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Tales and Novels, Vol. III - Belinda
by Maria Edgeworth
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"Married! married!" cried Lady Delacour.

"Ay, ay, your ladyship may look as much astonished as you please, you cannot be more so than I was when I heard it. Clarence Hervey, Miss Portman, that was looked upon so completely, you know, as not a marrying man; and now the last man upon earth that your ladyship would suspect of marrying in this sort of way!"

"In what sort of way?—My dear Belinda, how can you stand this fire?" said Lady Delacour, placing a skreen, dexterously, to hide her face from the dowager's observation.

"Now only guess whom he is going to marry," continued Lady Boucher: "whom do you guess, Miss Portman?"

"An amiable woman, I should guess, from Mr. Hervey's general character," cried Lady Delacour.

"Oh, an amiable woman, I take for granted; every woman is amiable of course, as the newspapers tell us, when she is going to be married," said the dowager: "an amiable woman, to be sure; but that means nothing. I have not had a guess from Miss Portman."

"From general character," Belinda began, in a constrained voice.

"Do not guess from general character, my dear Belinda," interrupted Lady Delacour; "for there is no judging, in these cases, from general character, of what people will like or dislike."

"Then I will leave it to your ladyship to guess this time, if you please," said Belinda.

"You will neither of you guess till doomsday!" cried the dowager; "I must tell you. Mr. Hervey's going to marry—in the strangest sort of way!—a girl that nobody knows—a daughter of a Mr. Hartley. The father can give her a good fortune, it is true; but one should not have supposed that fortune was an object with Mr. Hervey, who has such a noble one of his own. It's really difficult to believe it."

"So difficult, that I find it quite impossible," said Lady Delacour, with an incredulous smile.

"Depend upon it, my dear Lady Delacour," said the dowager, laying the convincing weight of her arm upon her ladyship's, "depend upon it, my dear Lady Delacour, that my information is correct. Guess whom I had it from."

"Willingly. But first let me tell you, that I have seen Mr. Hervey within this half hour, and I never saw a man look less like a bridegroom."

"Indeed! well, I've heard, too, that he didn't like the match: but what a pity, when you saw him yourself this morning, that you didn't get all the particulars out of him. But let him look like what he will, you'll find that my information is perfectly correct. Guess whom I had it from—from Mrs. Margaret Delacour: it was at her house that Clarence Hervey first met Mr. Hartley, who, as I mentioned, is the father of the young lady. There was a charming scene, and some romantic story, about his finding the girl in a cottage, and calling her Virginia something or other, but I didn't clearly understand about that. However, this much is certain, that the girl, as her father told Mrs. Delacour, is desperately in love with Mr. Hervey, and they are to be married immediately. Depend upon it, you'll find my information correct. Good morning to you. Lord bless me! now I recollect, I once heard that Mr. Hervey was a great admirer of Miss Portman," said the dowager.

The inquisitive dowager, whose curiosity was put upon a new scent, immediately fastened her eyes upon Belinda's face; but from that she could make out nothing. Was it because she had not the best eyes, or because there was nothing to be seen? To determine this question, she looked through her glass, to take a clearer view; but Lady Delacour drew off her attention, by suddenly exclaiming—"My dear Lady Boucher, when you go back to town, do send me a bottle of concentrated anima of quassia."

"Ah! ah! have I made a convert of you at last?" said the dowager; and, satisfied with the glory of this conversion, she departed.

"Admire my knowledge of human nature, my dear Belinda," said Lady Delacour. "Now she will talk, at the next place she goes to, of nothing but of my faith in anima of quassia; and she will forget to make a gossiping story out of that most imprudent hint I gave her, about Clarence Hervey's having been an admirer of yours."

"Do not leave the room, Belinda; I have a thousand things to say to you, my dear."

"Excuse me, at present, my dear Lady Delacour; I am impatient to write a few lines to Mr. Vincent. He went away—"

"In a fit of jealousy, and I am glad of it."

"And I am sorry for it," said Belinda; "sorry that he should have so little confidence in me as to feel jealousy without cause—without sufficient cause, I should say; for certainly your ladyship gave pain, by the manner in which you received Mr. Hervey."

"Lord, my dear, you would spoil any man upon earth. You could not act more foolishly if the man were your husband. Are you privately married to him?—If you be not—for my sake—for your own—for Mr. Vincent's—do not write till we see the contents of Clarence Hervey's packet."

"It can make no alteration in what I write," said Belinda.

"Well, my dear, write what you please; but I only hope you will not send your letter till the packet arrives."

"Pardon me, I shall send it as soon as I possibly can: the 'dear delight of giving pain' does not suit my taste."

Lady Delacour, as soon as she was left alone, began to reconsider the dowager's story; notwithstanding her unbelieving smile, it alarmed her, for she could not refuse to give it some degree of credit, when she learnt that Mrs. Margaret Delacour was the authority from whom it came. Mrs. Delacour was a woman of scrupulous veracity, and rigid in her dislike to gossiping; so that it was scarcely probable a report originating with her, however it might be altered by the way, should prove to be totally void of foundation. The name of Virginia coincided with Sir Philip Baddely's hints, and with Marriott's discoveries: these circumstances considered, Lady Delacour knew not what opinion to form; and her eagerness to receive Mr. Hervey's packet every moment increased. She walked up and down the room—looked at her watch—fancied that it had stopped—held it to her ear—ran the bell every quarter of an hour, to inquire whether the messenger was not yet come back. At last, the long-expected packet arrived. She seized it, and hurried with it immediately to Belinda's room.

"Clarence Hervey's packet, my love!—Now, woe be to the person who interrupts us!" She bolted the door as she spoke—. rolled an arm-chair to the fire—"Now for it!" said she, seating herself. "The devil upon two sticks, if he were looking down upon me from the house-top, or Champfort, who is the worse devil of the two, would, if he were peeping through the keyhole, swear I was going to open a love-letter—and so I hope I am. Now for it!" cried she, breaking the seal.

"My dear friend," said Belinda, laying her hand upon Lady Delacour's, "before we open this packet, let me speak to you, whilst our minds are calm."

"Calm! It is the strangest time for your mind to be calm. But I must not affront you by my incredulity. Speak, then, but be quick, for I do not pretend to be calm; it not being, thank my stars, 'mon metier d'etre philosophe.' Crack goes the last seal—speak now, or for ever after hold your tongue, my calm philosopher of Oakly-park: but do you wish me to attend to what you are going to say?"

"Yes," replied Belinda, smiling; "that is the usual wish of those who speak."

"Very true: and I can listen tolerably well, when I don't know what people are going to say; but when I know it all beforehand, I have an unfortunate habit of not being able to attend to one word. Now, my dear, let me anticipate your speech, and if my anticipation be wrong, then you shall rise to explain; and I will," said she, (putting her finger on her lips,) "listen to you, like Harpocrates, without moving an eyelash."

Belinda, as the most certain way of being heard, consented to hear before she spoke.

"I will tell you," pursued Lady Delacour, "if not what you are going to say to me, at least what you say to yourself, which is fully as much to the purpose. You say to yourself, 'Let this packet of Clarence Hervey contain what it may, it comes too late. Let him say, or let him do, 'tis all the same to me—because—(now for the reasoning)—because things have gone so far with Mr. Vincent, that Lady Anne Percival and all the world (at Oakly-park) will blame me, if I retract. In short, things have gone so far that I cannot recede; because—things have gone so far.' This is the rondeau of your argument. Nay, hear me out, then you shall have your turn, my dear, for an hour, if you please. Let things have gone ever so far, they can stop, and turn about again, cannot they? Lady Anne Percival is your friend, of course can wish only for your happiness. You think she is 'the thing that's most uncommon, a reasonable woman:' then she cannot be angry with you for being happy your own way. So I need not, as the orators say, labour this point any more. Now, as to your aunt. The fear of displeasing Mrs. Stanhope a little more or less is not to be put in competition with the hope of your happiness for life, especially as you have contrived to exist some months in a state of utter excommunication from her favour. After all, you know she will not grieve for any thing but the loss of Mr. Vincent's fortune; and Mr. Hervey's fortune might do as well, or almost as well: at least, she may compound with her pride for the difference, by considering that an English member of parliament is, in the eyes of the world (the only eyes with which she sees), a better connexion than the son of a West India planter, even though he may be a protege of Lady Anne Percival.

"Spare me your indignation, my dear!—What a look was there!—Reasoning for Mrs. Stanhope, must not I reason as Mrs. Stanhope does?—Now I will put this stronger still. Suppose that you had actually acknowledged that Mr. Vincent had got beyond esteem with you; suppose that you had in due form consented to marry him; suppose that preparations were at this moment making for the wedding; even in that desperate case I should say to you, you are not a girl to marry because your wedding-gown is made up. Some few guineas are thrown away, perhaps; do not throw away your whole happiness after them—that would be sorry economy. Trust me, my dear, I should say, as I have to you, in time of need. Or, if you fear to be obliged to one who never was afraid of being obliged to you, ten to one the preparations for a wedding, though not the wedding, may be necessary immediately. No matter to Mrs. Franks who the bridegroom may be; so that her bill be paid, she would not care the turning of a feather whether it be paid by Mrs. Vincent or Mrs. Hervey. I hope I have convinced, I am sure I have made you blush, my dear, and that is some satisfaction. A blush at this moment is an earnest of victory. Lo, triumphe! Now I will open my packet; my hand shall not be held an instant longer."

