Not far from these two rows of houses and cottages, a green lane, overshadowed with trees, turned aside from the main road, and tended towards a square, gray tower, the battlements of which were just high enough to be visible above the foliage. Wending our way thitherward, we found the very picture and ideal of a country church and churchyard. The tower seemed to be of Norman architecture, low, massive, and crowned with battlements. The body of the church was of very modest dimensions, and the eaves so low that I could touch them with my walking-stick. We looked into the windows and beheld the dim and quiet interior, a narrow space, but venerable with the consecration of many centuries, and keeping its sanctity as entire and inviolate as that of a vast cathedral. The nave was divided from the side aisles of the church by pointed arches resting on very sturdy pillars: it was good to see how solemnly they held themselves to their age-long task of supporting that lowly roof. There was a small organ, suited in size to the vaulted hollow, which it weekly filled with religious sound. On the opposite wall of the church, between two windows, was a mural tablet of white marble, with an inscription in black letters,—the only such memorial that I could discern, although many dead people doubtless lay beneath the floor, and had paved it with their ancient tombstones, as is customary in old English churches. There were no modern painted windows, flaring with raw colors, nor other gorgeous adornments, such as the present taste for mediaeval restoration often patches upon the decorous simplicity of the gray village-church. It is probably the worshipping-place of no more distinguished a congregation than the farmers and peasantry who inhabit the houses and cottages which I have just described. Had the lord of the manor been one of the parishioners, there would have been an eminent pew near the chancel, walled high about, curtained, and softly cushioned, warmed by a fireplace of its own, and distinguished by hereditary tablets and escutcheons on the enclosed stone pillar.

A well-trodden path led across the churchyard, and the gate being on the latch, we entered, and walked round among the graves and monuments. The latter were chiefly head-stones, none of which were very old, so far as was discoverable by the dates; some, indeed, in so ancient a cemetery, were disagreeably new, with inscriptions glittering like sunshine in gold letters. The ground must have been dug over and over again, innumerable times, until the soil is made up of what was once human clay, out of which have sprung successive crops of gravestones, that flourish their allotted time, and disappear, like the weeds and flowers in their briefer period. The English climate is very unfavorable to the endurance of memorials in the open air. Twenty years of it suffice to give as much antiquity of aspect, whether to tombstone or edifice, as a hundred years of our own drier atmosphere,—so soon do the drizzly rains and constant moisture corrode the surface of marble or freestone. Sculptured edges loose their sharpness in a year or two; yellow lichens overspread a beloved name, and obliterate it while it is yet fresh upon some survivor's heart. Time gnaws an English gravestone with wonderful appetite; and when the inscription is quite illegible, the sexton takes the useless slab away, and perhaps makes a hearthstone of it, and digs up the unripe bones which it ineffectually tried to memorialize, and gives the bed to another sleeper. In the Charter Street burial-ground at Salem, and in the old graveyard on the hill at Ipswich, I have seen more ancient gravestones, with legible inscriptions on them, than in any English churchyard.

And yet this same ungenial climate, hostile as it generally is to the long remembrance of departed people, has sometimes a lovely way of dealing with the records on certain monuments that lie horizontally in the open air. The rain falls into the deep incisions of the letters, and has scarcely time to be dried away before another shower sprinkles the flat stone again, and replenishes those little reservoirs. The unseen, mysterious seeds of mosses find their way into the lettered furrows, and are made to germinate by the continual moisture and watery sunshine of the English sky; and by and by, in a year, or two years, or many years, behold the complete inscription—

Here Lieth the body,

and all the rest of the tender falsehood—beautifully embossed in raised letters of living green, a bas-relief of velvet moss on the marble slab! It becomes more legible, under the skyey influences, after the world has forgotten the deceased, than when it was fresh from the stone-cutter's hands. It outlives the grief of friends. I first saw an example of this in Bebbington churchyard, in Cheshire, and thought that Nature must needs have had a special tenderness for the person (no noted man, however, in the world's history) so long ago laid beneath that stone, since she took such wonderful pains to "keep his memory green." Perhaps the proverbial phrase just quoted may have had its origin in the natural phenomenon here described.

While we rested ourselves on a horizontal monument, which was elevated just high enough to be a convenient seat, I observed that one of the gravestones lay very close to the church,—so close that the droppings of the eaves would fall upon it. It seemed as if the inmate of that grave had desired to creep under the church-wall. On closer inspection, we found an almost illegible epitaph on the stone, and with difficulty made out this forlorn verse:—

"Poorly lived, And poorly died, Poorly buried, And no one cried."

It would be hard to compress the story of a cold and luckless life, death, and burial into fewer words, or more impressive ones; at least, we found them impressive, perhaps because we had to re-create the inscription by scraping away the lichens from the faintly traced letters. The grave was on the shady and damp side of the church, endwise towards it, the head-stone being within about three feet of the foundation-wall; so that, unless the poor man was a dwarf, he must have been doubled up to fit him into his final resting-place. No wonder that his epitaph murmured against so poor a burial as this! His name, as well as I could make it out, was Treeo,—John Treeo, I think,—and he died in 1810, at the age of seventy-four. The gravestone is so overgrown with grass and weeds, so covered with unsightly lichens, and so crumbly with time and foul weather, that it is questionable whether anybody will ever be at the trouble of deciphering it again. But there is a quaint and sad kind of enjoyment in defeating (to such slight degree as my pen may do it) the probabilities of oblivion for poor John Treeo, and asking a little sympathy for him, half a century after his death, and making him better and more widely known, at least, than any other slumberer in Lillington churchyard: he having been, as appearances go, the outcast of them all.

You find similar old churches and villages in all the neighboring country, at the distance of every two or three miles; and I describe them, not as being rare, but because they are so common and characteristic. The village of Whitnash, within twenty minutes' walk of Leamington, looks as secluded, as rural, and as little disturbed by the fashions of to-day, as if Dr. Jephson had never developed all those Parades and Crescents out of his magic well. I used to wonder whether the inhabitants had ever yet heard of railways, or, at their slow rate of progress, had even reached the epoch of stage-coaches. As you approach the village, while it is yet unseen, you observe a tall, overshadowing canopy of elm-tree tops, beneath which you almost hesitate to follow the public road, on account of the remoteness that seems to exist between the precincts of this old-world community and the thronged modern street out of which you have so recently emerged. Venturing onward, however, you soon find yourself in the heart of Whitnash, and see an irregular ring of ancient rustic dwellings surrounding the village-green, on one side of which stands the church, with its square Norman tower and battlements, while close adjoining is the vicarage, made picturesque by peaks and gables. At first glimpse, none of the houses appear to be less than two or three centuries old, and they are of the ancient, wooden-framed fashion, with thatched roofs, which give them the air of birds' nests, thereby assimilating them closely to the simplicity of nature.

The church-tower is mossy and much gnawed by time; it has narrow loopholes up and down its front and sides, and an arched window over the low portal, set with small panes of glass, cracked, dim, and irregular, through which a bygone age is peeping out into the daylight. Some of those old, grotesque faces, called gargoyles, are seen on the projections of the architecture. The churchyard is very small, and is encompassed by a gray stone fence that looks as ancient as the church itself. In front of the tower, on the village-green, is a yew-tree of incalculable age, with a vast circumference of trunk, but a very scanty head of foliage; though its boughs still keep some of the vitality which perhaps was in its early prime when the Saxon invaders founded Whitnash. A thousand years is no extraordinary antiquity in the lifetime of a yew. We were pleasantly startled, however, by discovering an exuberance of more youthful life than we had thought possible in so old a tree; for the faces of two children laughed at us out of an opening in the trunk, which had become hollow with long decay. On one side of the yew stood a framework of worm-eaten timber, the use and meaning of which puzzled me exceedingly, till I made it out to be the village-stocks; a public institution that, in its day, had doubtless hampered many a pair of shank-bones, now crumbling in the adjacent churchyard. It is not to be supposed, however, that this old-fashioned mode of punishment is still in vogue among the good people of Whitnash. The vicar of the parish has antiquarian propensities, and had probably dragged the stocks out of some dusty hiding-place, and set them up on their former site as a curiosity.

