"I never thought you had so much energy and strength in your little body," said Lydia, as Jean, with a shriek of enjoyment, drew herself on the raft and wiped the water from her eyes.

"There's a man up there looking at us through glasses," said Briggerland suddenly. "I saw the flash of the sun on them."

He pointed to the rising ground beyond the seashore, but they could see nothing.

Presently there was a glitter of light amongst the green, and Lydia pointed.

"I thought that sort of thing was never done except in comic newspapers," she said, but Jean did not smile. Her eyes were focused on the point where the unseen observer lay or sat, and she shaded her eyes.

"Some visitor from Monte Carlo, I expect. People at Cap Martin are much too respectable to do anything so vulgar."

Mr. Briggerland, at a glance from his daughter, slipped into the water, and with strong heavy strokes, made his way to the shore.

"Father is going to investigate," said Jean, "and the water really is the warmest place," and with that she fell sideways into the blue sea like a seal, dived down into its depths, and presently Lydia saw her walking along the white floor of the ocean, her little hands keeping up an almost imperceptible motion. Presently she shot up again, shook her head and looked round, only to dive again.

In the meantime, though Lydia, who was fascinated by the manoeuvre of the girl, did not notice the fact, Mr. Briggerland had reached the shore, pulled on a pair of rubber shoes, and with his mackintosh buttoned over his bathing dress, had begun to climb through the underbrush towards the spot where the glasses had glistened. When Lydia looked up he had disappeared.

"Where is your father?" she asked the girl.

"He went into the bushes." Mr. Stepney volunteered the information. "I suppose he's looking for the Paul Pry."

Mr. Stepney had been unusually glum and silent, for he was piqued by the tactless appearance of the Briggerlands.

"Come into the water, Marcus," said Jean peremptorily, as she put her foot against the edge of the raft, and pushed herself backward, "I want to see Mrs. Meredith dive."

"Me?" said Lydia in surprise. "Good heavens, no! After watching you I don't intend making an exhibition of myself."

"I want to show you the proper way to dive," said Jean. "Stand up on the edge of the raft."

Lydia obeyed.

"Straight up," said Jean. "Now put both your arms out wide. Now——"

There was a sharp crack from the shore; something whistled past Lydia's head, struck an upright post, splintering the edge, and with a whine went ricochetting into the sea.

Lydia's face went white.

"What—what was that?" she gasped. She had hardly spoken before there was another shot. This time the bullet must have gone very high, and immediately afterwards came a yell of pain from the shore.

Jean did not wait. She struck out for the beach, swimming furiously. It was not the shot, but the cry which had alarmed her, and without waiting to put on coat or sandals, she ran up the little road where her father had gone, following the path through the undergrowth. Presently she came to a grassy plot, in the centre of which two tall pines grew side by side, and lying against one of the trees was the huddled figure of Briggerland. She turned him over. He was breathing heavily and was unconscious. An ugly wound gaped at the back of his head, and his mackintosh and bathing dress were smothered with blood.

She looked round quickly for his assailant, but there was nobody in sight, and nothing to indicate the presence of a third person but two shining brass cartridges which lay on the grass.



Chapter XXII

Lydia Meredith only remembered swooning twice in her life, and both these occasions had happened within a few weeks.

She never felt quite so unprepared to carry on as she did when, with an effort she threw herself into the water at Marcus Stepney's side and swam slowly toward the shore.

She dare not let her mind dwell upon the narrowness of her escape. Whoever had fired that shot had done so deliberately, and with the intention of killing her. She had felt the wind of the bullet in her face.

"What do you suppose it was?" asked Marcus Stepney as he assisted her up the beach. "Do you think it was soldiers practising?"

She shook her head.

"Oh," said Mr. Stepney thoughtfully, and then: "If you don't mind, I'll run up and see what has happened."

He wrapped himself in the dressing gown he had brought with him, and followed Jean's trail, coming up with her as Mr. Briggerland opened his eyes and stared round.

"Help me to hold him, Marcus," said Jean.

"Wait a moment," said Mr. Stepney, feeling in his pocket and producing a silk handkerchief, "bandage him with that."

She shook her head.

"He's lost all the blood he's going to lose," she said quietly, "and I don't think there's a fracture. I felt the skull very carefully with my finger."

Mr. Stepney shivered.

"Hullo," said Briggerland drowsily, "Gee, he gave me a whack!"

"Who did it?" asked the girl.

Mr. Briggerland shook his head and winced with the pain of it.

"I don't know," he moaned. "Help me up. Stepney."

With the man's assistance he rose unsteadily to his feet.

"What happened?" asked Stepney.

"Don't ask him any questions now," said the girl sharply. "Help him back to the house."

A doctor was summoned and stitched the wound. He gave an encouraging report, and was not too inquisitive as to how the injury had occurred. Foreign visitors get extraordinary things in the regions of Monte Carlo, and medical men lose nothing by their discretion.

It was not until that afternoon, propped up with pillows in a chair, the centre of a sympathetic audience, that Mr. Briggerland told his story.

"I had a feeling that something was wrong," he said, "and I went up to investigate. I heard a shot fired, almost within a few yards of me, and dashing through the bushes, I saw the fellow taking aim for the second time, and seized him. You remember the second shot went high."

"What sort of a man was he?" asked Stepney.

"He was an Italian, I should think," answered Mr. Briggerland. "At any rate, he caught me an awful whack with the back of his rifle, and I knew no more until Jean found me."

"Do you think he was firing at me?" asked Lydia in horror.

"I am certain of it," said Briggerland. "I realised it the moment I saw the fellow."

"How am I to thank you?" said the girl impulsively. "Really, it was wonderful of you to tackle an armed man with your bare hands."

Mr. Briggerland closed his eyes and sighed.

"It was nothing," he said modestly.

Before dinner he and his daughter were left alone for the first time since the accident.

"What happened?" she asked.

"It was going to be a little surprise for you," he said. "A little scheme of my own, my dear; you're always calling me a funk, and I wanted to prove——"

"What happened?" she asked tersely.

"Well, I went out yesterday morning and fixed it all. I bought the rifle, an old English rifle, at Amiens from a peasant. I thought it might come in handy, especially as the man threw in a packet of ammunition. Yesterday morning, lying awake before daybreak, I thought it out. I went up to the hill—the land belongs to an empty house, by the way—and I located the spot, put the rifle where I could find it easily, and fixed a pair of glass goggles on to one of the bushes, where the sun would catch it. The whole scheme was not without its merit as a piece of strategy, my dear," he said complacently.

"And then——?" she said.

"I thought we'd go bathing yesterday, but we didn't, but to-day—it was a long time before anybody spotted the glasses, but once I had the excuse for going ashore and investigating, the rest was easy."

She nodded.

"So that was why you asked me to keep her on the raft, and make her stand up?"

He nodded.

"Well——?" she demanded.

"I went up to the spot, got the rifle and took aim. I've always been a pretty good shot——"

"You didn't advertise it to-day," she said sardonically. "Then I suppose somebody hit you on the head?"

He nodded and made a grimace, but any movement of his injured cranium was excessively painful.

"Who was it?" she asked.

He shrugged his shoulders.

"Don't ask fool questions," he said petulantly. "I know nothing. I didn't even feel the blow. I just remember taking aim, and then everything went dark."

"And how would you have explained it all, supposing you had succeeded?"

"That was easy," he said. "I should have said that I went in search of the man we had seen, I heard a shot and rushed forward and found nothing but the rifle."

She was silent, pinching her lips absently.

"And you took the risk of some peasant or visitor seeing you—took the risk of bringing the police to the spot and turning what might have easily been a case of accidental death into an obvious case of wilful murder. I think you called yourself a strategist," she asked politely.

"I did my best," he growled.

"Well, don't do it again, father," she said. "Your foolhardiness appals me, and heaven knows, I never expected that I should be in a position to call you foolhardy."

And with this she left him to bask in the hero-worship which the approaching Mrs. Cole-Mortimer would lavish upon him.

The "accident" kept them at home that night, and Lydia was not sorry. A settee is not a very comfortable sleeping place, and she was ready for a real bed that night. Mr. Stepney found her yawning surreptitiously, and went home early in disgust.

The night was warmer than the morning had been. The Foehn wind was blowing and she found her room with its radiator a little oppressive. She opened the long French windows, and stepped out on to the balcony. The last quarter of the moon was high in the sky, and though the light was faint, it gave shadows to trees and an eerie illumination to the lawn.

She leant her arms on the rail and looked across the sea to the lights of Monte Carlo glistening in the purple night. Her eyes wandered idly to the grounds and she started. She could have sworn she had seen a figure moving in the shadow of the tree, nor was she mistaken.

Presently it left the tree belt, and stepped cautiously across the lawn, halting now and again to look around. She thought at first that it was Marcus Stepney who had returned, but something about the walk of the man seemed familiar. Presently he stopped directly under the balcony and looked up and she uttered an exclamation, as the faint light revealed the iron-grey hair and the grisly eyebrows of the intruder.

"All right, miss," he said in a hoarse whisper, "it's only old Jaggs."

"What are you doing?" she answered in the same tone.

"Just lookin' round," he said, "just lookin' round," and limped again into the darkness.



