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The Life of Charles Dickens, Vol. I-III, Complete
by John Forster
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[226] Dickens's interest in dogs (as in the habits and ways of all animals) was inexhaustible, and he welcomed with delight any new trait. The subjoined, told him by a lady friend, was a great acquisition. "I must close" (14th of May 1867) "with an odd story of a Newfoundland dog. An immense black good-humoured Newfoundland dog. He came from Oxford and had lived all his life at a brewery. Instructions were given with him that if he were let out every morning alone, he would immediately find out the river; regularly take a swim; and gravely come home again. This he did with the greatest punctuality, but after a little while was observed to smell of beer. She was so sure that he smelt of beer that she resolved to watch him. Accordingly, he was seen to come back from his swim, round the usual corner, and to go up a flight of steps into a beer-shop. Being instantly followed, the beer-shop-keeper is seen to take down a pot (pewter pot), and is heard to say: 'Well, old chap! Come for your beer as usual, have you?' Upon which he draws a pint and puts it down, and the dog drinks it. Being required to explain how this comes to pass, the man says, 'Yes ma'am. I know he's your dog ma'am, but I didn't when he first come. He looked in ma'am—as a Brickmaker might—and then he come in—as a Brickmaker might—and he wagged his tail at the pots, and he giv' a sniff round, and conveyed to me as he was used to beer. So I draw'd him a drop, and he drunk it up. Next morning he come agen by the clock and I drawed him a pint, and ever since he has took his pint reglar.'"



CHAPTER IX.

FIRST PAID READINGS.

1858-1859.

First Series—Exeter Audience—Impressions of Dublin—Irish Car-driver—Young Ireland and Old England—Reception in Belfast—At Harrogate—At York—At Manchester—Continued Successes—Scene at Edinburgh—At Dundee—At Aberdeen and Perth—At Glasgow—Glasgow Audience—Subjects of First Readings—First Library Edition of his Books—At Coventry—Frith's Portrait of Dickens.

DICKENS gave his paid public Readings successively, with not long intervals, at four several dates; in 1858-9, in 1861-63, in 1866-67, and in 1868-70; the first series under Mr. Arthur Smith's management, the second under Mr. Headland's, and the third and fourth, in America as well as before and after it, under that of Mr. George Dolby, who, excepting in America, acted for the Messrs. Chappell. The references in the present chapter are to the first series only.

It began with sixteen nights at St. Martin's Hall, the first on the 29th of April, the last on the 22nd of July, 1858; and there was afterwards a provincial tour of 87 readings, beginning at Clifton on the 2nd of August, ending at Brighton on the 13th of November, and taking in Ireland and Scotland as well as the principal English cities: to which were added, in London, three Christmas readings, three in January, with two in the following month; and, in the provinces in the month of October, fourteen, beginning at Ipswich and Norwich, taking in Cambridge and Oxford, and closing with Birmingham and Cheltenham. The series had comprised altogether 125 Readings when it ended on the 27th of October, 1859; and without the touches of character and interest afforded by his letters written while thus employed, the picture of the man would not be complete.

Here was one day's work at the opening which will show something of the fatigue they involved even at their outset. "On Friday we came from Shrewsbury to Chester; saw all right for the evening; and then went to Liverpool. Came back from Liverpool and read at Chester. Left Chester at 11 at night, after the reading, and went to London. Got to Tavistock House at 5 A.M. on Saturday, left it at a quarter past 10 that morning, and came down here" (Gadshill: 15th of August 1858).

The "greatest personal affection and respect" had greeted him everywhere. Nothing could have been "more strongly marked or warmly expressed;" and the readings had "gone" quite wonderfully. What in this respect had most impressed him, at the outset of his adventures, was Exeter. "I think they were the finest audience I ever read to; I don't think I ever read in some respects so well; and I never beheld anything like the personal affection which they poured out upon me at the end. I shall always look back upon it with pleasure." He often lost his voice in these early days, having still to acquire the art of husbanding it; and in the trial to recover it would again waste its power. "I think I sang half the Irish melodies to myself as I walked about, to test it."

An audience of two thousand three hundred people (the largest he had had) greeted him at Liverpool on his way to Dublin, and, besides the tickets sold, more than two hundred pounds in money was taken at the doors. This taxed his business staff a little. "They turned away hundreds, sold all the books, rolled on the ground of my room knee-deep in checks, and made a perfect pantomime of the whole thing." (20th of August.) He had to repeat the reading thrice.[227]

It was the first time he had seen Ireland, and Dublin greatly surprised him by appearing to be so much larger and more populous than he had supposed. He found it to have altogether an unexpectedly thriving look, being pretty nigh as big, he first thought, as Paris; of which some places in it, such as the quays on the river, reminded him. Half the first day he was there, he took to explore it; walking till tired, and then taking a car. "Power, dressed for the character of Teddy the Tiler, drove me: in a suit of patches, and with his hat unbrushed for twenty years. Wonderfully pleasant, light, intelligent, and careless."[228] The number of common people he saw in his drive, "also riding about in cars as hard as they could split," brought to his recollection a more distant scene, and but for the dresses he could have thought himself on the Toledo at Naples.

In respect of the number of his audience, and their reception of him, Dublin was one of his marked successes. He came to have some doubt of their capacity of receiving the pathetic, but of their quickness as to the humorous there could be no question, any more than of their heartiness. He got on wonderfully well with the Dublin people.[229] The Boots at Morrison's expressed the general feeling in a patriotic point of view. "He was waiting for me at the hotel door last night. 'Whaat sart of a hoose sur?' he asked me. 'Capital.' 'The Lard be praised fur the 'onor 'o Dooblin!'" Within the hotel, on getting up next morning, he had a dialogue with a smaller resident, landlord's son he supposed, a little boy of the ripe age of six, which he presented, in his letter to his sister-in-law, as a colloquy between Old England and Young Ireland inadequately reported for want of the "imitation" it required for its full effect. "I am sitting on the sofa, writing, and find him sitting beside me.

"Old England. Halloa old chap.

"Young Ireland. Hal—loo!

"Old England (in his delightful way). What a nice old fellow you are. I am very fond of little boys.

"Young Ireland. Air yes? Ye'r right.

"Old England. What do you learn, old fellow?

"Young Ireland (very intent on Old England, and always childish except in his brogue). I lairn wureds of three sillibils—and wureds of two sillibils—and wureds of one sillibil.

"Old England (cheerfully). Get out, you humbug! You learn only words of one syllable.

"Young Ireland (laughs heartily). You may say that it is mostly wureds of one sillibil.

"Old England. Can you write?

"Young Ireland, Not yet. Things comes by deegrays.

"Old England. Can you cipher?

"Young Ireland (very quickly). Whaat's that?

"Old England. Can you make figures?

"Young Ireland. I can make a nought, which is not asy, being roond.

"Old England. I say, old boy! Wasn't it you I saw on Sunday morning in the Hall, in a soldier's cap? You know!—In a soldier's cap?

"Young Ireland (cogitating deeply). Was it a very good cap?

"Old England. Yes.

"Young Ireland. Did it fit ankommon?

"Old England. Yes.

"Young Ireland. Dat was me!"

The last night in Dublin was an extraordinary scene. "You can hardly imagine it. All the way from the hotel to the Rotunda (a mile), I had to contend against the stream of people who were turned away. When I got there, they had broken the glass in the pay-boxes, and were offering L5 freely for a stall. Half of my platform had to be taken down, and people heaped in among the ruins. You never saw such a scene."[230] But he would not return after his other Irish engagements. "I have positively said No. The work is too hard. It is not like doing it in one easy room, and always the same room. With a different place every night, and a different audience with its own peculiarity every night, it is a tremendous strain. . . . I seem to be always either in a railway carriage or reading, or going to bed; and I get so knocked up whenever I have a minute to remember it, that then I go to bed as a matter of course."

