 |
Ibid.
THE CASSILIS ENGAGEMENT
Ibid.
Gerhardt Hauptmann
THE WEAVERS: Painful presentation of the suffering of the German weavers in the first adjustments of the Industrial Revolution.
In Dickinson's Chief Contemporary Dramatists; also in Lewisohn's translations, Huebsch.
Winifred N. Hawkridge
THE FLORIST SHOP: Rather sentimentalist play of good influences wafted by a young woman as a florist's clerk; excellent business combines with the influences.
In Harvard Dramatic Club Plays, First Series, Brentano's.
Hazelton and Benrimo
THE YELLOW JACKET: The conventions of the Chinese theatre, more or less faithfully presented, make a quite comical presentment of an ancient Chinese legend.
Bobbs, Merrill.
Theresa Helburn
ENTER THE HERO: A madly fanciful girl fabricates a romance out of whole cloth, casts a friend as hero, and tells her small world about it. Even the rough measures the hero has to use to escape do not succeed in curing her of the habit.
In Flying Stage Plays, No. 4, Ahrens; Fifty Contemporary One-Act Plays, Stewart and Kidd.
Perez Hirschbein
IN THE DARK: Grim and awful picture of the depths of misery and starvation in a Ghetto basement. Translated by Goldberg.
In Six Plays of the Yiddish Theatre, First Series: Luce.
Hugo von Hofmannsthal
MADONNA DIANORA: Fearsome tragedy of the Ring-and-Book sort, beautifully and poignantly presented.
Translated by Harriett Boas, Badger.
Stanley Houghton
THE DEAR DEPARTED: Somewhat precipitate haste for advantage in dividing grandfather's effects is fittingly rebuked.
In Dramatic Works, vol. i. French, New York; Constable, London.
THE FIFTH COMMANDMENT: A mother finds being an "imaginary invalid" excellent for checkmating her daughter's plans, but inconveniently in the way of her own.
Ibid.
Laurence Housman
RETURN OF ALCESTIS: A modern poetic view of the spirit of Alcestis returning to Admetus after her sacrifice and rescue. Edwin Arlington Robinson has also handled this theme lately.
French.
BIRD IN HAND: A pedantic old scholar is mysteriously plagued by an illusion of faery, but in time conquers the obsession.
French.
BETHLEHEM: A nativity play.
Macmillan.
THE CHINESE LANTERN: Pleasantly effective scenes in a Chinese studio.
Sidgwick and Jackson.
William Dean Howells
THE SLEEPING CAR; THE REGISTER; THE MOUSE TRAP; THE ALBANY DEPOT; THE GARROTERS:
Amusing but somewhat worn farces, several of them introducing the voluble Mrs. Roberts and her family.
Henrik Ibsen
AN ENEMY OF THE PEOPLE: A scientist who insists on making known, and setting to work to remedy, the evils and wrongs of his community has to reckon with the people; compare The Mob, by John Galsworthy.
Boni and Liveright.
THE DOLL'S HOUSE: Nora Hjalmar, who has always been petted and shielded, at last has to face and solve certain difficult problems for herself. She thus discovers just how much her husband's love and indulgence are worth. Her solution of the difficulty is presented, not as necessarily the right thing to have done, but as what such a woman would do under the circumstances.
Boni and Liveright.
THE LADY FROM THE SEA: Ellida Wrangel, wife of the village pastor, feels the call of the sea; she feels she must go with the rough sailor to whom she was once betrothed. When Wrangel sincerely offers her liberty to choose, she "seeks the security of a familiar home, and the wild lure of the great sea spaces can trouble her no more." (Lewisohn.)
Boni and Liveright.
W.W. Jacobs and Others
ADMIRAL PETERS; THE GRAY PABKOT; THE CHANGELING; BOATSWAIN'S MATE: Jolly farces of sailors and watchmen and their families, based on Jacobs's stories in Captains All, Many Cargoes, and the rest.
French.
THE MONKEY'S PAW: A most fearful and gruesome play, based on Jacobs's story, in the vein of the Three Wishes, and the Foot of Pharaoh, by Gautier.
French.
Jerome K. Jerome
FANNY AND THE SERVANT PBOBLEM: The new Lady Bantock is surprised to discover both her real rank and her strange relationship with her twenty-three servants. An interesting character study.
French.