Chapter XXIII

So old Jaggs was in Monte Carlo! Whatever was he doing, and how was he getting on with these people who spoke nothing but French, she wondered! She had something to think about before she went to sleep.

She opened her eyes singularly awake as the dawn was coming up over the grey sea. She looked at her watch; it was a quarter to six. Why she had wakened so thoroughly she could not tell, but remembered with a little shiver another occasion she had wakened, this time before the dawn, to face death in a most terrifying shape.

She got up out of bed, put on a heavy coat and opened the wire doors that led to the balcony. The morning was colder than she imagined, and she was glad to retreat to the neighbourhood of the warm radiator.

The fresh clean hours of the dawn, when the mind is clear, and there is neither sound nor movement to distract the thoughts, are favourable to sane thinking.

Lydia reviewed the past few weeks in her life, and realised, for the first time, the miracle which had happened. It was like a legend of old—the slave had been lifted from the king's anteroom—the struggling artist was now a rich woman. She twiddled the gold ring on her hand absent-mindedly—and she was married ... and a widow! She had an uncomfortable feeling that, in spite of her riches, she had not yet found her niche. She was an odd quantity, as yet. The Cole-Mortimers and the Briggerlands did not belong to her ideal world, and she could find no place where she fitted.

She tried, in this state of mind so favourable to the consideration of such a problem, to analyse Jack Glover's antagonism toward Jean Briggerland and her father.

It seemed unnatural that a healthy young man should maintain so bitter a feud with a girl whose beauty was almost of a transcendant quality and all because she had rejected him.

Jack Glover was a public school boy, a man with a keen sense of honour. She could not imagine him being guilty of a mean action. And such men did not pursue vendettas without good reason. If they were rejected by a woman, they accepted their conge with a good grace, and it was almost unthinkable that Jack should have no other reason for his hatred. Yet she could not bring herself even to consider the possibility that the reason was the one he had advanced. She came again to the dead end of conjecture. She could believe in Jack's judgment up to a point—beyond that she could not go.

She had her bath, dressed, and was in the garden when the eastern horizon was golden with the light of the rising sun. Nobody was about, the most energetic of the servants had not yet risen, and she strolled through the avenue to the main road. As she stood there looking up and down a man came out from the trees that fringed the road and began walking rapidly in the direction of Monte Carlo.

"Mr. Jaggs!" she called.

He took no notice, but seemed to increase his limping pace, and after a moment's hesitation, she went flying down the road after him. He turned at the sound of her footsteps and in his furtive way drew into the shadow of a bush. He looked more than usually grimy; on his hands were an odd pair of gloves and a soft slouch hat that had seen better days, covered his head.

"Good-morning, miss," he wheezed.

"Why were you running away, Mr. Jaggs?" she asked, a little out of breath.

"Not runnin' away, miss," he said, glancing at her sharply from under his heavy white eyebrows. "Just havin' a look round!"

"Do you spend all your nights looking round?" she smiled at him.

"Yes, miss."

At that moment a cyclist gendarme came into view. He slowed down as he approached the two and dismounted.

"Good morning, madame," he said politely, and then looking at the man, "is this man in your employ? I have seen him coming out of your house every morning?"

"Oh, yes," said Lydia hastily, "he's my——"

She was at a loss to describe him, but old Jaggs saved her the trouble.

"I'm madame's courier," he said, and to Lydia's amazement he spoke in perfect French, "I am also the watchman of the house."

"Yes, yes," said Lydia, after she had recovered from her surprise. "M'sieur is the watchman, also."

"Bien, madame," said the gendarme. "Forgive my asking, but we have so many strangers here."

They watched the gendarme out of sight. Then old Jaggs chuckled.

"Pretty good French, miss, wasn't it?" he said, and without another word, turned and limped in the trail of the police.

She looked after him in bewilderment. So he spent every night in the grounds, or somewhere about the house? The knowledge gave her a queer sense of comfort and safety.

When she went back to the villa she found the servants were up. Jean did not put in an appearance until breakfast, and Lydia had an opportunity of talking to the French housekeeper whom Mrs. Cole-Mortimer had engaged when she took the villa. From her she learnt a bit of news, which she passed on to Jean almost as soon as she put in an appearance.

"The gardener's little boy is going to get well, Jean."

Jean nodded.

"I know," she said. "I telephoned to the hospital yesterday."

It was so unlike her conception of the girl, that Lydia stared.

"The mother is in isolation," Lydia went on, "and Madame Souviet says that the poor woman has no money and no friends. I thought of going down to the hospital to-day to see if I could do anything for her."

"You'd better not, my dear," warned Mrs. Cole-Mortimer nervously. "Let us be thankful we've got the little brat out of the neighbourhood without our catching the disease. One doesn't want to seek trouble. Keep away from the hospital."

"Rubbish!" said Jean briskly. "If Lydia wants to go, there is no reason why she shouldn't. The isolation people are never allowed to come into contact with visitors, so there is really no danger."

"I agree with Mrs. Cole-Mortimer," grumbled Briggerland. "It is very foolish to ask for trouble. You take my advice, my dear, and keep away."

"I had a talk with a gendarme this morning," said Lydia to change the subject. "When he stopped and got off his bicycle I thought he was going to speak about the shooting. I suppose it was reported to the police?"

"Er—yes," said Mr. Briggerland, not looking up from his plate, "of course. Have you been into Monte Carlo?"

Lydia shook her head.

"No, I couldn't sleep, and I was taking a walk along the road when he passed." She said nothing about Mr. Jaggs. "The police at Monaco are very sociable."

Mr. Briggerland sniffed.

"Very," he said.

"Have they any theories?" she asked. In her innocence she was persisting in a subject which was wholly distasteful to Mr. Briggerland. "About the shooting I mean?"

"Yes, they have theories, but my dear, I should advise you not to discuss the matter with the police. The fact is," invented Mr. Briggerland, "I told them that you were unaware of the fact that you had been shot at, and if you discussed it with the police, you would make me look rather foolish."

When Lydia and Mrs. Cole-Mortimer had gone, Jean seized an opportunity which the absence of the maid offered.

"I hope you are beginning to see how perfectly insane your scheme was," she said. "You have to support your act with a whole series of bungling lies. Possibly Marcus, like a fool, has mentioned it in Monte Carlo, and we shall have the detectives out here asking why you have not reported the matter."

"If I were as clever as you——" he growled.

"You're not," said Jean, rolling her serviette. "You're the most un-clever man I know."



Chapter XXIV

Lydia went up to her bedroom to put away her clothes and found the maid making the bed.

"Oh, madame," said the girl, "I forgot to speak to you about a matter—I hope madame will not be angry."

"I'm hardly likely to be angry on a morning like this," said Lydia.

"It is because of this matter," said the girl. She groped in her pocket and brought out a small shining object, and Lydia took it from her hand.

"This matter" was a tiny silver cross, so small that a five-franc piece would have covered it easily. It was brightly polished and apparently had seen service.

"When we took your bed, after the atrocious and mysterious happening," said the maid rapidly, "this was found in the sheets. It was not thought that it could possibly be madame's, because it was so poor, until this morning when it was suggested that it might be a souvenir that madame values."

"You found it in the sheets?" asked Lydia in surprise.

"Yes, madame."

"It doesn't belong to me," said Lydia. "Perhaps it belongs to Madame Cole-Mortimer. I will show it to her."

Mrs. Cole-Mortimer was a devout Catholic and it might easily be some cherished keep-sake of hers.

The girl carried the cross to the window; an "X" had been scrawled by some sharp-pointed instrument at the junction of the bars. There was no other mark to identify the trinket.

She put the cross in her bag, and when she saw Mrs. Cole-Mortimer again she forgot to ask her about it.

The car drove her into Nice alone. Jean did not feel inclined to make the journey and Lydia rather enjoyed the solitude.

The isolation hospital was at the top of the hill and she found some difficulty in obtaining admission at this hour. The arrival of the chief medical officer, however, saved her from making the journey in vain. The report he gave about the child was very satisfactory; the mother was in the isolation ward.

"Can she be seen?"

"Yes, madame," said the urbane Frenchman in charge. "You understand, you will not be able to get near her? It will be rather like interviewing a prisoner, for she will be behind one set of bars and you behind another."

Lydia was taken to a room which was, she imagined, very much like a room in which prisoners interviewed their distressed relations. There were not exactly bars, but two large mesh nets of steel separated the visitor from the patient under observation. After a time a nun brought in the gardener's wife, a tall, gaunt woman, who was a native of Marseilles, and spoke the confusing patois of that city with great rapidity. It was some time before Lydia could accustom her ear to the queer dialect.

Her boy was getting well, she said, but she herself was in terrible trouble. She had no money for the extra food she required. Her husband who was away in Paris when the child had been taken, had not troubled to write to her. It was terrible being in a place amongst other fever cases, and she was certain that her days were numbered....

Lydia pushed a five-hundred franc note through the grating to the nun, to settle her material needs.

"And, oh, madame," wailed the gardener's wife, "my poor little boy has lost the gift of the Reverend Mother of San Surplice! His own cross which has been blessed by his holiness the Pope! It is because I left his cross in his little shirt that he is getting better, but now it is lost and I am sure these thieving doctors have taken it."

"A cross?" said Lydia. "What sort of a cross?"

