Two large tears in the singer's eyes told what her reply would be.

"Madame," said she, "I have done you an injury without knowing you; but, now that I have the happiness of seeing in you the most perfect virtue on earth, believe me I am sensible of the extent of my fault; I repent sincerely, and believe me, I will do all in my power to remedy it!"

She took Madame Hulot's hand and before the lady could do anything to hinder her, she kissed it respectfully, even humbling herself to bend one knee. Then she rose, as proud as when she stood on the stage in the part of Mathilde, and rang the bell.

"Go on horseback," said she to the man-servant, "and kill the horse if you must, to find little Bijou, Rue Saint-Maur-du-Temple, and bring her here. Put her into a coach and pay the coachman to come at a gallop. Do not lose a moment—or you lose your place.

"Madame," she went on, coming back to the Baroness, and speaking to her in respectful tones, "you must forgive me. As soon as the Duc d'Herouville became my protector, I dismissed the Baron, having heard that he was ruining his family for me. What more could I do? In an actress' career a protector is indispensable from the first day of her appearance on the boards. Our salaries do not pay half our expenses; we must have a temporary husband. I did not value Monsieur Hulot, who took me away from a rich man, a conceited idiot. Old Crevel would undoubtedly have married me—"

"So he told me," said the Baroness, interrupting her.

"Well, then, you see, madame, I might at this day have been an honest woman, with only one legitimate husband!"

"You have many excuses, mademoiselle," said Adeline, "and God will take them into account. But, for my part, far from reproaching you, I came, on the contrary, to make myself your debtor in gratitude—"

"Madame, for nearly three years I have provided for Monsieur le Baron's necessities—"

"You?" interrupted the Baroness, with tears in her eyes. "Oh, what can I do for you? I can only pray—"

"I and Monsieur le Duc d'Herouville," the singer said, "a noble soul, a true gentleman—" and Josepha related the settling and marriage of Monsieur Thoul.

"And so, thanks to you, mademoiselle, the Baron has wanted nothing?"

"We have done our best to that end, madame."

"And where is he now?"

"About six months ago, Monsieur le Duc told me that the Baron, known to the notary by the name of Thoul, had drawn all the eight thousand francs that were to have been paid to him in fixed sums once a quarter," replied Josepha. "We have heard no more of the Baron, neither I nor Monsieur d'Herouville. Our lives are so full, we artists are so busy, that I really have not time to run after old Thoul. As it happens, for the last six months, Bijou, who works for me—his—what shall I say—?"

"His mistress," said Madame Hulot.

"His mistress," repeated Josepha, "has not been here. Mademoiselle Olympe Bijou is perhaps divorced. Divorce is common in the thirteenth arrondissement."

Josepha rose, and foraging among the rare plants in her stands, made a charming bouquet for Madame Hulot, whose expectations, it may be said, were by no means fulfilled. Like those worthy fold, who take men of genius to be a sort of monsters, eating, drinking, walking, and speaking unlike other people, the Baroness had hoped to see Josepha the opera singer, the witch, the amorous and amusing courtesan; she saw a calm and well-mannered woman, with the dignity of talent, the simplicity of an actress who knows herself to be at night a queen, and also, better than all, a woman of the town whose eyes, attitude, and demeanor paid full and ungrudging homage to the virtuous wife, the Mater dolorosa of the sacred hymn, and who was crowning her sorrows with flowers, as the Madonna is crowned in Italy.

"Madame," said the man-servant, reappearing at the end of half an hour, "Madame Bijou is on her way, but you are not to expect little Olympe. Your needle-woman, madame, is settled in life; she is married—"

"More or less?" said Josepha.

"No, madame, really married. She is at the head of a very fine business; she has married the owner of a large and fashionable shop, on which they have spent millions of francs, on the Boulevard des Italiens; and she has left the embroidery business to her sister and mother. She is Madame Grenouville. The fat tradesman—"

"A Crevel?"

"Yes, madame," said the man. "Well, he has settled thirty thousand francs a year on Mademoiselle Bijou by the marriage articles. And her elder sister, they say, is going to be married to a rich butcher."

"Your business looks rather hopeless, I am afraid," said Josepha to the Baroness. "Monsieur le Baron is no longer where I lodged him."

Ten minutes later Madame Bijou was announced. Josepha very prudently placed the Baroness in the boudoir, and drew the curtain over the door.

"You would scare her," said she to Madame Hulot. "She would let nothing out if she suspected that you were interested in the information. Leave me to catechise her. Hide there, and you will hear everything. It is a scene that is played quite as often in real life as on the stage—"

"Well, Mother Bijou," she said to an old woman dressed in tartan stuff, and who looked like a porter's wife in her Sunday best, "so you are all very happy? Your daughter is in luck."

"Oh, happy? As for that!—My daughter gives us a hundred francs a month, while she rides in a carriage and eats off silver plate—she is a millionary, is my daughter! Olympe might have lifted me above labor. To have to work at my age? Is that being good to me?"

"She ought not to be ungrateful, for she owes her beauty to you," replied Josepha; "but why did she not come to see me? It was I who placed her in ease by settling her with my uncle."

"Yes, madame, with old Monsieur Thoul, but he is very old and broken—"

"But what have you done with him? Is he with you? She was very foolish to leave him; he is worth millions now."

"Heaven above us!" cried the mother. "What did I tell her when she behaved so badly to him, and he as mild as milk, poor old fellow? Oh! didn't she just give it him hot?—Olympe was perverted, madame?"

"But how?"

"She got to know a claqueur, madame, saving your presence, a man paid to clap, you know, the grand nephew of an old mattress-picker of the Faubourg Saint-Marceau. This good-for-naught, as all your good-looking fellows are, paid to make a piece go, is the cock of the walk out on the Boulevard du Temple, where he works up the new plays, and takes care that the actresses get a reception, as he calls it. First, he has a good breakfast in the morning; then, before the play, he dines, to be 'up to the mark,' as he says; in short, he is a born lover of billiards and drams. 'But that is not following a trade,' as I said to Olympe."

"It is a trade men follow, unfortunately," said Josepha.

"Well, the rascal turned Olympe's head, and he, madame, did not keep good company—when I tell you he was very near being nabbed by the police in a tavern where thieves meet. 'Wever, Monsieur Braulard, the leader of the claque, got him out of that. He wears gold earrings, and he lives by doing nothing, hanging on to women, who are fools about these good-looking scamps. He spent all the money Monsieur Thoul used to give the child.

"Then the business was going to grief; what embroidery brought in went out across the billiard table. 'Wever, the young fellow had a pretty sister, madame, who, like her brother, lived by hook and by crook, and no better than she should be neither, over in the students' quarter."

"One of the sluts at the Chaumiere," said Josepha.

"So, madame," said the old woman. "So Idamore, his name is Idamore, leastways that is what he calls himself, for his real name is Chardin —Idamore fancied that your uncle had a deal more money than he owned to, and he managed to send his sister Elodie—and that was a stage name he gave her—to send her to be a workwoman at our place, without my daughter's knowing who she was; and, gracious goodness! but that girl turned the whole place topsy-turvy; she got all those poor girls into mischief—impossible to whitewash them, saving your presence——

"And she was so sharp, she won over poor old Thoul, and took him away, and we don't know where, and left us in a pretty fix, with a lot of bills coming in. To this day as ever is we have not been able to settle up; but my daughter, who knows all about such things, keeps an eye on them as they fall due.—Then, when Idamore saw he had got hold of the old man, through his sister, you understand, he threw over my daughter, and now he has got hold of a little actress at the Funambules.—And that was how my daughter came to get married, as you will see—"

"But you must know where the mattress-picker lives?" said Josepha.

"What! old Chardin? As if he lived anywhere at all!—He is drunk by six in the morning; he makes a mattress once a month; he hangs about the wineshops all day; he plays at pools—"

"He plays at pools?" said Josepha.

"You do not understand, madame, pools of billiards, I mean, and he wins three or four a day, and then he drinks."

"Water out of the pools, I suppose?" said Josepha. "But if Idamore haunts the Boulevard, by inquiring through my friend Vraulard, we could find him."

"I don't know, madame; all this was six months ago. Idamore was one of the sort who are bound to find their way into the police courts, and from that to Melun—and the—who knows—?"

"To the prison yard!" said Josepha.

"Well, madame, you know everything," said the old woman, smiling. "Well, if my girl had never known that scamp, she would now be—Still, she was in luck, all the same, you will say, for Monsieur Grenouville fell so much in love with her that he married her—"

"And what brought that about?"

"Olympe was desperate, madame. When she found herself left in the lurch for that little actress—and she took a rod out of pickle for her, I can tell you; my word, but she gave her a dressing!—and when she had lost poor old Thoul, who worshiped her, she would have nothing more to say to the men. 'Wever, Monsieur Grenouville, who had been dealing largely with us—to the tune of two hundred embroidered China-crape shawls every quarter—he wanted to console her; but whether or no, she would not listen to anything without the mayor and the priest. 'I mean to be respectable,' said she, 'or perish!' and she stuck to it. Monsieur Grenouville consented to marry her, on condition of her giving us all up, and we agreed—"

"For a handsome consideration?" said Josepha, with her usual perspicacity.

"Yes, madame, ten thousand francs, and an allowance to my father, who is past work."

"I begged your daughter to make old Thoul happy, and she has thrown me over. That is not fair. I will take no interest in any one for the future! That is what comes of trying to do good! Benevolence certainly does not answer as a speculation!—Olympe ought, at least, to have given me notice of this jobbing. Now, if you find the old man Thoul within a fortnight, I will give you a thousand francs."

"It will be a hard task, my good lady; still, there are a good many five-franc pieces in a thousand francs, and I will try to earn your money."

"Good-morning, then, Madame Bijou."

On going into the boudoir, the singer found that Madame Hulot had fainted; but in spite of having lost consciousness, her nervous trembling kept her still perpetually shaking, as the pieces of a snake that has been cut up still wriggle and move. Strong salts, cold water, and all the ordinary remedies were applied to recall the Baroness to her senses, or rather, to the apprehension of her sorrows.

"Ah! mademoiselle, how far has he fallen!" cried she, recognizing Josepha, and finding that she was alone with her.

"Take heart, madame," replied the actress, who had seated herself on a cushion at Adeline's feet, and was kissing her hands. "We shall find him; and if he is in the mire, well, he must wash himself. Believe me, with people of good breeding it is a matter of clothes.—Allow me to make up for you the harm I have done you, for I see how much you are attached to your husband, in spite of his misconduct—or you should not have come here.—Well, you see, the poor man is so fond of women. If you had had a little of our dash, you would have kept him from running about the world; for you would have been what we can never be —all the women man wants.