William Ellery Leonard
GLORY OF THE MORNING: The pathos of two civilizations contending for the children of the Indian woman, Glory of the Morning; they must go with their father to France or stay with their mother. Dr. Leonard has newly completed another powerful tragedy, Red Bird, as yet unpublished.
In Wisconsin Plays, First Series, 1914, B.W. Huebsch.
Justin McCarthy
IF I WERE KING: A romantic play, in the vein of De Banville's Gringoire, in which Villon becomes Marshal of France, for a brief time and with a fearful condition stipulated by the spider-king, Louis XI.
Heinemann.
Edward Knoblauch and Arnold Bennett
MILESTONES: Three different generations, with their different ideas and ideals, confront similar problems with different views, and arrive at various conclusions.
Doran.
Percy Mackaye
THE CANTERBURY PILGRIMS: Mr. Mackaye, translator with Professor Tatlock of Chaucer's Canterbury Tales, has written here a clever play of the travelers' adventures. The Wife of Bath is of course the ringleader in mischief.
Macmillan.
CALIBAN BY THE YELLOW SANDS: A masque for the Shakespeare Tercentenary Celebration, New York City.
Doubleday.
JEANNE D'ARC: A tragedy made up of incidents in the life of the Maid.
Macmillan.
SAM AVERAGE: A Silhouette. A soldier of 1812 is kept true to the cause by a vision of Sam Average, the spirit of his nation.
In Yankee Fantasies, Duffield.
THE SCARECROW: A lively dramatization of Hawthorne's Feathertop, from Mosses from an Old Manse.
Macmillan.
Mary MacMillan
THE SHADOWED STAR: Portraying the cruel suffering of two Irish peasant women who wait in a city tenement for Christmas as they remember it.
In Short Plays, Stewart and Kidd.
Maurice Maeterlinck
ARDIANE AND BLUEBEARD: A resolute wife finally defies Bluebeard and rescues his wives; but they refuse to forsake their unfortunate and beloved husband.
Dodd, Mead.
A MIRACLE OF SAINT ANTHONY
THE INTRUDER; THE DEATH OF TINTAGILES; INTERIOR (OR HOME):
Poignant and mystical tragedies expressing the unseen and inescapable forces surrounding and closing in upon men's lives.
Boni and Liveright; Dodd, Mead.
THE BLUE BIRD: Two peasant children, accompanied by their friends Dog, Cat, Bread, Sugar, and others, search everywhere for the blue bird of happiness. They visit among other places the realms of the dead, where their grandparents are, and of the unborn. Finally they look in the last and likeliest place.
Dodd, Mead.
THE BETROTHAL: Further adventures of Tytyl.
Dodd, Mead.
John Masefield
PHILIP THE KING; TRAGEDY OF POMPEY THE GREAT:
High tragedies. The great Pompey, defeated by the upstart Ceesar, is kingly to the end.
Sidgwick and Jackson, London; Macmillan, New York.
THE SWEEPS OF NINETY-EIGHT: A fugitive from an unsuccessful rebellion achieves a sweeping revenge upon the leaders of the enemy; amusing comedy.
Macmillan.
THE TRAGEDY OF NAN: One of the most poignantly tragic of modern plays; the mercilessness of weak and selfish people crushes out a beautiful life.
Richards, London.
Rutherford Mayne (J. Waddell)
THE DRONE: An old man by playing craftily at being on the eve of a great invention lives most comfortably on his brother's means; but forces accumulate against him and he is threatened with eviction from the hive.
Luce.
George Middleton
THE BLACK TIE: A play of sharp and quiet suffering, presenting at a new angle the Southern cleavage of races. The negro classes are not allowed to appear in the Sunday-school procession, and the small disappointment is typical of greater deprivations.
In Possession and other One-Act Plays, Holt.
MASKS: An author who has spoiled a good play so that it will "go" on the stage is called upon by the angry characters, whom he created and then forced to do as they would not really have done.
In Masks and other One-Act Plays, Holt.
MOTHERS: A mother tries in vain to prevent a young woman whom she loves from marrying her son and repeating the misery of her own marriage with a weakling.
In Tradition and other One-Act Plays, Holt.
ON BAIL: A gambler's wife who has shared his illegal gains must help him pay his debt to the law; their son, too, is involved.
Ibid.