"It was a silver cross, madame; the value in money was nothing—it was priceless. Little Xavier——"

"Xavier?" repeated Lydia, remembering the "X" on the trinket that had been found in her bed. "Wait a moment, madame." She opened her bag and took out the tiny silver symbol, and at the sight of it the woman burst into a volley of joyful thanks.

"It is the same, the same, madame! It has a small 'X' which the Reverend Mother scratched with her own blessed scissors!"

Lydia pushed the cross through the net and the nun handed it to the woman.

"It is the same, it is the same!" she cried. "Oh, thank you, madame! Now my heart is glad...."

Lydia came out of the hospital and walked through the gardens by the doctor's side. But she was not listening to what he was saying—her mind was fully occupied with the mystery of the silver cross.

It was little Xavier's ... it had been tucked inside his bed when he lay, as his mother thought, dying ... and it had been found in her bed! Then little Xavier had been in her bed! Her foot was on the step of the car when it came to her—the meaning of that drenched couch and the empty bottle of peroxide. Xavier had been put there, and somebody who knew that the bed was infected had so soaked it with water that she could not sleep in it. But who? Old Jaggs!

She got into the car slowly, and went back to Cap Martin along the Grande Corniche.

Who had put the child there? He could not have walked from the cottage; that was impossible.

She was half-way home when she noticed a parcel lying on the floor of the car, and she let down the front window and spoke to the chauffeur. It was not Mordon, but a man whom she had hired with the car.

"It came from the hospital, madame," he said. "The porter asked me if I came from Villa Casa. It was something sent to the hospital to be disinfected. There was a charge of seven francs for the service, madame, and this I paid."

She nodded.

She picked up the parcel—it was addressed to "Mademoiselle Jean Briggerland" and bore the label of the hospital.

Lydia sat back in the car with her eyes closed, tired of turning over this problem, yet determined to get to the bottom of the mystery.

Jean was out when she got back and she carried the parcel to her own room. She was trying to keep out of her mind the very possibility that such a hideous crime could have been conceived as that which all the evidence indicated had been attempted. Very resolutely she refused to believe that such a thing could have happened. There must be some explanation for the presence of the cross in her bed. Possibly it had been found after the wet sheets had been taken to the servants' part of the house.

She rang the bell, and the maid who had given her the trinket came.

"Tell me," said Lydia, "where was this cross found?"

"In your bed, mademoiselle."

"But where? Was it before the clothing was removed from this room or after?"

"It was before, madame," said the maid. "When the sheets were turned back we found it lying exactly in the middle of the bed."

Lydia's heart sank.

"Thank you, that will do," she said. "I have found the owner of the cross and have restored it."

Should she tell Jean? Her first impulse was to take the girl into her confidence, and reveal the state of her mind. Her second thought was to seek out old Jaggs, but where could he be found? He evidently lived somewhere in Monte Carlo, but his name was hardly likely to be in the visitors' list. She was still undecided when Marcus Stepney called to take her to lunch at the Cafe de Paris.

The whole thing was so amazingly improbable. It belonged to a world of unreality, but then, she told herself, she also was living in an unreal world, and had been so for weeks.



Chapter XXV

Mr. Stepney had become more bearable. A week ago she would have shrunk from taking luncheon with him, but now such a prospect had no terrors. His views of things and people were more generous than she had expected. She had anticipated his attitude would be a little cynical, but to her surprise he oozed loving-kindness. Had she known Mr. Marcus Stepney as well as Jean knew him, she would have realised that he adapted his mental attitude to his audience. He was a man whose stock-in-trade was a knowledge of human nature, and the ability to please. He would no more have attempted to shock or frighten her, than a first-class salesman would shock or annoy a possible customer.

He had goods to sell, and it was his business to see that they satisfied the buyer. In this case the goods were represented by sixty-nine inches of good-looking, well-dressed man, and it was rather important that he should present the best face of the article to the purchaser. It was almost as important that the sale should be a quick one. Mr. Stepney lived from week to week. What might happen next year seldom interested him, therefore his courting must be rapid.

He told the story of his life at lunch, a story liable to move a tender-hearted woman to at least a sympathetic interest. The story of his life varied also with the audience. In this case, it was designed for one whom he knew had had a hard struggle, whose father had been heavily in debt, and who had tasted some of the bitterness of defeat. Jean had given him a very precise story of the girl's career, and Mr. Marcus Stepney adapted it for his own purpose.

"Why, your life has almost run parallel with mine," said Lydia.

"I hope it may continue," said Mr. Stepney not without a touch of sadness in his voice. "I am a very lonely man—I have no friends except the acquaintances one can pick up at night clubs, and the places where the smart people go in the season, and there is an artificiality about society friends which rather depresses me."

"I feel that, too," said the sympathetic Lydia.

"If I could only settle down!" he said, shaking his head. "A little house in the country, a few horses, a few cows, a woman who understood me...."

A false move this.

"And a few pet chickens to follow you about?" she laughed. "No, it doesn't sound quite like you, Mr. Stepney."

He lowered his eyes.

"I am sorry you think that," he said. "All the world thinks that I'm a gadabout, an idler, with no interest in existence, except the pleasure I can extract."

"And a jolly good existence, too," said Lydia briskly. She had detected a note of sentiment creeping into the conversation, and had slain it with the most effective weapon in woman's armoury.

"And now tell me all about the great Moorish Pretender who is staying at your hotel—I caught a glimpse of him on the promenade—and there was a lot about him in the paper."

Mr. Stepney sighed and related all that he knew of the redoubtable Muley Hafiz on the way to the rooms. Muley Hafiz was being lionised in France just then, to the annoyance of the Spanish authorities, who had put a price on his head.

Lydia showed much more interest in the Moorish Pretender than she did in the pretender who walked by her side.

He was not in the best of tempers when he brought her back to the Villa Casa, and Jean, who entertained him whilst Lydia was changing, saw that his first advances had not met with a very encouraging result.

"There will be no wedding bells, Jean," he said.

"You take a rebuff very easily," said the girl, but he shook his head.

"My dear Jean, I know women as well as I know the back of my hand, and I tell you that there's nothing doing with this girl. I'm not a fool."

She looked at him earnestly.

"No, you're not a fool," she said at last. "You're hardly likely to make a mistake about that sort of thing. I'm afraid you'll have to do something more romantic."

"What do you mean?" he asked.

"You'll have to run away with her; and like the knights of old carry off the lady of your choice."

"The knights of old didn't have to go before a judge and jury and serve seven years at Dartmoor for their sins," he said unpleasantly.

She was sitting on a low chair overlooking the sea, whittling a twig with a silver-handled knife she had taken from her bag—a favourite occupation of hers in moments of cogitation.

"All the ladies of old didn't go to the police," she said. "Some of them were quite happy with their powerful lords, especially delicate-minded ladies who shrank from advertising their misfortune to the readers of the Sunday press. I think most women like to be wooed in the cave-man fashion, Marcus."

"Is that the kind of treatment you'd like, Jean?"

There was a new note in his voice. Had she looked at him she would have seen a strange light in his eyes.

"I'm merely advancing a theory," she said, "a theory which has been supported throughout the ages."

"I'd let her go and her money, too," he said. He was speaking quickly, almost incoherently. "There's only one woman in the world for me, Jean, and I've told you that before. I'd give my life and soul for her."

He bent over, and caught her arm in his big hand.

"You believe in the cave-man method, do you?" he breathed. "It is the kind of treatment you'd like, eh, Jean?"

She did not attempt to release her arm.

"Keep your hand to yourself, Marcus, please," she said quietly.

"You'd like it, wouldn't you, Jean? My God, I'd sacrifice my soul for you, you little devil!"

"Be sensible," she said. It was not her words or her firm tone that made him draw back. Twice and deliberately she drew the edge of her little knife across the back of his hand, and he leapt away with a howl of pain.

"You—you beast," he stammered, and she looked at him with her sly smile.

"There must have been cave women, too, Marcus," she said coolly, as she rose. "They had their methods—give me your handkerchief, I want to wipe this knife."

His face was grey now. He was looking at her like a man bereft of his senses.

He did not move when she took his handkerchief from his pocket, wiped the knife, closed and slipped it into her bag, before she replaced the handkerchief tidily. And all the time he stood there with his hand streaming with blood, incapable of movement. It was not until she had disappeared round the corner of the house that he pulled out the handkerchief and wrapped it about his hand.

"A devil," he whimpered, almost in tears, "a devil!"



Chapter XXVI

Jean Briggerland discovered a new arrival on her return to the house.

Jack Glover had come unexpectedly from London, so Lydia told her, and Jack himself met her with extraordinary geniality.

"You lucky people to be in this paradise!" he said. "It is raining like the dickens in London, and miserable beyond description. And you're looking brown and beautiful, Miss Briggerland."

"The spirit of the warm south has got into your blood, Mr. Glover," she said sarcastically. "A course at the Riviera would make you almost human."

"And what would make you human?" asked Jack blandly.

"I hope you people aren't going to quarrel as soon as you meet," said Lydia.

Jean was struck by the change in the girl. There was a colour in her cheeks, and a new and a more joyous note in her voice, which was unmistakable to so keen a student as Jean Briggerland.

"I never quarrel with Jack," she said. She assumed a proprietorial air toward Jack Glover, which unaccountably annoyed Lydia. "He invents the quarrels and carries them out himself. How long are you staying?"