Belfast he liked quite as much as Dublin in another way. "A fine place with a rough people; everything looking prosperous; the railway ride from Dublin quite amazing in the order, neatness, and cleanness of all you see; every cottage looking as if it had been whitewashed the day before; and many with charming gardens, prettily kept with bright flowers." The success, too, was quite as great. "Enormous audiences. We turn away half the town.[231] I think them a better audience on the whole than Dublin; and the personal affection is something overwhelming. I wish you and the dear girls" (he is writing to his sister-in-law) "could have seen the people look at me in the street; or heard them ask me, as I hurried to the hotel after the reading last night, to 'do me the honor to shake hands Misther Dickens and God bless you sir; not ounly for the light you've been to me this night, but for the light you've been in mee house sir (and God love your face!) this many a year!'"[232] He had never seen men "go in to cry so undisguisedly," as they did at the Belfast Dombey reading; and as to the Boots and Mrs. Gamp "it was just one roar with me and them. For they made me laugh so, that sometimes I could not compose my face to go on." His greatest trial in this way however was a little later at Harrogate—"the queerest place, with the strangest people in it, leading the oddest lives of dancing, newspaper-reading, and tables d'hote"—where he noticed, at the same reading, embodiments respectively of the tears and laughter to which he has moved his fellow creatures so largely. "There was one gentleman at the Little Dombey yesterday morning" (he is still writing to his sister-in-law) "who exhibited—or rather concealed—the profoundest grief. After crying a good deal without hiding it, he covered his face with both his hands, and laid it down on the back of the seat before him, and really shook with emotion. He was not in mourning, but I supposed him to have lost some child in old time. . . . There was a remarkably good fellow too, of thirty or so, who found something so very ludicrous in Toots that he could not compose himself at all, but laughed until he sat wiping his eyes with his handkerchief; and whenever he felt Toots coming again, he began to laugh and wipe his eyes afresh; and when Toots came once more, he gave a kind of cry, as if it were too much for him. It was uncommonly droll, and made me laugh heartily."

At Harrogate he read twice on one day (a Saturday), and had to engage a special engine to take him back that night to York, which, having reached at one o'clock in the morning, he had to leave, because of Sunday restrictions on travel, the same morning at half-past four, to enable him to fulfil a Monday's reading at Scarborough. Such fatigues became matters of course; but their effect, not noted at the time, was grave. "At York I had a most magnificent audience, and might have filled the place for a week. . . . I think the audience possessed of a better knowledge of character than any I have seen. But I recollect Doctor Belcombe to have told me long ago that they first found out Charles Mathews's father, and to the last understood him (he used to say) better than any other people. . . . The let is enormous for next Saturday at Manchester, stalls alone four hundred! I shall soon be able to send you the list of places to the 15th of November, the end. I shall be, O most heartily glad, when that time comes! But I must say that the intelligence and warmth of the audiences are an immense sustainment, and one that always sets me up. Sometimes before I go down to read (especially when it is in the day), I am so oppressed by having to do it that I feel perfectly unequal to the task. But the people lift me out of this directly; and I find that I have quite forgotten everything but them and the book, in a quarter of an hour."

The reception that awaited him at Manchester had very special warmth in it, occasioned by an adverse tone taken in the comment of one of the Manchester daily papers on the letter which by a breach of confidence had been then recently printed. "My violated letter" Dickens always called it. "When I came to Manchester on Saturday I found seven hundred stalls taken! When I went into the room at night 2500 people had paid, and more were being turned away from every door. The welcome they gave me was astounding in its affectionate recognition of the late trouble, and fairly for once unmanned me. I never saw such a sight or heard such a sound. When they had thoroughly done it, they settled down to enjoy themselves; and certainly did enjoy themselves most heartily to the last minute." Nor, for the rest of his English tour, in any of the towns that remained, had he reason to complain of any want of hearty greeting. At Sheffield great crowds came in excess of the places. At Leeds the hall overflowed in half an hour. At Hull the vast concourse had to be addressed by Mr. Smith on the gallery stairs, and additional Readings had to be given, day and night, "for the people out of town and for the people in town."

The net profit to himself, thus far, had been upwards of three hundred pounds a week;[233] but this was nothing to the success in Scotland, where his profit in a week, with all expenses paid, was five hundred pounds. The pleasure was enhanced, too, by the presence of his two daughters, who had joined him over the Border. At first the look of Edinburgh was not promising. "We began with, for us, a poor room. . . . But the effect of that reading (it was the Chimes) was immense; and on the next night, for Little Dombey, we had a full room. It is our greatest triumph everywhere. Next night (Poor Traveller, Boots, and Gamp) we turned away hundreds upon hundreds of people; and last night, for the Carol, in spite of advertisements in the morning that the tickets were gone, the people had to be got in through such a crowd as rendered it a work of the utmost difficulty to keep an alley into the room. They were seated about me on the platform, put into the doorway of the waiting-room, squeezed into every conceivable place, and a multitude turned away once more. I think I am better pleased with what was done in Edinburgh than with what has been done anywhere, almost. It was so completely taken by storm, and carried in spite of itself. Mary and Katey have been infinitely pleased and interested with Edinburgh. We are just going to sit down to dinner and therefore I cut my missive short. Travelling, dinner, reading, and everything else, come crowding together into this strange life."

Then came Dundee: "An odd place," he wrote, "like Wapping with high rugged hills behind it. We had the strangest journey here—bits of sea, and bits of railroad, alternately; which carried my mind back to travelling in America. The room is an immense new one, belonging to Lord Kinnaird, and Lord Panmure, and some others of that sort. It looks something between the Crystal-palace and Westminster-hall (I can't imagine who wants it in this place), and has never been tried yet for speaking in. Quite disinterestedly of course, I hope it will succeed." The people he thought, in respect of taste and intelligence, below any other of his Scotch audiences; but they woke up surprisingly, and the rest of his Caledonian tour was a succession of triumphs. "At Aberdeen we were crammed to the street, twice in one day. At Perth (where I thought when I arrived, there literally could be nobody to come) the gentlefolk came posting in from thirty miles round, and the whole town came besides, and filled an immense hall. They were as full of perception, fire, and enthusiasm as any people I have seen. At Glasgow, where I read three evenings and one morning, we took the prodigiously large sum of six hundred pounds! And this at the Manchester prices, which are lower than St. Martin's Hall. As to the effect—I wish you could have seen them after Lilian died in the Chimes, or when Scrooge woke in the Carol and talked to the boy outside the window. And at the end of Dombey yesterday afternoon, in the cold light of day, they all got up, after a short pause, gentle and simple, and thundered and waved their hats with such astonishing heartiness and fondness that, for the first time in all my public career, they took me completely off my legs, and I saw the whole eighteen hundred of them reel to one side as if a shock from without had shaken the hall. Notwithstanding which, I must confess to you, I am very anxious to get to the end of my Readings, and to be at home again, and able to sit down and think in my own study. There has been only one thing quite without alloy. The dear girls have enjoyed themselves immensely, and their trip with me has been a great success."

The subjects of his readings during this first circuit were the Carol, the Chimes, the Trial in Pickwick, the chapters containing Paul Dombey, Boots at the Holly Tree Inn, the Poor Traveller (Captain Doubledick), and Mrs. Gamp: to which he continued to restrict himself through the supplementary nights that closed in the autumn of 1859.[234] Of these the most successful in their uniform effect upon his audiences were undoubtedly the Carol, the Pickwick scene, Mrs. Gamp, and the Dombey—the quickness, variety, and completeness of his assumption of character, having greatest scope in these. Here, I think, more than in the pathos or graver level passages, his strength lay; but this is entitled to no weight other than as an individual opinion, and his audiences gave him many reasons for thinking differently.[235]

The incidents of the period covered by this chapter that had any general interest in them, claim to be mentioned briefly. At the close of 1857 he presided at the fourth anniversary of the Warehousemen and Clerks' Schools, describing and discriminating, with keenest wit and kindliest fun, the sort of schools he liked and he disliked. To the spring and summer of 1858 belongs the first collection of his writings into a succinct library form, each of the larger novels occupying two volumes. In March he paid warm public tribute to Thackeray (who had been induced to take the chair at the General Theatrical Fund) as one for whose genius he entertained the warmest admiration, who did honour to literature, and in whom literature was honoured. In May he presided at the Artists' Benevolent Fund dinner, and made striking appeal for that excellent charity. In July he took earnest part in the opening efforts on behalf of the Royal Dramatic College, which he supplemented later by a speech for the establishment of schools for actors' children; in which he took occasion to declare his belief that there were no institutions in England so socially liberal as its public schools, and that there was nowhere in the country so complete an absence of servility to mere rank, position, or riches. "A boy, there, is always what his abilities or his personal qualities make him. We may differ about the curriculum and other matters, but of the frank, free, manly, independent spirit preserved in our public schools, I apprehend there can be no kind of question." In December[236] he was entertained at a public dinner in Coventry on the occasion of receiving, by way of thanks for help rendered to their Institute, a gold repeater of special construction by the watchmakers of the town; as to which he kept faithfully his pledge to the givers, that it should be thenceforward the inseparable companion of his workings and wanderings, and reckon off the future labours of his days until he should have done with the measurement of time. Within a day from this celebration, he presided at the Institutional Association of Lancashire and Cheshire in Manchester Free Trade Hall; gave prizes to candidates from a hundred and fourteen local mechanics' institutes affiliated to the Association; described in his most attractive language the gallant toiling fellows by whom the prizes had been won; and ended with the monition he never failed to couple with his eulogies of Knowledge, that it should follow the teaching of the Saviour, and not satisfy the understanding merely. "Knowledge has a very limited power when it informs the head only; but when it informs the heart as well, it has a power over life and death, the body and the soul, and dominates the universe."