"I absolve you from the penance of hearing me for an hour, but I claim your promise to attend to me for a few minutes, my dear friend," said Belinda: "I thank you most sincerely for your kindness; and let me assure you that I should not hesitate to accept from you any species of obligation."

"Thanks! thanks!—there's a dear good girl!—my own Belinda!"

"But indeed you totally misunderstand me; your reasoning—"

"Show me the fault of it: I challenge all the logic of all the Percivals."

"Your reasoning is excellent, if your facts were not taken for granted. You have taken it for granted, that Mr. Hervey is in love with me."

"No," said Lady Delacour; "I take nothing for granted, as you will find when I open this packet."

"You have taken it for granted," continued Belinda, "that I am still secretly attached to him; and you take it for granted that I am restrained only by fear of Lady Anne Percival, my aunt, and the world, from breaking off with Mr. Vincent: if you will read the letter, which I was writing to him when you came into the room, perhaps you will be convinced of your mistake."

"Read a letter to Mr. Vincent at such a time as this! then I will go and read my packet in my own room," cried Lady Delacour, rising hastily, with evident displeasure.

"Not even your displeasure, my dear friend," said Belinda, "can alter my determination to behave with consistency and openness towards Mr. Vincent; and I can bear your anger, for I know it arises from your regard for me."

"I never loved you so little as at this instant, Belinda."

"You will do me justice when you are cool."

"Cool!" repeated Lady Delacour, as she was about to leave the room, "I never wish to be as cool as you are, Belinda! So, after all, you love Mr. Vincent—you'll marry Mr. Vincent!"

"I never said so," replied Belinda: "you have not read my letter. Oh, Lady Delacour, at this instant—you should not reproach me."

"I did you injustice," cried Lady Delacour, as she now looked at Belinda's letter. "Send it—send it—you have said the very thing you ought; and now sit down with me to this packet of Clarence Hervey's—be just to him, as you are to Mr. Vincent, that's all I ask—give him a fair hearing:—now for it."



CHAPTER XXVI.

VIRGINIA

Clarence Hervey's packet contained a history of his connexion with Virginia St. Pierre.

To save our hero from the charge of egotism, we shall relate the principal circumstances in the third person.

It was about a year before he had seen Belinda that Clarence Hervey returned from his travels; he had been in France just before the Revolution, when luxury and dissipation were at their height in Paris, and when a universal spirit of licentious gallantry prevailed. Some circumstances in which he was personally interested disgusted him strongly with the Parisian belles; he felt that women who were full of vanity, affectation, and artifice, whose tastes were perverted, and whose feelings were depraved, were equally incapable of conferring or enjoying real happiness. Whilst this conviction was full in his mind, he read the works of Rousseau: this eloquent writer's sense made its full impression upon Clarence's understanding, and his declamations produced more than their just effect upon an imagination naturally ardent. He was charmed with the picture of Sophia, when contrasted with the characters of the women of the world with whom he had been disgusted; and he formed the romantic project of educating a wife for himself. Full of this idea, he returned to England, determined to carry his scheme immediately into execution, but was some time delayed by the difficulty of finding a proper object for his purpose: it was easy to meet with beauty in distress, and ignorance in poverty; but it was difficult to find simplicity without vulgarity, ingenuity without cunning, or even ignorance without prejudice; it was difficult to meet with an understanding totally uncultivated, yet likely to reward the labour of late instruction; a heart wholly unpractised, yet full of sensibility, capable of all the enthusiasm of passion, the delicacy of sentiment, and the firmness of rational constancy. It is not wonderful that Mr. Hervey, with such high expectations, should not immediately find them gratified. Disappointed in his first search, he did not, however, relinquish his design; and at length, by accident, he discovered, or thought that he discovered, an object formed expressly for his purpose.

One fine evening in autumn, as he was riding through the New Forest, charmed with the picturesque beauties of the place, he turned out of the beaten road, and struck into a fresh track, which he pursued with increasing delight, till the setting sun reminded him that it was necessary to postpone his farther reflections on forest scenery, and that it was time to think of finding his way out of the wood. He was now in the most retired part of the forest, and he saw no path to direct him; but, as he stopped to consider which way he should turn, a dog sprang from a thicket, barking furiously at his horse: his horse was high-spirited, but he was master of him, and he obliged the animal to stand quietly till the dog, having barked himself hoarse, retreated of his own accord. Clarence watched to see which way he would go, and followed him, in hopes of meeting with the person to whom he belonged: he kept his guide in sight, till he came into a beautiful glade, in the midst of which was a neat but very small cottage, with numerous beehives in the garden, surrounded by a profusion of rose-trees which were in full blow. This cultivated spot was strikingly contrasted with the wildness of the surrounding scenery. As he came nearer, Mr. Hervey saw a young girl watering the rose-trees, which grew round the cottage, and an old woman beside her filling a basket with the flowers. The old woman was like most other old women, except that she had a remarkably benevolent countenance, and an air that had been acquired in better days; but the young girl did not appear to Clarence like any other young girl that he had ever seen. The setting sun shone upon her countenance, the wind blew aside the ringlets of her light hair, and the blush of modesty overspread her cheeks when she looked up at the stranger. In her large blue eyes there was an expression of artless sensibility with which Mr. Hervey was so powerfully struck that he remained for some moments silent, totally forgetting that he came to ask his way out of the forest. His horse had made so little noise upon the soft grass, that he was within a few yards of them before he was perceived by the old woman. As soon as she saw him, she turned abruptly to the young girl, put the basket of roses into her hand, and bid her carry them into the house. As she passed him, the girl, with a sweet innocent smile, held up the basket to Clarence, and offered him one of the roses.

"Go in, Rachel!—go in, child," said the old woman, in so loud and severe a tone, that both Rachel and Mr. Hervey started; the basket was overturned, and the roses all scattered upon the grass. Clarence, though he attempted some apology, was by no means concerned for the accident, as it detained Rachel some instants longer to collect her flowers, and gave him an opportunity of admiring her finely shaped hands and arms, and the ease and natural grace of her motions.

"Go in, Rachel," repeated the old woman, in a still more severe tone; "leave the roses there—I can pick them up as well as you, child—go in."

The girl looked at the old woman with astonishment, her eyes filled with tears, and throwing down the roses that she held in her hand, she said, "I am going, grandmother." The door closed after her before Clarence recollected himself sufficiently to tell the old lady how he had lost his way, &c. Her severity vanished, as soon as her grand-daughter was safe in the house, and with much readiness she showed him the road for which he inquired.

As soon, however, as it was in his power, he returned thither; for he had taken such good note of the place, that he easily found his way to the spot, which appeared to him a terrestrial paradise. As he descended into the valley, he heard the humming of bees, but he saw no smoke rising from the cottage chimney—no dog barked—no living creature was to be seen—the house door was shut—the window-shutters closed—all was still. The place looked as if it had been deserted by all its inhabitants: the roses had not been watered, many of them had shed their leaves; and a basket half full of dead flowers was left in the middle of the garden. Clarence alighted, and tried the latch of the door, but it was fastened; he listened, but heard no sound; he walked round to the back of the house: a small lattice window was half open, and, as he went toward it, he thought he heard a low moaning voice; he gently pulled aside the curtain, and peeped in at the window. The room was darkened, his eyes had been dazzled by the sun, so that he could not, at first, see any object distinctly; but he heard the moaning repeated at intervals, and a soft voice at last said—

"Oh, speak to me!—speak to me once again—only once—only once again, speak to me!"

The voice came from a corner of the room, to which he had not yet turned his eyes: and as he drew aside more of the curtain, to let in more light, a figure started up from the side of a bed, at which she had been kneeling, and he saw the beautiful young girl, with her hair all dishevelled, and the strongest expression of grief in her countenance. He asked if he could do her any service. She beckoned to him to come in, and then, pointing to the bed, on which the old woman was stretched, said—

"She cannot speak to me—she cannot move one side—she has been so these three days—but she is not dead—she is not dead!"

The poor creature had been struck with the palsy. As Clarence went close to the bed, she opened her eyes, and fixing them upon him, she stretched out her withered hand, caught fast hold of her grand-daughter, and then raising herself, with a violent effort, she pronounced the word "Begone!" Her face grew black, her features convulsed, and she sunk down again in her bed, without power of utterance. Clarence left the house instantly, mounted his horse, and galloped to the next town for medical assistance. The poor woman was so far recovered by a skilful apothecary, that she could, in a few days, articulate so as to be understood. She knew that her end was approaching fast, and seemed piously resigned to her fate. Mr. Hervey went constantly to see her; but, though grateful to him for his humanity, and for the assistance he had procured for her, yet she appeared agitated when he was in the room, and frequently looked at him and at her grand-daughter with uncommon anxiety. At last, she whispered something to the girl, who immediately left the room; and she then beckoned to him to come closer to the arm-chair, in which she was seated.

