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The Atlantic Monthly, Volume 4, No. 23, September, 1859
Author: Various
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Freed from these necessities, that happy year, I began to know my wife by sight. We saw each other sometimes. In those long mornings, when Dennis was in the study explaining to map-peddlers that I had eleven maps of Jerusalem already, and to school-book agents that I would see them hanged before I would be bribed to introduce their textbooks into the schools,—she and I were at work together, as in those old dreamy days,—and in these of our log-cabin again. But all this could not last,—and at length poor Dennis, my double, over-tasked in turn, undid me.

It was thus it happened.—There is an excellent fellow,—once a minister,—I will call him Isaacs,—who deserves well of the world till he dies, and after,—because he once, in, a real exigency, did the right thing, in the right way, at the right time, as no other man could do it. In the world's great football match, the ball by chance found him loitering on the outside of the field; he closed with it, "camped" it, charged it home,—yes, right through the other side,—not disturbed, not frightened by his own success,—and breathless found himself a great man,—as the Great Delta rang applause. But he did not find himself a rich man; and the football has never come in his way again. From that moment to this moment he has been of no use, that one can see, at all. Still, for that great act we speak of Isaacs gratefully and remember him kindly; and he forges on, hoping to meet the football somewhere again. In that vague hope, he had arranged a "movement" for a general organization of the human family into Debating-Clubs, County Societies, State Unions, etc., etc., with a view of inducing all children to take hold of the handles of their knives and forks, instead of the metal. Children have bad habits in that way. The movement, of course, was absurd; but we all did our best to forward, not it, but him. It came time for the annual county-meeting on this subject to be held at Naguadavick. Isaacs came round, good fellow! to arrange for it,—got the town-hall, got the Governor to preside, (the saint!—he ought to have triplet doubles provided him by law,) and then came to get me to speak. "No," I said, "I would not speak, if ten Governors presided. I do not believe in the enterprise. If I spoke, it should be to say children should take hold of the prongs of the forks and the blades of the knives. I would subscribe ten dollars, but I would not speak a mill." So poor Isaacs went his way, sadly, to coax Auchmuty to speak, and Delafield. I went out. Not long after, he came back, and told Polly that they had promised to speak,—the Governor would speak,—and he himself would close with the quarterly report, and some interesting anecdotes regarding Miss Biffin's way of handling her knife and Mr. Nellis's way of footing his fork. "Now if Mr. Ingham will only come and sit on the platform, he need not say one word; but it will show well in the paper,—it will show that the Sandemanians take as much interest in the movement as the Armenians or the Mesopotamians, and will be a great favor to me." Polly, good soul! was tempted, and she promised. She knew Mrs. Isaacs was starving, and the babies,—she knew Dennis was at home,—and she promised! Night came, and I returned. I heard her story. I was sorry. I doubted. But Polly had promised to beg me, and I dared all! I told Dennis to hold his peace, under all circumstances, and sent him down.

It was not half an hour more before he returned, wild with excitement,—in a perfect Irish fury,—which it was long before I understood. But I knew at once that he had undone me!

What happened was this.—The audience got together, attracted by Governor Gorges's name. There were a thousand people. Poor Gorges was late from Augusta. They became impatient. He came in direct from the train at last, really ignorant of the object of the meeting. He opened it in the fewest possible words, and said other gentlemen were present who would entertain them better than he. The audience were disappointed, but waited. The Governor, prompted by Isaacs, said, "The Honorable Mr. Delafield will address you." Delafield had forgotten the knives and forks, and was playing the Ruy Lopez opening at the chess-club. "The Rev. Mr. Auchmuty will address you." Auchmuty had promised to speak late, and was at the school-committee. "I see Dr. Stearns in the hall; perhaps he will say a word." Dr. Stearns said he had come to listen and not to speak. The Governor and Isaacs whispered. The Governor looked at Dennis, who was resplendent on the platform; but Isaacs, to give him his due, shook his head. But the look was enough. A miserable lad, ill-bred, who had once been in Boston, thought it would sound well to call for me, and peeped out, "Ingham!" A few more wretches cried, "Ingham! Ingham!" Still Isaacs was firm; but the Governor, anxious, indeed, to prevent a row, knew I would say something, and said, "Our friend Mr. Ingham is always prepared,—and though we had not relied upon him, he will say a word, perhaps." Applause followed, which turned Dennis's head. He rose, fluttered, and tried No. 3: "There has been so much said, and, on the whole, so well said, that I will not longer occupy the time!" and sat down, looking for his hat; for things seemed squally. But the people cried, "Go on! go on!" and some applauded. Dennis, still confused, but flattered by the applause, to which neither he nor I are used, rose again, and this time tried No. 2: "I am very glad you liked it!" in a sonorous, clear delivery. My best friends stared. All the people who did not know me personally yelled with delight at the aspect of the evening; the Governor was beside himself, and poor Isaacs thought he was undone! Alas, it was I! A boy in the gallery cried in a loud tone, "It's all an infernal humbug," just as Dennis, waving his hand, commanded silence, and tried No. 4: "I agree, in general, with my friend the other side of the room." The poor Governor doubted his senses, and crossed to stop him,—not in time, however. The same gallery-boy shouted, "How's your mother?"—and Dennis, now completely lost, tried, as his last shot, No. 1, vainly: "Very well, thank you; and you?"

I think I must have been undone already. But Dennis, like another Lockhard, chose "to make sicker." The audience rose in a whirl of amazement, rage, and sorrow. Some other impertinence, aimed at Dennis, broke all restraint, and, in pure Irish, he delivered himself of an address to the gallery, inviting any person who wished to fight to come down and do so,—stating, that they were all dogs and cowards and the sons of dogs and cowards,—that he would take any five of them single-handed. "Shure, I have said all his Riverence and the Misthress bade me say," cried he, in defiance; and, seizing the Governor's cane from his hand, brandished it, quarterstaff fashion, above his head. He was, indeed, got from the hall only with the greatest difficulty by the Governor, the City Marshal, who had been called in, and the Superintendent of my Sunday-School.

The universal impression, of course, was, that the Rev. Frederic Ingham had lost all command of himself in some of those haunts of intoxication which for fifteen years I have been laboring to destroy. Till this moment, indeed, that is the impression in Naguadavick. This number of the "Atlantic" will relieve from it a hundred friends of mine who have been sadly wounded by that notion now for years;—but I shall not be likely ever to show my head there again.

No! My double has undone me.

We left town at seven the next morning. I came to No. 9, in the Third Range, and settled on the Minister's Lot. In the new towns in Maine, the first settled minister has a gift of a hundred acres of land. I am the first settled minister in No. 9. My wife and little Paulina are my parish. We raise corn enough to live on in summer. We kill bear's meat enough to carbonize it in winter. I work on steadily on my "Traces of Sandemanianism in the Sixth and Seventh Centuries," which I hope to persuade Phillips, Sampson, & Co. to publish next year. We are very happy, but the world thinks we are undone.

[8] Which means, "In the thirteenth century," my dear little bell-and-coral reader. You have rightly guessed that the question means, "What is the history of the Reformation in Hungary?"



THE SINGER.

A star into our twilight fell, 'Mong peasant homes in vales remote; Men marvelled not till all the dell Was waked as by a bugle-note.

They wondered at the wild-eyed boy, And drank his song like draughts of wine; And yet, amid their new-born joy, They bade him tend the herds and swine.

But he knew neither swine nor herds,— His shepherd soul was otherwhere; The flocks he tended were the birds, And stars that fill the folds of air.

To sweeter song the wind would melt That fanned him with its perfumed wing; Flowers thronged his path as if they felt The warm and flashing feet of Spring.

The brooklet flung its ringlets wide, And leapt to him, and kept his pace,— Sang when he sang, and when he sighed, Turned up to him its starry face.

Through many a dawn and noon and night, The singing boy still kept his course; For in his heart that meteor light Still burned with all its natal force.

He sang,—nor cherished thought of care,— As when, upon the garden-vine, A blue-bird thrills the April air, Regardless of the herds and swine.

The children in their May-time plays, The maidens in their rosy hours, And matrons in their autumn days, All heard and flung him praise or flowers.

And Age, to chimney-nooks beguiled, Caught the sweet music's tender closes, And, gazing on the embers, smiled As on a bed of summer roses.

And many a heart, by hope forsook, Received his song through depths of pain, As the dry channels of a brook The freshness of a summer rain.

