comedy in several new roles. In one she was in a sailor suit, giving an imitation of a girl paddling a canoe. In another she was in a riding-habit mounted upon a pony of which she seemed very much afraid.

In some she sat like a siren among the rocks with the waves and seaweed snatching at her feet, and in another she crouched beneath the wheel of Herbert's touring car. All of the photographs were unprofessional and intimate, and the legends scrawled across them were even more intimate.

"'As long as this rock lasts!'" read Herbert. At arm's length he held the picture for Cochran to see, and laughed bitterly and unmirthfully as he had heard leading men laugh in problem plays.

"That is what she wrote," he mocked—"but how long did it last? Until she saw that little red-headed Albany playing polo. That lasted until his mother heard of it. She thought her precious lamb was in the clutches of a designing actress, and made the Foreign Office cable him home. Then Aline took up one of those army aviators, and chucked him for that fellow who painted her portrait, and threw him over for the lawn-tennis champion. Now she's engaged to Chester Griswold, and Heaven pity her! Of course he's the greatest catch in America; but he's a prig and a snob, and he's so generous with his money that he'll give you five pennies for a nickel any time you ask him. He's got a heart like the metre of a taxicab, and he's jealous as a cat. Aline will have a fine time with Chester! I knew him at St. Paul's and at Harvard, and he's got as much red blood in him as an eel!"

Cochran sprang to the defense of the lady of his dreams.

"There must be some good in the man," he protested, "or Miss Proctor-"

"Oh, those solemn snobs," declared Herbert, "impress women by just keeping still. Griswold pretends the reason he doesn't speak to you is because he's too superior, but the real reason is that he knows whenever he opens his mouth he shows he is an ass."

Reluctantly Herbert turned over to Charles the precious pictures. "It would be a sin to destroy them, wouldn't it?" he prompted.

Cochran agreed heartily.

"You might even," suggested Herbert, "leave one or two of them about. You have so many of Aline already that one more wouldn't be noticed. Then when I drop in I could see it." He smiled ingratiatingly.

"But those I have I bought," Cochran pointed out. "Anybody can buy them, but yours are personal. And they're signed."

"No one will notice that but me," protested Herbert. "Just one or two," he coaxed-"stuck round among the others. They'd give me a heap of melancholy pleasure."

Charles shook his head doubtfully.

"Your wife often comes here with you," he said. "I don't believe they'd give her melancholy pleasure. The question is, are you married to Sally or to Aline Proctor?"

"Oh, of course," exclaimed Herbert—"if you refuse!"

With suspicious haste Charles surrendered.

"I don't refuse," he explained; "I only ask if it's wise. Sally knows you were once very fond of Miss Proctor—knows you were engaged to her."

"But," protested Herbert, "Sally sees your photographs of Aline. What difference can a few more make? After she's seen a dozen she gets used to them."

No sooner had Herbert left him than the custodian of the treasure himself selected the photographs he would display. In them the young woman he had—from the front row of the orchestra—so ardently admired appeared in a new light. To Cochran they seemed at once to render her more kindly, more approachable; to show her as she really was, the sort of girl any youth would find it extremely difficult not to love. Cochran found it extremely easy. The photographs gave his imagination all the room it wanted. He believed they also gave him an insight into her real character that was denied to anybody else. He had always credited her with all the virtues; he now endowed her with every charm of mind and body. In a week to the two photographs he had selected from the loan collection for purposes of display and to give Herbert melancholy pleasure he had added three more. In two weeks there were half a dozen. In a month, nobly framed in silver, in leather of red, green, and blue, the entire collection smiled upon him from every part of his bedroom. For he now kept them where no one but himself could see them. No longer was he of a mind to share his borrowed treasure with others—not even with the rightful owner.

Chester Griswold, spurred on by Aline Proctor, who wanted to build a summer home on Long Island, was motoring with Post, of Post & Constant, in the neighborhood of Westbury. Post had pointed out several houses designed by his firm, which he hoped might assist Griswold in making up his mind as to the kind of house he wanted; but none they had seen had satisfied his client.

"What I want is a cheap house," explained the young millionaire. "I don't really want a house at all," he complained. "It's Miss Proctor's idea. When we are married I intend to move into my mother's town house, but Miss Proctor wants one for herself in the country. I've agreed to that; but it must be small and it must be cheap."

"Cheap" was a word that the clients of Post & Constant never used; but Post knew the weaknesses of some of the truly rich, and he knew also that no house ever built cost only what the architect said it would cost.

"I know the very house you want!" he exclaimed. "One of our young men owns it. He made it over from an old farmhouse. It's very well arranged; we've used his ground-plan several times and it works out splendidly. If he's not at home, I'll show you over the place myself. And if you like the house he's the man to build you one."

When they reached Cochran's home he was at Garden City playing golf, but the servant knew Mr. Post, and to him and his client threw open every room in the house.

"Now, this," exclaimed the architect enthusiastically, "is the master's bedroom. In your case it would probably be your wife's room and you would occupy the one adjoining, which Cochran now uses as a guest-room. As you see, they are entirely cut off from-"

Mr. Griswold did not see. Up to that moment he had given every appearance of being both bored and sulky. Now his attention was entirely engaged—but not upon the admirable simplicity of Mr. Cochran's ground-plan, as Mr. Post had hoped. Instead, the eyes of the greatest catch in America were intently regarding a display of photographs that smiled back at him from every corner of the room. Not only did he regard these photographs with a savage glare, but he approached them and carefully studied the inscriptions scrawled across the face of each.

Post himself cast a glance at the nearest photographs, and then hastily manoeuvred his client into the hall and closed the door.

"We will now," he exclaimed, "visit the butler's pantry, which opens upon the dining-room and kitchen, thus saving—"

But Griswold did not hear him. Without giving another glance at the house he stamped out of it and, plumping himself down in the motor-car, banged the door. Not until Post had driven him well into New York did he make any comment.

"What did you say," he then demanded, "is the name of the man who owns that last house we saw?"

Post told him.

"I never heard of him!" said Griswold as though he were delivering young Cochran's death sentence. "Who is he?"

"He's an architect in our office," said Post. "We think a lot of him. He'll leave us soon, of course. The best ones always do. His work is very popular. So is he."

"I never heard of him," repeated Griswold. Then, with sudden heat, he added savagely: "But I mean to to-night."

When Griswold had first persuaded Aline Proctor to engage herself to him he had suggested that, to avoid embarrassment, she should tell him the names of the other men to whom she had been engaged.

"What kind of embarrassment would that avoid?"

"If I am talking to a man," said Griswold, "and he knows the woman I'm going to marry was engaged to him and I don't know that, he has me at a disadvantage."

"I don't see that he has," said Aline. "If we suppose, for the sake of argument, that to marry me is desirable, I would say that the man who was going to marry me had the advantage over the one I had declined to marry."

"I want to know who those men are," explained Griswold, "because I want to avoid them. I don't want to talk to them. I don't want even to know them."

"I don't see how I can help you," said Aline. "I haven't the slightest objection to telling you the names of the men I have cared for, if I can remember them, but I certainly do not intend to tell you the name of any man who cared for me enough to ask me to marry him. That's his secret, not mine—certainly not yours."

Griswold thought he was very proud. He really was very vain; and as jealousy is only vanity in its nastiest development he was extremely jealous. So he persisted.

"Will you do this?" he demanded. "If I ever ask you, 'Is that one of the men you cared for?' will you tell me?"

"If you wish it," said Aline; "but I can't see any health in it. It will only make you uncomfortable. So long as you know I have given you the greatest and truest love I am capable of, why should you concern yourself with my mistakes?"

"So that I can avoid meeting what you call your mistakes," said Griswold—"and being friendly with them."