"May be, sir," said she, "you thought me out of my right mind the day when I was lying on that bed, and said to you in such a peremptory tone, 'Begone!'—It was all I could say then; and, in truth, I cannot speak quite plain yet; nor ever shall again. But God's will be done. I had only one thing to say to you, sir, about that poor girl of mine—"

Clarence listened to her with eagerness. She paused, and then laying her cold hand upon his, she looked up earnestly in his face, and continued, "You are a fine young gentleman, and you look like a good gentleman; but so did the man who broke the heart of her poor mother. Her mother was carried off from a boarding-school, when she was scarcely sixteen, by a wretch, who, after privately marrying her, would not own his marriage, stayed with her but two years, then went abroad, left his wife and his infant, and has never been heard of since. My daughter died of a broken heart. Rachel was then between three and four years old; a beautiful child. God forgive her father!—God's will be done!"—She paused to subdue her emotion, and then, with some difficulty, proceeded.

"My only comfort is, I have bred Rachel up in innocence; I never sent her to a boarding-school. No, no; from the moment of her birth till now, I have kept her under my own eye. In this cottage she has lived with me, away from all the world. You are the first man she ever spoke to; the first man who ever was within these doors. She is innocence itself!—Oh, sir, as you hope for mercy when you are as I am now, spare the innocence of that poor child!—Never, never come here after her, when I am dead and gone! Consider, she is but a child, sir. God never made a better creature. Oh, promise me you will not be the ruin of my sweet innocent girl, and I shall die in peace!"

Clarence Hervey was touched. He instantly made the promise required of him; and, as nothing less would satisfy the poor dying woman, confirmed it by a solemn oath.

"Now I am easy," said she, "quite easy; and may God bless you for it! In the village here, there is a Mrs. Smith, a good farmer's wife, who knows us well; she will see to have me decently buried, and then has promised to sell all the little I have for my girl, and to take care of her. And you'll never come near her more?"

"I did not promise that," said Hervey.

The old woman again looked much disturbed.

"Ah, good young gentleman!" said she, "take my advice; it will be best for you both. If you see her again, you will love her, sir—you can't help it; and if she sees you—poor thing, how innocently she smiled when she gave you the rose!—oh, sir, never come near her when I am gone! It is too late for me now to get her out of your way. This night, I'm sure, will be my last in this world—oh, promise me you will never come here again!"

"After the oath I have taken," replied Clarence, "that promise would be unnecessary. Trust to my honour."

"Honour! Oh, that was the word the gentleman said that betrayed her poor mother, and left her afterwards to die.'—Oh, sir, sir——"

The violent emotion that she felt was too much for her—she fell back exhausted—never spoke more—and an hour afterwards she expired in the arms of her grand-daughter. The poor girl could not believe that she had breathed her last. She made a sign to the surgeon, and to Clarence Hervey, who stood beside her, to be silent; and listened, fancying that the corpse would breathe again. Then she kissed her cold lips, and the shrivelled cheeks, and the eyelids that were closed for ever. She warmed the dead fingers with her breath—she raised the heavy arm, and when it fell she perceived there was no hope: she threw herself upon her knees:—"She is dead!" she exclaimed; "and she has died without giving me her blessing! She can never bless me again."

They took her into the air, and Clarence Hervey sprinkled water upon her face. It was a fine night, and the fresh air soon brought her to her senses. He then said that he would leave her to the care of the surgeon, and ride to the village in search of that Mrs. Smith who had promised to be her friend.

"And so you are going away from me, too?" said she; and she burst into tears. At the sight of these tears Clarence turned away, and hurried from her. He sent the woman from the village, but returned no more that night.

Her simplicity, sensibility, and, perhaps more than he was aware, her beauty, had pleased and touched him extremely. The idea of attaching a perfectly pure, disinterested, unpractised heart, was delightful to his imagination: the cultivation of her understanding, he thought, would be an easy and a pleasing task: all difficulties vanished before his sanguine hopes.

"Sensibility," said he to himself, "is the parent of great talents and great virtues; and evidently she possesses natural feeling in an uncommon degree: it shall be developed with skill, patience, and delicacy; and I will deserve before I claim my reward."

The next day he returned to the cottage, accompanied by an elderly lady, a Mrs. Ormond; the same lady who afterward, to Marriott's prejudiced eyes, had appeared more like a dragon than any thing else, but who, to this simple, unsuspicious girl, seemed like what she really was, a truly good-natured, benevolent woman. She consented, most readily, to put herself under the protection of Mrs. Ormond, "provided Mrs. Smith would give her leave." There was no difficulty in persuading Mrs. Smith that it was for her advantage. Mrs. Smith, who was a plain farmer's wife, told all that she knew of Rachel's history; but all that she knew was little. She had heard only hints at odd times from the old woman: these agreed perfectly with what Mr. Hervey had already heard.

"The old gentlewoman," said Mrs. Smith, "as I believe I should call her by rights, has lived in the forest there, where you found her, these many a year—she earned her subsistence by tending bees and making rose-water—she was a good soul, but very particular, especially about her grand-daughter, which, considering all things, one cannot blame her for. She often told me she would never put Rachel to a boarding-school, which I approved, seeing she had no fortune; and it is the ruin of girls, to my mind, to be bred above their means—as it was of her mother, sir. Then she would never teach Rachel to write, for fear she should take to scrawling nonsense of love-letters, as her mother did before her. Now, sir, this I approved too, for I don't much mind about book-learning myself; and I even thought it would have been as well if the girl had not learnt to read; but that she did learn, and was always fond of, and I'm sure it was more plague than use too to her grandmother, for she was as particular about the books that the girl was to read as about all the rest. She went farther than all that, sir, for she never would let the girl speak to a man—not a man ever entered the doors of the house."

"So she told me."

"And she told you true enough. But there, I thought, she was quite wrong; for seeing the girl must, some time or other, speak to men, where was the use of her not learning to do it properly?—Lord, ma'am," continued Mrs. Smith, addressing herself to Mrs. Ormond, "Lord, ma'am, though it is a sin to be remembering so much of the particularities of the dead, I must say there never was an old lady who had more scrupulosities than the deceased. I verily thought, one day, she would have gone into fits about a picture of a man, that Rachel lit upon by accident, as if a picture had any sense to hurt a body! Now if it had been one of your naked pictures, there might have been some delicacy in her dislike to it; but it was no such thing, but a very proper picture.

"A picture, ma'am, of a young sea-officer, in his full uniform—quite proper, ma'am. It was his mother that left it with me, and I had it always in my own room, and the girl saw it, and was mightily taken with it, being the first thing of the kind she had ever lit upon, and the old lady comes in, and took on, till I verily thought she was crazed. Lord! I really could not but laugh; but I checked myself, when the poor old soul's eyes filled with tears, which made me know she was thinking of her daughter that was dead. When I thought on the cause of her particularity about Rachel, I could not laugh any more at her strangeness.

"I promised the good lady that day, in case of her death, to take care of her grand-daughter; and I thought in my own mind that, in time to come, if one of my boys should take a fancy to her, I should make no objections, because she was always a good, modest-behaved girl; and, I'm sure, would make a good wife, though too delicate for hard country work; but, as it pleases God to send you, madam, and the good gentleman, to take the charge of her off my hands, I am content it should be so, and I will sell every thing here for her honestly, and bring it to you, madam, for poor Rachel."

There was nothing that Rachel was anxious to carry away with her but a little bullfinch, of which she was very fond. One, and but one, circumstance about Rachel stopped the current of Clarence Hervey's imagination, and this, consequently, was excessively disagreeable to him—her name: the name of Rachel he could hot endure, and he thought it so unsuited to her, that he could scarcely believe it belonged to her. He consequently resolved to change it as soon as possible. The first time that he beheld her, he was struck with the idea that she resembled the description of Virginia in M. de St. Pierre's celebrated romance; and by this name he always called her, from the hour that she quitted her cottage.

Mrs. Ormond, the lady whom he had engaged to take care of his Virginia, was a widow, the mother of a gentleman who had been his tutor at college. Her son died, and left her in such narrow circumstances, that she was obliged to apply to her friends for pecuniary assistance.

Mr. Hervey had been liberal in his contributions; from his childhood he had known her worth, and her attachment to him was blended with the most profound respect. She was not a woman of superior abilities, or of much information; but her excellent temper and gentle disposition won affection, though she had not any talents to excite admiration. Mr. Hervey had perfect confidence in her integrity; he believed that she would exactly comply with his directions, and he thought that her want of literature and ingenuity could easily be supplied by his own care and instructions. He took a house for her and his fair pupil at Windsor, and he exacted a solemn promise that she would neither receive nor pay any visits. Virginia was thus secluded from all intercourse with the world: she saw no one but Mrs. Ormond, Clarence Hervey, and Mr. Moreton, an elderly clergyman, whom Mr. Hervey engaged to attend every Sunday to read prayers for them at home. Virginia never expressed the slightest curiosity to see any other persons, or any thing beyond the walls of the garden that belonged to the house in which she lived; her present retirement was not greater than that to which she had long been accustomed, and consequently she did not feel her seclusion from the world as any restraint: with the circumstances that were altered in her situation she seemed neither to be dazzled nor charmed; the objects of convenience or luxury that were new to her she looked upon with indifference; but with any thing that reminded her of her former way of life, and of her grandmother's cottage, she was delighted.

