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My Schools and Schoolmasters - or The Story of my Education.
by Hugh Miller
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I had, in truth, entered a school altogether new—at times, as I have just shown, a singularly noisy and uproarious one, for it was a school without master or monitor; but its occasional lessons were, notwithstanding, eminently worthy of being scanned. All know that there exists such a thing as professional character. On some men, indeed, nature imprints so strongly the stamp of individuality, that the feebler stamp of circumstance and position fails to impress them. Such cases, however, must always be regarded as exceptional. On the average masses of mankind, the special employments which they pursue, or the kinds of business which they transact, have the effect of moulding them into distinct classes, each of which bears an artificially induced character peculiarly its own. Clergymen, as such, differ from merchants and soldiers, and all three from lawyers and physicians. Each of these professions has long borne in our literature, and in common opinion, a character so clearly appreciable by the public generally, that, when truthfully reproduced in some new work of fiction, or exemplified by some transaction in real life, it is at once recognised as marked by the genuine class-traits and peculiarities. But the professional characteristics descend much lower in the scale than is usually supposed. There is scarce a trade or department of manual labour that does not induce its own set of peculiarities—peculiarities which, though less within the range of the observation of men in the habit of recording what they remark, are not less real than those of the man of physic or of law. The barber is as unlike the weaver, and the tailor as unlike both, as the farmer is unlike the soldier, or as either farmer or soldier is unlike the merchant, lawyer, or minister. And it is only on the same sort of principle that all men, when seen from the top of a lofty tower, whether they be tall or short, seem of the same stature, that these differences escape the notice of men in the higher walks.

Between the workmen that pass sedentary lives within doors, such as weavers and tailors, and those who labour in the open air, such as masons and ploughmen, there exists a grand generic difference. Sedentary mechanics are usually less contented than laborious ones; and as they almost always work in parties, and as their comparatively light, though often long and wearily-plied employments, do not so much strain their respiratory organs but that they can keep up an interchange of idea when at their toils, they are generally much better able to state their grievances, and much more fluent in speculating on their causes. They develop more freely than the laborious out-of-door workers of the country, and present, as a class, a more intelligent aspect. On the other hand, when the open-air worker does so overcome his difficulties as to get fairly developed, he is usually of a fresher or more vigorous type than the sedentary one. Burns, Hogg, Allan Cunningham, are the literary representatives of the order; and it will be found that they stand considerably in advance of the Thoms, Bloomfields, and Tannahills, that represent the sedentary workmen. The silent, solitary, hard-toiled men, if nature has put no better stuff in them than that of which stump-orators and Chartist lecturers are made, remain silent, repressed by their circumstances; but if of a higher grade, and if they once do get their mouths fairly opened, they speak with power, and bear with them into our literature the freshness of the green earth and the freedom of the open sky.

