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Sixes and Sevens
by O. Henry
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Tears were in Major Talbot's eyes. He took Uncle Mose's hand and laid his other upon his shoulder.

"Dear, faithful, old servitor," he said in an unsteady voice, "I don't mind saying to you that 'Mars' Pendleton' spent his last dollar in the world a week ago. We will accept this money, Uncle Mose, since, in a way, it is a sort of payment, as well as a token of the loyalty and devotion of the old regime. Lydia, my dear, take the money. You are better fitted than I to manage its expenditure."

"Take it, honey," said Uncle Mose. "Hit belongs to you. Hit's Talbot money."

After Uncle Mose had gone, Miss Lydia had a good cry—for joy; and the major turned his face to a corner, and smoked his clay pipe volcanically.

The succeeding days saw the Talbots restored to peace and ease. Miss Lydia's face lost its worried look. The major appeared in a new frock coat, in which he looked like a wax figure personifying the memory of his golden age. Another publisher who read the manuscript of the "Anecdotes and Reminiscences" thought that, with a little retouching and toning down of the high lights, he could make a really bright and salable volume of it. Altogether, the situation was comfortable, and not without the touch of hope that is often sweeter than arrived blessings.

One day, about a week after their piece of good luck, a maid brought a letter for Miss Lydia to her room. The postmark showed that it was from New York. Not knowing any one there, Miss Lydia, in a mild flutter of wonder, sat down by her table and opened the letter with her scissors. This was what she read:

DEAR MISS TALBOT:

I thought you might be glad to learn of my good fortune. I have received and accepted an offer of two hundred dollars per week by a New York stock company to play Colonel Calhoun in "A Magnolia Flower."

There is something else I wanted you to know. I guess you'd better not tell Major Talbot. I was anxious to make him some amends for the great help he was to me in studying the part, and for the bad humour he was in about it. He refused to let me, so I did it anyhow. I could easily spare the three hundred.

Sincerely yours,

H. HOPKINS HARGRAVES,

P.S. How did I play Uncle Mose?

Major Talbot, passing through the hall, saw Miss Lydia's door open and stopped.

"Any mail for us this morning, Lydia, dear?" he asked.

Miss Lydia slid the letter beneath a fold of her dress.

"The Mobile Chronicle came," she said promptly. "It's on the table in your study."



XIV

LET ME FEEL YOUR PULSE

So I went to a doctor.

"How long has it been since you took any alcohol into your system?" he asked.

Turning my head sidewise, I answered, "Oh, quite awhile."

He was a young doctor, somewhere between twenty and forty. He wore heliotrope socks, but he looked like Napoleon. I liked him immensely.

"Now," said he, "I am going to show you the effect of alcohol upon your circulation." I think it was "circulation" he said; though it may have been "advertising."

He bared my left arm to the elbow, brought out a bottle of whiskey, and gave me a drink. He began to look more like Napoleon. I began to like him better.

Then he put a tight compress on my upper arm, stopped my pulse with his fingers, and squeezed a rubber bulb connected with an apparatus on a stand that looked like a thermometer. The mercury jumped up and down without seeming to stop anywhere; but the doctor said it registered two hundred and thirty-seven or one hundred and sixty-five or some such number.

"Now," said he, "you see what alcohol does to the blood-pressure."

"It's marvellous," said I, "but do you think it a sufficient test? Have one on me, and let's try the other arm." But, no!

Then he grasped my hand. I thought I was doomed and he was saying good-bye. But all he wanted to do was to jab a needle into the end of a finger and compare the red drop with a lot of fifty-cent poker chips that he had fastened to a card.

"It's the haemoglobin test," he explained. "The colour of your blood is wrong."

"Well," said I, "I know it should be blue; but this is a country of mix-ups. Some of my ancestors were cavaliers; but they got thick with some people on Nantucket Island, so—"

"I mean," said the doctor, "that the shade of red is too light."

"Oh," said I, "it's a case of matching instead of matches."

The doctor then pounded me severely in the region of the chest. When he did that I don't know whether he reminded me most of Napoleon or Battling or Lord Nelson. Then he looked grave and mentioned a string of grievances that the flesh is heir to—mostly ending in "itis." I immediately paid him fifteen dollars on account.

"Is or are it or some or any of them necessarily fatal?" I asked. I thought my connection with the matter justified my manifesting a certain amount of interest.

"All of them," he answered cheerfully. "But their progress may be arrested. With care and proper continuous treatment you may live to be eighty-five or ninety."

I began to think of the doctor's bill. "Eighty-five would be sufficient, I am sure," was my comment. I paid him ten dollars more on account.

"The first thing to do," he said, with renewed animation, "is to find a sanitarium where you will get a complete rest for a while, and allow your nerves to get into a better condition. I myself will go with you and select a suitable one."

So he took me to a mad-house in the Catskills. It was on a bare mountain frequented only by infrequent frequenters. You could see nothing but stones and boulders, some patches of snow, and scattered pine trees. The young physician in charge was most agreeable. He gave me a stimulant without applying a compress to the arm. It was luncheon time, and we were invited to partake. There were about twenty inmates at little tables in the dining room. The young physician in charge came to our table and said: "It is a custom with our guests not to regard themselves as patients, but merely as tired ladies and gentlemen taking a rest. Whatever slight maladies they may have are never alluded to in conversation."

My doctor called loudly to a waitress to bring some phosphoglycerate of lime hash, dog-bread, bromo-seltzer pancakes, and nux vomica tea for my repast. Then a sound arose like a sudden wind storm among pine trees. It was produced by every guest in the room whispering loudly, "Neurasthenia!"—except one man with a nose, whom I distinctly heard say, "Chronic alcoholism." I hope to meet him again. The physician in charge turned and walked away.

An hour or so after luncheon he conducted us to the workshop—say fifty yards from the house. Thither the guests had been conducted by the physician in charge's understudy and sponge-holder—a man with feet and a blue sweater. He was so tall that I was not sure he had a face; but the Armour Packing Company would have been delighted with his hands.

"Here," said the physician in charge, "our guests find relaxation from past mental worries by devoting themselves to physical labour—recreation, in reality."

There were turning-lathes, carpenters' outfits, clay-modelling tools, spinning-wheels, weaving-frames, treadmills, bass drums, enlarged-crayon-portrait apparatuses, blacksmith forges, and everything, seemingly, that could interest the paying lunatic guests of a first-rate sanitarium.

"The lady making mud pies in the corner," whispered the physician in charge, "is no other than—Lula Lulington, the authoress of the novel entitled 'Why Love Loves.' What she is doing now is simply to rest her mind after performing that piece of work."

I had seen the book. "Why doesn't she do it by writing another one instead?" I asked.

As you see, I wasn't as far gone as they thought I was.

"The gentleman pouring water through the funnel," continued the physician in charge, "is a Wall Street broker broken down from overwork."

I buttoned my coat.

Others he pointed out were architects playing with Noah's arks, ministers reading Darwin's "Theory of Evolution," lawyers sawing wood, tired-out society ladies talking Ibsen to the blue-sweatered sponge-holder, a neurotic millionaire lying asleep on the floor, and a prominent artist drawing a little red wagon around the room.

"You look pretty strong," said the physician in charge to me. "I think the best mental relaxation for you would be throwing small boulders over the mountainside and then bringing them up again."

I was a hundred yards away before my doctor overtook me.

"What's the matter?" he asked.

"The matter is," said I, "that there are no aeroplanes handy. So I am going to merrily and hastily jog the foot-pathway to yon station and catch the first unlimited-soft-coal express back to town."

"Well," said the doctor, "perhaps you are right. This seems hardly the suitable place for you. But what you need is rest—absolute rest and exercise."

That night I went to a hotel in the city, and said to the clerk: "What I need is absolute rest and exercise. Can you give me a room with one of those tall folding beds in it, and a relay of bellboys to work it up and down while I rest?"

The clerk rubbed a speck off one of his finger nails and glanced sidewise at a tall man in a white hat sitting in the lobby. That man came over and asked me politely if I had seen the shrubbery at the west entrance. I had not, so he showed it to me and then looked me over.

"I thought you had 'em," he said, not unkindly, "but I guess you're all right. You'd better go see a doctor, old man."

A week afterward my doctor tested my blood pressure again without the preliminary stimulant. He looked to me a little less like Napoleon. And his socks were of a shade of tan that did not appeal to me.

"What you need," he decided, "is sea air and companionship."

"Would a mermaid—" I began; but he slipped on his professional manner.

"I myself," he said, "will take you to the Hotel Bonair off the coast of Long Island and see that you get in good shape. It is a quiet, comfortable resort where you will soon recuperate."

The Hotel Bonair proved to be a nine-hundred-room fashionable hostelry on an island off the main shore. Everybody who did not dress for dinner was shoved into a side dining-room and given only a terrapin and champagne table d'hote. The bay was a great stamping ground for wealthy yachtsmen. The Corsair anchored there the day we arrived. I saw Mr. Morgan standing on deck eating a cheese sandwich and gazing longingly at the hotel. Still, it was a very inexpensive place. Nobody could afford to pay their prices. When you went away you simply left your baggage, stole a skiff, and beat it for the mainland in the night.

