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The Beauties of Nature - and the Wonders of the World We Live In
by Sir John Lubbock
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I must say, however, that I am not convinced. In the first place, the distances were I think too short; and in the second, though it is true that some of the Bees found their way home, nearly two-thirds failed to do so. It would be interesting to try the experiment again, taking the Bees say five miles. If they really possess any such sense, that distance would be no bar to their return. I have myself experimented with Ants, taking them about fifty yards from the nest, and I always found that they wandered aimlessly about, having evidently not the slightest idea of their way home. They certainly did not appear to possess any "sense of direction."

NUMBER OF SPECIES

The total number of species may probably be safely estimated as at least 2,000,000, of which but a fraction have yet been described or named. Of extinct species the number was probably at least as great. In the geological history of the earth there have been at least twelve periods, in each of which by far the greatest number were distinct. The Ancient Poets described certain gifted mortals as having been privileged to descend into the interior of the earth, and exercised their imagination in recounting the wonders thus revealed. As in other cases, however, the realities of Science have proved far more varied and surprising than the dreams of fiction. Of these extinct species our knowledge is even more incomplete than that of the existing species. But even of our contemporaries it is not too much to say that, as in the case of plants, there is not one the structure, habits, and life-history of which are yet fully known to us. The male of the Cynips, which produces the common King Charles Oak Apple, has only recently been discovered, those of the root-feeding Aphides, which live in hundreds in every nest of the yellow Meadow Ant (Lasius flavus) are still unknown; the habits and mode of reproduction of the common Eel have only just been discovered; and we may even say generally that many of the most interesting recent discoveries have relation to the commonest and most familiar animals.

IMPORTANCE OF THE SMALLER ANIMALS

Whatever pre-eminence Man may claim for himself, other animals have done far more to affect the face of nature. The principal agents have not been the larger or more intelligent, but rather the smaller, and individually less important, species. Beavers may have dammed up many of the rivers of British Columbia, and turned them into a succession of pools or marshes, but this is a slight matter compared with the action of earthworms and insects[17] in the creation of vegetable soil; of the accumulation of animalcules in filling up harbours and lakes; or of Zoophytes in the construction of coral islands.

Microscopic animals make up in number what they lack in size. Paris is built of Infusoria. The Peninsula of Florida, 78,000 square miles in extent, is entirely composed of coral debris and fragments of shells. Chalk consists mainly of Foraminifera and fragments of shells deposited in a deep sea. The number of shells required to make up a cubic inch is almost incredible. Ehrenberg has estimated that of the Bilin polishing slate which caps the mountain, and has a thickness of forty feet, a cubic inch contains many hundred million shells of Infusoria.

In another respect these microscopic organisms are of vital importance. Many diseases are now known, and others suspected, to be entirely due to Bacteria and other minute forms of life (Microbes), which multiply incredibly, and either destroy their victims, or after a while diminish again in numbers. We live indeed in a cloud of Bacteria. At the observatory of Montsouris at Paris it has been calculated that there are about 80 in each cubic meter of air. Elsewhere, however, they are much more numerous. Pasteur's researches on the Silkworm disease led him to the discovery of Bacterium anthracis, the cause of splenic fever. Microbes are present in persons suffering from cholera, typhus, whooping-cough, measles, hydrophobia, etc., but as to their history and connection with disease we have yet much to learn. It is fortunate, indeed, that they do not all attack us.

In surgical cases, again, the danger of compound fractures and mortification of wounds has been found to be mainly due to the presence of microscopic organisms; and Lister, by his antiseptic treatment which destroys these germs or prevents their access, has greatly diminished the danger of operations, and the sufferings of recovery.

SIZE OF ANIMALS

In the size of animals we find every gradation from these atoms which even in the most powerful microscopes appear as mere points, up to the gigantic reptiles of past ages and the Whales of our present ocean. The horned Ray or Skate is 25 feet in length, by 30 in width. The Cuttle-fishes of our seas, though so hideous as to resemble a bad dream, are too small to be formidable; but off the Newfoundland coast is a species with arms sometimes 30 feet long, so as to be 60 feet from tip to tip. The body, however, is small in proportion. The Giraffe attains a height of over 20 feet; the Elephant, though not so tall, is more bulky; the Crocodile reaches a length of over 20 feet, the Python of 60 feet, the extinct Titanosaurus of the American Jurassic beds, the largest land animal yet known to us, 100 feet in length and 30 in height; the Whalebone Whale over 70 feet, Sibbald's Whale is said to have reached 80-90, which is perhaps the limit. Captain Scoresby indeed mentions a Rorqual no less than 120 feet in length, but this is probably too great an estimate.

COMPLEXITY OF ANIMAL STRUCTURE

The complexity of animal structure is even more marvellous than their mere magnitude. A Caterpillar contains more than 2000 muscles. In our own body are some 2,000,000 perspiration glands, communicating with the surface by ducts having a total length of some 10 miles; while that of the arteries, veins, and capillaries must be very great; the blood contains millions of millions of corpuscles, each no doubt a complex structure in itself; the rods in the retina, which are supposed to be the ultimate recipient of light, are estimated at 30,000,000; and Meinert has calculated that the gray matter of the brain is built up of at least 600,000,000 cells. No verbal description, however, can do justice to the marvellous complexity of animal structure, which the microscope alone, and even that but faintly, can enable us to realise.

LENGTH OF LIFE

How little we yet know of the life-history of Animals is illustrated by the vagueness of our information as to the age to which they live. Professor Lankester[18] tells us that "the paucity and uncertainty of observations on this class of facts is extreme." The Rabbit is said to reach 10 years, the Dog and Sheep 10-12, the Pig 20, the Horse 30, the Camel 100, the Elephant 200, the Greenland Whale 400 (?): among Birds, the Parrot to attain 100 years, the Raven even more. The Atur Parrot mentioned by Humboldt, talked, but could not be understood, because it spoke in the language of an extinct Indian tribe. It is supposed from their rate of growth that among Fish the Carp is said to reach 150 years; and a Pike, 19 feet long, and weighing 350 lbs., is said to have been taken in Suabia in 1497 carrying a ring, on which was inscribed, "I am the fish which was first of all put into the lake by the hands of the Governor of the Universe, Frederick the Second, the 5th Oct. 1230." This would imply an age of over 267 years. Many Reptiles are no doubt very long-lived. A Tortoise is said to have reached 500 years. As regards the lower animals, the greatest age on record is that of Sir J. Dalzell's Sea Anemone, which lived for over 50 years. Insects are generally short-lived; the Queen Bee, however, is said by Aristotle, whose statement has not been confirmed by recent writers, to live 7 years. I myself had a Queen Ant which attained the age of 15 years.

The May Fly (Ephemera) is celebrated as living only for a day, and has given its name to all things short-lived. The statement usually made is, indeed, very misleading, for in its larval condition the Ephemera lives for weeks. Many writers have expressed surprise that in the perfect state its life should be so short. It is, however, so defenceless, and, moreover, so much appreciated by birds and fish, that unless they laid their eggs very rapidly none would perhaps survive to continue the species.

Many of these estimates are, as will be seen, very vague and doubtful, so that we must still admit with Bacon that, "touching the length and shortness of life in living creatures, the information which may be had is but slender, observation is negligent, and tradition fabulous. In tame creatures their degenerate life corrupteth them, in wild creatures their exposing to all weathers often intercepteth them."

ON INDIVIDUALITY

When we descend still lower in the animal scale, the consideration of this question opens out a very curious and interesting subject connected with animal individuality. As regards the animals with which we are most familiar no such question intrudes. Among quadrupeds and birds, fishes and reptiles, there is no difficulty in deciding whether a given organism is an individual, or a part of an individual. Nor does the difficulty arise in the case of most insects. The Bee or Butterfly lays an egg which develops successively into a larva and pupa, finally producing Bee or Butterfly. In these cases, therefore, the egg, larva, pupa, and perfect Insect, are regarded as stages in the life of a single individual. In certain gnats, however, the larva itself produces young larvae, each of which develops into a gnat, so that the egg produces not one gnat but many gnats.

The difficulty of determining what constitutes an individual becomes still greater among the Zoophytes. These beautiful creatures in many cases so closely resemble plants, that until our countryman Ellis proved them to be animals, Crabbe was justified in saying—

Involved in seawrack here we find a race, Which Science, doubting, knows not where to place; On shell or stone is dropped the embryo seed, And quickly vegetates a vital breed.

We cannot wonder that such organisms were long regarded as belonging to the vegetable kingdom. The cups which terminate the branches contain, however, an animal structure, resembling a small Sea Anemone, and possessing arms which capture the food by which the whole colony is nourished. Some of these cups, moreover, differ from the rest, and produce eggs. These then we might be disposed to term ovaries. But in many species they detach themselves from the group and lead an independent existence. Thus we find a complete gradation from structures which, regarded by themselves, we should unquestionably regard as mere organs, to others which are certainly separate and independent beings.