THE TWO HOUSES: An old professor and his wife talk quietly together of the plans and the realities they have lived among.
In Masks, etc.
WAITING: False conventional ideas have long thwarted, and now threaten to wreck, the happiness of people who care greatly for each other.
In Tradition, etc.
Edna St. Vincent Millay
ABIA DA CAPO: A fantasy in which Pierrot, Columbine, and the Grecian shepherds of Theocritus display their varied views of life.
In Reedy's Mirror: reprinted in Fifty Contemporary One-Act Plays, Stewart and Kidd, Cincinnati.
Allan Milne
THE BOY COMES HOME: A war profiteer has a bad half-hour of difficulties in getting his soldier nephew to work and live according to his views; he then faces the problem in reality.
In First Plays, Knopf.
THE LUCKY ONE: The Lucky One fails to win a trick he had counted on, but his chorus of relatives—surely related to Sir Willoughby Patterne's—do not even notice the misfortune.
Ibid.
WURZEL-FLUMMERY: Of two men offered a good-sized fortune by a will provided they will adopt Wurzel-Flummery in place of their own more satisfactory surnames, and of their decision.
Ibid.
Allan Monkhouse
NIGHT WATCHES: A quiet and vivid picturing of the potential cruelty and frightfulness of ordinary well-meaning ignorance and terror; the fable reminds one of Galsworthy's "The Black Godmother," in The Inn of Tranquillity.
In War Plays, Constable, London.
William Vaughn Moody
THE FAITH HEALER: A serious drama presenting in moving and human fashion the effects of faith and disillusion.
Macmillan.
Dhan Gopal Mukerji
THE JUDGMENT or INDRA: A Hindu play, in which a priest of Indra, after making a supreme sacrifice of himself and others in order to root out human affection from his heart, thinks that his god speaks in the lightning of the storm that ensues.
In Fifty Contemporary One-Act Plays, edited by Shay and Loving. Stewart and Kidd.
Tracy Mygatt
GOOD FRIDAY: A Passion Play. A powerful tragedy of the conscientious objector.
Published by the author, 23 Bank Street, New York, N.Y.
Alfred Noyes
SHERWOOD: A poetical play of Robin Hood and his band.
Stokes.
Eugene O'Neill
BEYOND THE HORIZON: The Pulitzer Prize Play, 1920. A tragic story of a young man who longed to seek romance "beyond the horizon," and could find neither that nor any happiness, but only defeat and misery, in his everyday surroundings.
Boni and Liveright.
BOUND EAST FOR CARDIFF: The injury and death of a forecastle hand, illuminating the varying natures of his shipmates.
In Moon of the Caribbees, Boni and Liveright.
IN THE ZONE: Suspicion of treachery in the submarine zone, directed against a sailor who is different from the rest in the forecastle.
Ibid.
WHERE THE CROSS IS MADE: An old sailor goes mad waiting futilely for the return of a treasure expedition he has sent out, and the madness of his idea spreads like panic.
Ibid.
Hubert Osborne
THE GOOD MEN DO: AN INDECOROUS EPILOGUE: Shakespeare's family carefully burn his surviving plays in the effort to cast oblivion upon his low occupation.
In Plays of the 47 Workshop, First Series, 1918.
Monica Barrie O'Shea
THE RUSHLIGHT: A mother, whose son may be saved if he will betray his comrades, has only to send him a paper containing the information the authorities want. Her attitude should be compared with that of the women in Campbell of Kilmhor and Lady Gregory's The Gaol Gate.
Drama, November, 1917, 28:602.
Louis N. Parker
DISRAELI: Play of intrigue centring about the character of Lord Beaconsfield and his manoeuvres to obtain control of the Suez Canal.
Lane.
MINUET: A brief play of courage and loyalty in face of Madame Guillotine.
In Century Magazine, January, 1915.
Josephine Preston Peabody
MARLOWE: A tragedy introducing several of the Elizabethan playwrights in tavern scenes, and making a fine and romantic character of Kit Marlowe.
Houghton Mifflin.
THE PIPER: A pleasant dramatization of the legend of Hamelin Town.
Houghton Mifflin.
THE WOLF OF GUBBIO: A play about Saint Francis and some of his brothers, both animals and villagers.
Houghton Mifflin.
Louise Saunders (Perkins)
THE WOODLAND PRINCESS: Very attractive children's operetta with music by Alice Terhune.