When I had been there one day I got a pad of monogrammed telegraph blanks at the clerk's desk and began to wire to all my friends for get-away money. My doctor and I played one game of croquet on the golf links and went to sleep on the lawn.

When we got back to town a thought seemed to occur to him suddenly. "By the way," he asked, "how do you feel?"

"Relieved of very much," I replied.

Now a consulting physician is different. He isn't exactly sure whether he is to be paid or not, and this uncertainty insures you either the most careful or the most careless attention. My doctor took me to see a consulting physician. He made a poor guess and gave me careful attention. I liked him immensely. He put me through some coordination exercises.

"Have you a pain in the back of your head?" he asked. I told him I had not.

"Shut your eyes," he ordered, "put your feet close together, and jump backward as far as you can."

I always was a good backward jumper with my eyes shut, so I obeyed. My head struck the edge of the bathroom door, which had been left open and was only three feet away. The doctor was very sorry. He had overlooked the fact that the door was open. He closed it.

"Now touch your nose with your right forefinger," he said.

"Where is it?" I asked.

"On your face," said he.

"I mean my right forefinger," I explained.

"Oh, excuse me," said he. He reopened the bathroom door, and I took my finger out of the crack of it. After I had performed the marvellous digito-nasal feat I said:

"I do not wish to deceive you as to symptoms, Doctor; I really have something like a pain in the back of my head." He ignored the symptom and examined my heart carefully with a latest-popular-air-penny-in-the-slot ear-trumpet. I felt like a ballad.

"Now," he said, "gallop like a horse for about five minutes around the room."

I gave the best imitation I could of a disqualified Percheron being led out of Madison Square Garden. Then, without dropping in a penny, he listened to my chest again.

"No glanders in our family, Doc," I said.

The consulting physician held up his forefinger within three inches of my nose. "Look at my finger," he commanded.

"Did you ever try Pears'—" I began; but he went on with his test rapidly.

"Now look across the bay. At my finger. Across the bay. At my finger. At my finger. Across the bay. Across the bay. At my finger. Across the bay." This for about three minutes.

He explained that this was a test of the action of the brain. It seemed easy to me. I never once mistook his finger for the bay. I'll bet that if he had used the phrases: "Gaze, as it were, unpreoccupied, outward—or rather laterally—in the direction of the horizon, underlaid, so to speak, with the adjacent fluid inlet," and "Now, returning—or rather, in a manner, withdrawing your attention, bestow it upon my upraised digit"—I'll bet, I say, that Henry James himself could have passed the examination.

After asking me if I had ever had a grand uncle with curvature of the spine or a cousin with swelled ankles, the two doctors retired to the bathroom and sat on the edge of the bath tub for their consultation. I ate an apple, and gazed first at my finger and then across the bay.

The doctors came out looking grave. More: they looked tombstones and Tennessee-papers-please-copy. They wrote out a diet list to which I was to be restricted. It had everything that I had ever heard of to eat on it, except snails. And I never eat a snail unless it overtakes me and bites me first.

"You must follow this diet strictly," said the doctors.

"I'd follow it a mile if I could get one-tenth of what's on it," I answered.

"Of next importance," they went on, "is outdoor air and exercise. And here is a prescription that will be of great benefit to you."

Then all of us took something. They took their hats, and I took my departure.

I went to a druggist and showed him the prescription.

"It will be $2.87 for an ounce bottle," he said.

"Will you give me a piece of your wrapping cord?" said I.

I made a hole in the prescription, ran the cord through it, tied it around my neck, and tucked it inside. All of us have a little superstition, and mine runs to a confidence in amulets.

Of course there was nothing the matter with me, but I was very ill. I couldn't work, sleep, eat, or bowl. The only way I could get any sympathy was to go without shaving for four days. Even then somebody would say: "Old man, you look as hardy as a pine knot. Been up for a jaunt in the Maine woods, eh?"

Then, suddenly, I remembered that I must have outdoor air and exercise. So I went down South to John's. John is an approximate relative by verdict of a preacher standing with a little book in his hands in a bower of chrysanthemums while a hundred thousand people looked on. John has a country house seven miles from Pineville. It is at an altitude and on the Blue Ridge Mountains in a state too dignified to be dragged into this controversy. John is mica, which is more valuable and clearer than gold.

He met me at Pineville, and we took the trolley car to his home. It is a big, neighbourless cottage on a hill surrounded by a hundred mountains. We got off at his little private station, where John's family and Amaryllis met and greeted us. Amaryllis looked at me a trifle anxiously.

A rabbit came bounding across the hill between us and the house. I threw down my suit-case and pursued it hotfoot. After I had run twenty yards and seen it disappear, I sat down on the grass and wept disconsolately.

"I can't catch a rabbit any more," I sobbed. "I'm of no further use in the world. I may as well be dead."

"Oh, what is it—what is it, Brother John?" I heard Amaryllis say.

"Nerves a little unstrung," said John, in his calm way. "Don't worry. Get up, you rabbit-chaser, and come on to the house before the biscuits get cold." It was about twilight, and the mountains came up nobly to Miss Murfree's descriptions of them.

Soon after dinner I announced that I believed I could sleep for a year or two, including legal holidays. So I was shown to a room as big and cool as a flower garden, where there was a bed as broad as a lawn. Soon afterward the remainder of the household retired, and then there fell upon the land a silence.

I had not heard a silence before in years. It was absolute. I raised myself on my elbow and listened to it. Sleep! I thought that if I only could hear a star twinkle or a blade of grass sharpen itself I could compose myself to rest. I thought once that I heard a sound like the sail of a catboat flapping as it veered about in a breeze, but I decided that it was probably only a tack in the carpet. Still I listened.

Suddenly some belated little bird alighted upon the window-sill, and, in what he no doubt considered sleepy tones, enunciated the noise generally translated as "cheep!"

I leaped into the air.

"Hey! what's the matter down there?" called John from his room above mine.

"Oh, nothing," I answered, "except that I accidentally bumped my head against the ceiling."

The next morning I went out on the porch and looked at the mountains. There were forty-seven of them in sight. I shuddered, went into the big hall sitting room of the house, selected "Pancoast's Family Practice of Medicine" from a bookcase, and began to read. John came in, took the book away from me, and led me outside. He has a farm of three hundred acres furnished with the usual complement of barns, mules, peasantry, and harrows with three front teeth broken off. I had seen such things in my childhood, and my heart began to sink.

Then John spoke of alfalfa, and I brightened at once. "Oh, yes," said I, "wasn't she in the chorus of—let's see—"

"Green, you know," said John, "and tender, and you plow it under after the first season."

"I know," said I, "and the grass grows over her."

"Right," said John. "You know something about farming, after all."

"I know something of some farmers," said I, "and a sure scythe will mow them down some day."

On the way back to the house a beautiful and inexplicable creature walked across our path. I stopped irresistibly fascinated, gazing at it. John waited patiently, smoking his cigarette. He is a modern farmer. After ten minutes he said: "Are you going to stand there looking at that chicken all day? Breakfast is nearly ready."

"A chicken?" said I.

"A White Orpington hen, if you want to particularize."

"A White Orpington hen?" I repeated, with intense interest. The fowl walked slowly away with graceful dignity, and I followed like a child after the Pied Piper. Five minutes more were allowed me by John, and then he took me by the sleeve and conducted me to breakfast.

After I had been there a week I began to grow alarmed. I was sleeping and eating well and actually beginning to enjoy life. For a man in my desperate condition that would never do. So I sneaked down to the trolley-car station, took the car for Pineville, and went to see one of the best physicians in town. By this time I knew exactly what to do when I needed medical treatment. I hung my hat on the back of a chair, and said rapidly:

"Doctor, I have cirrhosis of the heart, indurated arteries, neurasthenia, neuritis, acute indigestion, and convalescence. I am going to live on a strict diet. I shall also take a tepid bath at night and a cold one in the morning. I shall endeavour to be cheerful, and fix my mind on pleasant subjects. In the way of drugs I intend to take a phosphorous pill three times a day, preferably after meals, and a tonic composed of the tinctures of gentian, cinchona, calisaya, and cardamon compound. Into each teaspoonful of this I shall mix tincture of nux vomica, beginning with one drop and increasing it a drop each day until the maximum dose is reached. I shall drop this with a medicine-dropper, which can be procured at a trifling cost at any pharmacy. Good morning."

I took my hat and walked out. After I had closed the door I remembered something that I had forgotten to say. I opened it again. The doctor had not moved from where he had been sitting, but he gave a slightly nervous start when he saw me again.

"I forgot to mention," said I, "that I shall also take absolute rest and exercise."

After this consultation I felt much better. The reestablishing in my mind of the fact that I was hopelessly ill gave me so much satisfaction that I almost became gloomy again. There is nothing more alarming to a neurasthenic than to feel himself growing well and cheerful.