Fig. 2 represents, after Allman, a colony of Bougainvillea fruticosa of the natural size. It is a British species, which is found growing on buoys, floating timber, etc., and, says Allman, "When in health and vigour, offers a spectacle unsurpassed in interest by any other species—every branchlet crowned by its graceful hydranth, and budding with Medusae in all stages of development (Fig. 3), some still in the condition of minute buds, in which no trace of the definite Medusa-form can yet be detected; others, in which the outlines of the Medusa can be distinctly traced within the transparent ectotheque (external layer); others, again, just casting off this thin outer pellicle, and others completely freed from it, struggling with convulsive efforts to break loose from the colony, and finally launched forth in the full enjoyment of their freedom into the surrounding water. I know of no form in which so many of the characteristic features of a typical hydroid are more finely expressed than in this beautiful species."



Fig. 4 represents the Medusa or free form of this beautiful species.



If we pass to another great group of Zoophytes, that of the Jelly-fishes, we have a very similar case. For our first knowledge of the life-history of these Zoophytes we are indebted to the Norwegian naturalist Sars. Take, for instance, the common Jelly-fish (Medusa aurita) (Fig. 5) of our shores.

The egg is a pear-shaped body (1), covered with fine hairs, by the aid of which it swims about, the broader end in front. After a while it attaches itself, not as might have been expected by the posterior but by the anterior extremity (2). The cilia then disappear, a mouth is formed at the free end, tentacles, first four (3), then eight, and at length as many as thirty (4), are formed, and the little creature resembles in essentials the freshwater polyp (Hydra) of our ponds.



At the same time transverse wrinkles (4) are formed round the body, first near the free extremity and then gradually descending. They become deeper and deeper, and develop lobes or divisions one under the other, as at 5. After a while the top ring (and subsequently the others one by one) detaches itself, swims away, and gradually develops into a Medusa (6). Thus, then, the life-history is very similar to that of the Hydroids, only that while in the Hydroids the fixed condition is the more permanent, and the free swimming more transitory, in the Medusae, on the contrary, the fixed condition is apparently only a phase in the production of the free swimming animal. In both the one and the other, however, the egg gives rise not to one but to many mature animals. Steenstrup has given to these curious phenomena, many other cases of which occur among the lower animals, and to which he first called attention, the name of alternations of generations.

In the life-history of Infusoria (so called because they swarm in most animal or vegetable infusions) similar difficulties encounter us. The little creatures, many of which are round or oval in form, from time to time become constricted in the middle; the constriction becomes deeper and deeper, and at length the two halves twist themselves apart and swim away. In this case, therefore, there was one, and there are now two exactly similar; but are these two individuals? They are not parent and offspring—that is clear, for they are of the same age; nor are they twins, for there is no parent. As already mentioned, we regard the Caterpillar, Chrysalis, and Butterfly as stages in the life-history of a single individual. But among Zoophytes, and even among some insects, one larva often produces several mature forms. In some species these mature forms remain attached to the larval stock, and we might be disposed to regard the whole as one complex organism. But in others they detach themselves and lead an independent existence.

These considerations then introduce much difficulty into our conception of the idea of an Individual.

ANIMAL IMMORTALITY

But, further than this, we are confronted by by another problem. If we regard a mass of coral as an individual because it arises by continuous growth from a single egg, then it follows that some corals must be thousands of years old.

Some of the lower animals may be cut into pieces, and each piece will develop into an entire organism. In fact the realisation of the idea of an individual gradually becomes more and more difficult, and the continuity of existence, even among the highest animals, gradually forces itself upon us. I believe that as we become more rational, as we realise more fully the conditions of existence, this consideration is likely to have important moral results.

It is generally considered that death is the common lot of all living beings. But is this necessarily so? Infusoria and other unicellular animals multiply by division. That is to say, if we watch one for a certain time, we shall observe, as already mentioned, that a constriction takes place, which grows gradually deeper and deeper, until at last the two halves become quite detached, and each swims away independently. The process is repeated over and over again, and in this manner the species is propagated. Here obviously there is no birth and no death. Such creatures may be killed, but they have no natural term of life. They are, in fact, theoretically immortal. Those which lived millions of years ago may have gone on dividing and subdividing, and in this sense multitudes of the lower animals are millions of years old.

FOOTNOTES:

[15] Address to Microscopical Society, 1890.

[16] Ants, Bees, and Wasps, and The Senses of Animals.

[17] Prof. Drummond (Tropical Africa) dwells with great force on the manner in which the soil of Central Africa is worked up by the White Ants.

[18] Lankester, Comparative Longevity. See also Weismann, Duration of Life.



CHAPTER IV

ON PLANT LIFE

Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand, Little flower—but if I could understand What you are, root and all, and all in all, I should know what God and man is.

TENNYSON.



CHAPTER IV

ON PLANT LIFE

We are told that in old days the Fairies used to give presents of Flowers and Leaves to those whom they wished to reward, or whom they loved best; and though these gifts were, it appears, often received with disappointment, still it will probably be admitted that flowers have contributed more to the happiness of our lives than either gold or silver or precious stones; and that our happiest days have been spent out-of-doors in the woods and fields, when we have

... found in every woodland way The sunlight tint of Fairy Gold.[19]

To many minds Flowers acquired an additional interest when it was shown that there was a reason for their colour, size, and form—in fact, for every detail of their organisation. If we did but know all that the smallest flower could tell us, we should have solved some of the greatest mysteries of Nature. But we cannot hope to succeed—even if we had the genius of Plato or Aristotle—without careful, patient, and reverent study. From such an inquiry we may hope much; already we have glimpses, enough to convince us that the whole history will open out to us conceptions of the Universe wider and grander than any which the Imagination alone would ever have suggested.

Attempts to explain the forms, colours, and other characteristics of animals and plants are by no means new. Our Teutonic forefathers had a pretty story which explained certain points about several common plants. Balder, the God of Mirth and Merriment, was, characteristically enough, regarded as deficient in the possession of immortality. The other divinities, fearing to lose him, petitioned Thor to make him immortal, and the prayer was granted on condition that every animal and plant would swear not to injure him. To secure this object, Nanna, Balder's wife, descended upon the earth. Loki, the God of Envy, followed her, disguised as a crow (which at that time were white), and settled on a little blue flower, hoping to cover it up, so that Nanna might overlook it. The flower, however, cried out "forget-me-not, forget-me-not," and has ever since been known under that name. Loki then flew up into an oak and sat on a mistletoe. Here he was more successful. Nanna carried off the oath of the oak, but overlooked the mistletoe. She thought, however, and the divinities thought, that she had successfully accomplished her mission, and that Balder had received the gift of immortality.

One day, supposing Balder proof, they amused themselves by shooting at him, posting him against a Holly. Loki tipped an arrow with a piece of Mistletoe, against which Balder was not proof, and gave it to Balder's brother. This, unfortunately, pierced him to the heart, and he fell dead. Some drops of his blood spurted on to the Holly, which accounts for the redness of the berries; the Mistletoe was so grieved that she has ever since borne fruit like tears; and the crow, whose form Loki had taken, and which till then had been white, was turned black.

This pretty myth accounts for several things, but is open to fatal objections.

Recent attempts to explain the facts of Nature are not less fascinating, and, I think, more successful.

Why then this marvellous variety? this inexhaustible treasury of beautiful forms? Does it result from some innate tendency in each species? Is it intentionally designed to delight the eye of man? Or has the form and size and texture some reference to the structure and organisation, the habits and requirements of the whole plant?

I shall never forget hearing Darwin's paper on the structure of the Cowslip and Primrose, after which even Sir Joseph Hooker compared himself to Peter Bell, to whom

A primrose by a river's brim A yellow primrose was to him, And it was nothing more.

We all, I think, shared the same feeling, and found that the explanation of the flower then given, and to which I shall refer again, invested it with fresh interest and even with new beauty.

A regular flower, such, for instance, as a Geranium or a Pink, consists of four or more whorls of leaves, more or less modified: the lowest whorl is the Calyx, and the separate leaves of which it is composed, which however are sometimes united into a tube, are called sepals; (2) a second whorl, the corolla, consisting of coloured leaves called petals, which, however, like those of the Calyx, are often united into a tube; (3) of one or more stamens, consisting of a stalk or filament, and a head or anther, in which the pollen is produced; and (4) a pistil, which is situated in the centre of the flower, and at the base of which is the Ovary, containing one or more seeds.

Almost all large flowers are brightly coloured, many produce honey, and many are sweet-scented.

What, then, is the use and purpose of this complex organisation?

It is, I think, well established that the main object of the colour, scent, and honey of flowers is to attract insects, which are of use to the plant in carrying the pollen from flower to flower.

In many species the pollen is, and no doubt it originally was in all, carried by the air. In these cases the chance against any given grain of pollen reaching the pistil of another flower of the same species is of course very great, and the quantity of pollen required is therefore immense.

In species where the pollen is wind-borne as in most of our trees—firs, oaks, beech, ash, elm, etc., and many herbaceous plants, the flowers are as a rule small and inconspicuous, greenish, and without either scent or honey. Moreover, they generally flower early, so that the pollen may not be intercepted by the leaves, but may have a better chance of reaching another flower. And they produce an immense quantity of pollen, as otherwise there would be little chance that any would reach the female flower. Every one must have noticed the clouds of pollen produced by the Scotch Fir. When, on the contrary, the pollen is carried by insects, the quantity necessary is greatly reduced. Still it has been calculated that a Peony flower produces between 3,000,000 and 4,000,000 pollen grains; in the Dandelion, which is more specialised, the number is reduced to about 250,000; while in such a flower as the Dead-nettle it is still smaller.