But when he looked for house or bread, The stewards of earth's oil and wine Shook sternly the reproving head, And bade him tend the herds and swine!

He strayed into the harvest plains, And 'mid the sultry windrows sung, Till glowing girls and swarthy swains Caught music from his charmed tongue,—

Caught music that from heart to brain Went thrilling with delicious measure, Till toil, which late had seemed a pain, Became a sweet Arcadian pleasure.

The farmer, at the day's decline, Sat listening till the eve was late; Then, offering neither bread nor wine, Arose, and barred the outer gate,—

And said, "Would you have where to sleep On wholesome straw, good brother mine, You need but plow, and sow, and reap, And daily tend the herds and swine."

The poet's locks shook out reply; He turned him gayly down the rill; Yet left a light which shall not die, A sunshine on the farmer's sill.

He strewed the vale with flowers of song; He filled the homes with lighter grace, Which round those hearth-stones lingered long, And still makes beautiful the place.

The country, hamlet, and the town Grew wiser, better, for his songs;— The roaring city could not drown The voice that to the world belongs.

To beds of pain, to rooms of death, The soft and solemn music stole, And soothed the dying with its breath, And passed into the mourner's soul.

And yet what was the poet's meed? Such, Bard of Alloway, was thine! The soul that sings, the heart must bleed, Or tend the common herds and swine.

The nation heard his patriot lays, And rung them, like an anthem, round, Till Freedom waved her branch of bays, Wherewith the world shall yet be crowned.

His war-songs fired the battle-host, His mottoes on their banners burned; And when the foe had fled the coast, Wild with his songs the troops returned.

Then at the feast's triumphal board, His thrilling music cheered the wine;— But when the singer asked reward, They pointed to the herds and swine.

"What! he a bard? Then bid him go And beg,—it is the poet's trade! Dan Homer was the first to show The rank for which the bards were made!

"A living bard! What's he to us? A bard, to live, must first be dead! And when he dies, we may discuss To whom belongs the poet's head!"

'Neath suns that burn, through storms that drench, He went, an outcast from his birth, Still singing,—for they could not quench The fire that was not born of earth.

At last, behind cold prison-bars, By colder natures unforgiven, His frail dust starved! but 'mid the stars His spirit found its native heaven.

Now, when a meteor-spark, forlorn, Descends upon its fiery wing, I sigh to think a soul is born, Perchance, to suffer and to sing:—

Its own heart a consuming pyre Of flame, to brighten and refine:— A singer, in the starry choir, That will not tend the herds and swine.



THE PROFESSOR AT THE BREAKFAST-TABLE.

WHAT HE SAID, WHAT HE HEARD, AND WHAT HE SAW.

One of our boarders—perhaps more than one was concerned in it—sent in some questions to me, the other day, which, trivial as some of them are, I felt bound to answer.

1.—Whether a lady was ever known to write a letter covering only a single page?

To this I answered, that there was a case on record where a lady had but half a sheet of paper and no envelope; and being obliged to send through the post-office, she covered only one side of the paper (crosswise, lengthwise, and diagonally).

2.—What constitutes a man a gentleman?

To this I gave several answers, adapted to particular classes of questions.

a. Not trying to be a gentleman.

b. Self-respect underlying courtesy.

c. Knowledge and observance of the fitness of things in social intercourse.

d. L. s.d. (as many suppose.)

3.—Whether face or figure is most attractive in the female sex?

Answered in the following epigram, by a young man about town:—

Quoth Tom, "Though fair her features be, it is her figure pleases me." "What may her figure be?" I cried. "One hundred thousand!" he replied.

When this was read to the boarders, the young man John said he should like a chance to "step up" to a figger of that kind, if the girl was one of the right sort.

The landlady said them that merried for money didn't deserve the blessin' of a good wife. Money was a great thing when them that had it made a good use of it. She had seen better days herself, and knew what it was never to want for anything. One of her cousins merried a very rich old gentleman, and she had heerd that he said he lived ten year longer than if he'd staid by himself without anybody to take care of him. There was nothin' like a wife for nussin' sick folks and them that couldn't take care of themselves.

The young man John got off a little wink, and pointed slyly with his thumb in the direction of our diminutive friend, for whom he seemed to think this speech was intended.

If it was meant for him, he didn't appear to know that it was. Indeed, he seems somewhat listless of late, except when the conversation falls upon one of those larger topics that specially interest him, and then he grows excited, speaks loud and fast, sometimes almost savagely,—and, I have noticed once or twice, presses his left hand to his right side, as if there were something that ached, or weighed, or throbbed in that region.

While he speaks in this way, the general conversation is interrupted, and we all listen to him. Iris looks steadily in his face, and then he will turn as if magnetized and meet the amber eyes with his own melancholy gaze. I do believe that they have some kind of understanding together, that they meet elsewhere than at our table, and that there is a mystery, which is going to break upon us all of a sudden, involving the relations of these two persons. From the very first, they have taken to each other. The one thing they have in common is the heroic will. In him, it shows itself in thinking his way straightforward, in doing battle for "free trade and no right of search" on the high seas of religious controversy, and especially in fighting the battles of his crooked old city. In her, it is standing up for her little friend with the most queenly disregard of the code of boarding-house etiquette. People may say or look what they like,—she will have her way about this sentiment of hers.

The poor relation is in a dreadful fidget whenever the little gentleman says anything that interferes with her own infallibility. She seems to think Faith must go with her face tied up, as if she had the toothache,—and that if she opens her mouth to the quarter the wind blows from, she will catch her "death o' cold."

The landlady herself came to him one day, as I have found out, and tried to persuade him to hold his tongue.—The boarders was gettin' uneasy,—she said,—and some of 'em would go, she mistrusted, if he talked any more about things that belonged to the ministers to settle. She was a poor woman, that had known better days, but all her livin' depended on her boarders, and she was sure there wasn't any of 'em she set so much by as she did by him; but there was them that never liked to hear about such things, except on Sundays.

The little gentleman looked very smiling at the landlady, who smiled even more cordially in return, and adjusted her cap-ribbon with an unconscious movement,—a reminiscence of the long-past pairing-time, when she had smoothed her locks and softened her voice, and won her mate by these and other bird-like graces.—My dear Madam,—he said,—I will remember your interests, and speak only of matters to which I am totally indifferent.—I don't doubt he meant this; but a day or two after, something stirred him up, and I heard his voice uttering itself aloud, thus:—

—It must be done, Sir!—he was saying,—it must be done! Our religion has been Judaized, it has been Romanized, it has been Orientalized, it has been Anglicized, and the time is at hand when it must be AMERICANIZED! Now, Sir, you see what Americanizing is in politics;—it means that a man shall have a vote because he is a man,—and shall vote for whom he pleases, without his neighbor's interference. If he chooses to vote for the Devil, that is his lookout;—perhaps he thinks the Devil is better than the other candidates; and I don't doubt he's often right, Sir! Just so a man's soul has a vote in the spiritual community; and it doesn't do, Sir, or it won't do long, to call him "schismatic" and "heretic" and those other wicked names that the old murderous Inquisitors have left us to help along "peace and good-will to men"!

As long as you could catch a man and drop him into an oubliette, or pull him out a few inches longer by machinery, or put a hot iron through his tongue, or make him climb up a ladder and sit on a board at the top of a stake so that he should be slowly broiled by the fire kindled round it, there was some sense in these words; they led to something. But since we have done with those tools, we had better give up those words. I should like to see a Yankee advertisement like this!—(the little gentleman laughed fiercely as he uttered the words,—)

—Patent thumb-screws, warranted to crush the bone in three turns.

—The cast-iron boot, with wedge and mallet,—only five dollars!

—The celebrated extension-rack, warranted to stretch a man six inches in twenty minutes,—money returned, if it proves unsatisfactory.

I should like to see such an advertisement, I say, Sir! Now, what's the use of using the words that belonged with the thumb-screws, and the Blessed Virgin with the knives under her petticoats and sleeves and bodice, and the dry pan and gradual fire, if we can't have the things themselves, Sir? What's the use of painting the fire round a poor fellow, when you think it won't do to kindle one under him,—as they did at Valencia or Valladolid, or wherever it was?

—What story is that?—I said.

Why,—he answered,—at the last auto-da-fe, in 1824 or '5, or somewhere there,—it's a traveller's story, but a mighty knowing traveller he is,—they had a "heretic" to use up according to the statutes provided for the crime of private opinion. They couldn't quite make up their minds to burn him, so they only hung him in a hogshead painted all over with flames!