I disquiet myself in vain with the effort to hit upon some characteristic feature, or assemblage of features, that shall convey to the reader the influence of hoar antiquity lingering into the present daylight, as I so often felt it in these old English scenes. It is only an American who can feel it; and even he begins to find himself growing insensible to its effect, after a long residence in England. But while you are still new in the old country, it thrills you with strange emotion to think that this little church of Whitnash, humble as it seems, stood for ages under the Catholic faith, and has not materially changed since Wickcliffe's days, and that it looked as gray as now in Bloody Mary's time, and that Cromwell's troopers broke off the stone noses of those same gargoyles that are now grinning in your face. So, too, with the immemorial yew-tree: you see its great roots grasping hold of the earth like gigantic claws, clinging so sturdily that no effort of time can wrench them away; and there being life in the old tree, you feel all the more as if a contemporary witness were telling you of the things that have been. It has lived among men, and been a familiar object to them, and seen them brought to be christened and married and buried in the neighboring church and churchyard, through so many centuries, that it knows all about our race, so far as fifty generations of the Whitnash people can supply such knowledge.

And, after all, what a weary life it must have been for the old tree! Tedious beyond imagination! Such, I think, is the final impression on the mind of an American visitor, when his delight at finding something permanent begins to yield to his Western love of change, and he becomes sensible of the heavy air of a spot where the forefathers and foremothers have grown up together, intermarried, and died, through a long succession of lives, without any intermixture of new elements, till family features and character are all run in the same inevitable mould. Life is there fossilized in its greenest leaf. The man who died yesterday or ever so long ago walks the village-street to day, and chooses the same wife that he married a hundred years since, and must be buried again to-morrow under the same kindred dust that has already covered him half a score of times. The stone threshold of his cottage is worn away with his hobnailed footsteps, shuffling over it from the reign of the first Plantagenet to that of Victoria. Better than this is the lot of our restless countrymen, whose modern instinct bids them tend always towards "fresh woods and pastures new." Rather than such monotony of sluggish ages, loitering on a village-green, toiling in hereditary fields, listening to the parson's drone lengthened through centuries in the gray Norman church, let us welcome whatever change may come,—change of place, social customs, political institutions, modes of worship,—trusting, that, if all present things shall vanish, they will but make room for better systems, and for a higher type of man to clothe his life in them, and to fling them off in turn.

Nevertheless, while an American willingly accepts growth and change as the law of his own national and private existence, he has a singular tenderness for the stone-incrusted institutions of the mother-country. The reason may be (though I should prefer a more generous explanation) that he recognizes the tendency of these hardened forms to stiffen her joints and fetter her ankles, in the race and rivalry of improvement. I hated to see so much as a twig of ivy wrenched away from an old wall in England. Yet change is at work, even in such a village as Whitnash. At a subsequent visit, looking more critically at the irregular circle of dwellings that surround the yew-tree and confront the church, I perceived that some of the houses must have been built within no long time, although the thatch, the quaint gables, and the old oaken framework of the others diffused an air of antiquity over the whole assemblage. The church itself was undergoing repair and restoration, which is but another name for change. Masons were making patchwork on the front of the tower, and were sawing a slab of stone and piling up bricks to strengthen the side-wall, or possibly to enlarge the ancient edifice by an additional aisle. Moreover, they had dug an immense pit in the churchyard, long and broad, and fifteen feet deep, two thirds of which profundity were discolored by human decay, and mixed up with crumbly bones. What this excavation was intended for I could nowise imagine, unless it were the very pit in which Longfellow bids the "Dead Past bury its Dead," and Whitnash, of all places in the world, were going to avail itself of our poet's suggestion. If so, it must needs be confessed that many picturesque and delightful things would be thrown into the hole, and covered out of sight forever.

The article which I am writing has taken its own course, and occupied itself almost wholly with country churches; whereas I had purposed to attempt a description of some of the many old towns—Warwick, Coventry, Kenilworth, Stratford-on-Avon—which lie within an easy scope of Leamington. And still another church presents itself to my remembrance. It is that of Hatton, on which I stumbled in the course of a forenoon's ramble, and paused a little while to look at it for the sake of old Dr. Parr, who was once its vicar. Hatton, so far as I could discover, has no public-house, no shop, no contiguity of roofs (as in most English villages, however small), but is merely an ancient neighborhood of farm-houses, spacious, and standing wide apart, each within its own precincts, and offering a most comfortable aspect of orchards, harvest-fields, barns, stacks, and all manner of rural plenty. It seemed to be a community of old settlers, among whom everything had been going on prosperously since an epoch beyond the memory of man; and they kept a certain privacy among themselves, and dwelt on a cross-road, at the entrance of which was a barred gate, hospitably open, but still impressing me with a sense of scarcely warrantable intrusion. After all, in some shady nook of those gentle Warwickshire slopes there may have been a denser and more populous settlement, styled Hatton, which I never reached.

Emerging from the by-road, and entering upon one that crossed it at right angles and led to Warwick, I espied the church of Dr. Parr. Like the others which I have described, it had a low stone tower, square, and battlemented at its summit: for all these little churches seem to have been built on the same model, and nearly at the same measurement, and have even a greater family-likeness than the cathedrals. As I approached, the bell of the tower (a remarkably deep-toned bell, considering how small it was) flung its voice abroad, and told me that it was noon. The church stands among its graves, a little removed from the wayside, quite apart from any collection of houses, and with no signs of vicarage; it is a good deal shadowed by trees, and not wholly destitute of ivy. The body of the edifice, unfortunately (and it is an outrage which the English church-wardens are fond of perpetrating), has been newly covered with a yellowish plaster or wash, so as quite to destroy the aspect of antiquity, except upon the tower, which wears the dark gray hue of many centuries. The chancel-window is painted with a representation of Christ upon the Cross, and all the other windows are full of painted or stained glass, but none of it ancient, nor (if it be fair to judge from without of what ought to be seen within) possessing any of the tender glory that should be the inheritance of this branch of Art, revived from mediaeval times. I stepped over the graves, and peeped in at two or three of the windows, and saw the snug interior of the church glimmering through the many-colored panes, like a show of commonplace objects under the fantastic influence of a dream: for the floor was covered with modern pews, very like what we may see in a New England meeting-house, though, I think, a little more favorable than those would be to the quiet slumbers of the Hatton farmers and their families. Those who slept under Dr. Parr's preaching now prolong their nap, I suppose, in the churchyard round about, and can scarcely have drawn much spiritual benefit from any truths that he contrived to tell them in their lifetime. It struck me as a rare example (even where examples are numerous) of a man utterly misplaced, that this enormous scholar, great in the classic tongues, and inevitably converting his own simplest vernacular into a learned language, should have been set up in this homely pulpit, and ordained to preach salvation to a rustic audience, to whom it is difficult to imagine how he could ever have spoken one available word.

Almost always, in visiting such scenes as I have been attempting to describe, I had a singular sense of having been there before. The ivy-grown English churches (even that of Bebbington, the first that I beheld) were quite as familiar to me, when fresh from home, as the old wooden meeting-house in Salem, which used, on wintry Sabbaths, to be the frozen purgatory of my childhood. This was a bewildering, yet very delightful emotion fluttering about me like a faint summer wind, and filling my imagination with a thousand half-remembrances, which looked as vivid as sunshine, at a side-glance, but faded quite away whenever I attempted to grasp and define them. Of course, the explanation of the mystery was, that history, poetry, and fiction, books of travel, and the talk of tourists, had given me pretty accurate preconceptions of the common objects of English scenery, and these, being long ago vivified by a youthful fancy, had insensibly taken their places among the images of things actually seen. Yet the illusion was often so powerful, that I almost doubted whether such airy remembrances might not be a sort of innate idea, the print of a recollection in some ancestral mind, transmitted, with fainter and fainter impress through several descents, to my own. I felt, indeed, like the stalwart progenitor in person, returning to the hereditary haunts after more than two hundred years, and finding the church, the hall, the farm-house, the cottage, hardly changed during his long absence,—the same shady by-paths and hedge-lanes, the same veiled sky, and green lustre of the lawns and fields,—while his own affinities for these things, a little obscured by disuse, were reviving at every step.

An American is not very apt to love the English people, as a whole, on whatever length of acquaintance. I fancy that they would value our regard, and even reciprocate it in their ungracious way, if we could give it to them in spite of all rebuffs; but they are beset by a curious and inevitable infelicity, which compels them, as it were, to keep up what they seem to consider a wholesome bitterness of feeling between themselves and all other nationalities, especially that of America. They will never confess it; nevertheless, it is as essential a tonic to them as their bitter ale. Therefore,—and possibly, too, from a similar narrowness in his own character,—an American seldom feels quite as if he were at home among the English people. If he do so, he has ceased to be an American. But it requires no long residence to make him love their island, and appreciate it as thoroughly as they themselves do. For my part, I used to wish that we could annex it, transferring their thirty millions of inhabitants to some convenient wilderness in the great West, and putting half or a quarter as many of ourselves into their places. The change would be beneficial to both parties. We, in our dry atmosphere, are getting too nervous, haggard, dyspeptic, extenuated, unsubstantial, theoretic, and need to be made grosser. John Bull, on the other hand, has grown bulbous, long-bodied, short-legged, heavy-witted, material, and, in a word, too intensely English. In a few more centuries he will be the earthliest creature that ever the earth saw. Heretofore Providence has obviated such a result by timely intermixtures of alien races with the old English stock; so that each successive conquest of England has proved a victory by the revivification and improvement of its native manhood. Cannot America and England hit upon some scheme to secure even greater advantages to both nations?