One day Mr. Hervey asked her, whether she should like better to return to that cottage, or to remain where she was? He trembled for her answer. She innocently replied, "I should like best to go back to the cottage, if you would go with me—but I would rather stay here with you than live there without you."

Clarence was touched and flattered by this artless answer, and for some time he discovered every day fresh indications, as he thought, of virtue and abilities in his charming pupil. Her indifference to objects of show and ornament appeared to him an indisputable proof of her magnanimity, and of the superiority of her unprejudiced mind. What a difference, thought he, between this child of nature and the frivolous, sophisticated slaves of art!

To try and prove the simplicity of her taste, and the purity of her mind, he once presented to her a pair of diamond earrings and a moss rosebud, and asked her to take whichever she liked best. She eagerly snatched the rose, crying, "Oh! it puts me in mind of the cottage:—how sweet it smells!"

She placed it in her bosom, and then, looking at the diamonds, said, "They are pretty, sparkling things—what are they? of what use are they?" and she looked with more curiosity and admiration at the manner in which the earring shut and opened than at the diamonds. Clarence was charmed with her. When Mrs. Ormond told her that these things were to hang in her ears, she laughed and said, "How! how can I make them hang?"

"Have you never observed that I wear earrings?" said Mrs. Ormond.

"Ay! but yours are not like these, and—let me look—I never saw how you fastened them—let me look—oh! you have holes in your ears; but I have none in mine."

Mrs. Ormond told her that holes could easily be made in her ears, by running a steel pin through them. She shrunk back, defending her ear with one hand, and pushing the diamonds from her with the other, exclaiming, "Oh, no, no!—unless," added she, changing her tone, and turning to Clarence, "unless you wish it:—if you bid me, I will."

Clarence was scarcely master of himself at this instant; and it was with the utmost difficulty that he could reply to her with that dispassionate calmness which became his situation and hers. And yet there was more of ignorance and timidity, perhaps, than of sound sense or philosophy in Virginia's indifference to diamonds; she did not consider them as ornaments that would confer distinction upon their possessor, because she was ignorant of the value affixed to them by society. Isolated in the world, she had no excitements to the love of finery, no competition, no means of comparison, or opportunities of display; diamonds were consequently as useless to her as guineas were to Robinson Crusoe on his desert island. It could not justly be said that he was free from avarice, because he set no value on the gold; or that she was free from vanity, because she rejected the diamonds. These reflections could not possibly have escaped a man of Clarence Hervey's abilities, had he not been engaged in defence of a favourite system of education, or if his pupil had not been quite so handsome. Virginia's absolute ignorance of the world frequently gave an air of originality to her most trivial observations, which made her appear at once interesting and entertaining. All her ideas of happiness were confined to the life she had led during her childhood; and as she had accidentally lived in a beautiful situation in the New Forest, she appeared to have an instinctive taste for the beauties of nature, and for what we call the picturesque. This taste Mr. Hervey perceived, whenever he showed her prints and drawings, and it was a fresh source of delight and self-complacency to him. All that was amiable or estimable in Virginia had a double charm, from the secret sense of his penetration, in having discovered and appreciated the treasure. The affections of this innocent girl had no object but himself and Mrs. Ormond, and they were strong, perhaps, in proportion as they were concentrated. The artless familiarity of her manner, and her unsuspicious confidence, amounting almost to credulity, had irresistible power over Mr. Hervey's mind; he felt them as appeals at once to his tenderness and his generosity. He treated her with the utmost delicacy, and his oath was never absent from his mind: but he felt proudly convinced, that if he had not been bound by any such solemn engagement, no temptation could have made him deceive and betray confiding innocence.

Conscious that his views were honourable, anticipating the generous pleasure he should have in showing his superiority to all mercenary considerations and worldly prejudices, in the choice of a wife, he indulged, with a species of pride, his increasing attachment to Virginia; but he was not sensible of the rapid progress of the passion, till he was suddenly awakened by a few simple observations of Mrs. Ormond.

"This is Virginia's birthday—she tells me she is seventeen to-day."

"Seventeen!—is she only seventeen?" cried Clarence, with a mixture of surprise and disappointment in his countenance—"Only seventeen! Why she is but a child still."

"Quite a child," said Mrs. Ormond; "and so much the better."

"So much the worse, I think," said Clarence. "But are you sure she's only seventeen?—she must be mistaken—she must be eighteen, at least."

"God forbid!"

"God forbid!—Why, Mrs. Ormond?"

"Because, you know, we have a year more before us."

"That may be a very satisfactory prospect to you," said Mr. Hervey, smiling.

"And to you, surely," said Mrs. Ormond; "for, I suppose, you would be glad that your wife should, at least, know the common things that every body knows."

"As to that," said Clarence, "I should be glad that my wife were ignorant of what every body knows. Nothing is so tiresome to a man of any taste or abilities as what every body knows. I am rather desirous to have a wife who has an uncommon than a common understanding."

"But you would choose, would not you," said Mrs. Ormond, hesitating with an air of great deference, "that your wife should know how to write?"

"To be sure," replied Clarence, colouring. "Does not Virginia know how to write?"

"How should she?" said Mrs. Ormond: "it is no fault of hers, poor girl—she was never taught. You know it was her grandmother's notion that she should not learn to write, lest she should write love-letters."

"But you promised that she should be taught to write, and I trusted to you, Mrs. Ormond."

"She has been here only two months, and all that time, I am sure, I have done every thing in my power; but when a person comes to be sixteen or seventeen, it is up-hill work."

"I will teach her myself," cried Clarence: "I am sure she may be taught any thing."

"By you," said Mrs. Ormond, smiling; "but not by me."

"You have no doubts of her capacity, surely?"

"I am no judge of capacity, especially of the capacity of those I love; and I am grown very fond of Virginia; she is a charming, open-hearted, simple, affectionate creature. I rather think it is from indolence that she does not learn, and not from want of abilities."

"All indolence arises from want of excitement," said Clarence: "if she had proper motives, she would conquer her indolence."

"Why, I dare say, if I were to tell her that she would never have a letter from Mr. Hervey till she is able to write an answer, she would learn to write very expeditiously; but I thought that would not be a proper motive, because you forbade me to tell her your future views. And indeed it would be highly imprudent, on your account, as well as hers, to give her any hint of that kind: because you might change your mind, before she's old enough for you to think of her seriously, and then you would not know what to do with her; and after entertaining hopes of becoming your wife, she would be miserable, I am sure, with that affectionate tender heart of hers, if you were to leave her. Now that she knows nothing of the matter, we are all safe, and as we should be."

Though Clarence Hervey did not at this time foresee any great probability of his changing his mind, yet he felt the good sense and justice of Mrs. Ormond's suggestions; and he was alarmed to perceive that his mind had been so intoxicated as to suffer such obvious reflections to escape his attention. Mrs. Ormond, a woman whom he had been accustomed to consider as far his inferior in capacity, he now felt was superior to him in prudence, merely because she was undisturbed by passion. He resolved to master his own mind: to consider that it was not a mistress, but a wife he wanted in Virginia; that a wife without capacity or without literature could never be a companion suited to him, let her beauty or sensibility be ever so exquisite and captivating. The happiness of his life and of hers were at stake, and every motive of prudence and delicacy called upon him to command his affections. He was, however, still sanguine in his expectations from Virginia's understanding, and from his own power of developing her capacity. He made several attempts, with the greatest skill and patience; and his fair pupil, though she did not by any means equal his hopes, astonished Mrs. Ormond by her comparatively rapid progress.

"I always believed that you could make her any thing you pleased," said she. "You are a tutor who can work miracles with Virginia."

"I see no miracles," replied Clarence; "I am conscious of no such power. I should be sorry to possess any such influence, until I am sure that it would be for our mutual happiness."

Mr. Hervey then conjured Mrs. Ormond, by all her attachment to him and to her pupil, never to give Virginia the most distant idea that he had any intentions of making her his wife. She promised to do all that was in her power to keep this secret, but she could not help observing that it had already been betrayed, as plainly as looks could speak, by Mr. Hervey himself. Clarence in vain endeavoured to exculpate himself from this charge: Mrs. Ormond brought to his recollection so many instances of his indiscretion, that it was substantiated even in his own judgment, and he was amazed to find that all the time he had put so much constraint upon his inclinations, he had, nevertheless, so obviously betrayed them. His surprise, however, was at this time unmixed with any painful regret; he did not foresee the probability that he should change his mind; and notwithstanding Mrs. Ormond assured him that Virginia's sensibility had increased, he was persuaded that she was mistaken, and that his pupil's heart and imagination were yet untouched. The innocent openness with which she expressed her affection for him confirmed him, he said, in his opinion. To do him justice, Clarence had none of the presumption which too often characterizes men who have been successful, as it is called, with the fair sex. His acquaintance with women had increased his persuasion that it is difficult to excite genuine love in the heart; and with respect to himself, he was upon this subject astonishingly incredulous. It was scarcely possible to convince him that he was beloved.

