"Pigeon" McCarthy, Black Riley, and "One-ear" Mike held a hasty converse outside Grogan's. They were narrow-chested, pallid striplings, not fighters in the open, but more dangerous in their ways of warfare than the most terrible of Turks. Fuzzy, in a pitched battle, could have eaten the three of them. In a go-as-you-please encounter he was already doomed.

They overtook him just as he and Betsy were entering Costigan's Casino. They deflected him, and shoved the newspaper under his nose. Fuzzy could read—and more.

"Boys," said he, "you are certainly damn true friends. Give me a week to think it over."

The soul of a real artist is quenched with difficulty.

The boys carefully pointed out to him that advertisements were soulless, and that the deficiencies of the day might not be supplied by the morrow.

"A cool hundred," said Fuzzy thoughtfully and mushily.

"Boys," said he, "you are true friends. I'll go up and claim the reward. The show business is not what it used to be."

Night was falling more surely. The three tagged at his sides to the foot of the rise on which stood the Millionaire's house. There Fuzzy turned upon them acrimoniously.

"You are a pack of putty-faced beagle-hounds," he roared. "Go away."

They went away—a little way.

In "Pigeon" McCarthy's pocket was a section of one-inch gas-pipe eight inches long. In one end of it and in the middle of it was a lead plug. One-half of it was packed tight with solder. Black Riley carried a slung-shot, being a conventional thug. "One-ear" Mike relied upon a pair of brass knucks—an heirloom in the family.

"Why fetch and carry," said Black Riley, "when some one will do it for ye? Let him bring it out to us. Hey—what?"

"We can chuck him in the river," said "Pigeon" McCarthy, "with a stone tied to his feet."

"Youse guys make me tired," said "One-ear" Mike sadly. "Ain't progress ever appealed to none of yez? Sprinkle a little gasoline on 'im, and drop 'im on the Drive—well?"

Fuzzy entered the Millionaire's gate and zigzagged toward the softly glowing entrance of the mansion. The three goblins came up to the gate and lingered—one on each side of it, one beyond the roadway. They fingered their cold metal and leather, confident.

Fuzzy rang the door-bell, smiling foolishly and dreamily. An atavistic instinct prompted him to reach for the button of his right glove. But he wore no gloves; so his left hand dropped, embarrassed.

The particular menial whose duty it was to open doors to silks and laces shied at first sight of Fuzzy. But a second glance took in his passport, his card of admission, his surety of welcome—the lost rag-doll of the daughter of the house dangling under his arm.

Fuzzy was admitted into a great hall, dim with the glow from unseen lights. The hireling went away and returned with a maid and the Child. The doll was restored to the mourning one. She clasped her lost darling to her breast; and then, with the inordinate selfishness and candor of childhood, stamped her foot and whined hatred and fear of the odious being who had rescued her from the depths of sorrow and despair. Fuzzy wriggled himself into an ingratiatory attitude and essayed the idiotic smile and blattering small talk that is supposed to charm the budding intellect of the young. The Child bawled, and was dragged away, hugging her Betsy close.

There came the Secretary, pale, poised, polished, gliding in pumps, and worshipping pomp and ceremony. He counted out into Fuzzy's hand ten ten-dollar bills; then dropped his eye upon the door, transferred it to James, its custodian, indicated the obnoxious earner of the reward with the other, and allowed his pumps to waft him away to secretarial regions.

James gathered Fuzzy with his own commanding optic and swept him as far as the front door.

When the money touched fuzzy's dingy palm his first instinct was to take to his heels; but a second thought restrained him from that blunder of etiquette. It was his; it had been given him. It—and, oh, what an elysium it opened to the gaze of his mind's eye! He had tumbled to the foot of the ladder; he was hungry, homeless, friendless, ragged, cold, drifting; and he held in his hand the key to a paradise of the mud-honey that he craved. The fairy doll had waved a wand with her rag-stuffed hand; and now wherever he might go the enchanted palaces with shining foot-rests and magic red fluids in gleaming glassware would be open to him.

He followed James to the door.

He paused there as the flunky drew open the great mahogany portal for him to pass into the vestibule.

Beyond the wrought-iron gates in the dark highway Black Riley and his two pals casually strolled, fingering under their coats the inevitably fatal weapons that were to make the reward of the rag-doll theirs.

Fuzzy stopped at the Millionaire's door and bethought himself. Like little sprigs of mistletoe on a dead tree, certain living green thoughts and memories began to decorate his confused mind. He was quite drunk, mind you, and the present was beginning to fade. Those wreaths and festoons of holly with their scarlet berries making the great hall gay—where had he seen such things before? Somewhere he had known polished floors and odors of fresh flowers in winter, and—and some one was singing a song in the house that he thought he had heard before. Some one singing and playing a harp. Of course, it was Christmas—Fuzzy though he must have been pretty drunk to have overlooked that.

And then he went out of the present, and there came back to him out of some impossible, vanished, and irrevocable past a little, pure-white, transient, forgotten ghost—the spirit of noblesse oblige. Upon a gentleman certain things devolve.

James opened the outer door. A stream of light went down the graveled walk to the iron gate. Black Riley, McCarthy, and "One-ear" Mike saw, and carelessly drew their sinister cordon closer about the gate.

With a more imperious gesture than James's master had ever used or could ever use, Fuzzy compelled the menial to close the door. Upon a gentleman certain things devolve. Especially at the Christmas season.

"It is cust—customary," he said to James, the flustered, "when a gentleman calls on Christmas Eve to pass the compliments of the season with the lady of the house. You und'stand? I shall not move shtep till I pass compl'ments season with lady the house. Und'stand?"

There was an argument. James lost. Fuzzy raised his voice and sent it through the house unpleasantly. I did not say he was a gentleman. He was simply a tramp being visited by a ghost.

A sterling silver bell rang. James went back to answer it, leaving Fuzzy in the hall. James explained somewhere to some one.

Then he came and conducted Fuzzy into the library.

The lady entered a moment later. She was more beautiful and holy than any picture that Fuzzy had seen. She smiled, and said something about a doll. Fuzzy didn't understand that; he remembered nothing about a doll.

A footman brought in two small glasses of sparkling wine on a stamped sterling-silver waiter. The Lady took one. The other was handed to Fuzzy.

As his fingers closed on the slender glass stem his disabilities dropped from him for one brief moment. He straightened himself; and Time, so disobliging to most of us, turned backward to accommodate Fuzzy.

Forgotten Christmas ghosts whiter than the false beards of the most opulent Kris Kringle were rising in the fumes of Grogan's whisky. What had the Millionaire's mansion to do with a long, wainscoted Virginia hall, where the riders were grouped around a silver punch-bowl, drinking the ancient toast of the House? And why should the patter of the cab horses' hoofs on the frozen street be in any wise related to the sound of the saddled hunters stamping under the shelter of the west veranda? And what had Fuzzy to do with any of it?

The Lady, looking at him over her glass, let her condescending smile fade away like a false dawn. Her eyes turned serious. She saw something beneath the rags and Scotch terrier whiskers that she did not understand. But it did not matter.

Fuzzy lifted his glass and smiled vacantly.

"P-pardon, lady," he said, "but couldn't leave without exchangin' comp'ments sheason with lady th' house. 'Gainst princ'ples gen'leman do sho."

And then he began the ancient salutation that was a tradition in the House when men wore lace ruffles and powder.

"The blessings of another year—"

Fuzzy's memory failed him. The Lady prompted:

"—Be upon this hearth."

"—The guest—" stammered Fuzzy.

"—And upon her who—" continued the Lady, with a leading smile.

"Oh, cut it out," said Fuzzy, ill-manneredly. "I can't remember. Drink hearty."

Fuzzy had shot his arrow. They drank. The Lady smiled again the smile of her caste. James enveloped and re-conducted him toward the front door. The harp music still softly drifted through the house.

Outside, Black Riley breathed on his cold hands and hugged the gate.

"I wonder," said the Lady to herself, musing, "who—but there were so many who came. I wonder whether memory is a curse or a blessing to them after they have fallen so low."

Fuzzy and his escort were nearly at the door. The Lady called: "James!"

James stalked back obsequiously, leaving Fuzzy waiting unsteadily, with his brief spark of the divine fire gone.

Outside, Black Riley stamped his cold feet and got a firmer grip on his section of gas-pipe.

"You will conduct this gentleman," said the lady, "Downstairs. Then tell Louis to get out the Mercedes and take him to whatever place he wishes to go."



XVII

A NIGHT IN NEW ARABIA

The great city of Bagdad-on-the-Subway is caliph-ridden. Its palaces, bazaars, khans, and byways are thronged with Al Rashids in divers disguises, seeking diversion and victims for their unbridled generosity. You can scarcely find a poor beggar whom they are willing to let enjoy his spoils unsuccored, nor a wrecked unfortunate upon whom they will not reshower the means of fresh misfortune. You will hardly find anywhere a hungry one who has not had the opportunity to tighten his belt in gift libraries, nor a poor pundit who has not blushed at the holiday basket of celery-crowned turkey forced resoundingly through his door by the eleemosynary press.

So then, fearfully through the Harun-haunted streets creep the one-eyed calenders, the Little Hunchback and the Barber's Sixth Brother, hoping to escape the ministrations of the roving horde of caliphoid sultans.