No, Sir! when a man calls you names because you go to the ballot-box and vote for your candidate, or because you say this or that is your opinion, he forgets in which half of the world he was born, Sir! It won't be long, Sir, before we have Americanized religion as we have Americanized government; and then, Sir, every soul God sends into the world will be good in the face of all men for just so much of His "inspiration" as "giveth him understanding"!—None of my words, Sir! none of my words!

—If Iris does not love this little gentleman, what does love look like when one sees it? She follows him with her eyes, she leans over toward him when he speaks, her face changes with the changes of his speech, so that one might think it was with her as with Christabel,—

That all her features were resigned To this sole image in her mind.

But she never looks at him with such intensity of devotion as when he says anything about the soul and the soul's atmosphere, religion.

Women are twice as religious as men;—all the world knows that. Whether they are any better, in the eyes of Absolute Justice, might be questioned; for the additional religious element supplied by sex hardly seems to be a matter of praise or blame. But in all common aspects they are so much above us that we get most of our religion from them,—from their teachings, from their example,—above all, from their pure affections.

Now this poor little Iris had been talked to strangely in her childhood. Especially she had been told that she hated all good things,—which every sensible parent knows well enough is not true of a great many children, to say the least. I have sometimes questioned whether many libels on human nature had not been a natural consequence of the celibacy of the clergy, which was enforced for so long a period.

The child had met this and some other equally encouraging statements as to her spiritual conditions, early in life, and fought the battle of spiritual independence prematurely, as many children do. If all she did was hateful to God, what was the meaning of the approving or else the disapproving conscience, when she had done "right" or "wrong"? No "shoulder-striker" hits out straighter than a child with its logic. Why, I can remember lying in my bed in the nursery and settling questions which all that I have heard since and got out of books has never been able to raise again. If a child does not assert itself in this way in good season, it becomes just what its parents or teachers were, and is no better than a plaster image.—How old was I at the time? I suppose about 5823 years old,—that is, counting from Archbishop Usher's date of the Creation, and adding the life of the race, whose accumulated intelligence is a part of my inheritance, to my own. A good deal older than Plato, you see, and much more experienced than my Lord Bacon and most of the world's teachers.—Old books are books of the world's youth, and new books are fruits of its age. How many of all these old folios round me are like so many old cupels! The gold has passed out of them long ago, but their pores are full of the dross with which it was mingled.

And so Iris—having thrown off that first lasso, which not only fetters, but chokes those whom it can hold, so that they give themselves up trembling and breathless to the great soul-subduer, who has them by the windpipe—had settled a brief creed for herself, in which love of the neighbor, whom we have seen, was the first article, and love of the Creator, whom we have not seen, grew out of this as its natural development, being necessarily second in order of time to the first unselfish emotions which we feel for the fellow-creatures who surround us in our early years.

The child must have some place to worship. What would a young girl be who never mingled her voice with the songs and prayers that rose all around her with every returning day of rest? And Iris was free to choose. Sometimes one and sometimes another would offer to carry her to this or that place of worship; and when the doors were hospitably opened, she would often go meekly in by herself. It was a curious fact, that two churches as remote from each other in doctrine as could well be divided her affections.

The Church of Saint Polycarp had very much the look of a Roman Catholic chapel. I do not wish to run the risk of giving names to the ecclesiastical furniture which gave it such a Romish aspect; but there were pictures, and inscriptions in antiquated characters, and there were reading-stands, and flowers on the altar, and other elegant arrangements. Then there were boys to sing alternately in choirs responsive to each other, and there was much bowing, with very loud responding, and a long service and a short sermon, and a bag, such as Judas used to hold in the old pictures, was carried round to receive contributions. Everything was done not only "decently and in order," but, perhaps one might say, with a certain air of magnifying their office on the part of the dignified clergymen, often two or three in number. The music and the free welcome were grateful to Iris, and she forgot her prejudices at the door of the chapel. For this was a church with open doors, with seats for all classes and all colors alike,—a church of zealous worshippers after their faith, of charitable and serviceable men and women, one that took care of its children and never forgot its poor, and whose people were much more occupied in looking out for their own souls than in attacking the faith of their neighbors. In its mode of worship there was a union of two qualities,—the taste and refinement, which the educated require just as much in their churches as else where, and the air of stateliness, almost of pomp, which impresses the common worshipper, and is often not without its effect upon those who think they hold outward forms as of little value. Under the half-Romish aspect of the Church of Saint Polycarp, the young girl found a devout and loving and singularly cheerful religious spirit. The artistic sense, which betrayed itself in the dramatic proprieties of its ritual, harmonized with her taste. The mingled murmur of the loud responses, in those rhythmic phrases, so simple, yet so fervent, almost as if every tenth heartbeat, instead of its dull tic-tac, articulated itself as "Good Lord, deliver us!"—the sweet alternation of the two choirs, as their holy song floated from side to side,—the keen young voices rising like a flight of singing-birds that passes from one grove to another, carrying its music with it back and forward,—why should she not love these gracious outward signs of those inner harmonies which none could deny made beautiful the lives of many of her fellow-worshippers in the humble, yet not inelegant Chapel of Saint Polycarp?

The young Marylander, who was born and bred to that mode of worship, had introduced her to the chapel, for which he did the honors for such of our boarders as were not otherwise provided for. I saw them looking over the same prayer-book one Sunday, and I could not help thinking that two such young and handsome persons could hardly worship together in safety for a great while. But they seemed to mind nothing but their prayer-book. By-and-by the silken bag was handed round.—I don't believe she will;—so awkward, you know;—besides, she only came by invitation. There she is, with her hand in her pocket, though,—and sure enough, her little bit of silver tinkled as it struck the coin beneath. God bless her! she hasn't much to give; but her eye glistens when she gives it, and that is all Heaven asks.—That was the first time I noticed these young people together, and I am sure they behaved with the most charming propriety,—in fact, there was one of our silent lady-boarders with them, whose eyes would have kept Cupid and Psyche to their good behavior. A day or two after this I noticed that the young gentleman had left his seat, which you may remember was at the corner diagonal to that of Iris, so that they have been as far removed from each other as they could be at the table. His new seat is three or four places farther down the table. Of course I made a romance out of this, at once. So stupid not to see it! How could it be otherwise?—Did you speak, Madam? I beg your pardon. (To my lady-reader.)

I never saw anything like the tenderness with which this young girl treats her little deformed neighbor. If he were in the way of going to church, I know she would follow him. But his worship, if any, is not with the throng of men and women and staring children.

I, the Professor, on the other hand, am a regular church-goer. I should go for various reasons, if I did not love it; but I am happy enough to find great pleasure in the midst of devout multitudes, whether I can accept all their creeds or not. One place of worship comes nearer than the rest to my ideal standard, and to this it was that I carried our young girl.

The Church of the Galileans, as it is called, is even humbler in outside pretensions than the Church of Saint Polycarp. Like that, it is open to all comers. The stranger who approaches it looks down a quiet street and sees the plainest of chapels,—a kind of wooden tent, that owes whatever grace it has to its pointed windows and the high, sharp roof,—traces, both, of that upward movement of ecclesiastical architecture which soared aloft in cathedral-spires, shooting into the sky as the spike of a flowering aloe from the cluster of broad, sharp-wedged leaves below. This suggestion of mediaeval symbolism, aided by a minute turret in which a hand-bell might have hung and found just room enough to turn over, was all of outward show the small edifice could boast. Within there was very little that pretended to be attractive. A small organ at one side, and a plain pulpit, showed that the building was a church; but it was a church reduced to its simplest expression.

Yet when the great and wise monarch of the East sat upon his throne, in all the golden blaze of the spoils of Ophir and the freights of the navy of Tarshish, his glory was not like that of this simple chapel in its Sunday garniture. For the lilies of the field, in their season, and the fairest flowers of the year, in due succession, were clustered every Sunday morning over the preacher's desk. Slight, thin-tissued blossoms of pink and blue and virgin white in early spring, then the full-breasted and deep-hearted roses of summer, then the velvet-robed crimson and yellow flowers of autumn, and in the winter delicate exotics that grew under skies of glass in the false summers of our crystal palaces without knowing that it was the dreadful winter of New England which was rattling the doors and frosting the panes,—the whole year told its history of life and growth and beauty from that simple desk. There was always at least one good sermon,—this floral homily. There was at least one good prayer,—that brief space when all were silent, after the manner of the Friends at their devotions.