Mrs. Ormond, piqued upon this subject, determined to ascertain more decisively her pupil's sentiments.

"My dear," said she, one day to Virginia, who was feeding her bullfinch, "I do believe you are fonder of that bird than of any thing in the world—fonder of it, I am sure, than of me."

"Oh! you cannot think so," said Virginia, with an affectionate smile.

"Well! fonder than you are of Mr. Hervey, you will allow, at least?"

"No, indeed!" cried she, eagerly: "how can you think me so foolish, so childish, so ungrateful, as to prefer a little worthless bird to him—" (the bullfinch began to sing so loud at this instant, that her enthusiastic speech was stopped). "My pretty bird," said she, as it perched upon her hand, "I love you very much, but if Mr. Hervey were to ask it, to wish it, I would open that window, and let you fly; yes, and bid you fly away far from me for ever. Perhaps he does wish it?—Does he?—Did he tell you so?" cried she, looking earnestly in Mrs. Ormond's face, as she moved towards the window.

Mrs. Ormond put her hand upon the sash, as Virginia was going to throw it up—

"Gently, gently, my love—whither is your imagination carrying you?"

"I thought something by your look," said Virginia, blushing.

"And I thought something, my dear Virginia," said Mrs. Ormond, smiling.

"What did you think?—What could you think?"

"I cannot—I mean, I would rather not at present tell you. But do not look so grave; I will tell you some time or other, if you cannot guess."

Virginia was silent, and stood abashed.

"I am sure, my sweet girl," said Mrs. Ormond, "I do not mean, by any thing I said, to confuse or blame you. It is very natural that you should be grateful to Mr. Hervey, and that you should admire, and, to a certain degree, love him."

Virginia looked up delighted, yet with some hesitation in her manner.

"He is, indeed," said Mrs. Ormond, "one of the first of human beings: such even I have always thought him; and I am sure I like you the better, my dear, for your sensibility," said she, kissing Virginia as she spoke; "only we must take care of it, or this tenderness might go too far."

"How so?" said Virginia, returning her caresses with fondness: "can I love you and Mr. Hervey too much?"

"Not me."

"Nor him, I'm sure—he is so good, so very good! I am afraid that I do not love him enough," said she, sighing. "I love him enough when he is absent, but not when he is present. When he is near I feel a sort of fear mixed with my love. I wish to please him very much, but I should not quite like that he should show his love for me as you do—as you did just now."

"My dear, it would not be proper that he should; you are quite right not to wish it."

"Am I? I was afraid that it was a sign of my not liking him as much as I ought."

"Ah, my poor child! you love him full as much as you ought."

"Do you think so? I am glad of it," said Virginia, with a look of such confiding simplicity, that her friend was touched to the heart.

"I do think so, my love," said Mrs. Ormond; "and I hope I shall never be sorry for it, nor you either. But it is not proper that we should say any more upon this subject now. Where are your drawings? Where is your writing? My dear, we must get forward with these things as fast as we can. That is the way to please Mr. Hervey, I can tell you."

Confirmed by this conversation in her own opinion, Mrs. Ormond was satisfied. From delicacy to her pupil, she did not repeat all that had passed to Mr. Hervey, resolving to wait till the proper moment. "She is too young and too childish for him to think of marrying her yet, for a year or two," thought she; "and it is better to repress her sensibility till her education is more finished; by that time Mr. Hervey will find out his mistake."

In the mean time she could not help thinking that he was blind, for he continued steady in his belief of Virginia's indifference.

To dissipate his own mind, and to give time for the development of hers, he now, according to his resolution, left his pupil to the care of Mrs. Ormond, and mixed as much as possible in gay and fashionable company. It was at this period that he renewed his acquaintance with Lady Delacour, whom he had seen and admired before he went abroad. He found that his gallantry, on the famous day of the battle between the turkeys and pigs, was still remembered with gratitude by her ladyship; she received him with marked courtesy, and he soon became a constant visitor at her house. Her wit entertained, her eloquence charmed him, and he followed, admired, and gallanted her, without scruple, for he considered her merely as a coquette, who preferred the glory of conquest to the security of reputation. With such a woman he thought he could amuse himself without danger, and he every where appeared the foremost in the public train of her ladyship's admirers. He soon discovered, however, that her talents were far superior to what are necessary for playing the part of a fine lady; his visits became more and more agreeable to him, and he was glad to feel, that, by dividing his attention, his passion for Virginia insensibly diminished, or, as he said to himself, became more reasonable. In conversing with Lady Delacour, his faculties were always called into full play; in talking to Virginia, his understanding was passive: he perceived that a large proportion of his intellectual powers, and of his knowledge, was absolutely useless to him in her company; and this did not raise her either in his love or esteem. Her simplicity and naivete, however, sometimes relieved him, after he had been fatigued by the extravagant gaiety and glare of her ladyship's manners; and he reflected that the coquetry which amused him in an acquaintance would be odious in a wife: the perfect innocence of Virginia promised security to his domestic happiness, and he did not change his views, though he was less eager for the period of their accomplishment. "I cannot expect every thing that is desirable," said he to himself: "a more brilliant character than Virginia's would excite my admiration, but could not command my confidence."

It was whilst his mind was in this situation that he became acquainted with Belinda. At first, the idea of her having been I educated by the match-making Mrs. Stanhope prejudiced him against her; but as he had opportunities of observing her conduct, this prepossession was conquered, and when she had secured his esteem, he could no longer resist her power over his heart. In comparison with Belinda, Virginia appeared to him but an insipid, though innocent child: the one he found was his equal, the other his inferior; the one he saw could be a companion, a friend to him for life, the other would merely be his pupil, or his plaything. Belinda had cultivated taste, an active understanding, a knowledge of literature, the power and the habit of conducting herself; Virginia was ignorant and indolent, she had few ideas, and no wish to extend her knowledge; she was so entirely unacquainted with the world, that it was absolutely impossible she could conduct herself with that discretion, which must be the combined result of reasoning and experience. Mr. Hervey had felt gratuitous confidence in Virginia's innocence; but on Belinda's prudence, which he had opportunities of seeing tried, he gradually learned to feel a different and a higher species of reliance, which it is neither in our power to bestow nor to refuse. The virtues of Virginia sprang from sentiment; those of Belinda from reason.

Clarence, whilst he made all these comparisons, became every day more wisely and more fondly attached to Belinda; and at length he became desirous to change the nature of his connexion with Virginia, and to appear to her only in the light of a friend or a benefactor. He thought of giving her a suitable fortune and of leaving her under the care of Mrs. Ormond, till some method of establishing her in the world should occur. Unfortunately, just at the time when Mr. Hervey formed this plan, and before it was communicated to Mrs. Ormond, difficulties arose which prevented him from putting it into execution.

Whilst he had been engaged in the gay world at Lady Delacour's, his pupil had necessarily been left much to the management of Mrs. Ormond. This lady, with the best possible intentions, had not that reach of mind and variety of resource necessary to direct the exquisite sensibility and ardent imagination of Virginia: the solitude in which she lived added to the difficulty of the task. Without companions to interest her social affections, without real objects to occupy her senses and understanding, Virginia's mind was either perfectly indolent, or exalted by romantic views, and visionary ideas of happiness. As she had never seen any thing of society, all her notions were drawn from books; the severe restrictions which her grandmother had early laid upon the choice of these seemed to have awakened her curiosity, and to have increased her appetite for books—it was insatiable. Reading, indeed, was now almost her only pleasure; for Mrs. Ormond's conversation was seldom entertaining, and Virginia had no longer those occupations which filled a portion of her day at the cottage.

Mr. Hervey had cautioned Mrs. Ormond against putting common novels into her hands, but he made no objection to romances: these, he thought, breathed a spirit favourable to female virtue, exalted the respect for chastity, and inspired enthusiastic admiration of honour, generosity, truth, and all the noble qualities which dignify human nature. Virginia devoured these romances with the greatest eagerness; and Mrs. Ormond, who found her a prey to ennui when her fancy was not amused, indulged her taste; yet she strongly suspected that they contributed to increase her passion for the only man who could, in her imagination, represent a hero.

One night Virginia found, in Mrs. Ormond's room, a volume of St. Pierre's Paul and Virginia. She knew that her own name had been taken from this romance; Mr. Hervey had her picture painted in this character; and these circumstances strongly excited her curiosity to read the book. Mrs. Ormond could not refuse to let her have it; for, though it was not an ancient romance, it did not exactly come under the description of a common novel, and Mr. Hervey was not at hand to give his advice. Virginia sat down instantly to her volume, and never stirred from the spot till she had nearly finished it.

