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Queen Victoria
by Lytton Strachey
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No doubt it was his health. He was wearing himself out in the service of the country; and certainly his constitution, as Stockmar had perceived from the first, was ill-adapted to meet a serious strain. He was easily upset; he constantly suffered from minor ailments. His appearance in itself was enough to indicate the infirmity of his physical powers. The handsome youth of twenty years since with the flashing eyes and the soft complexion had grown into a sallow, tired-looking man, whose body, in its stoop and its loose fleshiness, betrayed the sedentary labourer, and whose head was quite bald on the top. Unkind critics, who had once compared Albert to an operatic tenor, might have remarked that there was something of the butler about him now. Beside Victoria, he presented a painful contrast. She, too, was stout, but it was with the plumpness of a vigorous matron; and an eager vitality was everywhere visible—in her energetic bearing, her protruding, enquiring glances, her small, fat, capable, and commanding hands. If only, by some sympathetic magic, she could have conveyed into that portly, flabby figure, that desiccated and discouraged brain, a measure of the stamina and the self-assurance which were so pre-eminently hers!

But suddenly she was reminded that there were other perils besides those of ill-health. During a visit to Coburg in 1860, the Prince was very nearly killed in a carriage accident. He escaped with a few cuts and bruises; but Victoria's alarm was extreme, though she concealed it. "It is when the Queen feels most deeply," she wrote afterwards, "that she always appears calmest, and she could not and dared not allow herself to speak of what might have been, or even to admit to herself (and she cannot and dare not now) the entire danger, for her head would turn!" Her agitation, in fact, was only surpassed by her thankfulness to God. She felt, she said, that she could not rest "without doing something to mark permanently her feelings," and she decided that she would endow a charity in Coburg. "L1,000, or even L2,000, given either at once, or in instalments yearly, would not, in the Queen's opinion, be too much." Eventually, the smaller sum having been fixed upon, it was invested in a trust, called the "Victoria-Stift," in the name of the Burgomaster and chief clergyman of Coburg, who were directed to distribute the interest yearly among a certain number of young men and women of exemplary character belonging to the humbler ranks of life.

Shortly afterwards the Queen underwent, for the first time in her life, the actual experience of close personal loss. Early in 1861 the Duchess of Kent was taken seriously ill, and in March she died. The event overwhelmed Victoria. With a morbid intensity, she filled her diary for pages with minute descriptions of her mother's last hours, her dissolution, and her corpse, interspersed with vehement apostrophes, and the agitated outpourings of emotional reflection. In the grief of the present the disagreements of the past were totally forgotten. It was the horror and the mystery of Death—Death, present and actual—that seized upon the imagination of the Queen. Her whole being, so instinct with vitality, recoiled in agony from the grim spectacle of the triumph of that awful power. Her own mother, with whom she had lived so closely and so long that she had become a part almost of her existence, had fallen into nothingness before her very eyes! She tried to forget, but she could not. Her lamentations continued with a strange abundance, a strange persistency. It was almost as if, by some mysterious and unconscious precognition, she realised that for her, in an especial manner, that grisly Majesty had a dreadful dart in store.

For indeed, before the year was out, a far more terrible blow was to fall upon her. Albert, who had for long been suffering from sleeplessness, went, on a cold and drenching day towards the end of November, to inspect the buildings for the new Military Academy at Sandhurst. On his return, it was clear that the fatigue and exposure to which he had been subjected had seriously affected his health. He was attacked by rheumatism, his sleeplessness continued, and he complained that he felt thoroughly unwell. Three days later a painful duty obliged him to visit Cambridge. The Prince of Wales, who had been placed at that University in the previous year, was behaving in such a manner that a parental visit and a parental admonition had become necessary. The disappointed father, suffering in mind and body, carried through his task; but, on his return journey to Windsor, he caught a fatal chill. During the next week he gradually grew weaker and more miserable. Yet, depressed and enfeebled as he was, he continued to work. It so happened that at that very moment a grave diplomatic crisis had arisen. Civil war had broken out in America, and it seemed as if England, owing to a violent quarrel with the Northern States, was upon the point of being drawn into the conflict. A severe despatch by Lord John Russell was submitted to the Queen; and the Prince perceived that, if it was sent off unaltered, war would be the almost inevitable consequence. At seven o'clock on the morning of December 1, he rose from his bed, and with a quavering hand wrote a series of suggestions for the alteration of the draft, by which its language might be softened, and a way left open for a peaceful solution of the question. These changes were accepted by the Government, and war was averted. It was the Prince's last memorandum.

He had always declared that he viewed the prospect of death with equanimity. "I do not cling to life," he had once said to Victoria. "You do; but I set no store by it." And then he had added: "I am sure, if I had a severe illness, I should give up at once, I should not struggle for life. I have no tenacity of life." He had judged correctly. Before he had been ill many days, he told a friend that he was convinced he would not recover. He sank and sank. Nevertheless, if his case had been properly understood and skilfully treated from the first, he might conceivably have been saved; but the doctors failed to diagnose his symptoms; and it is noteworthy that his principal physician was Sir James Clark. When it was suggested that other advice should be taken, Sir James pooh-poohed the idea: "there was no cause for alarm," he said. But the strange illness grew worse. At last, after a letter of fierce remonstrance from Palmerston, Dr. Watson was sent for; and Dr. Watson saw at once that he had come too late The Prince was in the grip of typhoid fever. "I think that everything so far is satisfactory," said Sir James Clark.(*)

(*) Clarendon, II, 253-4: "One cannot speak with certainty; but it is horrible to think that such a life MAY have been sacrificed to Sir J. Clark's selfish jealousy of every member of his profession." The Earl of Clarendon to the Duchess of Manchester, December 17, 1861.

The restlessness and the acute suffering of the earlier days gave place to a settled torpor and an ever—deepening gloom. Once the failing patient asked for music—"a fine chorale at a distance;" and a piano having been placed in the adjoining room, Princess Alice played on it some of Luther's hymns, after which the Prince repeated "The Rock of Ages." Sometimes his mind wandered; sometimes the distant past came rushing upon him; he heard the birds in the early morning, and was at Rosenau again, a boy. Or Victoria would come and read to him "Peveril of the Peak," and he showed that he could follow the story, and then she would bend over him, and he would murmur "liebes Frauchen" and "gutes Weibchen," stroking her cheek. Her distress and her agitation were great, but she was not seriously frightened. Buoyed up by her own abundant energies, she would not believe that Albert's might prove unequal to the strain. She refused to face such a hideous possibility. She declined to see Dr. Watson. Why should she? Had not Sir James Clark assured her that all would be well? Only two days before the end, which was seen now to be almost inevitable by everyone about her, she wrote, full of apparent confidence, to the King of the Belgians: "I do not sit up with him at night," she said, "as I could be of no use; and there is nothing to cause alarm." The Princess Alice tried to tell her the truth, but her hopefulness would not be daunted. On the morning of December 14, Albert, just as she had expected, seemed to be better; perhaps the crisis was over. But in the course of the day there was a serious relapse. Then at last she allowed herself to see that she was standing on the edge of an appalling gulf. The whole family was summoned, and, one after another, the children took a silent farewell of their father. "It was a terrible moment," Victoria wrote in her diary, "but, thank God! I was able to command myself, and to be perfectly calm, and remained sitting by his side." He murmured something, but she could not hear what it was; she thought he was speaking in French. Then all at once he began to arrange his hair, "just as he used to do when well and he was dressing." "Es kleines Frauchen," she whispered to him; and he seemed to understand. For a moment, towards the evening, she went into another room, but was immediately called back; she saw at a glance that a ghastly change had taken place. As she knelt by the bed, he breathed deeply, breathed gently, breathed at last no more. His features became perfectly rigid; she shrieked one long wild shriek that rang through the terror-stricken castle and understood that she had lost him for ever.



CHAPTER VII. WIDOWHOOD

I

The death of the Prince Consort was the central turning-point in the history of Queen Victoria. She herself felt that her true life had ceased with her husband's, and that the remainder of her days upon earth was of a twilight nature—an epilogue to a drama that was done. Nor is it possible that her biographer should escape a similar impression. For him, too, there is a darkness over the latter half of that long career. The first forty—two years of the Queen's life are illuminated by a great and varied quantity of authentic information. With Albert's death a veil descends. Only occasionally, at fitful and disconnected intervals, does it lift for a moment or two; a few main outlines, a few remarkable details may be discerned; the rest is all conjecture and ambiguity. Thus, though the Queen survived her great bereavement for almost as many years as she had lived before it, the chronicle of those years can bear no proportion to the tale of her earlier life. We must be content in our ignorance with a brief and summary relation.