The honey attracts the insects; while the scent and colour help them to find the flowers, the scent being especially useful at night, which is perhaps the reason why evening flowers are so sweet.

It is to insects, then, that flowers owe their beauty, scent, and sweetness. Just as gardeners, by continual selection, have added so much to the beauty of our gardens, so to the unconscious action of insects is due the beauty, scent, and sweetness of the flowers of our woods and fields.

Let us now apply these views to a few common flowers. Take, for instance, the White Dead-nettle.

The corolla of this beautiful and familiar flower (Fig. 6) consists of a narrow tube, somewhat expanded at the upper end (Fig. 7), where the lower lobe forms a platform, on each side of which is a small projecting tooth (Fig. 8, m). The upper portion of the corolla is an arched hood (co), under which lie four anthers (a a), in pairs, while between them, and projecting somewhat downwards, is the pointed pistil (st); the tube at the lower part contains honey, and above the honey is a row of hairs running round the tube.



Now, why has the flower this peculiar form? What regulates the length of the tube? What is the use of the arch? What lesson do the little teeth teach us? What advantage is the honey to the flower? Of what use is the fringe of hairs? Why does the stigma project beyond the anthers? Why is the corolla white, while the rest of the plant is green?



The honey of course serves to attract the Humble Bees by which the flower is fertilised, and to which it is especially adapted; the white colour makes the flower more conspicuous; the lower lip forms the stage on which the Bees may alight; the length of the tube is adapted to that of their proboscis; its narrowness and the fringe of fine hairs exclude small insects which might rob the flower of its honey without performing any service in return; the arched upper lip protects the stamens and pistil, and prevents rain-drops from choking up the tube and washing away the honey; the little teeth are, I believe, of no use to the flower in its present condition, they are the last relics of lobes once much larger, and still remaining so in some allied species, but which in the Dead-nettle, being no longer of any use, are gradually disappearing; the height of the arch has reference to the size of the Bee, being just so much above the alighting stage that the Bee, while sucking the honey, rubs its back against the hood and thus comes in contact first with the stigma and then with the anthers, the pollen-grains from which adhere to the hairs on the Bee's back, and are thus carried off to the next flower which the Bee visits, when some of them are then licked off by the viscid tip of the stigma.[20]



In the Salvias, the common blue Salvia of our gardens, for instance,—a plant allied to the Dead-nettle,—the flower (Fig. 9) is constructed on the same plan, but the arch is much larger, so that the back of the Bee does not nearly reach it. The stamens, however, have undergone a remarkable modification. Two of them have become small and functionless. In the other two the anthers or cells producing the pollen, which in most flowers form together a round knob or head at the top of the stamen, are separated by a long arm, which plays on the top of the stamen as on a hinge. Of these two arms one hangs down into the tube, closing the passage, while the other lies under the arched upper lip. When the Bee pushes its proboscis down the tube (Fig. 11) it presses the lower arm to one side, and the upper arm consequently descends, tapping the Bee on the back, and dusting it with pollen. When the flower is a little older the pistil (Fig. 9, p) has elongated so that the stigma (Fig. 10, st) touches the back of the Bee and carries off some of the pollen. This sounds a little complicated, but is clear enough if we take a twig or stalk of grass and push it down the tube, when one arm of each of the two larger stamens will at once make its appearance. It is one of the most beautiful pieces of plant mechanism which I know, and was first described by Sprengel, a poor German schoolmaster.

SNAPDRAGON

At first sight it may seem an objection to the view here advocated that the flowers in some species—as, for instance, the common Snapdragon (Antirrhinum), which, according to the above given tests, ought to be fertilised by insects—are entirely closed. A little consideration, however, will suggest the reply. The Snapdragon is especially adapted for fertilisation by Humble Bees. The stamens and pistil are so arranged that smaller species would not effect the object. It is therefore an advantage that they should be excluded, and in fact they are not strong enough to move the spring. The Antirrhinum is, so to speak, a closed box, of which the Humble Bees alone possess the key.

FURZE, BROOM, AND LABURNUM

Other flowers such as the Furze, Broom, Laburnum, etc., are also opened by Bees. The petals lock more or less into one another, and the flower remains at first closed. When, however, the insect alighting on it presses down the keel, the flower bursts open, and dusts it with pollen.

SWEET PEA

In the above cases the flower once opened does not close again. In others, such as the Sweet Pea and the Bird's-foot Lotus, Nature has been more careful. When the Bee alights it clasps the "wings" of the flower with its legs, thus pressing them down; they are, however, locked into the "keel," or lower petal, which accordingly is also forced down, thus exposing the pollen which rubs against, and part of which sticks to, the breast of the Bee. When she leaves the flower the keel and wings rise again, thus protecting the rest of the pollen and keeping it ready until another visitor comes. It is easy to carry out the same process with the fingers.



PRIMULA

In the Primrose and Cowslip, again, we find quite a different plan. It had long been known that if a number of Cowslips or Primroses are examined, about half would be found to have the stigma at the top of the tube and the stamens half way down, while in the other half the stamens are at the top and the stigma half way down. These two forms are about equally numerous, but never occur on the same stock. They have been long known to children and gardeners, who call them thrum-eyed and pin-eyed. Mr. Darwin was the first to explain the significance of this curious difference. It cost him several years of patient labour, but when once pointed out it is sufficiently obvious. An insect thrusting its proboscis down a primrose of the long-styled form (Fig. 12) would dust its proboscis at a part (a) which, when it visited a short-styled flower (Fig. 13), would come just opposite the head of the pistil (st), and could not fail to deposit some of the pollen on the stigma. Conversely, an insect visiting a short-styled plant would dust its proboscis at a part farther from the tip; which, when the insect subsequently visited a long-styled flower, would again come just opposite to the head of the pistil. Hence we see that by this beautiful arrangement insects must carry the pollen of the long-styled form to the short-styled, and vice versa.

The economy of pollen is not the only advantage which plants derive from these visits of Insects. A second and scarcely less important is that they tend to secure "cross fertilisation"; that is to say, that the seed shall be fertilised by pollen from another plant. The fact that "cross fertilisation" is of advantage to the plant doubtless also explains the curious arrangement that in many plants the stamen and pistil do not mature at the same time—the former having shed their pollen before the pistil is mature; or, which happens less often, the pistil having withered before the pollen is ripe. In most Geraniums, Pinks, etc., for instance, and many allied species, the stamens ripen first, and are followed after an interval by the pistil.

THE NOTTINGHAM CATCHFLY

The Nottingham Catchfly (Silene nutans) is a very interesting case. The flower is adapted to be fertilised by Moths. Accordingly it opens towards evening, and as is generally the case with such flowers, is pale in colour, and sweet-scented. There are two sets of stamens, five in each set. The first evening that the flower opens one set of stamens ripen and expose their pollen. Towards morning these wither away, the flower shrivels up, ceases to emit scent, and looks as if it were faded. So it remains all next day. Towards evening it reopens, the second set of stamens have their turn, and the flower again becomes fragrant. By morning, however, the second set of stamens have shrivelled, and the flower is again asleep. Finally on the third evening it reopens for the last time, the long spiral stigmas expand, and can hardly fail to be fertilised with the pollen brought by Moths from other flowers.

THE HEATH

In the hanging flowers of Heaths the stamens form a ring, and each one bears two horns. When the Bee inserts its proboscis into the flower to reach the honey, it is sure to press against one of these horns, the ring is dislocated, and the pollen falls on to the head of the insect. In fact, any number of other interesting cases might be mentioned.

BEES AND FLIES

Bees are intelligent insects, and would soon cease to visit flowers which did not supply them with food. Flies, however, are more stupid, and are often deceived. Thus in our lovely little Parnassia, five of the ten stamens have ceased to produce pollen, but are prolonged into fingers, each terminating in a shining yellow knob, which looks exactly like a drop of honey, and by which Flies are continually deceived. Paris quadrifolia also takes them in with a deceptive promise of the same kind. Some foreign plants have livid yellow and reddish flowers, with a most offensive smell, and are constantly visited by Flies, which apparently take them for pieces of decaying meat.



The flower of the common Lords and Ladies (Arum) of our hedges is a very interesting case. The narrow neck bears a number of hairs pointing downwards. The stamens are situated above the stigma, which comes to maturity first. Small Flies enter the flower apparently for shelter, but the hairs prevent them from returning, and they are kept captive until the anthers have shed their pollen. Then, when the Flies have been well dusted, the hairs shrivel up, leaving a clear road, and the prisoners are permitted to escape. The tubular flowers of Aristolochia offer a very similar case.

PAST HISTORY OF FLOWERS

If the views here advocated are correct, it follows that the original flowers were small and green, as wind-fertilised flowers are even now. But such flowers are inconspicuous. Those which are coloured, say yellow or white, are of course much more visible and more likely to be visited by insects. I have elsewhere given my reasons for thinking that under these circumstances some flowers became yellow, that some of them became white, others subsequently red, and some finally blue. It will be observed that red and blue flowers are as a rule highly specialised, such as Aconites and Larkspurs as compared with Buttercups; blue Gentians as compared with yellow, etc. I have found by experiment that Bees are especially partial to blue and pink.