"What is it that strikes your fancy so much? What are you considering so deeply, my love?" said Mrs. Ormond, observing, that she seemed lost in thought. "Let us see, my dear," continued she, offering to take the hook, which hung from her hand. Virginia started from her reverie, but held the volume fast.—"Will not you let me read along with you?" said Mrs. Ormond. "Won't you let me share your pleasure?"

"It was not pleasure that I felt, I believe," said Virginia. "I would rather you should not see just that particular part that I was reading; and yet, if you desire it," added she, resigning the book reluctantly.

"What can make you so much afraid of me, my sweet girl?"

"I am not afraid of you—but—of myself," said Virginia, sighing.

Mrs. Ormond read the following passage:

"She thought of Paul's friendship, more pure than the waters of the fountain, stronger than the united palms, and sweeter than the perfume of flowers; and these images, in night and in solitude, gave double force to the passion which she nourished in her heart. She suddenly left the dangerous shades, and went to her mother, to seek protection against herself. She wished to reveal her distress to her; she pressed her hands, and the name of Paul was on her lips; but the oppression of her heart took away all utterance, and, laying her head upon her mother's bosom, she only wept."

"And am I not a mother to you, my beloved Virginia?" said Mrs. Ormond. "Though I cannot express my affection in such charming language as this, yet, believe me, no mother was ever fonder of a child."

Virginia threw her arms round Mrs. Ormond, and laid her head upon her friend's bosom, as if she wished to realize the illusion, and to be the Virginia of whom she had been reading.

"I know all you think, and all you feel: I know," whispered Mrs. Ormond, "the name that is on your lips."

"No, indeed, you do not; you cannot," cried Virginia, suddenly raising her head, and looking up in Mrs. Ormond's face, with surprise and timidity: "how could you possibly know all my thoughts and feelings? I never told them to you; for, indeed, I have only confused ideas floating in my imagination from the books I have been reading. I do not distinctly know my own feelings."

"This is all very natural, and a proof of your perfect innocence and simplicity, my child. But why did the passage you were reading just now strike you so much?"

"I was only considering," said Virginia, "whether it was the description of—love."

"And your heart told you that it was?"

"I don't know," said she, sighing. "But of this I am certain, that I had not the name, which you were thinking of, upon my lips."

Ah! thought Mrs. Ormond, she has not forgotten how I checked her sensibility some time ago. Poor girl! she is become afraid of me, and I have taught her to dissemble; but she betrays herself every moment.

"My dear," said Mrs. Ormond, "you need not fear me—I cannot blame you: in your situation, it is impossible that you could help loving Mr. Hervey."

"Is it?"

"Yes; quite impossible. So do not blame yourself for it."

"No, I do not blame myself for that. I only blame myself for not loving him enough, as I told you once before."

"Yes, my dear; and the oftener you tell me so, the more I am convinced of your affection. It is one of the strongest symptoms of love, that we are unconscious of its extent. We fancy that we can never do too much for the beloved object."

"That is exactly what I feel about Mr. Hervey."

"That we can never love him enough."

"Ah! that is precisely what I feel for Mr. Hervey."

"And what you ought—I mean, what it is natural you should feel; and what he will himself, I hope, indeed I dare say, some time or other wish, and be glad that you should feel."

"Some time or other! Does not he wish it now?"

"I—he—my dear, what a question is that? And how shall I answer it? We must judge of what he feels by what he expresses: when he expresses love for you, it will then be the time to show yours for him."

"He has always expressed love for me, I think," said Virginia—"always, till lately," continued she; "but lately he has been away so much, and when he comes home, he does not look so well pleased; so that I was afraid he was angry with me, and that he thought me ungrateful."

"Oh, my love, do not torment yourself with these vain fears! And yet I know that you cannot help it."

"Since you are so kind, so very kind to me," said Virginia, "I will tell you all my fears and doubts. But it is late—there! the clock struck one. I will not keep you up."

"I am not at all sleepy," said the indulgent Mrs. Ormond.

"Nor I," said Virginia,

"Now, then," said Mrs. Ormond, "for these doubts and fears."

"I was afraid that, perhaps, Mr. Hervey would be angry if he knew that I thought of any thing in the world but him."

"Of what else do you think?—Of nothing else from morning till night, that I can see."

"Ah, then you do not see into my mind. In the daytime often think of those heroes, those charming heroes, that I read of in the books you have given me."

"To be sure you do."

"And is not that wrong? Would not Mr. Hervey be displeased if he knew it?"

"Why should he?"

"Because they are not quite like him. I love some of them better than I do him, and he might think that ungrateful."

How naturally love inspires the idea of jealousy, thought Mrs. Ormond. "My dear," said she, "you carry your ideas of delicacy and gratitude to an extreme; but it is very natural you should: however, you need not be afraid; Mr. Hervey cannot be jealous of those charming heroes, that never existed, though they are not quite like him."

"I am very glad that he would not think me ungrateful—but if he knew that I dream of them sometimes?"

"He would think you dreamed, as all people do, of what they think of in the daytime."

"And he would not be angry? I am very glad of it. But I once saw a picture—"

"I know you did—well," said Mrs. Ormond, "and your grandmother was frightened because it was the picture of a man—hey? If she was not your grandmother, I should say that she was a simpleton. I assure you, Mr. Hervey is not like her, if that is what you mean to ask. He would not be angry at your having seen fifty pictures."

"I am glad of it—but I see it very often in my dreams."

"Well, if you had seen more pictures, you would not see this so often. It was the first you ever saw, and very naturally you remember it, Mr. Hervey would not be angry at that," said Mrs. Ormond, laughing.

"But sometimes, in my dreams, it speaks to me."

"And what does it say?"

"The same sort of things that those heroes I read of say to their mistresses."

"And do you never, in your dreams, hear Mr. Hervey say this sort of things?"

"No."

"And do you never see Mr. Hervey in these dreams?"

"Sometimes; but he does not speak to me; he does not look at me with the same sort of tenderness, and he does not throw himself at my feet."

"No; because he has never done all this in reality."

"No; and I wonder how I come to dream of such things."

"So do I; but you have read and thought of them, it is plain. Now go to sleep, there's my good girl; that is the best thing you can do at present—go to sleep."

It was not long after this conversation that Sir Philip Baddely and Mr. Rochfort scaled the garden wall, to obtain a sight of Clarence Hervey's mistress. Virginia was astonished, terrified, and disgusted, by their appearance; they seemed to her a species of animals for which she had no name, and of which she had no prototype in her imagination. That they were men she saw; but they were clearly not Clarence Herveys: they bore still less resemblance to the courteous knights of chivalry. Their language was so different from any of the books she had read, and any of the conversations she had heard, that they were scarcely intelligible. After they had forced themselves into her presence, they did not scruple to address her in the most unceremonious manner. Amongst other rude things, they said, "Damme, my pretty dear, you cannot love the man that keeps you prisoner in this manner, hey? Damme, you'd better come and live with one of us. You can't love this tyrant of a fellow."

"He is not a tyrant—I do love him as much as I detest you," cried Virginia, shrinking from him with looks of horror.

"Damme! good actress! Put her on the stage when he is tired of her. So you won't come with us?—Good bye, till we see you again. You're right, my girl, to be upon your good behaviour; may be you may get him to marry you, child!"

Virginia, upon hearing this speech, turned from the man who insulted her with a degree of haughty indignation, of which her gentle nature had never before appeared capable.

Mrs. Ormond hoped, that after the alarm was over, the circumstance would pass away from her pupil's mind; but on the contrary, it left the most forcible impression. Virginia became silent and melancholy, and whole hours were spent in reverie. Mrs. Ormond imagined, that notwithstanding Virginia's entire ignorance of the world, she had acquired from books sufficient knowledge to be alarmed at the idea of being taken for Clarence Hervey's mistress. She touched upon this subject with much delicacy, and the answers that she received confirmed her opinion. Virginia had been inspired by romances with the most exalted notions of female delicacy and honour! but from her perfect ignorance, these were rather vague ideas than principles of conduct.

"We shall see Mr. Hervey to-morrow; he has written me word that he will come from town, and spend the day with us."

"I shall be ashamed to see him after what has passed," said Virginia.

"You have no cause for shame, my dear; Mr. Hervey will try to discover the persons who insulted you, and he will punish them. They will never return here; you need not fear that. He is willing and able to protect you."

"Yes of that I am sure. But what did that strange man mean, when he said—"

"What, my dear?"

"That, perhaps, Mr. Hervey would marry me."

Virginia pronounced these words with difficulty. Mrs. Ormond was silent, for she was much embarrassed. Virginia having conquered her first difficulty, seemed resolute to obtain an answer.

"You do not speak to me! Will you not tell me, dear Mrs. Ormond," said she, hanging upon her fondly, "what did he mean?"

"What he said, I suppose."

"But he said, that if I behaved well, I might get Mr. Hervey to marry me. What did he mean by that?" said Virginia, in an accent of offended pride.

"He spoke very rudely and improperly; but it is not worth while to think of what he said, or what he meant."

"But, dear Mrs. Ormond, do not go away from me now: I never so much wished to speak to you in my whole life, and you turn away from me."