The specific peculiarities induced by particular professions are not less marked than the generic ones. How different, for instance, the character of a sedentary tailor, as such, from that of the equally sedentary barber! Two imperfectly-taught young lads, of not more than the average intellect, are apprenticed, the one to the hair-dresser, the other to the fashionable clothes-maker of a large village. The barber has to entertain his familiar round of customers, when operating upon their heads and beards. He must have no controversies with them; that might be disagreeable, and might affect his command of the scissors or razor; but he is expected to communicate to them all he knows of the gossip of the place; and as each customer supplies him with a little, he of course comes to know more than anybody else. And as his light and easy work lays no stress on his respiration, in course of time he learns to be a fast and fluent talker, with a great appetite for news, but little given to dispute. He acquires, too, if his round of customers be good, a courteous manner; and if they be in large proportion Conservatives, he becomes, in all probability, a Conservative too. The young tailor goes through an entirely different process. He learns to regard dress as the most important of all earthly things—becomes knowing in cuts and fashions—is taught to appreciate, in a way no other individual can, the aspect of a button, or the pattern of a vest; and as his work is cleanly, and does not soil his clothes, and as he can get them more cheaply, and more perfectly in the fashion, than other mechanics, the chances are ten to one that he turns out a beau. He becomes great in that which he regards as of all things greatest—dress. A young tailor may be known by the cut of his coat and the merits of his pantaloons, among all other workmen; and as even fine clothes are not enough of themselves, it is necessary that he should also have fine manners; and not having such advantages of seeing polite society as his neighbour the barber, his gentlemanly manners are always less fine than grotesque. Hence more ridicule of tailors among working men than of any other class of mechanics. And such—if nature has sent them from her hand ordinary men, for the extraordinary rise above all the modifying influences of profession—are the processes through which tailors and hair-dressers put on then distinctive characters as such. A village smith hears well-nigh as much gossip as a village barber; but he develops into an entirely different sort of man. He is not bound to please his customers by his talk; nor does his profession leave his breath free enough to talk fluently or much; and so he listens in grim and swarthy independence—strikes his iron while it is hot—and when, after thrusting it into the fire, he bends himself to the bellows, he drops, in rude phrase, a brief judicial remark, and again falls sturdily to work. Again, the shoemaker may be deemed, in the merely mechanical character of his profession, near of kin to the tailor. But such is not the case. He has to work amid paste, wax, oil, and blacking, and contracts a smell of leather. He cannot keep himself particularly clean; and although a nicely-finished shoe be all well enough in its way, there is not much about it on which conceit can build. No man can set up as a beau on the strength of a prettily-shaped shoe; and so a beau the shoemaker is not, but, on the contrary, a careless, manly fellow, who, when not overmuch devoted to Saint Monday, gains usually, in his course through life, a considerable amount of sense. Shoemakers are often in large proportions intelligent men; and Bloomfield, the poet, Gifford the critic and satirist, and Carey the missionary, must certainly be regarded as thoroughly respectable contributions from the profession, to the worlds of poetry, criticism, and religion.

The professional character of the mason varies a good deal in the several provinces of Scotland, according to the various circumstances in which he is placed. He is in general a blunt, manly, taciturn fellow, who, without much of the Radical or Chartist about him, especially if wages be good and employment abundant, rarely touches his hat to a gentleman. His employment is less purely mechanical than many others: he is not like a man ceaselessly engaged in pointing needles or fashioning pin-heads. On the contrary, every stone he lays or hews demands the exercise of a certain amount of judgment for itself; and so he cannot wholly suffer his mind to fall asleep over his work. When engaged, too, in erecting some fine building, he always experiences a degree of interest in marking the effect of the design developing itself piecemeal, and growing up under his hands; and so he rarely wearies of what he is doing. Further, his profession has this advantage, that it educates his sense of sight. Accustomed to ascertain the straightness of lines at a glance, and to cast his eye along plane walls, or the mouldings of entablatures or architraves, in order to determine the rectitude of the masonry, he acquires a sort of mathematical precision in determining the true bearings and position of objects, and is usually found, when admitted into a rifle club, to equal, without previous practice, its second-rate shots. He only falls short of its first-rate ones, because, uninitiated by the experience of his profession in the mystery of the parabolic curve, he fails, in taking aim, to make the proper allowance for it. The mason is almost always a silent man: the strain on his respiration is too great, when he is actively employed, to leave the necessary freedom to the organs of speech; and so at least the provincial builder or stone-cutter rarely or never becomes a democratic orator. I have met with exceptional cases in the larger towns; but they were the result of individual idiosyncrasies, developed in clubs and taverns, and were not professional.

It is, however, with the character of our north-country masons that I have at present chiefly to do. Living in small villages, or in cottages in the country, they can very rarely procure employment in the neighbourhood of their dwellings, and so they are usually content to regard these as simply their homes for the winter and earlier spring months, when they have nothing to do, and to remove for work to other parts of the country, where bridges, or harbours, or farm-steadings are in the course of building—to be subjected there to the influences of what is known as the barrack, or rather bothy life. These barracks or bothies are almost always of the most miserable description. I have lived in hovels that were invariably flooded in wet weather by the overflowings of neighbouring swamps, and through whose roofs I could tell the hour at night, by marking from my bed the stars that were passing over the openings along the ridge: I have resided in other dwellings of rather higher pretensions, in which I have been awakened during every heavier night-shower by the rain-drops splashing upon my face where I lay a-bed. I remember that Uncle James, in urging me not to become a mason, told me that a neighbouring laird, when asked why he left a crazy old building standing behind a group of neat modern offices, informed the querist that it was not altogether through bad taste the hovel was spared, but from the circumstance that he found it of great convenience every time his speculations brought a drove of pigs or a squad of masons the way. And my after experience showed me that the story might not be in the least apocryphal, and that masons had reason at times for not touching their hats to gentlemen.