Here, too, Iris found an atmosphere of peace and love. The same gentle, thoughtful faces, the same cheerful but reverential spirit, the same quiet, the same life of active benevolence. But in all else how different from the Church of Saint Polycarp! No clerical costume, no ceremonial forms, no carefully trained choirs. A liturgy they have, to be sure, which does not scruple to borrow from the time-honored manuals of devotion, but also does not hesitate to change its expressions to its own liking.

Perhaps the good people seem a little easy with each other;—they are apt to nod cheerfully, and have even been known to whisper before the minister came in. But it is a relief to get rid of that old Sunday—no,—Sabbath face, which suggests the idea that the first day of the week is commemorative of some most mournful event. The truth is, these people meet very much as a family does for its devotions, not putting off their humanity in the least, considering it on the whole quite a cheerful matter to come together for prayer and song and good counsel from kind and wise lips. And if they are freer in their demeanor than some very precise congregations, they have not the air of a worldly set of people. Clearly they have not come to advertise their tailors and milliners, nor for the sake of exchanging criticisms on the literary character of the sermon they may hear. There is no restlessness and no restraint among this quiet, cheerful people. One thing that keeps them calm and happy during the season so evidently trying to many congregations is, that they join very generally in the singing. In this way they get rid of that accumulated nervous force which escapes in all sorts of fidgety movements, so that a minister trying to keep his congregation still reminds one of a boy with his hand over the nose of a pump which another boy is working,—this spirting impatience of the people is so like the jets that find their way through his fingers, and the grand rush out at the final Amen! has such a wonderful likeness to the gush that takes place when the boy pulls his hand away, with such immense relief, as it seems, to both the pump and the officiating youngster.

How sweet is this blending of all voices and all hearts in one common song of praise! Some will sing a little loud, perhaps,—and now and then an impatient chorister will get a syllable or two in advance, or an enchanted singer so lose all thought of time and place in the luxury of a closing cadence that he holds on to the last semibreve upon his private responsibility; but how much more of the spirit of the old Psalmist in the music of these imperfectly trained voices than in the academic niceties of the paid performers who take our musical worship out of our hands!

I am of the opinion that the creed of the Church of the Galileans is not quite so precisely laid down as that of the Church of Saint Polycarp. Yet I suspect, if one of the good people from each of those churches had met over the bed of a suffering fellow-creature, or for the promotion of any charitable object, they would have found they had more in common than all the special beliefs or want of beliefs that separated them would amount to. There are always many who believe that the fruits of a tree afford a better test of its condition than a statement of the composts with which it is dressed,—though the last has its meaning and importance, no doubt.

Between these two churches, then, our young Iris divides her affections. But I doubt if she listens to the preacher at either with more devotion than she does to her little neighbor when he talks of these matters.

What does he believe? In the first place, there is some deep-rooted disquiet lying at the bottom of his soul, which makes him very bitter against all kinds of usurpation over the right of private judgment. Over this seems to lie a certain tenderness for humanity in general, bred out of life-long trial, I should say, but sharply streaked with fiery lines of wrath at various individual acts of wrong, especially if they come in an ecclesiastical shape, and recall to him the days when his mother's great-grandmother was strangled on Witch Hill, with a text from the Old Testament for her halter. With all this, he has a boundless belief in the future of this experimental hemisphere, and especially in the destiny of the free thought of its northeastern metropolis.

—A man can see further, Sir,—he said one day,—from the top of Boston State-House, and see more that is worth seeing, than from all the pyramids and turrets and steeples in all the places in the world! No smoke, Sir; no fog, Sir; and a clean sweep from the Outer Light and the sea beyond it to the New Hampshire mountains! Yes, Sir,—and there are great truths that are higher than mountains and broader than seas, that people are looking for from the tops of these hills of ours,—such as the world never saw, though it might have seen them at Jerusalem, if its eyes had been open!—Where do they have most crazy people? Tell me that, Sir!

I answered, that I had heard it said there were more in New England than in most countries, perhaps more than in any part of the world.

Very good. Sir,—he answered.—When have there been most people killed and wounded in the course of this century?

During the wars of the French Empire, no doubt,—I said.

That's it! that's it!—said the little gentleman;—where the battle of intelligence is fought, there are most minds bruised and broken! We're battling for a faith here, Sir.

The divinity-student remarked, that it was rather late in the world's history for men to be looking out for a new faith.

I didn't say a new faith,—said the little gentleman;—old or new, it can't help being different here in this American mind of ours from anything that ever was before; the people are new, Sir, and that makes the difference. One load of corn goes to the sty, and makes the fat of swine,—another goes to the farm-house, and becomes the muscle that clothes the right arms of heroes. It isn't where a pawn stands on the board that makes the difference, but what the game round it is when it is on this or that square.

Can any man look round and see what Christian countries are now doing, and how they are governed, and what is the general condition of society, without seeing that Christianity is the flag under which the world sails, and not the rudder that steers its course? No, Sir! There was a great raft built about two thousand years ago,—call it an ark, rather,—the world's great ark! big enough to hold all mankind, and made to be launched right out into the open waves of life,—and here it has been lying, one end on the shore and one end bobbing up and down in the water, men fighting all the time as to who should be captain and who should have the state-rooms, and throwing each other over the side because they could not agree about the points of compass, but the great vessel never gelling afloat with its freight of nations and their rulers;—and now, Sir, there is and has been for this long time a fleet of "heretic" lighters sailing out of Boston Bay, and they have been saying, and they say now, and they mean to keep saying, "Pump out your bilge-water, shovel over your loads of idle ballast, get out your old rotten cargo, and we will carry it out into deep waters and sink it where it will never be seen again; so shall the ark of the world's hope float on the ocean, instead of sticking in the dock-mud where it is lying!"

It's a slow business, this of getting the ark launched. The Jordan wasn't deep enough, and the Tiber wasn't deep enough, and the Rhone wasn't deep enough, and the Thames wasn't deep enough,—and perhaps the Charles isn't deep enough; but I don't feel sure of that, Sir, and I love to hear the workmen knocking at the old blocks of tradition and making the ways smooth with the oil of the Good Samaritan. I don't know, Sir,—but I do think she stirs a little,—I do believe she slides;—and when I think of what a work that is for the dear old three-breasted mother of American liberty, I would not take all the glory of all the greatest cities in the world for my birthright in the soil of little Boston!

—Some of us could not help smiling at this burst of local patriotism, especially when it finished with the last two words.

And Iris smiled, too. But it was the radiant smile of pleasure which always lights up her face when her little neighbor gets excited on the great topics of progress in freedom and religion, and especially on the part which, as he pleases himself with believing, his own city is to take in that consummation of human development to which he looks forward.

Presently she looked into his face with a changed expression,—the anxiety of a mother that sees her child suffering.

You are not well,—she said.

I am never well,—he answered.—His eyes fell mechanically on the death's-head ring he wore on his right hand. She took his hand as if it had been a baby's, and turned the grim device so that it should be out of sight. One slight, sad, slow movement of the head seemed to say, "The death-symbol is still there!"

A very odd personage, to be sure! Seems to know what is going on,—reads books, old and new,—has many recent publications sent him, they tell me,—but, what is more curious, keeps up with the every-day affairs of the world, too. Whether he hears everything that is said with preternatural acuteness, or whether some confidential friend visits him in a quiet way, is more than I can tell. I can make nothing more of the noises I hear in his room than my old conjectures. The movements I mention are less frequent, but I often hear the plaintive cry,—I observe that it is rarely laughing of late;—I never have detected one articulate word, but I never heard such tones from anything but a human voice.

There has been, of late, a deference approaching to tenderness, on the part of the boarders generally, so far as he is concerned. This is doubtless owing to the air of suffering which seems to have saddened his look of late. Either some passion is gnawing at him inwardly, or some hidden disease is at work upon him.

—What's the matter with Little Boston?—said the young man John to me one day.—There a'n't much of him, anyhow; but 't seems to me he looks peakeder than ever. The old woman says he's in a bad way, 'n' wants a nuss to take care of him. Them nusses that take care of old rich folks marry 'em sometimes,—'n' they don't commonly live a great while after that. No, Sir! I don't see what he wants to die for, after he's taken so much trouble to live in such poor accommodations as that crooked body of his. I should like to know how his soul crawled into it, 'n' how it's goin' to get out. What business has he to die, I should like to know? Let Ma'am Allen (the gentleman with the diamond) die, if he likes, and be (this is a family-magazine); but we a'n't goin' to have him dyin'. Not by a great sight. Can't do without him anyhow. A'n't it fun to hear him blow off his steam?