This too was the year when Mr. Frith completed Dickens's portrait, and it appeared upon the walls of the Academy in the following spring. "I wish," said Edwin Landseer as he stood before it, "he looked less eager and busy, and not so much out of himself, or beyond himself. I should like to catch him asleep and quiet now and then." There is something in the objection, and he also would be envious at times of what he too surely knew could never be his lot. On the other hand who would willingly have lost the fruits of an activity on the whole so healthy and beneficent?

FOOTNOTES:

[227] This was the Carol and Pickwick. "We are reduced sometimes," he adds, "to a ludicrous state of distress by the quantity of silver we have to carry about. Arthur Smith is always accompanied by an immense black leather-bag full." Mr. Smith had an illness a couple of days later, and Dickens whimsically describes his rapid recovery on discovering the state of their balances. "He is now sitting opposite to me on a bag of L40 of silver. It must be dreadfully hard."

[228] A letter to his eldest daughter (23rd of Aug.) makes humorous addition. "The man who drove our jaunting car yesterday hadn't a piece in his coat as big as a penny roll, and had had his hat on (apparently without brushing it) ever since he was grown-up. But he was remarkably intelligent and agreeable, with something to say about everything. For instance, when I asked him what a certain building was, he didn't say 'Courts of Law' and nothing else, but 'Av yer plase Sir, its the foor Coorts o' looyers, where Misther O'Connell stood his trial wunst, as ye'll remimbir sir, afore I till ye ov it.' When we got into the Phoenix Park, he looked round him as if it were his own, and said 'THAT'S a Park sir, av ye plase!' I complimented it, and he said 'Gintlemen tills me as they iv bin, sir, over Europe and never see a Park aqualling ov it. Yander's the Vice-regal Lodge, sir; in thim two corners lives the two Sicretaries, wishing I was thim sir. There's air here sir, av yer plase! There's scenery here sir! There's mountains thim sir! Yer coonsider it a Park sir? It is that sir!'"

[229] The Irish girls outdid the American (i. 385) in one particular. He wrote to his sister-in-law: "Every night, by the bye, since I have been in Ireland, the ladies have beguiled John out of the bouquet from my coat; and yesterday morning, as I had showered the leaves from my geranium in reading Little Dombey, they mounted the platform after I was gone, and picked them all up as a keepsake." A few days earlier he had written to the same correspondent: "The papers are full of remarks upon my white tie, and describe it as being of enormous size, which is a wonderful delusion; because, as you very well know, it is a small tie. Generally, I am happy to report, the Emerald press is in favour of my appearance, and likes my eyes. But one gentleman comes out with a letter at Cork, wherein he says that although only 46, I look like an old man."

[230] "They had offered frantic prices for stalls. Eleven bank-notes were thrust into a paybox at one time for eleven stalls. Our men were flattened against walls and squeezed against beams. Ladies stood all night with their chins against my platform. Other ladies sat all night upon my steps. We turned away people enough to make immense houses for a week." Letter to his eldest daughter.

[231] "Shillings get into stalls, and half-crowns get into shillings, and stalls get nowhere, and there is immense confusion." Letter to his daughter.

[232] "I was brought very near to what I sometimes dream may be my Fame," he says in a letter of later date to myself from York, "when a lady whose face I had never seen stopped me yesterday in the street, and said to me, Mr. Dickens, will you let me touch the hand that has filled my house with many friends." October 1858.

[233] "That is no doubt immense, our expenses being necessarily large, and the travelling party being always five." Another source of profit was the sale of the copies of the several Readings prepared by himself. "Our people alone sell eight, ten, and twelve dozen a night." A later letter says: "The men with the reading books were sold out, for about the twentieth time, at Manchester. Eleven dozen of the Poor Traveller, Boots, and Gamp being sold in about ten minutes, they had no more left; and Manchester became green with the little tracts, in every bookshop, outside every omnibus, and passing along every street. The sale of them, apart from us, must be very great." "Did I tell you," he writes in another letter, "that the agents for our tickets who are also booksellers, say very generally that the readings decidedly increase the sale of the books they are taken from? We were first told of this by a Mr. Parke, a wealthy old gentleman in a very large way at Wolverhampton, who did all the business for love, and would not take a farthing. Since then, we have constantly come upon it; and M'Glashin and Gill at Dublin were very strong about it indeed."

[234] The last of them were given immediately after his completion of the Tale of Two Cities: "I am a little tired; but as little, I suspect, as any man could be with the work of the last four days, and perhaps the change of work was better than subsiding into rest and rust. The Norwich people were a noble audience. There, and at Ipswich and Bury, we had the demonstrativeness of the great working-towns, and a much finer perception."—14th of October 1859.

[235] Two pleasing little volumes may here be named as devoted to special descriptions of the several Readings; by his friend Mr. Charles Kent in England (Charles Dickens as a Reader), and by Miss Kate Field in America (Pen Photographs).

[236] Let me subjoin his own note of a less important incident of that month which will show his quick and sure eye for any bit of acting out of the common. The lady has since justified its closing prediction. Describing an early dinner with Chauncy Townshend, he adds (17th of December 1858): "I escaped at half-past seven, and went to the Strand Theatre: having taken a stall beforehand, for it is always crammed. I really wish you would go, between this and next Thursday, to see the Maid and the Magpie burlesque there. There is the strangest thing in it that ever I have seen on the stage. The boy, Pippo, by Miss Wilton. While it is astonishingly impudent (must be, or it couldn't be done at all), it is so stupendously like a boy, and unlike a woman, that it is perfectly free from offence. I never have seen such a thing. Priscilla Horton, as a boy, not to be thought of beside it. She does an imitation of the dancing of the Christy Minstrels—wonderfully clever—which, in the audacity of its thorough-going, is surprising. A thing that you can not imagine a woman's doing at all; and yet the manner, the appearance, the levity, impulse, and spirits of it, are so exactly like a boy that you cannot think of anything like her sex in association with it. It begins at 8, and is over by a quarter-past 9. I never have seen such a curious thing, and the girl's talent is unchallengeable. I call her the cleverest girl I have ever seen on the stage in my time, and the most singularly original."



CHAPTER X.

ALL THE YEAR ROUND AND THE UNCOMMERCIAL TRAVELLER.

1859-1861.

All the Year Round started—Household Words discontinued—Differences with Mr. Bentley—In Search of a Name for New Periodical—Opening a Story—Success of New Periodical—At Knebworth with Bulwer Lytton—Sale of Christmas Numbers—Commercial Travellers' Schools—Personal References—Remedy for Sleeplessness—"Tramp" Experiences—Reduced Bantams—Bethnal-green Fowls—The Goldfinch and his Friend—Offers from America—Visit of Mr. Fields.

IN the interval before the close of the first circuit of readings, painful personal disputes arising out of the occurrences of the previous year were settled by the discontinuance of Household Words, and the establishment in its place of All the Year Round. The disputes turned upon matters of feeling exclusively, and involved no charge on either side that would render any detailed reference here other than gravely out of place. The question into which the difference ultimately resolved itself was that of the respective rights of the parties as proprietors of Household Words; and this, upon a bill filed in Chancery, was settled by a winding-up order, under which the property was sold. It was bought by Dickens, who, even before the sale, exactly fulfilling a previous announcement of the proposed discontinuance of the existing periodical and establishment of another in its place, precisely similar but under a different title, had started All the Year Round. It was to be regretted perhaps that he should have thought it necessary to move at all, but he moved strictly within his rights.

To the publishers first associated with his great success in literature, Messrs. Chapman and Hall, he now returned for the issue of the remainder of his books; of which he always in future reserved the copyrights, making each the subject of such arrangement as for the time might seem to him desirable. In this he was met by no difficulty; and indeed it will be only proper to add, that, in any points affecting his relations with those concerned in the production of his books, though his resentments were easily and quickly roused, they were never very lasting. The only fair rule therefore was, in a memoir of his life, to confine the mention of such things to what was strictly necessary to explain its narrative. This accordingly has been done; and, in the several disagreements it has been necessary to advert to, I cannot charge myself with having in a single instance overstepped the rule. Objection has been made to my revival of the early differences with Mr. Bentley. But silence respecting them was incompatible with what absolutely required to be said, if the picture of Dickens in his most interesting time, at the outset of his career in letters, was not to be omitted altogether; and, suppressing everything of mere temper that gathered round the dispute, use was made of those letters only containing the young writer's urgent appeal to be absolved, rightly or wrongly, from engagements he had too precipitately entered into. Wrongly, some might say, because the law was undoubtedly on Mr. Bentley's side; but all subsequent reflection has confirmed the view I was led strongly to take at the time, that in the facts there had come to be involved what the law could not afford to overlook, and that the sale of brain-work can never be adjusted by agreement with the same exactness and certainty as that of ordinary goods and chattels. Quitting the subject once for all with this remark, it is not less incumbent on me to say that there was no stage of the dispute in which Mr. Bentley, holding as strongly the other view, might not think it to have sufficient justification; and certainly in later years there was no absence of friendly feeling on the part of Dickens to his old publisher. This already has been mentioned; and on the occasion of Hans Andersen's recent visit to Gadshill, Mr. Bentley was invited to meet the celebrated Dane. Nor should I omit to say, that, in the year to which this narrative has now arrived, his prompt compliance with an intercession made to him for a common friend pleased Dickens greatly.