In these barracks the food is of the plainest and coarsest description: oatmeal forms its staple, with milk, when milk can be had, which is not always; and as the men have to cook by turns, with only half an hour or so given them in which to light a fire, and prepare the meal for a dozen or twenty associates, the cooking is invariably an exceedingly rough and simple affair. I have known mason-parties engaged in the central Highlands in building bridges, not unfrequently reduced, by a tract of wet weather, that soaked their only fuel the turf, and rendered it incombustible, to the extremity of eating their oatmeal raw, and merely moistened by a little water, scooped by the hand from a neighbouring brook. I have oftener than once seen our own supply of salt fail us; and after relief had been afforded by a Highland smuggler—for there was much smuggling in salt in those days, ere the repeal of the duties—I have heard a complaint from a young fellow regarding the hardness of our fare, at once checked by a comrade's asking him whether he was not an ungrateful dog to grumble in that way, seeing that, after living on fresh poultices for a week, we had actually that morning got porridge with salt in it. One marked effect of the annual change which the north-country mason has to undergo, from a life of domestic comfort to a life of hardship in the bothy, if he has not passed middle life, is a great apparent increase in his animal spirits. At home he is in all probability a quiet, rather dull-looking personage, not much given to laugh or joke; whereas in the bothy, if the squad be a large one, he becomes wild, and a humorist—laughs much, and grows ingenious in playing off pranks on his fellows. As in all other communities, there are certain laws recognised in the barrack as useful for controlling at least its younger members, the apprentices; but in the general tone of merriment, even these lose their character, and, ceasing to be a terror to evildoers, become in the execution mere occasions of mirth. I never, in all my experience, saw a serious punishment inflicted. Shortly after our arrival at Conon-side, my master, chancing to remark that he had not wrought as a journeyman for twenty-five years before, was voted a "ramming," for taking, as was said, such high ground with his brother workmen; but, though sentence was immediately executed, they dealt gently with the old man, who had good sense enough to acquiesce in the whole as a joke. And yet, amid all this wild merriment and license, there was not a workman who did not regret the comforts of his quiet home, and long for the happiness which was, he felt, to be enjoyed only there. It has been long known that gaiety is not solid enjoyment; but that the gaiety should indicate little else than the want of solid enjoyment, is a circumstance not always suspected. My experience of barrack-life has enabled me to receive without hesitation what has been said of the occasional merriment of slaves in America and elsewhere, and fully to credit the often-repeated statement, that the abject serfs of despotic Governments laugh more than the subjects of a free country. Poor fellows! If the British people were as unhappy as slaves or serfs, they would, I daresay, learn in time to be quite as merry. There are, however, two circumstances that serve to prevent the bothy life of the north-country mason from essentially injuring his character in the way it almost never fails to injure that of the farm-servant. As he has to calculate on being part of every winter, and almost every spring, unemployed, he is compelled to practise a self-denying economy, the effect of which, when not carried to the extreme of a miserly narrowness, is always good; and Hallow-day returns him every season to the humanizing influences of his home.



CHAPTER X.

"The muse, nae poet ever fand her, Till by himsel' he learned to wander Adown some trottin' burn's meander, An' no think lang: Oh, sweet to muse, and pensive ponder A heartfelt sang!"—BURNS.