I believe the young fellow would take it as a personal insult, if the little gentleman should show any symptoms of quitting our table for a better world.

—In the mean time, what with going to church in company with our young lady, and taking every chance I could get to talk with her, I have found myself becoming, I will not say intimate, but well acquainted with Miss Iris. There is a certain frankness and directness about her that perhaps belong to her artist nature. For, you see, the one thing that marks the true artist is a clear perception and a firm, bold hand, in distinction from that imperfect mental vision and uncertain touch which give us the feeble pictures and the lumpy statues of the mere artisans on canvas or in stone. A true artist, therefore, can hardly fail to have a sharp, well-defined character. Besides this, many young girls have a strange audacity blended with their instinctive delicacy. Even in physical daring many of them are a match for boys; whereas you will find few among mature women, and especially if they are mothers, who do not confess, and not unfrequently proclaim, their timidity. One of these young girls, as many of us hereabouts remember, climbed to the top of a jagged, slippery rock lying out in the waves,—an ugly height to get up, and a worse one to get down, even for a bold young fellow of sixteen. Another was in the way of climbing tall trees for crows' nests,—and crows generally know about how far boys can "shin up," and set their household establishments above high-water-mark. Still another of these young ladies I saw for the first time in an open boat, tossing on the ocean ground-swell, a mile or two from shore, off a lonely island. She lost all her daring, after she had some girls of her own to look out for.

Many blondes are very gentle, yielding in character, impressible, unelastic. But the positive blondes, with the golden tint running through them, are often full of character. They come from those deep-bosomed German women that Tacitus portrayed in such strong colors. The negative blondes, or those women whose tints have faded out as their line of descent has become impoverished, are of various blood, and in them the soul has often become pale with that blanching of the hair and loss of color in the eyes which makes them approach the character of Albinesses.

I see in this young girl that union of strength and sensibility which, when directed and impelled by the strong instinct so apt to accompany this combination of active and passive capacity, we call genius. She is not an accomplished artist, certainly, as yet; but there is always an air in every careless figure she draws, as it were of upward aspiration,—the elan of John of Bologna's Mercury,—a lift to them, as if they had on winged sandals, like the herald of the gods. I hear her singing sometimes; and though she evidently is not trained, yet is there a wild sweetness in her fitful and sometimes fantastic melodies,—such as can come only from the inspiration of the moment,—strangely enough, reminding me of those long passages I have heard from my little neighbor's room, yet of different tone, and by no means to be mistaken for those weird harmonies.

I cannot pretend to deny that I am interested in the girl. Alone, unprotected, as I have seen so many young girls left in boarding-houses, the centre of all the men's eyes that surround the table, watched with jealous sharpness by every woman, most of all by that poor relation of our landlady, who belongs to the class of women that like to catch others in mischief when they are too mature for indiscretions, (as one sees old rogues turn to thief-catchers,) one of Nature's gendarmerie, clad in a complete suit of wrinkles, the cheapest coat-of-mail against the shafts of the great little enemy,—so surrounded, Iris spans this commonplace household-life of ours with her arch of beauty, as the rainbow, whose name she borrows, looks down on a dreary pasture with its feeding flocks and herds of indifferent animals.

These young girls that live in boarding-houses can do pretty much as they will. The female gendarmes are off guard occasionally. The sitting-room has its solitary moments, when any two boarders who wish to meet may come together accidentally, (accidentally, I said, Madam, and I had not the slightest intention of Italicizing the word,) and discuss the social or political questions of the day, or any other subject that may prove interesting. Many charming conversations take place at the foot of the stairs, or while one of the parties is holding the latch of a door,—in the shadow of porticos, and especially on those outside balconies which some of our Southern neighbors call "stoops," the most charming places in the world when the moon is just right and the roses and honeysuckles are in full blow,—as we used to think in eighteen hundred and never mention it.

On such a balcony or "stoop," one evening, I walked with Iris. We were on pretty good terms now, and I had coaxed her arm under mine,—my left arm, of course. That leaves one's right arm free to defend the lovely creature, if the rival—odious wretch!—attempt to ravish her from your side. Likewise if one's heart should happen to beat a little, its mute language will not be without its meaning, as you will perceive when the arm you hold begins to tremble,—a circumstance like to occur, if you happen to be a good-looking young fellow, and you two have the "stoop" to yourselves.

We had it to ourselves that evening. The Koh-i-noor, as we called him, was in a corner with our landlady's daughter. The young fellow John was smoking out in the yard. The gendarme was afraid of the evening air, and kept inside. The young Marylander came to the door, looked out and saw us walking together, gave his hat a pull over his forehead and stalked off. I felt a slight spasm, as it were, in the arm I held, and saw the girl's head turn over her shoulder for a second. What a kind creature this is! She has no special interest in this youth, but she does not like to see a young fellow going off because he feels as if he were not wanted.

She had her locked drawing-book under her arm.—Let me take it,—I said.

She gave it to me to carry.

This is full of caricatures of all of us, I am sure,—said I.

She laughed, and said,—No,—not all of you.

I was there, of course?

Why, no,—she had never taken so much pains with me.

Then she would let me see the inside of it?

She would think of it.

Just as we parted, she took a little key from her pocket and handed it to me.—This unlocks my naughty book,—she said,—you shall see it. I am not afraid of you.

I don't know whether the last words exactly pleased me. At any rate, I took the book and hurried with it to my room. I opened it, and saw, in a few glances, that I held the heart of Iris in my hand.

* * * * *

—I have no verses for you this month, except these few lines suggested by the season.

MIDSUMMER.

Here! sweep these foolish leaves away,— I will not crush my brains to-day!— Look! are the southern curtains drawn? Fetch me a fan, and so begone!

Not that,—the palm-tree's rustling leaf Brought from a parching coral-reef! Its breath is heated;—I would swing The broad gray plumes,—the eagle's wing.

I hate these roses' feverish blood!— Pluck me a half-blown lily-bud, A long-stemmed lily from the lake, Cold as a coiling water-snake.

Rain me sweet odors on the air, And wheel me up my Indian chair, And spread some book not overwise Flat out before my sleepy eyes.

—Who knows it not,—this dead recoil Of weary fibres stretched with toil,— The pulse that flutters faint and low When Summer's seething breezes blow?

O Nature! bare thy loving breast And give thy child one hour of rest,— One little hour to lie unseen Beneath thy scarf of leafy green!

So, curtained by a singing pine, Its murmuring voice shall blend with mine, Till, lost in dreams, my faltering lay In sweeter music dies away.



REVIEWS AND LITERARY NOTICES.

Life and Liberty in America: or Sketches of a Tour in the United States and Canada in 1857-8. By CHARLES MACKAY, LL.D., F.S.A. London: Smith, Elder, & Co. 1859.

"Let him come back and write a book about the 'Merrikins as'll pay all his expenses and more, if he blows 'em up enough," urged Mr. Anthony Weller, by way of climax to his scheme for Mr. Pickwick's liberation from the Fleet Prison. Whether Mr. Dickens, in putting forth this suggestion through one of his favorite characters, had or had not a view to subsequent operations of his own, has long been a sore question among his admirers on this side of the Atlantic. We believe that he had not; and that such "blowing-up" as he imparted to the people of this country was wholly unpremeditated and spontaneous, besides being of so harmless a nature that the patriot of most uneasy virtue need have been nowise distressed in consequence. The language can show few more amusing books than the "American Notes," especially the serious parts thereof.

Mr. Dickens had plenty of objects besides his future self at which to aim his satirical shot. At the time he discharged it, the literary market of England was overstocked with books on America, the authors of which had apparently tasked the best energies of their lungs in incessant "blowings-up" of all that came within range of their breath. Up to that period, though viewing America from various stand-points, they had seldom failed to recognize this one essential element of success. Since then, however, attempts have been made to satisfy the prejudices of all sides,—in which the bitter and the sweet have been deftly mingled, with the obvious belief that persons aggrieved, while suffering from the authors' stings, would derive comfort from the consciousness of accompanying honey. These hopes generally proved fallacious, and the authors, falling to the ground between the two stools of American sensitiveness and British asperity, were regarded in the light of stern warnings by many of their successors, who straightway became pitiless.