At the opening of 1859, bent upon such a successor to Household Words as should carry on the associations connected with its name, Dickens was deep in search of a title to give expression to them. "My determination to settle the title arises out of my knowledge that I shall never be able to do anything for the work until it has a fixed name; also out of my observation that the same odd feeling affects everybody else." He had proposed to himself a title that, as in Household Words, might be capable of illustration by a line from Shakespeare; and alighting upon that wherein poor Henry the Sixth is fain to solace his captivity by the fancy, that, like birds encaged he might soothe himself for loss of liberty "at last by notes of household harmony," he for the time forgot that this might hardly be accepted as a happy comment on the occurrences out of which the supposed necessity had arisen of replacing the old by a new household friend. "Don't you think," he wrote on the 24th of January, "this is a good name and quotation? I have been quite delighted to get hold of it for our title.

"HOUSEHOLD HARMONY.

"'At last by notes of Household Harmony.'—Shakespeare."

He was at first reluctant even to admit the objection when stated to him. "I am afraid we must not be too particular about the possibility of personal references and applications: otherwise it is manifest that I never can write another book. I could not invent a story of any sort, it is quite plain, incapable of being twisted into some such nonsensical shape. It would be wholly impossible to turn one through half a dozen chapters." Of course he yielded, nevertheless; and much consideration followed over sundry other titles submitted. Reviving none of those formerly rejected, here were a few of these now rejected in their turn. THE HEARTH. THE FORGE. THE CRUCIBLE. THE ANVIL OF THE TIME. CHARLES DICKENS'S OWN. SEASONABLE LEAVES. EVERGREEN LEAVES. HOME. HOME-MUSIC. CHANGE. TIME AND TIDE. TWOPENCE. ENGLISH BELLS. WEEKLY BELLS. THE ROCKET. GOOD HUMOUR. Still the great want was the line adaptable from Shakespeare, which at last exultingly he sent on the 28th of January.

"I am dining early, before reading, and write literally with my mouth full. But I have just hit upon a name that I think really an admirable one—especially with the quotation before it, in the place where our present H. W. quotation stands.

"'The story of our lives, from year to year.'—Shakespeare." "ALL THE YEAR ROUND.

"A weekly journal conducted by Charles Dickens."

With the same resolution and energy other things necessary to the adventure were as promptly done. "I have taken the new office," he wrote from Tavistock House on the 21st of February; "have got workmen in; have ordered the paper; settled with the printer; and am getting an immense system of advertising ready. Blow to be struck on the 12th of March. . . . Meantime I cannot please myself with the opening of my story" (the Tale of Two Cities, which All the Year Round was to start with), "and cannot in the least settle at it or take to it. . . . I wish you would come and look at what I flatter myself is a rather ingenious account to which I have turned the Stanfield scenery here." He had placed the Lighthouse scene in a single frame; had divided the scene of the Frozen Deep into two subjects, a British man-of-war and an Arctic sea, which he had also framed; and the school-room that had been the theatre was now hung with sea-pieces by a great painter of the sea. To believe them to have been but the amusement of a few mornings was difficult indeed. Seen from the due distance there was nothing wanting to the most masterly and elaborate art.

The first number of All the Year Round appeared on the 30th of April, and the result of the first quarter's accounts of the sale will tell everything that needs to be said of a success that went on without intermission to the close. "A word before I go back to Gadshill," he wrote from Tavistock House in July, "which I know you will be glad to receive. So well has All the Year Round gone that it was yesterday able to repay me, with five per cent. interest, all the money I advanced for its establishment (paper, print &c. all paid, down to the last number), and yet to leave a good L500 balance at the banker's!" Beside the opening of his Tale of Two Cities its first number had contained another piece of his writing, the "Poor Man and his Beer;" as to which an interesting note has been sent me. The Rev. T. B. Lawes, of Rothamsted, St. Alban's, had been associated upon a sanitary commission with Mr. Henry Austin, Dickens's brother-in-law and counsellor in regard to all such matters in his own houses, or in the houses of the poor; and this connection led to Dickens's knowledge of a club that Mr. Lawes had established at Rothamsted, which he became eager to recommend as an example to other country neighbourhoods. The club had been set on foot[237] to enable the agricultural labourers of the parish to have their beer and pipes independent of the public-house; and the description of it, says Mr. Lawes, "was the occupation of a drive between this place (Rothamsted) and London, 25 miles, Mr. Dickens refusing the offer of a bed, and saying that he could arrange his ideas on the journey. In the course of our conversation I mentioned that the labourers were very jealous of the small tradesmen, blacksmiths and others, holding allotment-gardens; but that the latter did so indirectly by paying higher rents to the labourers for a share. This circumstance is not forgotten in the verses on the Blacksmith in the same number, composed by Mr. Dickens and repeated to me while he was walking about, and which close the mention of his gains with allusion to

"A share (concealed) in the poor man's field, Which adds to the poor man's store."

The periodical thus established was in all respects, save one, so exactly the counterpart of what it replaced, that a mention of this point of difference is the only description of it called for. Besides his own three-volume stories of The Tale of Two Cities and Great Expectations, Dickens admitted into it other stories of the same length by writers of character and name, of which the authorship was avowed. It published tales of varied merit and success by Mr. Edmund Yates, Mr. Percy Fitzgerald, and Mr. Charles Lever. Mr. Wilkie Collins contributed to it his Woman in White, No Name, and Moonstone, the first of which had a pre-eminent success; Mr. Reade his Hard Cash; and Lord Lytton his Strange Story. Conferring about the latter Dickens passed a week at Knebworth, accompanied by his daughter and sister-in-law, in the summer of 1861, as soon as he had closed Great Expectations; and there met Mr. Arthur Helps, with whom and Lord Orford he visited the so-called "Hermit" near Stevenage, whom he described as Mr. Mopes in Tom Tiddler's Ground. With his great brother-artist he thoroughly enjoyed himself, as he invariably did; and reported him as "in better health and spirits than I have seen him in, in all these years,—a little weird occasionally regarding magic and spirits, but always fair and frank under opposition. He was brilliantly talkative, anecdotical, and droll; looked young and well; laughed heartily; and enjoyed with great zest some games we played. In his artist-character and talk, he was full of interest and matter, saying the subtlest and finest things—but that he never fails in. I enjoyed myself immensely, as we all did."[238]

In All the Year Round, as in its predecessor, the tales for Christmas were of course continued, but with a surprisingly increased popularity; and Dickens never had such sale for any of his writings as for his Christmas pieces in the later periodical. It had reached, before he died, to nearly three hundred thousand. The first was called the Haunted House, and had a small mention of a true occurrence in his boyhood which is not included in the bitter record on a former page. "I was taken home, and there was debt at home as well as death, and we had a sale there. My own little bed was so superciliously looked upon by a power unknown to me hazily called The Trade, that a brass coal-scuttle, a roasting jack, and a bird cage were obliged to be put into it to make a lot of it, and then it went for a song. So I heard mentioned, and I wondered what song, and thought what a dismal song it must have been to sing!" The other subjects will have mention in another chapter.

His tales were not his only important work in All the Year Round. The detached papers written by him there had a character and completeness derived from their plan, and from the personal tone, as well as frequent individual confessions, by which their interest is enhanced, and which will always make them specially attractive. Their title expressed a personal liking. Of all the societies, charitable or self-assisting, which his tact and eloquence in the "chair" so often helped, none had interested him by the character of its service to its members, and the perfection of its management, so much as that of the Commercial Travellers. His, admiration of their schools introduced him to one who then acted as their treasurer, and whom, of all the men he had known, I think he rated highest for the union of business qualities in an incomparable measure to a nature comprehensive enough to deal with masses of men, however differing in creed or opinion, humanely and justly. He never afterwards wanted support for any good work that he did not think first of Mr. George Moore,[239] and appeal was never made to him in vain. "Integrity, enterprise, public spirit, and benevolence," he told the Commercial Travellers on one occasion, "had their synonym in Mr. Moore's name;" and it was another form of the same liking when he took to himself the character and title of a Traveller Uncommercial. "I am both a town traveller and a country traveller, and am always on the road. Figuratively speaking, I travel for the great house of Human-interest Brothers, and have rather a large connection in the fancy goods way. Literally speaking, I am always wandering here and there from my rooms in Covent-garden, London: now about the city streets; now about the country by-roads: seeing many little things, and some great things, which, because they interest me, I think may interest others." In a few words that was the plan and drift of the papers which he began in 1860, and continued to write from time to time until the last autumn of his life.