Entertainment for many Arabian nights might be had from the histories of those who have escaped the largesse of the army of Commanders of the Faithful. Until dawn you might sit on the enchanted rug and listen to such stories as are told of the powerful genie Roc-Ef-El-Er who sent the Forty Thieves to soak up the oil plant of Ali Baba; of the good Caliph Kar-Neg-Ghe, who gave away palaces; of the Seven Voyages of Sailbad, the Sinner, who frequented wooden excursion steamers among the islands; of the Fisherman and the Bottle; of the Barmecides' Boarding house; of Aladdin's rise to wealth by means of his Wonderful Gas-meter.

But now, there being ten sultans to one Sheherazade, she is held too valuable to be in fear of the bowstring. In consequence the art of narrative languishes. And, as the lesser caliphs are hunting the happy poor and the resigned unfortunate from cover to cover in order to heap upon them strange mercies and mysterious benefits, too often comes the report from Arabian headquarters that the captive refused "to talk."

This reticence, then, in the actors who perform the sad comedies of their philanthropy-scourged world, must, in a degree, account for the shortcomings of this painfully gleaned tale, which shall be called

THE STORY OF THE CALIPH WHO ALLEVIATED HIS CONSCIENCE

Old Jacob Spraggins mixed for himself some Scotch and lithia water at his $1,200 oak sideboard. Inspiration must have resulted from its imbibition, for immediately afterward he struck the quartered oak soundly with his fist and shouted to the empty dining room:

"By the coke ovens of hell, it must be that ten thousand dollars! If I can get that squared, it'll do the trick."

Thus, by the commonest artifice of the trade, having gained your interest, the action of the story will now be suspended, leaving you grumpily to consider a sort of dull biography beginning fifteen years before.

When old Jacob was young Jacob he was a breaker boy in a Pennsylvania coal mine. I don't know what a breaker boy is; but his occupation seems to be standing by a coal dump with a wan look and a dinner-pail to have his picture taken for magazine articles. Anyhow, Jacob was one. But, instead of dying of overwork at nine, and leaving his helpless parents and brothers at the mercy of the union strikers' reserve fund, he hitched up his galluses, put a dollar or two in a side proposition now and then, and at forty-five was worth $20,000,000.

There now! it's over. Hardly had time to yawn, did you? I've seen biographies that—but let us dissemble.

I want you to consider Jacob Spraggins, Esq., after he had arrived at the seventh stage of his career. The stages meant are, first, humble origin; second, deserved promotion; third, stockholder; fourth, capitalist; fifth, trust magnate; sixth, rich malefactor; seventh, caliph; eighth, x. The eighth stage shall be left to the higher mathematics.

At fifty-five Jacob retired from active business. The income of a czar was still rolling in on him from coal, iron, real estate, oil, railroads, manufactories, and corporations, but none of it touched Jacob's hands in a raw state. It was a sterilized increment, carefully cleaned and dusted and fumigated until it arrived at its ultimate stage of untainted, spotless checks in the white fingers of his private secretary. Jacob built a three-million-dollar palace on a corner lot fronting on Nabob Avenue, city of New Bagdad, and began to feel the mantle of the late H. A. Rashid descending upon him. Eventually Jacob slipped the mantle under his collar, tied it in a neat four-in-hand, and became a licensed harrier of our Mesopotamian proletariat.

When a man's income becomes so large that the butcher actually sends him the kind of steak he orders, he begins to think about his soul's salvation. Now, the various stages or classes of rich men must not be forgotten. The capitalist can tell you to a dollar the amount of his wealth. The trust magnate "estimates" it. The rich malefactor hands you a cigar and denies that he has bought the P. D. & Q. The caliph merely smiles and talks about Hammerstein and the musical lasses. There is a record of tremendous altercation at breakfast in a "Where-to-Dine-Well" tavern between a magnate and his wife, the rift within the loot being that the wife calculated their fortune at a figure $3,000,000 higher than did her future divorce. Oh, well, I, myself, heard a similar quarrel between a man and his wife because he found fifty cents less in his pockets than he thought he had. After all, we are all human—Count Tolstoi, R. Fitzsimmons, Peter Pan, and the rest of us.

Don't lose heart because the story seems to be degenerating into a sort of moral essay for intellectual readers.

There will be dialogue and stage business pretty soon.

When Jacob first began to compare the eyes of needles with the camels in the Zoo he decided upon organized charity. He had his secretary send a check for one million to the Universal Benevolent Association of the Globe. You may have looked down through a grating in front of a decayed warehouse for a nickel that you had dropped through. But that is neither here nor there. The Association acknowledged receipt of his favor of the 24th ult. with enclosure as stated. Separated by a double line, but still mighty close to the matter under the caption of "Oddities of the Day's News" in an evening paper, Jacob Spraggins read that one "Jasper Spargyous" had "donated $100,000 to the U. B. A. of G." A camel may have a stomach for each day in the week; but I dare not venture to accord him whiskers, for fear of the Great Displeasure at Washington; but if he have whiskers, surely not one of them will seem to have been inserted in the eye of a needle by that effort of that rich man to enter the K. of H. The right is reserved to reject any and all bids; signed, S. Peter, secretary and gatekeeper.

Next, Jacob selected the best endowed college he could scare up and presented it with a $200,000 laboratory. The college did not maintain a scientific course, but it accepted the money and built an elaborate lavatory instead, which was no diversion of funds so far as Jacob ever discovered.

The faculty met and invited Jacob to come over and take his A B C degree. Before sending the invitation they smiled, cut out the C, added the proper punctuation marks, and all was well.

While walking on the campus before being capped and gowned, Jacob saw two professors strolling nearby. Their voices, long adapted to indoor acoustics, undesignedly reached his ear.

"There goes the latest chevalier d'industrie," said one of them, "to buy a sleeping powder from us. He gets his degree to-morrow."

"In foro conscientiae," said the other. "Let's 'eave 'arf a brick at 'im."

Jacob ignored the Latin, but the brick pleasantry was not too hard for him. There was no mandragora in the honorary draught of learning that he had bought. That was before the passage of the Pure Food and Drugs Act.

Jacob wearied of philanthropy on a large scale.

"If I could see folks made happier," he said to himself—"If I could see 'em myself and hear 'em express their gratitude for what I done for 'em it would make me feel better. This donatin' funds to institutions and societies is about as satisfactory as dropping money into a broken slot machine."

So Jacob followed his nose, which led him through unswept streets to the homes of the poorest.

"The very thing!" said Jacob. "I will charter two river steamboats, pack them full of these unfortunate children and—say ten thousand dolls and drums and a thousand freezers of ice cream, and give them a delightful outing up the Sound. The sea breezes on that trip ought to blow the taint off some of this money that keeps coming in faster than I can work it off my mind."

Jacob must have leaked some of his benevolent intentions, for an immense person with a bald face and a mouth that looked as if it ought to have a "Drop Letters Here" sign over it hooked a finger around him and set him in a space between a barber's pole and a stack of ash cans. Words came out of the post-office slit—smooth, husky words with gloves on 'em, but sounding as if they might turn to bare knuckles any moment.

"Say, Sport, do you know where you are at? Well, dis is Mike O'Grady's district you're buttin' into—see? Mike's got de stomach-ache privilege for every kid in dis neighborhood—see? And if dere's any picnics or red balloons to be dealt out here, Mike's money pays for 'em—see? Don't you butt in, or something'll be handed to you. Youse d—— settlers and reformers with your social ologies and your millionaire detectives have got dis district in a hell of a fix, anyhow. With your college students and professors rough-housing de soda-water stands and dem rubber-neck coaches fillin' de streets, de folks down here are 'fraid to go out of de houses. Now, you leave 'em to Mike. Dey belongs to him, and he knows how to handle 'em. Keep on your own side of de town. Are you some wiser now, uncle, or do you want to scrap wit' Mike O'Grady for de Santa Claus belt in dis district?"

Clearly, that spot in the moral vineyard was preempted. So Caliph Spraggins menaced no more the people in the bazaars of the East Side. To keep down his growing surplus he doubled his donations to organized charity, presented the Y. M. C. A. of his native town with a $10,000 collection of butterflies, and sent a check to the famine sufferers in China big enough to buy new emerald eyes and diamond-filled teeth for all their gods. But none of these charitable acts seemed to bring peace to the caliph's heart. He tried to get a personal note into his benefactions by tipping bellboys and waiters $10 and $20 bills. He got well snickered at and derided for that by the minions who accept with respect gratuities commensurate to the service performed. He sought out an ambitious and talented but poor young woman, and bought for her the star part in a new comedy. He might have gotten rid of $50,000 more of his cumbersome money in this philanthropy if he had not neglected to write letters to her. But she lost the suit for lack of evidence, while his capital still kept piling up, and his optikos needleorum camelibus—or rich man's disease—was unrelieved.

In Caliph Spraggins's $3,000,000 home lived his sister Henrietta, who used to cook for the coal miners in a twenty-five-cent eating house in Coketown, Pa., and who now would have offered John Mitchell only two fingers of her hand to shake. And his daughter Celia, nineteen, back from boarding-school and from being polished off by private instructors in the restaurant languages and those etudes and things.