ABOUT WARWICK.

Between bright, new Leamington, the growth of the present century, and rusty Warwick, founded by King Cymbeline in the twilight ages, a thousand years before the mediaeval darkness, there are two roads, either of which may be measured by a sober-paced pedestrian in less than half an hour.

One of these avenues flows out of the midst of the smart parades and crescents of the former town,—along by hedges and beneath the shadow of great elms, past stuccoed Elizabethan villas and wayside alehouses, and through a hamlet of modern aspect,—and runs straight into the principal thoroughfare of Warwick. The battlemented turrets of the castle, embowered half-way up in foliage, and the tall, slender tower of St. Mary's Church, rising from among clustered roofs, have been visible almost from the commencement of the walk. Near the entrance of the town stands St. John's School-House, a picturesque old edifice of stone, with four peaked gables in a row, alternately plain and ornamented, and wide, projecting windows, and a spacious and venerable porch, all overgrown with moss and ivy, and shut in from the world by a high stone fence, not less mossy than the gabled front. There is an iron gate, through the rusty open-work of which you see a grassy lawn, and almost expect to meet the shy, curious eyes of the little boys of past generations, peeping forth from their infantile antiquity into the strangeness of our present life. I find a peculiar charm in these long-established English schools, where the school-boy of to-day sits side by side, as it were, with his great-grandsire, on the same old benches, and often, I believe, thumbs a later, but unimproved edition of the same old grammar or arithmetic. The newfangled notions of a Yankee school-committee would madden many a pedagogue, and shake down the roof of many a time-honored seat of learning, in the mother-country.

At this point, however, we will turn back, in order to follow up the other road from Leamington, which was the one that I loved best to take. It pursues a straight and level course, bordered by wide gravel-walks and overhung by the frequent elm, with here a cottage and there a villa, on one side a wooded plantation, and on the other a rich field of grass or grain, until, turning at right angles, it brings you to an arched bridge over the Avon. Its parapet is a balustrade carved out of freestone, into the soft substance of which a multitude of persons have engraved their names or initials, many of them now illegible, while others, more deeply cut, are illuminated with fresh green moss. These tokens indicate a famous spot; and casting our eyes along the smooth gleam and shadow of the quiet stream, through a vista of willows that droop on either side into the water, we behold the gray magnificence of Warwick Castle, uplifting itself among stately trees, and rearing its turrets high above their loftiest branches. We can scarcely think the scene real, so completely do those machicolated towers, the long line of battlements, the massive buttresses, the high-windowed walls, shape out our indistinct ideas of the antique time. It might rather seem as if the sleepy river (being Shakespeare's Avon, and often, no doubt, the mirror of his gorgeous visions) were dreaming now of a lordly residence that stood here many centuries ago; and this fantasy is strengthened, when you observe that the image in the tranquil water has all the distinctness of the actual structure. Either might be the reflection of the other. Wherever Time has gnawed one of the stones, you see the mark of his tooth just as plainly in the sunken reflection. Each is so perfect, that the upper vision seems a castle in the air, and the lower one an old stronghold of feudalism, miraculously kept from decay in an enchanted river.

A ruinous and ivy-grown bridge, that projects from the bank a little on the hither side of the castle, has the effect of making the scene appear more entirely apart from the every-day world, for it ends abruptly in the middle of the stream,—so that, if a cavalcade of the knights and ladies of romance should issue from the old walls, they could never tread on earthly ground, any more than we, approaching from the side of modern realism, can overleap the gulf between our domain and theirs. Yet, if we seek to disenchant ourselves, it may readily be done. Crossing the bridge on which we stand, and passing a little farther on, we come to the entrance of the castle, abutting on the highway, and hospitably open at certain hours to all curious pilgrims who choose to disburse half a crown or so toward the support of the earl's domestics. The sight of that long series of historic rooms, full of such splendors and rarities as a great English family necessarily gathers about itself, in its hereditary abode, and in the lapse of ages, is well worth the money, or ten times as much, if indeed the value of the spectacle could be reckoned in money's-worth. But after the attendant has hurried you from end to end of the edifice, repeating a guide-book by rote, and exorcising each successive hall of its poetic glamour and witchcraft by the mere tone in which he talks about it, you will make the doleful discovery that Warwick Castle has ceased to be a dream. It is better, methinks, to linger on the bridge, gazing at Caesar's Tower and Guy's Tower in the dim English sunshine above, and in the placid Avon below, and still keep them as thoughts in your own mind, than climb to their summits, or touch even a stone of their actual substance. They will have all the more reality for you, as stalwart relics of immemorial time, if you are reverent enough to leave them in the intangible sanctity of a poetic vision.

From the bridge over the Avon, the road passes in front of the castle-gate, and soon enters the principal street of Warwick, a little beyond St. John's School-House, already described. Chester itself, most antique of English towns, can hardly show quainter architectural shapes than many of the buildings that border this street. They are mostly of the timber-and-plaster kind, with bowed and decrepit ridge-poles, and a whole chronology of various patchwork in their walls; their low-browed doorways open upon a sunken floor; their projecting stories peep, as it were, over one another's shoulders, and rise into a multiplicity of peaked gables; they have curious windows, breaking out irregularly all over the house, some even in the roof, set in their own little peaks, opening lattice-wise, and furnished with twenty small panes of lozenge-shaped glass. The architecture of these edifices (a visible oaken framework, showing the whole skeleton of the house,—as if a man's bones should be arranged on his outside, and his flesh seen through the interstices) is often imitated by modern builders, and with sufficiently picturesque effect. The objection is, that such houses, like all imitations of bygone styles, have an air of affectation; they do not seem to be built in earnest; they are no better than playthings, or overgrown baby-houses, in which nobody should be expected to encounter the serious realities of either birth or death. Besides, originating nothing, we leave no fashions for another age to copy, when we ourselves shall have grown antique.

Old as it looks, all this portion of Warwick has overbrimmed, as it were, from the original settlement, being outside of the ancient wall. The street soon runs under an arched gateway, with a church or some other venerable structure above it, and admits us into the heart of the town. At one of my first visits, I witnessed a military display. A regiment of Warwickshire militia, probably commanded by the Earl, was going through its drill in the market-place; and on the collar of one of the officers was embroidered the Bear and Ragged Staff, which has been the cognizance of the Warwick earldom from time immemorial. The soldiers were sturdy young men, with the simple, stolid, yet kindly faces of English rustics, looking exceedingly well in a body, but slouching into a yeoman-like carriage and appearance the moment they were dismissed from drill. Squads of them were distributed everywhere about the streets, and sentinels were posted at various points; and I saw a sergeant, with a great key in his hand (big enough to have been the key of the castle's main entrance when the gate was thickest and heaviest), apparently setting a guard. Thus, centuries after feudal times are past, we find warriors still gathering under the old castle-walls, and commanded by a feudal lord, just as in the days of the King-Maker, who, no doubt, often mustered his retainers in the same market-place where I beheld this modern regiment.

The interior of the town wears a less old-fashioned aspect than the suburbs through which we approach it; and the High Street has shops with modern plate-glass, and buildings with stuccoed fronts, exhibiting as few projections to hang a thought or sentiment upon as if an architect of to-day had planned them. And, indeed, so far as their surface goes, they are perhaps new enough to stand unabashed in an American street; but behind these renovated faces, with their monotonous lack of expression, there is probably the substance of the same old town that wore a Gothic exterior in the Middle Ages. The street is an emblem of England itself. What seems new in it is chiefly a skilful and fortunate adaptation of what such a people as ourselves would destroy. The new things are based and supported on sturdy old things, and derive a massive strength from their deep and immemorial foundations, though with such limitations and impediments as only an Englishman could endure. But he likes to feel the weight of all the past upon his back; and, moreover, the antiquity that overburdens him has taken root in his being, and has grown to be rather a hump than a pack, so that there is no getting rid of it without tearing his whole structure to pieces. In my judgment, as he appears to be sufficiently comfortable under the mouldy accretion, he had better stumble on with it as long as he can. He presents a spectacle which is by no means without its charm for a disinterested and unencumbered observer.