John looked after me carefully. After I had evinced so much interest in his White Orpington chicken he tried his best to divert my mind, and was particular to lock his hen house of nights. Gradually the tonic mountain air, the wholesome food, and the daily walks among the hills so alleviated my malady that I became utterly wretched and despondent. I heard of a country doctor who lived in the mountains nearby. I went to see him and told him the whole story. He was a gray-bearded man with clear, blue, wrinkled eyes, in a home-made suit of gray jeans.

In order to save time I diagnosed my case, touched my nose with my right forefinger, struck myself below the knee to make my foot kick, sounded my chest, stuck out my tongue, and asked him the price of cemetery lots in Pineville.

He lit his pipe and looked at me for about three minutes. "Brother," he said, after a while, "you are in a mighty bad way. There's a chance for you to pull through, but it's a mighty slim one."

"What can it be?" I asked eagerly. "I have taken arsenic and gold, phosphorus, exercise, nux vomica, hydrotherapeutic baths, rest, excitement, codein, and aromatic spirits of ammonia. Is there anything left in the pharmacopoeia?"

"Somewhere in these mountains," said the doctor, "there's a plant growing—a flowering plant that'll cure you, and it's about the only thing that will. It's of a kind that's as old as the world; but of late it's powerful scarce and hard to find. You and I will have to hunt it up. I'm not engaged in active practice now: I'm getting along in years; but I'll take your case. You'll have to come every day in the afternoon and help me hunt for this plant till we find it. The city doctors may know a lot about new scientific things, but they don't know much about the cures that nature carries around in her saddlebags."

So every day the old doctor and I hunted the cure-all plant among the mountains and valleys of the Blue Ridge. Together we toiled up steep heights so slippery with fallen autumn leaves that we had to catch every sapling and branch within our reach to save us from falling. We waded through gorges and chasms, breast-deep with laurel and ferns; we followed the banks of mountain streams for miles; we wound our way like Indians through brakes of pine—road side, hill side, river side, mountain side we explored in our search for the miraculous plant.

As the old doctor said, it must have grown scarce and hard to find. But we followed our quest. Day by day we plumbed the valleys, scaled the heights, and tramped the plateaus in search of the miraculous plant. Mountain-bred, he never seemed to tire. I often reached home too fatigued to do anything except fall into bed and sleep until morning. This we kept up for a month.

One evening after I had returned from a six-mile tramp with the old doctor, Amaryllis and I took a little walk under the trees near the road. We looked at the mountains drawing their royal-purple robes around them for their night's repose.

"I'm glad you're well again," she said. "When you first came you frightened me. I thought you were really ill."

"Well again!" I almost shrieked. "Do you know that I have only one chance in a thousand to live?"

Amaryllis looked at me in surprise. "Why," said she, "you are as strong as one of the plough-mules, you sleep ten or twelve hours every night, and you are eating us out of house and home. What more do you want?"

"I tell you," said I, "that unless we find the magic—that is, the plant we are looking for—in time, nothing can save me. The doctor tells me so."

"What doctor?"

"Doctor Tatum—the old doctor who lives halfway up Black Oak Mountain. Do you know him?"

"I have known him since I was able to talk. And is that where you go every day—is it he who takes you on these long walks and climbs that have brought back your health and strength? God bless the old doctor."

Just then the old doctor himself drove slowly down the road in his rickety old buggy. I waved my hand at him and shouted that I would be on hand the next day at the usual time. He stopped his horse and called to Amaryllis to come out to him. They talked for five minutes while I waited. Then the old doctor drove on.

When we got to the house Amaryllis lugged out an encyclopaedia and sought a word in it. "The doctor said," she told me, "that you needn't call any more as a patient, but he'd be glad to see you any time as a friend. And then he told me to look up my name in the encyclopaedia and tell you what it means. It seems to be the name of a genus of flowering plants, and also the name of a country girl in Theocritus and Virgil. What do you suppose the doctor meant by that?"

"I know what he meant," said I. "I know now."

A word to a brother who may have come under the spell of the unquiet Lady Neurasthenia.

The formula was true. Even though gropingly at times, the physicians of the walled cities had put their fingers upon the specific medicament.

And so for the exercise one is referred to good Doctor Tatum on Black Oak Mountain—take the road to your right at the Methodist meeting house in the pine-grove.

Absolute rest and exercise!

What rest more remedial than to sit with Amaryllis in the shade, and, with a sixth sense, read the wordless Theocritan idyl of the gold-bannered blue mountains marching orderly into the dormitories of the night?



XV

OCTOBER AND JUNE

The Captain gazed gloomily at his sword that hung upon the wall. In the closet near by was stored his faded uniform, stained and worn by weather and service. What a long, long time it seemed since those old days of war's alarms!

And now, veteran that he was of his country's strenuous times, he had been reduced to abject surrender by a woman's soft eyes and smiling lips. As he sat in his quiet room he held in his hand the letter he had just received from her—the letter that had caused him to wear that look of gloom. He re-read the fatal paragraph that had destroyed his hope.

In declining the honour you have done me in asking me to be your wife, I feel that I ought to speak frankly. The reason I have for so doing is the great difference between our ages. I like you very, very much, but I am sure that our marriage would not be a happy one. I am sorry to have to refer to this, but I believe that you will appreciate my honesty in giving you the true reason.

The Captain sighed, and leaned his head upon his hand. Yes, there were many years between their ages. But he was strong and rugged, he had position and wealth. Would not his love, his tender care, and the advantages he could bestow upon her make her forget the question of age? Besides, he was almost sure that she cared for him.

The Captain was a man of prompt action. In the field he had been distinguished for his decisiveness and energy. He would see her and plead his cause again in person. Age!—what was it to come between him and the one he loved?

In two hours he stood ready, in light marching order, for his greatest battle. He took the train for the old Southern town in Tennessee where she lived.

Theodora Deming was on the steps of the handsome, porticoed old mansion, enjoying the summer twilight, when the Captain entered the gate and came up the gravelled walk. She met him with a smile that was free from embarrassment. As the Captain stood on the step below her, the difference in their ages did not appear so great. He was tall and straight and clear-eyed and browned. She was in the bloom of lovely womanhood.

"I wasn't expecting you," said Theodora; "but now that you've come you may sit on the step. Didn't you get my letter?"

"I did," said the Captain; "and that's why I came. I say, now, Theo, reconsider your answer, won't you?"

Theodora smiled softly upon him. He carried his years well. She was really fond of his strength, his wholesome looks, his manliness—perhaps, if—

"No, no," she said, shaking her head, positively; "it's out of the question. I like you a whole lot, but marrying won't do. My age and yours are—but don't make me say it again—I told you in my letter."

The Captain flushed a little through the bronze on his face. He was silent for a while, gazing sadly into the twilight. Beyond a line of woods that he could see was a field where the boys in blue had once bivouacked on their march toward the sea. How long ago it seemed now! Truly, Fate and Father Time had tricked him sorely. Just a few years interposed between himself and happiness!

Theodora's hand crept down and rested in the clasp of his firm, brown one. She felt, at least, that sentiment that is akin to love.

"Don't take it so hard, please," she said, gently. "It's all for the best. I've reasoned it out very wisely all by myself. Some day you'll be glad I didn't marry you. It would be very nice and lovely for a while—but, just think! In only a few short years what different tastes we would have! One of us would want to sit by the fireside and read, and maybe nurse neuralgia or rheumatism of evenings, while the other would be crazy for balls and theatres and late suppers. No, my dear friend. While it isn't exactly January and May, it's a clear case of October and pretty early in June."

"I'd always do what you wanted me to do, Theo. If you wanted to—"

"No, you wouldn't. You think now that you would, but you wouldn't. Please don't ask me any more."

The Captain had lost his battle. But he was a gallant warrior, and when he rose to make his final adieu his mouth was grimly set and his shoulders were squared.

He took the train for the North that night. On the next evening he was back in his room, where his sword was hanging against the wall. He was dressing for dinner, tying his white tie into a very careful bow. And at the same time he was indulging in a pensive soliloquy.

"'Pon my honour, I believe Theo was right, after all. Nobody can deny that she's a peach, but she must be twenty-eight, at the very kindest calculation."

For you see, the Captain was only nineteen, and his sword had never been drawn except on the parade ground at Chattanooga, which was as near as he ever got to the Spanish-American War.



XVI

THE CHURCH WITH AN OVERSHOT-WHEEL

Lakelands is not to be found in the catalogues of fashionable summer resorts. It lies on a low spur of the Cumberland range of mountains on a little tributary of the Clinch River. Lakelands proper is a contented village of two dozen houses situated on a forlorn, narrow-gauge railroad line. You wonder whether the railroad lost itself in the pine woods and ran into Lakelands from fright and loneliness, or whether Lakelands got lost and huddled itself along the railroad to wait for the cars to carry it home.

You wonder again why it was named Lakelands. There are no lakes, and the lands about are too poor to be worth mentioning.

Half a mile from the village stands the Eagle House, a big, roomy old mansion run by Josiah Rankin for the accommodation of visitors who desire the mountain air at inexpensive rates. The Eagle House is delightfully mismanaged. It is full of ancient instead of modern improvements, and it is altogether as comfortably neglected and pleasingly disarranged as your own home. But you are furnished with clean rooms and good and abundant fare: yourself and the piny woods must do the rest. Nature has provided a mineral spring, grape-vine swings, and croquet—even the wickets are wooden. You have Art to thank only for the fiddle-and-guitar music twice a week at the hop in the rustic pavilion.