"The State ought to subsidize a school of manners for honest women! But governments are so prudish! Still, they are guided by men, whom we privately guide. My word, I pity nations!

"But the matter in question is how you can be helped, and not to laugh at the world.—Well, madame, be easy, go home again, and do not worry. I will bring your Hector back to you as he was as a man of thirty."

"Ah, mademoiselle, let us go to see that Madame Grenouville," said the Baroness. "She surely knows something! Perhaps I may see the Baron this very day, and be able to snatch him at once from poverty and disgrace."

"Madame, I will show you the deep gratitude I feel towards you by not displaying the stage-singer Josepha, the Duc d'Herouville's mistress, in the company of the noblest, saintliest image of virtue. I respect you too much to be seen by your side. This is not acted humility; it is sincere homage. You make me sorry, madame, that I cannot tread in your footsteps, in spite of the thorns that tear your feet and hands. —But it cannot be helped! I am one with art, as you are one with virtue."

"Poor child!" said the Baroness, moved amid her own sorrows by a strange sense of compassionate sympathy; "I will pray to God for you; for you are the victim of society, which must have theatres. When you are old, repent—you will be heard if God vouchsafes to hear the prayers of a—"

"Of a martyr, madame," Josepha put in, and she respectfully kissed the Baroness' skirt.

But Adeline took the actress' hand, and drawing her towards her, kissed her on the forehead. Coloring with pleasure Josepha saw the Baroness into the hackney coach with the humblest politeness.

"It must be some visiting Lady of Charity," said the man-servant to the maid, "for she does not do so much for any one, not even for her dear friend Madame Jenny Cadine."

"Wait a few days," said she, "and you will see him, madame, or I renounce the God of my fathers—and that from a Jewess, you know, is a promise of success."



At the very time when Madame Hulot was calling on Josepha, Victorin, in his study, was receiving an old woman of about seventy-five, who, to gain admission to the lawyer, had used the terrible name of the head of the detective force. The man in waiting announced:

"Madame de Saint-Esteve."

"I have assumed one of my business names," said she, taking a seat.

Victorin felt a sort of internal chill at the sight of this dreadful old woman. Though handsomely dressed, she was terrible to look upon, for her flat, colorless, strongly-marked face, furrowed with wrinkles, expressed a sort of cold malignity. Marat, as a woman of that age, might have been like this creature, a living embodiment of the Reign of Terror.

This sinister old woman's small, pale eyes twinkled with a tiger's bloodthirsty greed. Her broad, flat nose, with nostrils expanded into oval cavities, breathed the fires of hell, and resembled the beak of some evil bird of prey. The spirit of intrigue lurked behind her low, cruel brow. Long hairs had grown from her wrinkled chin, betraying the masculine character of her schemes. Any one seeing that woman's face would have said that artists had failed in their conceptions of Mephistopheles.

"My dear sir," she began, with a patronizing air, "I have long since given up active business of any kind. What I have come to you to do, I have undertaken, for the sake of my dear nephew, whom I love more than I could love a son of my own.—Now, the Head of the Police—to whom the President of the Council said a few words in his ear as regards yourself, in talking to Monsieur Chapuzot—thinks as the police ought not to appear in a matter of this description, you understand. They gave my nephew a free hand, but my nephew will have nothing to say to it, except as before the Council; he will not be seen in it."

"Then your nephew is—"

"You have hit it, and I am rather proud of him," said she, interrupting the lawyer, "for he is my pupil, and he soon could teach his teacher.—We have considered this case, and have come to our own conclusions. Will you hand over thirty thousand francs to have the whole thing taken off your hands? I will make a clean sweep of all, and you need not pay till the job is done."

"Do you know the persons concerned?"

"No, my dear sir; I look for information from you. What we are told is, that a certain old idiot has fallen into the clutches of a widow. This widow, of nine-and-twenty, has played her cards so well, that she has forty thousand francs a year, of which she has robbed two fathers of families. She is now about to swallow down eighty thousand francs a year by marrying an old boy of sixty-one. She will thus ruin a respectable family, and hand over this vast fortune to the child of some lover by getting rid at once of the old husband.—That is the case as stated."

"Quite correct," said Victorin. "My father-in-law, Monsieur Crevel—"

"Formerly a perfumer, a mayor—yes, I live in his district under the name of Ma'ame Nourrisson," said the woman.

"The other person is Madame Marneffe."

"I do not know," said Madame de Saint-Esteve. "But within three days I will be in a position to count her shifts."

"Can you hinder the marriage?" asked Victorin.

"How far have they got?"

"To the second time of asking."

"We must carry off the woman.—To-day is Sunday—there are but three days, for they will be married on Wednesday, no doubt; it is impossible.—But she may be killed—"

Victorin Hulot started with an honest man's horror at hearing these five words uttered in cold blood.

"Murder?" said he. "And how could you do it?"

"For forty years, now, monsieur, we have played the part of fate," replied she, with terrible pride, "and do just what we will in Paris. More than one family—even in the Faubourg Saint-Germain—has told me all its secrets, I can tell you. I have made and spoiled many a match, I have destroyed many a will and saved many a man's honor. I have in there," and she tapped her forehead, "a store of secrets which are worth thirty-six thousand francs a year to me; and you—you will be one of my lambs, hoh! Could such a woman as I am be what I am if she revealed her ways and means? I act.

"Whatever I may do, sir, will be the result of an accident; you need feel no remorse. You will be like a man cured by a clairvoyant; by the end of a month, it seems all the work of Nature."

Victorin broke out in a cold sweat. The sight of an executioner would have shocked him less than this prolix and pretentious Sister of the Hulks. As he looked at her purple-red gown, she seemed to him dyed in blood.

"Madame, I do not accept the help of your experience and skill if success is to cost anybody's life, or the least criminal act is to come of it."

"You are a great baby, monsieur," replied the woman; "you wish to remain blameless in your own eyes, while you want your enemy to be overthrown."

Victorin shook his head in denial.

"Yes," she went on, "you want this Madame Marneffe to drop the prey she has between her teeth. But how do you expect to make a tiger drop his piece of beef? Can you do it by patting his back and saying, 'Poor Puss'? You are illogical. You want a battle fought, but you object to blows.—Well, I grant you the innocence you are so careful over. I have always found that there was material for hypocrisy in honesty! One day, three months hence, a poor priest will come to beg of you forty thousand francs for a pious work—a convent to be rebuilt in the Levant—in the desert.—If you are satisfied with your lot, give the good man the money. You will pay more than that into the treasury. It will be a mere trifle in comparison with what you will get, I can tell you."

She rose, standing on the broad feet that seemed to overflow her satin shoes; she smiled, bowed, and vanished.

"The Devil has a sister," said Victorin, rising.

He saw the hideous stranger to the door, a creature called up from the dens of the police, as on the stage a monster comes up from the third cellar at the touch of a fairy's wand in a ballet-extravaganza.

After finishing what he had to do at the Courts, Victorin went to call on Monsieur Chapuzot, the head of one of the most important branches of the Central Police, to make some inquiries about the stranger. Finding Monsieur Chapuzot alone in his office, Victorin thanked him for his help.

"You sent me an old woman who might stand for the incarnation of the criminal side of Paris."

Monsieur Chapuzot laid his spectacles on his papers and looked at the lawyer with astonishment.

"I should not have taken the liberty of sending anybody to see you without giving you notice beforehand, or a line of introduction," said he.

"Then it was Monsieur le Prefet—?"

"I think not," said Chapuzot. "The last time that the Prince de Wissembourg dined with the Minister of the Interior, he spoke to the Prefet of the position in which you find yourself—a deplorable position—and asked him if you could be helped in any friendly way. The Prefet, who was interested by the regrets his Excellency expressed as to this family affair, did me the honor to consult me about it.

"Ever since the present Prefet has held the reins of this department —so useful and so vilified—he has made it a rule that family matters are never to be interfered in. He is right in principle and in morality; but in practice he is wrong. In the forty-five years that I have served in the police, it did, from 1799 till 1815, great services in family concerns. Since 1820 a constitutional government and the press have completely altered the conditions of existence. So my advice, indeed, was not to intervene in such a case, and the Prefet did me the honor to agree with my remarks. The Head of the detective branch has orders, in my presence, to take no steps; so if you have had any one sent to you by him, he will be reprimanded. It might cost him his place. 'The Police will do this or that,' is easily said; the Police, the Police! But, my dear sir, the Marshal and the Ministerial Council do not know what the Police is. The Police alone knows the Police; but as for ours, only Fouche, Monsieur Lenoir, and Monsieur de Sartines have had any notion of it.—Everything is changed now; we are reduced and disarmed! I have seen many private disasters develop, which I could have checked with five grains of despotic power.—We shall be regretted by the very men who have crippled us when they, like you, stand face to face with some moral monstrosities, which ought to be swept away as we sweep away mud! In public affairs the Police is expected to foresee everything, or when the safety of the public is involved—but the family?—It is sacred! I would do my utmost to discover and hinder a plot against the King's life, I would see through the walls of a house; but as to laying a finger on a household, or peeping into private interests—never, so long as I sit in this office. I should be afraid."

"Of what?"

"Of the Press, Monsieur le Depute, of the left centre."

"What, then, can I do?" said Hulot, after a pause.

"Well, you are the Family," said the official. "That settles it; you can do what you please. But as to helping you, as to using the Police as an instrument of private feelings, and interests, how is it possible? There lies, you see, the secret of the persecution, necessary, but pronounced illegal, by the Bench, which was brought to bear against the predecessor of our present chief detective. Bibi-Lupin undertook investigations for the benefit of private persons. This might have led to great social dangers. With the means at his command, the man would have been formidable, an underlying fate—"

"But in my place?" said Hulot.

"Why, you ask my advice? You who sell it!" replied Monsieur Chapuzot. "Come, come, my dear sir, you are making fun of me."

Hulot bowed to the functionary, and went away without seeing that gentleman's almost imperceptible shrug as he rose to open the door.

"And he wants to be a statesman!" said Chapuzot to himself as he returned to his reports.

Victorin went home, still full of perplexities which he could confide to no one.

At dinner the Baroness joyfully announced to her children that within a month their father might be sharing their comforts, and end his days in peace among his family.

"Oh, I would gladly give my three thousand six hundred francs a year to see the Baron here!" cried Lisbeth. "But, my dear Adeline, do not dream beforehand of such happiness, I entreat you!"