There are delightful walks in the immediate neighbourhood of Conon-side; and as the workmen—engaged, as I have said, on day's wages—immediately ceased working as the hour of six arrived, I had, during the summer months, from three to four hours to myself every evening, in which to enjoy them. The great hollow occupied by the waters of the Cromarty Firth divides into two valleys at its upper end, just where the sea ceases to flow. There is the valley of the Peffer, and the valley of the Conon; and a tract of broken hills lies between, formed of the Great Conglomerate base of the Old Red System. The conglomerate, always a picturesque deposit, terminates some four or five miles higher up the valley, in a range of rough precipices, as bold and abrupt, though they front the interior of the country, as if they formed the terminal barrier of some exposed sea-coast. A few straggling pines crest their summits; and the noble woods of Brahan Castle, the ancient seat of the Earls of Seaforth, sweep downwards from their base to the margin of the Conon. On our own side of the river, the more immature but fresh and thickly-clustered woods of Conon House rose along the banks; and I was delighted to find among them a ruinous chapel and ancient burying-ground, occupying, in a profoundly solitary corner, a little green hillock, once an island of the river, but now left dry by the gradual wear of the channel, and the consequent fall of the water to a lower level. A few broken walls rose on the highest peak of the eminence; the slope was occupied by the little mossy hillocks and sorely lichened tombstones that mark the ancient grave-yard; and among the tombs immediately beside the ruin there stood a rustic dial, with its iron gnomon worn to an oxydized film, and green with weather-stains and moss. And around this little lonely yard sprang the young wood, thick as a hedge, but just open enough towards the west to admit, in slant lines along the tombstones and the ruins, the red light of the setting sun.

I greatly enjoyed those evening walks. From Conon-side as a centre, a radius of six miles commands many objects of interest; Strathpeffer, with its mineral springs—Castle Leod, with its ancient trees, among the rest, one of the largest Spanish chestnuts in Scotland—Knockferrel, with its vitrified fort—the old tower of Fairburn—the old though somewhat modernized tower of Kinkell—the Brahan policies, with the old Castle of the Seaforths—the old Castle of Kilcoy—and the Druidic circles of the moor of Redcastle. In succession I visited them all, with many a sweet scene besides; but I found that my four hours, when the visit involved, as it sometimes did, twelve miles' walking, left me little enough time to examine and enjoy. A half-holiday every week would be a mighty boon to the working man who has acquired a taste for the quiet pleasures of intellect, and either cultivates an affection for natural objects, or, according to the antiquary, "loves to look upon what is old." My recollections of this rich tract of country, with its woods, and towers, and noble river, seem as if bathed in the red light of gorgeous sunsets. Its uneven plain of Old Red Sandstone leans, at a few miles' distance, against dark Highland hills of schistose gneiss, that, at the line where they join on to the green Lowlands, are low and tame, but sweep upwards into an alpine region, where the old Scandinavian flora of the country—that flora which alone flourished in the times of its boulder clay—still maintains its place against the Germanic invaders which cover the lower grounds, as the Celt of old used to maintain exactly the same ground against the Saxon. And at the top of a swelling moor, just beneath where the hills rise rugged and black, stands the pale tall tower of Fairburn, that, seen in the gloamin', as I have often seen it, seems a ghastly spectre of the past, looking from out its solitude at the changes of the present. The freebooter, its founder, had at first built it, for greater security, without a door, and used to climb into it through the window of an upper story by a ladder. But now unbroken peace brooded over its shattered ivy-bound walls, and ploughed fields crept up year by year along the moory slope on which it stood, until at length all became green, and the dark heath disappeared. There is a poetic age in the life of most individuals, as certainly as in the history of most nations; and a very happy age it is. I had now fully entered on it; and enjoyed in my lonely walks along the Conon, a happiness ample enough to compensate for many a long hour of toil, and many a privation. I have quoted, as the motto of this chapter, an exquisite verse from Burns. There is scarce another stanza in the wide round of British literature that so faithfully describes the mood which, regularly as the evening came, and after I had buried myself in the thick woods, or reached some bosky recess of the river bank, used to come stealing over me, and in which I have felt my heart and intellect as thoroughly in keeping with the scene and hour as the still woodland pool beside me, whose surface reflected in the calm every tree and rock that rose around it, and every hue of the heavens above. And yet the mood, though sweet, was also, as the poet expresses it, a pensive one: it was steeped in the happy melancholy sung so truthfully by an elder bard, who also must have entered deeply into the feeling.