The sudden removal of the Prince was not merely a matter of overwhelming personal concern to Victoria; it was an event of national, of European importance. He was only forty-two, and in the ordinary course of nature he might have been expected to live at least thirty years longer. Had he done so it can hardly be doubted that the whole development of the English polity would have been changed. Already at the time of his death he filled a unique place in English public life; already among the inner circle of politicians he was accepted as a necessary and useful part of the mechanism of the State. Lord Clarendon, for instance, spoke of his death as "a national calamity of far greater importance than the public dream of," and lamented the loss of his "sagacity and foresight," which, he declared, would have been "more than ever valuable" in the event of an American war. And, as time went on, the Prince's influence must have enormously increased. For, in addition to his intellectual and moral qualities, he enjoyed, by virtue of his position, one supreme advantage which every other holder of high office in the country was without: he was permanent. Politicians came and went, but the Prince was perpetually installed at the centre of affairs. Who can doubt that, towards the end of the century, such a man, grown grey in the service of the nation, virtuous, intelligent, and with the unexampled experience of a whole life-time of government, would have acquired an extraordinary prestige? If, in his youth, he had been able to pit the Crown against the mighty Palmerston and to come off with equal honours from the contest, of what might he not have been capable in his old age? What Minister, however able, however popular, could have withstood the wisdom, the irreproachability, the vast prescriptive authority, of the venerable Prince? It is easy to imagine how, under such a ruler, an attempt might have been made to convert England into a State as exactly organised, as elaborately trained, as efficiently equipped, and as autocratically controlled, as Prussia herself. Then perhaps, eventually, under some powerful leader—a Gladstone or a Bright—the democratic forces in the country might have rallied together, and a struggle might have followed in which the Monarchy would have been shaken to its foundations. Or, on the other hand, Disraeli's hypothetical prophecy might have come true. "With Prince Albert," he said, "we have buried our... sovereign. This German Prince has governed England for twenty-one years with a wisdom and energy such as none of our kings have ever shown. If he had outlived some of our 'old stagers' he would have given us the blessings of absolute government."

The English Constitution—that indescribable entity—is a living thing, growing with the growth of men, and assuming ever-varying forms in accordance with the subtle and complex laws of human character. It is the child of wisdom and chance. The wise men of 1688 moulded it into the shape we know, but the chance that George I could not speak English gave it one of its essential peculiarities—the system of a Cabinet independent of the Crown and subordinate to the Prime Minister. The wisdom of Lord Grey saved it from petrifaction and destruction, and set it upon the path of Democracy. Then chance intervened once more; a female sovereign happened to marry an able and pertinacious man; and it seemed likely that an element which had been quiescent within it for years—the element of irresponsible administrative power—was about to become its predominant characteristic and to change completely the direction of its growth. But what chance gave chance took away. The Consort perished in his prime; and the English Constitution, dropping the dead limb with hardly a tremor, continued its mysterious life as if he had never been.

One human being, and one alone, felt the full force of what had happened. The Baron, by his fireside at Coburg, suddenly saw the tremendous fabric of his creation crash down into sheer and irremediable ruin. Albert was gone, and he had lived in vain. Even his blackest hypochondria had never envisioned quite so miserable a catastrophe. Victoria wrote to him, visited him, tried to console him by declaring with passionate conviction that she would carry on her husband's work. He smiled a sad smile and looked into the fire. Then he murmured that he was going where Albert was—that he would not be long. He shrank into himself. His children clustered round him and did their best to comfort him, but it was useless: the Baron's heart was broken. He lingered for eighteen months, and then, with his pupil, explored the shadow and the dust.

II

With appalling suddenness Victoria had exchanged the serene radiance of happiness for the utter darkness of woe. In the first dreadful moments those about her had feared that she might lose her reason, but the iron strain within her held firm, and in the intervals between the intense paroxysms of grief it was observed that the Queen was calm. She remembered, too, that Albert had always disapproved of exaggerated manifestations of feeling, and her one remaining desire was to do nothing but what he would have wished. Yet there were moments when her royal anguish would brook no restraints. One day she sent for the Duchess of Sutherland, and, leading her to the Prince's room, fell prostrate before his clothes in a flood of weeping, while she adjured the Duchess to tell her whether the beauty of Albert's character had ever been surpassed. At other times a feeling akin to indignation swept over her. "The poor fatherless baby of eight months," she wrote to the King of the Belgians, "is now the utterly heartbroken and crushed widow of forty-two! My LIFE as a HAPPY one is ENDED! The world is gone for ME!... Oh! to be cut off in the prime of life—to see our pure, happy, quiet, domestic life, which ALONE enabled me to bear my MUCH disliked position, CUT OFF at forty-two—when I HAD hoped with such instinctive certainty that God never WOULD part us, and would let us grow old together (though HE always talked of the shortness of life)—is TOO AWFUL, too cruel!" The tone of outraged Majesty seems to be discernible. Did she wonder in her heart of hearts how the Deity could have dared?

But all other emotions gave way before her overmastering determination to continue, absolutely unchanged, and for the rest of her life on earth, her reverence, her obedience, her idolatry. "I am anxious to repeat ONE thing," she told her uncle, "and THAT ONE is my firm resolve, my IRREVOCABLE DECISION, viz., that HIS wishes—HIS plans—about everything, HIS views about EVERY thing are to be MY LAW! And NO HUMAN POWER will make me swerve from WHAT HE decided and wished." She grew fierce, she grew furious, at the thought of any possible intrusion between her and her desire. Her uncle was coming to visit her, and it flashed upon her that HE might try to interfere with her and seek to "rule the roost" as of old. She would give him a hint. "I am ALSO DETERMINED," she wrote, "that NO ONE person—may HE be ever so good, ever so devoted among my servants—is to lead or guide or dictate TO ME. I know HOW he would disapprove it... Though miserably weak and utterly shattered, my spirit rises when I think ANY wish or plan of his is to be touched or changed, or I am to be MADE TO DO anything." She ended her letter in grief and affection. She was, she said, his "ever wretched but devoted child, Victoria R." And then she looked at the date: it was the 24th of December. An agonising pang assailed her, and she dashed down a postcript—"What a Xmas! I won't think of it."

At first, in the tumult of her distresses, she declared that she could not see her Ministers, and the Princess Alice, assisted by Sir Charles Phipps, the keeper of the Privy Purse, performed, to the best of her ability, the functions of an intermediary. After a few weeks, however, the Cabinet, through Lord John Russell, ventured to warn the Queen that this could not continue. She realised that they were right: Albert would have agreed with them; and so she sent for the Prime Minister. But when Lord Palmerston arrived at Osborne, in the pink of health, brisk, with his whiskers freshly dyed, and dressed in a brown overcoat, light grey trousers, green gloves, and blue studs, he did not create a very good impression.

Nevertheless, she had grown attached to her old enemy, and the thought of a political change filled her with agitated apprehensions. The Government, she knew, might fall at any moment; she felt she could not face such an eventuality; and therefore, six months after the death of the Prince, she took the unprecedented step of sending a private message to Lord Derby, the leader of the Opposition, to tell him that she was not in a fit state of mind or body to undergo the anxiety of a change of Government, and that if he turned the present Ministers out of office it would be at the risk of sacrificing her life—or her reason. When this message reached Lord Derby he was considerably surprised. "Dear me!" was his cynical comment. "I didn't think she was so fond of them as THAT."

Though the violence of her perturbations gradually subsided, her cheerfulness did not return. For months, for years, she continued in settled gloom. Her life became one of almost complete seclusion. Arrayed in thickest crepe, she passed dolefully from Windsor to Osborne, from Osborne to Balmoral. Rarely visiting the capital, refusing to take any part in the ceremonies of state, shutting herself off from the slightest intercourse with society, she became almost as unknown to her subjects as some potentate of the East. They might murmur, but they did not understand. What had she to do with empty shows and vain enjoyments? No! She was absorbed by very different preoccupations. She was the devoted guardian of a sacred trust. Her place was in the inmost shrine of the house of mourning—where she alone had the right to enter, where she could feel the effluence of a mysterious presence, and interpret, however faintly and feebly, the promptings of a still living soul. That, and that only was her glorious, her terrible duty. For terrible indeed it was. As the years passed her depression seemed to deepen and her loneliness to grow more intense. "I am on a dreary sad pinnacle of solitary grandeur," she said. Again and again she felt that she could bear her situation no longer—that she would sink under the strain. And then, instantly, that Voice spoke: and she braced herself once more to perform, with minute conscientiousness, her grim and holy task.