Celia is the heroine. Lest the artist's delineation of her charms on this very page humbug your fancy, take from me her authorized description. She was a nice-looking, awkward, loud, rather bashful, brown-haired girl, with a sallow complexion, bright eyes, and a perpetual smile. She had a wholesome, Spraggins-inherited love for plain food, loose clothing, and the society of the lower classes. She had too much health and youth to feel the burden of wealth. She had a wide mouth that kept the peppermint-pepsin tablets rattling like hail from the slot-machine wherever she went, and she could whistle hornpipes. Keep this picture in mind; and let the artist do his worst.

Celia looked out of her window one day and gave her heart to the grocer's young man. The receiver thereof was at that moment engaged in conceding immortality to his horse and calling down upon him the ultimate fate of the wicked; so he did not notice the transfer. A horse should stand still when you are lifting a crate of strictly new-laid eggs out of the wagon.

Young lady reader, you would have liked that grocer's young man yourself. But you wouldn't have given him your heart, because you are saving it for a riding-master, or a shoe-manufacturer with a torpid liver, or something quiet but rich in gray tweeds at Palm Beach. Oh, I know about it. So I am glad the grocer's young man was for Celia, and not for you.

The grocer's young man was slim and straight and as confident and easy in his movements as the man in the back of the magazines who wears the new frictionless roller suspenders. He wore a gray bicycle cap on the back of his head, and his hair was straw-colored and curly, and his sunburned face looked like one that smiled a good deal when he was not preaching the doctrine of everlasting punishment to delivery-wagon horses. He slung imported A1 fancy groceries about as though they were only the stuff he delivered at boarding-houses; and when he picked up his whip, your mind instantly recalled Mr. Tackett and his air with the buttonless foils.

Tradesmen delivered their goods at a side gate at the rear of the house. The grocer's wagon came about ten in the morning. For three days Celia watched the driver when he came, finding something new each time to admire in the lofty and almost contemptuous way he had of tossing around the choicest gifts of Pomona, Ceres, and the canning factories. Then she consulted Annette.

To be explicit, Annette McCorkle, the second housemaid who deserves a paragraph herself. Annette Fletcherized large numbers of romantic novels which she obtained at a free public library branch (donated by one of the biggest caliphs in the business). She was Celia's side-kicker and chum, though Aunt Henrietta didn't know it, you may hazard a bean or two.

"Oh, canary-bird seed!" exclaimed Annette. "Ain't it a corkin' situation? You a heiress, and fallin' in love with him on sight! He's a sweet boy, too, and above his business. But he ain't susceptible like the common run of grocer's assistants. He never pays no attention to me."

"He will to me," said Celia.

"Riches—" began Annette, unsheathing the not unjustifiable feminine sting.

"Oh, you're not so beautiful," said Celia, with her wide, disarming smile. "Neither am I; but he sha'n't know that there's any money mixed up with my looks, such as they are. That's fair. Now, I want you to lend me one of your caps and an apron, Annette."

"Oh, marshmallows!" cried Annette. "I see. Ain't it lovely? It's just like 'Lurline, the Left-Handed; or, A Buttonhole Maker's Wrongs.' I'll bet he'll turn out to be a count."

There was a long hallway (or "passageway," as they call it in the land of the Colonels) with one side latticed, running along the rear of the house. The grocer's young man went through this to deliver his goods. One morning he passed a girl in there with shining eyes, sallow complexion, and wide, smiling mouth, wearing a maid's cap and apron. But as he was cumbered with a basket of Early Drumhead lettuce and Trophy tomatoes and three bunches of asparagus and six bottles of the most expensive Queen olives, he saw no more than that she was one of the maids.

But on his way out he came up behind her, and she was whistling "Fisher's Hornpipe" so loudly and clearly that all the piccolos in the world should have disjointed themselves and crept into their cases for shame.

The grocer's young man stopped and pushed back his cap until it hung on his collar button behind.

"That's out o' sight, Kid," said he.

"My name is Celia, if you please," said the whistler, dazzling him with a three-inch smile.

That's all right. I'm Thomas McLeod. What part of the house do you work in?"

"I'm the—the second parlor maid."

"Do you know the 'Falling Waters'?"

"No," said Celia, "we don't know anybody. We got rich too quick—that is, Mr. Spraggins did."

"I'll make you acquainted," said Thomas McLeod. "It's a strathspey—the first cousin to a hornpipe."

If Celia's whistling put the piccolos out of commission, Thomas McLeod's surely made the biggest flutes hunt their holes. He could actually whistle bass.

When he stopped Celia was ready to jump into his delivery wagon and ride with him clear to the end of the pier and on to the ferry-boat of the Charon line.

"I'll be around to-morrow at 10:15," said Thomas, "with some spinach and a case of carbonic."

"I'll practice that what-you-may-call-it," said Celia. "I can whistle a fine second."

The processes of courtship are personal, and do not belong to general literature. They should be chronicled in detail only in advertisements of iron tonics and in the secret by-laws of the Woman's Auxiliary of the Ancient Order of the Rat Trap. But genteel writing may contain a description of certain stages of its progress without intruding upon the province of the X-ray or of park policemen.

A day came when Thomas McLeod and Celia lingered at the end of the latticed "passage."

"Sixteen a week isn't much," said Thomas, letting his cap rest on his shoulder blades.

Celia looked through the lattice-work and whistled a dead march. Shopping with Aunt Henrietta the day before, she had paid that much for a dozen handkerchiefs.

"Maybe I'll get a raise next month," said Thomas. "I'll be around to-morrow at the same time with a bag of flour and the laundry soap."

"All right," said Celia. "Annette's married cousin pays only $20 a month for a flat in the Bronx."

Never for a moment did she count on the Spraggins money. She knew Aunt Henrietta's invincible pride of caste and pa's mightiness as a Colossus of cash, and she understood that if she chose Thomas she and her grocer's young man might go whistle for a living.

Another day came, Thomas violating the dignity of Nabob Avenue with "The Devil's Dream," whistled keenly between his teeth.

"Raised to eighteen a week yesterday," he said. "Been pricing flats around Morningside. You want to start untying those apron strings and unpinning that cap, old girl."

"Oh, Tommy!" said Celia, with her broadest smile. "Won't that be enough? I got Betty to show me how to make a cottage pudding. I guess we could call it a flat pudding if we wanted to."

"And tell no lie," said Thomas.

"And I can sweep and polish and dust—of course, a parlor maid learns that. And we could whistle duets of evenings."

"The old man said he'd raise me to twenty at Christmas if Bryan couldn't think of any harder name to call a Republican than a 'postponer,'" said the grocer's young man.

"I can sew," said Celia; "and I know that you must make the gas company's man show his badge when he comes to look at the meter; and I know how to put up quince jam and window curtains."

"Bully! you're all right, Cele. Yes, I believe we can pull it off on eighteen."

As he was jumping into the wagon the second parlor maid braved discovery by running swiftly to the gate.

"And, oh, Tommy, I forgot," she called, softly. "I believe I could make your neckties."

"Forget it," said Thomas decisively.

"And another thing," she continued. "Sliced cucumbers at night will drive away cockroaches."

"And sleep, too, you bet," said Mr. McLeod. "Yes, I believe if I have a delivery to make on the West Side this afternoon I'll look in at a furniture store I know over there."

It was just as the wagon dashed away that old Jacob Spraggins struck the sideboard with his fist and made the mysterious remark about ten thousand dollars that you perhaps remember. Which justifies the reflection that some stories, as well as life, and puppies thrown into wells, move around in circles. Painfully but briefly we must shed light on Jacob's words.

The foundation of his fortune was made when he was twenty. A poor coal-digger (ever hear of a rich one?) had saved a dollar or two and bought a small tract of land on a hillside on which he tried to raise corn. Not a nubbin. Jacob, whose nose was a divining-rod, told him there was a vein of coal beneath. He bought the land from the miner for $125 and sold it a month afterward for $10,000. Luckily the miner had enough left of his sale money to drink himself into a black coat opening in the back, as soon as he heard the news.

And so, for forty years afterward, we find Jacob illuminated with the sudden thought that if he could make restitution of this sum of money to the heirs or assigns of the unlucky miner, respite and Nepenthe might be his.

And now must come swift action, for we have here some four thousand words and not a tear shed and never a pistol, joke, safe, nor bottle cracked.

Old Jacob hired a dozen private detectives to find the heirs, if any existed, of the old miner, Hugh McLeod.

Get the point? Of course I know as well as you do that Thomas is going to be the heir. I might have concealed the name; but why always hold back your mystery till the end? I say, let it come near the middle so people can stop reading there if they want to.

After the detectives had trailed false clues about three thousand dollars—I mean miles—they cornered Thomas at the grocery and got his confession that Hugh McLeod had been his grandfather, and that there were no other heirs. They arranged a meeting for him and old Jacob one morning in one of their offices.

Jacob liked the young man very much. He liked the way he looked straight at him when he talked, and the way he threw his bicycle cap over the top of a rose-colored vase on the centre-table.

There was a slight flaw in Jacob's system of restitution. He did not consider that the act, to be perfect, should include confession. So he represented himself to be the agent of the purchaser of the land who had sent him to refund the sale price for the ease of his conscience.

"Well, sir," said Thomas, "this sounds to me like an illustrated post-card from South Boston with 'We're having a good time here' written on it. I don't know the game. Is this ten thousand dollars money, or do I have to save so many coupons to get it?"