When the old edifice, or the antiquated custom or institution, appears in its pristine form, without any attempt at intermarrying it with modern fashions, an American cannot but admire the picturesque effect produced by the sudden cropping up of an apparently dead-and-buried state of society into the actual present, of which he is himself a part. We need not go far in Warwick without encountering an instance of the kind. Proceeding westward through the town, we find ourselves confronted by a huge mass of natural rock, hewn into something like architectural shape, and penetrated by a vaulted passage, which may well have been one of King Cymbeline's original gateways; and on the top of the rock, over the archway, sits a small old church, communicating with an ancient edifice, or assemblage of edifices, that look down from a similar elevation on the side of the street. A range of trees half hides the latter establishment from the sun. It presents a curious and venerable specimen of the timber-and-plaster style of building, in which some of the finest old houses in England are constructed; the front projects into porticos and vestibules, and rises into many gables, some in a row, and others crowning semi-detached portions of the structure; the windows mostly open on hinges, but show a delightful irregularity of shape and position; a multiplicity of chimneys break through the roof at their own will, or, at least, without any settled purpose of the architect. The whole affair looks very old,—so old indeed that the front bulges forth, as if the timber framework were a little weary, at last, of standing erect so long; but the state of repair is so perfect, and there is such an indescribable aspect of continuous vitality within the system of this aged house, that you feel confident that there may be safe shelter yet, and perhaps for centuries to come, under its time-honored roof. And on a bench, sluggishly enjoying the sunshine, and looking into the street of Warwick as from a life apart, a few old men are generally to be seen, wrapped in long cloaks, on which you may detect the glistening of a silver badge representing the Bear and Ragged Staff. These decorated worthies are some of the twelve brethren of Leicester's Hospital,—a community which subsists to-day under the identical modes that were established for it in the reign of Queen Elizabeth, and of course retains many features of a social life that has vanished almost everywhere else.

The edifice itself dates from a much older period than the charitable institution of which it is now the home. It was the seat of a religious fraternity far back in the Middle Ages, and continued so till Henry VIII. turned all the priesthood of England out of doors, and put the most unscrupulous of his favorites into their vacant abodes. In many instances, the old monks had chosen the sites of their domiciles so well, and built them on such a broad system of beauty and convenience, that their lay-occupants found it easy to convert them into stately and comfortable homes; and as such they still exist, with something of the antique reverence lingering about them. The structure now before us seems to have been first granted to Sir Nicholas Lestrange, who perhaps intended, like other men, to establish his household gods in the niches whence he had thrown down the images of saints, and to lay his hearth where an altar had stood. But there was probably a natural reluctance in those days (when Catholicism, so lately repudiated, must needs have retained an influence over all but the most obdurate characters) to bring one's hopes of domestic prosperity and a fortunate lineage into direct hostility with the awful claims of the ancient religion. At all events, there is still a superstitious idea, betwixt a fantasy and a belief, that the possession of former Church-property has drawn a curse along with it, not only among the posterity of those to whom it was originally granted, but wherever it has subsequently been transferred, even if honestly bought and paid for. There are families, now inhabiting some of the beautiful old abbeys, who appear to indulge a species of pride in recording the strange deaths and ugly shapes of misfortune that have occurred among their predecessors, and may be supposed likely to dog their own pathway down the ages of futurity. Whether Sir Nicholas Lestrange, in the beef-eating days of Old Harry and Elizabeth, was a nervous man, and subject to apprehensions of this kind, I cannot tell; but it is certain that he speedily rid himself of the spoils of the Church, and that, within twenty years afterwards, the edifice became the property of the famous Dudley, Earl of Leicester, brother of the Earl of Warwick. He devoted the ancient religious precinct to a charitable use, endowing it with an ample revenue, and making it the perpetual home of twelve poor, honest, and war-broken soldiers, mostly his own retainers, and natives either of Warwickshire or Gloucestershire. These veterans, or others wonderfully like them, still occupy their monkish dormitories and haunt the time-darkened corridors and galleries of the hospital, leading a life of old-fashioned comfort, wearing the old-fashioned cloaks, and burnishing the identical silver badges which the Earl of Leicester gave to the original twelve. He is said to have been a bad man in his day; but he has succeeded in prolonging one good deed into what was to him a distant future.

On the projecting story, over the arched entrance, there is the date, 1571, and several coats-of-arms, either the Earl's or those of his kindred, and immediately above the doorway a stone sculpture of the Bear and Ragged Staff.

Passing through the arch, we find ourselves in a quadrangle, or enclosed court, such as always formed the central part of a great family residence in Queen Elizabeth's time, and earlier. There can hardly be a more perfect specimen of such an establishment than Leicester's Hospital. The quadrangle is a sort of sky-roofed hall, to which there is convenient access from all parts of the house. The four inner fronts, with their high, steep roofs and sharp gables, look into it from antique windows, and through open corridors and galleries along the sides; and there seems to be a richer display of architectural devices and ornaments, quainter carvings in oak, and more fantastic shapes of the timber framework, than on the side toward the street. On the wall opposite the arched entrance are the following inscriptions, comprising such moral rules, I presume, as were deemed most essential for the daily observance of the community: "Honor all Men"—"Fear God"—"Honor the King"—"Love the Brotherhood"; and again, as if this latter injunction needed emphasis and repetition among a household of aged people soured with the hard fortune of their previous lives,—"Be kindly affectioned one to another." One sentence, over a door communicating with the Master's side of the house, is addressed to that dignitary,—"He that ruleth over men must be just." All these are charactered in old English letters, and form part of the elaborate ornamentation of the house. Everywhere—on the walls, over windows and doors, and at all points where there is room to place them— appear escutcheons of arms, cognizances, and crests, emblazoned in their proper colors, and illuminating the ancient quadrangle with their splendor. One of these devices is a large image of a porcupine on an heraldic wreath, being the crest of the Lords de Lisle. But especially is the cognizance of the Bear and Ragged Staff repeated over and over, and over again and again, in a great variety of attitudes, at full-length, and half-length, in paint and in oaken sculpture, in bas-relief and rounded image. The founder of the hospital was certainly disposed to reckon his own beneficence as among the hereditary glories of his race; and had he lived and died a half-century earlier, he would have kept up an old Catholic custom by enjoining the twelve bedesmen to pray for the welfare of his soul.

At my first visit, some of the brethren were seated on the bench outside of the edifice, looking down into the street; but they did not vouchsafe me a word, and seemed so estranged from modern life, so enveloped in antique customs and old-fashioned cloaks, that to converse with them would have been like shouting across the gulf between our age and Queen Elizabeth's. So I passed into the quadrangle, and found it quite solitary, except that a plain and neat old woman happened to be crossing it, with an aspect of business and carefulness that bespoke her a woman of this world, and not merely a shadow of the past. Asking her if I could come in, she answered very readily and civilly that I might, and said that I was free to look about me, hinting a hope, however, that I would not open the private doors of the brotherhood, as some visitors were in the habit of doing. Under her guidance, I went into what was formerly the great hall of the establishment, where King James I. had once been feasted by an Earl of Warwick, as is commemorated by an inscription on the cobwebbed and dingy wall. It is a very spacious and barn-like apartment, with a brick floor, and a vaulted roof, the rafters of which are oaken beams, wonderfully carved, but hardly visible in the duskiness that broods aloft. The hall may have made a splendid appearance, when it was decorated with rich tapestry, and illuminated with chandeliers, cressets, and torches glistening upon silver dishes, where King James sat at supper among his brilliantly dressed nobles; but it has come to base uses in these latter days,—being improved, in Yankee phrase, as a brewery and wash-room, and as a cellar for the brethren's separate allotments of coal.