"I assure you," laughed Aline, "it wouldn't hurt you a bit to be as friendly with them as they'd let you. Maybe they weren't as proud of their families as you are, but they made up for that by being a darned sight prouder of me!"

Later, undismayed by this and unashamed, on two occasions Griswold actually did demand of Aline if a genial youth she had just greeted joyfully was one of those for whom she once had cared.

And Aline had replied promptly and truthfully that he was. But in the case of Charles Cochran, Griswold did not ask Aline if he was one of those for whom she once had cared. He considered the affair with Cochran so serious that, in regard to that man, he adopted a different course.

In digging rivals out of the past his jealousy had made him indefatigable, but in all his researches he never had heard the name of Charles Cochran. That fact and the added circumstance that Aline herself never had mentioned the man was in his eyes so suspicious as to be almost a damning evidence of deception. And he argued that if in the past Aline had deceived him as to Charles Cochran she would continue to do so. Accordingly, instead of asking her frankly for the truth he proceeded to lay traps for it. And if there is one thing Truth cannot abide, it is being hunted by traps.

That evening Aline and he were invited to a supper in her honor, and as he drove her from the theatre to the home of their hostess he told her of his search earlier in the day.

The electric light in the limousine showed Aline's face as clearly as though it were held in a spotlight, and as he prepared his trap Griswold regarded her jealously.

"Post tells me," he said, "he has the very man you want for your architect. He's sure you'll find him most understanding and—and—sympathetic. He's a young man who is just coming to the front, and he's very popular, especially with women."

"What's his being popular with women," asked Aline, "got to do with his carrying out my ideas of a house?"

"That's just it," said Griswold—"it's the woman who generally has the most to say as to how her house shall be built, and this man understands woman. I have reasons for believing he will certainly understand you!"

"If he understands me well enough to give me all the linen-closets I want," said Aline, "he will be perfectly satisfactory."

Before delivering his blow Griswold sank back into his corner of the car, drew his hat brim over his forehead, and fixed spying eyes upon the very lovely face of the girl he had asked to marry him.

"His name," he said in fateful tones, "is Charles Cochran!"

It was supposed to be a body blow; but, to his distress, Aline neither started nor turned pale. Neither, for trying to trick her, did she turn upon him in reproof and anger. Instead, with alert eyes, she continued to peer out of the window at the electric-light advertisements and her beloved Broadway.

"Well?" demanded Griswold; his tone was hoarse and heavy with meaning.

"Well what?" asked Aline pleasantly.

"How," demanded Griswold, "do you like Charles Cochran for an architect?"

"How should I know?" asked Aline. "I've not met him yet!"

She had said it! And she had said it without the waver of one of her lovely eyelashes. No wonder the public already hailed her as a finished actress! Griswold felt that his worst fears were justified. She had lied to him. And, as he knew she had never before lied to him, that now she did so proved beyond hope of doubt that the reason for it was vital, imperative, and compelling. But of his suspicions Griswold gave no sign. He would not at once expose her. He had trapped her, but as yet she must not know that. He would wait until he had still further entangled her—until she could not escape; and then, with complete proof of her deceit, he would confront and overwhelm her.

With this amiable purpose in mind he called early the next morning upon Post & Constant and asked to see Mr. Cochran. He wished, he said, to consult him about the new house. Post had not yet reached the office, and of Griswold's visit with Post to his house Cochran was still ignorant. He received Griswold most courteously. He felt that the man who was loved by the girl he also had long and hopelessly worshipped was deserving of the highest consideration. Griswold was less magnanimous. When he found his rival—for as such he beheld him—was of charming manners and gallant appearance he considered that fact an additional injury; but he concealed his resentment, for he was going to trap Cochran, too.

He found the architect at work leaning over a drawing-board, and as they talked Cochran continued to stand. He was in his shirt-sleeves, which were rolled to his shoulders; and the breadth of those shoulders and the muscles of his sunburned arms were much in evidence. Griswold considered it a vulgar exhibition.

For over ten minutes they talked solely of the proposed house, but not once did Griswold expose the fact that he had seen any more of it than any one might see from the public road. When he rose to take his leave he said:

"How would it do if I motored out Sunday and showed your house to Miss Proctor? Sunday is the only day she has off, and if it would not inconvenience you—"

The tender heart of Cochran leaped in wild tumult; he could not conceal his delight, nor did he attempt to do so; and his expression made it entirely unnecessary for him to assure Griswold that such a visit would be entirely welcome and that they might count on finding him at home. As though it were an afterthought, Griswold halted at the door and said:

"I believe you are already acquainted with Miss Proctor."

Cochran, conscious of five years of devotion, found that he was blushing, and longed to strangle himself. Nor was the blush lost upon Griswold.

"I'm sorry," said Cochran, "but I've not had that honor. On the stage, of course—"

He shrugged the broad shoulders deprecatingly, as though to suggest that not to know Miss Proctor as an artist argues oneself unknown.

Griswold pretended to be puzzled. As though endeavoring to recall a past conversation he frowned.

"But Aline," he said, "told me she had met you-met you at Bar Harbor." In the fatal photographs the familiar landfalls of Bar Harbor had been easily recognized.

The young architect shook his head.

"It must be another Cochran," he suggested. "I have never been in Bar Harbor."

With the evidence of the photographs before him this last statement was a verdict of guilty, and Griswold, not with the idea of giving Cochran a last chance to be honest, but to cause him to dig the pit still deeper, continued to lead him on. "Maybe she meant York Harbor?"

Again Cochran shook his head and laughed.

"Believe me," he said, "if I'd ever met Miss Proctor anywhere I wouldn't forget it!"

Ten minutes later Griswold was talking to Aline over the telephone. He intended to force matters. He would show Aline she could neither trifle with nor deceive Chester Griswold; but the thought that he had been deceived was not what most hurt him. What hurt him was to think that Aline had preferred a man who looked like an advertisement for ready-made clothes and who worked in his shirt-sleeves.

Griswold took it for granted that any woman would be glad to marry him. So many had been willing to do so that he was convinced, when one of them was not, it was not because there was anything wrong with him, but because the girl herself lacked taste and perception.

That the others had been in any degree moved by his many millions had never suggested itself. He was convinced each had loved him for himself alone; and if Aline, after meeting him, would still consider any one else, it was evident something was very wrong with Aline. He was determined that she must be chastened—must be brought to a proper appreciation of her good fortune and of his condescension.

On being called to the telephone at ten in the morning, Aline demanded to know what could excuse Griswold for rousing her in the middle of the night!

Griswold replied that, though the day was young, it also was charming; that on Sunday there might be rain; and that if she desired to see the house he and Post thought would most suit her, he and his car would be delighted to convey her to it. They could make the run in an hour, lunch with friends at Westbury, and return in plenty of time for the theatre. Aline was delighted at the sudden interest Griswold was showing in the new house. Without a moment's hesitation she walked into the trap. She would go, she declared, with pleasure. In an hour he should call for her.

Exactly an hour later Post arrived at his office. He went directly to Cochran.

"Charles," he said, "I'm afraid I got you into trouble yesterday. I took a client to see your house. You have often let us do it before; but since I was there last you've made some changes. In your bedroom—" Post stopped.

Cochran's naive habit of blushing told him it was not necessary to proceed. In tones of rage and mortification Cochran swore explosively; Post was relieved to find he was swearing at himself.

"I ought to be horsewhipped!" roared Cochran. "I'll never forgive myself! Who," he demanded, "saw the pictures? Was it a man or a woman?"

Post laughed unhappily.

"It was Chester Griswold."

A remarkable change came over Cochran. Instead of sobering him, as Post supposed it would, the information made him even more angry—only now his anger was transferred from himself to Griswold.

"The blankety-blank bounder!" yelled Cochran. "That was what he wanted! That's why he came here!"