Schirmer; French.
Stephen Phillips
ULYSSES: A drama or masque of Ulysses' adventures, from his farewell to Calypso through a vigorous combat with the wooers.
Macmillan.
Eden Phillpotts
THE SHADOW: A most affecting and tragic play of the influence of a crime upon two people who love most sincerely, and upon their very loyal friend.
In Three Plays, Duckworth, London.
THE MOTHER: A moving presentation of the force of a mother's sense and love; she refuses to shield her son when he has done wrong, but works in every way to set him straight and to continue her influence after her death.
Ibid.
THE POINT OF VIEW: A domestic altercation is arbitrated by a friend of the family, and then the arbiter is given new light on the situation.
Curtain Raisers, Duckworth, London.
Arthur Wing Pinero
THE PLAYGOERS: A farce in which a lady attempts to provide cultural amusement for her servants, and succeeds in breaking up the smooth-running establishment.
London.
David Pinski
ABIGAIL: A dramatization of a Biblical story from the wars of David. Translated from the Yiddish by Dr. Goldberg.
In Six Plays of the Yiddish Theatre, Luce.
FORGOTTEN SOULS: Fanny Segal's self-sacrifice for her sister and lover is carried to a strange and morbid extreme.
In Six Plays of the Yiddish Theatre, Luce.
Graham Pryce
THE COMING OF FAIR ANNIE: A simple but effective dramatization of the old ballad.
Gowans and Gray.
Richard Pryce and Arthur Morrison
THE DUMB CAKE: A St. Agnes' Eve story in a London slum.
French.
Serafin and Joaquim Quintero
A SUNNY MOHNING: Two very old people recall the tremendously romantic happenings of their early youth.
In Fifty Contemporary One-Act Plays, Stewart and Kidd.
Edwin Arlington Robinson
VAN ZORN: A play of New York studio life in which Van Zorn puts his own desires out of court and plays providence in the lives of his friends.
Macmillan.
Santiago Rosinol
THE PRODIGAL DOLL: A comical marionette sows his wild oats most violently and repents in deep sorrow.
In Drama, February, 1917, 5:15.
Edmond Rostand
CYRANO DE BERGERAC: A great play of a swashbuckling hero of the Paris of Moliere's time.
Doubleday; also in Dickinson's Contemporary Dramatists, I, Houghton Mifflin.
L'AIGLON: The tragic story of Napoleon's son, the little King of Rome, captive among enemies determined to tame his spirit.
Harper.
THE PRINCESS FAR-AWAY: The story of the Troubadour Rudel and the Princess of Tripoli, celebrated in one of Browning's poems, represents all worship of what is beyond attainment.
Stokes.
THE ROMANCERS: The foolish and romantic notions of two lovers are ably caricatured by their fathers' plots and stratagems.
Baker, 1906.
Arthur Schnitzler
LAST MASKS: A dying man in the Vienna Hospital contrives an opportunity for the cruel stroke he has intended at a man who has succeeded where he himself has failed; at the moment of possible triumph a different mood controls him. There are three excellent studies of character in the play.
In Anatol and Other Plays, Boni and Liveright.
George Bernard Shaw
ANDROCLES AND THE LION: The old story of a saint whom the lion remembered as his friend—with much shrewd light upon certain types of early Christians.
Constable.
CAESAR AND CLEOPATRA: New views of the chief characters, introduced by two interesting scenes—of a garrison in Syria by night and of Cleopatra in the arms of the Sphinx.
In Three Plays for Puritans, Constable.
THE MAN OF DESTINY: Napoleon after Lodi, attacking all courses of his dinner simultaneously, drawing maps with his fork dipped in the gravy, and discoursing shrewdly on courage and success.
Constable.
O'FLAHERTY, V.C.: On a recruiting mission in his own country, O'Flaherty must account to his mother for his hitherto concealed crime of fighting not against, but for England.
In Heartbreak House, Constable.
AUGUSTUS DOES HIS BIT: A high-born muddler in Britain's conduct of the war.
Ibid.
Arthur Shirley
GRINGOIRE THE BALLAD-MAKER: A translation and adaptation of de Banville's comedy about another poet than Villon in the hands of Louis XI.
Dramatic Publishing Company.