Many of them, such as "Travelling Abroad," "City Churches," "Dullborough," "Nurses' Stories," and "Birthday Celebrations," have supplied traits, chiefly of his younger days, to portions of this memoir; and parts of his later life receive illustration from others, such as "Tramps," "Night Walks," "Shy Neighbourhoods," "The Italian Prisoner," and "Chatham Dockyard." Indeed hardly any is without its personal interest or illustration. One may learn from them, among other things, what kind of treatment he resorted to for the disorder of sleeplessness from which he had often suffered amid his late anxieties. Experimenting upon it in bed, he found to be too slow and doubtful a process for him; but he very soon defeated his enemy by the brisker treatment, of getting up directly after lying down, going out, and coming home tired at sunrise. "My last special feat was turning out of bed at two, after a hard day pedestrian and otherwise, and walking thirty miles into the country to breakfast." One description he did not give in his paper, but I recollect his saying that he had seldom seen anything so striking as the way in which the wonders of an equinoctial dawn (it was the 15th of October 1857) presented themselves during that walk. He had never before happened to see night so completely at odds with morning, "which was which." Another experience of his night ramblings used to be given in vivid sketches of the restlessness of a great city, and the manner in which it also tumbles and tosses before it can get to sleep. Nor should anyone curious about his habits and ways omit to accompany him with his Tramps into Gadshill lanes; or to follow him into his Shy Neighbourhoods of the Hackney-road, Waterloo-road, Spitalfields, or Bethnal-green. For delightful observation both of country and town, for the wit that finds analogies between remote and familiar things, and for humorous personal sketches and experience, these are perfect of their kind.

"I have my eye upon a piece of Kentish road, bordered on either side by a wood, and having on one hand, between the road-dust and the trees, a skirting patch of grass. Wild flowers grow in abundance on this spot, and it lies high and airy, with a distant river stealing steadily away to the ocean, like a man's life. To gain the mile-stone here, which the moss, primroses, violets, blue-bells, and wild roses, would soon render illegible but for peering travellers pushing them aside with their sticks, you must come up a steep hill, come which way you may. So, all the tramps with carts or caravans—the Gipsy-tramp, the Show-tramp, the Cheap Jack—find it impossible to resist the temptations of the place; and all turn the horse loose when they come to it, and boil the pot. Bless the place, I love the ashes of the vagabond fires that have scorched its grass!" It was there he found Dr. Marigold, and Chops the Dwarf, and the White-haired Lady with the pink eyes eating meat-pie with the Giant. So, too, in his Shy Neighbourhoods, when he relates his experiences of the bad company that birds are fond of, and of the effect upon domestic fowls of living in low districts, his method of handling the subject has all the charm of a discovery. "That anything born of an egg and invested with wings should have got to the pass that it hops contentedly down a ladder into a cellar, and calls that going home, is a circumstance so amazing as to leave one nothing more in this connexion to wonder at." One of his illustrations is a reduced Bantam family in the Hackney-road deriving their sole enjoyment from crowding together in a pawnbroker's side-entry; but seeming as if only newly come down in the world, and always in a feeble flutter of fear that they may be found out. He contrasts them with others. "I know a low fellow, originally of a good family from Dorking, who takes his whole establishment of wives, in single file, in at the door of the Jug Department of a disorderly tavern near the Haymarket, manoeuvres them among the company's legs, emerges with them at the Bottle Entrance, and so passes his life: seldom, in the season, going to bed before two in the morning. . . . But, the family I am best acquainted with, reside in the densest part of Bethnal-green. Their abstraction from the objects among which they live, or rather their conviction that those objects have all come into existence in express subservience to fowls, has so enchanted me, that I have made them the subject of many journeys at divers hours. After careful observation of the two lords and the ten ladies of whom this family consists, I have come to the conclusion that their opinions are represented by the leading lord and leading lady: the latter, as I judge, an aged personage, afflicted with a paucity of feather and visibility of quill that gives her the appearance of a bundle of office pens. When a railway goods-van that would crush an elephant comes round the corner, tearing over these fowls, they emerge unharmed from under the horses, perfectly satisfied that the whole rush was a passing property in the air, which may have left something to eat behind it. They look upon old shoes, wrecks of kettles and saucepans, and fragments of bonnets, as a kind of meteoric discharge, for fowls to peck at. . . . Gaslight comes quite as natural to them as any other light; and I have more than a suspicion that, in the minds of the two lords, the early public-house at the corner has superseded the sun. They always begin to crow when the public-house shutters begin to be taken down, and they salute the Potboy, the instant he appears to perform that duty, as if he were Phoebes in person." For the truth of the personal adventure in the same essay, which he tells in proof of a propensity to bad company in more refined members of the feathered race, I am myself in a position to vouch. Walking by a dirty court in Spitalfields one day, the quick little busy intelligence of a goldfinch, drawing water for himself in his cage, so attracted him that he bought the bird, which had other accomplishments; but not one of them would the little creature show off in his new abode in Doughty-street, and he drew no water but by stealth or under the cloak of night. "After an interval of futile and at length hopeless expectation, the merchant who had educated him was appealed to. The merchant was a bow-legged character, with a flat and cushiony nose, like the last new strawberry. He wore a fur cap, and shorts, and was of the velveteen race, velveteeny. He sent word that he would 'look round.' He looked round, appeared in the doorway of the room, and slightly cocked up his evil eye at the goldfinch. Instantly a raging thirst beset that bird; and when it was appeased, he still drew several unnecessary buckets of water, leaping about his perch and sharpening his bill with irrepressible satisfaction."

The Uncommercial Traveller papers, his two serial stories, and his Christmas tales, were all the contributions of any importance made by Dickens to All the Year Round; but he reprinted in it, on the completion of his first story, a short tale called "Hunted Down," written for a newspaper in America called the New York Ledger. Its subject had been taken from the life of a notorious criminal already named, and its principal claim to notice was the price paid for it. For a story not longer than half of one of the numbers of Chuzzlewit or Copperfield, he had received a thousand pounds.[240] It was one of the indications of the eager desire which his entry on the career of a public reader had aroused in America to induce him again to visit that continent; and at the very time he had this magnificent offer from the New York journal, Mr. Fields of Boston, who was then on a visit to Europe, was pressing him so much to go that his resolution was almost shaken. "I am now," he wrote to me from Gadshill on the 9th of July 1859, "getting the Tale of Two Cities into that state that IF I should decide to go to America late in September, I could turn to, at any time, and write on with great vigour. Mr. Fields has been down here for a day, and with the strongest intensity urges that there is no drawback, no commercial excitement or crisis, no political agitation; and that so favourable an opportunity, in all respects, might not occur again for years and years. I should be one of the most unhappy of men if I were to go, and yet I cannot help being much stirred and influenced by the golden prospect held before me."

He yielded nevertheless to other persuasion, and for that time the visit was not to be. In six months more the Civil War began, and America was closed to any such enterprise for nearly five years.

FOOTNOTES:

[237] It is pleasant to have to state that it was still flourishing when I received Mr. Lawes's letter, on the 18th of December 1871.

[238] From the same letter, dated 1st of July 1861, I take what follows. "Poor Lord Campbell's seems to me as easy and good a death as one could desire. There must be a sweep of these men very soon, and one feels as if it must fall out like the breaking of an arch—one stone goes from a prominent place, and then the rest begin to drop. So, one looks, not without satisfaction (in our sadness) at lives so rounded and complete, towards Brougham, and Lyndhurst, and Pollock" . . . Yet, of Dickens's own death, Pollock lived to write to me as the death of "one of the most distinguished and honoured men England has ever produced; in whose loss every man among us feels that he has lost a friend and an instructor." Temple-Hatton, 10th of June 1870.

[239] If space were available here, his letters would supply many proofs of his interest in Mr. George Moore's admirable projects; but I can only make exception for his characteristic allusion to an incident that tickled his fancy very much at the time. "I hope" (20th of Aug. 1863) "you have been as much amused as I am by the account of the Bishop of Carlisle at (my very particular friend's) Mr. George Moore's schools? It strikes me as the funniest piece of weakness I ever saw, his addressing those unfortunate children concerning Colenso. I cannot get over the ridiculous image I have erected in my mind, of the shovel-hat and apron holding forth, at that safe distance, to that safe audience. There is nothing so extravagant in Rabelais, or so satirically humorous in Swift or Voltaire."