Above all else, what she had to do was to make her own the master-impulse of Albert's life—she must work, as he had worked, in the service of the country. That vast burden of toil which he had taken upon his shoulders it was now for her to bear. She assumed the gigantic load; and naturally she staggered under it. While he had lived, she had worked, indeed, with regularity and conscientiousness; but it was work made easy, made delicious, by his care, his forethought, his advice, and his infallibility. The mere sound of his voice, asking her to sign a paper, had thrilled her; in such a presence she could have laboured gladly for ever. But now there was a hideous change. Now there were no neat piles and docketings under the green lamp; now there were no simple explanations of difficult matters; now there was nobody to tell her what was right and what was wrong. She had her secretaries, no doubt: there were Sir Charles Phipps, and General Grey, and Sir Thomas Biddulph; and they did their best. But they were mere subordinates: the whole weight of initiative and responsibility rested upon her alone. For so it had to be. "I am DETERMINED"—had she not declared it?—"that NO ONE person is to lead or guide or dictate to ME;" anything else would be a betrayal of her trust. She would follow the Prince in all things. He had refused to delegate authority; he had examined into every detail with his own eyes; he had made it a rule never to sign a paper without having first, not merely read it, but made notes on it too. She would do the same. She sat from morning till night surrounded by huge heaps of despatch—boxes, reading and writing at her desk—at her desk, alas! which stood alone now in the room.

Within two years of Albert's death a violent disturbance in foreign politics put Victoria's faithfulness to a crucial test. The fearful Schleswig-Holstein dispute, which had been smouldering for more than a decade, showed signs of bursting out into conflagration. The complexity of the questions at issue was indescribable. "Only three people," said Palmerston, "have ever really understood the Schleswig-Holstein business—the Prince Consort, who is dead—a German professor, who has gone mad—and I, who have forgotten all about it." But, though the Prince might be dead, had he not left a vicegerent behind him? Victoria threw herself into the seething embroilment with the vigour of inspiration. She devoted hours daily to the study of the affair in all its windings; but she had a clue through the labyrinth: whenever the question had been discussed, Albert, she recollected it perfectly, had always taken the side of Prussia. Her course was clear. She became an ardent champion of the Prussian point of view. It was a legacy from the Prince, she said. She did not realise that the Prussia of the Prince's day was dead, and that a new Prussia, the Prussia of Bismarck, was born. Perhaps Palmerston, with his queer prescience, instinctively apprehended the new danger; at any rate, he and Lord John were agreed upon the necessity of supporting Denmark against Prussia's claims. But opinion was sharply divided, not only in the country but in the Cabinet. For eighteen months the controversy raged; while the Queen, with persistent vehemence, opposed the Prime Minister and the Foreign Secretary. When at last the final crisis arose—when it seemed possible that England would join forces with Denmark in a war against Prussia—Victoria's agitation grew febrile in its intensity. Towards her German relatives she preserved a discreet appearance of impartiality; but she poured out upon her Ministers a flood of appeals, protests, and expostulations. She invoked the sacred cause of Peace. "The only chance of preserving peace for Europe," she wrote, "is by not assisting Denmark, who has brought this entirely upon herself. The Queen suffers much, and her nerves are more and more totally shattered... But though all this anxiety is wearing her out, it will not shake her firm purpose of resisting any attempt to involve this country in a mad and useless combat." She was, she declared, "prepared to make a stand," even if the resignation of the Foreign Secretary should follow. "The Queen," she told Lord Granville, "is completely exhausted by the anxiety and suspense, and misses her beloved husband's help, advice, support, and love in an overwhelming manner." She was so worn out by her efforts for peace that she could "hardly hold up her head or hold her pen." England did not go to war, and Denmark was left to her fate; but how far the attitude of the Queen contributed to this result it is impossible, with our present knowledge, to say. On the whole, however, it seems probable that the determining factor in the situation was the powerful peace party in the Cabinet rather than the imperious and pathetic pressure of Victoria.

It is, at any rate, certain that the Queen's enthusiasm for the sacred cause of peace was short-lived. Within a few months her mind had completely altered. Her eyes were opened to the true nature of Prussia, whose designs upon Austria were about to culminate in the Seven Weeks' War. Veering precipitately from one extreme to the other, she now urged her Ministers to interfere by force of arms in support of Austria. But she urged in vain.

Her political activity, no more than her social seclusion, was approved by the public. As the years passed, and the royal mourning remained as unrelieved as ever, the animadversions grew more general and more severe. It was observed that the Queen's protracted privacy not only cast a gloom over high society, not only deprived the populace of its pageantry, but also exercised a highly deleterious effect upon the dressmaking, millinery, and hosiery trades. This latter consideration carried great weight. At last, early in 1864, the rumour spread that Her Majesty was about to go out of mourning, and there was much rejoicing in the newspapers; but unfortunately it turned out that the rumour was quite without foundation. Victoria, with her own hand, wrote a letter to The Times to say so. "This idea," she declared, "cannot be too explicitly contradicted. The Queen," the letter continued, "heartily appreciates the desire of her subjects to see her, and whatever she CAN do to gratify them in this loyal and affectionate wish, she WILL do... But there are other and higher duties than those of mere representation which are now thrown upon the Queen, alone and unassisted—duties which she cannot neglect without injury to the public service, which weigh unceasingly upon her, overwhelming her with work and anxiety." The justification might have been considered more cogent had it not been known that those "other and higher duties" emphasised by the Queen consisted for the most part of an attempt to counteract the foreign policy of Lord Palmerston and Lord John Russell. A large section—perhaps a majority—of the nation were violent partisans of Denmark in the Schleswig-Holstein quarrel; and Victoria's support of Prussia was widely denounced. A wave of unpopularity, which reminded old observers of the period preceding the Queen's marriage more than twenty-five years before, was beginning to rise. The press was rude; Lord Ellenborough attacked the Queen in the House of Lords; there were curious whispers in high quarters that she had had thoughts of abdicating—whispers followed by regrets that she had not done so. Victoria, outraged and injured, felt that she was misunderstood. She was profoundly unhappy. After Lord Ellenborough's speech, General Grey declared that he "had never seen the Queen so completely upset." "Oh, how fearful it is," she herself wrote to Lord Granville, "to be suspected—uncheered—unguided and unadvised—and how alone the poor Queen feels!" Nevertheless, suffer as she might, she was as resolute as ever; she would not move by a hair's breadth from the course that a supreme obligation marked out for her; she would be faithful to the end.

And so, when Schleswig-Holstein was forgotten, and even the image of the Prince had begun to grow dim in the fickle memories of men, the solitary watcher remained immutably concentrated at her peculiar task. The world's hostility, steadily increasing, was confronted and outfaced by the impenetrable weeds of Victoria. Would the world never understand? It was not mere sorrow that kept her so strangely sequestered; it was devotion, it was self-immolation; it was the laborious legacy of love. Unceasingly the pen moved over the black-edged paper. The flesh might be weak, but that vast burden must be borne. And fortunately, if the world would not understand, there were faithful friends who did. There was Lord Granville, and there was kind Mr. Theodore Martin. Perhaps Mr. Martin, who was so clever, would find means to make people realise the facts. She would send him a letter, pointing out her arduous labours and the difficulties under which she struggled, and then he might write an article for one of the magazines. "It is not," she told him in 1863, "the Queen's SORROW that keeps her secluded. It is her OVERWHELMING WORK and her health, which is greatly shaken by her sorrow, and the totally overwhelming amount of work and responsibility—work which she feels really wears her out. Alice Helps was wonderfully struck at the Queen's room; and if Mrs. Martin will look at it, she can tell Mr. Martin what surrounds her. From the hour she gets out of bed till she gets into it again there is work, work, work,—letter-boxes, questions, etc., which are dreadfully exhausting—and if she had not comparative rest and quiet in the evening she would most likely not be ALIVE. Her brain is constantly overtaxed." It was too true.

III

To carry on Albert's work—that was her first duty; but there was another, second only to that, and yet nearer, if possible, to her heart—to impress the true nature of his genius and character upon the minds of her subjects. She realised that during his life he had not been properly appreciated; the full extent of his powers, the supreme quality of his goodness, had been necessarily concealed; but death had removed the need of barriers, and now her husband, in his magnificent entirety, should stand revealed to all. She set to work methodically. She directed Sir Arthur Helps to bring out a collection of the Prince's speeches and addresses, and the weighty tome appeared in 1862. Then she commanded General Grey to write an account of the Prince's early years—from his birth to his marriage; she herself laid down the design of the book, contributed a number of confidential documents, and added numerous notes; General Grey obeyed, and the work was completed in 1866. But the principal part of the story was still untold, and Mr. Martin was forthwith instructed to write a complete biography of the Prince Consort. Mr. Martin laboured for fourteen years. The mass of material with which he had to deal was almost incredible, but he was extremely industrious, and he enjoyed throughout the gracious assistance of Her Majesty. The first bulky volume was published in 1874; four others slowly followed; so that it was not until 1880 that the monumental work was finished.