Old Jacob counted out to him twenty five-hundred-dollar bills.

That was better, he thought, than a check. Thomas put them thoughtfully into his pocket.

"Grandfather's best thanks," he said, "to the party who sends it."

Jacob talked on, asking him about his work, how he spent his leisure time, and what his ambitions were. The more he saw and heard of Thomas, the better he liked him. He had not met many young men in Bagdad so frank and wholesome.

"I would like to have you visit my house," he said. "I might help you in investing or laying out your money. I am a very wealthy man. I have a daughter about grown, and I would like for you to know her. There are not many young men I would care to have call on her."

"I'm obliged," said Thomas. "I'm not much at making calls. It's generally the side entrance for mine. And, besides, I'm engaged to a girl that has the Delaware peach crop killed in the blossom. She's a parlor maid in a house where I deliver goods. She won't be working there much longer, though. Say, don't forget to give your friend my grandfather's best regards. You'll excuse me now; my wagon's outside with a lot of green stuff that's got to be delivered. See you again, sir."

At eleven Thomas delivered some bunches of parsley and lettuce at the Spraggins mansion. Thomas was only twenty-two; so, as he came back, he took out the handful of five-hundred-dollar bills and waved them carelessly. Annette took a pair of eyes as big as creamed onion to the cook.

"I told you he was a count," she said, after relating. "He never would carry on with me."

"But you say he showed money," said the cook.

"Hundreds of thousands," said Annette. "Carried around loose in his pockets. And he never would look at me."

"It was paid to me to-day," Thomas was explaining to Celia outside. "It came from my grandfather's estate. Say, Cele, what's the use of waiting now? I'm going to quit the job to-night. Why can't we get married next week?"

"Tommy," said Celia. "I'm no parlor maid. I've been fooling you. I'm Miss Spraggins—Celia Spraggins. The newspapers say I'll be worth forty million dollars some day."

Thomas pulled his cap down straight on his head for the first time since we have known him.

"I suppose then," said he, "I suppose then you'll not be marrying me next week. But you can whistle."

"No," said Celia, "I'll not be marrying you next week. My father would never let me marry a grocer's clerk. But I'll marry you to-night, Tommy, if you say so."

Old Jacob Spraggins came home at 9:30 P. M., in his motor car. The make of it you will have to surmise sorrowfully; I am giving you unsubsidized fiction; had it been a street car I could have told you its voltage and the number of wheels it had. Jacob called for his daughter; he had bought a ruby necklace for her, and wanted to hear her say what a kind, thoughtful, dear old dad he was.

There was a brief search in the house for her, and then came Annette, glowing with the pure flame of truth and loyalty well mixed with envy and histrionics.

"Oh, sir," said she, wondering if she should kneel, "Miss Celia's just this minute running away out of the side gate with a young man to be married. I couldn't stop her, sir. They went in a cab."

"What young man?" roared old Jacob.

"A millionaire, if you please, sir—a rich nobleman in disguise. He carries his money with him, and the red peppers and the onions was only to blind us, sir. He never did seem to take to me."

Jacob rushed out in time to catch his car. The chauffeur had been delayed by trying to light a cigarette in the wind.

"Here, Gaston, or Mike, or whatever you call yourself, scoot around the corner quicker than blazes and see if you can see a cab. If you do, run it down."

There was a cab in sight a block away. Gaston, or Mike, with his eyes half shut and his mind on his cigarette, picked up the trail, neatly crowded the cab to the curb and pocketed it.

"What t'ell you doin'?" yelled the cabman.

"Pa!" shrieked Celia.

"Grandfather's remorseful friend's agent!" said Thomas. "Wonder what's on his conscience now."

"A thousand thunders," said Gaston, or Mike. "I have no other match."

"Young man," said old Jacob, severely, "how about that parlor maid you were engaged to?"

A couple of years afterward old Jacob went into the office of his private secretary.

"The Amalgamated Missionary Society solicits a contribution of $30,000 toward the conversion of the Koreans," said the secretary.

"Pass 'em up," said Jacob.

"The University of Plumville writes that its yearly endowment fund of $50,000 that you bestowed upon it is past due."

"Tell 'em it's been cut out."

"The Scientific Society of Clam Cove, Long Island, asks for $10,000 to buy alcohol to preserve specimens."

"Waste basket."

"The Society for Providing Healthful Recreation for Working Girls wants $20,000 from you to lay out a golf course."

"Tell 'em to see an undertaker."

"Cut 'em all out," went on Jacob. "I've quit being a good thing. I need every dollar I can scrape or save. I want you to write to the directors of every company that I'm interested in and recommend a 10 per cent. cut in salaries. And say—I noticed half a cake of soap lying in a corner of the hall as I came in. I want you to speak to the scrubwoman about waste. I've got no money to throw away. And say—we've got vinegar pretty well in hand, haven't we?'

"The Globe Spice & Seasons Company," said secretary, "controls the market at present."

"Raise vinegar two cents a gallon. Notify all our branches."

Suddenly Jacob Spraggins's plump red face relaxed into a pulpy grin. He walked over to the secretary's desk and showed a small red mark on his thick forefinger.

"Bit it," he said, "darned if he didn't, and he ain't had the tooth three weeks—Jaky McLeod, my Celia's kid. He'll be worth a hundred millions by the time he's twenty-one if I can pile it up for him."

As he was leaving, old Jacob turned at the door, and said:

"Better make that vinegar raise three cents instead of two. I'll be back in an hour and sign the letters."

The true history of the Caliph Harun Al Rashid relates that toward the end of his reign he wearied of philanthropy, and caused to be beheaded all his former favorites and companions of his "Arabian Nights" rambles. Happy are we in these days of enlightenment, when the only death warrant the caliphs can serve on us is in the form of a tradesman's bill.



XVIII

THE GIRL AND THE HABIT

HABIT—a tendency or aptitude acquired by custom or frequent repetition.

The critics have assailed every source of inspiration save one. To that one we are driven for our moral theme. When we levied upon the masters of old they gleefully dug up the parallels to our columns. When we strove to set forth real life they reproached us for trying to imitate Henry George, George Washington, Washington Irving, and Irving Bacheller. We wrote of the West and the East, and they accused us of both Jesse and Henry James. We wrote from our heart—and they said something about a disordered liver. We took a text from Matthew or—er—yes, Deuteronomy, but the preachers were hammering away at the inspiration idea before we could get into type. So, driven to the wall, we go for our subject-matter to the reliable, old, moral, unassailable vade mecum—the unabridged dictionary.

Miss Merriam was cashier at Hinkle's. Hinkle's is one of the big downtown restaurants. It is in what the papers call the "financial district." Each day from 12 o'clock to 2 Hinkle's was full of hungry customers—messenger boys, stenographers, brokers, owners of mining stock, promoters, inventors with patents pending—and also people with money.

The cashiership at Hinkle's was no sinecure. Hinkle egged and toasted and griddle-caked and coffeed a good many customers; and he lunched (as good a word as "dined") many more. It might be said that Hinkle's breakfast crowd was a contingent, but his luncheon patronage amounted to a horde.

Miss Merriam sat on a stool at a desk inclosed on three sides by a strong, high fencing of woven brass wire. Through an arched opening at the bottom you thrust your waiter's check and the money, while your heart went pit-a-pat.

For Miss Merriam was lovely and capable. She could take 45 cents out of a $2 bill and refuse an offer of marriage before you could—Next!—lost your chance—please don't shove. She could keep cool and collected while she collected your check, give you the correct change, win your heart, indicate the toothpick stand, and rate you to a quarter of a cent better than Bradstreet could to a thousand in less time than it takes to pepper an egg with one of Hinkle's casters.

There is an old and dignified allusion to the "fierce light that beats upon a throne." The light that beats upon the young lady cashier's cage is also something fierce. The other fellow is responsible for the slang.

Every male patron of Hinkle's, from the A. D. T. boys up to the curbstone brokers, adored Miss Merriam. When they paid their checks they wooed her with every wile known to Cupid's art. Between the meshes of the brass railing went smiles, winks, compliments, tender vows, invitations to dinner, sighs, languishing looks and merry banter that was wafted pointedly back by the gifted Miss Merriam.

There is no coign of vantage more effective than the position of young lady cashier. She sits there, easily queen of the court of commerce; she is duchess of dollars and devoirs, countess of compliments and coin, leading lady of love and luncheon. You take from her a smile and a Canadian dime, and you go your way uncomplaining. You count the cheery word or two that she tosses you as misers count their treasures; and you pocket the change for a five uncomputed. Perhaps the brass-bound inaccessibility multiplies her charms—anyhow, she is a shirt-waisted angel, immaculate, trim, manicured, seductive, bright-eyed, ready, alert—Psyche, Circe, and Ate in one, separating you from your circulating medium after your sirloin medium.

The young men who broke bread at Hinkle's never settled with the cashier without an exchange of badinage and open compliment. Many of them went to greater lengths and dropped promissory hints of theatre tickets and chocolates. The older men spoke plainly of orange blossoms, generally withering the tentative petals by after-allusions to Harlem flats. One broker, who had been squeezed by copper proposed to Miss Merriam more regularly than he ate.