"Here!" demanded Post.

"Not an hour ago," cried Cochran. "He asked me about Bar Harbor. He saw those pictures were taken at Bar Harbor!"

"I think," said Post soothingly, "he'd a right to ask questions. There were so many pictures, and they were very—well—very!"

"I'd have answered his questions," roared Cochran, "if he'd asked them like a man, but he came snooping down here to spy on me. He tried to trick me. He insulted me! He insulted her!" He emitted a howl of dismay. "And I told him I'd never been to Bar Harbor—that I'd never met Aline Proctor!"

Cochran seized his coat and hat. He shouted to one of the office boys to telephone the garage for his car.

"What are you—where are you going?" demanded Post.

"I'm going home first," cried Cochran, "to put those pictures in a safe, as I should have done three months ago. And then I'm going to find Chester Griswold and tell him he's an ass and a puppy!"

"If you do that," protested Post, "you're likely to lose us a very valuable client."

"And your client," roared Charles, "is likely to lose some very valuable teeth!"

As Charles whirled into the country road in which stood his house he saw drawn up in front of it the long gray car in which, that morning, Chester Griswold had called at the office. Cochran emitted a howl of anger. Was his home again to be invaded? And again while he was absent? To what extreme would Griswold's jealousy next lead him? He fell out of his own car while it still moved, and leaped up the garden walk. The front rooms of the house were empty, but from his bedroom he heard, raised in excited tones, the voice of Griswold. The audacity of the man was so surprising, and his own delight at catching him red-handed so satisfying, that no longer was Cochran angry. The Lord had delivered his enemy into his hands! And, as he advanced toward his bedroom, not only was he calm, but, at the thought of his revenge, distinctly jubilant. In the passageway a frightened maid servant, who, at his unexpected arrival, was now even more frightened, endeavored to give him an explanation; but he waved her into silence, and, striding before her, entered his bedroom.

He found confronting him a tall and beautiful young woman. It was not the Aline Proctor he knew. It was not the well-poised, gracious, and distinguished beauty he had seen gliding among the tables at Sherry's or throwing smiles over the footlights. This Aline Proctor was a very indignant young person, with flashing eyes, tossing head, and a stamping foot. Extended from her at arm's length, she held a photograph of herself in a heavy silver frame; and, as though it were a weapon, she was brandishing it in the face of Chester Griswold. As Cochran, in amazement, halted in the doorway she was exclaiming:

"I told you I didn't know Charles Cochran! I tell you so now! If you can't believe me-"

Out of the corner of her flashing eyes the angry lady caught sight of Cochran in the doorway. She turned upon the intruder as though she meant forcibly to eject him.

"Who are you?" she demanded. Her manner and tone seemed to add: "And what the deuce are you doing here?"

Charles answered her tone.

"I am Charles Cochran," he said. "I live here. This is my house!"

These words had no other effect upon Miss Proctor than to switch her indignation down another track. She now turned upon Charles.

"Then, if this is your house," cried that angry young person, "why have you filled it with photographs of me that belong to some one else?"

Charles saw that his hour had come. His sin had found him out. He felt that to prevaricate would be only stupid.

Griswold had tried devious methods—and look where his devious methods had dumped him! Griswold certainly was in wrong. Charles quickly determined to adopt a course directly opposite. Griswold had shown an utter lack of confidence in Aline. Charles decided that he would give her his entire confidence, would throw himself upon the mercy of the court.

"I have those photographs in my house, Miss Proctor," he said, "because I have admired you a long time. They were more like you than those I could buy. Having them here has helped me a lot, and it hasn't done you any harm. You know very well you have anonymous admirers all over this country. I'm only one of them. If I have offended, I have offended with many, many thousands."

Already it has been related that Cochran was very good to look upon. At the present moment, as he spoke in respectful, even soulful accents, meekly and penitently proclaiming his long-concealed admiration, Miss Proctor found her indignation melting like an icicle in the sun.

Still, she did not hold herself cheaply. She was accustomed to such open flattery. She would not at once capitulate.

"But these pictures," she protested, "I gave to a man I knew. You have no right to them. They are not at all the sort of picture I would give to an utter stranger!" With anxiety the lovely lady paused for a reply. She hoped that the reply the tall young man with appealing eyes would make would be such as to make it possible for her to forgive him.

He was not given time to reply. With a mocking snort Griswold interrupted. Aline and Charles had entirely forgotten him.

"An utter stranger!" mimicked Griswold. "Oh, yes; he's an utter stranger! You're pretty good actors, both of you; but you can't keep that up long, and you'd better stop it now."

"Stop what?" asked Miss Proctor. Her tone was cold and calm, but in her eyes was a strange light. It should have warned Griswold that he would have been safer under the bed.

"Stop pretending!" cried Griswold. "I won't have it!"

"I don't understand," said Miss Proctor. She spoke in the same cold voice, only now it had dropped several degrees nearer freezing. "I don't think you understand yourself. You won't have what?"

Griswold now was frightened, and that made him reckless. Instead of withdrawing he plunged deeper.

"I won't have you two pretending you don't know each other," he blustered. "I won't stand being fooled! If you're going to deceive me before we're married, what will you do after we're married?"

Charles emitted a howl. It was made up of disgust, amazement, and rage. Fiercely he turned upon Miss Proctor.

"Let me have him!" he begged.

"No!" almost shouted Miss Proctor. Her tone was no longer cold—it was volcanic. Her eyes, flashing beautifully, were fixed upon Griswold. She made a gesture as though to sweep Charles out of the room. "Please go!" she demanded. "This does not concern you."

Her tone was one not lightly to be disregarded. Charles disregarded it.

"It does concern me," he said briskly. "Nobody can insult a woman in my house—you, least of all!" He turned upon the greatest catch in America. "Griswold," he said, "I never met this lady until I came into this room; but I know her, understand her, value her better than you'd understand her if you knew her a thousand years!"

Griswold allowed him to go no farther.

"I know this much," he roared: "she was in love with the man who took those photographs, and that man was in love with her! And you're that man!"

"What if I am!" roared back Charles. "Men always have loved her; men always will—because she's a fine, big, wonderful woman! You can't see that, and you never will. You insulted her! Now I'll give you time to apologize for that, and then I'll order you out of this house! And if Miss Proctor is the sort of girl I think she is, she'll order you out of it, too!"

Both men swung toward Miss Proctor. Her eyes were now smiling excitedly. She first turned them upon Charles, blushing most becomingly.

"Miss Proctor," she said, "hopes she is the sort of girl Mr. Cochran thinks she is." She then turned upon the greatest catch in America. "You needn't wait, Chester," she said, "not even to apologize."

Chester Griswold, alone in his car, was driven back to New York. On the way he invented a story to explain why, at the eleventh hour, he had jilted Aline Proctor; but when his thoughts reverted to the young man he had seen working with his sleeves rolled up he decided it would be safer to let Miss Proctor tell of the broken engagement in her own way.

Charles would not consent to drive his fair guest back to New York until she had first honored him with her presence at luncheon. It was served for two, on his veranda, under the climbing honeysuckles. During the luncheon he told her all.

Miss Proctor, in the light of his five years of devotion, magnanimously forgave him.

"Such a pretty house!" she exclaimed as they drove away from it. "When Griswold selected it for our honeymoon he showed his first appreciation of what I really like."

"It is still at your service!" said Charles.

Miss Proctor's eyes smiled with a strange light, but she did not speak. It was a happy ride; but when Charles left her at the door of her apartment-house he regarded sadly and with regret the bundle of retrieved photographs that she carried away.

"What is it?" she asked kindly.

"I'm thinking of going back to those empty frames," said Charles, and blushed deeply. Miss Proctor blushed also. With delighted and guilty eyes she hastily scanned the photographs. Snatching one from the collection, she gave it to him and then ran up the steps.