"Lisbeth is right," said Celestine. "My dear mother, wait till the end."

The Baroness, all feeling and all hope, related her visit to Josepha, expressed her sense of the misery of such women in the midst of good fortune, and mentioned Chardin the mattress-picker, the father of the Oran storekeeper, thus showing that her hopes were not groundless.



By seven next morning Lisbeth had driven in a hackney coach to the Quai de la Tournelle, and stopped the vehicle at the corner of the Rue de Poissy.

"Go to the Rue des Bernardins," said she to the driver, "No. 7, a house with an entry and no porter. Go up to the fourth floor, ring at the door to the left, on which you will see 'Mademoiselle Chardin —Lace and shawls mended.' She will answer the door. Ask for the Chevalier. She will say he is out. Say in reply, 'Yes, I know, but find him, for his bonne is out on the quay in a coach, and wants to see him.'"

Twenty minutes later, an old man, who looked about eighty, with perfectly white hair, and a nose reddened by the cold, and a pale, wrinkled face like an old woman's, came shuffling slowly along in list slippers, a shiny alpaca overcoat hanging on his stooping shoulders, no ribbon at his buttonhole, the sleeves of an under-vest showing below his coat-cuffs, and his shirt-front unpleasantly dingy. He approached timidly, looked at the coach, recognized Lisbeth, and came to the window.

"Why, my dear cousin, what a state you are in!"

"Elodie keeps everything for herself," said Baron Hulot. "Those Chardins are a blackguard crew."

"Will you come home to us?"

"Oh, no, no!" cried the old man. "I would rather go to America."

"Adeline is on the scent."

"Oh, if only some one would pay my debts!" said the Baron, with a suspicious look, "for Samanon is after me."

"We have not paid up the arrears yet; your son still owes a hundred thousand francs."

"Poor boy!"

"And your pension will not be free before seven or eight months.—If you will wait a minute, I have two thousand francs here."

The Baron held out his hand with fearful avidity.

"Give it me, Lisbeth, and may God reward you! Give it me; I know where to go."

"But you will tell me, old wretch?"

"Yes, yes. Then I can wait eight months, for I have discovered a little angel, a good child, an innocent thing not old enough to be depraved."

"Do not forget the police-court," said Lisbeth, who flattered herself that she would some day see Hulot there.

"No.—It is in the Rue de Charonne," said the Baron, "a part of the town where no fuss is made about anything. No one will ever find me there. I am called Pere Thorec, Lisbeth, and I shall be taken for a retired cabinet-maker; the girl is fond of me, and I will not allow my back to be shorn any more."

"No, that has been done," said Lisbeth, looking at his coat. "Supposing I take you there."

Baron Hulot got into the coach, deserting Mademoiselle Elodie without taking leave of her, as he might have tossed aside a novel he had finished.

In half an hour, during which Baron Hulot talked to Lisbeth of nothing but little Atala Judici—for he had fallen by degrees to those base passions that ruin old men—she set him down with two thousand francs in his pocket, in the Rue de Charonne, Faubourg Saint-Antoine, at the door of a doubtful and sinister-looking house.

"Good-day, cousin; so now you are to be called Thorec, I suppose? Send none but commissionaires if you need me, and always take them from different parts."

"Trust me! Oh, I am really very lucky!" said the Baron, his face beaming with the prospect of new and future happiness.

"No one can find him there," said Lisbeth; and she paid the coach at the Boulevard Beaumarchais, and returned to the Rue Louis-le-Grand in the omnibus.

On the following day Crevel was announced at the hour when all the family were together in the drawing-room, just after breakfast. Celestine flew to throw her arms round her father's neck, and behaved as if she had seen him only the day before, though in fact he had not called there for more than two years.

"Good-morning, father," said Victorin, offering his hand.

"Good-morning, children," said the pompous Crevel. "Madame la Baronne, I throw myself at your feet! Good Heavens, how the children grow! they are pushing us off the perch—'Grand-pa,' they say, 'we want our turn in the sunshine.'—Madame la Comtesse, you are as lovely as ever," he went on, addressing Hortense.—"Ah, ha! and here is the best of good money: Cousin Betty, the Wise Virgin."

"Why, you are really very comfortable here," said he, after scattering these greetings with a cackle of loud laughter that hardly moved the rubicund muscles of his broad face.

He looked at his daughter with some contempt.

"My dear Celestine, I will make you a present of all my furniture out of the Rue des Saussayes; it will just do here. Your drawing-room wants furnishing up.—Ha! there is that little rogue Wenceslas. Well, and are we very good children, I wonder? You must have pretty manners, you know."

"To make up for those who have none," said Lisbeth.

"That sarcasm, my dear Lisbeth, has lost its sting. I am going, my dear children, to put an end to the false position in which I have so long been placed; I have come, like a good father, to announce my approaching marriage without any circumlocution."

"You have a perfect right to marry," said Victorin. "And for my part, I give you back the promise you made me when you gave me the hand of my dear Celestine—"

"What promise?" said Crevel.

"Not to marry," replied the lawyer. "You will do me the justice to allow that I did not ask you to pledge yourself, that you gave your word quite voluntarily and in spite of my desire, for I pointed out to you at the time that you were unwise to bind yourself."

"Yes, I do remember, my dear fellow," said Crevel, ashamed of himself. "But, on my honor, if you will but live with Madame Crevel, my children, you will find no reason to repent.—Your good feeling touches me, Victorin, and you will find that generosity to me is not unrewarded.—Come, by the Poker! welcome your stepmother and come to the wedding."

"But you have not told us the lady's name, papa," said Celestine.

"Why, it is an open secret," replied Crevel. "Do not let us play at guess who can! Lisbeth must have told you."

"My dear Monsieur Crevel," replied Lisbeth, "there are certain names we never utter here—"

"Well, then, it is Madame Marneffe."

"Monsieur Crevel," said the lawyer very sternly, "neither my wife nor I can be present at that marriage; not out of interest, for I spoke in all sincerity just now. Yes, I am most happy to think that you may find happiness in this union; but I act on considerations of honor and good feeling which you must understand, and which I cannot speak of here, as they reopen wounds still ready to bleed——"

The Baroness telegraphed a signal to Hortense, who tucked her little one under her arm, saying, "Come Wenceslas, and have your bath! —Good-bye, Monsieur Crevel."

The Baroness also bowed to Crevel without a word; and Crevel could not help smiling at the child's astonishment when threatened with this impromptu tubbing.

"You, monsieur," said Victorin, when he found himself alone with Lisbeth, his wife, and his father-in-law, "are about to marry a woman loaded with the spoils of my father; it was she who, in cold blood, brought him down to such depths; a woman who is the son-in-law's mistress after ruining the father-in-law; who is the cause of constant grief to my sister!—And you fancy that I shall seem to sanction your madness by my presence? I deeply pity you, dear Monsieur Crevel; you have no family feeling; you do not understand the unity of the honor which binds the members of it together. There is no arguing with passion—as I have too much reason to know. The slaves of their passions are as deaf as they are blind. Your daughter Celestine has too strong a sense of her duty to proffer a word of reproach."

"That would, indeed, be a pretty thing!" cried Crevel, trying to cut short this harangue.

"Celestine would not be my wife if she made the slightest remonstrance," the lawyer went on. "But I, at least, may try to stop you before you step over the precipice, especially after giving you ample proof of my disinterestedness. It is not your fortune, it is you that I care about. Nay, to make it quite plain to you, I may add, if it were only to set your mind at ease with regard to your marriage contract, that I am now in a position which leaves me with nothing to wish for—"

"Thanks to me!" exclaimed Crevel, whose face was purple.

"Thanks to Celestine's fortune," replied Victorin. "And if you regret having given to your daughter as a present from yourself, a sum which is not half what her mother left her, I can only say that we are prepared to give it back."

"And do you not know, my respected son-in-law," said Crevel, striking an attitude, "that under the shelter of my name Madame Marneffe is not called upon to answer for her conduct excepting as my wife—as Madame Crevel?"

"That is, no doubt, quite the correct thing," said the lawyer; "very generous so far as the affections are concerned and the vagaries of passion; but I know of no name, nor law, nor title that can shelter the theft of three hundred thousand francs so meanly wrung from my father!—I tell you plainly, my dear father-in-law, your future wife is unworthy of you, she is false to you, and is madly in love with my brother-in-law, Steinbock, whose debts she had paid."

"It is I who paid them!"

"Very good," said Hulot; "I am glad for Count Steinbock's sake; he may some day repay the money. But he is loved, much loved, and often—"

"Loved!" cried Crevel, whose face showed his utter bewilderment. "It is cowardly, and dirty, and mean, and cheap, to calumniate a woman! —When a man says such things, monsieur, he must bring proof."

"I will bring proof."

"I shall expect it."

"By the day after to-morrow, my dear Monsieur Crevel, I shall be able to tell you the day, the hour, the very minute when I can expose the horrible depravity of your future wife."

"Very well; I shall be delighted," said Crevel, who had recovered himself.

"Good-bye, my children, for the present; good-bye, Lisbeth."

"See him out, Lisbeth," said Celestine in an undertone.

"And is this the way you take yourself off?" cried Lisbeth to Crevel.

"Ah, ha!" said Crevel, "my son-in-law is too clever by half; he is getting on. The Courts and the Chamber, judicial trickery and political dodges, are making a man of him with a vengeance!—So he knows I am to be married on Wednesday, and on a Sunday my gentleman proposes to fix the hour, within three days, when he can prove that my wife is unworthy of me. That is a good story!—Well, I am going back to sign the contract. Come with me, Lisbeth—yes, come. They will never know. I meant to have left Celestine forty thousand francs a year; but Hulot has just behaved in a way to alienate my affection for ever."

"Give me ten minutes, Pere Crevel; wait for me in your carriage at the gate. I will make some excuse for going out."

"Very well—all right."

"My dears," said Lisbeth, who found all the family reassembled in the drawing-room, "I am going with Crevel: the marriage contract is to be signed this afternoon, and I shall hear what he has settled. It will probably be my last visit to that woman. Your father is furious; he will disinherit you—"

"His vanity will prevent that," said the son-in-law. "He was bent on owning the estate of Presles, and he will keep it; I know him. Even if he were to have children, Celestine would still have half of what he might leave; the law forbids his giving away all his fortune.—Still, these questions are nothing to me; I am only thinking of our honor. —Go then, cousin," and he pressed Lisbeth's hand, "and listen carefully to the contract."