"Two days," said Jack, "then I'm due back in town."

"Have you brought your Mr. Jaggs with you?" asked Jean innocently.

"Isn't he here?" asked Jack in surprise. "I sent him along a week ago."

"Here?" repeated Jean slowly. "Oh, he's here, is he? Of course." She nodded. Certain things were clear to her now; the unknown drencher of beds, the stranger who had appeared from nowhere and had left her father senseless, were no longer mysteries.

"Oh, Jean," it was Lydia who spoke. "I'm awfully remiss, I didn't give you the parcel I brought back from the hospital."

"From the hospital?" said Jean. "What parcel was that?"

"Something you had sent to be sterilized. I'll get it."

She came back in a minute or two with the parcel which she had found in the car.

"Oh yes," said Jean carelessly, "I remember. It is a rug that I lent to the gardener's wife when her little boy was taken ill."

She handed the packet to the maid.

"Take it to my room," she said.

She waited just long enough to find an excuse for leaving the party, and went upstairs. The parcel was on her bed. She tore off the wrapping—inside, starched white and clean, was the dust coat she had worn the night she had carried Xavier from the cottage to Lydia's bed. The rubber cap was there, discoloured from the effects of the disinfectant, and the gloves and the silk handkerchief, neatly washed and pressed. She looked at them thoughtfully.

She put the articles away in a drawer, went down the servants' stairs and through a heavy open door into the cellar. Light was admitted by two barred windows, through one of which she had thrust her bundle that night, and she could see every corner of the cellar, which was empty—as she had expected. The clothing she had thrown down had been gathered by some mysterious agent, who had forwarded it to the hospital in her name.

She came slowly up the stairs, fastened the open door behind her, and walked out into the garden to think.

"Jaggs!" she said aloud, and her voice was as soft as silk. "I think, Mr. Jaggs, you ought to be in heaven."



Chapter XXVII

"Who were the haughty individuals interviewing Jean in the saloon?" asked Jack Glover, as Lydia's car panted and groaned on the stiff ascent to La Turbie.

Lydia was concerned, and he had already noted her seriousness.

"Poor Jean is rather worried," she said. "It appears that she had a love affair with a man three or four years ago, and recently he has been bombarding her with threatening letters."

"Poor soul," said Jack dryly, "but I should imagine she could have dealt with that matter without calling in the police. I suppose they were detectives. Has she had a letter recently?"

"She had one this morning—posted in Monte Carlo last night."

"By the way, Jean went into Monte Carlo last night, didn't she?" asked Jack.

She looked at him reproachfully.

"We all went into Monte Carlo," she said severely. "Now, please don't be horrid, Mr. Glover, you aren't suggesting that Jean wrote this awful letter to herself, are you?"

"Was it an awful letter?" asked Jack.

"A terrible letter, threatening to kill her. Do you know that Mr. Briggerland thinks that the person who nearly killed me was really shooting at Jean."

"You don't say," said Jack politely. "I haven't heard about people shooting at you—but it sounds rather alarming."

She told him the story, and he offered no comment.

"Go on with your thrilling story of Jean's mortal enemy. Who is he?"

"She doesn't know his name," said Lydia. "She met him in Egypt—an elderly man who positively dogged her footsteps wherever she went, and made himself a nuisance."

"Doesn't know his name, eh?" said Jack with a sniff. "Well, that's convenient."

"I think you're almost spiteful," said Lydia hotly. "Poor girl, she was so distressed this morning; I have never seen her so upset."

"And are the police going to keep guard and follow her wherever she goes? And is that impossible person, Mr. Marcus Stepney, also in the vendetta? I saw him wandering about this morning like a wounded hero, with his arm in a sling."

"He hurt his hand gathering wild flowers for me on the—"

But Jack's outburst of laughter checked her, and she glared at him.

"I think you're boorish," she snapped angrily. "I'm sorry I came out with you."

"And I'm sorry I've been such a fool," apologised the penitent Jack, "but the vision of the immaculate Mr. Stepney gathering wild flowers in a top hat and a morning suit certainly did appeal to me as being comical!"

"He doesn't wear a top hat or a morning suit in Monte Carlo," she said, furious at his banter. "Let us talk about somebody else than my friends."

"I haven't started to talk about your friends yet," he said. "And please don't try to tell your chauffeur to turn round—the road is too narrow, and he'd have the car over the cliff before you knew where you were, if he were stupid enough to try. I'm sorry, deeply sorry, Mrs. Meredith, but I think that Jean was right when she said that the southern air had got into my blood. I'm a little hysterical—yes, put it down to that. It runs in the family," he babbled on. "I have an aunt who faints at the sight of strawberries, and an uncle who swoons whenever a cat walks into the room."

"I hope you don't visit him very much," she said coldly.

"Two points to you," said Jack, "but I must warn Jaggs, in case he is mistaken for the elderly Lothario. Obviously Jean is preparing the way for an unpleasant end to poor old Jaggs."

"Why do you think these things about Jean?" she asked, as they were running into La Turbie.

"Because I have a criminal mind," he replied promptly. "I have the same type of mind as Jean Briggerland's, wedded to a wholesome respect for the law, and a healthy sense of right and wrong. Some people couldn't be happy if they owned a cent that had been earned dishonestly; other people are happy so long as they have the money—so long as it is real money. I belong to the former category. Jean—well, I don't know what would make Jean happy."

"And what would make you happy—Jean?" she asked.

He did not answer this question until they were sitting on the stoep of the National, where a light luncheon was awaiting them.

"Jean?" he said, as though the question had just been asked. "No, I don't want Jean. She is wonderful, really, Mrs. Meredith, wonderful! I find myself thinking about her at odd moments, and the more I think the more I am amazed. Lucretia Borgia was a child in arms compared with Jean—poor old Lucretia has been maligned, anyway. There was a woman in the sixteenth century rather like her, and another girl in the early days of New England, who used to denounce witches for the pleasure of seeing them burn, but I can't think of an exact parallel, because Jean gets no pleasure out of hurting people any more than you will get out of cutting that cantaloup. It has just got to be cut, and the fact that you are finally destroying the life of the melon doesn't worry you."

"Have cantaloups life?" She paused, knife in hand, eyeing the fruit with a frown. "No, I don't think I want it. So Jean is a murderess at heart?"

She asked the question in solemn mockery, but Jack was not smiling.

"Oh yes—in intention, at any rate. I don't know whether she has ever killed anybody, but she has certainly planned murders."

Lydia sighed and sat back in her chair patiently.

"Do you still suggest that she harbours designs against my young life?"

"I not only suggest it, but I state positively that there have been four attempts on your life in the past fortnight," he said calmly.

"Let us have this out," she said recklessly. "Number one?"

"The nearly-a-fatal accident in Berkeley Street," said Jack.

"Will you explain by what miracle the car arrived at the psychological moment?" she asked.

"That's easy," he said with a smile. "Old man Briggerland lit his cigar standing on the steps of the house. That light was a brilliant one, Jaggs tells me. It was the signal for the car to come on. The next attempt was made with the assistance of a lunatic doctor who was helped to escape by Briggerland, and brought to your house by him. In some way he got hold of a key—probably Jean manoeuvred it. Did she ever talk to you about keys?"

"No," said the girl, "she——" She stopped suddenly, remembering that Jean had discussed keys with her.

"Are you sure she didn't?" asked Jack, watching her.

"I think she may have done," said the girl defiantly; "what was the third attempt?"

"The third attempt," said Jack slowly, "was to infect your bed with a malignant fever."

"Jean did it?" said the girl incredulously. "Oh no, that would be impossible."

"The child was in your bed. Jaggs saw it and threw two buckets of water over the bed, so that you should not sleep in it."

She was silent.

"And I suppose the next attempt was the shooting?"

He nodded.

"Now do you believe?" he asked.

She shook her head.

"No, I don't believe," she said quietly. "I think you have worked up a very strong case against poor Jean, and I am sure you think you're justified."

"You are quite right there," he said.

He lifted a pair of field glasses which he had put on the table, and surveyed the road from the sea. "Mrs. Meredith, I want you to do something and tell Jean Briggerland when you have done it."

"What is that?" she asked.

"I want you to make a will. I don't care where you leave your property, so long as it is not to somebody you love."

She shivered.

"I don't like making wills. It's so gruesome."

"It will be more gruesome for you if you don't," he said significantly. "The Briggerlands are your heirs at law."

She looked at him quickly.

"So that is what you are aiming at? You think that all these plots are designed to put me out of the way so that they can enjoy my money?"

He nodded, and she looked at him wonderingly.

"If you weren't a hard-headed lawyer, I should think you were a writer of romantic fiction," she said. "But if it will please you I will make a will. I haven't the slightest idea who I could leave the money to. I've got rather a lot of money, haven't I?"

"You have exactly L160,000 in hard cash. I want to talk to you about that," said Jack. "It is lying at your bankers in your current account. It represents property which has been sold or was in process of being sold when you inherited the money, and anybody who can get your signature and can satisfy the bankers that they are bona fide payees, can draw every cent you have of ready money. I might say in passing that we are prepared for that contingency, and any large cheque will be referred to me or to my partner."

He raised his field glasses for a second time and looked steadily down along the hill road up which they had come.

"Are you expecting anybody?" she asked.