In the light of the spring sunset the eyes of Charles devoured the photograph of which, at last, he was the rightful owner. On it was written: "As long as this rock lasts!"

As Charles walked to his car his expression was distinctly thoughtful.



THE MEN OF ZANZIBAR

When his hunting trip in Uganda was over, Hemingway shipped his specimens and weapons direct from Mombasa to New York, but he himself journeyed south over the few miles that stretched to Zanzibar.

On the outward trip the steamer had touched there, and the little he saw of the place had so charmed him that all the time he was on safari he promised himself he would not return home without revisiting it. On the morning he arrived he had called upon Harris, his consul, to inquire about the hotel; and that evening Harris had returned his call and introduced him at the club.

One of the men there asked Hemingway what brought him to Africa, and when he answered simply and truthfully that he had come to shoot big game, it was as though he had said something clever, and every one smiled. On the way back to the hotel, as they felt their way through the narrow slits in the wall that served as streets, he asked the consul why every one had smiled.

The consul laughed evasively.

"It's a local joke," he explained. "A lot of men come here for reasons best kept to themselves, and they all say what you said, that they've come to shoot big game. It's grown to be a polite way of telling a man it is none of his business."

"But I didn't mean it that way," protested Hemingway. "I really have been after big game for the last eight months."

In the tone one uses to quiet a drunken man or a child, the consul answered soothingly.

"Of course," he assented—"of course you have." But to show he was not hopelessly credulous, and to keep Hemingway from involving himself deeper, he hinted tactfully: "Maybe they noticed you came ashore with only one steamer trunk and no gun-cases."

"Oh, that's easily explained," laughed Hemingway. "My heavy luggage—"

The consul had reached his house and his "boy" was pounding upon it with his heavy staff.

"Please don't explain to me," he begged. "It's quite unnecessary. Down here we're so darned glad to see any white man that we don't ask anything of him except that he won't hurry away. We judge them as they behave themselves here; we don't care what they are at home or why they left it."

Hemingway was highly amused. To find that he, a respectable, sport-loving Hemingway of Massachusetts, should be mistaken for a gun-runner, slave-dealer, or escaping cashier greatly delighted him.

"All right!" he exclaimed. "I'll promise not to bore you with my past, and I agree to be judged by Zanzibar standards. I only hope I can live up to them, for I see I am going to like the place very much."

Hemingway kept his promise. He bored no one with confidences as to his ancestors. Of his past he made a point never to speak. He preferred that the little community into which he had dropped should remain unenlightened, should take him as they found him. Of the fact that a college was named after his grandfather and that on his father's railroad he could travel through many States, he was discreetly silent.

The men of Zanzibar asked no questions. That Hemingway could play a stiff game of tennis, a stiffer game of poker, and, on the piano, songs from home was to them sufficient recommendation. In a week he had become one of the most popular members of Zanzibar society. It was as though he had lived there always. Hemingway found himself reaching out to grasp the warmth of the place as a flower turns to the sun. He discovered that for thirty years something in him had been cheated. For thirty years he had believed that completely to satisfy his soul all he needed was the gray stone walls and the gray-shingled cabins under the gray skies of New England, that what in nature he most loved was the pine forests and the fields of goldenrod on the rock-bound coast of the North Shore. But now, like a man escaped from prison, he leaped and danced in the glaring sunlight of the equator, he revelled in the reckless generosity of nature, in the glorious confusion of colors, in the "blooming blue" of the Indian Ocean, in the Arabian nights spent upon the housetops under the purple sky, and beneath silver stars so near that he could touch them with his hand.

He found it like being perpetually in a comic opera and playing a part in one. For only the scenic artist would dare to paint houses in such yellow, pink, and cobalt-blue; only a "producer" who had never ventured farther from Broadway than the Atlantic City boardwalk would have conceived costumes so mad and so magnificent. Instinctively he cast the people of Zanzibar in the conventional roles of musical comedy.

His choruses were already in waiting. There was the Sultan's body-guard in gold-laced turbans, the merchants of the bazaars in red fezzes and gowns of flowing silk, the Malay sailors in blue, the black native police in scarlet, the ladies of the harems closely veiled and cloaked, the market women in a single garment of orange, or scarlet, or purple, or of all three, and the happy, hilarious Zanzibari boys in the color God gave them.

For hours he would sit under the yellow-and-green awning of the Greek hotel and watch the procession pass, or he would lie under an umbrella on the beach and laugh as the boatmen lifted their passengers to their shoulders and with them splash through the breakers, or in the bazaars for hours he would bargain with the Indian merchants, or in the great mahogany hall of the Ivory House, to the whisper of a punka and the tinkle of ice in a tall glass, listen to tales of Arab raids, of elephant poachers, of the trade in white and black ivory, of the great explorers who had sat in that same room—of Emin Pasha, of Livingstone, of Stanley. His comic opera lacked only a heroine and the love interest.

When he met Mrs. Adair he found both. Polly Adair, as every one who dared to do so preferred to call her, was, like himself, an American and, though absurdly young, a widow. In the States she would have been called an extremely pretty girl. In a community where the few dozen white women had wilted and faded in the fierce sun of the equator, and where the rest of the women were jet black except their teeth, which were dyed an alluring purple, Polly Adair was as beautiful as a June morning. At least, so Hemingway thought the first time he saw her, and each succeeding time he thought her more beautiful, more lovely, more to be loved.

He met her, three days after his arrival, at the residence of the British agent and consul-general, where Lady Firth was giving tea to the six nurses from the English hospital and to all the other respectable members of Zanzibar society.

"My husband's typist," said her ladyship as she helped Hemingway to tea, "is a copatriot of yours. She's such a nice gell; not a bit like an American. I don't know what I'd do in this awful place without her. Promise me," she begged tragically, "you will not ask her to marry you."

Unconscious of his fate, Hemingway promised.

"Because all the men do," sighed Lady Firth, "and I never know what morning one of the wretches won't carry her off to a home of her own. And then what would become of me? Men are so selfish! If you must fall in love," suggested her ladyship, "promise me you will fall in love with"—she paused innocently and raised baby-blue eyes, in a baby-like stare—"with some one else."

Again Hemingway promised. He bowed gallantly. "That will be quite easy," he said.

Her ladyship smiled, but Hemingway did not see the smile. He was looking past her at a girl from home, who came across the terrace carrying in her hand a stenographer's note-book.

Lady Firth followed the direction of his eyes and saw the look in them. She exclaimed with dismay:

"Already! Already he deserts me, even before the ink is dry on the paper."

She drew the note-book from Mrs. Adair's fingers and dropped it under the tea-table.

"Letters must wait, my child," she declared.

"But Sir George—" protested the girl.

"Sir George must wait, too," continued his wife; "the Foreign Office must wait, the British Empire must wait until you have had your tea."

The girl laughed helplessly. As though assured her fellow countryman would comprehend, she turned to him.

"They're so exactly like what you want them to be," she said—"I mean about their tea!"

Hemingway smiled back with such intimate understanding that Lady Firth glanced up inquiringly.

"Have you met Mrs. Adair already?" she asked.

"No," said Hemingway, "but I have been trying to meet her for thirty years."

Perplexed, the Englishwoman frowned, and then, with delight at her own perspicuity, laughed aloud.

"I know," she cried, "in your country you are what they call a 'hustler'! Is that right?" She waved them away. "Take Mrs. Adair over there," she commanded, "and tell her all the news from home. Tell her about the railroad accidents and 'washouts' and the latest thing in lynching."