The critical works on America by English writers, published during the last fifty years, may be numbered by hundreds. Of these, nearly half have at different times been reprinted in this country. Most of them are now unknown, having passed to that oblivion of letters from whose bourn no short-sighted and narrow-minded traveller ever ought to return. The annual harvest began to appear about a half-century ago, when little more than descriptions of scenery and geographical statistics were ventured upon,—although one quaint explorer, John Lambert, vouchsafed, in 1810, some sketches of society, from which we learn, among other interesting facts, that a species of Bloomerism pervaded New York, and flourished on Broadway, even at that early day. Our visitors very soon enlarged the sphere of their observations, and entered upon the widest discussions of republican manners and morals. Slavery, as was to be expected, received immediate attention. In the course of ten years, "American Tours" had set in with such rigor, that one writer felt called upon to apologize for adding another to the already profuse supply. This was in 1818. For the next fifteen years, the principle of unlimited mockery was quite faithfully observed. The Honorable De Roos, who made a naval examination in 1826, and satisfied himself that the United States could never be a maritime power,—Colonel Maxwell, who entered upon a military investigation, and came to a similar conclusion respecting our prospects as to army, and who gained great credit for independent judgment by pronouncing Niagara a humbug,—Mrs. Kemble, frisky and fragmentary, excepting when her father was concerned, and then filially diffuse,—Mrs. Trollope, who refused to incumber herself with amiability or veracity,—Mr. Lieber, who was principally troubled by a camp meeting at which he assisted,—Miss Martineau, who retailed too much of the gossip that had been decanted through the tunnel of her trumpet,—and Captain Marryatt, who was simply clownish,—afford fair examples of the style which dominated until about 1836 or 1837. Then works of a better order began to appear. America received scientific attention. It had been agriculturally worked up in 1818 by Cobbett, whose example was now followed by Shirreff and others. In 1839, George Combe subjected us to phrenological treatment, and had the frankness to acknowledge that it was impossible for an individual to properly describe a great nation. Afterwards came Lyell, the geologist, who did not, however, confine himself to scientific research, but also analyzed the social deposits, and ascertained that Slavery was triturable. The manufacturers of gossip, meanwhile, had revolutionized the old system. Mr. Dickens blew hot and cold, uniting extremes. Godley, in 1841, disavowed satire, and was solemnly severe. Others evinced a similar disposition, but the result was not triumphant. Alexander Mackay, in 1846, returned to ridicule; and Alfred Bunn, a few years after, surpassed even Marryatt in his flippant falsehood. Mr. Arthur Cunynghame, a Canadian officer, entertained his friends, in 1850, with a dainty volume, in which the first personal pronoun averaged one hundred to a page, and the manner of which was as stiff as the ramrods of his regiment. Of our more recent judges, the best remembered are Lady Emmeline Stuart Wortley who gave to the world the details of her private experiences,—Mr. Chambers, of whose book there is really nothing in particular to say,—Mr. Baxter, who considered Peter Parley a shining light of American literature,—Miss Murray, who sacrificed her interests at St. James's upon the shrine of Antislavery,—Mr. Phillipps, scientific,—Mr. Russell, agricultural,—Mr. Jobson, theological,—and Mr. Colley Grattan, who may be termed the Sir Anthony Absolute of American censors, insisting that the Lady Columbia shall be as ugly as he chooses, shall have a hump on each shoulder, shall be as crooked as the crescent, and so forth.

Last of all comes Mr. Charles Mackay's book. Before proceeding to the few general words we have to say of it, let us look for a moment at a question which he, like a number of his predecessors, has considered with some attention. Why it is that the people of the United States manifest such acute sensibility to the strictures of English writers, and receive their criticisms with so much suspicion, Mr. Mackay is unable fully to determine. He is forced to believe that it is only their anxiety "to stand well in English opinion which causes them to wince"; particularly as "French and Germans may condemn, and nobody cares what they say." This is but a part of the truth. Unquestionably, Americans do, as Mr. Mackay says, "attach undue importance to what English travellers may say"; but this does not account for the universal feeling of mortification which follows the appearance of each new tourist's story. Americans have not failed to observe, that, of the hundreds of writers who come over, only a few of the most prominent of whom we have mentioned above, not one in fifty is animated by a sincere impulse of honest good-will. They have learned to mistrust them all, as triflers with our reputation, if not predetermined calumniators. They have witnessed over and over again the childish ignorance, the discourtesy, the vulgar deceptions of this class of bookmakers. They are not blind to these repeated struggles to digest a mass of mental food for years, in days or weeks. They know their nation cannot be understood by these chance viewers, feebly glancing through greenest spectacles, any more than the Atlantic can be sounded with a seven-fathom line. They have become familiar with the English traveller only to regard him with contempt. Each new production has opened the old wound. Each new announcement awakens only derisive expectations. As for "French and Germans," with them it is very different; and Mr. Mackay ought to know it. They commonly write, if not with comprehensive vision, at least with integrity of purpose. The best works on America are by Frenchmen. What Englishman has shown the sincerity and fairness of De Tocqueville or Chevalier? Knowing, then, that absurd malice and a capacity for microscopic investigation of superficial irregularities in a society not yet defined are the principal, and in many cases the only, qualifications deemed necessary to accomplish an English book on America, is it matter for wonder that Americans should hesitate to kiss the clumsy rods so liberally dispensed?

We hasten to say that Mr. Charles Mackay's "Life and Liberty in America" is unusually free from the worst of these faults. Hasty judgments, offences against taste, inaccuracies, occasional revelations of personal pique it has; but it is not malicious. Sometimes it is even affecting in its tenderness. It breathes a spirit of paternal regard. But it is, perhaps, the dullest of books. If not "icily regular," it is "splendidly null." The style is as oppressive as a London fog. It is marked, to use the author's own words, by "elegant and drowsy stagnation." After the first few pages, it is with weariness that we follow him. We are inclined to think Mr. Mackay has written too much, Mr. Squeers had milk for three of his pupils watered up to the necessities of five. Mr. Mackay's experiences might have sustained him through a single small volume, but he has diluted them to the requirements of two large ones. This would injure the prospects of his work in America, but may not interfere with them in England. Minute details of toilet agonies, pecuniary miseries, laundry tribulations, and anxieties of appetite may possess an interest abroad which we are unable to appreciate here. We are not excited by the intelligence that Mr. Mackay had an altercation with a negro servant on board a Sound steamer, because he could not have lager-beer at table. Such things have been noticed before. We do not shed a sympathetic tear over the two dollars which he once had to disgorge in New York, in payment for a ride of two miles; nor do we mourn for the numerous other dollars with which he reluctantly parted to satisfy the rapacity of hack-drivers all over the Union. We do not thrill with indignation, when we learn that he was, on a certain occasion, swept by crinolines into the middle of Broadway. Neither are we in any way stirred by such information as, that he, like an English lord of whom he tells, was accustomed to eat oysters every night in New York; or that he "was pervaded, permeated, steeped, and bathed in a longing desire to behold Niagara," and that, when he beheld it, his "feelings were not so much those of astonishment as of an overpowering sense of Law"; or that a peddler in a railroad-car sold nine bottles of quack medicine at a dollar a bottle; or that he had eight pages of interview with a Baltimore madman, who proved his insanity by perpetually calling Mr. Mackay the "Prince of the Poets of England." The dreary solemnity with which these incidents are narrated renders them doubly tedious. A flash of humor might enliven them, but we never see a spark. Mr. Mackay's comic stories, too, of which there are not a few, are most lamentable specimens of wit, suggesting forcibly the poppy-seeds spoken of by Mr. Pillicoddy, which are soporific in tendency, and which, if taken incessantly for a period of three weeks, produce instant death.

Mr. Mackay's experiences were not of a startling character. He travelled leisurely, and recorded discreetly. His blunders on a large scale are not numerous; but of minor facts, he announces many which may be classed among the remarkable discoveries of the season. He states that New York, New Jersey,(!) and Brooklyn form one city; that Broadway, N.Y., is decorated with elms, willows, and mountain-ashes, "drooping in green beauty"; that persons with decent coats and clean shirts in Boston may be safely put down as lecturers, Unitarian ministers, or poets; that Maryland and Virginia are one commonwealth; that eighteen months before every Presidential election, a cause of quarrel is made with England by both the principal political parties, for the purpose of securing the Irish rote; that measly pork is caused by too hasty insertion in brine after killing, and consequent rapid fermentation; that the people of the United States, unless they have travelled in Europe, are quite unable to appreciate wit. [Mr. Mackay's wit? If so, certainly.] These are but random pluckings from a rich blossoming.