Tubular flowers almost always, if not always, contain honey, and are specially suited to Butterflies and Moths, Bees and Flies. Those which are fertilised by Moths generally come out in the evening, are often very sweetly scented, and are generally white or pale yellow, these colours being most visible in the twilight.

Aristotle long ago noticed the curious fact that in each journey Bees confine themselves to some particular flower. This is an economy of labour to the Bee, because she has not to vary her course of proceeding. It is also an advantage to the plants, because the pollen is carried from each flower to another of the same species, and is therefore less likely to be wasted.

FRUITS AND SEEDS

After the flower comes the seed, often contained in a fruit, and which itself encloses the future plant. Fruits and seeds are adapted for dispersion, beautifully and in various ways: some by the wind, being either provided with a wing, as in the fruits of many trees—Sycamores, Ash, Elms, etc.; or with a hairy crown or covering, as with Thistles, Dandelions, Willows, Cotton plant, etc.

Some seeds are carried by animals; either as food—such as most edible fruits and seeds, acorns, nuts, apples, strawberries, raspberries, blackberries, plums, grasses, etc.—or involuntarily, the seeds having hooked hairs or processes, such as burrs, cleavers, etc.

Some seeds are scattered by the plants themselves, as, for instance, those of many Geraniums, Violets, Balsams, Shamrocks, etc. Our little Herb Robert throws its seeds some 25 feet.

Some seeds force themselves into the ground, as those of certain grasses, Cranes'-bills (Erodiums), etc.

Some are buried by the parent plants, as those of certain clovers, vetches, violets, etc.

Some attach themselves to the soil, as those of the Flax; or to trees, as in the case of the Mistletoe.

LEAVES

Again, as regards the leaves there can, I think, be no doubt that similar considerations of utility are applicable. Their forms are almost infinitely varied. To quote Ruskin's vivid words, they "take all kinds of strange shapes, as if to invite us to examine them. Star-shaped, heart-shaped, spear-shaped, arrow-shaped, fretted, fringed, cleft, furrowed, serrated, sinuated, in whorls, in tufts, in spires, in wreaths, endlessly expressive, deceptive, fantastic, never the same from foot-stalk to blossom, they seem perpetually to tempt our watchfulness and take delight in outstepping our wonder."

But besides these differences of mere form, there are many others: of structure, texture, and surface; some are scented or have a strong taste, or acrid juice, some are smooth, others hairy; and the hairs again are of various kinds.

I have elsewhere[21] endeavoured to explain some of the causes which have determined these endless varieties. In the Beech, for instance (Fig. 15), the leaf has an area of about 3 square inches. The distance between the buds is about 1-1/4 inch, and the leaves lie in the general plane of the branch, which bends slightly at each internode. The basal half of the leaf fits the swell of the twig, while the upper half follows the edge of the leaf above; and the form of the inner edge being thus determined, decides that of the outer one also.



The weight, and consequently the size of the leaf, is limited by the strength of the twig; and, again, in a climate such as ours it is important to plants to have their leaves so arranged as to secure the maximum of light. Hence in leaves which lie parallel to the plane of the boughs, as in the Beech, the width depends partly on the distance between the buds; if the leaves were broader, they would overlap, if they were narrower, space would be wasted. Consequently the width being determined by the distance between the buds, and the size depending on the weight which the twig can safely support, the length also is determined. This argument is well illustrated by comparing the leaves of the Beech with those of the Spanish Chestnut. The arrangement is similar, and the distance between the buds being about the same, so is the width of the leaves. But the terminal branches of the Spanish Chestnut being much stronger, the leaves can safely be heavier; hence the width being fixed, they grow in length and assume the well-known and peculiar sword-blade shape.

In the Sycamores, Maples (Fig. 16), and Horse-Chestnuts the arrangement is altogether different. The shoots are stiff and upright with leaves placed at right angles to the branches instead of being parallel to them. The leaves are in pairs and decussate with one another; while the lower ones have long petioles which bring them almost to the level of the upper pairs, the whole thus forming a beautiful dome.

For leaves arranged as in the Beech the gentle swell at the base is admirably suited; but in a crown of leaves such as those of the Sycamore, space would be wasted, and it is better that they should expand at once, so soon as their stalks have carried them free from the upper and inner leaves.



In the Black Poplar the arrangement of the leaves is again quite different. The leaf stalk is flattened, so that the leaves hang vertically. In connection with this it will be observed that while in most leaves the upper and under surfaces are quite unlike, in the Black Poplar on the contrary they are very similar. The stomata or breathing holes, moreover, which in the leaves of most trees are confined to the under surface, are in this species nearly equally numerous on both.

The "Compass" Plant of the American prairies, a plant not unlike a small sunflower, is another species with upright leaves, which growing in the wide open prairies tend to point north and south, thus exposing both surfaces equally to the light and heat. Such a position also affects the internal structure of the leaf, the two sides becoming similar in structure, while in other cases the upper and under surfaces are very different.

In the Yew the leaves are inserted close to one another, and are linear; while in the Box they are further apart and broader. In other cases the width of the leaves is determined by what botanists call the "Phyllotaxy." Some plants have the leaves opposite, each pair being at right angles with the pairs above and below.

In others they are alternate, and arranged round the stem in a spiral. In one very common arrangement the sixth leaf stands directly over the first, the intermediate ones forming a spiral which has passed twice round the stem. This, therefore, is known as the 2/5 arrangement. Common cases are 1/2, 1/3, 2/5, 3/8, and 5/13. In the first the leaves are generally broad, in the 3/8 arrangement they are elliptic, in the 5/13 and more complicated arrangements nearly linear. The Willows afford a very interesting series. Salix herbacea has the 1/3 arrangement and rounded leaves, Salix caprea elliptic leaves and 2/5, Salix pentandra lancet-shaped leaves and 3/8, and S. incana linear leaves and a 5/13 arrangement. The result is that whether the series consists of 2, 3, 5, 8, or 13 leaves, in every case, if we look perpendicularly at a twig the leaves occupy the whole circle.

In herbaceous plants upright leaves as a rule are narrow, which is obviously an advantage, while prostrate ones are broad.



AQUATIC PLANTS

Many aquatic plants have two kinds of leaves; some more or less rounded, which float on the surface; and others cut up into narrow segments, which remain below. The latter thus present a greater extent of surface. In air such leaves would be unable even to support their own weight, much less to resist the force of the wind. In still air, however, for the same reason, finely-divided leaves may be an advantage, while in exposed positions compact and entire leaves are more suitable. Hence herbaceous plants tend to have divided, bushes and trees entire, leaves. There are many cases when even in the same family low and herb-like species have finely-cut leaves, while in shrubby or ligneous ones they more or less resemble those of the Laurel or Beech.

These considerations affect trees more than herbs, because trees stand more alone, while herbaceous plants are more affected by surrounding plants. Upright leaves tend to be narrow, as in the case of grasses; horizontal leaves, on the contrary, wider. Large leaves are more or less broken up into leaflets, as in the Ash, Mountain-Ash, Horse-Chestnut, etc.

The forms of leaves depend also much on the manner in which they are packed into the buds.

The leaves of our English trees, as I have already said, are so arranged as to secure the maximum of light; in very hot countries the reverse is the case. Hence, in Australia, for instance, the leaves are arranged not horizontally, but vertically, so as to present, not their surfaces, but their edges, to the sun. One English plant, a species of lettuce, has the same habit. This consideration has led also to other changes. In many species the leaves are arranged directly under, so as to shelter, one another. The Australian species of Acacia have lost their true leaves, and the parts which in them we generally call leaves are in reality vertically-flattened leaf stalks.

In other cases the stem itself is green, and to some extent replaces the leaves. In our common Broom we see an approach to this, and the same feature is more marked in Cactus. Or the leaves become fleshy, thus offering, in proportion to their volume, a smaller surface for evaporation. Of this the Stonecrops, Mesembryanthemum, etc., are familiar instances. Other modes of checking transpiration and thus adapting plants to dry situations are by the development of hairs, by the formation of chalky excretions, by the sap becoming saline or viscid, by the leaf becoming more or less rolled up, or protected by a covering of varnish.

Our English trees are for the most part deciduous. Leaves would be comparatively useless in winter when growth is stopped by the cold; moreover, they would hold the snow, and thus cause the boughs to be broken down. Hence perhaps the glossiness of Evergreen leaves, as, for instance, of the Holly, from which the snow slips off. In warmer climates trees tend to retain their leaves, and some species which are deciduous in the north become evergreen, or nearly so, in the south of Europe. Evergreen leaves are as a rule tougher and thicker than those which drop off in autumn; they require more protection from the weather. But some evergreen leaves are much longer lived than others; those of the Evergreen Oak do not survive a second year, those of the Scotch Pine live for three, of the Spruce Fir, Yew, etc., for eight or ten, of the Pinsapo even eighteen. As a general rule the Conifers with short leaves keep them on for several years, those with long ones for fewer, the length of the leaf being somewhat in the inverse ratio to the length of its life; but this is not an invariable criterion, as other circumstances also have to be taken into consideration.