Thomas Wood Stevens
THE NURSERY MAID OF HEAVEN: "Vernon Lee's" eighteenth-century legend of Sister Benvenuta and the Christ-Child, in a simple and effectively dramatic form.
In Fifty Contemporary One-Act Plays, Stewart and Kidd.
Alfred Sutro
THE MAN ON THE KERB: A workman who has failed in every attempt to get work or help faces starvation with his wife and baby in a London tenement basement. No solution of the problem is offered.
In Five Little Plays, Duckworth, London.
A MARRIAGE HAS BEEN ARRANGED: Comedy of a rejected proposal for a society "marriage of convenience," followed by an adjustment of understanding upon another basis.
Ibid.
John Millington Synge
DEIRDRE OF THE SORROWS: A beautiful and poetic dramatization of the tragic Celtic legend of Deirdre and the Sons of Usna. This may well be compared with Yeats's dramatization of the same story.
Luce.
THE PLAYBOY OF THE WESTERN WORLD: Rather fearful comedy of the popular idolatry offered by Irish peasants to a man who boasts he has killed his father.
Luce.
IN THE SHADOW OF THE GLEN: An awesome husband makes a test of his wife's love.
Luce.
THE TINKER'S WEDDING: Rather boisterous comedy of a tinker-woman who upsets ancient custom by insisting on a church wedding.
Luce.
THE WELL OF THE SAINTS: A gruesome tragedy of a blind beggar and his wife. All these dramas are as strangely filled with beauty and poetry of expression as is the Riders to the Sea.
Luce.
Rabindranath Tagore
THE POST OFFICE: "A poetic and symbolic play."
Macmillan.
Anton Tchekhov
THE BOOR; THE MARRIAGE PROPOSAL; THE WEDDING FEAST; THE TRAGEDIAN IN SPITE OF HIMSELF:
Comical farces of extravagant conversation and action, and apparently real studies of Russian character.
In Plays, Second Series Scribner's.
William Makepiece Thackeray
THE ROSE AND THE RING: One of the most delightful of puppet-plays is based on the favorite story.
Smith, Elder and Company, London; Macmillan, New York.
Augustus Thomas
OLIVER GOLDSMITH: A very engaging play, introducing Burke, Goldsmith, Garrick in several amusing roles, Dr. Johnson, and others in his circle, and presenting (in Act II) a dress rehearsal of She Stoops to Conquer.
French.
Frank G. Tompkins
SHAM: A SOCIAL SATIRE: Of a most superior burglar, who takes only genuine objects of art, disdains the imitation stuff that litters Charles and Clara's home, and reads them a severe lecture on reality and sham in this and other departments of life.
Stewart and Kidd.
Ridgley Torrence
GRANNY MAUMEE: Highly tragic play of the blood-hatred of negroes for those who have tortured and killed, and of voodoo rites and miracles; power is given the play by a most human reversal of feeling at the last.
In Plays for a Negro Theatre, Macmillan.
THE RIDER OF DREAMS: A masterful mulatto who keeps his people obedient to a benevolent despotism.
Ibid.
Stuart Walker
THE MEDICINE SHOW: Some amusing characters, shiftless but fertile of invention, and their device for getting rich.
In Portmanteau Plays, Stewart and Kidd.
NEVERTHELESS: A play which has interested high-school pupils and their friends in Better Speech programmes.
Ibid.
SIX WHO PASS WHILE THE LENTILS BOIL: A quaint and pleasant comedy of a boy set to watch the lentils cooking, of a queen who is fugitive from execution for a violation of etiquette, and of other matters.
Ibid.
Percival Wilde
THE TRAITOR: A traitor in the British camp is discovered by a ruse that is effective and perhaps plausible.
In Dawn and Other One-Act Plays, Holt.
Oscar M. Wolff
WHERE BUT IN AMERICA? Amusing small comedy in which a Swedish cook and her fiance have potent influence in an American household.
In Mayorga, Representative One-Act Plays, Little, Brown.
William Butler Yeats
DEIRDRE: The last scene in the tragedy of Deirdre of the Sorrows.
Macmillan.
THE GREEN HELMET: Dramatization of a most interesting Gaelic variant of the story of Sir Gawain and the Green Knight; it contains good character study.
Macmillan.