Twenty minutes after, Lisbeth and Crevel reached the house in the Rue Barbet, where Madame Marneffe was awaiting, in mild impatience, the result of a step taken by her commands. Valerie had in the end fallen a prey to the absorbing love which, once in her life, masters a woman's heart. Wenceslas was its object, and, a failure as an artist, he became in Madame Marneffe's hands a lover so perfect that he was to her what she had been to Baron Hulot.

Valerie was holding a slipper in one hand, and Steinbock clasped the other, while her head rested on his shoulder. The rambling conversation in which they had been engaged ever since Crevel went out may be ticketed, like certain lengthy literary efforts of our day, "All rights reserved," for it cannot be reproduced. This masterpiece of personal poetry naturally brought a regret to the artist's lips, and he said, not without some bitterness:

"What a pity it is that I married; for if I had but waited, as Lisbeth told me, I might now have married you."

"Who but a Pole would wish to make a wife of a devoted mistress?" cried Valerie. "To change love into duty, and pleasure into a bore."

"I know you to be so fickle," replied Steinbock. "Did I not hear you talking to Lisbeth of that Brazilian, Baron Montes?"

"Do you want to rid me of him?"

"It would be the only way to hinder his seeing you," said the ex-sculptor.

"Let me tell you, my darling—for I tell you everything," said Valerie —"I was saving him up for a husband.—The promises I have made to that man!—Oh, long before I knew you," said she, in reply to a movement from Wenceslas. "And those promises, of which he avails himself to plague me, oblige me to get married almost secretly; for if he should hear that I am marrying Crevel, he is the sort of man that —that would kill me."

"Oh, as to that!" said Steinbock, with a scornful expression, which conveyed that such a danger was small indeed for a woman beloved by a Pole.

And in the matter of valor there is no brag or bravado in a Pole, so thoroughly and seriously brave are they all.

"And that idiot Crevel," she went on, "who wants to make a great display and indulge his taste for inexpensive magnificence in honor of the wedding, places me in difficulties from which I see no escape."

Could Valerie confess to this man, whom she adored, that since the discomfiture of Baron Hulot, this Baron Henri Montes had inherited the privilege of calling on her at all hours of the day or night; and that, notwithstanding her cleverness, she was still puzzled to find a cause of quarrel in which the Brazilian might seem to be solely in the wrong? She knew the Baron's almost savage temper—not unlike Lisbeth's —too well not to quake as she thought of this Othello of Rio de Janeiro.

As the carriage drove up, Steinbock released Valerie, for his arm was round her waist, and took up a newspaper, in which he was found absorbed. Valerie was stitching with elaborate care at the slippers she was working for Crevel.

"How they slander her!" whispered Lisbeth to Crevel, pointing to this picture as they opened the door. "Look at her hair—not in the least tumbled. To hear Victorin, you might have expected to find two turtle-doves in a nest."

"My dear Lisbeth," cried Crevel, in his favorite position, "you see that to turn Lucretia into Aspasia, you have only to inspire a passion!"

"And have I not always told you," said Lisbeth, "that women like a burly profligate like you?"

"And she would be most ungrateful, too," said Crevel; "for as to the money I have spent here, Grindot and I alone can tell!"

And he waved a hand at the staircase.

In decorating this house, which Crevel regarded as his own, Grindot had tried to compete with Cleretti, in whose hands the Duc d'Herouville had placed Josepha's villa. But Crevel, incapable of understanding art, had, like all sordid souls, wanted to spend a certain sum fixed beforehand. Grindot, fettered by a contract, had found it impossible to embody his architectural dream.

The difference between Josepha's house and that in the Rue Barbet was just that between the individual stamp on things and commonness. The objects you admired at Crevel's were to be bought in any shop. These two types of luxury are divided by the river Million. A mirror, if unique, is worth six thousand francs; a mirror designed by a manufacturer who turns them out by the dozen costs five hundred. A genuine lustre by Boulle will sell at a public auction for three thousand francs; the same thing reproduced by casting may be made for a thousand or twelve hundred; one is archaeologically what a picture by Raphael is in painting, the other is a copy. At what would you value a copy of a Raphael? Thus Crevel's mansion was a splendid example of the luxury of idiots, while Josepha's was a perfect model of an artist's home.

"War is declared," said Crevel, going up to Madame Marneffe.

She rang the bell.

"Go and find Monsieur Berthier," said she to the man-servant, "and do not return without him. If you had succeeded," said she, embracing Crevel, "we would have postponed our happiness, my dear Daddy, and have given a really splendid entertainment; but when a whole family is set against a match, my dear, decency requires that the wedding shall be a quiet one, especially when the lady is a widow."

"On the contrary, I intend to make a display of magnificence a la Louis XIV.," said Crevel, who of late had held the eighteenth century rather cheap. "I have ordered new carriages; there is one for monsieur and one for madame, two neat coupes; and a chaise, a handsome traveling carriage with a splendid hammercloth, on springs that tremble like Madame Hulot."

"Oh, ho! You intend?—Then you have ceased to be my lamb?—No, no, my friend, you will do what I intend. We will sign the contract quietly—just ourselves—this afternoon. Then, on Wednesday, we will be regularly married, really married, in mufti, as my poor mother would have said. We will walk to church, plainly dressed, and have only a low mass. Our witnesses are Stidmann, Steinbock, Vignon, and Massol, all wide-awake men, who will be at the mairie by chance, and who will so far sacrifice themselves as to attend mass.

"Your colleague will perform the civil marriage, for once in a way, as early as half-past nine. Mass is at ten; we shall be at home to breakfast by half-past eleven.

"I have promised our guests that we will sit at table till the evening. There will be Bixiou, your old official chum du Tillet, Lousteau, Vernisset, Leon de Lora, Vernou, all the wittiest men in Paris, who will not know that we are married. We will play them a little trick, we will get just a little tipsy, and Lisbeth must join us. I want her to study matrimony; Bixiou shall make love to her, and —and enlighten her darkness."

For two hours Madame Marneffe went on talking nonsense, and Crevel made this judicious reflection:

"How can so light-hearted a creature be utterly depraved? Feather-brained, yes! but wicked? Nonsense!"

"Well, and what did the young people say about me?" said Valerie to Crevel at a moment when he sat down by her on the sofa. "All sorts of horrors?"

"They will have it that you have a criminal passion for Wenceslas —you, who are virtue itself."

"I love him!—I should think so, my little Wenceslas!" cried Valerie, calling the artist to her, taking his face in her hands, and kissing his forehead. "A poor boy with no fortune, and no one to depend on! Cast off by a carrotty giraffe! What do you expect, Crevel? Wenceslas is my poet, and I love him as if he were my own child, and make no secret of it. Bah! your virtuous women see evil everywhere and in everything. Bless me, could they not sit by a man without doing wrong? I am a spoilt child who has had all it ever wanted, and bonbons no longer excite me.—Poor things! I am sorry for them!

"And who slandered me so?"

"Victorin," said Crevel.

"Then why did you not stop his mouth, the odious legal macaw! with the story of the two hundred thousand francs and his mamma?"

"Oh, the Baroness had fled," said Lisbeth.

"They had better take care, Lisbeth," said Madame Marneffe, with a frown. "Either they will receive me and do it handsomely, and come to their stepmother's house—all the party!—or I will see them in lower depths than the Baron has reached, and you may tell them I said so! —At last I shall turn nasty. On my honor, I believe that evil is the scythe with which to cut down the good."

At three o'clock Monsieur Berthier, Cardot's successor, read the marriage-contract, after a short conference with Crevel, for some of the articles were made conditional on the action taken by Monsieur and Madame Victorin Hulot.

Crevel settled on his wife a fortune consisting, in the first place, of forty thousand francs in dividends on specified securities; secondly, of the house and all its contents; and thirdly, of three million francs not invested. He also assigned to his wife every benefit allowed by law; he left all the property free of duty; and in the event of their dying without issue, each devised to the survivor the whole of their property and real estate.

By this arrangement the fortune left to Celestine and her husband was reduced to two millions of francs in capital. If Crevel and his second wife should have children, Celestine's share was limited to five hundred thousand francs, as the life-interest in the rest was to accrue to Valerie. This would be about the ninth part of his whole real and personal estate.



Lisbeth returned to dine in the Rue Louis-le-Grand, despair written on her face. She explained and bewailed the terms of the marriage-contract, but found Celestine and her husband insensible to the disastrous news.

"You have provoked your father, my children. Madame Marneffe swears that you shall receive Monsieur Crevel's wife and go to her house," said she.

"Never!" said Victorin.

"Never!" said Celestine.

"Never!" said Hortense.

Lisbeth was possessed by the wish to crush the haughty attitude assumed by all the Hulots.

"She seems to have arms that she can turn against you," she replied. "I do not know all about it, but I shall find out. She spoke vaguely of some history of two hundred thousand francs in which Adeline is implicated."

The Baroness fell gently backward on the sofa she was sitting on in a fit of hysterical sobbing.

"Go there, go, my children!" she cried. "Receive the woman! Monsieur Crevel is an infamous wretch. He deserves the worst punishment imaginable.—Do as the woman desires you! She is a monster—she knows all!"

After gasping out these words with tears and sobs, Madame Hulot collected her strength to go to her room, leaning on her daughter and Celestine.

"What is the meaning of all this?" cried Lisbeth, left alone with Victorin.

The lawyer stood rigid, in very natural dismay, and did not hear her.

"What is the matter, my dear Victorin?"

"I am horrified!" said he, and his face scowled darkly. "Woe to anybody who hurts my mother! I have no scruples then. I would crush that woman like a viper if I could!—What, does she attack my mother's life, my mother's honor?"

"She said, but do not repeat it, my dear Victorin—she said you should all fall lower even than your father. And she scolded Crevel roundly for not having shut your mouths with this secret that seems to be such a terror to Adeline."

A doctor was sent for, for the Baroness was evidently worse. He gave her a draught containing a large dose of opium, and Adeline, having swallowed it, fell into a deep sleep; but the whole family were greatly alarmed.

Early next morning Victorin went out, and on his way to the Courts called at the Prefecture of the Police, where he begged Vautrin, the head of the detective department, to send him Madame de Saint-Esteve.

"We are forbidden, monsieur, to meddle in your affairs; but Madame de Saint-Esteve is in business, and will attend to your orders," replied this famous police officer.