The patrons of the Eagle House are those who seek recreation as a necessity, as well as a pleasure. They are busy people, who may be likened to clocks that need a fortnight's winding to insure a year's running of their wheels. You will find students there from the lower towns, now and then an artist, or a geologist absorbed in construing the ancient strata of the hills. A few quiet families spend the summers there; and often one or two tired members of that patient sisterhood known to Lakelands as "schoolmarms."

A quarter of a mile from the Eagle House was what would have been described to its guests as "an object of interest" in the catalogue, had the Eagle House issued a catalogue. This was an old, old mill that was no longer a mill. In the words of Josiah Rankin, it was "the only church in the United States, sah, with an overshot-wheel; and the only mill in the world, sah, with pews and a pipe organ." The guests of the Eagle House attended the old mill church each Sabbath, and heard the preacher liken the purified Christian to bolted flour ground to usefulness between the millstones of experience and suffering.

Every year about the beginning of autumn there came to the Eagle House one Abram Strong, who remained for a time an honoured and beloved guest. In Lakelands he was called "Father Abram," because his hair was so white, his face so strong and kind and florid, his laugh so merry, and his black clothes and broad hat so priestly in appearance. Even new guests after three or four days' acquaintance gave him this familiar title.

Father Abram came a long way to Lakelands. He lived in a big, roaring town in the Northwest where he owned mills, not little mills with pews and an organ in them, but great, ugly, mountain-like mills that the freight trains crawled around all day like ants around an ant-heap. And now you must be told about Father Abram and the mill that was a church, for their stories run together.

In the days when the church was a mill, Mr. Strong was the miller. There was no jollier, dustier, busier, happier miller in all the land than he. He lived in a little cottage across the road from the mill. His hand was heavy, but his toll was light, and the mountaineers brought their grain to him across many weary miles of rocky roads.

The delight of the miller's life was his little daughter, Aglaia. That was a brave name, truly, for a flaxen-haired toddler; but the mountaineers love sonorous and stately names. The mother had encountered it somewhere in a book, and the deed was done. In her babyhood Aglaia herself repudiated the name, as far as common use went, and persisted in calling herself "Dums." The miller and his wife often tried to coax from Aglaia the source of this mysterious name, but without results. At last they arrived at a theory. In the little garden behind the cottage was a bed of rhododendrons in which the child took a peculiar delight and interest. It may have been that she perceived in "Dums" a kinship to the formidable name of her favourite flowers.

When Aglaia was four years old she and her father used to go through a little performance in the mill every afternoon, that never failed to come off, the weather permitting. When supper was ready her mother would brush her hair and put on a clean apron and send her across to the mill to bring her father home. When the miller saw her coming in the mill door he would come forward, all white with the flour dust, and wave his hand and sing an old miller's song that was familiar in those parts and ran something like this:

"The wheel goes round, The grist is ground, The dusty miller's merry. He sings all day, His work is play, While thinking of his dearie."

Then Aglaia would run to him laughing, and call:

"Da-da, come take Dums home;" and the miller would swing her to his shoulder and march over to supper, singing the miller's song. Every evening this would take place.

One day, only a week after her fourth birthday, Aglaia disappeared. When last seen she was plucking wild flowers by the side of the road in front of the cottage. A little while later her mother went out to see that she did not stray too far away, and she was already gone.

Of course every effort was made to find her. The neighbours gathered and searched the woods and the mountains for miles around. They dragged every foot of the mill race and the creek for a long distance below the dam. Never a trace of her did they find. A night or two before there had been a family of wanderers camped in a grove near by. It was conjectured that they might have stolen the child; but when their wagon was overtaken and searched she could not be found.

The miller remained at the mill for nearly two years; and then his hope of finding her died out. He and his wife moved to the Northwest. In a few years he was the owner of a modern mill in one of the important milling cities in that region. Mrs. Strong never recovered from the shock caused by the loss of Aglaia, and two years after they moved away the miller was left to bear his sorrow alone.

When Abram Strong became prosperous he paid a visit to Lakelands and the old mill. The scene was a sad one for him, but he was a strong man, and always appeared cheery and kindly. It was then that he was inspired to convert the old mill into a church. Lakelands was too poor to build one; and the still poorer mountaineers could not assist. There was no place of worship nearer than twenty miles.

The miller altered the appearance of the mill as little as possible. The big overshot-wheel was left in its place. The young people who came to the church used to cut their initials in its soft and slowly decaying wood. The dam was partly destroyed, and the clear mountain stream rippled unchecked down its rocky bed. Inside the mill the changes were greater. The shafts and millstones and belts and pulleys were, of course, all removed. There were two rows of benches with aisles between, and a little raised platform and pulpit at one end. On three sides overhead was a gallery containing seats, and reached by a stairway inside. There was also an organ—a real pipe organ—in the gallery, that was the pride of the congregation of the Old Mill Church. Miss Phoebe Summers was the organist. The Lakelands boys proudly took turns at pumping it for her at each Sunday's service. The Rev. Mr. Banbridge was the preacher, and rode down from Squirrel Gap on his old white horse without ever missing a service. And Abram Strong paid for everything. He paid the preacher five hundred dollars a year; and Miss Phoebe two hundred dollars.

Thus, in memory of Aglaia, the old mill was converted into a blessing for the community in which she had once lived. It seemed that the brief life of the child had brought about more good than the three score years and ten of many. But Abram Strong set up yet another monument to her memory.

Out from his mills in the Northwest came the "Aglaia" flour, made from the hardest and finest wheat that could be raised. The country soon found out that the "Aglaia" flour had two prices. One was the highest market price, and the other was—nothing.

Wherever there happened a calamity that left people destitute—a fire, a flood, a tornado, a strike, or a famine, there would go hurrying a generous consignment of the "Aglaia" at its "nothing" price. It was given away cautiously and judiciously, but it was freely given, and not a penny could the hungry ones pay for it. There got to be a saying that whenever there was a disastrous fire in the poor districts of a city the fire chief's buggy reached the scene first, next the "Aglaia" flour wagon, and then the fire engines.

So this was Abram Strong's other monument to Aglaia. Perhaps to a poet the theme may seem too utilitarian for beauty; but to some the fancy will seem sweet and fine that the pure, white, virgin flour, flying on its mission of love and charity, might be likened to the spirit of the lost child whose memory it signalized.

There came a year that brought hard times to the Cumberlands. Grain crops everywhere were light, and there were no local crops at all. Mountain floods had done much damage to property. Even game in the woods was so scarce that the hunters brought hardly enough home to keep their folk alive. Especially about Lakelands was the rigour felt.

As soon as Abram Strong heard of this his messages flew; and the little narrow-gauge cars began to unload "Aglaia" flour there. The miller's orders were to store the flour in the gallery of the Old Mill Church; and that every one who attended the church was to carry home a sack of it.

Two weeks after that Abram Strong came for his yearly visit to the Eagle House, and became "Father Abram" again.

That season the Eagle House had fewer guests than usual. Among them was Rose Chester. Miss Chester came to Lakelands from Atlanta, where she worked in a department store. This was the first vacation outing of her life. The wife of the store manager had once spent a summer at the Eagle House. She had taken a fancy to Rose, and had persuaded her to go there for her three weeks' holiday. The manager's wife gave her a letter to Mrs. Rankin, who gladly received her in her own charge and care.

Miss Chester was not very strong. She was about twenty, and pale and delicate from an indoor life. But one week of Lakelands gave her a brightness and spirit that changed her wonderfully. The time was early September when the Cumberlands are at their greatest beauty. The mountain foliage was growing brilliant with autumnal colours; one breathed aerial champagne, the nights were deliciously cool, causing one to snuggle cosily under the warm blankets of the Eagle House.

Father Abram and Miss Chester became great friends. The old miller learned her story from Mrs. Rankin, and his interest went out quickly to the slender lonely girl who was making her own way in the world.

The mountain country was new to Miss Chester. She had lived many years in the warm, flat town of Atlanta; and the grandeur and variety of the Cumberlands delighted her. She was determined to enjoy every moment of her stay. Her little hoard of savings had been estimated so carefully in connection with her expenses that she knew almost to a penny what her very small surplus would be when she returned to work.

Miss Chester was fortunate in gaining Father Abram for a friend and companion. He knew every road and peak and slope of the mountains near Lakelands. Through him she became acquainted with the solemn delight of the shadowy, tilted aisles of the pine forests, the dignity of the bare crags, the crystal, tonic mornings, the dreamy, golden afternoons full of mysterious sadness. So her health improved, and her spirits grew light. She had a laugh as genial and hearty in its feminine way as the famous laugh of Father Abram. Both of them were natural optimists; and both knew how to present a serene and cheerful face to the world.

One day Miss Chester learned from one of the guests the history of Father Abram's lost child. Quickly she hurried away and found the miller seated on his favourite rustic bench near the chalybeate spring. He was surprised when his little friend slipped her hand into his, and looked at him with tears in her eyes.