Mr. Martin was rewarded by a knighthood; and yet it was sadly evident that neither Sir Theodore nor his predecessors had achieved the purpose which the Queen had in view. Perhaps she was unfortunate in her coadjutors, but, in reality, the responsibility for the failure must lie with Victoria herself. Sir Theodore and the others faithfully carried out the task which she had set them—faithfully put before the public the very image of Albert that filled her own mind. The fatal drawback was that the public did not find that image attractive. Victoria's emotional nature, far more remarkable for vigour than for subtlety, rejecting utterly the qualifications which perspicuity, or humour, might suggest, could be satisfied with nothing but the absolute and the categorical. When she disliked she did so with an unequivocal emphasis which swept the object of her repugnance at once and finally outside the pale of consideration; and her feelings of affection were equally unmitigated. In the case of Albert her passion for superlatives reached its height. To have conceived of him as anything short of perfect—perfect in virtue, in wisdom, in beauty, in all the glories and graces of man—would have been an unthinkable blasphemy: perfect he was, and perfect he must be shown to have been. And so, Sir Arthur, Sir Theodore, and the General painted him. In the circumstances, and under such supervision, to have done anything else would have required talents considerably more distinguished than any that those gentlemen possessed. But that was not all. By a curious mischance Victoria was also able to press into her service another writer, the distinction of whose talents was this time beyond a doubt. The Poet Laureate, adopting, either from complaisance or conviction, the tone of his sovereign, joined in the chorus, and endowed the royal formula with the magical resonance of verse. This settled the matter. Henceforward it was impossible to forget that Albert had worn the white flower of a blameless life.

The result was doubly unfortunate. Victoria, disappointed and chagrined, bore a grudge against her people for their refusal, in spite of all her efforts, to rate her husband at his true worth. She did not understand that the picture of an embodied perfection is distasteful to the majority of mankind. The cause of this is not so much an envy of the perfect being as a suspicion that he must be inhuman; and thus it happened that the public, when it saw displayed for its admiration a figure resembling the sugary hero of a moral story-book rather than a fellow man of flesh and blood, turned away with a shrug, a smile, and a flippant ejaculation. But in this the public was the loser as well as Victoria. For in truth Albert was a far more interesting personage than the public dreamed. By a curious irony an impeccable waxwork had been fixed by the Queen's love in the popular imagination, while the creature whom it represented—the real creature, so full of energy and stress and torment, so mysterious and so unhappy, and so fallible and so very human—had altogether disappeared.

IV

Words and books may be ambiguous memorials; but who can misinterpret the visible solidity of bronze and stone? At Frogmore, near Windsor, where her mother was buried, Victoria constructed, at the cost of L200,000, a vast and elaborate mausoleum for herself and her husband. But that was a private and domestic monument, and the Queen desired that wherever her subjects might be gathered together they should be reminded of the Prince. Her desire was gratified; all over the country—at Aberdeen, at Perth, and at Wolverhampton—statues of the Prince were erected; and the Queen, making an exception to her rule of retirement, unveiled them herself. Nor did the capital lag behind. A month after the Prince's death a meeting was called together at the Mansion House to discuss schemes for honouring his memory. Opinions, however, were divided upon the subject. Was a statue or an institution to be preferred? Meanwhile a subscription was opened; an influential committee was appointed, and the Queen was consulted as to her wishes in the matter. Her Majesty replied that she would prefer a granite obelisk, with sculptures at the base, to an institution. But the committee hesitated: an obelisk, to be worthy of the name, must clearly be a monolith; and where was the quarry in England capable of furnishing a granite block of the required size? It was true that there was granite in Russian Finland; but the committee were advised that it was not adapted to resist exposure to the open air. On the whole, therefore, they suggested that a Memorial Hall should be erected, together with a statue of the Prince. Her Majesty assented; but then another difficulty arose. It was found that not more than L60,000 had been subscribed—a sum insufficient to defray the double expense. The Hall, therefore, was abandoned; a statue alone was to be erected; and certain eminent architects were asked to prepare designs. Eventually the committee had at their disposal a total sum of L120,000, since the public subscribed another L10,000, while L50,000 was voted by Parliament. Some years later a joint stock company was formed and built, as a private speculation, the Albert Hall.

The architect whose design was selected, both by the committee and by the Queen, was Mr. Gilbert Scott, whose industry, conscientiousness, and genuine piety had brought him to the head of his profession. His lifelong zeal for the Gothic style having given him a special prominence, his handiwork was strikingly visible, not only in a multitude of original buildings, but in most of the cathedrals of England. Protests, indeed, were occasionally raised against his renovations; but Mr. Scott replied with such vigour and unction in articles and pamphlets that not a Dean was unconvinced, and he was permitted to continue his labours without interruption. On one occasion, however, his devotion to Gothic had placed him in an unpleasant situation. The Government offices in Whitehall were to be rebuilt; Mr. Scott competed, and his designs were successful. Naturally, they were in the Gothic style, combining "a certain squareness and horizontality of outline" with pillar-mullions, gables, high-pitched roofs, and dormers; and the drawings, as Mr. Scott himself observed, "were, perhaps, the best ever sent in to a competition, or nearly so." After the usual difficulties and delays the work was at last to be put in hand, when there was a change of Government and Lord Palmerston became Prime Minister. Lord Palmerston at once sent for Mr. Scott. "Well, Mr. Scott," he said, in his jaunty way, "I can't have anything to do with this Gothic style. I must insist on your making a design in the Italian manner, which I am sure you can do very cleverly." Mr. Scott was appalled; the style of the Italian renaissance was not only unsightly, it was positively immoral, and he sternly refused to have anything to do with it. Thereupon Lord Palmerston assumed a fatherly tone. "Quite true; a Gothic architect can't be expected to put up a Classical building; I must find someone else." This was intolerable, and Mr. Scott, on his return home, addressed to the Prime Minister a strongly-worded letter, in which he dwelt upon his position as an architect, upon his having won two European competitions, his being an A.R.A., a gold medallist of the Institute, and a lecturer on architecture at the Royal Academy; but it was useless—Lord Palmerston did not even reply. It then occurred to Mr. Scott that, by a judicious mixture, he might, while preserving the essential character of the Gothic, produce a design which would give a superficial impression of the Classical style. He did so, but no effect was produced upon Lord Palmerston. The new design, he said, was "neither one thing nor 'tother—a regular mongrel affair—and he would have nothing to do with it either." After that Mr. Scott found it necessary to recruit for two months at Scarborough, "with a course of quinine." He recovered his tone at last, but only at the cost of his convictions. For the sake of his family he felt that it was his unfortunate duty to obey the Prime Minister; and, shuddering with horror, he constructed the Government offices in a strictly Renaissance style.

Shortly afterwards Mr. Scott found some consolation in building the St. Pancras Hotel in a style of his own.

And now another and yet more satisfactory task was his. "My idea in designing the Memorial," he wrote, "was to erect a kind of ciborium to protect a statue of the Prince; and its special characteristic was that the ciborium was designed in some degree on the principles of the ancient shrines. These shrines were models of imaginary buildings, such as had never in reality been erected; and my idea was to realise one of these imaginary structures with its precious materials, its inlaying, its enamels, etc. etc." His idea was particularly appropriate since it chanced that a similar conception, though in the reverse order of magnitude, had occurred to the Prince himself, who had designed and executed several silver cruet-stands upon the same model. At the Queen's request a site was chosen in Kensington Gardens as near as possible to that of the Great Exhibition; and in May, 1864, the first sod was turned. The work was long, complicated, and difficult; a great number of workmen were employed, besides several subsidiary sculptors and metal—workers under Mr. Scott's direction, while at every stage sketches and models were submitted to Her Majesty, who criticised all the details with minute care, and constantly suggested improvements. The frieze, which encircled the base of the monument, was in itself a very serious piece of work. "This," said Mr. Scott, "taken as a whole, is perhaps one of the most laborious works of sculpture ever undertaken, consisting, as it does, of a continuous range of figure-sculpture of the most elaborate description, in the highest alto-relievo of life-size, of more than 200 feet in length, containing about 170 figures, and executed in the hardest marble which could be procured." After three years of toil the memorial was still far from completion, and Mr. Scott thought it advisable to give a dinner to the workmen, "as a substantial recognition of his appreciation of their skill and energy." "Two long tables," we are told, "constructed of scaffold planks, were arranged in the workshops, and covered with newspapers, for want of table-cloths. Upwards of eighty men sat down. Beef and mutton, plum pudding and cheese were supplied in abundance, and each man who desired it had three pints of beer, gingerbeer and lemonade being provided for the teetotalers, who formed a very considerable proportion... Several toasts were given and many of the workmen spoke, almost all of them commencing by 'Thanking God that they enjoyed good health;' some alluded to the temperance that prevailed amongst them, others observed how little swearing was ever heard, whilst all said how pleased and proud they were to be engaged on so great a work."