The young people stretched out in long wicker chairs in the shade of a tree covered with purple flowers. On a perch at one side of them an orang-outang in a steel belt was combing the whiskers of her infant daughter; at their feet what looked like two chow puppies, but which happened to be Lady Firth's pet lions, were chewing each other's toothless gums; and in the immediate foreground the hospital nurses were defying the sun at tennis while the Sultan's band played selections from a Gaiety success of many years in the past. With these surroundings it was difficult to talk of home. Nor on any later occasions, except through inadvertence, did they talk of home.

For the reasons already stated, it amused Hemingway to volunteer no confidences. On account of what that same evening Harris told him of Mrs. Adair, he asked none.

Harris himself was a young man in no way inclined to withhold confidences. He enjoyed giving out information. He enjoyed talking about himself, his duties, the other consuls, the Zanzibaris, and his native State of Iowa. So long as he was permitted to talk, the listener could select the subject. But, combined with his loquacity, Hemingway had found him kind-hearted, intelligent, observing, and the call of a common country had got them quickly together.

Hemingway was quite conscious that the girl he had seen but once had impressed him out of all proportion to what he knew of her. She seemed too good to be true. And he tried to persuade himself that after eight months in the hinterland among hippos and zebras any reasonably attractive girl would have proved equally disturbing.

But he was not convinced. He did not wish to be convinced. He assured himself that had he met Mrs. Adair at home among hundreds of others he would have recognized her as a woman of exceptional character, as one especially charming. He wanted to justify this idea of her; he wanted to talk of Mrs. Adair to Harris, not to learn more concerning her, but just for the pleasure of speaking her name.

He was much upset at that, and the discovery that on meeting a woman for the first time he still could be so boyishly and ingenuously moved greatly pleased him. It was a most delightful secret. So he acted on the principle that when a man immensely admires a woman and wishes to conceal that fact from every one else he can best do so by declaring his admiration in the frankest and most open manner. After the tea-party, as Harris and himself sat in the consulate, he so expressed himself.

"What an extraordinary nice girl," he exclaimed, "is that Mrs. Adair! I had a long talk with her. She is most charming. However did a woman like that come to be in a place like this?"

Judging from his manner, it seemed to Hemingway that at the mention of Mrs. Adair's name he had found Harris mentally on guard, as though the consul had guessed the question would come and had prepared for it.

"She just dropped in here one day," said Harris, "from no place in particular. Personally, I always have thought from heaven."

"It's a good address," said Hemingway.

"It seems to suit her," the consul agreed. "Anyway, if she doesn't come from there, that's where she's going—just on account of the good she's done us while she's been here. She arrived four months ago with a typewriting-machine and letters to me from our consuls in Cape Town and Durban. She had done some typewriting for them. It seems that after her husband died, which was a few months after they were married, she learned to make her living by typewriting. She worked too hard and broke down, and the doctor said she must go to hot countries, the 'hotter the better.' So she's worked her way half around the world typewriting. She worked chiefly for her own consuls or for the American commission houses. Sometimes she stayed a month, sometimes only over one steamer day. But when she got here Lady Firth took such a fancy to her that she made Sir George engage her as his private secretary, and she's been here ever since."

In a community so small as was that of Zanzibar the white residents saw one another every day, and within a week Hemingway had met Mrs. Adair many times. He met her at dinner, at the British agency; he met her in the country club, where the white exiles gathered for tea and tennis. He hired a launch and in her honor gave a picnic on the north coast of the island, and on three glorious and memorable nights, after different dinner-parties had ascended to the roof, he sat at her side and across the white level of the housetops looked down into the moonlit harbor.

What interest the two young people felt in each other was in no way discouraged by their surroundings. In the tropics the tender emotions are not winter killed. Had they met at home, the conventions, his own work, her social duties would have kept the progress of their interest within a certain speed limit. But they were in a place free of conventions, and the preceding eight months which Hemingway had spent in the jungle and on the plain had made the society of his fellow man, and of Mrs. Adair in particular, especially attractive.

Hemingway had no work to occupy his time, and he placed it unreservedly at the disposition of his countrywoman. In doing so it could not be said that Mrs. Adair encouraged him. Hemingway himself would have been the first to acknowledge this. From the day he met her he was conscious that always there was an intangible barrier between them. Even before she possibly could have guessed that his interest in her was more than even she, attractive as she was, had the right to expect, she had wrapped around herself an invisible mantle of defense.

There were certain speeches of his which she never heard, certain tones to which she never responded. At moments when he was complimenting himself that at last she was content to be in his company, she would suddenly rise and join the others, and he would be left wondering in what way he could possibly have offended.

He assured himself that a woman, young and attractive, in a strange land in her dependent position must of necessity be discreet, but in his conduct there certainly had been nothing that was not considerate, courteous, and straightforward.

When he appreciated that he cared for her seriously, that he was gloriously happy in caring, and proud of the way in which he cared, the fact that she persistently held him at arm's length puzzled and hurt. At first when he had deliberately set to work to make her like him he was glad to think that, owing to his reticence about himself, if she did like him it would be for himself alone and not for his worldly goods. But when he knew her better he understood that if once Mrs. Adair made up her mind to take a second husband, the fact that he was a social and financial somebody, and not, as many in Zanzibar supposed Hemingway to be, a social outcast, would make but little difference.

Nor was her manner to be explained by the fact that the majority of women found him unattractive. As to that, the pleasant burden of his experience was to the contrary. He at last wondered if there was some one else, if he had come into her life too late. He set about looking for the man and so, he believed, he soon found him.

Of the little colony, Arthur Fearing was the man of whom Hemingway had seen the least. That was so because Fearing wished it. Like himself, Fearing was an American, young, and a bachelor, but, very much unlike Hemingway, a hermit and a recluse.

Two years before he had come to Zanzibar looking for an investment for his money. In Zanzibar there were gentlemen adventurers of every country, who were welcome to live in any country save their own.

To them Mr. Fearing seemed a heaven-sent victim. But to him their alluring tales of the fortunes that were to rise from buried treasures, lost mines, and pearl beds did not appeal. Instead he conferred with the consuls, the responsible merchants, the partners in the prosperous trading houses. After a month of "looking around" he had purchased outright the goodwill and stock of one of the oldest of the commission houses, and soon showed himself to be a most capable man of business. But, except as a man of business, no one knew him. From the dim recesses of his warehouse he passed each day to the seclusion of his bungalow in the country. And, although every one was friendly to him, he made no friends.

It was only after the arrival of Mrs. Adair that he consented to show himself, and it was soon noted that it was only when she was invited that he would appear, and that on these occasions he devoted himself entirely to her. In the presence of others, he still was shy, gravely polite, and speaking but little, and never of himself; but with Mrs. Adair his shyness seemed to leave him, and when with her he was seen to talk easily and eagerly. And, on her part, to what he said, Polly Adair listened with serious interest.

Lady Firth, who, at home, was a trained and successful match-maker, and who, in Zanzibar, had found but a limited field for her activities, decided that if her companion and protegee must marry, she should marry Fearing.

Fearing was no gentleman adventurer, remittance-man, or humble clerk serving his apprenticeship to a steamship line or an ivory house. He was one of the pillars of Zanzibar society. The trading house he had purchased had had its beginnings in the slave-trade, and now under his alert direction was making a turnover equal to that of any of its ancient rivals. Personally, Fearing was a most desirable catch. He was well-mannered, well-read, of good appearance, steady, and, in a latitude only six degrees removed from the equator, of impeccable morals.

It is said that it is the person who is in love who always is the first to discover his successful rival. It is either an instinct or because his concern is deeper than that of others.

And so, when Hemingway sought for the influence that separated him from Polly Adair, the trail led to Fearing. To find that the obstacle in the path of his true love was a man greatly relieved him. He had feared that what was in the thoughts of Mrs. Adair was the memory of her dead husband. He had no desire to cross swords with a ghost. But to a living rival he could afford to be generous.