Leaves with strong scent, aromatic taste, or acrid juice, are characteristic of dry regions, where they run especial danger of being eaten, and where they are thus more or less effectively protected.

ON HAIRS

The hairs of plants are useful in various ways. In some cases (1) they keep off superfluous moisture; in others (2) they prevent too rapid evaporation; in some (3) they serve as a protection against too glaring light; in some (4) they protect the plant from browsing quadrupeds; in others (5) from being eaten by insects; or, (6) serve as a quickset hedge to prevent access to the flowers.

In illustration of the first case I may refer to many alpine plants, the well-known Edelweiss, for instance, where the woolly covering of hairs prevents the "stomata," or minute pores leading into the interior of the leaf, from being clogged up by rain, dew, or fog, and thus enable them to fulfil their functions as soon as the sun comes out.

As regards the second case many desert and steppe-plants are covered with felty hairs, which serve to prevent too rapid evaporation and consequent loss of moisture.

The woolly hairy leaves of the Mulleins (Verbascum) doubtless tend to protect them from being eaten, as also do the spines of Thistles, and those of Hollies, which, be it remarked, gradually disappear on the upper leaves which browsing quadrupeds cannot reach.

I have already alluded to the various ways in which flowers are adapted to fertilisation by insects. But Ants and other small creeping insects cannot effectually secure this object. Hence it is important that they should be excluded, and not allowed to carry off the honey, for which they would perform no service in return. In many cases, therefore, the opening of the flower is either contracted to a narrow passage, or is itself protected by a fringe of hairs. In others the peduncle, or the stalk of the plant, is protected by a hedge, or chevaux de frise, of hairs.

In this connection I might allude to the many plants which are more or less viscid. This also is in most cases a provision to preclude creeping insects from access to the flowers.

There are various other kinds of hairs to which I might refer—glandular hairs, secretive hairs, absorbing hairs, etc. It is marvellous how beautifully the form and structure of leaves is adapted to the habits and requirements of the plants, but I must not enlarge further on this interesting subject.

The time indeed will no doubt come when we shall be able to explain every difference of form and structure, almost infinite as these differences are.

INFLUENCE OF SOIL

The character of the vegetation is of course greatly influenced by that of the soil. In this respect granitic and calcareous regions offer perhaps the best marked contrast.

There are in Switzerland two kinds of Rhododendrons, very similar in their flowers, but contrasted in their leaves: Rhododendron hirsutum having them hairy at the edges as the name indicates; while in R. ferrugineum they are rolled, but not hairy, at the edges, and become ferrugineous on the lower side. This species occurs in the granitic regions, where R. hirsutum does not grow.

The Yarrows (Achillea) afford us a similar case. Achillea atrata and A. moschata will live either on calcareous or granitic soil, but in a district where both occur, A. atrata grows so much the more vigorously of the two if the soil is calcareous that it soon exterminates A. moschata; while in granite districts, on the contrary, A. moschata is victorious and A. atrata disappears.

Every keen sportsman will admit that a varied "bag" has a special charm, and the botanist in a summer's walk may see at least a hundred plants in flower, all with either the interest of novelty, or the charm of an old friend.

ON SEEDLINGS

In many cases the Seedlings afford us an interesting insight into the former condition of the plant. Thus the leaves of the Furze are reduced to thorns; but those of the Seedling are herbaceous and trifoliate like those of the Herb Genet and other allied species, subsequent ones gradually passing into spines. This is evidence that the ancestors of the Furze bore leaves.

Plants may be said to have their habits as well as animals.

SLEEP OF PLANTS

Many flowers close their petals during rain; the advantage of which is that it prevents the honey and pollen from being spoilt or washed away. Everybody, however, has observed that even in fine weather certain flowers close at particular hours. This habit of going to sleep is surely very curious. Why should flowers do so? In animals we can better understand it; they are tired and require rest. But why should flowers sleep? Why should some flowers do so, and not others? Moreover, different flowers keep different hours. The Daisy opens at sunrise and closes at sunset, whence its name "day's-eye." The Dandelion (Leontodon) is said to open about seven and to close about five; Arenaria rubra to be open from nine to three; the White Water Lily (Nymphaea), from about seven to four; the common Mouse-ear Hawk-weed (Hieracium) from eight to three; the Scarlet Pimpernel (Anagallis) to waken at seven and close soon after two; Tragopogon pratensis to open at four in the morning, and close just before twelve, whence its English name, "John go to bed at noon." Farmers' boys in some parts are said to regulate their dinner time by it. Other flowers, on the contrary, open in the evening.

Now it is obvious that flowers which are fertilised by night-flying insects would derive no advantage from being open by day; and on the other hand, that those which are fertilised by bees would gain nothing by being open at night. Nay it would be a distinct disadvantage, because it would render them liable to be robbed of their honey and pollen, by insects which are not capable of fertilising them. I have ventured to suggest then that the closing of flowers may have reference to the habits of insects, and it may be observed also in support of this, that wind-fertilised flowers do not sleep; and that many of those flowers which attract insects by smell, open and emit their scent at particular hours; thus Hesperis matronalis and Lychnis vespertina smell in the evening, and Orchis bifolia is particularly sweet at night.

But it is not the flowers only which "sleep" at night; in many species the leaves also change their position, and Darwin has given strong reasons for considering that the object is to check transpiration and thus tend to a protection against cold.

BEHAVIOUR OF LEAVES IN RAIN

The behaviour of plants with reference to rain affords many points of much interest. The Germander Speedwell (Veronica) has two strong rows of hairs, the Chickweed (Stellaria) one, running down the stem and thus conducting the rain to the roots. Plants with a main tap-root, like the Radish or the Beet, have leaves sloping inwards so as to conduct the rain towards the axis of the plant, and consequently to the roots; while, on the contrary, where the roots are spreading the leaves slope outwards.

In other cases the leaves hold the rain or dew drops. Every one who has been in the Alps must have noticed how the leaves of the Lady's Mantle (Alchemilla) form little cups containing each a sparkling drop of icy water. Kerner has suggested that owing to these cold drops, the cattle and sheep avoid the leaves.

MIMICRY

In many cases plants mimic others which are better protected than themselves. Thus Matricaria Chamomilla mimics the true Chamomile, which from its bitterness is not eaten by quadrupeds. Ajuga Chamaepitys mimics Euphorbia Cyparissias, with which it often grows, and which is protected by its acrid juice. The most familiar case, however, is that of the Stinging and the Dead Nettles. They very generally grow together, and though belonging to quite different families are so similar that they are constantly mistaken for one another. Some Orchids have a curious resemblance to insects, after which they have accordingly been named the Bee Orchis, Fly Orchis, Butterfly Orchis, etc., but it has not yet been satisfactorily shown what advantage the resemblance is to the plant.

ANTS AND PLANTS

The transference of pollen from plant to plant is by no means the only service which insects render.

Ants, for instance, are in many cases very useful to plants. They destroy immense numbers of caterpillars and other insects. Forel observing a large Ants' nest counted more than 28 insects brought in as food per minute. In some cases Ants attach themselves to particular trees, constituting a sort of bodyguard. A species of Acacia, described by Belt, bears hollow thorns, while each leaflet produces honey in a crater-formed gland at the base, as well as a small, sweet, pear-shaped body at the tip. In consequence it is inhabited by myriads of a small ant, which nests in the hollow thorns, and thus finds meat, drink, and lodging all provided for it. These ants are continually roaming over the plant, and constitute a most efficient bodyguard, not only driving off the leaf-eating ants, but, in Belt's opinion, rendering the leaves less liable to be eaten by herbivorous mammalia. Delpino mentions that on one occasion he was gathering a flower of Clerodendrum, when he was himself suddenly attacked by a whole army of small ants.

INSECTIVOROUS PLANTS

In the cases above mentioned the relation between flowers and insects is one of mutual advantage. But this is by no means an invariable rule. Many insects, as we all know, live on plants, but it came upon botanists as a surprise when our countryman Ellis first discovered that some plants catch and devour insects. This he observed in a North American plant, Dionsea, the leaves of which are formed something like a rat-trap, with a hinge in the middle, and a formidable row of spines round the edge. On the surface are a few very sensitive hairs, and the moment any small insect alights on the leaf and touches one of these hairs the two halves of the leaf close up quickly and catch it. The surface then throws out a glutinous secretion, by means of which the leaf sucks up the nourishment contained in the insect.

Our common Sun-dews (Drosera) are also insectivorous, the prey being in their case captured by glutinous hairs. Again, the Bladderwort (Utricularia), a plant with pretty yellow flowers, growing in pools and slow streams, is so called because it bears a great number of bladders or utricles, each of which is a real miniature eel-trap, having an orifice guarded by a flap opening inwards which allows small water animals to enter, but prevents them from coming out again. The Butterwort (Pinguicula) is another of these carnivorous plants.