Gradually the edifice approached completion. The one hundred and seventieth life-size figure in the frieze was chiselled, the granite pillars arose, the mosaics were inserted in the allegorical pediments, the four colossal statues representing the greater Christian virtues, the four other colossal statues representing the greater moral virtues, were hoisted into their positions, the eight bronzes representing the greater sciences—Astronomy, Chemistry, Geology, Geometry, Rhetoric, Medicine, Philosophy, and Physiology—were fixed on their glittering pinnacles, high in air. The statue of Physiology was particularly admired. "On her left arm," the official description informs us, "she bears a new-born infant, as a representation of the development of the highest and most perfect of physiological forms; her hand points towards a microscope, the instrument which lends its assistance for the investigation of the minuter forms of animal and vegetable organisms." At last the gilded cross crowned the dwindling galaxies of superimposed angels, the four continents in white marble stood at the four corners of the base, and, seven years after its inception, in July, 1872, the monument was thrown open to the public.

But four more years were to elapse before the central figure was ready to be placed under its starry canopy. It was designed by Mr. Foley, though in one particular the sculptor's freedom was restricted by Mr. Scott. "I have chosen the sitting posture," Mr. Scott said, "as best conveying the idea of dignity befitting a royal personage." Mr. Foley ably carried out the conception of his principal. "In the attitude and expression," he said, "the aim has been, with the individuality of portraiture, to embody rank, character, and enlightenment, and to convey a sense of that responsive intelligence indicating an active, rather than a passive, interest in those pursuits of civilisation illustrated in the surrounding figures, groups, and relievos... To identify the figure with one of the most memorable undertakings of the public life of the Prince—the International Exhibition of 1851—a catalogue of the works collected in that first gathering of the industry of all nations, is placed in the right hand." The statue was of bronze gilt and weighed nearly ten tons. It was rightly supposed that the simple word "Albert," cast on the base, would be a sufficient means of identification.



CHAPTER VIII. GLADSTONE AND LORD BEACONSFIELD

I

Lord Palmerston's laugh—a queer metallic "Ha! ha! ha!" with reverberations in it from the days of Pitt and the Congress of Vienna—was heard no more in Piccadilly; Lord John Russell dwindled into senility; Lord Derby tottered from the stage. A new scene opened; and new protagonists—Mr. Gladstone and Mr. Disraeli—struggled together in the limelight. Victoria, from her post of vantage, watched these developments with that passionate and personal interest which she invariably imported into politics. Her prepossessions were of an unexpected kind. Mr. Gladstone had been the disciple of her revered Peel, and had won the approval of Albert; Mr. Disraeli had hounded Sir Robert to his fall with hideous virulence, and the Prince had pronounced that he "had not one single element of a gentleman in his composition." Yet she regarded Mr. Gladstone with a distrust and dislike which steadily deepened, while upon his rival she lavished an abundance of confidence, esteem, and affection such as Lord Melbourne himself had hardly known.

Her attitude towards the Tory Minister had suddenly changed when she found that he alone among public men had divined her feelings at Albert's death. Of the others she might have said "they pity me and not my grief;" but Mr. Disraeli had understood; and all his condolences had taken the form of reverential eulogies of the departed. The Queen declared that he was "the only person who appreciated the Prince." She began to show him special favour; gave him and his wife two of the coveted seats in St. George's Chapel at the Prince of Wales's wedding, and invited him to stay a night at Windsor. When the grant for the Albert Memorial came before the House of Commons, Disraeli, as leader of the Opposition, eloquently supported the project. He was rewarded by a copy of the Prince's speeches, bound in white morocco, with an inscription in the royal hand. In his letter of thanks he "ventured to touch upon a sacred theme," and, in a strain which re-echoed with masterly fidelity the sentiments of his correspondent, dwelt at length upon the absolute perfection of Albert. "The Prince," he said, "is the only person whom Mr. Disraeli has ever known who realised the Ideal. None with whom he is acquainted have ever approached it. There was in him a union of the manly grace and sublime simplicity, of chivalry with the intellectual splendour of the Attic Academe. The only character in English history that would, in some respects, draw near to him is Sir Philip Sidney: the same high tone, the same universal accomplishments, the same blended tenderness and vigour, the same rare combination of romantic energy and classic repose." As for his own acquaintance with the Prince, it had been, he said, "one of the most satisfactory incidents of his life: full of refined and beautiful memories, and exercising, as he hopes, over his remaining existence, a soothing and exalting influence." Victoria was much affected by "the depth and delicacy of these touches," and henceforward Disraeli's place in her affections was assured. When, in 1866, the Conservatives came into office, Disraeli's position as Chancellor of the Exchequer and leader of the House necessarily brought him into a closer relation with the Sovereign. Two years later Lord Derby resigned, and Victoria, with intense delight and peculiar graciousness, welcomed Disraeli as her First Minister.

But only for nine agitated months did he remain in power. The Ministry, in a minority in the Commons, was swept out of existence by a general election. Yet by the end of that short period the ties which bound together the Queen and her Premier had grown far stronger than ever before; the relationship between them was now no longer merely that between a grateful mistress and a devoted servant: they were friends. His official letters, in which the personal element had always been perceptible, developed into racy records of political news and social gossip, written, as Lord Clarendon said, "in his best novel style." Victoria was delighted; she had never, she declared, had such letters in her life, and had never before known EVERYTHING. In return, she sent him, when the spring came, several bunches of flowers, picked by her own hands. He despatched to her a set of his novels, for which, she said, she was "most grateful, and which she values much." She herself had lately published her "Leaves from the Journal of our Life in the Highlands," and it was observed that the Prime Minister, in conversing with Her Majesty at this period, constantly used the words "we authors, ma'am." Upon political questions, she was his staunch supporter. "Really there never was such conduct as that of the Opposition," she wrote. And when the Government was defeated in the House she was "really shocked at the way in which the House of Commons go on; they really bring discredit on Constitutional Government." She dreaded the prospect of a change; she feared that if the Liberals insisted upon disestablishing the Irish Church, her Coronation Oath might stand in the way. But a change there had to be, and Victoria vainly tried to console herself for the loss of her favourite Minister by bestowing a peerage upon Mrs. Disraeli.

Mr. Gladstone was in his shirt-sleeves at Hawarden, cutting down a tree, when the royal message was brought to him. "Very significant," he remarked, when he had read the letter, and went on cutting down his tree. His secret thoughts on the occasion were more explicit, and were committed to his diary. "The Almighty," he wrote, "seems to sustain and spare me for some purpose of His own, deeply unworthy as I know myself to be. Glory be to His name."

The Queen, however, did not share her new Minister's view of the Almighty's intentions. She could not believe that there was any divine purpose to be detected in the programme of sweeping changes which Mr. Gladstone was determined to carry out. But what could she do? Mr. Gladstone, with his daemonic energy and his powerful majority in the House of Commons, was irresistible; and for five years (1869-74) Victoria found herself condemned to live in an agitating atmosphere of interminable reform—reform in the Irish Church and the Irish land system, reform in education, reform in parliamentary elections, reform in the organisation of the Army and the Navy, reform in the administration of justice. She disapproved, she struggled, she grew very angry; she felt that if Albert had been living things would never have happened so; but her protests and her complaints were alike unavailing. The mere effort of grappling with the mass of documents which poured in upon her in an ever-growing flood was terribly exhausting. When the draft of the lengthy and intricate Irish Church Bill came before her, accompanied by an explanatory letter from Mr. Gladstone covering a dozen closely-written quarto pages, she almost despaired. She turned from the Bill to the explanation, and from the explanation back again to the Bill, and she could not decide which was the most confusing. But she had to do her duty: she had not only to read, but to make notes. At last she handed the whole heap of papers to Mr. Martin, who happened to be staying at Osborne, and requested him to make a precis of them. When he had done so, her disapproval of the measure became more marked than ever; but, such was the strength of the Government, she actually found herself obliged to urge moderation upon the Opposition, lest worse should ensue.

In the midst of this crisis, when the future of the Irish Church was hanging in the balance, Victoria's attention was drawn to another proposed reform. It was suggested that the sailors in the Navy should henceforward be allowed to wear beards. "Has Mr. Childers ascertained anything on the subject of the beards?" the Queen wrote anxiously to the First Lord of the Admiralty. On the whole, Her Majesty was in favour of the change. "Her own personal feeling," she wrote, "would be for the beards without the moustaches, as the latter have rather a soldierlike appearance; but then the object in view would not be obtained, viz. to prevent the necessity of shaving. Therefore it had better be as proposed, the entire beard, only it should be kept short and very clean." After thinking over the question for another week, the Queen wrote a final letter. She wished, she said, "to make one additional observation respecting the beards, viz. that on no account should moustaches be allowed without beards. That must be clearly understood."