[240] Eight years later he wrote "Holiday Romance" for a Child's Magazine published by Mr. Fields, and "George Silverman's Explanation"—of the same length, and for the same price. There are no other such instances, I suppose, in the history of literature.



CHAPTER XI.

SECOND SERIES OF READINGS.

1861-1863.

Daughter Kate's Marriage—Wedding Party—Sale of Tavistock House—Brother Alfred's Death—Metropolitan Readings—Proposed Provincial Readings—Good of doing Nothing—New Subjects for Readings—Mr. Arthur Smith's Death—Eldest Son's Marriage—Audience at Brighton—Audiences at Canterbury and Dover—Alarming Scene at Newcastle—Impromptu Reading Hall at Berwick-on-Tweed—In Scotland—At Torquay—At Liverpool—Metropolitan Success—Offer from Australia—Writing or Reading not always possible—Arguments for and against going to Australia—Readings in Paris—A Religious Richardson's Show—Exiled Ex-potentate.

AT the end of the first year of residence at Gadshill it was the remark of Dickens that nothing had gratified him so much as the confidence with which his poorer neighbours treated him. He had tested generally their worth and good conduct, and they had been encouraged in illness or trouble to resort to him for help. There was pleasant indication of the feeling thus awakened, when, in the summer of 1860, his younger daughter Kate was married to Charles Alston Collins, brother of the novelist, and younger son of the painter and academician, who might have found, if spared to witness that summer-morning scene, subjects not unworthy of his delightful pencil in many a rustic group near Gadshill. All the villagers had turned out in honour of Dickens, and the carriages could hardly get to and from the little church for the succession of triumphal arches they had to pass through. It was quite unexpected by him; and when the feu de joie of the blacksmith in the lane, whose enthusiasm had smuggled a couple of small cannon into his forge, exploded upon him at the return, I doubt if the shyest of men was ever so taken aback at an ovation.

To name the principal persons present that day will indicate the faces that (with addition of Miss Mary Boyle, Miss Marguerite Power, Mr. Fechter, Mr. Charles Kent, Mr. Edmund Yates, Mr. Percy Fitzgerald, and members of the family of Mr. Frank Stone, whose sudden death[241] in the preceding year had been a great grief to Dickens) were most familiar at Gadshill in these later years. Mr. Frederic Lehmann was there with his wife, whose sister, Miss Chambers, was one of the bridesmaids; Mr. and Mrs. Wills were there, and Dickens's old fast friend Mr. Thomas Beard; the two nearest country neighbours with whom the family had become very intimate, Mr. Hulkes and Mr. Malleson, with their wives, joined the party; among the others were Henry Chorley, Chauncy Townshend, and Wilkie Collins; and, for friend special to the occasion, the bridegroom had brought his old fellow-student in art, Mr. Holman Hunt. Mr. Charles Collins had himself been bred as a painter, for success in which line he had some rare gifts; but inclination and capacity led him also to literature, and, after much indecision between the two callings, he took finally to letters. His contributions to All the Year Round were among the most charming of its detached papers, and two stories published independently showed strength of wing for higher flights. But his health broke down, and his taste was too fastidious for his failing power. It is possible however that he may live by two small books of description, the New Sentimental Journey and the Cruize on Wheels, which have in them unusual delicacy and refinement of humour; and if those volumes should make any readers in another generation curious about the writer, they will learn, if correct reply is given to their inquiries, that no man disappointed so many reasonable hopes with so little fault or failure of his own, that his difficulty always was to please himself, and that an inferior mind would have been more successful in both the arts he followed. He died in 1873 in his forty-fifth year; and until then it was not known, even by those nearest to him, how great must have been the suffering which he had borne, through many trying years, with uncomplaining patience.

His daughter's marriage was the chief event that had crossed the even tenor of Dickens's life since his first paid readings closed; and it was followed by the sale of Tavistock House, with the resolve to make his future home at Gadshill. In the brief interval (29th of July) he wrote to me of his brother Alfred's death. "I was telegraphed for to Manchester on Friday night. Arrived there at a quarter past ten, but he had been dead three hours, poor fellow! He is to be buried at Highgate on Wednesday. I brought the poor young widow back with me yesterday." All that this death involved,[242] the troubles of his change of home, and some difficulties in working out his story, gave him more than sufficient occupation till the following spring; and as the time arrived for the new Readings, the change was a not unwelcome one.

The first portion of this second series was planned by Mr. Arthur Smith, but he only superintended the six readings in London which opened it. These were the first at St. James's Hall (St. Martin's Hall having been burnt since the last readings there) and were given in March and April 1861. "We are all well here and flourishing," he wrote to me from Gadshill on the 28th of April. "On the 18th I finished the readings as I purposed. We had between seventy and eighty pounds in the stalls, which, at four shillings apiece, is something quite unprecedented in these times. . . . The result of the six was, that, after paying a large staff of men and all other charges, and Arthur Smith's ten per cent. on the receipts, and replacing everything destroyed in the fire at St. Martin's Hall (including all our tickets, country-baggage, cheque-boxes, books, and a quantity of gas-fittings and what not), I got upwards of L500. A very great result. We certainly might have gone on through the season, but I am heartily glad to be concentrated on my story."

It had been part of his plan that the Provincial Readings should not begin until a certain interval after the close of his story of Great Expectations. They were delayed accordingly until the 28th of October, from which date, when they opened at Norwich, they went on with the Christmas intervals to be presently named to the 30th of January 1862, when they closed at Chester. Kept within England and Scotland, they took in the border town of Berwick, and, besides the Scotch cities, comprised the contrasts and varieties of Norwich and Lancaster, Bury St. Edmunds and Cheltenham, Carlisle and Hastings, Plymouth and Birmingham, Canterbury and Torquay, Preston and Ipswich, Manchester and Brighton, Colchester and Dover, Newcastle and Chester. They were followed by ten readings at the St. James's Hall, between the 13th of March and the 27th of June 1862; and by four at Paris in January 1863, given at the Embassy in aid of the British Charitable Fund. The second series had thus in the number of the readings nearly equalled the first, when it closed at London in June 1863 with thirteen readings in the Hanover Square Rooms; and it is exclusively the subject of such illustrations or references as this chapter will supply.

On Great Expectations closing in June 1861, Bulwer Lytton, at Dickens's earnest wish, took his place in All the Year Round with the "Strange Story;" and he then indulged himself in idleness for a little while. "The subsidence of those distressing pains in my face the moment I had done my work, made me resolve to do nothing in that way for some time if I could help it."[243] But his "doing nothing" was seldom more than a figure of speech, and what it meant in this case was soon told. "Every day for two or three hours, I practise my new readings, and (except in my office work) do nothing else. With great pains I have made a continuous narrative out of Copperfield, that I think will reward the exertion it is likely to cost me. Unless I am much mistaken, it will be very valuable in London. I have also done Nicholas Nickleby at the Yorkshire school, and hope I have got something droll out of Squeers, John Browdie, & Co. Also, the Bastille prisoner from the Tale of Two Cities. Also, the Dwarf from one of our Christmas numbers." Only the first two were added to the list for the present circuit.

It was in the midst of these active preparations that painful news reached him. An illness under which Mr. Arthur Smith had been some time suffering took unexpectedly a dangerous turn, and there came to be but small chance of his recovery. A distressing interview on the 28th of September gave Dickens little hope. "And yet his wakings and wanderings so perpetually turn on his arrangements for the Readings, and he is so desperately unwilling to relinquish the idea of 'going on with the business' to-morrow and to-morrow and to-morrow, that I had not the heart to press him for the papers. He told me that he believed he had by him '70 or 80 letters unanswered.' You may imagine how anxious it makes me, and at what a deadstop I stand." Another week passed, and with it the time fixed at the places where his work was to have opened; but he could not bring himself to act as if all hope had gone. "With a sick man who has been so zealous and faithful, I feel bound to be very tender and patient. When I told him the other day about my having engaged Headland—'to do all the personally bustling and fatiguing part of your work,' I said—he nodded his heavy head with great satisfaction, and faintly got out of himself the words, 'Of course I pay him, and not you.'" The poor fellow died in October; and on the day after attending the funeral,[244] Dickens heard of the death of his brother-in-law and friend, Mr. Henry Austin, whose abilities and character he respected as much as he liked the man. He lost much in losing the judicious and safe counsel which had guided him on many public questions in which he took lively interest, and it was with a heavy heart he set out at last upon his second circuit. "With what difficulty I get myself back to the readings after all this loss and trouble, or with what unwillingness I work myself up to the mark of looking them in the face, I can hardly say. As for poor Arthur Smith at this time, it is as if my right arm were gone. It is only just now that I am able to open one of the books, and screw the text out of myself in a flat dull way. Enclosed is the list of what I have to do. You will see that I have left ten days in November for the Christmas number, and also a good Christmas margin for our meeting at Gadshill. I shall be very glad to have the money that I expect to get; but it will be earned." That November interval was also the date of the marriage of his eldest son to the daughter of Mr. Evans, so long, in connection with Mr. Bradbury, his publisher and printer.