"Well, my love, well, what would you say?"

"Tell me one thing, only one thing, and you will set my heart at ease. Does Mr. Hervey wish me to be his wife?"

"I cannot tell you that, my dearest Virginia. Time will show us. Perhaps his heart has not yet decided."

"I wish it would decide," said Virginia, sighing deeply; "and I wish that strange man had not told me any thing about the matter; it has made me very unhappy."

She covered her eyes with her hand, but the tears trickled between her fingers, and rolled fast down her arm. Mrs. Ormond, quite overcome by the sight of her distress, was no longer able to keep the secret with which she had been entrusted by Clarence Hervey. And after all, thought she, Virginia will hear it from himself soon. I shall only spare her some unnecessary pain; it is cruel to see her thus, and to keep her in suspense. Besides, her weakness might be her ruin, in his opinion, if it were to extinguish all her energy, and deprive her of the very power of pleasing. How wan she looks, and how heavy are those sleepless eyes! She is not, indeed, in a condition to meet him, when he comes to us to-morrow: if she had some hopes, she would revive and appear with her natural ease and grace.

"My sweet child," said Mrs. Ormond, "I cannot bear to see you so melancholy; consider, Mr. Hervey will be with us to-morrow, and it will give him a great deal of pain to see you so."

"Will it? Then I will try to be very gay."

Mrs. Ormond was so delighted to see Virginia smile, that she could not forbear adding, "The strange man was not wrong in every thing he said; you will, one of these days, be Mr. Hervey's wife."

"That, I am sure," said Virginia, bursting again into tears, "that, I am sure, I do not wish, unless he does."

"He does, he does, my dear—do not let this delicacy of yours, which has been wound up too high, make you miserable. He thought of you, he loved you long and long ago."

"He is very good, too good," said Virginia, sobbing.

"Nay, what is more—for I can keep nothing from you—he has been educating you all this time on purpose for his wife, and he only waits till your education is finished, and till he is sure that you feel no repugnance for him."

"I should be very ungrateful if I felt any repugnance for him," said Virginia; "I feel none."

"Oh, that you need not assure me," said Mrs. Ormond.

"But I do not wish to marry him—I do not wish to marry."

"You are a modest girl to say so; and this modesty will make you ten times more amiable, especially in Mr. Hervey's eyes. Heaven forbid that I should lessen it!"

The next morning Virginia, who always slept in the same room with Mrs. Ormond, wakened her, by crying out in her sleep, with a voice of terror, "Oh, save him!—save Mr. Hervey!—Mr. Hervey!—forgive me! forgive me!"

Mrs. Ormond drew back the curtain, and saw Virginia lying fast asleep; her beautiful face convulsed with agony.

"He's dead!—Mr. Hervey!" cried she, in a voice of exquisite distress: then starting up, and stretching out her arms, she uttered a piercing cry, and awoke.

"My love, you have been dreaming frightfully," said Mrs. Ormond.

"Is it all a dream?" cried Virginia, looking round fearfully.

"All a dream, my dear!" said Mrs. Ormond, taking her hand.

"I am very, very glad of it!—Let me breathe. It was, indeed, a frightful dream!"

"Your hand still trembles," said Mrs. Ormond; "let me put back this hair from your poor face, and you will grow cool, and forget this foolish dream."

"No; I must tell it you. I ought to tell it you. But it was all so confused, I can recollect only some parts of it. First, I remember that I thought I was not myself, but the Virginia that we were reading of the other night; and I was somewhere in the Isle of France. I thought the place was something like the forest where my grandmother's cottage used to be, only there were high mountains and rocks, and cocoa-trees and plantains."

"Such as you saw in the prints of that book?"

"Yes; only beautiful, beautiful beyond description! And it was moonlight, brighter and clearer than any moonlight I ever before had seen; and the air was fresh yet perfumed; and I was seated under the shade of a plane-tree, beside Virginia's fountain."

"Just as you are in your picture?"

"Yes: but Paul was seated beside me."

"Paul!" said Mrs. Ormond, smiling: "that is Mr. Hervey."

"No; not Mr. Hervey's face, though it spoke with his voice—this is what I thought that I must tell you. It was another figure: it seemed a real living person: it knelt at my feet, and spoke to me so kindly, so tenderly; and just as it was going to kiss my hand, Mr. Hervey appeared, and I started terribly, for I was afraid he would be displeased, and that he would think me ungrateful; and he was displeased, and he called me ungrateful Virginia, and frowned, and then I gave him my hand, and then every thing changed, I do not know how suddenly, and I was in a place like the great print of the cathedral, which Mr. Hervey showed me; and there were crowds of people—I was almost stifled. You pulled me on, as I remember; and Mr. Moreton was there, standing upon some steps by what you called the altar; and then we knelt down before him, and Mr. Hervey was putting a ring on my finger; but there came suddenly from the crowd that strange man, who was here the other day, and he dragged me along with him, I don't know how or where, swiftly down precipices, whilst I struggled, and at last fell. Then all changed again, and I was in a magnificent field, covered with cloth of gold, and there were beautiful ladies seated under canopies; and I thought it was a tournament, such as I have read of, only more splendid; and two knights, clad in complete armour, and mounted on fiery steeds, were engaged in single combat; and they fought furiously, and I thought they were fighting for me. One of the knights wore black plumes in his helmet, and the other white; and, as he was passing by me, the vizor of the knight of the white plumes was raised, and I saw it was—"

"Clarence Hervey?" said Mrs. Ormond.

"No; still the same figure that knelt to me; and I wished him to be victorious. And he was victorious. And he unhorsed his adversary, and stood over him with his drawn sword; and then I saw that the knight in the black plumes was Mr. Hervey, and I ran to save him, but I could not. I saw him weltering in his blood, and I heard him say, 'Perfidious, ungrateful Virginia! you are the cause of my death!'—and I screamed, I believe, and that awakened me."

"Well, it is only a dream, my love," said Mrs. Ormond; "Mr. Hervey is safe: get up and dress yourself, and you will soon see him."

"But was it not wrong and ungrateful to wish that the knight in the white plumes should be victorious?"

"Your poor little head is full of nothing but these romances, and love for Mr. Hervey. It is your love for him that makes you fear that he will be jealous. But he is not so simple as you are. He will forgive you for wishing that the knight in the white plumes should be victorious, especially as you did not know that the other knight was Mr. Hervey. Come, my love, dress yourself, and think no more of these foolish dreams, and all will go well."



CHAPTER XXVII

A DISCOVERY.

Instead of the open, childish, affectionate familiarity with which Virginia used to meet Clarence Hervey, she now received him with reserved, timid embarrassment. Struck by this change in her manner, and alarmed by the dejection of her spirits, which she vainly strove to conceal, he eagerly inquired, from Mrs. Ormond, into the cause of this alteration.

Mrs. Ormond's answers, and her account of all that had passed during his absence, increased his anxiety. His indignation was roused by the insult which Virginia had been offered by the strangers who had scaled the garden-wall. All his endeavours to discover who they were proved ineffectual; but, lest they should venture to repeat their visit, he removed her from Windsor, and took her directly to Twickenham. Here he stayed with her and Mrs. Ormond some days, to determine, by his own observation, how far the representations that had been made to him were just. Till this period he had been persuaded that Virginia's regard for him was rather that of gratitude than of love; and with this opinion, he thought that he had no reason seriously to reproach himself for the imprudence with which he had betrayed the partiality that he felt for her in the beginning of their acquaintance. He flattered himself that even should she have discerned his intentions, her heart would not repine at any alteration in his sentiments; and if her happiness were uninjured, his reason told him that he was not in honour bound to constancy. The case was now altered. Unwilling as he was to believe, he could no longer doubt. Virginia could neither meet his eyes nor speak to him without a degree of embarrassment which she had not sufficient art to conceal: she trembled whenever he came near her, and if he looked grave, or forbore to take notice of her, she would burst into tears. At other times, contrary to the natural indolence of her character, she would exert herself to please him with surprising energy: she learned every thing that he wished; her capacity seemed suddenly to unfold. For an instant, Clarence flattered himself that both her fits of melancholy and of exertion might arise from a secret desire to see something of that world from which she had been secluded. One day he touched upon this subject, to see what effect it would produce; but, contrary to his expectations, she seemed to have no desire to quit her retirement: she did not wish, she said, for amusements such as he described; she did not wish to go into the world.

It was during the time of his passion for her that Clarence had her picture painted in the character of St. Pierre's Virginia. It happened to be in the room in which they were now conversing, and when she spoke of loving a life of retirement, Clarence accidentally cast his eyes upon the picture, and then upon Virginia. She turned away—sighed deeply; and when, in a tone of kindness, he asked her if she were unhappy, she hid her face in her hands, and made no answer.

Mr. Hervey could not be insensible to her distress or to her delicacy. He saw her bloom fading daily, her spirits depressed, her existence a burden to her, and he feared that his own imprudence had been the cause of all this misery.