For he was sure no one could care for Polly Adair as he cared, and, like every other man in love, he believed that he alone had discovered in her beauties of soul and character that to the rest of mankind were hidden. This knowledge, he assured himself, had aroused in him a depth of devotion no one else could hope to imitate, and this depth of devotion would in time so impress her, would become so necessary to her existence, that it would force her at last into the arms of the only man who could offer it.

Having satisfied himself in this fashion, he continued cheerfully on his way, and the presence of a rival in no way discouraged him. It only was Polly Adair who discouraged him. And this, in spite of the fact that every hour of the day he tried to bring himself pleasantly to her notice. All that an idle young man in love, aided and abetted by imagination and an unlimited letter of credit, could do, Hemingway did. But to no end.

The treasures he dug out of the bazaars and presented to her, under false pretenses as trinkets he happened at that moment to find in his pockets, were admired by her at their own great value, and returned also under false pretenses, as having been offered her only to examine.

"It is for your sister at home, I suppose," she prompted. "It's quite lovely. Thank you for letting me see it."

After having been several times severely snubbed in this fashion, Hemingway remarked grimly as he put a black pearl back into his pocket:

"At this rate sister will be mighty glad to see me when I get home. It seems almost a pity I haven't got a sister."

The girl answered this only with a grave smile.

On another occasion she admired a polo pony that had been imported for the stable of the boy Sultan. But next morning Hemingway, after much diplomacy, became the owner of it and proudly rode it to the agency. Lady Firth and Polly Adair walked out to meet him arm in arm, but at sight of the pony there came into the eyes of the secretary a look that caused Hemingway to wish himself and his mount many miles in the jungle. He saw that before it had been proffered, his gift-horse had been rejected. He acted promptly.

"Lady Firth," he said, "you've been so awfully kind to me, made this place so like a home to me, that I want you to put this mare in your stable. The Sultan wanted her, but when he learned I meant to turn her over to you, he let her go. We both hope you'll accept."

Lady Firth had no scruples. In five minutes she had accepted, had clapped a side-saddle on her rich gift, and was cantering joyously down the Pearl Road.

Polly Adair looked after her with an expression that was distinctly wistful. Thus encouraged, Hemingway said:

"I'm glad you are sorry. I hope every time you see that pony you'll be sorry."

"Why should I be sorry?" asked the girl.

"Because you have been unkind," said Hemingway, "and it is not your character to be unkind. And that you have shown lack of character ought to make you sorry."

"But you know perfectly well," said Mrs. Adair, "that if I were to take any one of these wonderful things you bring me, I wouldn't have any character left."

She smiled at him reassuringly. "And you know," she added, "that that is not why I do not take them. It isn't because I can't afford to, or because I don't want them, because I do; but it's because I don't deserve them, because I can give you nothing in return."

"As the copy-book says," returned Hemingway, "'the pleasure is in the giving.' If the copy-book don't say that, I do. And to pretend that you give me nothing, that is ridiculous!"

It was so ridiculous that he rushed on vehemently. "Why, every minute you give me something," he exclaimed. "Just to see you, just to know you are alive, just to be certain when I turn in at night that when the world wakes up again you will still be a part of it; that is what you give me. And its name is—Happiness!"

He had begun quite innocently; he had had no idea that it would come. But he had said it. As clearly as though he had dropped upon one knee, laid his hand over his heart and exclaimed: "Most beautiful of your sex, I love you! Will you marry me?" His eyes and the tone of his voice had said it. And he knew that he had said it, and that she knew.

Her eyes were filled with sudden tears, and so wonderful was the light in them that for one mad moment Hemingway thought they were tears of happiness. But the light died, and what had been tears became only wet drops of water, and he saw to his dismay that she was most miserable.

The girl moved ahead of him to the cliff on which the agency stood, and which overhung the harbor and the Indian Ocean. Her eyes were filled with trouble. As she raised them to his they begged of him to be kind.

"I am glad you told me," she said. "I have been afraid it was coming. But until you told me I could not say anything. I tried to stop you. I was rude and unkind—"

"You certainly were," Hemingway agreed cheerfully. "And the more you would have nothing to do with me, the more I admired you. And then I learned to admire you more, and then to love you. It seems now as though I had always known and always loved you. And now this is what we are going to do."

He wouldn't let her speak; he rushed on precipitately.

"We are first going up to the house to get your typewriting-machine, and we will bring it back here and hurl it as far as we can off this cliff. I want to see the splash! I want to hear it smash when it hits that rock. It has been my worst enemy, because it helped you to be independent of me, because it kept you from me. Time after time, on the veranda, when I was pretending to listen to Lady Firth, I was listening to that damned machine banging and complaining and tiring your pretty fingers and your dear eyes. So first it has got to go. You have been its slave, now I am going to be your slave. You have only to rub the lamp and things will happen. And because I've told you nothing about myself, you mustn't think that the money that helps to make them happen is 'tainted.' It isn't. Nor am I, nor my father, nor my father's father. I am asking you to marry a perfectly respectable young man. And, when you do—"

Again he gave her no opportunity to interrupt, but rushed on impetuously: "We will sail away across that ocean to wherever you will take me. To Ceylon and Tokio and San Francisco, to Naples and New York, to Greece and Athens. They are all near. They are all yours. Will you accept them and me?" He smiled appealingly, but most miserably. For though he had spoken lightly and with confidence, it was to conceal the fact that he was not at all confident. As he had read in her eyes her refusal of his pony, he had read, even as he spoke, her refusal of himself. When he ceased speaking the girl answered:

"If I say that what you tell me makes me proud, I am saying too little." She shook her head firmly, with an air of finality that frightened Hemingway. "But what you ask—what you suggest is impossible."

"You don't like me?" said Hemingway.

"I like you very much," returned the girl, "and, if I don't seem unhappy that it can't be, it is because I always have known it can't be—"

"Why can't it be?" rebelled Hemingway. "I don't mean that I can't understand your not wanting to marry me, but if I knew your objection, maybe, I could beat it down."

Again, with the same air of finality, the girl moved her head slowly, as though considering each word; she began cautiously.

"I cannot tell you the reason," she said, "because it does not concern only myself."

"If you mean you care for some one else," pleaded Hemingway, "that does not frighten me at all." It did frighten him extremely, but, believing that a faint heart never won anything, he pretended to be brave.

"For you," he boasted, "I would go down into the grave as deep as any man. He that hath more let him give. I know what I offer. I know I love you as no other man—"

The girl backed away from him as though he had struck her. "You must not say that," she commanded.

For the first time he saw that she was moved, that the fingers she laced and unlaced were trembling. "It is final!" exclaimed the girl. "I cannot marry—you, or any one. I—I have promised. I am not free."

"Nothing in the world is final," returned Hemingway sharply, "except death." He raised his hat and, as though to leave her, moved away. Not because he admitted defeat, but because he felt that for the present to continue might lose him the chance to fight again. But, to deliver an ultimatum, he turned back.

"As long as you are alive, and I am alive," he told her, "all things are possible. I don't give up hope. I don't give up you."

The girl exclaimed with a gesture of despair. "He won't understand!" she cried.

Hemingway advanced eagerly.

"Help me to understand," he begged.

"You won't understand," explained the girl, "that I am speaking the truth. You are right that things can change in the future, but nothing can change the past. Can't you understand that?"

"What do I care for the past?" cried the young man scornfully. "I know you as well as though I had known you for a thousand years and I love you."

The girl flushed crimson.

"Not my past," she gasped. "I meant—"

"I don't care what you meant," said Hemingway. "I'm not prying into your little secrets. I know only one thing—two things, that I love you and that, until you love me, I am going to make your life hell!"

He caught at her hands, and for an instant she let him clasp them in both of his, while she looked at him.