MOVEMENTS OF PLANTS

While considering Plant life we must by no means confine our attention to the higher orders, but must remember also those lower groups which converge towards the lower forms of animals, so that in the present state of our knowledge the two cannot always be distinguished with certainty. Many of them differ indeed greatly from the ordinary conception of a plant. Even the comparatively highly organised Sea-weeds multiply by means of bodies called spores, which an untrained observer would certainly suppose to be animals. They are covered by vibratile hairs or "cilia," by means of which they swim about freely in the water, and even possess a red spot which, as being especially sensitive to light, may be regarded as an elementary eye, and with the aid of which they select some suitable spot, to which they ultimately attach themselves.

It was long considered as almost a characteristic of plants that they possessed no power of movement. This is now known to be an error. In fact, as Darwin has shown, every growing part of a plant is in continual and even constant rotation. The stems of climbing plants make great sweeps, and in other cases, when the motion is not so apparent, it nevertheless really exists. I have already mentioned that many plants change the position of their leaves or flowers, or, as it is called, sleep at night.

The common Dandelion raises its head when the florets open, opens and shuts morning and evening, then lies down again while the seeds are ripening, and raises itself a second time when they are ready to be carried away by the wind.

Valisneria spiralis is a very interesting case. It is a native of European rivers, and the female flower has a long spiral stalk which enables it to float on the surface of the water. The male flowers have no stalks, and grow low down on the plant. They soon, however, detach themselves altogether, rise to the surface, and thus are enabled to fertilise the female flowers among which they float. The spiral stalk of the female flower then contracts and draws it down to the bottom of the water so that the seeds may ripen in safety. Many plants throw or bury their seeds.

The sensitive plants close their leaves when touched, and the leaflets of Desmodium gyrans are continually revolving. I have already mentioned that the spores of sea-weeds swim freely in the water by means of cilia. Some microscopic plants do so throughout a great part of their lives.

A still lower group, the Myxomycetes, which resemble small, more or less branched, masses of jelly, and live in damp soil, among decaying leaves, under bark and in similar moist situations, are still more remarkably animal like. They are never fixed, but in almost continual movement, due to differences of moisture, warmth, light, or chemical action. If, for instance, a moist body is brought into contact with one of their projections, or "pseudopods," the protoplasm seems to roll itself in that direction, and so the whole organism gradually changes its place. So again, while a solution of salt, carbonate of potash, or saltpetre causes them to withdraw from the danger, an infusion of sugar, or tan, produces a flow of protoplasm towards the source of nourishment. In fact, in the same way it rolls over and round its food, absorbing what is nutritious as it passes along. In cold weather they descend into the soil, and one of them (Oethalium), which lives in tan pits, descends in winter to a depth of several feet. When about to fructify it changes its habits, seeks the light instead of avoiding it, climbs upwards, and produces its fruit above ground.

IMPERFECTION OF OUR KNOWLEDGE

The total number of living species of plants may be roughly estimated at 500,000, and there is not one, of which we can say that the structure, uses, and life-history are yet fully known to us. Our museums contain large numbers which botanists have not yet had time to describe and name. Even in our own country not a year passes without some additional plant being discovered; as regards the less known regions of the earth not half the species have yet been collected. Among the Lichens and Fungi especially many problems of their life-history, some, indeed, of especial importance to man, still await solution.

Our knowledge of the fossil forms, moreover, falls far short even of that of existing species, which, on the other hand, they must have greatly exceeded in number. Every difference of form, structure, and colour has doubtless some cause and explanation, so that the field for research is really inexhaustible.

FOOTNOTES:

[19] Thomson.

[20] Lubbock, Flowers and Insects.

[21] Flowers, Fruits, and Leaves.



CHAPTER V

WOODS AND FIELDS

"By day or by night, summer or winter, beneath trees the heart feels nearer to that depth of life which the far sky means. The rest of spirit, found only in beauty, ideal and pure, comes there because the distance seems within touch of thought."

JEFFERIES.



CHAPTER V

WOODS AND FIELDS

Rural life, says Cicero, "is not delightful by reason of cornfields only and meadows, and vineyards and groves, but also for its gardens and orchards, for the feeding of cattle, the swarms of bees, and the variety of all kinds of flowers." Bacon considered that a garden is "the greatest refreshment to the spirits of man, without which buildings and palaces are but gross handyworks, and a man shall ever see, that when ages grow to civility and elegancy men come to build stately sooner than to garden finely, as if gardening were the greater perfection."

No doubt "the pleasure which we take in a garden is one of the most innocent delights in human life."[22] Elsewhere there may be scattered flowers, or sheets of colour due to one or two species, but in gardens one glory follows another. Here are brought together all the

quaint enamelled eyes, That on the green turf sucked the honeyed showers, And purple all the ground with vernal flowers. Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink and the pansy freaked with jet, The glowing violet, The musk rose, and the well attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears.[23]

We cannot, happily we need not try to, contrast or compare the beauty of gardens with that of woods and fields.

And yet to the true lover of Nature wild flowers have a charm which no garden can equal. Cultivated plants are but a living herbarium. They surpass, no doubt, the dried specimens of a museum, but, lovely as they are, they can be no more compared with the natural vegetation of our woods and fields than the captives in the Zoological Gardens with the same wild species in their native forests and mountains.

Often indeed, our woods and fields rival gardens even in the richness of colour. We have all seen meadows white with Narcissus, glowing with Buttercups, Cowslips, early purple Orchis, or Cuckoo Flowers; cornfields blazing with Poppies; woods carpeted with Bluebells, Anemones, Primroses, and Forget-me-nots; commons with the yellow Lady's Bedstraw, Harebells, and the sweet Thyme; marshy places with the yellow stars of the Bog Asphodel, the Sun-dew sparkling with diamonds, Ragged Robin, the beautifully fringed petals of the Buckbean, the lovely little Bog Pimpernel, or the feathery tufts of Cotton Grass; hedgerows with Hawthorn and Traveller's Joy, Wild Rose and Honeysuckle, while underneath are the curious leaves and orange fruit of the Lords and Ladies, the snowy stars of the Stitchwort, Succory, Yarrow, and several kinds of Violets; while all along the banks of streams are the tall red spikes of the Loosestrife, the Hemp Agrimony, Water Groundsel, Sedges, Bulrushes, Flowering Rush, Sweet Flag, etc.

Many other sweet names will also at once occur to us—Snowdrops, Daffodils and Hearts-ease, Lady's Mantles and Lady's Tresses, Eyebright, Milkwort, Foxgloves, Herb Roberts, Geraniums, and among rarer species, at least in England, Columbines and Lilies.

But Nature does not provide delights for the eye only. The other senses are not forgotten. A thousand sounds—many delightful in themselves, and all by association—songs of birds, hum of insects, rustle of leaves, ripple of water, seem to fill the air.

Flowers again are sweet, as well as lovely. The scent of pine woods, which is said to be very healthy, is certainly delicious, and the effect of Woodland scenery is good for the mind as well as for the body.

"Resting quietly under an ash tree, with the scent of flowers, and the odour of green buds and leaves, a ray of sunlight yonder lighting up the lichen and the moss on the oak trunk, a gentle air stirring in the branches above, giving glimpses of fleecy clouds sailing in the ether, there comes into the mind a feeling of intense joy in the simple fact of living."[24]

The wonderful phenomenon of phosphorescence is not a special gift to the animal kingdom. Henry O. Forbes describes a forest in Sumatra: "The stem of every tree blinked with a pale greenish-white light which undulated also across the surface of the ground like moonlight coming and going behind the clouds, from a minute thread-like fungus invisible in the day-time to the unassisted eye; and here and there thick dumpy mushrooms displayed a sharp, clear dome of light, whose intensity never varied or changed till the break of day; long phosphorescent caterpillars and centipedes crawled out of every corner, leaving a trail of light behind them, while fire-flies darted about above like a lower firmament."[25]

Woods and Forests were to our ancestors the special scenes of enchantment.

The great Ash tree Yggdrasil bound together Heaven, Earth, and Hell. Its top reached to Heaven, its branches covered the Earth, and the roots penetrated into Hell. The three Normas or Fates sat under it, spinning the thread of life.

Of all the gods and goddesses of classical mythology or our own folk-lore, none were more fascinating than the Nature Spirits—Elves and Fairies, Neckans and Kelpies, Pixies and Ouphes, Mermaids, Undines, Water Spirits, and all the Elfin world

Which have their haunts in dale and piny mountain, Or forests, by slow stream or tingling brook.

They come out, as we are told, especially on moonlight nights. But while evening thus clothes many a scene with poetry, forests are fairy land all day long.

Almost any wood contains many and many a spot well suited for Fairy feasts; where one might most expect to find Titania, resting, as once we are told,

She lay upon a bank, the favourite haunt Of the Spring wind in its first sunshine hour, For the luxuriant strawberry blossoms spread Like a snow shower then, and violets Bowed down their purple vases of perfume About her pillow,—linked in a gay band Floated fantastic shapes; these were her guards, Her lithe and rainbow elves.

The fairies have disappeared, and, so far as England is concerned, the larger forest animals have vanished almost as completely. The Elk and Bear, the Boar and Wolf have gone, the Stag has nearly disappeared, and but a scanty remnant of the original wild Cattle linger on at Chillingham. Still the woods teem with life; the Fox and Badger, Stoat and Weasel, Hare and Rabbit, and Hedgehog,

The tawny squirrel vaulting through the boughs, Hawk, buzzard, jay, the mavis and the merle,[26]

the Owls and Nightjar, the Woodpecker, Nuthatch, Magpie, Doves, and a hundred more.