Changes in the Navy might be tolerated; to lay hands upon the Army was a more serious matter. From time immemorial there had been a particularly close connection between the Army and the Crown; and Albert had devoted even more time and attention to the details of military business than to the processes of fresco-painting or the planning of sanitary cottages for the deserving poor. But now there was to be a great alteration: Mr. Gladstone's fiat had gone forth, and the Commander-in-Chief was to be removed from his direct dependence upon the Sovereign, and made subordinate to Parliament and the Secretary of State for War. Of all the liberal reforms this was the one which aroused the bitterest resentment in Victoria. She considered that the change was an attack upon her personal position—almost an attack upon the personal position of Albert. But she was helpless, and the Prime Minister had his way. When she heard that the dreadful man had yet another reform in contemplation—that he was about to abolish the purchase of military commissions—she could only feel that it was just what might have been expected. For a moment she hoped that the House of Lords would come to the rescue; the Peers opposed the change with unexpected vigour; but Mr. Gladstone, more conscious than ever of the support of the Almighty, was ready with an ingenious device. The purchase of commissions had been originally allowed by Royal Warrant; it should now be disallowed by the same agency. Victoria was faced by a curious dilemma: she abominated the abolition of purchase; but she was asked to abolish it by an exercise of sovereign power which was very much to her taste. She did not hesitate for long; and when the Cabinet, in a formal minute, advised her to sign the Warrant, she did so with a good grace.

Unacceptable as Mr. Gladstone's policy was, there was something else about him which was even more displeasing to Victoria. She disliked his personal demeanour towards herself. It was not that Mr. Gladstone, in his intercourse with her, was in any degree lacking in courtesy or respect. On the contrary, an extraordinary reverence impregnated his manner, both in his conversation and his correspondence with the Sovereign. Indeed, with that deep and passionate conservatism which, to the very end of his incredible career, gave such an unexpected colouring to his inexplicable character, Mr. Gladstone viewed Victoria through a haze of awe which was almost religious—as a sacrosanct embodiment of venerable traditions—a vital element in the British Constitution—a Queen by Act of Parliament. But unfortunately the lady did not appreciate the compliment. The well-known complaint—"He speaks to me as if I were a public meeting-" whether authentic or no—and the turn of the sentence is surely a little too epigrammatic to be genuinely Victorian—undoubtedly expresses the essential element of her antipathy. She had no objection to being considered as an institution; she was one, and she knew it. But she was a woman too, and to be considered ONLY as an institution—that was unbearable. And thus all Mr. Gladstone's zeal and devotion, his ceremonious phrases, his low bows, his punctilious correctitudes, were utterly wasted; and when, in the excess of his loyalty, he went further, and imputed to the object of his veneration, with obsequious blindness, the subtlety of intellect, the wide reading, the grave enthusiasm, which he himself possessed, the misunderstanding became complete. The discordance between the actual Victoria and this strange Divinity made in Mr. Gladstone's image produced disastrous results. Her discomfort and dislike turned at last into positive animosity, and, though her manners continued to be perfect, she never for a moment unbent; while he on his side was overcome with disappointment, perplexity, and mortification.

Yet his fidelity remained unshaken. When the Cabinet met, the Prime Minister, filled with his beatific vision, would open the proceedings by reading aloud the letters which he had received from the Queen upon the questions of the hour. The assembly sat in absolute silence while, one after another, the royal missives, with their emphases, their ejaculations, and their grammatical peculiarities, boomed forth in all the deep solemnity of Mr. Gladstone's utterance. Not a single comment, of any kind, was ever hazarded; and, after a fitting pause, the Cabinet proceeded with the business of the day.

II

Little as Victoria appreciated her Prime Minister's attitude towards her, she found that it had its uses. The popular discontent at her uninterrupted seclusion had been gathering force for many years, and now burst out in a new and alarming shape. Republicanism was in the air. Radical opinion in England, stimulated by the fall of Napoleon III and the establishment of a republican government in France, suddenly grew more extreme than it ever had been since 1848. It also became for the first time almost respectable. Chartism had been entirely an affair of the lower classes; but now Members of Parliament, learned professors, and ladies of title openly avowed the most subversive views. The monarchy was attacked both in theory and in practice. And it was attacked at a vital point: it was declared to be too expensive. What benefits, it was asked, did the nation reap to counterbalance the enormous sums which were expended upon the Sovereign? Victoria's retirement gave an unpleasant handle to the argument. It was pointed out that the ceremonial functions of the Crown had virtually lapsed; and the awkward question remained whether any of the other functions which it did continue to perform were really worth L385,000 per annum. The royal balance-sheet was curiously examined. An anonymous pamphlet entitled "What does she do with it?" appeared, setting forth the financial position with malicious clarity. The Queen, it stated, was granted by the Civil List L60,000 a year for her private use; but the rest of her vast annuity was given, as the Act declared, to enable her "to defray the expenses of her royal household and to support the honour and dignity of the Crown." Now it was obvious that, since the death of the Prince, the expenditure for both these purposes must have been very considerably diminished, and it was difficult to resist the conclusion that a large sum of money was diverted annually from the uses for which it had been designed by Parliament, to swell the private fortune of Victoria. The precise amount of that private fortune it was impossible to discover; but there was reason to suppose that it was gigantic; perhaps it reached a total of five million pounds. The pamphlet protested against such a state of affairs, and its protests were repeated vigorously in newspapers and at public meetings. Though it is certain that the estimate of Victoria's riches was much exaggerated, it is equally certain that she was an exceedingly wealthy woman. She probably saved L20,000 a year from the Civil List, the revenues of the Duchy of Lancaster were steadily increasing, she had inherited a considerable property from the Prince Consort, and she had been left, in 1852, an estate of half a million by Mr. John Neild, an eccentric miser. In these circumstances it was not surprising that when, in 1871, Parliament was asked to vote a dowry of L30,000 to the Princess Louise on her marriage with the eldest son of the Duke of Argyle, together with an annuity of L6,000, there should have been a serious outcry(*).

(*) In 1889 it was officially stated that the Queen's total savings from the Civil List amounted to L824,025, but that out of this sum much had been spent on special entertainments to foreign visitors. Taking into consideration the proceeds from the Duchy of Lancaster, which were more than L60,000 a year, the savings of the Prince Consort, and Mr. Neild's legacy, it seems probable that, at the time of her death, Victoria's private fortune approached two million pounds.

In order to conciliate public opinion, the Queen opened Parliament in person, and the vote was passed almost unanimously. But a few months later another demand was made: the Prince Arthur had come of age, and the nation was asked to grant him an annuity of L15,000. The outcry was redoubled. The newspapers were filled with angry articles; Bradlaugh thundered against "princely paupers" to one of the largest crowds that had ever been seen in Trafalgar Square; and Sir Charles Dilke expounded the case for a republic in a speech to his constituents at Newcastle. The Prince's annuity was ultimately sanctioned in the House of Commons by a large majority; but a minority of fifty members voted in favour of reducing the sum to L10,000.

Towards every aspect of this distasteful question, Mr. Gladstone presented an iron front. He absolutely discountenanced the extreme section of his followers. He declared that the whole of the Queen's income was justly at her personal disposal, argued that to complain of royal savings was merely to encourage royal extravagance, and successfully convoyed through Parliament the unpopular annuities, which, he pointed out, were strictly in accordance with precedent. When, in 1872, Sir Charles Dilke once more returned to the charge in the House of Commons, introducing a motion for a full enquiry into the Queen's expenditure with a view to a root and branch reform of the Civil List, the Prime Minister brought all the resources of his powerful and ingenious eloquence to the support of the Crown. He was completely successful; and amid a scene of great disorder the motion was ignominiously dismissed. Victoria was relieved; but she grew no fonder of Mr. Gladstone.

It was perhaps the most miserable moment of her life. The Ministers, the press, the public, all conspired to vex her, to blame her, to misinterpret her actions, to be unsympathetic and disrespectful in every way. She was "a cruelly misunderstood woman," she told Mr. Martin, complaining to him bitterly of the unjust attacks which were made upon her, and declaring that "the great worry and anxiety and hard work for ten years, alone, unaided, with increasing age and never very strong health" were breaking her down, and "almost drove her to despair." The situation was indeed deplorable. It seemed as if her whole existence had gone awry; as if an irremediable antagonism had grown up between the Queen and the nation. If Victoria had died in the early seventies, there can be little doubt that the voice of the world would have pronounced her a failure.

III

But she was reserved for a very different fate. The outburst of republicanism had been in fact the last flicker of an expiring cause. The liberal tide, which had been flowing steadily ever since the Reform Bill, reached its height with Mr. Gladstone's first administration; and towards the end of that administration the inevitable ebb began. The reaction, when it came, was sudden and complete. The General Election of 1874 changed the whole face of politics. Mr. Gladstone and the Liberals were routed; and the Tory party, for the first time for over forty years, attained an unquestioned supremacy in England. It was obvious that their surprising triumph was pre-eminently due to the skill and vigour of Disraeli. He returned to office, no longer the dubious commander of an insufficient host, but with drums beating and flags flying, a conquering hero. And as a conquering hero Victoria welcomed her new Prime Minister.