"I'm expecting Jean," he said grimly.

"But we left her——"

"The fact that we left her talking to the police doesn't mean that she will not be coming up here, to watch us. Jean doesn't like me, you know, and she will be scared to death of this tete-a-tete."

The conversation had been arrested by the arrival of the soup and now there was a further interruption whilst the table was being cleared. When the maitre d'hotel had gone the girl asked:

"What am I to do with the money? Reinvest it?"

"Exactly," said Jack, "but the most important thing is to make your will."

He looked along the deserted veranda. They were the only guests present who had come early. From the veranda two curtained doors led into the salon of the hotel and it struck him that one of these had not been ajar when he looked at it before, and it was the door opposite to the table where they were sitting.

He noted this idly without attaching any great importance to the fact.

"Suppose somebody were to present a cheque to the bank in my name?" she asked. "What would happen?"

"If it were for a large sum? The manager would call us up and one of us would probably go round to your bank. It is only a block from our office. If Rennett or I said it was all right the cheque would be honoured. You may be sure that I should make very drastic inquiries as to the origin of the signature."

And then she saw him stiffen and his eyes go to the door. He waited a second, then rising noiselessly, crossed the wooden floor of the veranda quickly and pushed open the door, to find himself face to face with the smiling Jean Briggerland.



Chapter XXVIII

"However did you get here?" asked Lydia in surprise.

"I went into Nice," said the girl carelessly. "The detectives were going there and I gave them a lift."

"I see," said Jack, "so you came into Turbie by the back road? I wondered why I hadn't seen your car."

"You expected me, did you?" she smiled, as she sat down at the table and selected a peach from its cotton-wool bed. "I only arrived a second ago, in fact I was opening the door when you almost knocked my head off. What a violent man you are, Jack! I shall have to put you into my story."

Glover had recovered his self-possession by now.

"So you are adding to your other crimes by turning novelist, are you?" he said good-humouredly. "What is the book, Miss Briggerland?"

"It is going to be called 'Suspected,'" she said coolly. "And it will be the Story of a Hurt Soul."

"Oh, I see, a humorous story," said Jack, wilfully dense. "I didn't know you were going to write a biography."

"But do tell me about this, it is very thrilling, Jean," said Lydia, "and it is the first I've heard of it."

Jean was skinning the peach and was smiling as at an amusing thought.

"I've been two years making up my mind to write it," she said, "and I'm going to dedicate it to Jack. I started work on it three or four days ago. Look at my wrist!" She held out her beautiful hand for the girl's inspection.

"It is a very pretty wrist," laughed Lydia, "but why did you want me to see it?"

"If you had a professional eye," said the girl, resuming her occupation, "you would have noticed the swelling, the result of writers' cramp."

"The yarn about your elderly admirer ought to provide a good chapter," said Jack, "and isn't there a phrase 'A Chapter of Accidents'—that ought to go in?"

She did not raise her eyes.

"Don't discourage me," she said a little sadly. "I have to make money somehow."

How much had she heard? Jack was wondering all the time, and he groaned inwardly when he saw how little effect his warning had upon the girl he was striving to protect. Women are natural actresses, but Lydia was not acting now. She was genuinely fond of Jean and he could see that she had accepted his warnings as the ravings of a diseased imagination. He confirmed this view when after a morning of sight-seeing and the exploration of the spot where, two thousand years before, the Emperor Augustine had erected his lofty "trophy," they returned to the villa. There are some omissions which are marked, and when Lydia allowed him to depart without pressing him to stay to dinner he realised that he had lost the trick.

"When are you going back to London?" she asked.

"To-morrow morning," said Jack. "I don't think I shall come here again before I go."

She did not reply immediately. She was a little penitent at her lack of hospitality, but Jack had annoyed her and the more convincing he had become, the greater had been the irritation he had caused. One question he had to ask but he hesitated.

"About that will——" he began, but her look of weariness stopped him.

It was a very annoyed young man that drove back to the Hotel de Paris. He had hardly gone before Lydia regretted her brusqueness. She liked Jack Glover more than she was prepared to admit, and though he had only been in Cap Martin for two days she felt a little sense of desolation at his going. Very resolutely she refused even to consider his extraordinary views about Jean. And yet——

Jean left her alone and watched her strolling aimlessly about the garden, guessing the little storm which had developed in her breast. Lydia went to bed early that night, another significant sign Jean noted, and was not sorry, because she wanted to have her father to herself.

Mr. Briggerland listened moodily whilst Jean related all that she had learnt, for she had been in the salon at the National for a good quarter of an hour before Jack had discovered her.

"I thought he would want her to make a will," she said, "and, of course, although she has rejected the idea now, it will grow on her. I think we have the best part of a week."

"I suppose you have everything cut and dried as usual," growled Mr. Briggerland. "What is your plan?"

"I have three," said Jean thoughtfully, "and two are particularly appealing to me because they do not involve the employment of any third person."

"Had you one which brought in somebody else?" asked Briggerland in surprise. "I thought a clever girl like you——"

"Don't waste your sarcasm on me," said Jean quietly. "The third person whom I considered was Marcus Stepney," and she told him the gist of her conversation with the gambler. Mr. Briggerland was not impressed.

"A thief like Marcus will get out of paying," he said, "and if he can stall you long enough to get the money you may whistle for your share. Besides, a fellow like that isn't really afraid of a charge of bigamy."

Jean, curled up in a big arm-chair, looked up under her eyelashes at her father and laughed.

"I had no intention of letting Marcus marry Lydia," she said coolly, "but I had to dangle something in front of his eyes, because he may serve me in quite another way."

"How did he get those two slashes on his hand?" asked Mr. Briggerland suddenly.

"Ask him," she said. "Marcus is getting a little troublesome. I thought he had learnt his lesson and had realised that I am not built for matrimony, especially for a hectic attachment to a man who gains his livelihood by cheating at cards."

"Now, now, my dear," said her father.

"Please don't be shocked," she mocked him. "You know as well as I do how Marcus lives."

"The boy is very fond of you."

"The boy is between thirty and thirty-six," she said tersely. "And he's not the kind of boy that I am particularly fond of. He is useful and may be more useful yet."

She rose, stretched her arms and yawned.

"I'm going up to my room to work on my story. You are watching for Mr. Jaggs?"

"Work on what?" he said.

"The story I am writing and which I think will create a sensation," she said calmly.

"What's this?" asked Briggerland suspiciously. "A story? I didn't know you were writing that kind of Stuff."

"There are lots of important things that you know nothing about, parent," she said and left him a little dazed.

For once Jean was not deceiving him. A writing table had been put in her room and a thick pad of paper awaited her attention. She got into her kimono and with a little sigh sat down at the table and began to write. It was half-past two when she gathered up the sheets and read them over with a smile which was half contempt. She was on the point of getting into bed when she remembered that her father was keeping watch below. She put on her slippers and went downstairs and tapped gently at the door of the darkened dining-room.

Almost immediately it was opened.

"What did you want to tap for?" he grumbled. "You gave me a start."

"I preferred tapping to being shot," she answered. "Have you heard anything or seen anybody?"

The French windows of the dining-room were open, her father was wearing his coat and on his arm she saw by the reflected starlight from outside he carried a shot-gun.

"Nothing," he said. "The old man hasn't come to-night."

She nodded.

"Somehow I didn't think he would," she said.

"I don't see how I can shoot him without making a fuss."

"Don't be silly," said Jean lightly. "Aren't the police well aware that an elderly gentleman has threatened my life, and would it be remarkable if seeing an ancient man prowl about this house you shot him on sight?"

She bit her lips thoughtfully.

"Yes, I think you can go to bed," she said. "He will not be here to-night. To-morrow night, yes."

She went up to her room, said her prayers and went to bed and was asleep immediately.

Lydia had forgotten about Jean's story until she saw her writing industriously at a small table which had been placed on the lawn. It was February, but the wind and the sun were warm and Lydia thought she had never seen a more beautiful picture than the girl presented sitting there in a garden spangled with gay flowers, heavy with the scent of February roses, a dainty figure of a girl, almost ethereal in her loveliness.

"Am I interrupting you?"

"Not a bit," said Jean, putting down her pen and rubbing her wrist. "Isn't it annoying. I've got to quite an exciting part, and my wrist is giving me hell."

She used the word so naturally that Lydia forgot to be shocked.

"Can I do anything for you?"

Jean shook her head.

"I don't exactly see what you can do," she said, "unless you could—but, no, I would not ask you to do that!"

"What is it?" asked Lydia.

Jean puckered her brows in thought.

"I suppose you could do it," she said, "but I'd hate to ask you. You see, dear, I've got a chapter to finish and it really ought to go off to London to-day. I am very keen on getting an opinion from a literary friend of mine—but, no, I won't ask you."

"What is it?" smiled Lydia. "I'm sure you're not going to ask the impossible."

"The thought occurred to me that perhaps you might write as I dictated. It would only be two or three pages," said the girl apologetically. "I'm so full of the story at this moment that it would be a shame if I allowed the divine fire of inspiration—that's the term, isn't it—to go out."

"Of course I'll do it," said Lydia. "I can't write shorthand, but that doesn't matter, does it?"

"No, longhand will be quick enough for me. My thoughts aren't so fast," said the girl.

"What is it all about?"