"Oh, Father Abram," she said, "I'm so sorry! I didn't know until to-day about your little daughter. You will find her yet some day— Oh, I hope you will."

The miller looked down at her with his strong, ready smile.

"Thank you, Miss Rose," he said, in his usual cheery tones. "But I do not expect to find Aglaia. For a few years I hoped that she had been stolen by vagrants, and that she still lived; but I have lost that hope. I believe that she was drowned."

"I can understand," said Miss Chester, "how the doubt must have made it so hard to bear. And yet you are so cheerful and so ready to make other people's burdens light. Good Father Abram!"

"Good Miss Rose!" mimicked the miller, smiling. "Who thinks of others more than you do?"

A whimsical mood seemed to strike Miss Chester.

"Oh, Father Abram," she cried, "wouldn't it be grand if I should prove to be your daughter? Wouldn't it be romantic? And wouldn't you like to have me for a daughter?"

"Indeed, I would," said the miller, heartily. "If Aglaia had lived I could wish for nothing better than for her to have grown up to be just such a little woman as you are. Maybe you are Aglaia," he continued, falling in with her playful mood; "can't you remember when we lived at the mill?"

Miss Chester fell swiftly into serious meditation. Her large eyes were fixed vaguely upon something in the distance. Father Abram was amused at her quick return to seriousness. She sat thus for a long time before she spoke.

"No," she said at length, with a long sigh, "I can't remember anything at all about a mill. I don't think that I ever saw a flour mill in my life until I saw your funny little church. And if I were your little girl I would remember it, wouldn't I? I'm so sorry, Father Abram."

"So am I," said Father Abram, humouring her. "But if you cannot remember that you are my little girl, Miss Rose, surely you can recollect being some one else's. You remember your own parents, of course."

"Oh, yes; I remember them very well—especially my father. He wasn't a bit like you, Father Abram. Oh, I was only making believe: Come, now, you've rested long enough. You promised to show me the pool where you can see the trout playing, this afternoon. I never saw a trout."

Late one afternoon Father Abram set out for the old mill alone. He often went to sit and think of the old days when he lived in the cottage across the road. Time had smoothed away the sharpness of his grief until he no longer found the memory of those times painful. But whenever Abram Strong sat in the melancholy September afternoons on the spot where "Dums" used to run in every day with her yellow curls flying, the smile that Lakelands always saw upon his face was not there.

The miller made his way slowly up the winding, steep road. The trees crowded so close to the edge of it that he walked in their shade, with his hat in his hand. Squirrels ran playfully upon the old rail fence at his right. Quails were calling to their young broods in the wheat stubble. The low sun sent a torrent of pale gold up the ravine that opened to the west. Early September!—it was within a few days only of the anniversary of Aglaia's disappearance.

The old overshot-wheel, half covered with mountain ivy, caught patches of the warm sunlight filtering through the trees. The cottage across the road was still standing, but it would doubtless go down before the next winter's mountain blasts. It was overrun with morning glory and wild gourd vines, and the door hung by one hinge.

Father Abram pushed open the mill door, and entered softly. And then he stood still, wondering. He heard the sound of some one within, weeping inconsolably. He looked, and saw Miss Chester sitting in a dim pew, with her head bowed upon an open letter that her hands held.

Father Abram went to her, and laid one of his strong hands firmly upon hers. She looked up, breathed his name, and tried to speak further.

"Not yet, Miss Rose," said the miller, kindly. "Don't try to talk yet. There's nothing as good for you as a nice, quiet little cry when you are feeling blue."

It seemed that the old miller, who had known so much sorrow himself, was a magician in driving it away from others. Miss Chester's sobs grew easier. Presently she took her little plain-bordered handkerchief and wiped away a drop or two that had fallen from her eyes upon Father Abram's big hand. Then she looked up and smiled through her tears. Miss Chester could always smile before her tears had dried, just as Father Abram could smile through his own grief. In that way the two were very much alike.

The miller asked her no questions; but by and by Miss Chester began to tell him.

It was the old story that always seems so big and important to the young, and that brings reminiscent smiles to their elders. Love was the theme, as may be supposed. There was a young man in Atlanta, full of all goodness and the graces, who had discovered that Miss Chester also possessed these qualities above all other people in Atlanta or anywhere else from Greenland to Patagonia. She showed Father Abram the letter over which she had been weeping. It was a manly, tender letter, a little superlative and urgent, after the style of love letters written by young men full of goodness and the graces. He proposed for Miss Chester's hand in marriage at once. Life, he said, since her departure for a three-weeks' visit, was not to be endured. He begged for an immediate answer; and if it were favourable he promised to fly, ignoring the narrow-gauge railroad, at once to Lakelands.

"And now where does the trouble come in?" asked the miller when he had read the letter.

"I cannot marry him," said Miss Chester.

"Do you want to marry him?" asked Father Abram.

"Oh, I love him," she answered, "but—" Down went her head and she sobbed again.

"Come, Miss Rose," said the miller; "you can give me your confidence. I do not question you, but I think you can trust me."

"I do trust you," said the girl. "I will tell you why I must refuse Ralph. I am nobody; I haven't even a name; the name I call myself is a lie. Ralph is a noble man. I love him with all my heart, but I can never be his."

"What talk is this?" said Father Abram. "You said that you remember your parents. Why do you say you have no name? I do not understand."

"I do remember them," said Miss Chester. "I remember them too well. My first recollections are of our life somewhere in the far South. We moved many times to different towns and states. I have picked cotton, and worked in factories, and have often gone without enough food and clothes. My mother was sometimes good to me; my father was always cruel, and beat me. I think they were both idle and unsettled.

"One night when we were living in a little town on a river near Atlanta they had a great quarrel. It was while they were abusing and taunting each other that I learned—oh, Father Abram, I learned that I didn't even have the right to be—don't you understand? I had no right even to a name; I was nobody.

"I ran away that night. I walked to Atlanta and found work. I gave myself the name of Rose Chester, and have earned my own living ever since. Now you know why I cannot marry Ralph—and, oh, I can never tell him why."

Better than any sympathy, more helpful than pity, was Father Abram's depreciation of her woes.

"Why, dear, dear! is that all?" he said. "Fie, fie! I thought something was in the way. If this perfect young man is a man at all he will not care a pinch of bran for your family tree. Dear Miss Rose, take my word for it, it is yourself he cares for. Tell him frankly, just as you have told me, and I'll warrant that he will laugh at your story, and think all the more of you for it."

"I shall never tell him," said Miss Chester, sadly. "And I shall never marry him nor any one else. I have not the right."

But they saw a long shadow come bobbing up the sunlit road. And then came a shorter one bobbing by its side; and presently two strange figures approached the church. The long shadow was made by Miss Phoebe Summers, the organist, come to practise. Tommy Teague, aged twelve, was responsible for the shorter shadow. It was Tommy's day to pump the organ for Miss Phoebe, and his bare toes proudly spurned the dust of the road.

Miss Phoebe, in her lilac-spray chintz dress, with her accurate little curls hanging over each ear, courtesied low to Father Abram, and shook her curls ceremoniously at Miss Chester. Then she and her assistant climbed the steep stairway to the organ loft.

In the gathering shadows below, Father Abram and Miss Chester lingered. They were silent; and it is likely that they were busy with their memories. Miss Chester sat, leaning her head on her hand, with her eyes fixed far away. Father Abram stood in the next pew, looking thoughtfully out of the door at the road and the ruined cottage.

Suddenly the scene was transformed for him back almost a score of years into the past. For, as Tommy pumped away, Miss Phoebe struck a low bass note on the organ and held it to test the volume of air that it contained. The church ceased to exist, so far as Father Abram was concerned. The deep, booming vibration that shook the little frame building was no note from an organ, but the humming of the mill machinery. He felt sure that the old overshot-wheel was turning; that he was back again, a dusty, merry miller in the old mountain mill. And now evening was come, and soon would come Aglaia with flying colours, toddling across the road to take him home to supper. Father Abram's eyes were fixed upon the broken door of the cottage.

And then came another wonder. In the gallery overhead the sacks of flour were stacked in long rows. Perhaps a mouse had been at one of them; anyway the jar of the deep organ note shook down between the cracks of the gallery floor a stream of flour, covering Father Abram from head to foot with the white dust. And then the old miller stepped into the aisle, and waved his arms and began to sing the miller's song:

"The wheel goes round, The grist is ground, The dusty miller's merry."

—and then the rest of the miracle happened. Miss Chester was leaning forward from her pew, as pale as the flour itself, her wide-open eyes staring at Father Abram like one in a waking dream. When he began the song she stretched out her arms to him; her lips moved; she called to him in dreamy tones: "Da-da, come take Dums home!"

Miss Phoebe released the low key of the organ. But her work had been well done. The note that she struck had beaten down the doors of a closed memory; and Father Abram held his lost Aglaia close in his arms.

When you visit Lakelands they will tell you more of this story. They will tell you how the lines of it were afterward traced, and the history of the miller's daughter revealed after the gipsy wanderers had stolen her on that September day, attracted by her childish beauty. But you should wait until you sit comfortably on the shaded porch of the Eagle House, and then you can have the story at your ease. It seems best that our part of it should close while Miss Phoebe's deep bass note was yet reverberating softly.