On his return home, the unhappy lawyer was told that his mother's reason was in danger. Doctor Bianchon, Doctor Larabit, and Professor Angard had met in consultation, and were prepared to apply heroic remedies to hinder the rush of blood to the head. At the moment when Victorin was listening to Doctor Bianchon, who was giving him, at some length, his reasons for hoping that the crisis might be got over, the man-servant announced that a client, Madame de Saint-Esteve, was waiting to see him. Victorin left Bianchon in the middle of a sentence and flew downstairs like a madman.

"Is there any hereditary lunacy in the family?" said Bianchon, addressing Larabit.

The doctors departed, leaving a hospital attendant, instructed by them, to watch Madame Hulot.

"A whole life of virtue!——" was the only sentence the sufferer had spoken since the attack.

Lisbeth never left Adeline's bedside; she sat up all night, and was much admired by the two younger women.

"Well, my dear Madame de Saint-Esteve," said Victorin, showing the dreadful old woman into his study and carefully shutting the doors, "how are we getting on?"

"Ah, ha! my dear friend," said she, looking at Victorin with cold irony. "So you have thought things over?"

"Have you done anything?"

"Will you pay fifty thousand francs?"

"Yes," replied Victorin, "for we must get on. Do you know that by one single phrase that woman has endangered my mother's life and reason? So, I say, get on."

"We have got on!" replied the old woman.

"Well?" cried Victorin, with a gulp.

"Well, you do not cry off the expenses?"

"On the contrary."

"They run up to twenty-three thousand francs already."

Victorin looked helplessly at the woman.

"Well, could we hoodwink you, you, one of the shining lights of the law?" said she. "For that sum we have secured a maid's conscience and a picture by Raphael.—It is not dear."

Hulot, still bewildered, sat with wide open eyes.

"Well, then," his visitor went on, "we have purchased the honesty of Mademoiselle Reine Tousard, a damsel from whom Madame Marneffe has no secrets—"

"I understand!"

"But if you shy, say so."

"I will play blindfold," he replied. "My mother has told me that that couple deserve the worst torments—"

"The rack is out of date," said the old woman.

"You answer for the result?"

"Leave it all to me," said the woman; "your vengeance is simmering."

She looked at the clock; it was six.

"Your avenger is dressing; the fires are lighted at the Rocher de Cancale; the horses are pawing the ground; my irons are getting hot. —Oh, I know your Madame Marneffe by heart!—Everything is ready. And there are some boluses in the rat-trap; I will tell you to-morrow morning if the mouse is poisoned. I believe she will be; good evening, my son."

"Good-bye, madame."

"Do you know English?"

"Yes."

"Well, my son, thou shalt be King. That is to say, you shall come into your inheritance," said the dreadful old witch, foreseen by Shakespeare, and who seemed to know her Shakespeare.

She left Hulot amazed at the door of his study.

"The consultation is for to-morrow!" said she, with the gracious air of a regular client.

She saw two persons coming, and wished to pass in their eyes a pinchbeck countess.

"What impudence!" thought Hulot, bowing to his pretended client.



Baron Montes de Montejanos was a lion, but a lion not accounted for. Fashionable Paris, Paris of the turf and of the town, admired the ineffable waistcoats of this foreign gentleman, his spotless patent-leather boots, his incomparable sticks, his much-coveted horses, and the negro servants who rode the horses and who were entirely slaves and most consumedly thrashed.

His fortune was well known; he had a credit account up to seven hundred thousand francs in the great banking house of du Tillet; but he was always seen alone. When he went to "first nights," he was in a stall. He frequented no drawing-rooms. He had never given his arm to a girl on the streets. His name would not be coupled with that of any pretty woman of the world. To pass his time he played whist at the Jockey-Club. The world was reduced to calumny, or, which it thought funnier, to laughing at his peculiarities; he went by the name of Combabus.

Bixiou, Leon de Lora, Lousteau, Florine, Mademoiselle Heloise Brisetout, and Nathan, supping one evening with the notorious Carabine, with a large party of lions and lionesses, had invented this name with an excessively burlesque explanation. Massol, as being on the Council of State, and Claude Vignon, erewhile Professor of Greek, had related to the ignorant damsels the famous anecdote, preserved in Rollin's Ancient History, concerning Combabus, that voluntary Abelard who was placed in charge of the wife of a King of Assyria, Persia, Bactria, Mesopotamia, and other geographical divisions peculiar to old Professor du Bocage, who continued the work of d'Anville, the creator of the East of antiquity. This nickname, which gave Carabine's guests laughter for a quarter of an hour, gave rise to a series of over-free jests, to which the Academy could not award the Montyon prize; but among which the name was taken up, to rest thenceforth on the curly mane of the handsome Baron, called by Josepha the splendid Brazilian—as one might say a splendid Catoxantha.

Carabine, the loveliest of her tribe, whose delicate beauty and amusing wit had snatched the sceptre of the Thirteenth Arrondissement from the hands of Mademoiselle Turquet, better known by the name of Malaga—Mademoiselle Seraphine Sinet (this was her real name) was to du Tillet the banker what Josepha Mirah was to the Duc d'Herouville.

Now, on the morning of the very day when Madame de Saint-Esteve had prophesied success to Victorin, Carabine had said to du Tillet at about seven o'clock:

"If you want to be very nice, you will give me a dinner at the Rocher de Cancale and bring Combabus. We want to know, once for all, whether he has a mistress.—I bet that he has, and I should like to win."

"He is still at the Hotel des Princes; I will call," replied du Tillet. "We will have some fun. Ask all the youngsters—the youngster Bixiou, the youngster Lora, in short, all the clan."

At half-past seven that evening, in the handsomest room of the restaurant where all Europe has dined, a splendid silver service was spread, made on purpose for entertainments where vanity pays the bill in bank-notes. A flood of light fell in ripples on the chased rims; waiters, whom a provincial might have taken for diplomatists but for their age, stood solemnly, as knowing themselves to be overpaid.

Five guests had arrived, and were waiting for nine more. These were first and foremost Bixiou, still flourishing in 1843, the salt of every intellectual dish, always supplied with fresh wit—a phenomenon as rare in Paris as virtue is; Leon de Lora, the greatest living painter of landscape and the sea who has this great advantage over all his rivals, that he has never fallen below his first successes. The courtesans could never dispense with these two kings of ready wit. No supper, no dinner, was possible without them.

Seraphine Sinet, dite Carabine, as the mistress en titre of the Amphitryon, was one of the first to arrive; and the brilliant lighting showed off her shoulders, unrivaled in Paris, her throat, as round as if turned in a lathe, without a crease, her saucy face, and dress of satin brocade in two shades of blue, trimmed with Honiton lace enough to have fed a whole village for a month.

Pretty Jenny Cadine, not acting that evening, came in a dress of incredible splendor; her portrait is too well known to need any description. A party is always a Longchamps of evening dress for these ladies, each anxious to win the prize for her millionaire by thus announcing to her rivals:

"This is the price I am worth!"

A third woman, evidently at the initial stage of her career, gazed, almost shamefaced, at the luxury of her two established and wealthy companions. Simply dressed in white cashmere trimmed with blue, her head had been dressed with real flowers by a coiffeur of the old-fashioned school, whose awkward hands had unconsciously given the charm of ineptitude to her fair hair. Still unaccustomed to any finery, she showed the timidity—to use a hackneyed phrase —inseparable from a first appearance. She had come from Valognes to find in Paris some use for her distracting youthfulness, her innocence that might have stirred the senses of a dying man, and her beauty, worthy to hold its own with any that Normandy has ever supplied to the theatres of the capital. The lines of that unblemished face were the ideal of angelic purity. Her milk-white skin reflected the light like a mirror. The delicate pink in her cheeks might have been laid on with a brush. She was called Cydalise, and, as will be seen, she was an important pawn in the game played by Ma'ame Nourrisson to defeat Madame Marneffe.

"Your arm is not a match for your name, my child," said Jenny Cadine, to whom Carabine had introduced this masterpiece of sixteen, having brought her with her.

And, in fact, Cydalise displayed to public admiration a fine pair of arms, smooth and satiny, but red with healthy young blood.

"What do you want for her?" said Jenny Cadine, in an undertone to Carabine.

"A fortune."

"What are you going to do with her?"

"Well—Madame Combabus!"

"And what are you to get for such a job?"

"Guess."

"A service of plate?"

"I have three."

"Diamonds?"

"I am selling them."

"A green monkey?"

"No. A picture by Raphael."

"What maggot is that in your brain?"

"Josepha makes me sick with her pictures," said Carabine. "I want some better than hers."

Du Tillet came with the Brazilian, the hero of the feast; the Duc d'Herouville followed with Josepha. The singer wore a plain velvet gown, but she had on a necklace worth a hundred and twenty thousand francs, pearls hardly distinguishable from her skin like white camellia petals. She had stuck one scarlet camellia in her black hair —a patch—the effect was dazzling, and she had amused herself by putting eleven rows of pearls on each arm. As she shook hands with Jenny Cadine, the actress said, "Lend me your mittens!"

Josepha unclasped them one by one and handed them to her friend on a plate.

"There's style!" said Carabine. "Quite the Duchess! You have robbed the ocean to dress the nymph, Monsieur le Duc," she added turning to the little Duc d'Herouville.

The actress took two of the bracelets; she clasped the other twenty on the singer's beautiful arms, which she kissed.

Lousteau, the literary cadger, la Palferine and Malaga, Massol, Vauvinet, and Theodore Gaillard, a proprietor of one of the most important political newspapers, completed the party. The Duc d'Herouville, polite to everybody, as a fine gentleman knows how to be, greeted the Comte de la Palferine with the particular nod which, while it does not imply either esteem or intimacy, conveys to all the world, "We are of the same race, the same blood—equals!"—And this greeting, the shibboleth of the aristocracy, was invented to be the despair of the upper citizen class.

Carabine placed Combabus on her left, and the Duc d'Herouville on her right. Cydalise was next to the Brazilian, and beyond her was Bixiou. Malaga sat by the Duke.

Oysters appeared at seven o'clock; at eight they were drinking iced punch. Every one is familiar with the bill of fare of such a banquet. By nine o'clock they were talking as people talk after forty-two bottles of various wines, drunk by fourteen persons. Dessert was on the table, the odious dessert of the month of April. Of all the party, the only one affected by the heady atmosphere was Cydalise, who was humming a tune. None of the party, with the exception of the poor country girl, had lost their reason; the drinkers and the women were the experienced elite of the society that sups. Their wits were bright, their eyes glistened, but with no loss of intelligence, though the talk drifted into satire, anecdote, and gossip. Conversation, hitherto confined to the inevitable circle of racing, horses, hammerings on the Bourse, the different occupations of the lions themselves, and the scandals of the town, showed a tendency to break up into intimate tete-a-tete, the dialogues of two hearts.