During a brisk luncheon hour Miss Merriam's conversation, while she took money for checks, would run something like this:

"Good morning, Mr. Haskins—sir?—it's natural, thank you—don't be quite so fresh . . . Hello, Johnny—ten, fifteen, twenty—chase along now or they'll take the letters off your cap . . . Beg pardon—count it again, please—Oh, don't mention it . . . Vaudeville?—thanks; not on your moving picture—I was to see Carter in Hedda Gabler on Wednesday night with Mr. Simmons . . . 'Scuse me, I thought that was a quarter . . . Twenty-five and seventy-five's a dollar—got that ham-and-cabbage habit yet. I see, Billy . . . Who are you addressing?—say—you'll get all that's coming to you in a minute . . . Oh, fudge! Mr. Bassett—you're always fooling—no—? Well, maybe I'll marry you some day—three, four and sixty-five is five . . . Kindly keep them remarks to yourself, if you please . . . Ten cents?—'scuse me; the check calls for seventy—well, maybe it is a one instead of a seven . . . Oh, do you like it that way, Mr. Saunders?—some prefer a pomp; but they say this Cleo de Merody does suit refined features . . . and ten is fifty . . . Hike along there, buddy; don't take this for a Coney Island ticket booth . . . Huh?—why, Macy's—don't it fit nice? Oh, no, it isn't too cool—these light-weight fabrics is all the go this season . . . Come again, please—that's the third time you've tried to—what?—forget it—that lead quarter is an old friend of mine . . . Sixty-five?—must have had your salary raised, Mr. Wilson . . . I seen you on Sixth Avenue Tuesday afternoon, Mr. De Forest—swell?—oh, my!—who is she? . . . What's the matter with it?—why, it ain't money—what?—Columbian half?—well, this ain't South America . . . Yes, I like the mixed best—Friday?—awfully sorry, but I take my jiu-jitsu lesson on Friday—Thursday, then . . . Thanks—that's sixteen times I've been told that this morning—I guess I must be beautiful . . . Cut that out, please—who do you think I am? . . . Why, Mr. Westbrook—do you really think so?—the idea!—one—eighty and twenty's a dollar—thank you ever so much, but I don't ever go automobile riding with gentlemen—your aunt?—well, that's different—perhaps . . . Please don't get fresh—your check was fifteen cents, I believe—kindly step aside and let . . . Hello, Ben—coming around Thursday evening?—there's a gentleman going to send around a box of chocolates, and . . . forty and sixty is a dollar, and one is two . . ."

About the middle of one afternoon the dizzy goddess Vertigo—whose other name is Fortune—suddenly smote an old, wealthy and eccentric banker while he was walking past Hinkle's, on his way to a street car. A wealthy and eccentric banker who rides in street cars is—move up, please; there are others.

A Samaritan, a Pharisee, a man and a policeman who were first on the spot lifted Banker McRamsey and carried him into Hinkle's restaurant. When the aged but indestructible banker opened his eyes he saw a beautiful vision bending over him with a pitiful, tender smile, bathing his forehead with beef tea and chafing his hands with something frappe out of a chafing-dish. Mr. McRamsey sighed, lost a vest button, gazed with deep gratitude upon his fair preserveress, and then recovered consciousness.

To the Seaside Library all who are anticipating a romance! Banker McRamsey had an aged and respected wife, and his sentiments toward Miss Merriam were fatherly. He talked to her for half an hour with interest—not the kind that went with his talks during business hours. The next day he brought Mrs. McRamsey down to see her. The old couple were childless—they had only a married daughter living in Brooklyn.

To make a short story shorter, the beautiful cashier won the hearts of the good old couple. They came to Hinkle's again and again; they invited her to their old-fashioned but splendid home in one of the East Seventies. Miss Merriam's winning loveliness, her sweet frankness and impulsive heart took them by storm. They said a hundred times that Miss Merriam reminded them so much of their lost daughter. The Brooklyn matron, nee Ramsey, had the figure of Buddha and a face like the ideal of an art photographer. Miss Merriam was a combination of curves, smiles, rose leaves, pearls, satin and hair-tonic posters. Enough of the fatuity of parents.

A month after the worthy couple became acquainted with Miss Merriam, she stood before Hinkle one afternoon and resigned her cashiership.

"They're going to adopt me," she told the bereft restaurateur. "They're funny old people, but regular dears. And the swell home they have got! Say, Hinkle, there isn't any use of talking—I'm on the a la carte to wear brown duds and goggles in a whiz wagon, or marry a duke at least. Still, I somehow hate to break out of the old cage. I've been cashiering so long I feel funny doing anything else. I'll miss joshing the fellows awfully when they line up to pay for the buckwheats and. But I can't let this chance slide. And they're awfully good, Hinkle; I know I'll have a swell time. You owe me nine-sixty-two and a half for the week. Cut out the half if it hurts you, Hinkle."

And they did. Miss Merriam became Miss Rosa McRamsey. And she graced the transition. Beauty is only skin-deep, but the nerves lie very near to the skin. Nerve—but just here will you oblige by perusing again the quotation with which this story begins?

The McRamseys poured out money like domestic champagne to polish their adopted one. Milliners, dancing masters and private tutors got it. Miss—er—McRamsey was grateful, loving, and tried to forget Hinkle's. To give ample credit to the adaptability of the American girl, Hinkle's did fade from her memory and speech most of the time.

Not every one will remember when the Earl of Hitesbury came to East Seventy—— Street, America. He was only a fair-to-medium earl, without debts, and he created little excitement. But you will surely remember the evening when the Daughters of Benevolence held their bazaar in the W——f-A——a Hotel. For you were there, and you wrote a note to Fannie on the hotel paper, and mailed it, just to show her that—you did not? Very well; that was the evening the baby was sick, of course.

At the bazaar the McRamseys were prominent. Miss Mer—er—McRamsey was exquisitely beautiful. The Earl of Hitesbury had been very attentive to her since he dropped in to have a look at America. At the charity bazaar the affair was supposed to be going to be pulled off to a finish. An earl is as good as a duke. Better. His standing may be lower, but his outstanding accounts are also lower.

Our ex-young-lady-cashier was assigned to a booth. She was expected to sell worthless articles to nobs and snobs at exorbitant prices. The proceeds of the bazaar were to be used for giving the poor children of the slums a Christmas din——Say! did you ever wonder where they get the other 364?

Miss McRamsey—beautiful, palpitating, excited, charming, radiant—fluttered about in her booth. An imitation brass network, with a little arched opening, fenced her in.

Along came the Earl, assured, delicate, accurate, admiring—admiring greatly, and faced the open wicket.

"You look chawming, you know—'pon my word you do—my deah," he said, beguilingly.

Miss McRamsey whirled around.

"Cut that joshing out," she said, coolly and briskly. "Who do you think you are talking to? Your check, please. Oh, Lordy!—"

Patrons of the bazaar became aware of a commotion and pressed around a certain booth. The Earl of Hitesbury stood near by pulling a pale blond and puzzled whisker.

"Miss McRamsey has fainted," some one explained.



XIX

PROOF OF THE PUDDING

Spring winked a vitreous optic at Editor Westbrook of the Minerva Magazine, and deflected him from his course. He had lunched in his favorite corner of a Broadway hotel, and was returning to his office when his feet became entangled in the lure of the vernal coquette. Which is by way of saying that he turned eastward in Twenty-sixth Street, safely forded the spring freshet of vehicles in Fifth Avenue, and meandered along the walks of budding Madison Square.

The lenient air and the settings of the little park almost formed a pastoral; the color motif was green—the presiding shade at the creation of man and vegetation.

The callow grass between the walks was the color of verdigris, a poisonous green, reminiscent of the horde of derelict humans that had breathed upon the soil during the summer and autumn. The bursting tree buds looked strangely familiar to those who had botanized among the garnishings of the fish course of a forty-cent dinner. The sky above was of that pale aquamarine tint that ballroom poets rhyme with "true" and "Sue" and "coo." The one natural and frank color visible was the ostensible green of the newly painted benches—a shade between the color of a pickled cucumber and that of a last year's fast-black cravenette raincoat. But, to the city-bred eye of Editor Westbrook, the landscape appeared a masterpiece.

And now, whether you are of those who rush in, or of the gentle concourse that fears to tread, you must follow in a brief invasion of the editor's mind.

Editor Westbrook's spirit was contented and serene. The April number of the Minerva had sold its entire edition before the tenth day of the month—a newsdealer in Keokuk had written that he could have sold fifty copies more if he had 'em. The owners of the magazine had raised his (the editor's) salary; he had just installed in his home a jewel of a recently imported cook who was afraid of policemen; and the morning papers had published in full a speech he had made at a publishers' banquet. Also there were echoing in his mind the jubilant notes of a splendid song that his charming young wife had sung to him before he left his up-town apartment that morning. She was taking enthusiastic interest in her music of late, practising early and diligently. When he had complimented her on the improvement in her voice she had fairly hugged him for joy at his praise. He felt, too, the benign, tonic medicament of the trained nurse, Spring, tripping softly adown the wards of the convalescent city.

While Editor Westbrook was sauntering between the rows of park benches (already filling with vagrants and the guardians of lawless childhood) he felt his sleeve grasped and held. Suspecting that he was about to be panhandled, he turned a cold and unprofitable face, and saw that his captor was—Dawe—Shackleford Dawe, dingy, almost ragged, the genteel scarcely visible in him through the deeper lines of the shabby.