Then there followed six years of excitement, of enchantment, of felicity, of glory, of romance. The amazing being, who now at last, at the age of seventy, after a lifetime of extraordinary struggles, had turned into reality the absurdest of his boyhood's dreams, knew well enough how to make his own, with absolute completeness, the heart of the Sovereign Lady whose servant, and whose master, he had so miraculously become. In women's hearts he had always read as in an open book. His whole career had turned upon those curious entities; and the more curious they were, the more intimately at home with them he seemed to be. But Lady Beaconsfield, with her cracked idolatry, and Mrs. Brydges-Williams, with her clogs, her corpulence, and her legacy, were gone: an even more remarkable phenomenon stood in their place. He surveyed what was before him with the eye of a past-master; and he was not for a moment at a loss. He realised everything—the interacting complexities of circumstance and character, the pride of place mingled so inextricably with personal arrogance, the superabundant emotionalism, the ingenuousness of outlook, the solid, the laborious respectability, shot through so incongruously by temperamental cravings for the coloured and the strange, the singular intellectual limitations, and the mysteriously essential female elements impregnating every particle of the whole. A smile hovered over his impassive features, and he dubbed Victoria "the Faery." The name delighted him, for, with that epigrammatic ambiguity so dear to his heart, it precisely expressed his vision of the Queen. The Spenserian allusion was very pleasant—the elegant evocations of Gloriana; but there was more in it than that: there was the suggestion of a diminutive creature, endowed with magical—and mythical—properties, and a portentousness almost ridiculously out of keeping with the rest of her make-up. The Faery, he determined, should henceforward wave her wand for him alone. Detachment is always a rare quality, and rarest of all, perhaps, among politicians; but that veteran egotist possessed it in a supreme degree. Not only did he know what he had to do, not only did he do it; he was in the audience as well as on the stage; and he took in with the rich relish of a connoisseur every feature of the entertaining situation, every phase of the delicate drama, and every detail of his own consummate performance.

The smile hovered and vanished, and, bowing low with Oriental gravity and Oriental submissiveness, he set himself to his task. He had understood from the first that in dealing with the Faery the appropriate method of approach was the very antithesis of the Gladstonian; and such a method was naturally his. It was not his habit to harangue and exhort and expatiate in official conscientiousness; he liked to scatter flowers along the path of business, to compress a weighty argument into a happy phrase, to insinuate what was in his mind with an air of friendship and confidential courtesy. He was nothing if not personal; and he had perceived that personality was the key that opened the Faery's heart. Accordingly, he never for a moment allowed his intercourse with her to lose the personal tone; he invested all the transactions of State with the charms of familiar conversation; she was always the royal lady, the adored and revered mistress, he the devoted and respectful friend. When once the personal relation was firmly established, every difficulty disappeared. But to maintain that relation uninterruptedly in a smooth and even course a particular care was necessary: the bearings had to be most assiduously oiled. Nor was Disraeli in any doubt as to the nature of the lubricant. "You have heard me called a flatterer," he said to Matthew Arnold, "and it is true. Everyone likes flattery, and when you come to royalty you should lay it on with a trowel." He practiced what he preached. His adulation was incessant, and he applied it in the very thickest slabs. "There is no honor and no reward," he declared, "that with him can ever equal the possession of your Majesty's kind thoughts. All his own thoughts and feelings and duties and affections are now concentrated in your Majesty, and he desires nothing more for his remaining years than to serve your Majesty, or, if that service ceases, to live still on its memory as a period of his existence most interesting and fascinating." "In life," he told her, "one must have for one's thoughts a sacred depository, and Lord Beaconsfield ever presumes to seek that in his Sovereign Mistress." She was not only his own solitary support; she was the one prop of the State. "If your Majesty is ill," he wrote during a grave political crisis, "he is sure he will himself break down. All, really, depends upon your Majesty." "He lives only for Her," he asseverated, "and works only for Her, and without Her all is lost." When her birthday came he produced an elaborate confection of hyperbolic compliment. "To-day Lord Beaconsfield ought fitly, perhaps, to congratulate a powerful Sovereign on her imperial sway, the vastness of her Empire, and the success and strength of her fleets and armies. But he cannot, his mind is in another mood. He can only think of the strangeness of his destiny that it has come to pass that he should be the servant of one so great, and whose infinite kindness, the brightness of whose intelligence and the firmness of whose will, have enabled him to undertake labours to which he otherwise would be quite unequal, and supported him in all things by a condescending sympathy, which in the hour of difficulty alike charms and inspires. Upon the Sovereign of many lands and many hearts may an omnipotent Providence shed every blessing that the wise can desire and the virtuous deserve!" In those expert hands the trowel seemed to assume the qualities of some lofty masonic symbol—to be the ornate and glittering vehicle of verities unrealised by the profane.

Such tributes were delightful, but they remained in the nebulous region of words, and Disraeli had determined to give his blandishments a more significant solidity. He deliberately encouraged those high views of her own position which had always been native to Victoria's mind and had been reinforced by the principles of Albert and the doctrines of Stockmar. He professed to a belief in a theory of the Constitution which gave the Sovereign a leading place in the councils of government; but his pronouncements upon the subject were indistinct; and when he emphatically declared that there ought to be "a real Throne," it was probably with the mental addition that that throne would be a very unreal one indeed whose occupant was unamenable to his cajoleries. But the vagueness of his language was in itself an added stimulant to Victoria. Skilfully confusing the woman and the Queen, he threw, with a grandiose gesture, the government of England at her feet, as if in doing so he were performing an act of personal homage. In his first audience after returning to power, he assured her that "whatever she wished should be done." When the intricate Public Worship Regulation Bill was being discussed by the Cabinet, he told the Faery that his "only object" was "to further your Majesty's wishes in this matter." When he brought off his great coup over the Suez Canal, he used expressions which implied that the only gainer by the transaction was Victoria. "It is just settled," he wrote in triumph; "you have it, Madam... Four millions sterling! and almost immediately. There was only one firm that could do it—Rothschilds. They behaved admirably; advanced the money at a low rate, and the entire interest of the Khedive is now yours, Madam." Nor did he limit himself to highly-spiced insinuations. Writing with all the authority of his office, he advised the Queen that she had the constitutional right to dismiss a Ministry which was supported by a large majority in the House of Commons, he even urged her to do so, if, in her opinion, "your Majesty's Government have from wilfulness, or even from weakness, deceived your Majesty." To the horror of Mr. Gladstone, he not only kept the Queen informed as to the general course of business in the Cabinet, but revealed to her the part taken in its discussions by individual members of it. Lord Derby, the son of the late Prime Minister and Disraeli's Foreign Secretary, viewed these developments with grave mistrust. "Is there not," he ventured to write to his Chief, "just a risk of encouraging her in too large ideas of her personal power, and too great indifference to what the public expects? I only ask; it is for you to judge."