The start of the readings at Norwich was not good, so many changes of vexation having been incident to the opening announcements as to leave some doubt of their fulfilment. But the second night, when trial was made of the Nickleby scenes, "we had a splendid hall, and I think Nickleby will top all the readings. Somehow it seems to have got in it, by accident, exactly the qualities best suited to the purpose; and it went last night, not only with roars, but with a general hilarity and pleasure that I have never seen surpassed."[245] From this night onward, the success was uninterrupted, and here was his report to me from Brighton on the 8th of November. "We turned away half Dover and half Hastings and half Colchester; and, if you can believe such a thing, I may tell you that in round numbers we find 1000 stalls already taken here in Brighton! I left Colchester in a heavy snow-storm. To-day it is so warm here that I can hardly bear the fire, and am writing with the window open down to the ground. Last night I had a most charming audience for Copperfield, with a delicacy of perception that really made the work delightful. It is very pretty to see the girls and women generally, in the matter of Dora; and everywhere I have found that peculiar personal relation between my audience and myself on which I counted most when I entered on this enterprise. Nickleby continues to go in the wildest manner."

A storm was at this time sweeping round the coast, and while at Dover he had written of it to his sister-in-law (7th of November): "The bad weather has not in the least touched us, and the storm was most magnificent at Dover. All the great side of the Lord Warden next the sea had to be emptied, the break of the waves was so prodigious, and the noise so utterly confounding. The sea came in like a great sky of immense clouds, for ever breaking suddenly into furious rain; all kinds of wreck were washed in; among other things, a very pretty brass-bound chest being thrown about like a feather. . . . The unhappy Ostend packet, unable to get in or go back, beat about the Channel all Tuesday night, and until noon yesterday; when I saw her come in, with five men at the wheel, a picture of misery inconceivable. . . . The effect of the readings at Hastings and Dover really seems to have outdone the best usual impression; and at Dover they wouldn't go, but sat applauding like mad. The most delicate audience I have seen in any provincial place, is Canterbury" ("an intelligent and delightful response in them," he wrote to his daughter, "like the touch of a beautiful instrument"); "but the audience with the greatest sense of humour certainly is Dover. The people in the stalls set the example of laughing, in the most curiously unreserved way; and they laughed with such really cordial enjoyment, when Squeers read the boys' letters, that the contagion extended to me. For, one couldn't hear them without laughing too. . . . So, I am thankful to say, all goes well, and the recompense for the trouble is in every way Great."

From the opposite quarter of Berwick-on-Tweed he wrote again in the midst of storm. But first his mention of Newcastle, which he had also taken on his way to Edinburgh, reading two nights there, should be given. "At Newcastle, against the very heavy expenses, I made more than a hundred guineas profit. A finer audience there is not in England, and I suppose them to be a specially earnest people; for, while they can laugh till they shake the roof, they have a very unusual sympathy with what is pathetic or passionate. An extraordinary thing occurred on the second night. The room was tremendously crowded and my gas-apparatus fell down. There was a terrible wave among the people for an instant, and God knows what destruction of life a rush to the stairs would have caused. Fortunately a lady in the front of the stalls ran out towards me, exactly in a place where I knew that the whole hall could see her. So I addressed her, laughing, and half-asked and half-ordered her to sit down again; and, in a moment, it was all over. But the men in attendance had such a fearful sense of what might have happened (besides the real danger of Fire) that they positively shook the boards I stood on, with their trembling, when they came up to put things right. I am proud to record that the gas-man's sentiment, as delivered afterwards, was, 'The more you want of the master, the more you'll find in him.' With which complimentary homage, and with the wind blowing so that I can hardly hear myself write, I conclude."[246]

It was still blowing, in shape of a gale from the sea, when, an hour before the reading, he wrote from the King's Arms at Berwick-on-Tweed. "As odd and out of the way a place to be at, it appears to me, as ever was seen! And such a ridiculous room designed for me to read in! An immense Corn Exchange, made of glass and iron, round, dome-topp'd, lofty, utterly absurd for any such purpose, and full of thundering echoes; with a little lofty crow's nest of a stone gallery, breast high, deep in the wall, into which it was designed to put——me! I instantly struck, of course; and said I would either read in a room attached to this house (a very snug one, capable of holding 500 people), or not at all. Terrified local agents glowered, but fell prostrate, and my men took the primitive accommodation in hand. Ever since, I am alarmed to add, the people (who besought the honour of the visit) have been coming in numbers quite irreconcileable with the appearance of the place, and what is to be the end I do not know. It was poor Arthur Smith's principle that a town on the way paid the expenses of a long through-journey, and therefore I came." The Reading paid more than those expenses.

Enthusiastic greeting awaited him in Edinburgh. "We had in the hall exactly double what we had on the first night last time. The success of Copperfield was perfectly unexampled. Four great rounds of applause with a burst of cheering at the end, and every point taken in the finest manner." But this was nothing to what befell on the second night, when, by some mistake of the local agents, the tickets issued were out of proportion to the space available. Writing from Glasgow next day (3rd of December) he described the scene. "Such a pouring of hundreds into a place already full to the throat, such indescribable confusion, such a rending and tearing of dresses, and yet such a scene of good humour on the whole, I never saw the faintest approach to. While I addressed the crowd in the room, G addressed the crowd in the street. Fifty frantic men got up in all parts of the hall and addressed me all at once. Other frantic men made speeches to the walls. The whole B family were borne in on the top of a wave, and landed with their faces against the front of the platform. I read with the platform crammed with people. I got them to lie down upon it, and it was like some impossible tableau or gigantic pic-nic—one pretty girl in full dress, lying on her side all night, holding on to one of the legs of my table! It was the most extraordinary sight. And yet, from the moment I began to the moment of my leaving off, they never missed a point, and they ended with a burst of cheers. . . . The expenditure of lungs and spirits was (as you may suppose) rather great; and to sleep well was out of the question. I am therefore rather fagged to-day; and as the hall in which I read to-night is a large one, I must make my letter a short one. . . . My people were torn to ribbons last night. They have not a hat among them—and scarcely a coat." He came home for his Christmas rest by way of Manchester, and thus spoke of the reading there on the 14th of December. "Copperfield in the Free Trade Hall last Saturday was really a grand scene."

He was in southern latitudes after Christmas, and on the 8th of January wrote from Torquay: "We are now in the region of small rooms, and therefore this trip will not be as profitable as the long one. I imagine the room here to be very small. Exeter I know, and that is small too. I am very much used up on the whole, for I cannot bear this moist warm climate. It would kill me very soon. And I have now got to the point of taking so much out of myself with Copperfield that I might as well do Richard Wardour. . . . This is a very pretty place—a compound of Hastings, Tunbridge Wells, and little bits of the hills about Naples; but I met four respirators as I came up from the station, and three pale curates without them who seemed in a bad way." They had been not bad omens, however. The success was good, at both Torquay and Exeter; and he closed the month, and this series of the country readings, at the great towns of Liverpool and Chester. "The beautiful St. George's Hall crowded to excess last night" (28th of January 1862) "and numbers turned away. Brilliant to see when lighted up, and for a reading simply perfect. You remember that a Liverpool audience is usually dull; but they put me on my mettle last night, for I never saw such an audience—no, not even in Edinburgh! The agents (alone, and of course without any reference to ready money at the doors) had taken for the two readings two hundred pounds." But as the end approached the fatigues had told severely on him. He described himself sleeping horribly, and with head dazed and worn by gas and heat. Rest, before he could resume at the St. James's Hall in March, was become an absolute necessity.