While the editor is pulling himself out of his surprise, a flashlight biography of Dawe is offered.

He was a fiction writer, and one of Westbrook's old acquaintances. At one time they might have called each other old friends. Dawe had some money in those days, and lived in a decent apartment house near Westbrook's. The two families often went to theatres and dinners together. Mrs. Dawe and Mrs. Westbrook became "dearest" friends. Then one day a little tentacle of the octopus, just to amuse itself, ingurgitated Dawe's capital, and he moved to the Gramercy Park neighborhood where one, for a few groats per week, may sit upon one's trunk under eight-branched chandeliers and opposite Carrara marble mantels and watch the mice play upon the floor. Dawe thought to live by writing fiction. Now and then he sold a story. He submitted many to Westbrook. The Minerva printed one or two of them; the rest were returned. Westbrook sent a careful and conscientious personal letter with each rejected manuscript, pointing out in detail his reasons for considering it unavailable. Editor Westbrook had his own clear conception of what constituted good fiction. So had Dawe. Mrs. Dawe was mainly concerned about the constituents of the scanty dishes of food that she managed to scrape together. One day Dawe had been spouting to her about the excellencies of certain French writers. At dinner they sat down to a dish that a hungry schoolboy could have encompassed at a gulp. Dawe commented.

"It's Maupassant hash," said Mrs. Dawe. "It may not be art, but I do wish you would do a five-course Marion Crawford serial with an Ella Wheeler Wilcox sonnet for dessert. I'm hungry."

As far as this from success was Shackleford Dawe when he plucked Editor Westbrook's sleeve in Madison Square. That was the first time the editor had seen Dawe in several months.

"Why, Shack, is this you?" said Westbrook, somewhat awkwardly, for the form of his phrase seemed to touch upon the other's changed appearance.

"Sit down for a minute," said Dawe, tugging at his sleeve. "This is my office. I can't come to yours, looking as I do. Oh, sit down—you won't be disgraced. Those half-plucked birds on the other benches will take you for a swell porch-climber. They won't know you are only an editor."

"Smoke, Shack?" said Editor Westbrook, sinking cautiously upon the virulent green bench. He always yielded gracefully when he did yield.

Dawe snapped at the cigar as a kingfisher darts at a sunperch, or a girl pecks at a chocolate cream.

"I have just—" began the editor.

"Oh, I know; don't finish," said Dawe. "Give me a match. You have just ten minutes to spare. How did you manage to get past my office-boy and invade my sanctum? There he goes now, throwing his club at a dog that couldn't read the 'Keep off the Grass' signs."

"How goes the writing?" asked the editor.

"Look at me," said Dawe, "for your answer. Now don't put on that embarrassed, friendly-but-honest look and ask me why I don't get a job as a wine agent or a cab driver. I'm in the fight to a finish. I know I can write good fiction and I'll force you fellows to admit it yet. I'll make you change the spelling of 'regrets' to 'c-h-e-q-u-e' before I'm done with you."

Editor Westbrook gazed through his nose-glasses with a sweetly sorrowful, omniscient, sympathetic, skeptical expression—the copyrighted expression of the editor beleagured by the unavailable contributor.

"Have you read the last story I sent you—'The Alarum of the Soul'?" asked Dawe.

"Carefully. I hesitated over that story, Shack, really I did. It had some good points. I was writing you a letter to send with it when it goes back to you. I regret—"

"Never mind the regrets," said Dawe, grimly. "There's neither salve nor sting in 'em any more. What I want to know is why. Come now; out with the good points first."

"The story," said Westbrook, deliberately, after a suppressed sigh, "is written around an almost original plot. Characterization—the best you have done. Construction—almost as good, except for a few weak joints which might be strengthened by a few changes and touches. It was a good story, except—"

"I can write English, can't I?" interrupted Dawe.

"I have always told you," said the editor, "that you had a style."

"Then the trouble is—"

"Same old thing," said Editor Westbrook. "You work up to your climax like an artist. And then you turn yourself into a photographer. I don't know what form of obstinate madness possesses you, but that is what you do with everything that you write. No, I will retract the comparison with the photographer. Now and then photography, in spite of its impossible perspective, manages to record a fleeting glimpse of truth. But you spoil every denouement by those flat, drab, obliterating strokes of your brush that I have so often complained of. If you would rise to the literary pinnacle of your dramatic senses, and paint them in the high colors that art requires, the postman would leave fewer bulky, self-addressed envelopes at your door."

"Oh, fiddles and footlights!" cried Dawe, derisively. "You've got that old sawmill drama kink in your brain yet. When the man with the black mustache kidnaps golden-haired Bessie you are bound to have the mother kneel and raise her hands in the spotlight and say: 'May high heaven witness that I will rest neither night nor day till the heartless villain that has stolen me child feels the weight of another's vengeance!'"

Editor Westbrook conceded a smile of impervious complacency.

"I think," said he, "that in real life the woman would express herself in those words or in very similar ones."

"Not in a six hundred nights' run anywhere but on the stage," said Dawe hotly. "I'll tell you what she'd say in real life. She'd say: 'What! Bessie led away by a strange man? Good Lord! It's one trouble after another! Get my other hat, I must hurry around to the police-station. Why wasn't somebody looking after her, I'd like to know? For God's sake, get out of my way or I'll never get ready. Not that hat—the brown one with the velvet bows. Bessie must have been crazy; she's usually shy of strangers. Is that too much powder? Lordy! How I'm upset!'

"That's the way she'd talk," continued Dawe. "People in real life don't fly into heroics and blank verse at emotional crises. They simply can't do it. If they talk at all on such occasions they draw from the same vocabulary that they use every day, and muddle up their words and ideas a little more, that's all."

"Shack," said Editor Westbrook impressively, "did you ever pick up the mangled and lifeless form of a child from under the fender of a street car, and carry it in your arms and lay it down before the distracted mother? Did you ever do that and listen to the words of grief and despair as they flowed spontaneously from her lips?"

"I never did," said Dawe. "Did you?"

"Well, no," said Editor Westbrook, with a slight frown. "But I can well imagine what she would say."

"So can I," said Dawe.

And now the fitting time had come for Editor Westbrook to play the oracle and silence his opinionated contributor. It was not for an unarrived fictionist to dictate words to be uttered by the heroes and heroines of the Minerva Magazine, contrary to the theories of the editor thereof.

"My dear Shack," said he, "if I know anything of life I know that every sudden, deep and tragic emotion in the human heart calls forth an apposite, concordant, conformable and proportionate expression of feeling. How much of this inevitable accord between expression and feeling should be attributed to nature, and how much to the influence of art, it would be difficult to say. The sublimely terrible roar of the lioness that has been deprived of her cubs is dramatically as far above her customary whine and purr as the kingly and transcendent utterances of Lear are above the level of his senile vaporings. But it is also true that all men and women have what may be called a sub-conscious dramatic sense that is awakened by a sufficiently deep and powerful emotion—a sense unconsciously acquired from literature and the stage that prompts them to express those emotions in language befitting their importance and histrionic value."

"And in the name of the seven sacred saddle-blankets of Sagittarius, where did the stage and literature get the stunt?" asked Dawe.

"From life," answered the editor, triumphantly.

The story writer rose from the bench and gesticulated eloquently but dumbly. He was beggared for words with which to formulate adequately his dissent.

On a bench nearby a frowzy loafer opened his red eyes and perceived that his moral support was due a downtrodden brother.

"Punch him one, Jack," he called hoarsely to Dawe. "W'at's he come makin' a noise like a penny arcade for amongst gen'lemen that comes in the square to set and think?"

Editor Westbrook looked at his watch with an affected show of leisure.

"Tell me," asked Dawe, with truculent anxiety, "what especial faults in 'The Alarum of the Soul' caused you to throw it down?"

"When Gabriel Murray," said Westbrook, "goes to his telephone and is told that his fiancee has been shot by a burglar, he says—I do not recall the exact words, but—"

"I do," said Dawe. "He says: 'Damn Central; she always cuts me off.' (And then to his friend) 'Say, Tommy, does a thirty-two bullet make a big hole? It's kind of hard luck, ain't it? Could you get me a drink from the sideboard, Tommy? No; straight; nothing on the side.'"

"And again," continued the editor, without pausing for argument, "when Berenice opens the letter from her husband informing her that he has fled with the manicure girl, her words are—let me see—"

"She says," interposed the author: "'Well, what do you think of that!'"

"Absurdly inappropriate words," said Westbrook, "presenting an anti-climax—plunging the story into hopeless bathos. Worse yet; they mirror life falsely. No human being ever uttered banal colloquialisms when confronted by sudden tragedy."

"Wrong," said Dawe, closing his unshaven jaws doggedly. "I say no man or woman ever spouts 'high-falutin' talk when they go up against a real climax. They talk naturally and a little worse."

The editor rose from the bench with his air of indulgence and inside information.

"Say, Westbrook," said Dawe, pinning him by the lapel, "would you have accepted 'The Alarum of the Soul' if you had believed that the actions and words of the characters were true to life in the parts of the story that we discussed?"

"It is very likely that I would, if I believed that way," said the editor. "But I have explained to you that I do not."

"If I could prove to you that I am right?"

"I'm sorry, Shack, but I'm afraid I haven't time to argue any further just now."

"I don't want to argue," said Dawe. "I want to demonstrate to you from life itself that my view is the correct one."