And at this stage, at a signal from Carabine to Leon de Lora, Bixiou, la Palferine, and du Tillet, love came under discussion.

"A doctor in good society never talks of medicine, true nobles never speak of their ancestors, men of genius do not discuss their works," said Josepha; "why should we talk business? If I got the opera put off in order to dine here, it was assuredly not to work.—So let us change the subject, dear children."

"But we are speaking of real love, my beauty," said Malaga, "of the love that makes a man fling all to the dogs—father, mother, wife, children—and retire to Clichy."

"Talk away, then, 'don't know yer,'" said the singer.

The slang words, borrowed from the Street Arab, and spoken by these women, may be a poem on their lips, helped by the expression of the eyes and face.

"What, do not I love you, Josepha?" said the Duke in a low voice.

"You, perhaps, may love me truly," said she in his ear, and she smiled. "But I do not love you in the way they describe, with such love as makes the world dark in the absence of the man beloved. You are delightful to me, useful—but not indispensable; and if you were to throw me over to-morrow, I could have three dukes for one."

"Is true love to be found in Paris?" asked Leon de Lora. "Men have not even time to make a fortune; how can they give themselves over to true love, which swamps a man as water melts sugar? A man must be enormously rich to indulge in it, for love annihilates him—for instance, like our Brazilian friend over there. As I said long ago, 'Extremes defeat—themselves.' A true lover is like an eunuch; women have ceased to exist for him. He is mystical; he is like the true Christian, an anchorite of the desert!—See our noble Brazilian."

Every one at table looked at Henri Montes de Montejanos, who was shy at finding every eye centred on him.

"He has been feeding there for an hour without discovering, any more than an ox at pasture, that he is sitting next to—I will not say, in such company, the loveliest—but the freshest woman in all Paris."

"Everything is fresh here, even the fish; it is what the house is famous for," said Carabine.

Baron Montes looked good-naturedly at the painter, and said:

"Very good! I drink to your very good health," and bowing to Leon de Lora, he lifted his glass of port wine and drank it with much dignity.

"Are you then truly in love?" asked Malaga of her neighbor, thus interpreting his toast.

The Brazilian refilled his glass, bowed to Carabine, and drank again.

"To the lady's health then!" said the courtesan, in such a droll tone that Lora, du Tillet, and Bixiou burst out laughing.

The Brazilian sat like a bronze statue. This impassibility provoked Carabine. She knew perfectly well that Montes was devoted to Madame Marneffe, but she had not expected this dogged fidelity, this obstinate silence of conviction.

A woman is as often gauged by the attitude of her lover as a man is judged from the tone of his mistress. The Baron was proud of his attachment to Valerie, and of hers to him; his smile had, to these experienced connoisseurs, a touch of irony; he was really grand to look upon; wine had not flushed him; and his eyes, with their peculiar lustre as of tarnished gold, kept the secrets of his soul. Even Carabine said to herself:

"What a woman she must be! How she has sealed up that heart!"

"He is a rock!" said Bixiou in an undertone, imagining that the whole thing was a practical joke, and never suspecting the importance to Carabine of reducing this fortress.

While this conversation, apparently so frivolous, was going on at Carabine's right, the discussion of love was continued on her left between the Duc d'Herouville, Lousteau, Josepha, Jenny Cadine, and Massol. They were wondering whether such rare phenomena were the result of passion, obstinacy, or affection. Josepha, bored to death by it all, tried to change the subject.

"You are talking of what you know nothing about. Is there a man among you who ever loved a woman—a woman beneath him—enough to squander his fortune and his children's, to sacrifice his future and blight his past, to risk going to the hulks for robbing the Government, to kill an uncle and a brother, to let his eye be so effectually blinded that he did not even perceive that it was done to hinder his seeing the abyss into which, as a crowning jest, he was being driven? Du Tillet has a cash-box under his left breast; Leon de Lora has his wit; Bixiou would laugh at himself for a fool if he loved any one but himself; Massol has a minister's portfolio in the place of a heart; Lousteau can have nothing but viscera, since he could endure to be thrown over by Madame de Baudraye; Monsieur le Duc is too rich to prove his love by his ruin; Vauvinet is not in it—I do not regard a bill-broker as one of the human race; and you have never loved, nor I, nor Jenny Cadine, nor Malaga. For my part, I never but once even saw the phenomenon I have described. It was," and she turned to Jenny Cadine, "that poor Baron Hulot, whom I am going to advertise for like a lost dog, for I want to find him."

"Oh, ho!" said Carabine to herself, and looking keenly at Josepha, "then Madame Nourrisson has two pictures by Raphael, since Josepha is playing my hand!"

"Poor fellow," said Vauvinet, "he was a great man! Magnificent! And what a figure, what a style, the air of Francis I.! What a volcano! and how full of ingenious ways of getting money! He must be looking for it now, wherever he is, and I make no doubt he extracts it even from the walls built of bones that you may see in the suburbs of Paris near the city gates—"

"And all that," said Bixiou, "for that little Madame Marneffe! There is a precious hussy for you!"

"She is just going to marry my friend Crevel," said du Tillet.

"And she is madly in love with my friend Steinbock," Leon de Lora put in.

These three phrases were like so many pistol-shots fired point-blank at Montes. He turned white, and the shock was so painful that he rose with difficulty.

"You are a set of blackguards!" cried he. "You have no right to speak the name of an honest woman in the same breath with those fallen creatures—above all, not to make it a mark for your slander!"

He was interrupted by unanimous bravos and applause. Bixiou, Leon de Lora, Vauvinet, du Tillet, and Massol set the example, and there was a chorus.

"Hurrah for the Emperor!" said Bixiou.

"Crown him! crown him!" cried Vauvinet.

"Three groans for such a good dog! Hurrah for Brazil!" cried Lousteau.

"So, my copper-colored Baron, it is our Valerie that you love; and you are not disgusted?" said Leon de Lora.

"His remark is not parliamentary, but it is grand!" observed Massol.

"But, my most delightful customer," said du Tillet, "you were recommended to me; I am your banker; your innocence reflects on my credit."

"Yes, tell me, you are a reasonable creature——" said the Brazilian to the banker.

"Thanks on behalf of the company," said Bixiou with a bow.

"Tell me the real facts," Montes went on, heedless of Bixiou's interjection.

"Well, then," replied du Tillet, "I have the honor to tell you that I am asked to the Crevel wedding."

"Ah, ha! Combabus holds a brief for Madame Marneffe!" said Josepha, rising solemnly.

She went round to Montes with a tragic look, patted him kindly on the head, looked at him for a moment with comical admiration, and nodded sagely.

"Hulot was the first instance of love through fire and water," said she; "this is the second. But it ought not to count, as it comes from the Tropics."

Montes had dropped into his chair again, when Josepha gently touched his forehead, and looked at du Tillet as he said:

"If I am the victim of a Paris jest, if you only wanted to get at my secret——" and he sent a flashing look round the table, embracing all the guests in a flaming glance that blazed with the sun of Brazil,—"I beg of you as a favor to tell me so," he went on, in a tone of almost childlike entreaty; "but do not vilify the woman I love."

"Nay, indeed," said Carabine in a low voice; "but if, on the contrary, you are shamefully betrayed, cheated, tricked by Valerie, if I should give you the proof in an hour, in my own house, what then?"

"I cannot tell you before all these Iagos," said the Brazilian.

Carabine understood him to say magots (baboons).

"Well, well, say no more!" she replied, smiling. "Do not make yourself a laughing-stock for all the wittiest men in Paris; come to my house, we will talk it over."

Montes was crushed. "Proofs," he stammered, "consider—"

"Only too many," replied Carabine; "and if the mere suspicion hits you so hard, I fear for your reason."

"Is this creature obstinate, I ask you? He is worse than the late lamented King of Holland!—I say, Lousteau, Bixiou, Massol, all the crew of you, are you not invited to breakfast with Madame Marneffe the day after to-morrow?" said Leon de Lora.

"Ya," said du Tillet; "I have the honor of assuring you, Baron, that if you had by any chance thought of marrying Madame Marneffe, you are thrown out like a bill in Parliament, beaten by a blackball called Crevel. My friend, my old comrade Crevel, has eighty thousand francs a year; and you, I suppose, did not show such a good hand, for if you had, you, I imagine, would have been preferred."

Montes listened with a half-absent, half-smiling expression, which struck them all with terror.

At this moment the head-waiter came to whisper to Carabine that a lady, a relation of hers, was in the drawing-room and wished to speak to her.

Carabine rose and went out to find Madame Nourrisson, decently veiled with black lace.

"Well, child, am I to go to your house? Has he taken the hook?"

"Yes, mother; and the pistol is so fully loaded, that my only fear is that it will burst," said Carabine.

About an hour later, Montes, Cydalise, and Carabine, returning from the Rocher de Cancale, entered Carabine's little sitting-room in the Rue Saint-Georges. Madame Nourrisson was sitting in an armchair by the fire.

"Here is my worthy old aunt," said Carabine.

"Yes, child, I came in person to fetch my little allowance. You would have forgotten me, though you are kind-hearted, and I have some bills to pay to-morrow. Buying and selling clothes, I am always short of cash. Who is this at your heels? The gentleman looks very much put out about something."

The dreadful Madame Nourrisson, at this moment so completely disguised as to look like a respectable old body, rose to embrace Carabine, one of the hundred and odd courtesans she had launched on their horrible career of vice.

"He is an Othello who is not to be taken in, whom I have the honor of introducing to you—Monsieur le Baron Montes de Montejanos."

"Oh! I have heard him talked about, and know his name.—You are nicknamed Combabus, because you love but one woman, and in Paris, that is the same as loving no one at all. And is it by chance the object of your affections who is fretting you? Madame Marneffe, Crevel's woman? I tell you what, my dear sir, you may bless your stars instead of cursing them. She is a good-for-nothing baggage, is that little woman. I know her tricks!"

"Get along," said Carabine, into whose hand Madame Nourrisson had slipped a note while embracing her, "you do not know your Brazilians. They are wrong-headed creatures that insist on being impaled through the heart. The more jealous they are, the more jealous they want to be. Monsieur talks of dealing death all round, but he will kill nobody because he is in love.—However, I have brought him here to give him the proofs of his discomfiture, which I have got from that little Steinbock."