The old lady here left me to myself, and I returned into the quadrangle. It was very quiet, very handsome, in its own obsolete style, and must be an exceedingly comfortable place for the old people to lounge in, when the inclement winds render it inexpedient to walk abroad. There are shrubs against the wall, on one side; and on another is a cloistered walk, adorned with stags' heads and antlers, and running beneath a covered gallery, up to which ascends a balustraded staircase. In the portion of the edifice opposite the entrance-arch are the apartments of the Master; and looking into the window (as the old woman, at no request of mine, had specially informed me that I might), I saw a low, but vastly comfortable parlor, very handsomely furnished, and altogether a luxurious place. It had a fireplace with an immense arch, the antique breadth of which extended almost from wall to wall of the room, though now fitted up in such a way, that the modern coal-grate looked very diminutive in the midst. Gazing into this pleasant interior, it seemed to me, that, among these venerable surroundings, availing himself of whatever was good in former things, and eking out their imperfection with the results of modern ingenuity, the Master might lead a not unenviable life. On the cloistered side of the quadrangle, where the dark oak panels made the enclosed space dusky, I beheld a curtained window reddened by a great blaze from within, and heard the bubbling and squeaking of something— doubtless very nice and succulent—that was being cooked at the kitchen-fire. I think, indeed, that a whiff or two of the savory fragrance reached my nostrils; at all events, the impression grew upon me that Leicester's Hospital is one of the jolliest old domiciles in England.

I was about to depart, when another old woman, very plainly dressed, but fat, comfortable, and with a cheerful twinkle in her eyes, came in through the arch, and looked curiously at me. This repeated apparition of the gentle sex (though by no means under its loveliest guise) had still an agreeable effect in modifying my ideas of an institution which I had supposed to be of a stern and monastic character. She asked whether I wished to see the hospital, and said that the porter, whose office it was to attend to visitors, was dead, and would be buried that very day, so that the whole establishment could not conveniently be shown me. She kindly invited me, however, to visit the apartment occupied by her husband and herself; so I followed her up the antique staircase, along the gallery, and into a small, oak-panelled parlor, where sat an old man in a long blue garment, who arose and saluted me with much courtesy. He seemed a very quiet person, and yet had a look of travel and adventure, and gray experience, such as I could have fancied in a palmer of ancient times, who might likewise have worn a similar costume. The little room was carpeted and neatly furnished; a portrait of its occupant was hanging on the wall; and on a table were two swords crossed,—one, probably, his own battle-weapon, and the other, which I drew half out of the scabbard, had an inscription on the blade, purporting that it had been taken from the field of Waterloo. My kind old hostess was anxious to exhibit all the particulars of their housekeeping, and led me into the bedroom, which was in the nicest order, with a snow-white quilt upon the bed; and in a little intervening room was a washing and bathing apparatus; a convenience (judging from the personal aspect and atmosphere of such parties) seldom to be met with in the humbler ranks of British life.

The old soldier and his wife both seemed glad of somebody to talk with; but the good woman availed herself of the privilege far more copiously than the veteran himself, insomuch that he felt it expedient to give her an occasional nudge with his elbow in her well-padded ribs. "Don't you be so talkative!" quoth he; and, indeed, he could hardly find space for a word, and quite as little after his admonition as before. Her nimble tongue ran over the whole system of life in the hospital. The brethren, she said, had a yearly stipend (the amount of which she did not mention), and such decent lodgings as I saw, and some other advantages, free; and, instead of being pestered with a great many rules, and made to dine together at a great table, they could manage their little household matters as they liked, buying their own dinners and having them cooked in the general kitchen, and eating them snugly in their own parlors. "And," added she, rightly deeming this the crowning privilege, "with the Master's permission, they can have their wives to take care of them; and no harm comes of it; and what more can an old man desire?" It was evident enough that the good dame found herself in what she considered very rich clover, and, moreover, had plenty of small occupations to keep her from getting rusty and dull; but the veteran impressed me as deriving far less enjoyment from the monotonous ease, without fear of change or hope of improvement, that had followed upon thirty years of peril and vicissitude. I fancied, too, that, while pleased with the novelty of a stranger's visit, he was still a little shy of becoming a spectacle for the stranger's curiosity; for, if he chose to be morbid about the matter, the establishment was but an almshouse, in spite of its old-fashioned magnificence, and his fine blue cloak only a pauper's garment, with a silver badge on it that perhaps galled his shoulder. In truth, the badge and the peculiar garb, though quite in accordance with the manners of the Earl of Leicester's age, are repugnant to modern prejudices, and might fitly and humanely be abolished.

A year or two afterwards I paid another visit to the hospital, and found a new porter established in office, and already capable of talking like a guide-book about the history, antiquities, and present condition of the charity. He informed me that the twelve brethren are selected from among old soldiers of good character, whose other resources must not exceed an income of five pounds; thus excluding all commissioned officers, whose half-pay would of course be more than that amount. They receive from the hospital an annuity of eighty pounds each, besides their apartments, a garment of fine blue cloth, an annual abundance of ale, and a privilege at the kitchen-fire; so that, considering the class from which they are taken, they may well reckon themselves among the fortunate of the earth. Furthermore, they are invested with political rights, acquiring a vote for member of Parliament in virtue either of their income or brotherhood. On the other hand, as regards their personal freedom or conduct, they are subject to a supervision which the Master of the hospital might render extremely annoying, were he so inclined; but the military restraint under which they have spent the active portion of their lives makes it easier for them to endure the domestic discipline here imposed upon their age. The porter bore his testimony (whatever were its value) to their being as contented and happy as such a set of old people could possibly be, and affirmed that they spent much time in burnishing their silver badges, and were as proud of them as a nobleman of his star. These badges, by the by, except one that was stolen and replaced in Queen Anne's time, are the very same that decorated the original twelve brethren.

I have seldom met with a better guide than my friend the porter. He appeared to take a genuine interest in the peculiarities of the establishment, and yet had an existence apart from them, so that he could the better estimate what those peculiarities were. To be sure, his knowledge and observation were confined to external things, but, so far, had a sufficiently extensive scope. He led me up the staircase and exhibited portions of the timber framework of the edifice that are reckoned to be eight or nine hundred years old, and are still neither worm-eaten nor decayed; and traced out what had been a great hall in the days of the Catholic fraternity, though its area is now filled up with the apartments of the twelve brethren; and pointed to ornaments of sculptured oak, done in an ancient religious style of art, but hardly visible amid the vaulted dimness of the roof. Thence we went to the chapel—the Gothic church which I noted several pages back—surmounting the gateway that stretches half across the street. Here the brethren attend daily prayer, and have each a prayer-book of the finest paper, with a fair, large type for their old eyes. The interior of the chapel is very plain, with a picture of no merit for an altar-piece, and a single old pane of painted glass in the great eastern window, representing,—no saint, nor angel, as is customary in such cases,—but that grim sinner, the Earl of Leicester. Nevertheless, amid so many tangible proofs of his human sympathy, one comes to doubt whether the Earl could have been such a hardened reprobate, after all.

We ascended the tower of the chapel, and looked down between its battlements into the street, a hundred feet below us; while clambering half-way up were foxglove-flowers, weeds, small shrubs, and tufts of grass, that had rooted themselves into the roughnesses of the stone foundation. Far around us lay a rich and lovely English landscape, with many a church-spire and noble country-seat, and several objects of high historic interest. Edge Hill, where the Puritans defeated Charles I., is in sight on the edge of the horizon, and much nearer stands the house where Cromwell lodged on the night before the battle. Right under our eyes, and half enveloping the town with its high-shouldering wall, so that all the closely compacted streets seemed but a precinct of the estate, was the Earl of Warwick's delightful park, a wide extent of sunny lawns, interspersed with broad contiguities of forest-shade. Some of the cedars of Lebanon were there,—a growth of trees in which the Warwick family take an hereditary pride. The two highest towers of the castle heave themselves up out of a mass of foliage, and look down in a lordly manner upon the plebeian roofs of the town, a part of which are slate-covered (these are the modern houses), and a part are coated with old red tiles, denoting the more ancient edifices. A hundred and sixty or seventy years ago, a great fire destroyed a considerable portion of the town, and doubtless annihilated many structures of a remote antiquity; at least, there was a possibility of very old houses in the long past of Warwick, which King Cymbeline is said to have founded in the year ONE of the Christian era!

And this historic fact or poetic fiction, whichever it may be, brings to mind a more indestructible reality than anything else that has occurred within the present field of our vision; though this includes the scene of Guy of Warwick's legendary exploits, and some of those of the Round Table, to say nothing of the Battle of Edge Hill. For perhaps it was in the landscape now under our eyes that Posthumus wandered with the King's daughter, the sweet, chaste, faithful, and courageous Imogen, the tenderest and womanliest woman that Shakespeare ever made immortal in the world. The silver Avon, which we see flowing so quietly by the gray castle, may have held their images in its bosom.