The subject upon which the author has labored most earnestly is that of Slavery. If the views he sets forth are the result of his own investigation, he is entitled to credit for unusual exactness. There is nothing new about them, to be sure; but there is also nothing absurd, which is a great point. He maintains the argument against Slavery, that it is to be practically considered in its injurious influences on the white people of the Slave States, and, through them, on the nation at large. When he undertakes an emotional view of the "institution," he becomes feeble again. He thus describes his sensations while visiting a slave-market in New Orleans:—"I entertained at that moment such a hatred of slavery, that, had it been in my power to abolish it in an instant off the face of the earth by the mere expression of my will, slavery at that moment would have ceased to exist,"—an avowal which will hardly be likely to confound the American people by its boldness.

The statistical information in these volumes is as accurate as that of ordinary gazetteers. In most cases, the author appears to have drawn his information from proper sources. The principal exceptions to this are shown in one or two statements which he makes on the authority of his Pylades, Colonel Fuller, and in his remarks upon Canada, which are colored with excessive warmth. Mr. Mackay rests greater hopes upon the future of Canada than upon that of the United States. He considers the Canadians as the rivals in energy, enterprise, and industry of the people of the United States. His testimony differs from that of Lord Durham, who had good opportunities for knowing something about the matter when he had charge of Canadian affairs, and who declared, that "on the American side of the frontier all is activity and bustle," etc., "on the British side all seems waste and desolate."

Mr. Mackay gives correctly the most prominent names of American literature, but his list of artists is very imperfect. The little that he says about American music is all wrong. The first opera by an American was produced in 1845; and it is not true that this is a solitary example. Were it possible for us to pursue them, we should run down more errors of this kind than a prudent man would have put into print.

Altogether, while we readily admit that Mr. Mackay has honestly, and, in general, good-naturedly, performed his duty as an American chronicler, renouncing in a great measure the old principle of "blowing-up," and that his essays do not reek with ignorance, like those of many of his predecessors, it is yet proper to say that he has achieved a stupendous bore. His two volumes are to us a melancholy remembrance. Their life is spiced with no variety. The same dead level of dry personal detail speaks through each chapter; or if occasional relief is afforded, it is "in liquid lines mellifluously bland," and prosier than all the rest. The one source of amusement that the reader will discover is the complacent self-confidence which no assumption of modesty can hide. "A controversy had been raging for at least a week" in Philadelphia about the author's letters in the "Illustrated London News." His defender was "one of the most influential and best-conducted papers of the Union"; his assailant behaved "scurvily." We cannot lavish examples. This is the type of a hundred. Mr. Mackay seems to expect that his Jeremiad on tobacco-chewing and spitting will act in America as St. Patrick's spells did on the vermin of Ireland. Unfortunately, it will not. Mr. Dickens attempted the same thing in a much better manner,—excepting where Mr. Mackay has copied him exactly, as he has once or twice,—and even the novelist's efforts were fruitless. On the other hand, the main source of annoyance will be found in the needless elevation of minute evils, and the determination to form general judgments from isolated experiences. But of this we do not much complain. Rome derived some benefit from the cackling of a goose. Possibly we may be made in some respects a wiser and a better nation through Mr. Mackay's influence. For ourselves, however, if our aspirations ever turn toward a literary Paradise, we shall pray that it may be one where travellers cease from troubling and dull tourists are at rest.

* * * * *

1. The New and the Old; or California and India in Romantic Aspects. By J.W. PALMER, M.D. New York: Rudd & Carleton. 1859.

2. Up and Down the Irawaddi; being Passages of Adventure in the Burman Empire. By the Same.

It has passed into a scornful proverb, that it needs good optics to see what is not to be seen; and yet we should be inclined to say that the first essential of a good traveller was to be gifted with eyesight of precisely that kind. All his senses should be as delicate as eyes; and, above all, he should be able to see with the fine eye of imagination, compared with which all the other organs with which the mind grasps and the memory holds are as clumsy as thumbs. The demand for this kind of traveller and the opportunity for him increase as we learn more and more minutely the dry facts and figures of the most inaccessible corners of the earth's surface. There is no hope of another Ferdinand Mendez Pinto, with his statistics of Dreamland, who makes no difficulty of impressing "fourscore thousand rhinocerots" to draw the wagons of the King of Tartary's army, or of killing eight hundred and fifty thousand men with a flourish of his quill,—for what were a few ciphers to him, when his inkhorn was full and all Christendom to be astonished?—but there is all the more need of voyagers who give us something better than a census of population, and who know of other exports from strange countries than can be expressed by $——. Give us the traveller who makes us feel the mystery of the Figure at Sais, whose veil has a new meaning for every beholder, rather than him who brings back a photograph of the uncovered countenance, with its one unvarying granite story for all. There is one glory of the Gazetteer with his fixed facts, and another of the Poet with his variable quantities of fancy. The fixed fact may be unfixed next year, like an almanac, but the hasty sketch of the true artist is good forever.

Critics have a good-natured way of stigmatizing, for the initiated, all poetry that is not poetry, by saying that it is "elegant," "harmonious," or, worse than all, "descriptive." This last commonly means that the author has done for his readers precisely what they could do for themselves,—that he has made a catalogue of the natural objects to be found in a certain number of acres, which differs from the literary efforts of an auctioneer only in this, that each line begins with a capital and contains the same number of syllables. He counts the number of cabbages in a field, of cows in a pasture, and tells us how many times a squirrel ran up (or down) a given tree in a given time. He informs us that the bark of the shagbark is shaggy, that the sleep-at-noon slumbers at mid-day, that moss is apt to grow on fallen tree-trunks in damp places,—treats us as the old alchemists do, who give us a list of the materials out of which gold (if it had any moral sense) would at once consent to be made, but somehow won't,—and leaves us impressed with that very dead certainty, that things are so-and-so, which is the result of verses that are only so-so.

Readers of the "Atlantic" need not be told that Dr. Palmer is not a descriptive poet of this fashion. They have known how to appreciate his sketches of East Indian life, so vivid, picturesque, and imaginative that they could make "Griffins" feel twinges of liver-complaint, and so true that we have heard them pronounced "incomparable" by men familiar with India. Dr. Palmer is no mere describer; he sees with the eye of a poet, touches only what is characteristic, and, while he seems to surrender himself wholly to the Circe Imagination, retains the polished coolness of the man of the world, and the brownness of the man of the nineteenth century. He not only knows how to observe, but how to write,—both of them accomplishments rare enough in an age when everybody is ready to contract for their display by the column. His style is nervous and original, not harassingly pointed like a chestnut-burr, but full of esprit or wit diffused,—that Gallic leaven which pervades whole sentences and paragraphs with an indefinable lightness and palatableness. It is a thoroughly American style, too, a little over-indifferent to tradition and convention, but quite free of the sic-semper-tyrannis swagger. Uncle Bull, who is just like his nephew in thinking that he has a divine right to the world's oyster, cannot swallow it properly till he has donned a white choker, and refuses to be comforted when Jonathan disposes of it in his rapid way with the shell for a platter. We confess that we prefer the free-and-easy manner in its proper place to the diplomatic way of always treating the reader with sentiments of the highest consideration, and like a book all the more for having an Occidental flavor.

But it is not merely or chiefly as being among the cleverest and liveliest of modern light literature that we value Dr. Palmer's books. They have a true poetic value, and instruct as much as they entertain. While he is telling us a San Francisco story, the truth of the accessories and the skill with which they are grouped bring the California of 1849 before us with unmatched vividness. We have been getting knowledge and learning a deep moral without suspecting it, as if by our own observation and experience. In the same way "Asirvadam the Brahmin" is a prose poem that lets us into the secret of the Indian revolt. It is seldom that we meet with volumes of more real power than these, or whose force is so artistically masked under ease and playfulness. We prefer the "Old" part of the book to the "New." It seems to us to show a better style of handling. There is something of melodrama in the style of the California stories,—a flavor of blue lights and burnt cork. At the same time, we must admit that there is a melodramatic taint in our American life:—witness the Sickles vulgarity. Young America is b'hoyish rather than boyish, and perhaps the "New" may be all the truer to Nature for what we dislike in it.

"The New and the Old" is fittingly dedicated to the Autocrat of all the Breakfast-Tables, than whom no man has done more to demonstrate that wit and mirth are not incompatible with seriousness of purpose and incisiveness of thought.