Something in her face, other than distress and pity, caused his heart to leap. But he was too wise to speak, and, that she might not read the hope in his eyes, turned quickly and left her. He had not crossed the grounds of the agency before he had made up his mind as to the reason for her repelling him.

"She is engaged to Fearing!" he told himself. "She has promised to marry Fearing! She thinks that it is too late to consider another man!" The prospect of a fight for the woman he loved thrilled him greatly. His lower jaw set pugnaciously.

"I'll show her it's not too late," he promised himself. "I'll show her which of us is the man to make her happy. And, if I am not the man, I'll take the first outbound steamer and trouble them no more. But before that happens," he also promised himself, "Fearing must show he is the better man."

In spite of his brave words, in spite of his determination, within the day Hemingway had withdrawn in favor of his rival, and, on the Crown Prince Eitel, bound for Genoa and New York, had booked his passage home.

On the afternoon of the same day he had spoken to Polly Adair, Hemingway at the sunset hour betook himself to the consulate. At that hour it had become his custom to visit his fellow countryman and with him share the gossip of the day and such a cocktail as only a fellow countryman could compose. Later he was to dine at the house of the Ivory Company and, as his heart never ceased telling him, Mrs. Adair also was to be present.

"It will be a very pleasant party," said Harris. "They gave me a bid, too, but it's steamer day to-morrow, and I've got to get my mail ready for the Crown Prince Eitel. Mrs. Adair is to be there."

Hemingway nodded, and with pleasant anticipation waited. Of Mrs. Adair, Harris always spoke with reverent enthusiasm, and the man who loved her delighted to listen. But this time Harris disappointed him.

"And Fearing, too," he added.

Again Hemingway nodded. The conjunction of the two names surprised him, but he made no sign. Loquacious as he knew Harris to be, he never before had heard his friend even suggest the subject that to Zanzibar had become of acute interest.

Harris filled the two glasses, and began to pace the room. When he spoke it was in the aggrieved tone of one who feels himself placed in a false position.

"There's no one," he complained suddenly, "so popularly unpopular as the man who butts in. I know that, but still I've always taken his side. I've always been for him." He halted, straddling with legs apart and hands deep in his trousers pockets, and frowned down upon his guest.

"Suppose," he began aggressively, "I see a man driving his car over a cliff. If I tell him that road will take him over a cliff, the worst that can happen to me is to be told to mind my own business, and I can always answer back: 'I was only trying to help you.' If I don't speak, the man breaks his neck. Between the two, it seems to me, sooner than have any one's life on my hands, I'd rather be told to mind my own business."

Hemingway stared into his glass. His expression was distinctly disapproving, but, undismayed, the consul continued.

"Now, we all know that this morning you gave that polo pony to Lady Firth, and one of us guesses that you first offered it to some one else, who refused it. One of us thinks that very soon, to-morrow, or even to-night, at this party you may offer that same person something else, something worth more than a polo pony, and that if she refuses that, it is going to break you all up, is going to hurt you for the rest of your life."

Lifting his eyes from his glass, Hemingway shot at his friend a glance of warning. In haste, Harris continued:

"I know," he protested, answering the look, "I know that this is where Mr. Buttinsky is told to mind his business. But I'm going right on. I'm going to state a hypothetical case with no names mentioned and no questions asked, or answered. I'm going to state a theory, and let you draw your own deductions."

He slid into a chair, and across the table fastened his eyes on those of his friend. Confidently and undisturbed, but with a wry smile of dislike, Hemingway stared fixedly back at him.

"What," demanded Harris, "is the first rule in detective work?"

Hemingway started. He was prepared for something unpleasant, but not for that particular form of unpleasantness. But his faith was unshaken, and he smiled confidently. He let the consul answer his own question.

"It is to follow the woman," declared Harris. "And, accordingly, what should be the first precaution of a man making his get-away? To see that the woman does not follow. But suppose we are dealing with a fugitive of especial intelligence, with a criminal who has imagination and brains? He might fix it so that the woman could follow him without giving him away, he might plan it so that no one would suspect. She might arrive at his hiding-place only after many months, only after each had made separately a long circuit of the globe, only after a journey with a plausible and legitimate object. She would arrive disguised in every way, and they would meet as total strangers. And, as strangers under the eyes of others, they would become acquainted, would gradually grow more friendly, would be seen more frequently together, until at last people would say: 'Those two mean to make a match of it.' And then, one day, openly, in the sight of all men, with the aid of the law and the church, they would resume those relations that existed before the man ran away and the woman followed."

There was a short silence.

Hemingway broke it in a tone that would accept no denial.

"You can't talk like that to me," he cried. "What do you mean?"

Without resentment, the consul regarded him with grave solicitude. His look was one of real affection, and, although his tone held the absolute finality of the family physician who delivers a sentence of death, he spoke with gentleness and regret.

"I mean," he said, "that Mrs. Adair is not a widow, that the man she speaks of as her late husband is not dead; that that man is Fearing!"

Hemingway felt afraid. A month before a rhinoceros had charged him and had dropped at his feet. At another time a wounded lioness had leaped into his path and crouched to spring. Then he had not been afraid. Then he had aimed as confidently as though he were firing at a straw target. But now he felt real fear: fear of something he did not comprehend, of a situation he could not master, of an adversary as strong as Fate. By a word something had been snatched from him that he now knew was as dear to him as life, that was life, that was what made it worth continuing. And he could do nothing to prevent it; he could not help himself. He was as impotent as the prisoner who hears the judge banish him into exile. He tried to adjust his mind to the calamity. But his mind refused. As easily as with his finger a man can block the swing of a pendulum and halt the progress of the clock, Harris with a word had brought the entire world to a full stop.

And then, above his head, Hemingway heard the lazy whisper of the punka, and from the harbor the raucous whistle of the Crown Prince Eitel, signalling her entrance. The world had not stopped; for the punka-boy, for the captain of the German steamer, for Harris seated with face averted, the world was still going gayly and busily forward. Only for him had it stopped.

In spite of the confident tone in which Harris had spoken, in spite of the fact that unless he knew it was the truth, he would not have spoken, Hemingway tried to urge himself to believe there had been some hideous, absurd error. But in answer came back to him snatches of talk or phrases the girl had last addressed to him: "You can command the future, but you cannot change the past. I cannot marry you, or any one! I am not free!"

And then to comfort himself, he called up the look he had surprised in her eyes when he stood holding her hands in his. He clung to it, as a drowning man will clutch even at a piece of floating seaweed.

When he tried to speak he found his voice choked and stifled, and that his distress was evident, he knew from the pity he read in the eyes of Harris.

In a voice strange to him, he heard himself saying: "Why do you think that? You've got to tell me. I have a right to know. This morning I asked Mrs. Adair to marry me."

The consul exclaimed with dismay and squirmed unhappily. "I didn't know," he protested. "I thought I was in time. I ought to have told you days ago, but—"

"Tell me now," commanded Hemingway.

"I know it in a thousand ways," began Harris.

Hemingway raised his eyes hopefully.

But the consul shook his head. "But to convince you," he went on, "I need tell you only one. The thousand other proofs are looks they have exchanged, sentences I have chanced to overhear, and that each of them unknown to the other has told me of little happenings and incidents which I found were common to both. Each has described the house in which he or she lived, and it was the same house. They claim to come from different cities in New England, they came from the same city. They claim—"

"That is no proof," cried Hemingway, "either that they are married, or that the man is a criminal."