In early spring the woods are bright with the feathery catkins of the Willow, followed by the soft green of the Beech, the white or pink flowers of the Thorn, the pyramids of the Horse-chestnut, festoons of the Laburnum and Acacia, and the Oak slowly wakes from its winter sleep, while the Ash leaves long linger in their black buds.

Under foot is a carpet of flowers—Anemones, Cowslips, Primroses, Bluebells, and the golden blossoms of the Broom, which, however, while Gorse and Heather continue in bloom for months, "blazes for a week or two, and is then completely extinguished, like a fire that has burnt itself out."[27]

In summer the tints grow darker, the birds are more numerous and full of life; the air teems with insects, with the busy murmur of bees and the idle hum of flies, while the cool of morning and evening, and the heat of the day, are all alike delicious.

As the year advances and the flowers wane, we have many beautiful fruits and berries, the red hips and haws of the wild roses, scarlet holly berries, crimson yew cups, the translucent berries of the Guelder Rose, hanging coral beads of the Black Bryony, feathery festoons of the Traveller's Joy, and others less conspicuous, but still exquisite in themselves—acorns, beech nuts, ash keys, and many more. It is really difficult to say which are most beautiful, the tender greens of spring or the rich tints of autumn, which glow so brightly in the sunshine.

Tropical fruits are even more striking. No one who has seen it can ever forget a grove of orange trees in full fruit; while the more we examine the more we find to admire; all perfectly and exquisitely finished "usque ad ungues," perfect inside and outside, for Nature

Does in the Pomegranate close Jewels more rare than Ormus shows.[28]

In winter the woods are comparatively bare and lifeless, even the Brambles and Woodbine, which straggle over the tangle of underwood being almost leafless.

Still even then they have a beauty and interest of their own; the mossy boles of the trees; the delicate tracery of the branches which can hardly be appreciated when they are covered with leaves; and under foot the beds of fallen leaves; while the evergreens seem brighter than in summer; the ruddy stems and rich green foliage of the Scotch Pines, and the dark spires of the Firs, seeming to acquire fresh beauty.

Again in winter, though no doubt the living tenants of the woods are much less numerous, many of our birds being then far away in the dense African forests, on the other hand those which remain are much more easily visible. We can follow the birds from tree to tree, and the Squirrel from bough to bough.

It requires little imagination to regard trees as conscious beings, indeed it is almost an effort not to do so.

"The various action of trees rooting themselves in inhospitable rocks, stooping to look into ravines, hiding from the search of glacier winds, reaching forth to the rays of rare sunshine, crowding down together to drink at sweetest streams, climbing hand in hand among the difficult slopes, opening in sudden dances among the mossy knolls, gathering into companies at rest among the fragrant fields, gliding in grave procession over the heavenward ridges—nothing of this can be conceived among the unvexed and unvaried felicities of the lowland forest; while to all these direct sources of greater beauty are added, first the power of redundance, the mere quantity of foliage visible in the folds and on the promontories of a single Alp being greater than that of an entire lowland landscape (unless a view from some Cathedral tower); and to this charm of redundance, that of clearer visibility—tree after tree being constantly shown in successive height, one behind another, instead of the mere tops and flanks of masses as in the plains; and the forms of multitudes of them continually defined against the clear sky, near and above, or against white clouds entangled among their branches, instead of being confused in dimness of distance."[29]

There is much that is interesting in the relations of one species to another. Many plants are parasitic upon others. The foliage of the Beech is so thick that scarcely anything will grow under it, except those spring plants, such as the Anemone and the Wood Buttercup or Goldilocks, which flower early before the Beech is in leaf.

There are other cases in which the reason for the association of species is less evident. The Larch and the Arolla (Pinus Cembra) are close companions. They grow together in Siberia; they do not occur in Scandinavia or Russia, but both reappear in certain Swiss valleys, especially in the cantons of Lucerne and Valais and the Engadine.

Another very remarkable case which has recently been observed is the relation existing between some of our forest trees and certain Fungi, the species of which have not yet been clearly ascertained. The root tips of the trees are as it were enclosed in a thin sheet of closely woven mycelium. It was at first supposed that the fungus was attacking the roots of the tree, but it is now considered that the tree and the fungus mutually benefit one another. The fungus collects nutriment from the soil, which passes into the tree and up to the leaves, where it is elaborated into sap, the greater part being utilized by the tree, but a portion reabsorbed by the fungus. There is reason to think that, in some cases at any rate, the mycelium is that of the Truffle.



The great tropical forests have a totally different character from ours. I reproduce here the plate from Kingsley's At Last. The trees strike all travellers by their magnificence, the luxuriance of their vegetation, and their great variety. Our forests contain comparatively few species, whereas in the tropics we are assured that it is far from common to see two of the same species near one another. But while in our forests the species are few, each tree has an independence and individuality of its own. In the tropics, on the contrary, they are interlaced and interwoven, so as to form one mass of vegetation; many of the trunks are almost concealed by an undergrowth of verdure, and intertwined by spiral stems of parasitic plants; from tree to tree hang an inextricable network of lianas, and it is often difficult to tell to which tree the fruits, flowers, and leaves really belong. The trunks run straight up to a great height without a branch, and then form a thick leafy canopy far overhead; a canopy so dense that even the blaze of the cloudless blue sky is subdued, one might almost say into a weird gloom, the effect of which is enhanced by the solemn silence. At first such a forest gives the impression of being more open than an English wood, but a few steps are sufficient to correct this error. There is a thick undergrowth matted together by wiry creepers, and the intermediate space is traversed in all directions by lines and cords.

The English traveller misses sadly the sweet songs of our birds, which are replaced by the hoarse chatter of parrots. Now and then a succession of cries even harsher and more discordant tell of a troop of monkeys passing across from tree to tree among the higher branches, or lower sounds indicate to a practised ear the neighbourhood of an ape, a sloth, or some other of the few mammals which inhabit the great forests. Occasionally a large blue bee hums past, a brilliant butterfly flashes across the path, or a humming-bird hangs in the air over a flower like, as St. Pierre says, an emerald set in coral, but "how weak it is to say that that exquisite little being, whirring and fluttering in the air, has a head of ruby, a throat of emerald, and wings of sapphire, as if any triumph of the jeweller's art could ever vie with that sparkling epitome of life and light."[30]

Sir Wyville Thomson graphically describes a morning in a Brazilian forest:—

"The night was almost absolutely silent, only now and then a peculiarly shrill cry of some night bird reached us from the woods. As we got into the skirt of the forest the morning broke, but the reveil in a Brazilian forest is wonderfully different from the slow creeping on of the dawn of a summer morning at home, to the music of the thrushes answering one another's full rich notes from neighbouring thorn-trees. Suddenly a yellow light spreads upwards in the east, the stars quickly fade, and the dark fringes of the forest and the tall palms show out black against the yellow sky, and almost before one has time to observe the change the sun has risen straight and fierce, and the whole landscape is bathed in the full light of day. But the morning is yet for another hour cool and fresh, and the scene is indescribably beautiful. The woods, so absolutely silent and still before, break at once into noise and movement. Flocks of toucans flutter and scream on the tops of the highest forest trees hopelessly out of shot, the ear is pierced by the strange wild screeches of a little band of macaws which fly past you like the wrapped-up ghosts of the birds on some gaudy old brocade."[31]

Mr. Darwin tells us that nothing can be better than the description of tropical forests given by Bates.

"The leafy crowns of the trees, scarcely two of which could be seen together of the same kind, were now far away above us, in another world as it were. We could only see at times, where there was a break above, the tracery of the foliage against the clear blue sky. Sometimes the leaves were palmate, or of the shape of large outstretched hands; at others finely cut or feathery like the leaves of Mimosae. Below, the tree trunks were everywhere linked together by sipos; the woody flexible stems of climbing and creeping trees, whose foliage is far away above, mingled with that of the taller independent trees. Some were twisted in strands like cables, others had thick stems contorted in every variety of shape, entwining snake-like round the tree trunks or forming gigantic loops and coils among the larger branches; others, again, were of zigzag shape, or indented like the steps of a staircase, sweeping from the ground to a giddy height."

The reckless and wanton destruction of forests has ruined some of the richest countries on earth. Syria and Asia Minor, Palestine and the north of Africa were once far more populous than they are at present. They were once lands "flowing with milk and honey," according to the picturesque language of the Bible, but are now in many places reduced to dust and ashes. Why is there this melancholy change? Why have deserts replaced cities? It is mainly owing to the ruthless destruction of the trees, which has involved that of nations. Even nearer home a similar process may be witnessed. Two French departments—the Hautes- and Basses-Alpes—are being gradually reduced to ruin by the destruction of the forests. Cultivation is diminishing, vineyards are being washed away, the towns are threatened, the population is dwindling, and unless something is done the country will be reduced to a desert; until, when it has been released from the destructive presence of man, Nature reproduces a covering of vegetable soil, restores the vegetation, creates the forests anew, and once again fits these regions for the habitation of man.