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Napoleonic Ideas. By Prince NAPOLEON LOUIS BONAPARTE. Translated by JAMES A. DORR. New York: D. Appleton & Company. 1859.

This publication has at least that merit which is one of the first in literature,—it is timely. Though we look upon the Emperor of the French as a kind of imperial Jonathan Wild, it does not the less concern us to make a true estimate of his intellectual capacity. Nothing is more unwise than to assume that a man's brain must be limited because his moral sense is small; yet no mistake is more common. Napoleon the Third may play an important part in History, though by no possibility an heroic one. In reading this little volume, one cannot fail to be struck with the presence of mind and the absence of heart of which it gives evidence. It is the advertisement of a charlatan, whose sole inheritance is the right to manufacture the Napoleonic pill, and we read with unavoidable distrust the vouchers of its wonderful efficacy. We do not fancy the Bonapartist grape-cure, nor believe in it.

Mr. Dorr's translation is excellent. He understands French, and is able to do it into English elegantly and accurately without any trace of foreign idiom. This is no easy thing; for our general experience has been that translators read French like Englishmen and write English like Frenchmen.

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Country Life. By R. MORRIS COPELAND. Boston: John P. Jewett & Company. 1859.

In an article on "Farming Life in New England," published in a former volume of the "Atlantic," a valued contributor drew attention to the painful lack of beauty in the lives and homes of our rural population. Some attempts were made to show that his statements were exaggerated; but we are satisfied that they were true in all essential particulars. The abolition of entails, (however wise in itself,) and the consequent subdivision of estates, will always put country life, in the English sense of the words, out of the question here. Our houses will continue to be tents; trees, without ancestral associations, will be valued by the cord; and that cumulative charm, the slow result of associations, of the hereditary taste of many generations, must always be wanting. Age is one of the prime elements of natural beauty; but among us the love of what is new so predominates, that we have known the largest oak in a county to be cut down by the selectmen to make room for a shanty schoolhouse, simply because the tree was of "no account," being hollow and gnarled, and otherwise delightfully picturesque. Our people are singularly dead also to the value of beauty in public architecture; and while they clear away a tree which the seasons have been two centuries in building, they will put up with as little remorse a stone or brick abomination that shall be a waking nightmare for a couple of centuries to come. But selectmen are not chosen with reference to their knowledge of Price or Ruskin.

Mr. Copeland's book is specially adapted to the conditions of a community like ours. Its title might have been "Rural AEsthetics for Men of Limited Means, or the Laws of Beauty considered in their Application to Small Estates." It is a volume happily conceived and happily executed, and meets a palpable and increasing want of our civilization. Whatever adds grace to the daily lives of a people, and awakens in them a perception of the beauty of outward Nature and its healthful reaction on the nature of man,—whatever tends to make toil unsordid, and to put it in relations of intelligent sympathy with the beautiful progression of the seasons,—adds incalculably to the wealth of a country, though the increase may not appear in the Report of the Secretary of the Interior.

Mr. Copeland's volume is calculated to do this, and his own qualifications for the task he has undertaken are manifold. Chief among them we should reckon a true enthusiasm for the cause he advocates, and a hearty delight in out-of-doors-life. He writes with the zeal and warmth of a reformer; but these are tempered by practical knowledge, and such a respect for the useful as will not sacrifice it to the merely pretty. His volume contains not only suggestions in landscape-gardening, guided always by the true principle of making Nature our ally rather than attempting to subdue her, but minute directions for the greenhouse, grapery, conservatory, farm, and kitchen-garden. One may learn from it how to plant whatever grows, and to care for it afterwards. Engravings and plans make clear whatever needs illustration. The book has also the special merit of not being adapted to the meridian of Greenwich.

We do not always agree with Mr. Copeland; we dissent especially from his prejudice against the noble horsechestnut-tree, with its grand thunder-cloud of foliage, its bee-haunted cones of bloom, and its polished fruit so uselessly useful to children,—Bushy Park is answer enough on that score; but we cordially appreciate his taste and ability. His book will justify a warm commendation. It is laid out on true principles of landscape-farming. The stiff and square economical details are relieved by passages of great beauty and picturesqueness. The cockney who owns a snoring-privilege in the suburbs will be stimulated to a sense of latent beauty in clouds and fields; and the farmer who looks on the cosmic forces as mere motive-power for the wheels of his money-mill will find the truth of the proverb, that more water runs over the dam than the miller wots of, and learn that Nature is as lavish of Beauty as she is frugal in Use. Even to the editor, whose only fields are those of literature, and whose only leaves grow from a composing-stick, the advent of a book like this is refreshing. It enables him to lay out with a judicious economy the gardens attached to his Spanish manor-houses, and to do his farming without risk of loss, in the most charming way of all, (especially in July weather,)—by proxy. Without leaving our study, we have already raised some astonishing prize-vegetables, and our fat cattle have been approvingly mentioned in the committee's report. We have found an afternoon's reading in Mr. Copeland's book almost as good as owning that "place in the country" which almost all men dream of as an ideal to be realized whenever their visionary ship comes in.

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High Life in New York. By JONATHAN SLICK. Philadelphia: Peterson & Brothers.

The advantages of a favorable introduction are very obvious. A person who enters society fortified with eulogistic letters, giving assurance of his trustworthiness, so far as respectability and good behavior are concerned, is tolerably sure of a comfortable reception. But if, unable to sustain the character his credentials ascribe to him, he immediately begin to display bad manners, ignorance, and folly, he not only forfeits the position to which he has gained accidental access, but also brings discredit upon his too hasty indorser.

In literature it is not different. The collection of printed matter which appears under the title of "High Life in New York" is accompanied by a note, signed by the publishers, who are naturally supposed to know something of the real value of the works they issue, in which "editors are forewarned that it is a volume which, for downright drollery and hearty humor, has never had its equal in the productions of any American pen," and are otherwise admonished in various ways calculated to inspire lofty expectations, and to fill the mind with exalted visions of coming joy. But when it appears, on examination, that the book is as utterly unworthy of these elaborate commendations as any book can possibly be,—that it is from beginning to end nothing but a dead level of stagnant verbiage, a desolate waste of dreary platitude,—the reader cannot but regard the publishers' ardent expressions of approbation as going quite beyond the license allowable in preliminary puffs.

"High Life in New York" represents a class of publications which has, of late, in many ways, been set before the public with too great liberality. The sole object seems to be to exhibit the "Yankee" character in its traditional deformities of stupidity and meanness,—otherwise denominated simplicity and shrewdness. Mr. Jonathan Slick is in no respect different from the ordinary fabulous Yankee. An illiterate clown he is, who, visiting New York, contrives by vice of impudence, to interfere very seriously with certain conventionalities of the metropolis. He overthrows, by his indomitable will, a great many social follies. He eats soup with a knife and fork; wears no more than one shirt a week; forces his way into ladies' chambers at unseemly hours, to cure them of timidity; and introduces sundry other reforms, all of which are recorded as evidences of glorious independence and a true nobility of spirit. Sometimes he goes farther,—farther than we care to follow him. It would be easy to show wherein he is offensive, not to say disgusting; but we are not so disposed. It is not considered necessary for the traveller who has dragged his way over a muddy road to prove the nastiness of his pilgrimage by imparting the stain to our carpets.

In this book, as in most of its class, the Yankee dialect is employed throughout, the author evidently believing that bad spelling and bad grammar are the legitimate sources of New England humor. This shows that he mistakes means for ends,—just as one who supposes that Mr. Merryman, in the circus, must, of necessity, be funny, because he wears the motley and his nose is painted red. The Yankee dialect is Mr. Jonathan Slick's principal element of wit; his second is the onion. The book is redolent of onions. That odorous vegetable breathes from every page. A woman weeps, and onions are invoked to lend aromatic fragrance to a stale comparison. In one place, onions and education are woven together by some extraordinary rhetorical machinery; in another, religion is glorified through the medium of the onion; until at last the narrative seems to resolve itself into a nauseating nightmare, such as might torture the brain of some unhappy dreamer in a bed of onions.

Why such works are ever written at all, it is difficult to imagine; but how it is, that, when written, they find publishers, is inconceivable.

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Great Auction-Sale of Slaves, at Savannah, Georgia. New York: Published by the American Anti-Slavery Society.

This little pamphlet, reprinted from the columns of the "New York Tribune," possesses a double interest. It furnishes the best and most minute description of an auction-sale of slaves that has ever been published; and it admirably illustrates the enterprise and prompt energy which often distinguish the journalism of America above that of any other country.

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