"It is about a girl," said Jean, "who has stolen a lot of money——"

"How thrilling!" smiled Lydia.

"And she's got away to America. She is living a very full and joyous life, but the thought of her sin is haunting her and she decides to disappear and let people think she has drowned herself. She is really going into a convent. I've got to the point where she is saying farewell to her friend. Do you feel capable of being harrowed?"

"I never felt fitter for the job in my life," said Lydia, and sitting down in the chair the girl had vacated, she took up the pencil which the other had left.

Jean strolled up and down the lawn in an agony of mental composition and presently she came back and began slowly to dictate.

Word by word Lydia wrote down the thrilling story of the girl's remorse, and presently came to the moment when the heroine was inditing a letter to her friend.

"Take a fresh page," said Jean, as Lydia paused half-way down one sheet. "I shall want to write something in there myself when my hand gets better. Now begin:

"MY DEAR FRIEND."

Lydia wrote down the words and slowly the girl dictated.

"I do not know how I can write you this letter. I intended to tell you when I saw you the other day how miserable I was. Your suspicion hurt me less than your ignorance of the one vital event in my life which has now made living a burden. My money has brought no joy to me. I have met a man I love, but with whom I know a union is impossible. We are determined to die together—farewell—"

"You said she was going away," interrupted Lydia.

"I know," Jean nodded. "Only she wants to give the impression——"

"I see, I see," said Lydia. "Go on."

"Forgive me for the act I am committing, which you may think is the act of a coward, and try to think as well of me as you possibly can. Your friend——"

"I don't know whether to make her sign her name or put her initials," said Jean, pursing her lips.

"What is her name?"

"Laura Martin. Just put the initials L.M."

"They're mine also," smiled Lydia. "What else?"

"I don't think I'll do any more," said Jean. "I'm not a good dictator, am I? Though you're a wonderful amanuensis."

She collected the papers tidily, put them in a little portfolio and tucked them under her arm.

"Let us gamble the afternoon away," said Jean. "I want distraction."

"But your story? Haven't you to send it off?"

"I'm going to wrestle with it in secret, even if it breaks my wrist," said Jean brightly.

She took the portfolio up to her room, locked the door and sorted over the pages. The page which held the farewell letter she put carefully aside. The remainder, including all that part of the story she had written on the previous night, she made into a bundle, and when Lydia had gone off with Marcus Stepney to swim, she carried the paper to a remote corner of the grounds and burnt it sheet by sheet. Again she examined the "letter," folded it and locked it in a drawer.

Lydia, returning from her swim, was met by Jean half-way up the hill.

"By the way, my dear, I wish you would give me Jack Glover's London address," she said as they went into the house. "Write it here. Here is a pencil." She pulled out an envelope from a stationery rack and Lydia, in all innocence, wrote as she requested.

The envelope Jean carried upstairs, put into it the letter signed "L. M.," and sealed it down. Lydia Meredith was nearer to death at that moment than she had been on the afternoon when Mordon the chauffeur brought his big Fiat on to the pavement of Berkeley Street.



Chapter XXIX

It was in the evening of the next day that Lydia received a wire from Jack Glover. It was addressed from London and announced his arrival.

"Doesn't it make you feel nice, Lydia," said Jean, when she saw the telegram, "to have a man in London looking after your interests—a sort of guardian angel—and another guardian angel prowling round your demesne at Cap Martin?"

"You mean Jaggs? Have you seen him?"

"No, I have not seen him," said the girl softly. "I should rather like to see him. Do you know where he is staying at Monte Carlo?"

Lydia shook her head.

"I hope I shall see him before I go," said Jean. "He must be a very interesting old gentleman."

It was Mr. Briggerland who first caught a glimpse of Lydia's watchman. Mr. Briggerland had spent the greater part of the day sleeping. He was unusually wakeful at one o'clock in the morning, and sat on the veranda in a fur-lined overcoat, his gun lay across his knees. He had seen many mysterious shapes flitting across the lawn, only to discover on investigation that they were no more than the shadows which the moving tree-tops cast.

At two o'clock he saw a shape emerge from the tree belt and move stealthily in the shadow of the bushes toward the house. He did not fire because there was a chance that it might have been one of the detectives who had promised to keep an eye upon the Villa Casa in view of the murderous threats which Jean had received.

Noiselessly he rose and stepped in his rubber shoes to the darker end of the stoep. It was old Jaggs. There was no mistaking him. A bent man who limped cautiously across the lawn and was making for the back of the house. Mr. Briggerland cocked his gun and took aim....

Both girls heard the shot, and Lydia, springing out of bed, ran on to the balcony.

"It's all right, Mrs. Meredith," said Briggerland's voice. "It was a burglar, I think."

"You haven't hurt him?" she cried, remembering old Jaggs's nocturnal habits.

"If I have, he's got away," said Briggerland. "He must have seen me and dropped."

Jean flew downstairs in her dressing-gown and joined her father on the lawn.

"Did you get him?" she asked in a low voice.

"I could have sworn I shot him," said her father in the same tone, "but the old devil must have dropped."

He heard the quick catch of her breath and turned apprehensively.

"Now, don't make a fuss about it, Jean, I couldn't help it."

"You couldn't help it!" she almost snarled. "You had him under your gun and you let him go. Do you think he'll ever come again, you fool?"

"Now look here, I'm not going to——" began Mr. Briggerland, but she snatched the gun from his hand, looked swiftly at the lock and ran across the lawn toward the trees.

Somebody was hiding. She sensed that and all her nerves were alert. Presently she saw a crouching figure and lifted the gun, but before she could fire it was wrested from her hand.

She opened her lips to cry out for help, but a hand closed over her mouth, and swung her round so that her back was toward her assailant, and then in a flash his arm came round her neck, the flex of the elbow against her throat.

"Say one of them prayers of yours," said a voice in her ear, and the arm tightened.

She struggled furiously, but the man held her as though she were a child.

"You're going to die," whispered the voice. "How do you like the sensation?"

The arm tightened on her neck. She was suffocating, dying she thought, and her heart was filled with a wild, mad longing for life and a terror undreamt of. She could faintly hear her father's voice calling her and then consciousness departed.

When Jean came to herself she was in Lydia Meredith's arms. She opened her eyes and saw the pathetic face of her father looming from the background. Her hand went up to her throat.

"Hallo, people—how did I get here?" she asked as she struggled into a sitting position.

"I came in search of you and found you lying on the ground," quavered Mr. Briggerland.

"Did you see the man?" she asked.

"No. What happened to you, darling?"

"Nothing," she said with that composure which she could command. "I must have fainted. It was rather ridiculous of me, wasn't it?" she smiled.

She got unsteadily to her feet and again she felt her throat. Lydia noticed the action.

"Did he hurt you?" she asked anxiously. "It couldn't have been Jaggs."

"Oh no," smiled Jean, "it couldn't have been Jaggs. I think I'll go to bed."

She did not expect to sleep. For the first time in her extraordinary life fear had come to her, and she had shivered on the very edge of the abyss. She felt the shudder she could not repress and shook herself impatiently. Then she extinguished the light and went to the window and looked out. Somewhere there in the darkness she knew her enemy was hidden, and again that sense of apprehension swept over her.

"I'm losing my nerve," she murmured.

It was extraordinary to Lydia Meredith that the girl showed no sign of her night's adventure when she came in to breakfast on the following morning. She looked bright. Her eyes were clear and her delicate irony as pointed as though she had slept the clock round.

Lydia did not swim that day, and Mr. Stepney had his journey out to Cap Martin in vain. Nor was she inclined to go back with him to Monte Carlo to the Casino in the afternoon, and Mr. Stepney began to realise that he was wasting valuable time.

Jean found her scribbling in the garden and Lydia made no secret of the task she was undertaking.

"Making your will? What a grisly idea?" she said as she put down the cup of tea she had carried out to the girl.

"Isn't it," said Lydia with a grimace. "It is the most worrying business, too, Jean. There is nobody I want to leave money to except you and Mr. Glover."

"For heaven's sake don't leave me any or Jack will think I am conspiring to bring about your untimely end," said Jean. "Why make a will at all?"

There was no need for her to ask that, but she was curious to discover what reply the girl would make, and to her surprise Lydia fenced with the question.

"It is done in all the best circles," she said good-humouredly. "And, Jean, I'm not interested in a single public institution! I don't know by title the name of any home for dogs, and I shouldn't be at all anxious to leave my money to one even if I did."

"Then you'd better leave it to Jack Glover," said the girl, "or to the Lifeboat Institution."

Lydia threw down her pencil in disgust.

"Fancy making one's will on a beautiful day like this, and giving instructions as to where one should be buried. Brrr! Jean," she asked suddenly, "was it Mr. Jaggs you saw in the wood?"

Jean shook her head.

"I saw nobody," she said. "I went in to look for the burglar; the excitement must have been too much for me, and I fainted."

But Lydia was not satisfied.

"I can't understand Mr. Jaggs myself," she said, but Jean interrupted her with a cry.

Lydia looked up and saw her eyes shining and her lips parting in a smile.

"Of course," she said softly. "He used to sleep at your flat, didn't he?"

"Yes, why?" asked the girl in surprise.

"What a fool I am, what a perfect fool!" said Jean, startled out of her accustomed self-possession.