Montes was drunk; he listened as if the women were talking about somebody else.

Carabine went to take off her velvet wrap, and read a facsimile of a note, as follows:—

"DEAR PUSS.—He dines with Popinot this evening, and will come to fetch me from the Opera at eleven. I shall go out at about half-past five and count on finding you at our paradise. Order dinner to be sent in from the Maison d'or. Dress, so as to be able to take me to the Opera. We shall have four hours to ourselves. Return this note to me; not that your Valerie doubts you—I would give you my life, my fortune, and my honor, but I am afraid of the tricks of chance."

"Here, Baron, this is the note sent to Count Steinbock this morning; read the address. The original document is burnt."

Montes turned the note over and over, recognized the writing, and was struck by a rational idea, which is sufficient evidence of the disorder of his brain.

"And, pray," said he, looking at Carabine, "what object have you in torturing my heart, for you must have paid very dear for the privilege of having the note in your possession long enough to get it lithographed?"

"Foolish man!" said Carabine, at a nod from Madame Nourrisson, "don't you see that poor child Cydalise—a girl of sixteen, who has been pining for you these three months, till she has lost her appetite for food or drink, and who is heart-broken because you have never even glanced at her?"

Cydalise put her handkerchief to her eyes with an appearance of emotion—"She is furious," Carabine went on, "though she looks as if butter would not melt in her mouth, furious to see the man she adores duped by a villainous hussy; she would kill Valerie—"

"Oh, as for that," said the Brazilian, "that is my business!"

"What, killing?" said old Nourrisson. "No, my son, we don't do that here nowadays."

"Oh!" said Montes, "I am not a native of this country. I live in a parish where I can laugh at your laws; and if you give me proof—"

"Well, that note. Is that nothing?"

"No," said the Brazilian. "I do not believe in the writing. I must see for myself."

"See!" cried Carabine, taking the hint at once from a gesture of her supposed aunt. "You shall see, my dear Tiger, all you wish to see—on one condition."

"And that is?"

"Look at Cydalise."

At a wink from Madame Nourrisson, Cydalise cast a tender look at the Baron.

"Will you be good to her? Will you make her a home?" asked Carabine. "A girl of such beauty is well worth a house and a carriage! It would be a monstrous shame to leave her to walk the streets. And besides —she is in debt.—How much do you owe?" asked Carabine, nipping Cydalise's arm.

"She is worth all she can get," said the old woman. "The point is that she can find a buyer."

"Listen!" cried Montes, fully aware at last of this masterpiece of womankind "you will show me Valerie—"

"And Count Steinbock.—Certainly!" said Madame Nourrisson.

For the past ten minutes the old woman had been watching the Brazilian; she saw that he was an instrument tuned up to the murderous pitch she needed; and, above all, so effectually blinded, that he would never heed who had led him on to it, and she spoke:—

"Cydalise, my Brazilian jewel, is my niece, so her concerns are partly mine. All this catastrophe will be the work of a few minutes, for a friend of mine lets the furnished room to Count Steinbock where Valerie is at this moment taking coffee—a queer sort of coffee, but she calls it her coffee. So let us understand each other, Brazil!—I like Brazil, it is a hot country.—What is to become of my niece?"

"You old ostrich," said Montes, the plumes in the woman's bonnet catching his eye, "you interrupted me.—If you show me—if I see Valerie and that artist together—"

"As you would wish to be—" said Carabine; "that is understood."

"Then I will take this girl and carry her away—"

"Where?" asked Carabine.

"To Brazil," replied the Baron. "I will make her my wife. My uncle left me ten leagues square of entailed estate; that is how I still have that house and home. I have a hundred negroes—nothing but negroes and negresses and negro brats, all bought by my uncle—"

"Nephew to a nigger-driver," said Carabine, with a grimace. "That needs some consideration.—Cydalise, child, are you fond of the blacks?"

"Pooh! Carabine, no nonsense," said the old woman. "The deuce is in it! Monsieur and I are doing business."

"If I take up another Frenchwoman, I mean to have her to myself," the Brazilian went on. "I warn you, mademoiselle, I am king there, and not a constitutional king. I am Czar; my subjects are mine by purchase, and no one can escape from my kingdom, which is a hundred leagues from any human settlement, hemmed in by savages on the interior, and divided from the sea by a wilderness as wide as France."

"I should prefer a garret here."

"So thought I," said Montes, "since I sold all my land and possessions at Rio to come back to Madame Marneffe."

"A man does not make such a voyage for nothing," remarked Madame Nourrisson. "You have a right to look for love for your own sake, particularly being so good-looking.—Oh, he is very handsome!" said she to Carabine.

"Very handsome, handsomer than the Postillon de Longjumeau," replied the courtesan.

Cydalise took the Brazilian's hand, but he released it as politely as he could.

"I came back for Madame Marneffe," the man went on where he had left off, "but you do not know why I was three years thinking about it."

"No, savage!" said Carabine.

"Well, she had so repeatedly told me that she longed to live with me alone in a desert—"

"Oh, ho! he is not a savage after all," cried Carabine, with a shout of laughter. "He is of the highly-civilized tribe of Flats!"

"She had told me this so often," Montes went on, regardless of the courtesan's mockery, "that I had a lovely house fitted up in the heart of that vast estate. I came back to France to fetch Valerie, and the first evening I saw her—"

"Saw her is very proper!" said Carabine. "I will remember it."

"She told me to wait till that wretched Marneffe was dead; and I agreed, and forgave her for having admitted the attentions of Hulot. Whether the devil had her in hand I don't know, but from that instant that woman has humored my every whim, complied with all my demands —never for one moment has she given me cause to suspect her!—"

"That is supremely clever!" said Carabine to Madame Nourrisson, who nodded in sign of assent.

"My faith in that woman," said Montes, and he shed a tear, "was a match for my love. Just now, I was ready to fight everybody at table—"

"So I saw," said Carabine.

"And if I am cheated, if she is going to be married, if she is at this moment in Steinbock's arms, she deserves a thousand deaths! I will kill her as I would smash a fly—"

"And how about the gendarmes, my son?" said Madame Nourrisson, with a smile that made your flesh creep.

"And the police agents, and the judges, and the assizes, and all the set-out?" added Carabine.

"You are bragging, my dear fellow," said the old woman, who wanted to know all the Brazilian's schemes of vengeance.

"I will kill her," he calmly repeated. "You called me a savage.—Do you imagine that I am fool enough to go, like a Frenchman, and buy poison at the chemist's shop?—During the time while we were driving her, I thought out my means of revenge, if you should prove to be right as concerns Valerie. One of my negroes has the most deadly of animal poisons, and incurable anywhere but in Brazil. I will administer it to Cydalise, who will give it to me; then by the time when death is a certainty to Crevel and his wife, I shall be beyond the Azores with your cousin, who will be cured, and I will marry her. We have our own little tricks, we savages!—Cydalise," said he, looking at the country girl, "is the animal I need.—How much does she owe?"

"A hundred thousand francs," said Cydalise.

"She says little—but to the purpose," said Carabine, in a low tone to Madame Nourrisson.

"I am going mad!" cried the Brazilian, in a husky voice, dropping on to a sofa. "I shall die of this! But I must see, for it is impossible! —A lithographed note! What is to assure me that it is not a forgery? —Baron Hulot was in love with Valerie?" said he, recalling Josepha's harangue. "Nay; the proof that he did not love is that she is still alive—I will not leave her living for anybody else, if she is not wholly mine."

Montes was terrible to behold. He bellowed, he stormed; he broke everything he touched; rosewood was as brittle as glass.

"How he destroys things!" said Carabine, looking at the old woman. "My good boy," said she, giving the Brazilian a little slap, "Roland the Furious is very fine in a poem; but in a drawing-room he is prosaic and expensive."

"My son," said old Nourrisson, rising to stand in front of the crestfallen Baron, "I am of your way of thinking. When you love in that way, and are joined 'till death does you part,' life must answer for love. The one who first goes, carries everything away; it is a general wreck. You command my esteem, my admiration, my consent, especially for your inoculation, which will make me a Friend of the Negro.—But you love her! You will hark back?"

"I?—If she is so infamous, I—"

"Well, come now, you are talking too much, it strikes me. A man who means to be avenged, and who says he has the ways and means of a savage, doesn't do that.—If you want to see your 'object' in her paradise, you must take Cydalise and walk straight in with her on your arm, as if the servant had made a mistake. But no scandal! If you mean to be revenged, you must eat the leek, seem to be in despair, and allow her to bully you.—Do you see?" said Madame Nourrisson, finding the Brazilian quite amazed by so subtle a scheme.

"All right, old ostrich," he replied. "Come along: I understand."

"Good-bye, little one!" said the old woman to Carabine.

She signed to Cydalise to go on with Montes, and remained a minute with Carabine.

"Now, child, I have but one fear, and that is that he will strangle her! I should be in a very tight place; we must do everything gently. I believe you have won your picture by Raphael; but they tell me it is only a Mignard. Never mind, it is much prettier; all the Raphaels are gone black, I am told, whereas this one is as bright as a Girodet."

"All I want is to crow over Josepha; and it is all the same to me whether I have a Mignard or a Raphael!—That thief had on such pearls this evening!—you would sell your soul for them."

Cydalise, Montes, and Madame Nourrisson got into a hackney coach that was waiting at the door. Madame Nourrisson whispered to the driver the address of a house in the same block as the Italian Opera House, which they could have reached in five or six minutes from the Rue Saint-Georges; but Madame Nourrisson desired the man to drive along the Rue le Peletier, and to go very slowly, so as to be able to examine the carriages in waiting.

"Brazilian," said the old woman, "look out for your angel's carriage and servants."

The Baron pointed out Valerie's carriage as they passed it.

"She has told them to come for her at ten o'clock, and she is gone in a cab to the house where she visits Count Steinbock. She has dined there, and will come to the Opera in half an hour.—It is well contrived!" said Madame Nourrisson. "Thus you see how she has kept you so long in the dark."

The Brazilian made no reply. He had become the tiger, and had recovered the imperturbable cool ferocity that had been so striking at dinner. He was as calm as a bankrupt the day after he has stopped payment.

At the door of the house stood a hackney coach with two horses, of the kind known as a Compagnie Generale, from the Company that runs them.

"Stay here in the box," said the old woman to Montes. "This is not an open house like a tavern. I will send for you."