And yet, to my mind, the finest thing of it all happened while Father Abram and his daughter were walking back to the Eagle House in the long twilight, almost too glad to speak.

"Father," she said, somewhat timidly and doubtfully, "have you a great deal of money?"

"A great deal?" said the miller. "Well, that depends. There is plenty unless you want to buy the moon or something equally expensive."

"Would it cost very, very much," asked Aglaia, who had always counted her dimes so carefully, "to send a telegram to Atlanta?"

"Ah," said Father Abram, with a little sigh, "I see. You want to ask Ralph to come."

Aglaia looked up at him with a tender smile.

"I want to ask him to wait," she said. "I have just found my father, and I want it to be just we two for a while. I want to tell him he will have to wait."



XVII

NEW YORK BY CAMP FIRE LIGHT

Away out in the Creek Nation we learned things about New York.

We were on a hunting trip, and were camped one night on the bank of a little stream. Bud Kingsbury was our skilled hunter and guide, and it was from his lips that we had explanations of Manhattan and the queer folks that inhabit it. Bud had once spent a month in the metropolis, and a week or two at other times, and he was pleased to discourse to us of what he had seen.

Fifty yards away from our camp was pitched the teepee of a wandering family of Indians that had come up and settled there for the night. An old, old Indian woman was trying to build a fire under an iron pot hung upon three sticks.

Bud went over to her assistance, and soon had her fire going. When he came back we complimented him playfully upon his gallantry.

"Oh," said Bud, "don't mention it. It's a way I have. Whenever I see a lady trying to cook things in a pot and having trouble I always go to the rescue. I done the same thing once in a high-toned house in. New York City. Heap big society teepee on Fifth Avenue. That Injun lady kind of recalled it to my mind. Yes, I endeavours to be polite and help the ladies out."

The camp demanded the particulars.

"I was manager of the Triangle B Ranch in the Panhandle," said Bud. "It was owned at that time by old man Sterling, of New York. He wanted to sell out, and he wrote for me to come on to New York and explain the ranch to the syndicate that wanted to buy. So I sends to Fort Worth and has a forty dollar suit of clothes made, and hits the trail for the big village.

"Well, when I got there, old man Sterling and his outfit certainly laid themselves out to be agreeable. We had business and pleasure so mixed up that you couldn't tell whether it was a treat or a trade half the time. We had trolley rides, and cigars, and theatre round-ups, and rubber parties."

"Rubber parties?" said a listener, inquiringly.

"Sure," said Bud. "Didn't you never attend 'em? You walk around and try to look at the tops of the skyscrapers. Well, we sold the ranch, and old man Sterling asks me 'round to his house to take grub on the night before I started back. It wasn't any high-collared affair—just me and the old man and his wife and daughter. But they was a fine-haired outfit all right, and the lilies of the field wasn't in it. They made my Fort Worth clothes carpenter look like a dealer in horse blankets and gee strings. And then the table was all pompous with flowers, and there was a whole kit of tools laid out beside everybody's plate. You'd have thought you was fixed out to burglarize a restaurant before you could get your grub. But I'd been in New York over a week then, and I was getting on to stylish ways. I kind of trailed behind and watched the others use the hardware supplies, and then I tackled the chuck with the same weapons. It ain't much trouble to travel with the high-flyers after you find out their gait. I got along fine. I was feeling cool and agreeable, and pretty soon I was talking away fluent as you please, all about the ranch and the West, and telling 'em how the Indians eat grasshopper stew and snakes, and you never saw people so interested.

"But the real joy of that feast was that Miss Sterling. Just a little trick she was, not bigger than two bits' worth of chewing plug; but she had a way about her that seemed to say she was the people, and you believed it. And yet, she never put on any airs, and she smiled at me the same as if I was a millionaire while I was telling about a Creek dog feast and listened like it was news from home.

"By and by, after we had eat oysters and some watery soup and truck that never was in my repertory, a Methodist preacher brings in a kind of camp stove arrangement, all silver, on long legs, with a lamp under it.

"Miss Sterling lights up and begins to do some cooking right on the supper table. I wondered why old man Sterling didn't hire a cook, with all the money he had. Pretty soon she dished out some cheesy tasting truck that she said was rabbit, but I swear there had never been a Molly cotton tail in a mile of it.

"The last thing on the programme was lemonade. It was brought around in little flat glass bowls and set by your plate. I was pretty thirsty, and I picked up mine and took a big swig of it. Right there was where the little lady had made a mistake. She had put in the lemon all right, but she'd forgot the sugar. The best housekeepers slip up sometimes. I thought maybe Miss Sterling was just learning to keep house and cook—that rabbit would surely make you think so—and I says to myself, 'Little lady, sugar or no sugar I'll stand by you,' and I raises up my bowl again and drinks the last drop of the lemonade. And then all the balance of 'em picks up their bowls and does the same. And then I gives Miss Sterling the laugh proper, just to carry it off like a joke, so she wouldn't feel bad about the mistake.

"After we all went into the sitting room she sat down and talked to me quite awhile.

"'It was so kind of you, Mr. Kingsbury,' says she, 'to bring my blunder off so nicely. It was so stupid of me to forget the sugar.'

"'Never you mind,' says I, 'some lucky man will throw his rope over a mighty elegant little housekeeper some day, not far from here.'

"'If you mean me, Mr. Kingsbury,' says she, laughing out loud, 'I hope he will be as lenient with my poor housekeeping as you have been.'

"'Don't mention it,' says I. 'Anything to oblige the ladies.'"

Bud ceased his reminiscences. And then some one asked him what he considered the most striking and prominent trait of New Yorkers.

"The most visible and peculiar trait of New York folks," answered Bud, "is New York. Most of 'em has New York on the brain. They have heard of other places, such as Waco, and Paris, and Hot Springs, and London; but they don't believe in 'em. They think that town is all Merino. Now to show you how much they care for their village I'll tell you about one of 'em that strayed out as far as the Triangle B while I was working there.

"This New Yorker come out there looking for a job on the ranch. He said he was a good horseback rider, and there was pieces of tanbark hanging on his clothes yet from his riding school.

"Well, for a while they put him to keeping books in the ranch store, for he was a devil at figures. But he got tired of that, and asked for something more in the line of activity. The boys on the ranch liked him all right, but he made us tired shouting New York all the time. Every night he'd tell us about East River and J. P. Morgan and the Eden Musee and Hetty Green and Central Park till we used to throw tin plates and branding irons at him.

"One day this chap gets on a pitching pony, and the pony kind of sidled up his back and went to eating grass while the New Yorker was coming down.

"He come down on his head on a chunk of mesquit wood, and he didn't show any designs toward getting up again. We laid him out in a tent, and he begun to look pretty dead. So Gideon Pease saddles up and burns the wind for old Doc Sleeper's residence in Dogtown, thirty miles away.

"The doctor comes over and he investigates the patient.

"'Boys,' says he, 'you might as well go to playing seven-up for his saddle and clothes, for his head's fractured and if he lives ten minutes it will be a remarkable case of longevity.'

"Of course we didn't gamble for the poor rooster's saddle—that was one of Doc's jokes. But we stood around feeling solemn, and all of us forgive him for having talked us to death about New York.

"I never saw anybody about to hand in his checks act more peaceful than this fellow. His eyes were fixed 'way up in the air, and he was using rambling words to himself all about sweet music and beautiful streets and white-robed forms, and he was smiling like dying was a pleasure.

"'He's about gone now,' said Doc. 'Whenever they begin to think they see heaven it's all off.'

"Blamed if that New York man didn't sit right up when he heard the Doc say that.

"'Say,' says he, kind of disappointed, 'was that heaven? Confound it all, I thought it was Broadway. Some of you fellows get my clothes. I'm going to get up.'

"And I'll be blamed," concluded Bud, "if he wasn't on the train with a ticket for New York in his pocket four days afterward!"



XVIII

THE ADVENTURES OF SHAMROCK JOLNES

I am so fortunate as to count Shamrock Jolnes, the great New York detective, among my muster of friends. Jolnes is what is called the "inside man" of the city detective force. He is an expert in the use of the typewriter, and it is his duty, whenever there is a "murder mystery" to be solved, to sit at a desk telephone at headquarters and take down the messages of "cranks" who 'phone in their confessions to having committed the crime.

But on certain "off" days when confessions are coming in slowly and three or four newspapers have run to earth as many different guilty persons, Jolnes will knock about the town with me, exhibiting, to my great delight and instruction, his marvellous powers of observation and deduction.

The other day I dropped in at Headquarters and found the great detective gazing thoughtfully at a string that was tied tightly around his little finger.

"Good morning, Whatsup," he said, without turning his head. "I'm glad to notice that you've had your house fitted up with electric lights at last."

"Will you please tell me," I said, in surprise, "how you knew that? I am sure that I never mentioned the fact to any one, and the wiring was a rush order not completed until this morning."