THE KINO'S THRESHOLD: A poet and singer, deprived of his rightful honor at the Irish King's court, makes effective use of the ancient traditional weapon of the hunger strike in order to secure to his art and its worthy practisers their due recognition.
Macmillan.
THE HOUR GLASS: A mystical play of wisdom and folly and the approach of death.
Macmillan.
CATHLEEN NI HOOLIHAN: A moving dramatization of the compelling spirit of Love of Country.
Macmillan.
THE POT OF BROTH: An ancient story, pleasantly dramatized, of a witty wanderer who plays to his advantage on the credulity, greed, and love of flattery of a sharp-tongued peasant woman.
Macmillan.
William Butler Yeats and Lady Gregory
THE UNICORN FROM THE STARS: A mystical play of a dreamer's rough contacts with reality.
Stratford, 1904.
Israel Zangwill
THE WAR GOD: Those who sacrifice others to the War God are themselves immolated on his altar.
Macmillan.
THE MELTING POT: A serious play in which the tragic consequences of race prejudice are realizably and poignantly set forth.
Macmillan.
BOOKS ABOUT THE THEATRE, MARIONETTES AND CHILDREN'S PLAYS
William Archer
PLAY MAKING: Small, Maynard and Co.
Richard Burton
HOW TO SEE A PLAY: Macmillan.
Percival Chubb and Others
FESTIVALS AND PLAYS IN SCHOOLS AND ELSEWHERE: Harper.
Barrett Clark
HOW TO PRODUCE AMATEUR PLAYS: Little, Brown.
Payne Collier (attributed)
PUNCH AND JUDY: London, 1828.
A history of the marionettes in England, illustrated by Cruikshank.
Clayton Hamilton
STUDIES IN STAGECRAFT: Holt.
THE THEORY OF THE THEATRE: Holt.
Helen Joseph
A BOOK OF MARIONETTES: Huebsch.
Beautifully illustrated history of the puppet-plays.
Gertrude Johnson
CHOOSING A PLAY: Century Co.
Ludwig Lewisohn
THE MODERN DRAMA: Huebsch.
The best criticism of naturalistic and neo-romantic drama today.
Karl Mantzius
HISTORY OF THEATRICAL ART IN ANCIENT AND MODERN TIMES: Five volumes: Louise von Sossell, translator. Illustrated. Lippincott.
Roy Mitchell
SHAKESPEARE FOR COMMUNITY PLATERS: Dutton.
Illustrated with cuts of costume, properties, etc.
Constance D'Arcy MacKaye
COSTUMES AND SCENERY FOR AMATEURS; HOW TO PRODUCE CHILDREN'S PLAYS: Holt. Illustrations and directions.
Constance MacKay
THE LITTLE THEATRE IN THE UNITED STATES: Holt.
Percy Mackaye
THE COMMUNITY DRAMA: Houghton Mifflin. THE CIVIC THEATRE: Mitchell Kennerley.
George Jean Nathan
ANOTHER BOOK ON THE THEATRE: Huebsch.
Brander Matthews
THE DEVELOPMENT OF THE DRAMA: Scribner's. A STUDY OF THE DRAMA: Houghton Mifflin. A most helpful account.
Charlotte Porter
THE STAGE OF SHAKESPEARE: Badger. A MIDSUMMER NIGHT'S DREAM AS A FOLK-PAGEANT. Drama, VII, Nos 26, 27. Valuable articles for reconstructing the Elizabethan plays.
Maurice Sand
HISTORY OF THE HARLEQUINADE: Lippincott.
Clarence Stratton
PRODUCING IN LITTLE THEATRES: Holt, 1921. The magazines Drama, Poet Lore, the Theater Arts Magazine, the Little Theater Magazine, and articles in the English Journal are of value.
AS TO PLAYS AND DRAMATIZATION IN SCHOOL
H. Caldwell Cook
THE PLAY WAY: Heinemann. Valuable account of work at the Pearse School in Cambridge, England.
Emma Sheridan Fry
EDUCATIONAL DRAMATICS: Lloyd Adams Noble.
Alice Minnie Herts
THE CHILDREN'S EDUCATIONAL THEATRE: Harper.
Alice Minnie Herts Heniger
THE KINGDOM OF THE CHILD: Dutton.
Margaret Skinner
SOCIALIZING DRAMATICS: English Journal, October, 1920, 9:445. An excellent account of really educational dramatics.
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