"I have taken her out of a situation in which she might have spent her life usefully and happily; I have excited false hopes in her mind, and now she is a wretched and useless being. I have won her affections; her happiness depends totally upon me; and can I forsake her? Mrs. Ormond says, that she is convinced Virginia would not survive the day of my marriage with another. I am not disposed to believe that girls often die or destroy themselves for love; nor am I a coxcomb enough to suppose that love for me must be extraordinarily desperate. But here's a girl, who is of a melancholy temperament, who has a great deal of natural sensibility, whose affections have all been concentrated, who has lived in solitude, whose imagination has dwelt, for a length of time, upon a certain set of ideas, who has but one object of hope; in such a mind, and in such circumstances, passion may rise to a paroxysm of despair."

Pity, generosity, and honour, made him resolve not to abandon this unfortunate girl; though he felt that every time he saw Virginia, his love for Belinda increased. It was this struggle in his mind betwixt love and honour which produced all the apparent inconsistency and irresolution that puzzled Lady Delacour and perplexed Belinda. The lock of beautiful hair, which so unluckily fell at Belinda's feet, was Virginia's; he was going to take it to the painter, who had made the hair in her picture considerably too dark. How this picture got into the exhibition must now be explained.

Whilst Mr. Hervey's mind was in that painful state of doubt which has just been described, a circumstance happened that promised him some relief from his embarrassment. Mr. Moreton, the clergyman who used to read prayers every Sunday for Mrs. Ormond and Virginia, did not come one Sunday at the usual time: the next morning he called on Mr. Hervey, with a face that showed he had something of importance to communicate.

"I have hopes, my dear Clarence," said he, "that I have found out your Virginia's father. Yesterday, a musical friend of mine persuaded me to go with him to hear the singing at the Asylum for children in St. George's Fields. There is a girl there who has indeed a charming voice—but that's not to the present purpose. After church was over, I happened to be one of the last that stayed; for I am too old to love bustling through a crowd. Perhaps, as you are impatient, you think that's nothing to the purpose; and yet it is, as you shall hear. When the congregation had almost left the church, I observed that the children of the Asylum remained in their places, by order of one of the governors; and a middle-aged gentleman went round amongst the elder girls, examined their countenances with care, and inquired with much anxiety their ages, and every particular relative to their parents. The stranger held a miniature picture in his hand, with which he compared each face. I was not near enough to him," continued Mr. Moreton, "to see the miniature distinctly: but from the glimpse I caught of it, I thought that it was like your Virginia, though it seemed to be the portrait of a child but four or five years old. I understand that this gentleman will be at the Asylum again next Sunday; I heard him express a wish to see some of the girls who happened last Sunday to be absent."

"Do you know this gentleman's name, or where he lives?" said Clarence.

"I know nothing of him," replied Mr. Moreton, "except that he seems fond of painting; for he told one of the directors, who was looking at his miniature, that it was remarkably well painted, and that, in his happier days, he had been something of a judge of the art."

Impatient to see the stranger, who, he did not doubt, was Virginia's father, Clarence Hervey went the next Sunday to the Asylum; but no such gentleman appeared, and all that he could learn respecting him was, that he had applied to one of the directors of the institution for leave to see and question the girls, in hopes of finding amongst them his lost daughter; that in the course of the week, he had seen all those who were not at the church the last Sunday. None of the directors knew any thing more concerning him; but the porter remarked, that he came in a very handsome coach, and one of the girls of the Asylum said that he gave her half a guinea, because she was a little like his poor Rachel, who was dead; but that he had added, with a sigh, "This cannot be my daughter, for she is only thirteen, and my girl, if she be now living, must be nearly eighteen."

The age, the name, every circumstance confirmed Mr. Hervey in the belief that this stranger was the father of Virginia, and he was disappointed and provoked by having missed the opportunity of seeing or speaking to him. It occurred to Clarence that the gentleman might probably visit the Foundling Hospital, and thither he immediately went, to make inquiries. He was told that a person, such as he described, had been there about a month before, and had compared the face of the oldest girls with a little picture of a child: that he gave money to several of the girls, but that they did not know his name, or any thing more about him.

Mr. Hervey now inserted proper advertisements in all the papers, but without producing any effect. At last, recollecting what Mr. Moreton told him of the stranger's love of pictures, he determined to put his portrait of Virginia into the exhibition, in hopes that the gentleman might go there and ask some questions about it, which might lead to a discovery. The young artist, who had painted this picture, was under particular obligations to Clarence, and he promised that he would faithfully comply with his request, to be at Somerset-house regularly every morning, as soon as the exhibition opened; that he would stay there till it closed, and watch whether any of the spectators were particularly struck with the portrait of Virginia. If any person should ask questions respecting the picture, he was to let Mr. Hervey know immediately, and to give the inquirer his address.

Now it happened that the very day when Lady Delacour and Belinda were at the exhibition, the painter called Clarence aside, and informed him that a gentleman had just inquired from him very eagerly, whether the picture of Virginia was a portrait. This gentleman proved to be not the stranger who had been at the Asylum, but an eminent jeweller, who told Mr. Hervey that his curiosity about the picture arose merely from its striking likeness to a miniature, which had been lately left at his house to be new set. It belonged to a Mr. Hartley, a gentleman who had made a considerable fortune in the West Indies, but who was prevented from enjoying his affluence by the loss of an only daughter, of whom the miniature was a portrait, taken when she was not more than four or five years old. When Clarence heard all this, he was extremely impatient to know where Mr. Hartley was to be found; but the jeweller could only tell him that the miniature had been called for the preceding day by Mr. Hartley's servant, who said his master was leaving town in a great hurry to go to Portsmouth, to join the West India fleet, which was to sail with the first favourable wind.

Clarence determined immediately to follow him to Portsmouth: he had not a moment to spare, for the wind was actually favourable, and his only chance of seeing Mr. Hartley was by reaching Portsmouth as soon as possible. This was the cause of his taking leave of Belinda in such an abrupt manner: painful indeed were his feelings at that moment, and great the difficulty he felt in parting with her, without giving any explanation of his conduct, which must have appeared to her capricious and mysterious. He was aware that he had explicitly avowed to Lady Delacour his admiration of Miss Portman, and that in a thousand instances he had betrayed his passion. Yet of her love he dared not trust himself to think, whilst his affairs were in this doubtful state. He had, it is true, some faint hopes that a change in Virginia's situation might produce an alteration in her sentiments, and he resolved to decide his own conduct by the manner in which she should behave, if her father should be found, and she should become heiress to a considerable fortune. New views might then open to her imagination: the world, the fashionable world, in all its glory, would be before her; her beauty and fortune would attract a variety of admirers, and Clarence thought that perhaps her partiality for him might become less exclusive, when she had more opportunities of choice. If her love arose merely from circumstances, with circumstances it would change; if it were only a disease of the imagination, induced by her seclusion from society, it might be cured by mixing with the world; and then he should be at liberty to follow the dictates of his own heart, and declare his attachment to Belinda. But if he should find that change of situation made no alteration in Virginia's sentiments, if her happiness should absolutely depend upon the realization of those hopes which he had imprudently excited, he felt that he should be bound to her by all the laws of justice and honour; laws which no passion could tempt him to break. Full of these ideas, he hurried to Portsmouth in pursuit of Virginia's father. The first question he asked, upon his arrival there, may easily be guessed.

"Has the West India fleet sailed?"

"No: it sails to-morrow morning," was the answer.

He hastened instantly to make inquiries for Mr. Hartley. No such person could be found, no such gentleman was to be heard of any where. Hartley, he was sure, was the name which the jeweller mentioned to him, but it was in vain that he repeated it; no Mr. Hartley was to be heard of at Portsmouth, except a pawnbroker. At last, a steward of one of the West Indiamen recollected that a gentleman of that name came over with him in the Effingham, and that he talked of returning in the same vessel to the West Indies, if he should ever leave England again.

"But we have heard nothing of him since, sir," said the steward. "No passage is taken for him with us."

"And my life to a china orange," cried a sailor who was standing by, "he's gone to kingdom come, or more likely to Bedlam, afore this; for he was plaguy crazy in his timbers, and his head wanted righting, I take it, if it was he, Jack, who used to walk the deck, you know, with a bit of a picture in his hand, to which he seemed to be mumbling his prayers from morning to night. There's no use in sounding for him, master; he's down in Davy's locker long ago, or stowed into the tight waistcoat before this time o'day."

Notwithstanding this knowing sailor's opinion, Clarence would not desist from his sounding; because having so lately heard of him at different places, he could not believe that he was gone either into Davy's locker or to Bedlam. He imagined that, by some accident, Mr. Hartley had been detained upon the road to Portsmouth; and in the expectation that he would certainly arrive before the fleet should sail, Clarence waited with tolerable patience. He waited, however, in vain; he saw the Effingham and the whole fleet sail—no Mr. Hartley arrived. As he hailed one of the boats of the Effingham, which was rowing out with some passengers, who had been too late to get on board, his friend the sailor answered, "We've no crazy man here: I told you, master, he'd never go out no more in the Effingham. He's where I said, master, you'll find, or nowhere."

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