"Nothing easier," said Jolnes, genially. "As you came in I caught the odour of the cigar you are smoking. I know an expensive cigar; and I know that not more than three men in New York can afford to smoke cigars and pay gas bills too at the present time. That was an easy one. But I am working just now on a little problem of my own."

"Why have you that string on your finger?" I asked.

"That's the problem," said Jolnes. "My wife tied that on this morning to remind me of something I was to send up to the house. Sit down, Whatsup, and excuse me for a few moments."

The distinguished detective went to a wall telephone, and stood with the receiver to his ear for probably ten minutes.

"Were you listening to a confession?" I asked, when he had returned to his chair.

"Perhaps," said Jolnes, with a smile, "it might be called something of the sort. To be frank with you, Whatsup, I've cut out the dope. I've been increasing the quantity for so long that morphine doesn't have much effect on me any more. I've got to have something more powerful. That telephone I just went to is connected with a room in the Waldorf where there's an author's reading in progress. Now, to get at the solution of this string."

After five minutes of silent pondering, Jolnes looked at me, with a smile, and nodded his head.

"Wonderful man!" I exclaimed; "already?"

"It is quite simple," he said, holding up his finger. "You see that knot? That is to prevent my forgetting. It is, therefore, a forget-me-knot. A forget-me-not is a flower. It was a sack of flour that I was to send home!"

"Beautiful!" I could not help crying out in admiration.

"Suppose we go out for a ramble," suggested Jolnes.

"There is only one case of importance on hand just now. Old man McCarty, one hundred and four years old, died from eating too many bananas. The evidence points so strongly to the Mafia that the police have surrounded the Second Avenue Katzenjammer Gambrinus Club No. 2, and the capture of the assassin is only the matter of a few hours. The detective force has not yet been called on for assistance."

Jolnes and I went out and up the street toward the corner, where we were to catch a surface car.

Half-way up the block we met Rheingelder, an acquaintance of ours, who held a City Hall position.

"Good morning, Rheingelder," said Jolnes, halting.

"Nice breakfast that was you had this morning."

Always on the lookout for the detective's remarkable feats of deduction, I saw Jolnes's eye flash for an instant upon a long yellow splash on the shirt bosom and a smaller one upon the chin of Rheingelder—both undoubtedly made by the yolk of an egg.

"Oh, dot is some of your detectiveness," said Rheingelder, shaking all over with a smile. "Vell, I pet you trinks und cigars all round dot you cannot tell vot I haf eaten for breakfast."

"Done," said Jolnes. "Sausage, pumpernickel and coffee."

Rheingelder admitted the correctness of the surmise and paid the bet. When we had proceeded on our way I said to Jolnes:

"I thought you looked at the egg spilled on his chin and shirt front."

"I did," said Jolnes. "That is where I began my deduction. Rheingelder is a very economical, saving man. Yesterday eggs dropped in the market to twenty-eight cents per dozen. To-day they are quoted at forty-two. Rheingelder ate eggs yesterday, and to-day he went back to his usual fare. A little thing like this isn't anything, Whatsup; it belongs to the primary arithmetic class."

When we boarded the street car we found the seats all occupied—principally by ladies. Jolnes and I stood on the rear platform.

About the middle of the car there sat an elderly man with a short, gray beard, who looked to be the typical, well-dressed New Yorker. At successive corners other ladies climbed aboard, and soon three or four of them were standing over the man, clinging to straps and glaring meaningly at the man who occupied the coveted seat. But he resolutely retained his place.

"We New Yorkers," I remarked to Jolnes, "have about lost our manners, as far as the exercise of them in public goes."

"Perhaps so," said Jolnes, lightly; "but the man you evidently refer to happens to be a very chivalrous and courteous gentleman from Old Virginia. He is spending a few days in New York with his wife and two daughters, and he leaves for the South to-night."

"You know him, then?" I said, in amazement.

"I never saw him before we stepped on the car," declared the detective, smilingly.

"By the gold tooth of the Witch of Endor!" I cried, "if you can construe all that from his appearance you are dealing in nothing else than black art."

"The habit of observation—nothing more," said Jolnes. "If the old gentleman gets off the car before we do, I think I can demonstrate to you the accuracy of my deduction."

Three blocks farther along the gentleman rose to leave the car. Jolnes addressed him at the door:

"Pardon me, sir, but are you not Colonel Hunter, of Norfolk, Virginia?"

"No, suh," was the extremely courteous answer. "My name, suh, is Ellison—Major Winfield R. Ellison, from Fairfax County, in the same state. I know a good many people, suh, in Norfolk—the Goodriches, the Tollivers, and the Crabtrees, suh, but I never had the pleasure of meeting yo' friend, Colonel Hunter. I am happy to say, suh, that I am going back to Virginia to-night, after having spent a week in yo' city with my wife and three daughters. I shall be in Norfolk in about ten days, and if you will give me yo' name, suh, I will take pleasure in looking up Colonel Hunter and telling him that you inquired after him, suh."

"Thank you," said Jolnes; "tell him that Reynolds sent his regards, if you will be so kind."

I glanced at the great New York detective and saw that a look of intense chagrin had come upon his clear-cut features. Failure in the slightest point always galled Shamrock Jolnes.

"Did you say your three daughters?" he asked of the Virginia gentleman.

"Yes, suh, my three daughters, all as fine girls as there are in Fairfax County," was the answer.

With that Major Ellison stopped the car and began to descend the step.

Shamrock Jolnes clutched his arm.

"One moment, sir," he begged, in an urbane voice in which I alone detected the anxiety—"am I not right in believing that one of the young ladies is an adopted daughter?"

"You are, suh," admitted the major, from the ground, "but how the devil you knew it, suh, is mo' than I can tell."

"And mo' than I can tell, too," I said, as the car went on.

Jolnes was restored to his calm, observant serenity by having wrested victory from his apparent failure; so after we got off the car he invited me into a cafe, promising to reveal the process of his latest wonderful feat.

"In the first place," he began after we were comfortably seated, "I knew the gentleman was no New Yorker because he was flushed and uneasy and restless on account of the ladies that were standing, although he did not rise and give them his seat. I decided from his appearance that he was a Southerner rather than a Westerner.

"Next I began to figure out his reason for not relinquishing his seat to a lady when he evidently felt strongly, but not overpoweringly, impelled to do so. I very quickly decided upon that. I noticed that one of his eyes had received a severe jab in one corner, which was red and inflamed, and that all over his face were tiny round marks about the size of the end of an uncut lead pencil. Also upon both of his patent leather shoes were a number of deep imprints shaped like ovals cut off square at one end.

"Now, there is only one district in New York City where a man is bound to receive scars and wounds and indentations of that sort—and that is along the sidewalks of Twenty-third Street and a portion of Sixth Avenue south of there. I knew from the imprints of trampling French heels on his feet and the marks of countless jabs in the face from umbrellas and parasols carried by women in the shopping district that he had been in conflict with the amazonian troops. And as he was a man of intelligent appearance, I knew he would not have braved such dangers unless he had been dragged thither by his own women folk. Therefore, when he got on the car his anger at the treatment he had received was sufficient to make him keep his seat in spite of his traditions of Southern chivalry."

"That is all very well," I said, "but why did you insist upon daughters—and especially two daughters? Why couldn't a wife alone have taken him shopping?"

"There had to be daughters," said Jolnes, calmly. "If he had only a wife, and she near his own age, he could have bluffed her into going alone. If he had a young wife she would prefer to go alone. So there you are."

"I'll admit that," I said; "but, now, why two daughters? And how, in the name of all the prophets, did you guess that one was adopted when he told you he had three?"

"Don't say guess," said Jolnes, with a touch of pride in his air; "there is no such word in the lexicon of ratiocination. In Major Ellison's buttonhole there was a carnation and a rosebud backed by a geranium leaf. No woman ever combined a carnation and a rosebud into a boutonniere. Close your eyes, Whatsup, and give the logic of your imagination a chance. Cannot you see the lovely Adele fastening the carnation to the lapel so that papa may be gay upon the street? And then the romping Edith May dancing up with sisterly jealousy to add her rosebud to the adornment?"

"And then," I cried, beginning to feel enthusiasm, "when he declared that he had three daughters—"

"I could see," said Jolnes, "one in the background who added no flower; and I knew that she must be—"

"Adopted!" I broke in. "I give you every credit; but how did you know he was leaving for the South to-night?"

"In his breast pocket," said the great detective, "something large and oval made a protuberance. Good liquor is scarce on trains, and it is a long journey from New York to Fairfax County."

"Again, I must bow to you," I said. "And tell me this, so that my last shred of doubt will be cleared away; why did you decide that he was from Virginia?"

"It was very faint, I admit," answered Shamrock Jolnes, "but no trained observer could have failed to detect the odour of mint in the car."