"I don't quite know where your folly comes in, but perhaps you will tell me," but Jean was laughing softly.

"Go on and make your will," she said mockingly. "And when you've finished we'll go into the rooms and chase the lucky numbers. Poor dear Mrs. Cole-Mortimer is feeling a little neglected, too, we ought to do something for her."

The day and night passed without any untoward event. In the evening Jean had an interview with her French chauffeur, and afterwards disappeared into her room. Lydia tapping at her door to bid her good night received no answer.

Day was breaking when old Jaggs came out from the trees in his furtive way and glancing up and down the road made his halting way toward Monte Carlo. The only objects in sight was a donkey laden with market produce led by a bare-legged boy who was going in the same direction as he.

A little more than a mile along the road he turned sharply to the right and began climbing a steep and narrow bridle path which joined the mountain road, half-way up to La Turbie. The boy with the donkey turned off to the main road and continued the steep climb toward the Grande Corniche. There were many houses built on the edge of the road and practically on the edge of precipices, for the windows facing the sea often looked sheer down for two hundred feet. At first these dwellings appeared in clusters, then as the road climbed higher, they occurred at rare intervals.

The boy leading the donkey kept his eye upon the valley below, and from time to time caught a glimpse of the old man who had now left the bridle path, and was picking his way up the rough hill-side. He was making for a dilapidated house which stood at one of the hairpin bends of the road, and the donkey-boy, shading his eyes from the glare of the rising sun, saw him disappear into what must have been the cellar of the house, since the door through which he went was a good twenty feet beneath the level of the road. The donkey-boy continued his climb, tugging at his burdened beast, and presently he came up to the house. Smoke was rising from one of the chimneys, and he halted at the door, tied the rope he held to a rickety gate post, and knocked gently.

A bright-faced peasant woman came to the open door and shook her head at the sight of the wares with which the donkey was laden.

"We want none of your truck, my boy," she said. "I have my own garden. You are not a Monogasque."

"No, signora," replied the boy, flashing his teeth with a smile. "I am from San Remo, but I have come to live in Monte Carlo to sell vegetables for my uncle, and he told me I should find a lodging here."

She looked at him dubiously.

"I have one room which you could have, boy," she said, "though I do not like Italians. You must pay me a franc a night, and your donkey can go into the shed of my brother-in-law up the hill."

She led the way down a flight of ancient stairs and showed him a tiny room overlooking the valley.

"I have one other man who lives here," she said. "An old one, who sleeps all day and goes out all night. But he is a very respectable man," she added in defence of her client.

"Where does he sleep?" asked the boy.

"There!" The woman pointed to a room on the opposite side of the narrow landing. "He has just come in, I can hear him." She listened.

"Will madame get me change for this?" The boy produced a fifty-franc note, and the woman's eyebrows rose.

"Such wealth!" she said good-naturedly. "I did not think that a little boy like you could have such money."

She bustled upstairs to her own room, leaving the boy alone. He waited until her heavy footsteps sounded overhead, and then gently he tried the door of the other lodger. Mr. Jaggs had not yet bolted the door, and the spy pushed it open and looked. What he saw satisfied him, for he pulled the door tight again, and as the footfall of old Jaggs came nearer the door, the donkey-boy flew upstairs with extraordinary rapidity.

"I will come later, madame," he said, when he had received the change. "I must take my donkey into Monte Carlo."

She watched the boy and his beast go down the road, and went back to the task of preparing her lodger's breakfast.

To Monte Carlo the cabbage seller did not go. Instead, he turned back the way he had come, and a hundred yards from the gate of Villa Casa, Mordon, the chauffeur, appeared, and took the rope from his hand.

"Did you find what you wanted, mademoiselle?" he asked.

Jean nodded. She got into the house through the servants' entrance and up to her room without observation. She pulled off the black wig and applied herself to removing the stains from her face. It had been a good morning's work.

"You must keep Mrs. Meredith fully occupied to-day." She waylaid her father on the stairs to give him these instructions.

For her it was a busy morning. First she went to the Hotel de Paris, and on the pretext of writing a letter in the lounge, secured two or three sheets of the hotel paper and an envelope. Next she hired a typewriter and carried it with her back to the house. She was working for an hour before she had the letter finished. The signature took her some time. She had to ransack Lydia's writing case before she found a letter from Jack Glover—Lydia's signature was easy in comparison.

This, and a cheque drawn from the back of Lydia Meredith's cheque-book, completed her equipment.

That afternoon Mordon, the chauffeur, motored into Nice, and by nine o'clock that night an aeroplane deposited him in Paris. He was in London the following morning, a bearer of an urgent letter to Mr. Rennett, the lawyer, which, however, he did not present in person.

Mordon knew a French girl in London, and she it was who carried the letter to Charles Rennett—a letter that made him scratch his head many times before he took a sheet of paper, and addressing the manager of Lydia's bank, wrote:

"This cheque is in order. Please honour."



Chapter XXX

"Desperate diseases," said Jean Briggerland, "call for desperate remedies."

Mr. Briggerland looked up from his book.

"What was that tale you were telling Lydia this morning," he asked, "about Glover's gambling? He was only here a day, wasn't he?"

"He was here long enough to lose a lot of money," said Jean. "Of course he didn't gamble, so he did not lose. It was just a little seed-sowing on my part—one never knows how useful the right word may be in the right season."

"Did you tell Lydia that he was losing heavily?" he asked quickly.

"Am I a fool? Of course not! I merely said that youth would be served, and if you have the gambling instinct in you, why, it didn't matter what position you held in society or what your responsibilities were, you must indulge your passion."

Mr. Briggerland stroked his chin. There were times when Jean's schemes got very far beyond him, and he hated the mental exercise of catching up. The only thing he knew was that every post from London bore urgent demands for money, and that the future held possibilities which he did not care to contemplate. He was in the unfortunate position of having numerous pensioners to support, men and women who had served him in various ways and whose approval, but what was more important, whose loyalty, depended largely upon the regularity of their payments.

"I shall gamble or do something desperate," he said with a frown. "Unless you can bring off a coup that will produce twenty thousand pounds of ready money we are going to get into all kinds of trouble, Jean."

"Do you think I don't know that?" she asked contemptuously. "It is because of this urgent need of money that I have taken a step which I hate."

He listened in amazement whilst she told him what she had done to relieve her pressing needs.

"We are getting deeper and deeper into Mordon's hands," he said, shaking his head. "That is what scares me at times."

"You needn't worry about Mordon," she smiled. Her smile was a little hard. "Mordon and I are going to be married."

She was examining the toe of her shoe attentively as she spoke, and Mr. Briggerland leapt to his feet.

"What!" he squeaked. "Marry a chauffeur? A fellow I picked out of the gutter? You're mad! The fellow is a rascal who has earned the guillotine time and time again."

"Who hasn't?" she asked, looking up.

"It is incredible! It's madness!" he said. "I had no idea——" he stopped for want of breath.

Mordon was becoming troublesome. She had known that better than her father.

"It was after the 'accident' that didn't happen that he began to get a little tiresome," she said. "You say we are getting deeper and deeper into his hands? Well, he hinted as much, and I did not like it. When he began to get a little loving I accepted that way out as an easy alternative to a very unpleasant exposure. Whether he would have betrayed us I don't know; probably he would."

Mr. Briggerland's face was dark.

"When is this interesting event to take place?"

"My marriage? In two months, I think. When is Easter? That class of person always wants to be married at Easter. I asked him to keep our secret and not to mention it to you, and I should not have spoken now if you had not referred to the obligation we were under."

"In two months?" Mr. Briggerland nodded. "Let me know when you want this to end, Jean," he said.

"It will end almost immediately. Please do not trouble," said Jean, "and there is one other thing, father. If you see Mr. Jaggs in the garden to-night, I beg of you do not attempt to shoot him. He is a very useful man."

Her father sank back in his chair.

"You're beyond me," he said, helplessly.

Mordon occupied two rooms above the garage, which was conveniently situated for Jean's purpose. He arrived late the next night, and a light in his window, which was visible from the girl's room, told her all she wanted to know.

Mr. Mordon was a good-looking man by certain standards. His hair was dark and glossily brushed. His normal pallor of countenance gave him the interesting appearance which men of his kind did not greatly dislike, and he had a figure which was admired in a dozen servants' halls, and a manner which passed amongst housemaids for "gentlemanly," and amongst gentlemen as "superior." He heard the foot of the girl on the stairs, and opened the door.

"You have brought it?" she said, without a preliminary word.

She had thrown a dark cloak over her evening dress, and the man's eyes feasted on her.

"Yes, I have brought it—Jean," he said.

She put her finger to her lips.

"Be careful, Francois," she cautioned in a low voice.

Although the man spoke English as well as he spoke French, it was in the latter language that the conversation was carried on. He went to a grip which lay on the bed, opened it and took out five thick packages of thousand-franc notes.

"There are a thousand in each, mademoiselle. Five million francs. I changed part of the money in Paris, and part in London."

"The woman—there is no danger from her?"

"Oh no, mademoiselle," he smiled complacently. "She is not likely to betray me, and she does not know my name or where I am living. She is a girl I met at a dance at the Swiss Waiters' Club," he explained. "She is not a good character. I think the French police wish to find her, but she is very clever."

"What did you tell her?" asked Jean.