The paradise of Madame Marneffe and Wenceslas was not at all like that of Crevel—who, finding it useless now, had just sold his to the Comte Maxime de Trailles. This paradise, the paradise of all comers, consisted of a room on the fourth floor opening to the landing, in a house close to the Italian Opera. On each floor of this house there was a room which had originally served as the kitchen to the apartments on that floor. But the house having become a sort of inn, let out for clandestine love affairs at an exorbitant price, the owner, the real Madame Nourrisson, an old-clothes buyer in the Rue Nueve Saint-Marc, had wisely appreciated the great value of these kitchens, and had turned them into a sort of dining-rooms. Each of these rooms, built between thick party-walls and with windows to the street, was entirely shut in by very thick double doors on the landing. Thus the most important secrets could be discussed over a dinner, with no risk of being overheard. For greater security, the windows had shutters inside and out. These rooms, in consequence of this peculiarity, were let for twelve hundred francs a month. The whole house, full of such paradises and mysteries was rented by Madame Nourrisson the First for twenty-eight thousand francs of clear profit, after paying her housekeeper, Madame Nourrisson the Second, for she did not manage it herself.

The paradise let to Count Steinbock had been hung with chintz; the cold, hard floor, of common tiles reddened with encaustic, was not felt through a soft thick carpet. The furniture consisted of two pretty chairs and a bed in an alcove, just now half hidden by a table loaded with the remains of an elegant dinner, while two bottles with long necks and an empty champagne-bottle in ice strewed the field of bacchus cultivated by Venus.

There were also—the property, no doubt, of Valerie—a low easy-chair and a man's smoking-chair, and a pretty toilet chest of drawers in rosewood, the mirror handsomely framed a la Pompadour. A lamp hanging from the ceiling gave a subdued light, increased by wax candles on the table and on the chimney-shelf.

This sketch will suffice to give an idea, urbi et orbi, of clandestine passion in the squalid style stamped on it in Paris in 1840. How far, alas! from the adulterous love, symbolized by Vulcan's nets, three thousand years ago.

When Montes and Cydalise came upstairs, Valerie, standing before the fire, where a log was blazing, was allowing Wenceslas to lace her stays.

This is a moment when a woman who is neither too fat nor too thin, but like Valerie, elegant and slender, displays divine beauty. The rosy skin, mostly soft, invites the sleepiest eye. The lines of her figure, so little hidden, are so charmingly outlined by the white pleats of the shift and the support of the stays, that she is irresistible—like everything that must be parted from.

With a happy face smiling at the glass, a foot impatiently marking time, a hand put up to restore order among the tumbled curls, and eyes expressive of gratitude; with the glow of satisfaction which, like a sunset, warms the least details of the countenance—everything makes such a moment a mine of memories.

Any man who dares look back on the early errors of his life may, perhaps, recall some such reminiscences, and understand, though not excuse, the follies of Hulot and Crevel. Women are so well aware of their power at such a moment, that they find in it what may be called the aftermath of the meeting.

"Come, come; after two years' practice, you do not yet know how to lace a woman's stays! You are too much a Pole!—There, it is ten o'clock, my Wenceslas!" said Valerie, laughing at him.

At this very moment, a mischievous waiting-woman, by inserting a knife, pushed up the hook of the double doors that formed the whole security of Adam and Eve. She hastily pulled the door open—for the servants of these dens have little time to waste—and discovered one of the bewitching tableaux de genre which Gavarni has so often shown at the Salon.

"In here, madame," said the girl; and Cydalise went in, followed by Montes.

"But there is some one here.—Excuse me, madame," said the country girl, in alarm.

"What?—Why! it is Valerie!" cried Montes, violently slamming the door.

Madame Marneffe, too genuinely agitated to dissemble her feelings, dropped on to the chair by the fireplace. Two tears rose to her eyes, and at once dried away. She looked at Montes, saw the girl, and burst into a cackle of forced laughter. The dignity of the insulted woman redeemed the scantiness of her attire; she walked close up to the Brazilian, and looked at him so defiantly that her eyes glittered like knives.

"So that," said she, standing face to face with the Baron, and pointing to Cydalise—"that is the other side of your fidelity? You, who have made me promises that might convert a disbeliever in love! You, for whom I have done so much—have even committed crimes!—You are right, monsieur, I am not to compare with a child of her age and of such beauty!

"I know what you are going to say," she went on, looking at Wenceslas, whose undress was proof too clear to be denied. "This is my concern. If I could love you after such gross treachery—for you have spied upon me, you have paid for every step up these stairs, paid the mistress of the house, and the servant, perhaps even Reine—a noble deed!—If I had any remnant of affection for such a mean wretch, I could give him reasons that would renew his passion!—But I leave you, monsieur, to your doubts, which will become remorse.—Wenceslas, my gown!"

She took her dress and put it on, looked at herself in the glass, and finished dressing without heeding the Baron, as calmly as if she had been alone in the room.

"Wenceslas, are you ready?—Go first."

She had been watching Montes in the glass and out of the corner of her eye, and fancied she could see in his pallor an indication of the weakness which delivers a strong man over to a woman's fascinations; she now took his hand, going so close to him that he could not help inhaling the terrible perfumes which men love, and by which they intoxicate themselves; then, feeling his pulses beat high, she looked at him reproachfully.

"You have my full permission to go and tell your history to Monsieur Crevel; he will never believe you. I have a perfect right to marry him, and he becomes my husband the day after to-morrow.—I shall make him very happy.—Good-bye; try to forget me."

"Oh! Valerie," cried Henri Montes, clasping her in his arms, "that is impossible!—Come to Brazil!"

Valerie looked in his face, and saw him her slave.

"Well, if you still love me, Henri, two years hence I will be your wife; but your expression at this moment strikes me as very suspicious."

"I swear to you that they made me drink, that false friends threw this girl on my hands, and that the whole thing is the outcome of chance!" said Montes.

"Then I am to forgive you?" she asked, with a smile.

"But you will marry, all the same?" asked the Baron, in an agony of jealousy.

"Eighty thousand francs a year!" said she, with almost comical enthusiasm. "And Crevel loves me so much that he will die of it!"

"Ah! I understand," said Montes.

"Well, then, in a few days we will come to an understanding," said she.

And she departed triumphant.

"I have no scruples," thought the Baron, standing transfixed for a few minutes. "What! That woman believes she can make use of his passion to be quit of that dolt, as she counted on Marneffe's decease!—I shall be the instrument of divine wrath."

Two days later those of du Tillet's guests who had demolished Madame Marneffe tooth and nail, were seated round her table an hour after she has shed her skin and changed her name for the illustrious name of a Paris mayor. This verbal treason is one of the commonest forms of Parisian levity.

Valerie had had the satisfaction of seeing the Brazilian in the church; for Crevel, now so entirely the husband, had invited him out of bravado. And the Baron's presence at the breakfast astonished no one. All these men of wit and of the world were familiar with the meanness of passion, the compromises of pleasure.

Steinbock's deep melancholy—for he was beginning to despise the woman whom he had adored as an angel—was considered to be in excellent taste. The Pole thus seemed to convey that all was at an end between Valerie and himself. Lisbeth came to embrace her dear Madame Crevel, and to excuse herself for not staying to the breakfast on the score of Adeline's sad state of health.

"Be quite easy," said she to Valerie, "they will call on you, and you will call on them. Simply hearing the words two hundred thousand francs has brought the Baroness to death's door. Oh, you have them all hard and fast by that tale!—But you must tell it to me."

Within a month of her marriage, Valerie was at her tenth quarrel with Steinbock; he insisted on explanations as to Henri Montes, reminding her of the words spoken in their paradise; and, not content with speaking to her in terms of scorn, he watched her so closely that she never had a moment of liberty, so much was she fettered by his jealousy on one side and Crevel's devotion on the other.

Bereft now of Lisbeth, whose advice had always been so valuable she flew into such a rage as to reproach Wenceslas for the money she had lent him. This so effectually roused Steinbock's pride, that he came no more to the Crevels' house. So Valerie had gained her point, which was to be rid of him for a time, and enjoy some freedom. She waited till Crevel should make a little journey into the country to see Comte Popinot, with a view to arranging for her introduction to the Countess, and was then able to make an appointment to meet the Baron, whom she wanted to have at her command for a whole day to give him those "reasons" which were to make him love her more than ever.

On the morning of that day, Reine, who estimated the magnitude of her crime by that of the bribe she received, tried to warn her mistress, in whom she naturally took more interest than in strangers. Still, as she had been threatened with madness, and ending her days in the Salpetriere in case of indiscretion, she was cautious.

"Madame, you are so well off now," said she. "Why take on again with that Brazilian?—I do not trust him at all."

"You are very right, Reine, and I mean to be rid of him."

"Oh, madame, I am glad to hear it; he frightens me, does that big Moor! I believe him to be capable of anything."

"Silly child! you have more reason to be afraid for him when he is with me."

At this moment Lisbeth came in.

"My dear little pet Nanny, what an age since we met!" cried Valerie. "I am so unhappy! Crevel bores me to death; and Wenceslas is gone—we quarreled."

"I know," said Lisbeth, "and that is what brings me here. Victorin met him at about five in the afternoon going into an eating-house at five-and-twenty sous, and he brought him home, hungry, by working on his feelings, to the Rue Louis-le-Grand.—Hortense, seeing Wenceslas lean and ill and badly dressed, held out her hand. This is how you throw me over—"

"Monsieur Henri, madame," the man-servant announced in a low voice to Valerie.

"Leave me now, Lisbeth; I will explain it all to-morrow." But, as will be seen, Valerie was ere long not in a state to explain anything to anybody.



Towards the end of May, Baron Hulot's pension was released by Victorin's regular payment to Baron Nucingen. As everybody knows, pensions are paid half-yearly, and only on the presentation of a certificate that the recipient is alive: and as Hulot's residence was unknown, the arrears unpaid on Vauvinet's demand remained to his credit in the Treasury. Vauvinet now signed his renunciation of any further claims, and it was still indispensable to find the pensioner before the arrears could be drawn.

Thanks to Bianchon's care, the Baroness had recovered her health; and to this Josepha's good heart had contributed by a letter, of which the orthography betrayed the collaboration of the Duc d'Herouville. This was what the singer wrote to the Baroness, after twenty days of anxious search:—

"MADAME LA BARONNE,—Monsieur Hulot was living, two months since, in the Rue des Bernardins, with Elodie Chardin, a lace-mender, for whom he had left Mademoiselle Bijou; but he went away without a word, leaving everything behind him, and no one knows where he went. I am not without hope, however, and I have put a man on this track who believes he has already seen him in the Boulevard Bourdon.