The day, though it began brightly, had long been overcast, and the clouds now spat down a few spiteful drops upon us, besides that the east-wind was very chill; so we descended the winding tower-stair, and went next into the garden, one side of which is shut in by almost the only remaining portion of the old city-wall. A part of the garden-ground is devoted to grass and shrubbery, and permeated by gravel-walks, in the centre of one of which is a beautiful stone vase of Egyptian sculpture, that formerly stood on the top of a Nilometer, or graduated pillar for measuring the rise and fall of the river Nile. On the pedestal is a Latin inscription by Dr. Parr, who (his vicarage of Hatton being so close at hand) was probably often the Master's guest, and smoked his interminable pipe along these garden-walks. Of the vegetable-garden, which lies adjacent, the lion's share is appropriated to the Master, and twelve small, separate patches to the individual brethren, who cultivate them at their own judgment and by their own labor; and their beans and cauliflowers have a better flavor, I doubt not, than if they had received them directly from the dead hand of the Earl of Leicester, like the rest of their food. In the farther part of the garden is an arbor for the old men's pleasure and convenience, and I should like well to sit down among them there, and find out what is really the bitter and the sweet of such a sort of life. As for the old gentlemen themselves, they put me queerly in mind of the Salem Custom-House, and the venerable personages whom I found so quietly at anchor there.

The Master's residence, forming one entire side of the quadrangle, fronts on the garden, and wears an aspect at once stately and homely. It can hardly have undergone any perceptible change within three centuries; but the garden, into which its old windows look, has probably put off a great many eccentricities and quaintnesses, in the way of cunningly clipped shrubbery, since the gardener of Queen Elizabeth's reign threw down his rusty shears and took his departure. The present Master's name is Harris; he is a descendant of the founder's family, a gentleman of independent fortune, and a clergyman of the Established Church, as the regulations of the hospital require him to be. I know not what are his official emoluments; but, according to an English precedent, an ancient charitable fund is certain to be held directly for the behoof of those who administer it, and perhaps incidentally, in a moderate way, for the nominal beneficiaries; and, in the case before us, the twelve brethren being so comfortably provided for, the Master is likely to be at least as comfortable as all the twelve together. Yet I ought not, even in a distant land, to fling an idle gibe against a gentleman of whom I really know nothing, except that the people under his charge bear all possible tokens of being tended and cared for as sedulously as if each of them sat by a warm fireside of his own, with a daughter bustling round the hearth to make ready his porridge and his titbits. It is delightful to think of the good life which a suitable man, in the Master's position, has an opportunity to lead,—linked to time-honored customs, welded in with an ancient system, never dreaming of radical change, and bringing all the mellowness and richness of the past down into these railway-days, which do not compel him or his community to move a whit quicker than of yore. Everybody can appreciate the advantages of going ahead; it might be well, sometimes, to think whether there is not a word or two to be said in favor of standing still or going to sleep.

From the garden we went into the kitchen, where the fire was burning hospitably, and diffused a genial warmth far and wide, together with the fragrance of some old English roast-beef, which, I think, must at that moment have been done nearly to a turn. The kitchen is a lofty, spacious, and noble room, partitioned off round the fireplace, by a sort of semicircular oaken screen, or rather, an arrangement of heavy and high-backed settles, with an ever-open entrance between them, on either side of which is the omnipresent image of the Bear and Ragged Staff, three feet high, and excellently carved in oak, now black with time and unctuous kitchen-smoke. The ponderous mantel-piece, likewise of carved oak, towers high towards the dusky ceiling, and extends its mighty breadth to take in a vast area of hearth, the arch of the fireplace being positively so immense that I could compare it to nothing but the city gateway. Above its cavernous opening were crossed two ancient halberds, the weapons, possibly, of soldiers who had fought under Leicester in the Low Countries; and elsewhere on the walls were displayed several muskets, which some of the present inmates of the hospital may have levelled against the French. Another ornament of the mantel-piece was a square of silken needlework or embroidery, faded nearly white, but dimly representing that wearisome Bear and Ragged Staff, which we should hardly look twice at, only that it was wrought by the fair fingers of poor Amy Robsart, and beautifully framed in oak from Kenilworth Castle, at the expense of a Mr. Conner, a countryman of our own. Certainly, no Englishman would be capable of this little bit of enthusiasm. Finally, the kitchen-firelight glistens on a splendid display of copper flagons, all of generous capacity, and one of them about as big as a half-barrel; the smaller vessels contain the customary allowance of ale, and the larger one is filled with that foaming liquor on four festive occasions of the year, and emptied amain by the jolly brotherhood. I should be glad to see them do it; but it would be an exploit fitter for Queen Elizabeth's age than these degenerate times.

The kitchen is the social hall of the twelve brethren. In the daytime, they bring their little messes to be cooked here, and eat them in their own parlors; but after a certain hour, the great hearth is cleared and swept, and the old men assemble round its blaze, each with his tankard and his pipe, and hold high converse through the evening. If the Master be a fit man for his office, methinks he will sometimes sit down sociably among them; for there is an elbow-chair by the fireside which it would not demean his dignity to fill, since it was occupied by King James at the great festival of nearly three centuries ago. A sip of the ale and a whiff of the tobacco-pipe would put him in friendly relations with his venerable household; and then we can fancy him instructing them by pithy apothegms and religious texts which were first uttered here by some Catholic priest and have impregnated the atmosphere ever since. If a joke goes round, it shall be of an elder coinage than Joe Miller's, as old as Lord Bacon's collection, or as the jest-book that Master Slender asked for when he lacked small-talk for sweet Anne Page. No news shall be spoken of later than the drifting ashore, on the northern coast, of some stern-post or figure-head, a barnacled fragment of one of the great galleons of the Spanish Armada. What a tremor would pass through the antique group, if a damp newspaper should suddenly be spread to dry before the fire! They would feel as if either that printed sheet or they themselves must be an unreality. What a mysterious awe, if the shriek of the railway-train, as it reaches the Warwick station, should ever so faintly invade their ears! Movement of any kind seems inconsistent with the stability of such an institution. Nevertheless, I trust that the ages will carry it along with them; because it is such a pleasant kind of dream for an American to find his way thither, and behold a piece of the sixteenth century set into our prosaic times, and then to depart, and think of its arched doorway as a spell-guarded entrance which will never be accessible or visible to him any more.

Not far from the market-place of Warwick stands the great church of St. Mary's: a vast edifice, indeed, and almost worthy to be a cathedral. People who pretend to skill in such matters say that it is in a poor style of architecture, though designed (or, at least, extensively restored) by Sir Christopher Wren; but I thought it very striking, with its wide, high, and elaborate windows, its tall towers, its immense length, and (for it was long before I outgrew this Americanism, the love of an old thing merely for the sake of its age) the tinge of gray antiquity over the whole. Once, while I stood gazing up at the tower, the clock struck twelve with a very deep intonation, and immediately some chivies began to play, and kept up their resounding music for five minutes, as measured by the hand upon the dial. It was a very delightful harmony, as airy as the notes of birds, and seemed, a not unbecoming freak of half-sportive fancy in the huge, ancient, and solemn church; although I have seen an old-fashioned parlor-clock that did precisely the same thing, in its small way.

The great attraction of this edifice is the Beauchamp (or, as the English, who delight in vulgarizing their fine old Norman names, call it, the Beechum) Chapel, where the Earls of Warwick and their kindred have been buried, from four hundred years back till within a recent period. It is a stately and very elaborate chapel, with a large window of ancient painted glass, as perfectly preserved as any that I remember seeing in England, and remarkably vivid in its colors. Here are several monuments with marble figures recumbent upon them, representing the Earls in their knightly armor, and their dames in the ruffs and court-finery of their day, looking hardly stiffer in stone than they must needs have been in their starched linen and embroidery. The renowned Earl of Leicester of Queen Elizabeth's time, the benefactor of the hospital, reclines at full length on the tablet of one of these tombs, side by side with his Countess,—not Amy Robsart, but a lady who (unless I have confused the story with some other mouldy scandal) is said to have avenged poor Amy's murder by poisoning the Earl himself. Be that as it may, both figures, and especially the Earl, look like the very types of ancient Honor and Conjugal Faith. In consideration of his long-enduring kindness to the twelve brethren, I cannot consent to believe him as wicked as he is usually depicted; and it seems a marvel, now that so many well-established historical verdicts have been reversed, why some enterprising writer does not make out Leicester to have been the pattern nobleman of his age.