For a moment Harris regarded the other in silence. Then he said: "You're making it very hard for me. I see I've got to show you. It's kindest, after all, to cut quick." He leaned farther forward, and his voice dropped. Speaking quickly, he said:

"Last summer I lived outside the town in a bungalow on the Pearl Road. Fearing's house was next to mine. This was before Mrs. Adair went to live at the agency, and while she was alone in another bungalow farther down the road. I was ill that summer; my nerves went back on me. I couldn't sleep. I used to sit all night on my veranda and pray for the sun to rise. From where I sat it was dark and no one could see me, but I could see the veranda of Fearing's house and into his garden. And night after night I saw Mrs. Adair creep out of Fearing's house, saw him walk with her to the gate, saw him in the shadow of the bushes take her in his arms, and saw them kiss." The voice of the consul rose sharply. "No one knows that but you and I, and," he cried defiantly, "it is impossible for us to believe ill of Polly Adair. The easy explanation we refuse. It is intolerable. And so you must believe as I believe; that when she visited Fearing by night she went to him because she had the right to go to him, because already she was his wife. And now when every one here believes they met for the first time in Zanzibar, when no one will be surprised if they should marry, they will go through the ceremony again, and live as man and wife, as they are, as they were before he fled from America!"

Hemingway was seated with his elbows on the table and his face in his hands. He was so long silent that Harris struck the table roughly with his palm.

"Well," he demanded, "why don't you speak? Do you doubt her? Don't you believe she is his wife?"

"I refuse to believe anything else!" said Hemingway. He rose, and slowly and heavily moved toward the door. "And I will not trouble them any more," he added. "I'll leave at sunrise on the Eitel."

Harris exclaimed in dismay, but Hemingway did not hear him. In the doorway he halted and turned back. From his voice all trace of emotion had departed. "Why," he asked dully, "do you think Fearing is a fugitive? Not that it matters to her, since she loves him, or that it matters to me. Only I would like to think you were wrong. I want her to have only the best."

Again the consul moved unhappily.

"I oughtn't to tell you," he protested, "and if I do I ought to tell the State Department, and a detective agency first. They have the call. They want him, or a man damned like him." His voice dropped to a whisper. "The man wanted is Henry Brownell, a cashier of a bank in Waltham, Mass., thirty-five years of age, smooth-shaven, college-bred, speaking with a marked New England accent, and—and with other marks that fit Fearing like the cover on a book. The department and the Pinkertons have been devilling the life out of me about it for nine months. They are positive he is on the coast of Africa. I put them off. I wasn't sure."

"You've been protecting them," said Hemingway.

"I wasn't sure," reiterated Harris. "And if I were, the Pinkertons can do their own sleuthing. The man's living honestly now, anyway, isn't he?" he demanded; "and she loves him. At least she's stuck by him. Why should I punish her?"

His tone seemed to challenge and upbraid.

"Good God!" cried the other, "I'm not blaming you! I'd be proud of the chance to do as much. I asked because I'd like to go away thinking she's content, thinking she's happy with him."

"Doesn't it look as though she were?" Harris protested. "She's followed him—followed him half around the globe. If she'd been happier away from him, she'd have stayed away from him."

So intent had been the men upon their talk that neither had noted the passing of the minutes or, what at other times was an event of moment, that the mail steamer had distributed her mail and passengers; and when a servant entered bearing lamps, and from the office the consul's clerk appeared with a bundle of letters from the Eitel, both were taken by surprise.

"So late?" exclaimed Hemingway. "I must go. If I'm to sail with the Eitel at daybreak, I've little time!"

But he did not go.

As he advanced toward Harris with his hand outstretched in adieu, the face of the consul halted him. With the letters, the clerk had placed upon the table a visiting-card, and as it lay in the circle of light from the lamp the consul, as though it were alive and menacing, stared at it in fascination. Moving stiffly, he turned it so that Hemingway could see. On it Hemingway read, "George S. Sheyer," and, on a lower line, "Representing William L. Pinkerton."

To the woman he loved the calamity they dreaded had come, and Hemingway, with a groan of dismay, exclaimed aloud:

"It is the end!"

From the darkness of the outer office a man stepped softly into the circle of the lamp. They could see his figure only from the waist down; the rest of him was blurred in shadows.

"'It is the end'?" he repeated inquiringly. He spoke the phrase with peculiar emphasis, as though to impress it upon the memory of the two others. His voice was cool, alert, authoritative. "The end of what?" he demanded sharply.

The question was most difficult. In the silence the detective moved into the light. He was tall and strongly built, his face was shrewd and intelligent. He might have been a prosperous man of business.

"Which of you is the consul?" he asked. But he did not take his eyes from Hemingway.

"I am the consul," said Harris. But still the detective did not turn from Hemingway.

"Why," he asked, "did this gentleman, when he read my card, say, 'It is the end'? The end of what? Has anything been going on here that came to an end when he saw my card?"

Disconcerted, in deep embarrassment, Harris struggled for a word. But his distress was not observed by the detective. His eyes, suspicious and accusing, still were fixed upon Hemingway, and under their scrutiny Harris saw his friend slowly retreat, slowly crumple up into a chair, slowly raise his hands to cover his face. As though in a nightmare, he heard him saying savagely:

"It is the end of two years of hell, it is the end of two years of fear and agony! Now I shall have peace. Now I shall sleep! I thank God you've come! I thank God I can go back!"

Harris broke the spell by leaping to his feet. He sprang between the two men.

"What does this mean?" he commanded.

Hemingway raised his eyes and surveyed him steadily.

"It means," he said, "that I have deceived you, Harris—that I am the man you told me of, I am the man they want." He turned to the officer.

"I fooled him for four months," he said. "I couldn't fool you for five minutes."

The eyes of the detective danced with sudden excitement, joy, and triumph. He shot an eager glance from Hemingway to the consul.

"This man," he demanded; "who is he?"

With an impatient gesture Hemingway signified Harris.

"He doesn't know who I am," he said. "He knows me as Hemingway. I am Henry Brownell, of Waltham, Mass." Again his face sank into the palms of his hands. "And I'm tired—tired," he moaned. "I am sick of not knowing, sick of running away. I give myself up."

The detective breathed a sigh of relief that seemed to issue from his soul.

"My God," he sighed, "you've given me a long chase! I've had eleven months of you, and I'm as sick of this as you are." He recovered himself sharply. As though reciting an incantation, he addressed Hemingway in crisp, emotionless notes.

"Henry Brownell," he chanted, "I arrest you in the name of the commonwealth of Massachusetts for the robbery, on October the eleventh, nineteen hundred and nine, of the Waltham Title and Trust Company. I understand," he added, "you waive extradition and return with me of your own free will?"

With his face still in his hands, Hemingway murmured assent. The detective stepped briskly and uninvited to the table and seated himself. He was beaming with triumph, with pleasurable excitement.

"I want to send a message home, Mr. Consul," he said. "May I use your cable blanks?"

Harris was still standing in the centre of the room looking down upon the bowed head and shoulders of Hemingway. Since, in amazement, he had sprung toward him, he had not spoken. And he was still silent.

Inside the skull of Wilbur Harris, of Iowa, U. S. A., American consul to Zanzibar, East Africa, there was going forward a mighty struggle that was not fit to put into words. For Harris and his conscience had met and were at odds. One way or the other the fight must be settled at once, and whatever he decided must be for all time. This he understood, and as his sympathies and conscience struggled for the mastery the pen of the detective, scratching at racing speed across the paper, warned him that only a few seconds were left him in which to protest or else to forever after hold his peace.

So realistic had been the acting of Hemingway that for an instant Harris himself had been deceived. But only for an instant. With his knowledge of the circumstances he saw that Hemingway was not confessing to a crime of his own, but drawing across the trail of the real criminal the convenient and useful red herring. He knew that already Hemingway had determined to sail the next morning. In leaving Zanzibar he was making no sacrifice. He merely was carrying out his original plan, and by taking away with him the detective was giving Brownell and his wife at least a month in which to again lose themselves.