"That I was working a coup with Vaud and Montheron. These are two notorious men in Paris whom she knew. I gave her five thousand francs for her work."

"There was no trouble?"

"None whatever, mademoiselle. I watched her, and saw she carried the letter to the bank. As soon as the money was changed I left Croydon by air for Paris, and came on from Paris to Marseilles by aeroplane."

"You did well, Francois," she said, and patted his hand.

He would have seized hers, but she drew back.

"You have promised, Francois," she said with dignity, "and a French gentleman keeps his word."

Francois bowed.

He was not a French gentleman, but he was anxious that this girl should think he was, and to that end had told her stories of his birth which had apparently impressed her.

"Now will you do something more for me?"

"I will do anything in the world, Jean," he cried passionately, and again a restraining hand fell on his shoulder.

"Then sit down and write; your French is so much better than mine."

"What shall I write?" he asked. She had never called upon him for proof of his scholarship, and he was childishly eager to reveal to the woman he loved attainments of which he had no knowledge.

"Write, 'Dear Mademoiselle'." He obeyed.

"'have returned from London, and have confessed to Madame Meredith that I have forged her name and have drawn L100,000 from her bank——'"

"Why do I write this, Jean?" he asked in surprise.

"I will tell you one day—go on. Francois," she continued her dictation.

"'And now I have learnt that Madame Meredith loves me. There is only one end to this—that which you see——'"

"Do you intend passing suspicion to somebody else?" he asked, evidently fogged, "but why should I say——?"

She stopped his mouth with her hand.

"How wonderful you are, Jean," he said, admiringly, as he blotted the paper and handed it to her. "So that if this matter is traced to you——" She looked into his eyes and smiled.

"There will be trouble for somebody," she said, softly, as she put the paper in her pocket.

Suddenly, before she could realise what was happening he had her in his arms, his lips pressed against hers.

"Jean, Jean!" he muttered. "You adorable woman!"

Gently she pressed him back and she was still smiling, though her eyes were like granite.

"Gently, Francois," she said, "you must have patience!"

She slipped through the door and closed it behind her, and even in her then state of mind she did not slam it, nor did she hurry down the stairs, but went out, taking her time, and was back in the house without her absence having been noticed. Her face, reflected in her long mirror, was serene in its repose, but within her a devil was alive, hungry for destruction. No man had roused the love of Jean Briggerland, but at least one had succeeded in bringing to life a consuming hate which, for the time being, absorbed her.

From the moment she drew her wet handkerchief across her red lips and flung the dainty thing as though it were contaminated through the open window, Francois Mordon was a dead man.



Chapter XXXI

A letter from Jack Glover arrived the next morning. He had had an easy journey, was glad to have had the opportunity of seeing Lydia, and hoped she would think over the will. Lydia was not thinking of wills, but of an excuse to get back to London. Of a sudden the loveliness of Monte Carlo had palled upon her, and she had almost forgotten the circumstances which had made the change of scene and climate so welcome.

"Go back to London, my dear?" said Mrs. Cole-Mortimer, shocked. "What a—a rash notion! Why it is freezing in town and foggy and ... and I really can't let you go back!"

Mrs. Cole-Mortimer was agitated at the very thought. Her own good time on the Riviera depended upon Lydia staying. Jean had made that point very clear. She, herself, she explained to her discomforted hostess, was ready to go back at once, and the prolongation of Mrs. Cole-Mortimer's stay depended upon Lydia's plans. A startling switch of cause and effect, for Mrs. Cole-Mortimer had understood that Jean's will controlled the plans of the party.

Lydia might have insisted, had she really known the reason for her sudden longing for the grimy metropolis. But she could not even convince herself that the charms of Monte Carlo were contingent upon the presence there of a man who had aroused her furious indignation and with whom she had spent most of the time quarrelling. She mentioned her unrest to Jean, and Jean as usual seemed to understand.

"The Riviera is rather like Turkish Delight—very sweet, but unsatisfying," she said. "Stay another week and then if you feel that way we'll all go home together."

"This means breaking up your holiday," said Lydia in self-reproach.

"Not a bit," denied the girl, "perhaps I shall feel as you do in a week's time."

A week! Jean thought that much might happen in a week. In truth events began to move quickly from that night, but in a way she had not anticipated.

Mr. Briggerland, who had been reading the newspaper through the conversation, looked up.

"They are making a great fuss of this Moor in Nice," he said, "but if I remember rightly, Nice invariably has some weird lion to adore."

"Muley Hafiz," said Lydia. "Yes, I saw him the day I went to lunch with Mr. Stepney, a fine-looking man."

"I'm not greatly interested in natives," said Jean carelessly. "What is he, a negro?"

"Oh, no, he's fairer than—" Lydia was about to say "your father," but thought it discreet to find another comparison. "He's fairer than most of the people in the south of France," she said, "but then all very highly-bred Moors are, aren't they?"

Jean shook her head.

"Ethnology means nothing to me," she said humorously. "I've got my idea of Moors from Shakespeare, and I thought they were mostly black. What is he then? I haven't read the papers."

"He is the Pretender to the Moorish throne," said Lydia, "and there has been a lot of trouble in the French Senate about him. France supports his claims, and the Spaniards have offered a reward for his body, dead or alive, and that has brought about a strained relationship between Spain and France."

Jean regarded her with an amused smile.

"Fancy taking an interest in international politics. I suppose that is due to your working on a newspaper, Lydia."

Jean discovered that she was to take a greater interest in Muley Hafiz than she could have thought was possible. She had to go into Monte Carlo to do some shopping. Mentone was nearer, but she preferred the drive into the principality.

The Rooms had no great call for her, and whilst Mordon went to a garage to have a faulty cylinder examined, she strolled on to the terrace of the Casino, down the broad steps towards the sea. The bathing huts were closed at this season, but the little road down to the beach is secluded and had been a favourite walk of hers in earlier visits.

Near the huts she passed a group of dark-looking men in long white jellabs, and wondered which of these was the famous Muley. One she noticed with a particularly negro type of face, wore on his flowing robe the scarlet ribbon of the Legion of Honour. Somehow or other he did not seem interesting enough to be Muley, she thought as she went on to a strip of beach.

A man was standing on the sea shore, a tall, commanding man, gazing out it seemed across the sunlit ocean as though he were in search of something. He could not have heard her footfall because she was walking on the sand, and yet he must have realised her presence, for he turned, and she almost stopped at the sight of his face. He might have been a European; his complexion was fair, though his eyebrows and eyes were jet black, as also was the tiny beard and moustache he wore. Beneath the conventional jellab he wore a dark green jacket, and she had a glimpse of glittering decorations before he pulled over his cloak so that they were hidden. But it was his eyes which held her. They were large and as black as night, and they were set in a face of such strength and dignity that Jean knew instinctively that she was looking upon the Moorish Pretender.

They stood for a second staring at one another, and then the Moor stepped aside.

"Pardon," he said in French, "I am afraid I startled you."

Jean was breathing a little quicker. She could not remember in her life any man who had created so immediate and favourable an impression. She forgot her contempt for native people, forgot his race, his religion (and religion was a big thing to Jean), forgot everything except that behind those eyes she recognised something which was kin to her.

"You are English, of course," he said in that language.

"Scottish," smiled Jean.

"It is almost the same, isn't it?" He spoke without any trace of an accent, without an error of grammar, and his voice was the voice of a college man.

He had left the way open for her to pass on, but she lingered.

"You are Muley Hafiz, aren't you?" she asked, and he turned his head. "I've read a great deal about you," she added, though in truth she had read nothing.

He laughed, showing two rows of perfect white teeth. It was only by contrast with their whiteness that she noticed the golden brown of his complexion.

"I am of international interest," he said lightly and glanced round toward his attendants.

She thought he was going and would have moved on, but he stopped her.

"You are the first English speaking person I have talked to since I've been in France," he said, "except the American Ambassador." He smiled as at a pleasant recollection.

"You talk almost like an Englishman yourself."

"I was at Oxford," he said. "My brother was at Harvard. My father, the brother of the late Sultan, was a very progressive man and believed in the Western education for his children. Won't you sit down?" he asked, pointing to the sand.

She hesitated a second, and then sank to the ground, and crossing his legs he sat by her side.

"I was in France for four years," he carried on, evidently anxious to hold her in conversation, "so I speak both languages fairly well. Do you speak Arabic?" He asked the question solemnly, but his eyes were bright with laughter.

"Not very well," she answered gravely. "Are you staying very long?" It was a conventional question and she was unprepared for the reply.

"I leave to-night," he said, "though very few people know it. You have surprised a State secret," he smiled again.

And then he began to talk of Morocco and its history, and with extraordinary ease he traced the story of the families which had ruled that troubled State.

He touched lightly on his own share in the rebellion which had almost brought about a European war.

"My uncle seized the throne, you know," he said, taking up a handful of sand and tossing it up in the air. "He defeated my father and killed him, and then we caught his two sons."

"What happened to them?" asked Jean curiously.

"Oh, we killed them," he said carelessly. "I had them hanged in front of my tent. You're shocked?"

She shook her head.

"Do you believe in killing your enemies?"

She nodded.

"Why not? It is the only logical thing to do."

"My brother joined forces with the present Sultan, and if I ever catch him I shall hang him too," he smiled.