In the centre of the chapel is the magnificent memorial of its founder, Richard Beauchamp, Earl of Warwick in the time of Henry VI. On a richly ornamented altar-tomb of gray marble lies the bronze figure of a knight in gilded armor, most admirably executed: for the sculptors of those days had wonderful skill in their own style, and could make so lifelike an image of a warrior, in brass or marble, that, if a trumpet were sounded over his tomb, you would expect him to start up and handle his sword. The Earl whom we now speak of, however, has slept soundly in spite of a more serious disturbance than any blast of a trumpet, unless it were the final one. Some centuries after his death, the floor of the chapel fell down and broke open the stone coffin in which he was buried; and among the fragments appeared the anciently entombed Earl of Warwick, with the color scarcely faded out of his cheeks, his eyes a little sunken, but in other respects looking as natural as if he had died yesterday. But exposure to the atmosphere appeared to begin and finish the long-delayed process of decay in a moment, causing him to vanish like a bubble; so, that, almost before there had been time to wonder at him, there was nothing left of the stalwart Earl save his hair. This sole relic the ladies of Warwick made prize of, and braided it into rings and brooches for their own adornment; and thus, with a chapel and a ponderous tomb built on purpose to protect his remains, this great nobleman could not help being brought untimely to the light of day, nor even keep his lovelocks on his skull after he had so long done with love. There seems to be a fatality that disturbs people in their sepulchres, when they have been over-careful to render them magnificent and impregnable,—as witness the builders of the Pyramids, and Hadrian, Augustus, and the Scipios, and most other personages whose mausoleums have been conspicuous enough to attract the violator; and as for dead men's hair, I have seen a lock of King Edward the Fourth's, of a reddish-brown color, which perhaps was once twisted round the delicate forefinger of Mistress Shore.

The direct lineage of the renowned characters that lie buried in this splendid chapel has long been extinct. The earldom is now held by the Grevilles, descendants of the Lord Brooke who was slain in the Parliamentary War; and they have recently (that is to say, within a century) built a burial-vault on the other side of the church, calculated (as the sexton assured me, with a nod as if he were pleased) to afford suitable and respectful accommodation to as many as fourscore coffins. Thank Heaven, the old man did not call them "CASKETS"!—a vile modern phrase, which compels a person of sense and good taste to shrink more disgustfully than ever before from the idea of being buried at all. But as regards those eighty coffins, only sixteen have as yet been contributed; and it may be a question with some minds, not merely whether the Grevilles will hold the earldom of Warwick until the full number shall be made up, but whether earldoms and all manner of lordships will not have faded out of England long before those many generations shall have passed from the castle to the vault. I hope not. A titled and landed aristocracy, if anywise an evil and an encumbrance, is so only to the nation which is doomed to bear it on its shoulders; and an American, whose sole relation to it is to admire its picturesque effect upon society, ought to be the last man to quarrel with what affords him so much gratuitous enjoyment. Nevertheless, conservative as England is, and though I scarce ever found an Englishman who seemed really to desire change, there was continually a dull sound in my ears as if the old foundations of things were crumbling away. Some time or other,—by no irreverent effort of violence, but, rather, in spite of all pious efforts to uphold a heterogeneous pile of institutions that will have outlasted their vitality,—at some unexpected moment, there must come a terrible crash. The sole reason why I should desire it to happen in my day is, that I might be there to see! But the ruin of my own country is, perhaps, all that I am destined to witness; and that immense catastrophe (though I am strong in the faith that there is a national lifetime of a thousand years in us yet) would serve any man well enough as his final spectacle on earth.

If the visitor is inclined to carry away any little memorial of Warwick, he had better go to an Old Curiosity Shop in the High Street, where there is a vast quantity of obsolete gewgaws, great and small, and many of them so pretty and ingenious that you wonder how they came to be thrown aside and forgotten. As regards its minor tastes, the world changes, but does not improve; it appears to me, indeed, that there have been epochs of far more exquisite fancy than the present one, in matters of personal ornament, and such delicate trifles as we put upon a drawing-room table, a mantel-piece, or a whatnot. The shop in question is near the East Gate, but is hardly to be found without careful search, being denoted only by the name of "REDFERN," painted not very conspicuously in the top-light of the door. Immediately on entering, we find ourselves among a confusion of old rubbish and valuables, ancient armor, historic portraits, ebony cabinets inlaid with pearl, tall, ghostly clocks, hideous old china, dim looking-glasses in frames of tarnished magnificence,—a thousand objects of strange aspect, and others that almost frighten you by their likeness in unlikeness to things now in use. It is impossible to give an idea of the variety of articles, so thickly strewn about that we can scarcely move without overthrowing some great curiosity with a crash, or sweeping away some small one hitched to our sleeves. Three stories of the entire house are crowded in like manner. The collection, even as we see it exposed to view, must have been got together at great cost; but the real treasures of the establishment lie in secret repositories, whence they are not likely to be drawn forth at an ordinary summons; though, if a gentleman with a competently long purse should call for them, I doubt not that the signet-ring of Joseph's friend Pharaoh, or the Duke of Alva's leading-staff, or the dagger that killed the Duke of Buckingham (all of which I have seen), or any other almost incredible thing, might make its appearance. Gold snuff-boxes, antique gems, jewelled goblets, Venetian wine-glasses (which burst when poison is poured into them, and therefore must not be used for modern wine-drinking), jasper-handled knives, painted Sevres teacups,—in short, there are all sorts of things that a virtuoso ransacks the world to discover.

It would be easier to spend a hundred pounds in Mr. Redfern's shop than to keep the money in one's pocket; but, for my part, I contented myself with buying a little old spoon of silver-gilt, and fantastically shaped, and got it at all the more reasonable rate because there happened to be no legend attached to it. I could supply any deficiency of that kind at much less expense than regilding the spoon!



RECOLLECTIONS OF A GIFTED WOMAN.

From Leamington to Stratford-on-Avon the distance is eight or nine miles, over a road that seemed to me most beautiful. Not that I can recall any memorable peculiarities; for the country, most of the way, is a succession of the gentlest swells and subsidences, affording wide and far glimpses of champaign scenery here and there, and sinking almost to a dead level as we draw near Stratford. Any landscape in New England, even the tamest, has a more striking outline, and besides would have its blue eyes open in those lakelets that we encounter almost from mile to mile at home, but of which the Old Country is utterly destitute; or it would smile in our faces through the medium of the wayside brooks that vanish under a low stone arch on one side of the road, and sparkle out again on the other. Neither of these pretty features is often to be found in an English scene. The charm of the latter consists in the rich verdure of the fields, in the stately wayside trees and carefully kept plantations of wood, and in the old and high cultivation that has humanized the very sods by mingling so much of man's toil and care among them. To an American there is a kind of sanctity even in an English turnip-field, when he thinks how long that small square of ground has been known and recognized as a possession, transmitted from father to son, trodden often by memorable feet, and utterly redeemed from savagery by old acquaintanceship with civilized eyes. The wildest things in England are more than half tame. The trees, for instance, whether in hedge-row, park, or what they call forest, have nothing wild about them. They are never ragged; there is a certain decorous restraint in the freest outspread of their branches, though they spread wider than any self-nurturing tree; they are tall, vigorous, bulky, with a look of age-long life, and a promise of more years to come, all of which will bring them into closer kindred with the race of man. Somebody or other has known them from the sapling upward; and if they endure long enough, they grow to be traditionally observed and honored, and connected with the fortunes of old families, till, like Tennyson's Talking Oak, they babble with a thousand leafy tongues to ears that can understand them.

An American tree, however, if it could grow in fair competition with an English one of similar species, would probably be the more picturesque object of the two. The Warwickshire elm has not so beautiful a shape as those that overhang our village street; and as for the redoubtable English oak, there is a certain John Bullism in its figure, a compact rotundity of foliage, a lack of irregular and various outline, that make it look wonderfully like a gigantic cauliflower. Its leaf, too, is much smaller than that of most varieties of American oak; nor do I mean to doubt that the latter, with free leave to grow, reverent care and cultivation, and immunity from the axe, would live out its centuries as sturdily as its English brother, and prove far the nobler and more majestic specimen of a tree at the end of them. Still, however one's Yankee patriotism may struggle against the admission, it must be owned that the trees and other objects of an English landscape take hold of the observer by numberless minute tendrils, as it were, which, look as closely as we choose, we never find in an American scene. The parasitic growth is so luxuriant, that the trunk of the tree, so gray and dry in our climate, is better worth observing than the boughs and foliage; a verdant messiness coats it all over; so that it looks almost as green as the leaves; and often, moreover, the stately stem is clustered about, high upward, with creeping and twining shrubs, the ivy, and sometimes the mistletoe, close-clinging friends, nurtured by the moisture and never too fervid sunshine, and supporting themselves by the old tree's abundant strength. We call it a parasitical vegetation; but, if the phrase imply any reproach, it is unkind to bestow it on this beautiful affection and relationship which exist in England between one order of plants and another: the strong tree being always ready to give support to the trailing shrub, lift it to the sun, and feed it out of its own heart, if it crave such food; and the shrub, on its part, repaying its foster-father with an ample luxuriance of beauty, and adding Corinthian grace to the tree's lofty strength. No bitter winter nips these tender little sympathies, no hot sun burns the life out of them; and therefore they outlast the longevity of the oak, and, if the woodman permitted, would bury it in a green grave, when all is over.