In another part of France we have an illustration of the opposite process.

The region of the Landes, which fifty years ago was one of the poorest and most miserable in France, has now been made one of the most prosperous owing to the planting of Pines. The increased value is estimated at no less than 1,000,000,000 francs. Where there were fifty years ago only a few thousand poor and unhealthy shepherds whose flocks pastured on the scanty herbage, there are now sawmills, charcoal kilns, and turpentine works, interspersed with thriving villages and fertile agricultural lands.

In our own country, though woodlands are perhaps on the increase, true forest scenery is gradually disappearing. This is, I suppose, unavoidable, but it is a matter of regret. Forests have so many charms of their own. They give a delightful impression of space and of abundance.

The extravagance is sublime. Trees, as Jefferies says, "throw away handfuls of flower; and in the meadows the careless, spendthrift ways of grass and flower and all things are not to be expressed. Seeds by the hundred million float with absolute indifference on the air. The oak has a hundred thousand more leaves than necessary, and never hides a single acorn. Nothing utilitarian—everything on a scale of splendid waste. Such noble, broadcast, open-armed waste is delicious to behold. Never was there such a lying proverb as 'Enough is as good as a feast.' Give me the feast; give me squandered millions of seeds, luxurious carpets of petals, green mountains of oak-leaves. The greater the waste the greater the enjoyment—the nearer the approach to real life."

It is of course impossible here to give any idea of the complexity of structure of our forest trees. A slice across the stem of a tree shows many different tissues with more or less technical names, bark and cambium, medullary rays, pith, and more or less specialised tissue; air-vessels, punctate vessels, woody fibres, liber fibres, scalariform vessels, and other more or less specialised tissues.

Let us take a single leaf. The name is synonymous with anything very thin, so that we might well fancy that a leaf would consist of only one or two layers of cells. Far from it, the leaf is a highly complex structure. On the upper surface are a certain number of scattered hairs, while in the bud these are often numerous, long, silky, and serve to protect the young leaf, but the greater number fall off soon after the leaf expands. The hairs are seated on a layer of flattened cells—the skin or epidermis. Below this are one or more layers of "palisade cells," the function of which seems to be to regulate the quantity of light entering the leaf. Under these again is the "parenchyme," several layers of more or less rounded cells, leaving air spaces and passages between them. From place to place in the parenchyme run "fibro-vascular bundles," forming a sort of skeleton to the leaf, and comprising air-vessels on the upper side, rayed or dotted vessels with woody fibre below, and vessels of various kinds. The under surface of the leaf is formed by another layer of flattened cells, supporting generally more or less hairs, and some of them specially modified so as to leave minute openings or "stomata" leading into the air passages. These stomata are so small that there are millions on a single leaf, and on plants growing in dry countries, such as the Evergreen Oak, Oleander, etc., they are sunk in pits, and further protected by tufts of hair.

The cells of the leaf again are themselves complex. They consist of a cell wall perforated by extremely minute orifices, of protoplasm, cell fluid, and numerous granules of "Chlorophyll," which give the leaf its green colour.

While these are, stated very briefly, the essential parts of a leaf, the details differ in every species, while in the same species and even in the same plant, the leaves present minor differences according to the situation in which they grow.

Since, then, there is so much complex structure in a single leaf, what must it be in a whole plant? There is a giant sea-weed (Macrocystis), which has been known to reach a length of 1000 feet, as also do some of the lianas of tropical forests. These, however, attain no great bulk, and the most gigantic specimens of the vegetable kingdom yet known are the Wellingtonia (Sequoia) gigantea, which grows to a height of 450 feet, and the Blue Gum (Eucalyptus) even to 480.

One is apt to look on animal structure as more delicate, and of a higher order, than that of plants. And so no doubt it is. Yet an animal, even man himself, will recover from a wound or an operation more rapidly and more perfectly than a tree.[32]

Trees again derive a special interest from the venerable age they attain. In some cases, no doubt, the age is more or less mythical, as, for instance, the Olive of Minerva at Athens, the Oaks mentioned by Pliny, "which were thought coeval with the world itself," the Fig tree, "under which the wolf suckled the founder of Rome and his brother, lasting (as Tacitus calculated) 840 years, putting out new shoots, and presaging the translation of that empire from the Caesarian line, happening in Nero's reign."[33] But in other cases the estimates rest on a surer foundation, and it cannot be doubted that there are trees still living which were already of considerable size at the time of the Conquest. The Soma Cypress of Lombardy, which is 120 feet high and 23 in circumference, is calculated to go back to forty years before the birth of Christ. Francis the First is said to have driven his sword into it in despair after the battle of Padua, and Napoleon altered his road over the Simplon so as to spare it.

Ferdinand and Isabella in 1476 swore to maintain the privileges of the Biscayans under the old Oak of Guernica. In the Ardennes an Oak cut down in 1824 contained a funeral urn and some Samnite coins. A writer at the time drew the conclusion that it must have been already a large tree when Rome was founded, and though the facts do not warrant this conclusion, the tree did, no doubt, go back to Pagan times. The great Yew of Fountains Abbey is said to have sheltered the monks when the abbey was rebuilt in 1133, and is estimated at an age of 1300 years; that at Brabourne in Kent at 3000. De Candolle gives the following as the ages attainable:—

The Ivy 450 years Larch 570 " Plane 750 " Cedar of Lebanon 800 " Lime 1100 " Oak 1500 " Taxodium distichum 4000 to 6000 Baobab 6000 years

Nowhere is woodland scenery more beautiful than where it passes gradually into the open country. The separate trees, having more room both for their roots and branches, are finer, and can be better seen, while, when they are close together, "one cannot see the wood for the trees." The vistas which open out are full of mystery and of promise, and tempt us gradually out into the green fields.

What pleasant memories these very words recall, games in the hay as children, and sunny summer days throughout life.

"Consider," says Ruskin,[34] "what we owe to the meadow grass, to the covering of the dark ground by that glorious enamel, by the companies of those soft countless and peaceful spears. The fields! Follow but forth for a little time the thought of all that we ought to recognise in those words. All spring and summer is in them—the walks by silent scented paths, the rests in noonday heat, the joy of herds and flocks, the power of all shepherd life and meditation, the life of sunlight upon the world, falling in emerald streaks, and soft blue shadows, where else it would have struck on the dark mould or scorching dust, pastures beside the pacing brooks, soft banks and knolls of lowly hills, thymy slopes of down overlooked by the blue line of lifted sea, crisp lawns all dim with early dew, or smooth in evening warmth of barred sunshine, dinted by happy feet, and softening in their fall the sound of loving voices.

* * * * *

"Go out, in the spring time, among the meadows that slope from the shores of the Swiss lakes to the roots of their lower mountains. There, mingled with the taller gentians and the white narcissus, the grass grows deep and free, and as you follow the winding mountain paths, beneath arching boughs all veiled and dim with blossom,—paths, that for ever droop and rise over the green banks and mounds sweeping down in scented undulation, steep to the blue water, studded here and there with new mown heaps, filling all the air with fainter sweetness,—look up towards the higher hills, where the waves of everlasting green roll silently into their long inlets among the shadows of the pines; and we may, perhaps, at last know the meaning of those quiet words of the 147th Psalm, 'He maketh the grass to grow upon the mountains.'"

"On fine days," he tells us again in his Autobiography, "when the grass was dry, I used to lie down on it, and draw the blades as they grew, with the ground herbage of buttercup or hawkweed mixed among them, until every square foot of meadow, or mossy bank, became an infinite picture and possession to me, and the grace and adjustment to each other of growing leaves, a subject of more curious interest to me than the composition of any painter's masterpieces."

In the passage above quoted, Ruskin alludes especially to Swiss meadows. They are especially remarkable in the beauty and variety of flowers. In our fields the herbage is mainly grass, and if it often happens that they glow with Buttercups or are white with Ox-eye-daisies, these are but unwelcome intruders and add nothing to the value of the hay. Swiss meadows, on the contrary, are sweet and lovely with wild Geraniums, Harebells, Bluebells, Pink Restharrow, Yellow Lady's Bedstraw, Chervil, Eyebright, Red and White Silenes, Geraniums, Gentians, and many other flowers which have no familiar English names; all adding not only to the beauty and sweetness of the meadows, but forming a valuable part of the crop itself.[35] On the other hand "turf" is peculiarly English, and no turf is more delightful than that of our Downs—delightful to ride on, to sit on, or to walk on. The turf indeed feels so springy under our feet that walking on it seems scarcely an exertion: one could almost fancy that the Downs themselves were still rising, even higher, into the air.

The herbage of the Downs is close rather than short, hillocks of sweet thyme, tufts of golden Potentilla, of Milkwort—blue, pink, and white—of sweet grass and Harebells: here and there pink with Heather, or golden with Furze or Broom, while over all are the fresh air and sunshine, sweet scents, and the hum of bees. And if the Downs seem full of life and sunshine, their broad shoulders are types of kindly strength, they give also an impression of power and antiquity, while every now and then we come across a tumulus, or a group of great grey stones, the burial place of some ancient hero, or a sacred temple of our pagan forefathers.

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