As for Victoria, she accepted everything—compliments, flatteries, Elizabethan prerogatives—without a single qualm. After the long gloom of her bereavement, after the chill of the Gladstonian discipline, she expanded to the rays of Disraeli's devotion like a flower in the sun. The change in her situation was indeed miraculous. No longer was she obliged to puzzle for hours over the complicated details of business, for now she had only to ask Mr. Disraeli for an explanation, and he would give it her in the most concise, in the most amusing, way. No longer was she worried by alarming novelties; no longer was she put out at finding herself treated, by a reverential gentleman in high collars, as if she were some embodied precedent, with a recondite knowledge of Greek. And her deliverer was surely the most fascinating of men. The strain of charlatanism, which had unconsciously captivated her in Napoleon III, exercised the same enchanting effect in the case of Disraeli. Like a dram-drinker, whose ordinary life is passed in dull sobriety, her unsophisticated intelligence gulped down his rococo allurements with peculiar zest. She became intoxicated, entranced. Believing all that he told her of herself, she completely regained the self-confidence which had been slipping away from her throughout the dark period that followed Albert's death. She swelled with a new elation, while he, conjuring up before her wonderful Oriental visions, dazzled her eyes with an imperial grandeur of which she had only dimly dreamed. Under the compelling influence, her very demeanour altered. Her short, stout figure, with its folds of black velvet, its muslin streamers, its heavy pearls at the heavy neck, assumed an almost menacing air. In her countenance, from which the charm of youth had long since vanished, and which had not yet been softened by age, the traces of grief, of disappointment, and of displeasure were still visible, but they were overlaid by looks of arrogance and sharp lines of peremptory hauteur. Only, when Mr. Disraeli appeared, the expression changed in an instant, and the forbidding visage became charged with smiles. For him she would do anything. Yielding to his encouragements, she began to emerge from her seclusion; she appeared in London in semi-state, at hospitals and concerts; she opened Parliament; she reviewed troops and distributed medals at Aldershot. But such public signs of favour were trivial in comparison with her private attentions. During his flours of audience, she could hardly restrain her excitement and delight. "I can only describe my reception," he wrote to a friend on one occasion, "by telling you that I really thought she was going to embrace me. She was wreathed with smiles, and, as she tattled, glided about the room like a bird." In his absence, she talked of him perpetually, and there was a note of unusual vehemence in her solicitude for his health. "John Manners," Disraeli told Lady Bradford, "who has just come from Osborne, says that the Faery only talked of one subject, and that was her Primo. According to him, it was her gracious opinion that the Government should make my health a Cabinet question. Dear John seemed quite surprised at what she said; but you are used to these ebullitions." She often sent him presents; an illustrated album arrived for him regularly from Windsor on Christmas Day. But her most valued gifts were the bunches of spring flowers which, gathered by herself and her ladies in the woods at Osborne, marked in an especial manner the warmth and tenderness of her sentiments. Among these it was, he declared, the primroses that he loved the best. They were, he said, "the ambassadors of Spring, the gems and jewels of Nature." He liked them, he assured her, "so much better for their being wild; they seem an offering from the Fauns and Dryads of Osborne." "They show," he told her, "that your Majesty's sceptre has touched the enchanted Isle." He sat at dinner with heaped-up bowls of them on every side, and told his guests that "they were all sent to me this morning by the Queen from Osborne, as she knows it is my favorite flower."

As time went on, and as it became clearer and clearer that the Faery's thraldom was complete, his protestations grew steadily more highly—coloured and more unabashed. At last he ventured to import into his blandishments a strain of adoration that was almost avowedly romantic. In phrases of baroque convolution, he conveyed the message of his heart. "The pressure of business," he wrote, had "so absorbed and exhausted him, that towards the hour of post he has not had clearness of mind, and vigour of pen, adequate to convey his thoughts and facts to the most loved and illustrious being, who deigns to consider them." She sent him some primroses, and he replied that he could "truly say they are 'more precious than rubies,' coming, as they do, and at such a moment, from a Sovereign whom he adores." She sent him snowdrops, and his sentiment overflowed into poetry. "Yesterday eve," he wrote, "there appeared, in Whitehall Gardens, a delicate-looking case, with a royal superscription, which, when he opened, he thought, at first, that your Majesty had graciously bestowed upon him the stars of your Majesty's principal orders." And, indeed, he was so impressed with this graceful illusion, that, having a banquet, where there were many stars and ribbons, he could not resist the temptation, by placing some snowdrops on his heart, of showing that, he, too, was decorated by a gracious Sovereign.

Then, in the middle of the night, it occurred to him, that it might all be an enchantment, and that, perhaps, it was a Faery gift and came from another monarch: Queen Titania, gathering flowers, with her Court, in a soft and sea-girt isle, and sending magic blossoms, which, they say, turn the heads of those who receive them.

A Faery gift! Did he smile as he wrote the words? Perhaps; and yet it would be rash to conclude that his perfervid declarations were altogether without sincerity. Actor and spectator both, the two characters were so intimately blended together in that odd composition that they formed an inseparable unity, and it was impossible to say that one of them was less genuine than the other. With one element, he could coldly appraise the Faery's intellectual capacity, note with some surprise that she could be on occasion "most interesting and amusing," and then continue his use of the trowel with an ironical solemnity; while, with the other, he could be overwhelmed by the immemorial panoply of royalty, and, thrilling with the sense of his own strange elevation, dream himself into a gorgeous phantasy of crowns and powers and chivalric love. When he told Victoria that "during a somewhat romantic and imaginative life, nothing has ever occurred to him so interesting as this confidential correspondence with one so exalted and so inspiring," was he not in earnest after all? When he wrote to a lady about the Court, "I love the Queen—perhaps the only person in this world left to me that I do love," was he not creating for himself an enchanted palace out of the Arabian Nights, full of melancholy and spangles, in which he actually believed? Victoria's state of mind was far more simple; untroubled by imaginative yearnings, she never lost herself in that nebulous region of the spirit where feeling and fancy grow confused. Her emotions, with all their intensity and all their exaggeration, retained the plain prosaic texture of everyday life. And it was fitting that her expression of them should be equally commonplace. She was, she told her Prime Minister, at the end of an official letter, "yours aff'ly V. R. and I." In such a phrase the deep reality of her feeling is instantly manifest. The Faery's feet were on the solid earth; it was the ruse cynic who was in the air.

He had taught her, however, a lesson, which she had learnt with alarming rapidity. A second Gloriana, did he call her? Very well, then, she would show that she deserved the compliment. Disquieting symptoms followed fast. In May, 1874, the Tsar, whose daughter had just been married to Victoria's second son, the Duke of Edinburgh, was in London, and, by an unfortunate error, it had been arranged that his departure should not take place until two days after the date on which his royal hostess had previously decided to go to Balmoral. Her Majesty refused to modify her plans. It was pointed out to her that the Tsar would certainly be offended, that the most serious consequences might follow; Lord Derby protested; Lord Salisbury, the Secretary of State for India, was much perturbed. But the Faery was unconcerned; she had settled to go to Balmoral on the 18th, and on the 18th she would go. At last Disraeli, exercising all his influence, induced her to agree to stay in London for two days more. "My head is still on my shoulders," he told Lady Bradford. "The great lady has absolutely postponed her departure! Everybody had failed, even the Prince of Wales... and I have no doubt I am not in favour. I can't help it. Salisbury says I have saved an Afghan War, and Derby compliments me on my unrivalled triumph." But before very long, on another issue, the triumph was the Faery's. Disraeli, who had suddenly veered towards a new Imperialism, had thrown out the suggestion that the Queen of England ought to become the Empress of India. Victoria seized upon the idea with avidity, and, in season and out of season, pressed upon her Prime Minister the desirability of putting his proposal into practice. He demurred; but she was not to be baulked; and in 1876, in spite of his own unwillingness and that of his entire Cabinet, he found himself obliged to add to the troubles of a stormy session by introducing a bill for the alteration of the Royal Title. His compliance, however, finally conquered the Faery's heart. The measure was angrily attacked in both Houses, and Victoria was deeply touched by the untiring energy with which Disraeli defended it. She was, she said, much grieved by "the worry and annoyance" to which he was subjected; she feared she was the cause of it; and she would never forget what she owed to "her kind, good, and considerate friend." At the same time, her wrath fell on the Opposition. Their conduct, she declared, was "extraordinary, incomprehensible, and mistaken," and, in an emphatic sentence which seemed to contradict both itself and all her former proceedings, she protested that she "would be glad if it were more generally known that it was HER wish, as people WILL have it, that it has been FORCED UPON HER!" When the affair was successfully over, the imperial triumph was celebrated in a suitable manner. On the day of the Delhi Proclamation, the new Earl of Beaconsfield went to Windsor to dine with the new Empress of India. That night the Faery, usually so homely in her attire, appeared in a glittering panoply of enormous uncut jewels, which had been presented to her by the reigning Princes of her Raj. At the end of the meal the Prime Minister, breaking through the rules of etiquette, arose, and in a flowery oration proposed the health of the Queen-Empress. His audacity was well received, and his speech was rewarded by a smiling curtsey.

These were significant episodes; but a still more serious manifestation of Victoria's temper occurred in the following year, during the crowning crisis of Beaconsfield's life. His growing imperialism, his desire to magnify the power and prestige of England, his insistence upon a "spirited foreign policy," had brought him into collision with Russia; the terrible Eastern Question loomed up; and when war broke out between Russia and Turkey, the gravity of the situation became extreme. The Prime Minister's policy was fraught with difficulty and danger. Realising perfectly the appalling implications of an Anglo-Russian war, he was yet prepared to face even that eventuality if he could obtain his ends by no other method; but he believed that Russia in reality was still less desirous of a rupture, and that, if he played his game with sufficient boldness and adroitness, she would yield, when it came to the point, all that he required without a blow. It was clear that the course he had marked out for himself was full of hazard, and demanded an extraordinary nerve; a single false step, and either himself, or England, might be plunged in disaster. But nerve he had never lacked; he began his diplomatic egg-dance with high assurance; and then he discovered that, besides the Russian Government, besides the Liberals and Mr. Gladstone, there were two additional sources of perilous embarrassment with which he would have to reckon. In the first place there was a strong party in the Cabinet, headed by Lord Derby, the Foreign Secretary, which was unwilling to take the risk of war; but his culminating anxiety was the Faery.

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