Should there be nothing else along the road to look at, an English hedge might well suffice to occupy the eyes, and, to a depth beyond what he would suppose, the heart of an American. We often set out hedges in our own soil, but might as well set out figs or pineapples and expect to gather fruit of them. Something grows, to be sure, which we choose to call a hedge; but it lacks the dense, luxuriant variety of vegetation that is accumulated into the English original, in which a botanist would find a thousand shrubs and gracious herbs that the hedgemaker never thought of planting there. Among them, growing wild, are many of the kindred blossoms of the very flowers which our pilgrim fathers brought from England, for the sake of their simple beauty and homelike associations, and which we have ever since been cultivating in gardens. There is not a softer trait to be found in the character of those stern men than that they should have been sensible of these flower-roots clinging among the fibres of their rugged hearts, and have felt the necessity of bringing them over sea and making them hereditary in the new land, instead of trusting to what rarer beauty the wilderness might have in store for them.

Or, if the roadside has no hedge, the ugliest stone fence (such as, in America, would keep itself bare and unsympathizing till the end of time) is sure to be covered with the small handiwork of Nature; that careful mother lets nothing go naked there, and if she cannot provide clothing, gives at least embroidery. No sooner is the fence built than she adopts and adorns it as a part of her original plan, treating the hard, uncomely construction as if it had all along been a favorite idea of her own. A little sprig of ivy may be seen creeping up the side of the low wall and clinging fast with its many feet to the rough surface; a tuft of grass roots itself between two of the stones, where a pinch or two of wayside dust has been moistened into nutritious soil for it; a small bunch of fern grows in another crevice; a deep, soft, verdant moss spreads itself along the top and over all the available inequalities of the fence; and where nothing else will grow, lichens stick tenaciously to the bare stones and variegate the monotonous gray with hues of yellow and red. Finally, a great deal of shrubbery clusters along the base of the stone wall, and takes away the hardness of its outline; and in due time, as the upshot of these apparently aimless or sportive touches, we recognize that the beneficent Creator of all things, working through his handmaiden whom we call Nature, has deigned to mingle a charm of divine gracefulness even with so earthly an institution as a boundary fence. The clown who wrought at it little dreamed what fellow-laborer he had.

The English should send us photographs of portions of the trunks of trees, the tangled and various products of a hedge, and a square foot of an old wall. They can hardly send anything else so characteristic. Their artists, especially of the later school, sometimes toil to depict such subjects, but are apt to stiffen the lithe tendrils in the process. The poets succeed better, with Tennyson at their head, and often produce ravishing effects by dint of a tender minuteness of touch, to which the genius of the soil and climate artfully impels them: for, as regards grandeur, there are loftier scenes in many countries than the best that England can show; but, for the picturesqueness of the smallest object that lies under its gentle gloom and sunshine, there is no scenery like it anywhere.

In the foregoing paragraphs I have strayed away to a long distance from the road to Stratford-on-Avon; for I remember no such stone fences as I have been speaking of in Warwickshire, nor elsewhere in England, except among the Lakes, or in Yorkshire, and the rough and hilly countries to the north of it. Hedges there were along my road, however, and broad, level fields, rustic hamlets, and cottages of ancient date,—from the roof of one of which the occupant was tearing away the thatch, and showing what an accumulation of dust, dirt, mouldiness, roots of weeds, families of mice, swallows' nests, and hordes of insects had been deposited there since that old straw was new. Estimating its antiquity from these tokens, Shakespeare himself, in one of his morning rambles out of his native town, might have seen the thatch laid on; at all events, the cottage-walls were old enough to have known him as a guest. A few modern villas were also to be seen, and perhaps there were mansions of old gentility at no great distance, but hidden among trees; for it is a point of English pride that such houses seldom allow themselves to be visible from the high-road. In short, I recollect nothing specially remarkable along the way, nor in the immediate approach to Stratford; and yet the picture of that June morning has a glory in my memory, owing chiefly, I believe, to the charm of the English summer-weather, the really good days of which are the most delightful that mortal man can ever hope to be favored with. Such a genial warmth! A little too warm, it might be, yet only to such a degree as to assure an American (a certainty to which he seldom attains till attempered to the customary austerity of an English summer-day) that he was quite warm enough. And after all, there was an unconquerable freshness in the atmosphere, which every little movement of a breeze shook over me like a dash of the ocean-spray. Such days need bring us no other happiness than their own light and temperature. No doubt, I could not have enjoyed it so exquisitely, except that there must be still latent in us Western wanderers (even after an absence of two centuries and more), an adaptation to the English climate which makes us sensible of a motherly kindness in its scantiest sunshine, and overflows us with delight at its more lavish smiles.

The spire of Shakespeare's church—the Church of the Holy Trinity—begins to show itself among the trees at a little distance from Stratford. Next we see the shabby old dwellings, intermixed with mean-looking houses of modern date; and the streets being quite level, you are struck and surprised by nothing so much as the tameness of the general scene, as if Shakespeare's genius were vivid enough to have wrought pictorial splendors in the town where he was born. Here and there, however, a queer edifice meets your eye, endowed with the individuality that belongs only to the domestic architecture of times gone by; the house seems to have grown out of some odd quality in its inhabitant, as a sea-shell is moulded from within by the character of its innate; and having been built in a strange fashion, generations ago, it has ever since been growing stranger and quainter, as old humorists are apt to do. Here, too (as so often impressed me in decayed English towns), there appeared to be a greater abundance of aged people wearing small-clothes and leaning on sticks than you could assemble on our side of the water by sounding a trumpet and proclaiming a reward for the most venerable. I tried to account for this phenomenon by several theories: as, for example, that our new towns are unwholesome for age and kill it off unseasonably; or that our old men have a subtile sense of fitness, and die of their own accord rather than live in an unseemly contrast with youth and novelty but the secret may be, after all, that hair-dyes, false teeth, modern arts of dress, and other contrivances of a skin-deep youthfulness, have not crept into these antiquated English towns, and so people grow old without the weary necessity of seeming younger than they are.

After wandering through two or three streets, I found my way to Shakespeare's birthplace, which is almost a smaller and humbler house than any description can prepare the visitor to expect; so inevitably does an august inhabitant make his abode palatial to our imaginations, receiving his guests, indeed, in a castle in the air, until we unwisely insist on meeting him among the sordid lanes and alleys of lower earth. The portion of the edifice with which Shakespeare had anything to do is hardly large enough, in the basement, to contain the butcher's stall that one of his descendants kept, and that still remains there, windowless, with the cleaver-cuts in its hacked counter, which projects into the street under a little penthouse-roof, as if waiting for a new occupant.

The upper half of the door was open, and, on my rapping at it, a young person in black made her appearance and admitted me; she was not a menial, but remarkably genteel (an American characteristic) for an English girl, and was probably the daughter of the old gentlewoman who takes care of the house. This lower room has a pavement of gray slabs of stone, which may have been rudely squared when the house was new, but are now all cracked, broken, and disarranged in a most unaccountable way. One does not see how any ordinary usage, for whatever length of time, should have so smashed these heavy stones; it is as if an earthquake had burst up through the floor, which afterwards had been imperfectly trodden down again. The room is whitewashed and very clean, but wofully shabby and dingy, coarsely built, and such as the most poetical imagination would find it difficult to idealize. In the rear of this apartment is the kitchen, a still smaller room, of a similar rude aspect; it has a great, rough fireplace, with space for a large family under the blackened opening of the chimney, and an immense passageway for the smoke, through which Shakespeare may have seen the blue sky by day and the stars glimmering down at him by night. It is now a dreary spot where the long-extinguished embers used to be. A glowing fire, even if it covered only a quarter part of the hearth, might still do much towards making the old kitchen cheerful. But we get a depressing idea of the stifled, poor, sombre kind of life that could have been lived in such a dwelling, where this room seems to have been the gathering-place of the family, with no breadth or scope, no good retirement, but old and young huddling together cheek by jowl. What a hardy plant was Shakespeare's genius, how fatal its development, since it could not be blighted in such an atmosphere! It only brought human nature the closer to him, and put more unctuous earth about his roots.