XIX

THE LADY HIGHER UP

New York City, they said, was deserted; and that accounted, doubtless, for the sounds carrying so far in the tranquil summer air. The breeze was south-by-southwest; the hour was midnight; the theme was a bit of feminine gossip by wireless mythology. Three hundred and sixty-five feet above the heated asphalt the tiptoeing symbolic deity on Manhattan pointed her vacillating arrow straight, for the time, in the direction of her exalted sister on Liberty Island. The lights of the great Garden were out; the benches in the Square were filled with sleepers in postures so strange that beside them the writhing figures in Dore's illustrations of the Inferno would have straightened into tailor's dummies. The statue of Diana on the tower of the Garden—its constancy shown by its weathercock ways, its innocence by the coating of gold that it has acquired, its devotion to style by its single, graceful flying scarf, its candour and artlessness by its habit of ever drawing the long bow, its metropolitanism by its posture of swift flight to catch a Harlem train—remained poised with its arrow pointed across the upper bay. Had that arrow sped truly and horizontally it would have passed fifty feet above the head of the heroic matron whose duty it is to offer a cast-ironical welcome to the oppressed of other lands.

Seaward this lady gazed, and the furrows between steamship lines began to cut steerage rates. The translators, too, have put an extra burden upon her. "Liberty Lighting the World" (as her creator christened her) would have had a no more responsible duty, except for the size of it, than that of an electrician or a Standard Oil magnate. But to "enlighten" the world (as our learned civic guardians "Englished" it) requires abler qualities. And so poor Liberty, instead of having a sinecure as a mere illuminator, must be converted into a Chautauqua schoolma'am, with the oceans for her field instead of the placid, classic lake. With a fireless torch and an empty head must she dispel the shadows of the world and teach it its A, B, C's.

"Ah, there, Mrs. Liberty!" called a clear, rollicking soprano voice through the still, midnight air.

"Is that you, Miss Diana? Excuse my not turning my head. I'm not as flighty and whirly-whirly as some. And 'tis so hoarse I am I can hardly talk on account of the peanut-hulls left on the stairs in me throat by that last boatload of tourists from Marietta, Ohio. 'Tis after being a fine evening, miss."

"If you don't mind my asking," came the bell-like tones of the golden statue, "I'd like to know where you got that City Hall brogue. I didn't know that Liberty was necessarily Irish."

"If ye'd studied the history of art in its foreign complications ye'd not need to ask," replied the offshore statue. "If ye wasn't so light-headed and giddy ye'd know that I was made by a Dago and presented to the American people on behalf of the French Government for the purpose of welcomin' Irish immigrants into the Dutch city of New York. 'Tis that I've been doing night and day since I was erected. Ye must know, Miss Diana, that 'tis with statues the same as with people—'tis not their makers nor the purposes for which they were created that influence the operations of their tongues at all—it's the associations with which they become associated, I'm telling ye."

"You're dead right," agreed Diana. "I notice it on myself. If any of the old guys from Olympus were to come along and hand me any hot air in the ancient Greek I couldn't tell it from a conversation between a Coney Island car conductor and a five-cent fare."

"I'm right glad ye've made up your mind to be sociable, Miss Diana," said Mrs. Liberty. "'Tis a lonesome life I have down here. Is there anything doin' up in the city, Miss Diana, dear?"

"Oh, la, la, la!—no," said Diana. "Notice that 'la, la, la,' Aunt Liberty? Got that from 'Paris by Night' on the roof garden under me. You'll hear that 'la, la, la' at the Cafe McCann now, along with 'garsong.' The bohemian crowd there have become tired of 'garsong' since O'Rafferty, the head waiter, punched three of them for calling him it. Oh, no; the town's strickly on the bum these nights. Everybody's away. Saw a downtown merchant on a roof garden this evening with his stenographer. Show was so dull he went to sleep. A waiter biting on a dime tip to see if it was good half woke him up. He looks around and sees his little pothooks perpetrator. 'H'm!' says he, 'will you take a letter, Miss De St. Montmorency?' 'Sure, in a minute,' says she, 'if you'll make it an X.'

"That was the best thing happened on the roof. So you see how dull it is. La, la, la!"

"'Tis fine ye have it up there in society, Miss Diana. Ye have the cat show and the horse show and the military tournaments where the privates look grand as generals and the generals try to look grand as floor-walkers. And ye have the Sportsmen's Show, where the girl that measures 36, 19, 45 cooks breakfast food in a birch-bark wigwam on the banks of the Grand Canal of Venice conducted by one of the Vanderbilts, Bernard McFadden, and the Reverends Dowie and Duss. And ye have the French ball, where the original Cohens and the Robert Emmet-Sangerbund Society dance the Highland fling one with another. And ye have the grand O'Ryan ball, which is the most beautiful pageant in the world, where the French students vie with the Tyrolean warblers in doin' the cake walk. Ye have the best job for a statue in the whole town, Miss Diana.

"'Tis weary work," sighed the island statue, "disseminatin' the science of liberty in New York Bay. Sometimes when I take a peep down at Ellis Island and see the gang of immigrants I'm supposed to light up, 'tis tempted I am to blow out the gas and let the coroner write out their naturalization papers."

"Say, it's a shame, ain't it, to give you the worst end of it?" came the sympathetic antiphony of the steeplechase goddess. "It must be awfully lonesome down there with so much water around you. I don't see how you ever keep your hair in curl. And that Mother Hubbard you are wearing went out ten years ago. I think those sculptor guys ought to be held for damages for putting iron or marble clothes on a lady. That's where Mr. St. Gaudens was wise. I'm always a little ahead of the styles; but they're coming my way pretty fast. Excuse my back a moment—I caught a puff of wind from the north—shouldn't wonder if things had loosened up in Esopus. There, now! it's in the West—I should think that gold plank would have calmed the air out in that direction. What were you saying, Mrs. Liberty?"

"A fine chat I've had with ye, Miss Diana, ma'am, but I see one of them European steamers a-sailin' up the Narrows, and I must be attendin' to me duties. 'Tis me job to extend aloft the torch of Liberty to welcome all them that survive the kicks that the steerage stewards give 'em while landin.' Sure 'tis a great country ye can come to for $8.50, and the doctor waitin' to send ye back home free if he sees yer eyes red from cryin' for it."

The golden statue veered in the changing breeze, menacing many points on the horizon with its aureate arrow.

"So long, Aunt Liberty," sweetly called Diana of the Tower. "Some night, when the wind's right. I'll call you up again. But—say! you haven't got such a fierce kick coming about your job. I've kept a pretty good watch on the island of Manhattan since I've been up here. That's a pretty sick-looking bunch of liberty chasers they dump down at your end of it; but they don't all stay that way. Every little while up here I see guys signing checks and voting the right ticket, and encouraging the arts and taking a bath every morning, that was shoved ashore by a dock labourer born in the United States who never earned over forty dollars a month. Don't run down your job, Aunt Liberty; you're all right, all right."



XX

THE GREATER CONEY

"Next Sunday," said Dennis Carnahan, "I'll be after going down to see the new Coney Island that's risen like a phoenix bird from the ashes of the old resort. I'm going with Norah Flynn, and we'll fall victims to all the dry goods deceptions, from the red-flannel eruption of Mount Vesuvius to the pink silk ribbons on the race-suicide problems in the incubator kiosk.

"Was I there before? I was. I was there last Tuesday. Did I see the sights? I did not.

"Last Monday I amalgamated myself with the Bricklayers' Union, and in accordance with the rules I was ordered to quit work the same day on account of a sympathy strike with the Lady Salmon Canners' Lodge No.2, of Tacoma, Washington.

"'Twas disturbed I was in mind and proclivities by losing me job, bein' already harassed in me soul on account of havin' quarrelled with Norah Flynn a week before by reason of hard words spoken at the Dairymen and Street-Sprinkler Drivers' semi-annual ball, caused by jealousy and prickly heat and that divil, Andy Coghlin.

"So, I says, it will be Coney for Tuesday; and if the chutes and the short change and the green-corn silk between the teeth don't create diversions and get me feeling better, then I don't know at all.

"Ye will have heard that Coney has received moral reconstruction. The old Bowery, where they used to take your tintype by force and give ye knockout drops before having your palm read, is now called the Wall Street of the island. The wienerwurst stands are required by law to keep a news ticker in 'em; and the doughnuts are examined every four years by a retired steamboat inspector. The nigger man's head that was used by the old patrons to throw baseballs at is now illegal; and, by order of the Police Commissioner the image of a man drivin' an automobile has been substituted. I hear that the old immoral amusements have been suppressed. People who used to go down from New York to sit in the sand and dabble in the surf now give up their quarters to squeeze through turnstiles and see imitations of city fires and floods painted on canvas. The reprehensible and degradin' resorts that disgraced old Coney are said to be wiped out. The wipin'-out process consists of raisin' the price from 10 cents to 25 cents, and hirin' a blonde named Maudie to sell tickets instead of Micky, the Bowery Bite. That's what they say—I don't know.

"But to Coney I goes a-Tuesday. I gets off the 'L' and starts for the glitterin' show. 'Twas a fine sight. The Babylonian towers and the Hindoo roof gardens was blazin' with thousands of electric lights, and the streets was thick with people. 'Tis a true thing they say that Coney levels all rank. I see millionaires eatin' popcorn and trampin' along with the crowd; and I see eight-dollar-a-week clothin'-store clerks in red automobiles fightin' one another for who'd squeeze the horn when they come to a corner.

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