"How could you do that?" asked Westbrook, in a surprised tone.

"Listen," said the writer, seriously. "I have thought of a way. It is important to me that my theory of true-to-life fiction be recognized as correct by the magazines. I've fought for it for three years, and I'm down to my last dollar, with two months' rent due."

"I have applied the opposite of your theory," said the editor, "in selecting the fiction for the Minerva Magazine. The circulation has gone up from ninety thousand to—"

"Four hundred thousand," said Dawe. "Whereas it should have been boosted to a million."

"You said something to me just now about demonstrating your pet theory."

"I will. If you'll give me about half an hour of your time I'll prove to you that I am right. I'll prove it by Louise."

"Your wife!" exclaimed Westbrook. "How?"

"Well, not exactly by her, but with her," said Dawe. "Now, you know how devoted and loving Louise has always been. She thinks I'm the only genuine preparation on the market that bears the old doctor's signature. She's been fonder and more faithful than ever, since I've been cast for the neglected genius part."

"Indeed, she is a charming and admirable life companion," agreed the editor. "I remember what inseparable friends she and Mrs. Westbrook once were. We are both lucky chaps, Shack, to have such wives. You must bring Mrs. Dawe up some evening soon, and we'll have one of those informal chafing-dish suppers that we used to enjoy so much."

"Later," said Dawe. "When I get another shirt. And now I'll tell you my scheme. When I was about to leave home after breakfast—if you can call tea and oatmeal breakfast—Louise told me she was going to visit her aunt in Eighty-ninth Street. She said she would return at three o'clock. She is always on time to a minute. It is now—"

Dawe glanced toward the editor's watch pocket.

"Twenty-seven minutes to three," said Westbrook, scanning his time-piece.

"We have just enough time," said Dawe. "We will go to my flat at once. I will write a note, address it to her and leave it on the table where she will see it as she enters the door. You and I will be in the dining-room concealed by the portieres. In that note I'll say that I have fled from her forever with an affinity who understands the needs of my artistic soul as she never did. When she reads it we will observe her actions and hear her words. Then we will know which theory is the correct one—yours or mine."

"Oh, never!" exclaimed the editor, shaking his head. "That would be inexcusably cruel. I could not consent to have Mrs. Dawe's feelings played upon in such a manner."

"Brace up," said the writer. "I guess I think as much of her as you do. It's for her benefit as well as mine. I've got to get a market for my stories in some way. It won't hurt Louise. She's healthy and sound. Her heart goes as strong as a ninety-eight-cent watch. It'll last for only a minute, and then I'll step out and explain to her. You really owe it to me to give me the chance, Westbrook."

Editor Westbrook at length yielded, though but half willingly. And in the half of him that consented lurked the vivisectionist that is in all of us. Let him who has not used the scalpel rise and stand in his place. Pity 'tis that there are not enough rabbits and guinea-pigs to go around.

The two experimenters in Art left the Square and hurried eastward and then to the south until they arrived in the Gramercy neighborhood. Within its high iron railings the little park had put on its smart coat of vernal green, and was admiring itself in its fountain mirror. Outside the railings the hollow square of crumbling houses, shells of a bygone gentry, leaned as if in ghostly gossip over the forgotten doings of the vanished quality. Sic transit gloria urbis.

A block or two north of the Park, Dawe steered the editor again eastward, then, after covering a short distance, into a lofty but narrow flathouse burdened with a floridly over-decorated facade. To the fifth story they toiled, and Dawe, panting, pushed his latch-key into the door of one of the front flats.

When the door opened Editor Westbrook saw, with feelings of pity, how meanly and meagerly the rooms were furnished.

"Get a chair, if you can find one," said Dawe, "while I hunt up pen and ink. Hello, what's this? Here's a note from Louise. She must have left it there when she went out this morning."

He picked up an envelope that lay on the centre-table and tore it open. He began to read the letter that he drew out of it; and once having begun it aloud he so read it through to the end. These are the words that Editor Westbrook heard:

"Dear Shackleford:

"By the time you get this I will be about a hundred miles away and still a-going. I've got a place in the chorus of the Occidental Opera Co., and we start on the road to-day at twelve o'clock. I didn't want to starve to death, and so I decided to make my own living. I'm not coming back. Mrs. Westbrook is going with me. She said she was tired of living with a combination phonograph, iceberg and dictionary, and she's not coming back, either. We've been practising the songs and dances for two months on the quiet. I hope you will be successful, and get along all right! Good-bye.

"Louise."

Dawe dropped the letter, covered his face with his trembling hands, and cried out in a deep, vibrating voice:

"My God, why hast thou given me this cup to drink? Since she is false, then let Thy Heaven's fairest gifts, faith and love, become the jesting by-words of traitors and fiends!"

Editor Westbrook's glasses fell to the floor. The fingers of one hand fumbled with a button on his coat as he blurted between his pale lips:

"Say, Shack, ain't that a hell of a note? Wouldn't that knock you off your perch, Shack? Ain't it hell, now, Shack—ain't it?"



XX

PAST ONE AT ROONEY'S

Only on the lower East Side of New York do the houses of Capulet and Montagu survive. There they do not fight by the book of arithmetic. If you but bite your thumb at an upholder of your opposing house you have work cut out for your steel. On Broadway you may drag your man along a dozen blocks by his nose, and he will only bawl for the watch; but in the domain of the East Side Tybalts and Mercutios you must observe the niceties of deportment to the wink of any eyelash and to an inch of elbow room at the bar when its patrons include foes of your house and kin.

So, when Eddie McManus, known to the Capulets as Cork McManus, drifted into Dutch Mike's for a stein of beer, and came upon a bunch of Montagus making merry with the suds, he began to observe the strictest parliamentary rules. Courtesy forbade his leaving the saloon with his thirst unslaked; caution steered him to a place at the bar where the mirror supplied the cognizance of the enemy's movements that his indifferent gaze seemed to disdain; experience whispered to him that the finger of trouble would be busy among the chattering steins at Dutch Mike's that night. Close by his side drew Brick Cleary, his Mercutio, companion of his perambulations. Thus they stood, four of the Mulberry Hill Gang and two of the Dry Dock Gang, minding their P's and Q's so solicitously that Dutch Mike kept one eye on his customers and the other on an open space beneath his bar in which it was his custom to seek safety whenever the ominous politeness of the rival associations congealed into the shapes of bullets and cold steel.

But we have not to do with the wars of the Mulberry Hills and the Dry Docks. We must to Rooney's, where, on the most blighted dead branch of the tree of life, a little pale orchid shall bloom.

Overstrained etiquette at last gave way. It is not known who first overstepped the bounds of punctilio; but the consequences were immediate. Buck Malone, of the Mulberry Hills, with a Dewey-like swiftness, got an eight-inch gun swung round from his hurricane deck. But McManus's simile must be the torpedo. He glided in under the guns and slipped a scant three inches of knife blade between the ribs of the Mulberry Hill cruiser. Meanwhile Brick Cleary, a devotee to strategy, had skimmed across the lunch counter and thrown the switch of the electrics, leaving the combat to be waged by the light of gunfire alone. Dutch Mike crawled from his haven and ran into the street crying for the watch instead of for a Shakespeare to immortalize the Cimmerian shindy.

The cop came, and found a prostrate, bleeding Montagu supported by three distrait and reticent followers of the House. Faithful to the ethics of the gangs, no one knew whence the hurt came. There was no Capulet to be seen.

"Raus mit der interrogatories," said Buck Malone to the officer. "Sure I know who done it. I always manages to get a bird's eye view of any guy that comes up an' makes a show case for a hardware store out of me. No. I'm not telling you his name. I'll settle with um meself. Wow—ouch! Easy, boys! Yes, I'll attend to his case meself. I'm not making any complaint."

At midnight McManus strolled around a pile of lumber near an East Side dock, and lingered in the vicinity of a certain water plug. Brick Cleary drifted casually to the trysting place ten minutes later. "He'll maybe not croak," said Brick; "and he won't tell, of course. But Dutch Mike did. He told the police he was tired of having his place shot up. It's unhandy just now, because Tim Corrigan's in Europe for a week's end with Kings. He'll be back on the Kaiser Williams next Friday. You'll have to duck out of sight till then. Tim'll fix it up all right for us when he comes back."

This goes to explain why Cork McManus went into Rooney's one night and there looked upon the bright, stranger face of Romance for the first time in his precarious career.

Until Tim Corrigan should return from his jaunt among Kings and Princes and hold up his big white finger in private offices, it was unsafe for Cork in any of the old haunts of his gang. So he lay, perdu, in the high rear room of a Capulet, reading pink sporting sheets and cursing the slow paddle wheels of the Kaiser Wilhelm.

It was on Thursday evening that Cork's seclusion became intolerable to him. Never a hart panted for water fountain as he did for the cool touch of a drifting stein, for the firm security of a foot-rail in the hollow of his shoe and the quiet, hearty challenges of friendship and repartee along and across the shining bars. But he must avoid the district where he was known. The cops were looking for him everywhere, for news was scarce, and the newspapers were harping again on the failure of the police to suppress the gangs. If they got him before Corrigan came back, the big white finger could not be uplifted; it would be too late then. But Corrigan would be home the next day, so he felt sure there would be small danger in a little excursion that night among the crass pleasures that represented life to him.