Two brief extracts from letters of the dates respectively of the 8th of April[247] and the 28th of June will sufficiently describe the London readings. "The money returns have been quite astounding. Think of L190 a night! The effect of Copperfield exceeds all the expectations which its success in the country led me to form. It seems to take people entirely by surprise. If this is not new to you, I have not a word of news. The rain that raineth every day seems to have washed news away or got it under water." That was in April. In June he wrote: "I finished my readings on Friday night to an enormous hall—nearly L200. The success has been throughout complete. It seems almost suicidal to leave off with the town so full, but I don't like to depart from my public pledge. A man from Australia is in London ready to pay L10,000 for eight months there. If——" It was an If that troubled him for some time, and led to agitating discussion. The civil war having closed America, an increase made upon the just-named offer tempted him to Australia. He tried to familiarize himself with the fancy that he should thus also get new material for observation, and he went so far as to plan an Uncommercial Traveller Upside Down.[248] It is however very doubtful if such a scheme would have been entertained for a moment, but for the unwonted difficulties of invention that were now found to beset a twenty-number story. Such a story had lately been in his mind, and he had just chosen the title for it (Our Mutual Friend); but still he halted and hesitated sorely. "If it was not," (he wrote on the 5th of October 1862) "for the hope of a gain that would make me more independent of the worst, I could not look the travel and absence and exertion in the face. I know perfectly well beforehand how unspeakably wretched I should be. But these renewed and larger offers tempt me. I can force myself to go aboard a ship, and I can force myself to do at that reading-desk what I have done a hundred times; but whether, with all this unsettled fluctuating distress in my mind, I could force an original book out of it, is another question." On the 22nd, still striving hard to find reasons to cope with the all but irresistible arguments against any such adventure, which indeed, with everything that then surrounded him, would have been little short of madness, he thus stated his experience of his two circuits of public reading. "Remember that at home here the thing has never missed fire, but invariably does more the second time than it did the first; and also that I have got so used to it, and have worked so hard at it, as to get out of it more than I ever thought was in it for that purpose. I think all the probabilities for such a country as Australia are immense." The terrible difficulty was that the home argument struck both ways. "If I were to go it would be a penance and a misery, and I dread the thought more than I can possibly express. The domestic life of the Readings is all but intolerable to me when I am away for a few weeks at a time merely, and what would it be——." On the other hand it was also a thought of home, far beyond the mere personal loss or gain of it, that made him willing still to risk even so much misery and penance; and he had a fancy that it might be possible to take his eldest daughter with him. "It is useless and needless for me to say what the conflict in my own mind is. How painfully unwilling I am to go, and yet how painfully sensible that perhaps I ought to go—with all the hands upon my skirts that I cannot fail to feel and see there, whenever I look round. It is a struggle of no common sort, as you will suppose, you who know the circumstances of the struggler." It closed at once when he clearly saw that to take any of his family with him, and make satisfactory arrangement for the rest during such an absence, would be impossible. By this time also he began to find his way to the new story, and better hopes and spirits had returned.

In January 1863 he had taken his daughter and his sister-in-law to Paris, and he read twice at the Embassy in behalf of the British Charitable Fund, the success being such that he consented to read twice again.[249] He passed his birthday of that year (the 7th of the following month) at Arras. "You will remember me to-day, I know. Thanks for it. An odd birthday, but I am as little out of heart as you would have me be—floored now and then, but coming up again at the call of Time. I wanted to see this town, birthplace of our amiable Sea Green" (Robespierre); "and I find a Grande Place so very remarkable and picturesque that it is astonishing how people miss it. Here too I found, in a bye-country place just near, a Fair going on, with a Religious Richardson's in it—THEATRE RELIGIEUX—'donnant six fois par jour, l'histoire de la Croix en tableaux vivants, depuis la naissance de notre Seigneur jusqu'a son sepulture. Aussi l'immolation d'Isaac, par son pere Abraham.' It was just before nightfall when I came upon it; and one of the three wise men was up to his eyes in lamp oil, hanging the moderators. A woman in blue and fleshings (whether an angel or Joseph's wife I don't know) was addressing the crowd through an enormous speaking-trumpet; and a very small boy with a property lamb (I leave you to judge who he was) was standing on his head on a barrel-organ." Returning to England by Boulogne in the same year, as he stepped into the Folkestone boat he encountered a friend, Mr. Charles Manby (for, in recording a trait of character so pleasing and honourable, it is not necessary that I should suppress the name), also passing over to England. "Taking leave of Manby was a shabby man of whom I had some remembrance, but whom I could not get into his place in my mind. Noticing when we stood out of the harbour that he was on the brink of the pier, waving his hat in a desolate manner, I said to Manby, 'Surely I know that man.'—'I should think you did,' said he: 'Hudson!' He is living—just living—at Paris, and Manby had brought him on. He said to Manby at parting, 'I shall not have a good dinner again, till you come back.' I asked Manby why he stuck to him? He said, Because he (Hudson) had so many people in his power, and had held his peace; and because he (Manby) saw so many Notabilities grand with him now, who were always grovelling for 'shares' in the days of his grandeur."

Upon Dickens's arrival in London the second series of his readings was brought to a close; and opportunity may be taken, before describing the third, to speak of the manuscript volume found among his papers, containing Memoranda for use in his writings.

FOOTNOTES:

[241] "You will be grieved," he wrote (Saturday 19th of Nov. 1859) "to hear of poor Stone. On Sunday he was not well. On Monday, went to Dr. Todd, who told him he had aneurism of the heart. On Tuesday, went to Dr. Walsh, who told him he hadn't. On Wednesday I met him in a cab in the Square here, and he got out to talk to me. I walked about with him a little while at a snail's pace, cheering him up; but when I came home, I told them that I thought him much changed, and in danger. Yesterday at 2 o'clock he died of spasm of the heart. I am going up to Highgate to look for a grave for him."

[242] He was now hard at work on his story; and a note written from Gadshill after the funeral shows, what so frequently was incident to his pursuits, the hard conditions under which sorrow, and its claim on his exertion, often came to him. "To-morrow I have to work against time and tide and everything else, to fill up a No. keeping open for me, and the stereotype plates of which must go to America on Friday. But indeed the enquiry into poor Alfred's affairs; the necessity of putting the widow and children somewhere; the difficulty of knowing what to do for the best; and the need I feel under of being as composed and deliberate as I can be, and yet of not shirking or putting off the occasion that there is for doing a duty; would have brought me back here to be quiet, under any circumstances."

[243] The same letter adds: "The fourth edition of Great Expectations is now going to press; the third being nearly out. Bulwer's story keeps us up bravely. As well as we can make out, we have even risen fifteen hundred."

[244] "There was a very touching thing in the Chapel" (at Brompton). "When the body was to be taken up and carried to the grave, there stepped out, instead of the undertaker's men with their hideous paraphernalia, the men who had always been with the two brothers at the Egyptian Hall; and they, in their plain, decent, own mourning clothes, carried the poor fellow away. Also, standing about among the gravestones, dressed in black, I noticed every kind of person who had ever had to do with him—from our own gas man and doorkeepers and billstickers, up to Johnson the printer and that class of man. The father and Albert and he now lie together, and the grave, I suppose, will be no more disturbed I wrote a little inscription for the stone, and it is quite full."

[245] Of his former manager he writes in the same letter: "I miss him dreadfully. The sense I used to have of compactness and comfort about me while I was reading, is quite gone; and on my coming out for the ten minutes, when I used to find him always ready for me with something cheerful to say, it is forlorn. . . . Besides which, H. and all the rest of them are always somewhere, and he was always everywhere."

[246] The more detailed account of the scene which he wrote to his daughter is also well worth giving. "A most tremendous hall here last night. Something almost terrible in the cram. A fearful thing might have happened. Suddenly, when they were all very still over Smike, my Gas Batten came down, and it looked as if the room were falling. There were three great galleries crammed to the roof, and a high steep flight of stairs; and a panic must have destroyed numbers of people. A lady in the front row of stalls screamed, and ran out wildly towards me, and for one instant there was a terrible wave in the crowd. I addressed that lady, laughing (for I knew she was in sight of everybody there), and called out as if it happened every night—'There's nothing the matter I assure you; don't be alarmed; pray sit down——' and she sat down directly, and there was a thunder of applause. It took some five minutes to mend, and I looked on with my hands in my pockets; for I think if I had turned my back for a moment, there might still have been a move. My people were dreadfully alarmed—Boycott" (the gas-man) "in particular, who I suppose had some notion that the whole place might have taken fire—'but there stood the master,' he did me the honour to say afterwards, in addressing the rest, 'as cool as ever I see him a lounging at a Railway Station.'"

[247] The letter referred also to the death of his American friend Professor Felton. "Your mention of poor Felton's death is a shock of surprise as well as grief to me, for I had not heard a word about it. Mr. Fields told me when he was here that the effect of that hotel disaster of bad drinking water had not passed away; so I suppose, as you do, that he sank under it. Poor dear Felton! It is 20 years since I told you of the delight my first knowledge of him gave me, and it is as strongly upon me to this hour. I wish our ways had crossed a little oftener, but that would not have made it better for us now. Alas! alas! all ways have the same finger-post at the head of them, and at every turning in them."

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