At half-past twelve McManus stood in a darkish cross-town street looking up at the name "Rooney's," picked out by incandescent lights against a signboard over a second-story window. He had heard of the place as a tough "hang-out"; with its frequenters and its locality he was unfamiliar. Guided by certain unerring indications common to all such resorts, he ascended the stairs and entered the large room over the cafe.

Here were some twenty or thirty tables, at this time about half-filled with Rooney's guests. Waiters served drinks. At one end a human pianola with drugged eyes hammered the keys with automatic and furious unprecision. At merciful intervals a waiter would roar or squeak a song—songs full of "Mr. Johnsons" and "babes" and "coons"—historical word guaranties of the genuineness of African melodies composed by red waistcoated young gentlemen, natives of the cotton fields and rice swamps of West Twenty-eighth Street.

For one brief moment you must admire Rooney with me as he receives, seats, manipulates, and chaffs his guests. He is twenty-nine. He has Wellington's nose, Dante's chin, the cheek-bones of an Iroquois, the smile of Talleyrand, Corbett's foot work, and the poise of an eleven-year-old East Side Central Park Queen of the May. He is assisted by a lieutenant known as Frank, a pudgy, easy chap, swell-dressed, who goes among the tables seeing that dull care does not intrude. Now, what is there about Rooney's to inspire all this pother? It is more respectable by daylight; stout ladies with children and mittens and bundles and unpedigreed dogs drop up of afternoons for a stein and a chat. Even by gaslight the diversions are melancholy i' the mouth—drink and rag-time, and an occasional surprise when the waiter swabs the suds from under your sticky glass. There is an answer. Transmigration! The soul of Sir Walter Raleigh has traveled from beneath his slashed doublet to a kindred home under Rooney's visible plaid waistcoat. Rooney's is twenty years ahead of the times. Rooney has removed the embargo. Rooney has spread his cloak upon the soggy crossing of public opinion, and any Elizabeth who treads upon it is as much a queen as another. Attend to the revelation of the secret. In Rooney's ladies may smoke!

McManus sat down at a vacant table. He paid for the glass of beer that he ordered, tilted his narrow-brimmed derby to the back of his brick-dust head, twined his feet among the rungs of his chair, and heaved a sigh of contentment from the breathing spaces of his innermost soul; for this mud honey was clarified sweetness to his taste. The sham gaiety, the hectic glow of counterfeit hospitality, the self-conscious, joyless laughter, the wine-born warmth, the loud music retrieving the hour from frequent whiles of awful and corroding silence, the presence of well-clothed and frank-eyed beneficiaries of Rooney's removal of the restrictions laid upon the weed, the familiar blended odors of soaked lemon peel, flat beer, and peau d'Espagne—all these were manna to Cork McManus, hungry for his week in the desert of the Capulet's high rear room.

A girl, alone, entered Rooney's, glanced around with leisurely swiftness, and sat opposite McManus at his table. Her eyes rested upon him for two seconds in the look with which woman reconnoitres all men whom she for the first time confronts. In that space of time she will decide upon one of two things—either to scream for the police, or that she may marry him later on.

Her brief inspection concluded, the girl laid on the table a worn red morocco shopping bag with the inevitable top-gallant sail of frayed lace handkerchief flying from a corner of it. After she had ordered a small beer from the immediate waiter she took from her bag a box of cigarettes and lighted one with slightly exaggerated ease of manner. Then she looked again in the eyes of Cork McManus and smiled.

Instantly the doom of each was sealed.

The unqualified desire of a man to buy clothes and build fires for a woman for a whole lifetime at first sight of her is not uncommon among that humble portion of humanity that does not care for Bradstreet or coats-of-arms or Shaw's plays. Love at first sight has occurred a time or two in high life; but, as a rule, the extempore mania is to be found among unsophisticated creatures such as the dove, the blue-tailed dingbat, and the ten-dollar-a-week clerk. Poets, subscribers to all fiction magazines, and schatchens, take notice.

With the exchange of the mysterious magnetic current came to each of them the instant desire to lie, pretend, dazzle and deceive, which is the worst thing about the hypocritical disorder known as love.

"Have another beer?" suggested Cork. In his circle the phrase was considered to be a card, accompanied by a letter of introduction and references.

"No, thanks," said the girl, raising her eyebrows and choosing her conventional words carefully. "I—merely dropped in for—a slight refreshment." The cigarette between her fingers seemed to require explanation. "My aunt is a Russian lady," she concluded, "and we often have a post perannual cigarette after dinner at home."

"Cheese it!" said Cork, whom society airs oppressed. "Your fingers are as yellow as mine."

"Say," said the girl, blazing upon him with low-voiced indignation, "what do you think I am? Say, who do you think you are talking to? What?"

She was pretty to look at. Her eyes were big, brown, intrepid and bright. Under her flat sailor hat, planted jauntily on one side, her crinkly, tawny hair parted and was drawn back, low and massy, in a thick, pendant knot behind. The roundness of girlhood still lingered in her chin and neck, but her cheeks and fingers were thinning slightly. She looked upon the world with defiance, suspicion, and sullen wonder. Her smart, short tan coat was soiled and expensive. Two inches below her black dress dropped the lowest flounce of a heliotrope silk underskirt.

"Beg your pardon," said Cork, looking at her admiringly. "I didn't mean anything. Sure, it's no harm to smoke, Maudy."

"Rooney's," said the girl, softened at once by his amends, "is the only place I know where a lady can smoke. Maybe it ain't a nice habit, but aunty lets us at home. And my name ain't Maudy, if you please; it's Ruby Delamere."

"That's a swell handle," said Cork approvingly. "Mine's McManus—Cor—er—Eddie McManus."

"Oh, you can't help that," laughed Ruby. "Don't apologize."

Cork looked seriously at the big clock on Rooney's wall. The girl's ubiquitous eyes took in the movement.

"I know it's late," she said, reaching for her bag; "but you know how you want a smoke when you want one. Ain't Rooney's all right? I never saw anything wrong here. This is twice I've been in. I work in a bookbindery on Third Avenue. A lot of us girls have been working overtime three nights a week. They won't let you smoke there, of course. I just dropped in here on my way home for a puff. Ain't it all right in here? If it ain't, I won't come any more."

"It's a little bit late for you to be out alone anywhere," said Cork. "I'm not wise to this particular joint; but anyhow you don't want to have your picture taken in it for a present to your Sunday School teacher. Have one more beer, and then say I take you home."

"But I don't know you," said the girl, with fine scrupulosity. "I don't accept the company of gentlemen I ain't acquainted with. My aunt never would allow that."

"Why," said Cork McManus, pulling his ear, "I'm the latest thing in suitings with side vents and bell skirt when it comes to escortin' a lady. You bet you'll find me all right, Ruby. And I'll give you a tip as to who I am. My governor is one of the hottest cross-buns of the Wall Street push. Morgan's cab horse casts a shoe every time the old man sticks his head out the window. Me! Well, I'm in trainin' down the Street. The old man's goin' to put a seat on the Stock Exchange in my stockin' my next birthday. But it all sounds like a lemon to me. What I like is golf and yachtin' and—er—well, say a corkin' fast ten-round bout between welter-weights with walkin' gloves."

"I guess you can walk to the door with me," said the girl hesitatingly, but with a certain pleased flutter. "Still I never heard anything extra good about Wall Street brokers, or sports who go to prize fights, either. Ain't you got any other recommendations?"

"I think you're the swellest looker I've had my lamps on in little old New York," said Cork impressively.

"That'll be about enough of that, now. Ain't you the kidder!" She modified her chiding words by a deep, long, beaming, smile-embellished look at her cavalier. "We'll drink our beer before we go, ha?"

A waiter sang. The tobacco smoke grew denser, drifting and rising in spirals, waves, tilted layers, cumulus clouds, cataracts and suspended fogs like some fifth element created from the ribs of the ancient four. Laughter and chat grew louder, stimulated by Rooney's liquids and Rooney's gallant hospitality to Lady Nicotine.

One o'clock struck. Down-stairs there was a sound of closing and locking doors. Frank pulled down the green shades of the front windows carefully. Rooney went below in the dark hall and stood at the front door, his cigarette cached in the hollow of his hand. Thenceforth whoever might seek admittance must present a countenance familiar to Rooney's hawk's eye—the countenance of a true sport.

Cork McManus and the bookbindery girl conversed absorbedly, with their elbows on the table. Their glasses of beer were pushed to one side, scarcely touched, with the foam on them sunken to a thin white scum. Since the stroke of one the stale pleasures of Rooney's had become renovated and spiced; not by any addition to the list of distractions, but because from that moment the sweets became stolen ones. The flattest glass of beer acquired the tang of illegality; the mildest claret punch struck a knockout blow at law and order; the harmless and genial company became outlaws, defying authority and rule. For after the stroke of one in such places as Rooney's, where neither bed nor board is to be had, drink may not be set before the thirsty of the city of the four million. It is the law.

"Say," said Cork McManus, almost covering the table with his eloquent chest and elbows, "was that dead straight about you workin' in the bookbindery and livin' at home—and just happenin' in here—and—and all that spiel you gave me?"

"Sure it was," answered the girl with spirit. "Why, what do you think? Do you suppose I'd lie to you? Go down to the shop and ask 'em. I handed it to you on the level."