"When I goe musing all alone, Thinking of divers things foreknowne— When I builde castles in the air, Voide of sorrow and voide of care, Pleasing myself with phantasms sweet— Methinks the time runs very fleet; All my joyes to this are follie;— None soe sweet as melanchollie.

"When to myself I sit and smile, With pleasing thoughts the time beguile, By a brook side or wood soe green, Unheard, unsought for, or unseen, A thousand pleasures doe me blesse, And crowne my soul with happiness All my joyes to this are follie;— None soe sweet as melanchollie."

When I remember how my happiness was enhanced by every little bird that burst out into sudden song among the trees, and then as suddenly became silent, or by every bright-scaled fish that went darting through the topaz-coloured depths of the water, or rose for a moment over its calm surface—how the blue sheets of hyacinths that carpeted the openings in the wood delighted me, and every golden-tinted cloud that gleamed over the setting sun, and threw its bright flush on the river, seemed to inform the heart of a heaven beyond—I marvel, in looking over the scraps of verse produced at the time, to find how little of the sentiment in which I so luxuriated, or of the nature which I so enjoyed, found their way into them. But what Wordsworth well terms "the accomplishment of verse," given to but few, is as distinct from the poetic faculty vouchsafed to many, as the ability of relishing exquisite music is distinct from the power of producing it. Nay, there are cases in which the "faculty" may be very high, and yet the "accomplishment" comparatively low, or altogether wanting. I have been told by the late Dr. Chalmers, whose Astronomical Discourses form one of the finest philosophical poems in any language, that he never succeeded in achieving a readable stanza; and Dr. Thomas Brown, whose metaphysics glow with poetry, might, though he produced whole volumes of verse, have said nearly the same thing of himself. But, like the Metaphysician, who would scarce have published his verses unless he had thought them good ones, my rhymes pleased me at this period, and for some time after, wonderfully well: they came to be so associated in my mind with the scenery amid which they were composed, and the mood which it rarely failed of inducing, that though they neither breathed the mood nor reflected the scenery, they always suggested both; on the principle, I suppose, that a pewter spoon, bearing the London stamp, suggested to a crew of poor weather-beaten sailors in one of the islands of the Pacific, their far-distant home and its enjoyments. One of the pieces suggested at this time I shall, however, venture on submitting to the reader. The few simple thoughts which it embodies arose in the solitary churchyard among the woods, beside the aged, lichen-incrusted dial-stone.

ON SEEING A SUN-DIAL IN A CHURCHYARD

Grey dial-stone, I fain would know What motive placed thee here, Where darkly opes the frequent grave, And rests the frequent bier. Ah! bootless creeps the dusky shade, Slow o'er thy figured plain: When mortal life has passed away, Time counts his hours in vain.

As sweeps the clouds o'er ocean's breast, When shrieks the wintry wind. So doubtful thoughts, grey dial-stone, Come sweeping o'er my mind. I think of what could place thee here, Of those beneath thee laid, And ponder if thou wert not raised In mockery o'er the dead.

Nay, man, when on life's stage they fret. May mock his fellow-men! In sooth, their soberest freaks afford Rare food for mockery then. But ah! when passed their brief sojourn— When Heaven's dread doom is said— Beats there the human heart could pour Like mockeries o'er the dead?

The fiend unblest, who still to harm Directs his felon power, May ope the book of grace to him Whose day of grace is o'er; But never sure could mortal man, Whate'er his age or clime, Thus raise in mockery o'er the dead, The stone that measures time.

Grey dial-stone, I fain would know What motive placed thee here, Where sadness heaves the frequent sigh, And drops the frequent tear. Like thy carved plain, grey dial-stone, Grief's weary mourners be: Dark sorrow metes out time to them— Dark shade marks time on thee.

I know it now: wert thou not placed To catch the eye of him To whom, through glistening tears, earth's gauds Worthless appear, and dim? We think of time when time has fled, The friend our tears deplore; The God whom pride-swollen hearts deny, Grief-humbled hearts adore.

Grey stone, o'er thee the lazy night Passes untold away; Nor were it thine at noon to teach If failed the solar ray. In death's dark night, grey dial-stone, Cease all the works of men; In life, if Heaven withhold its aid, Bootless these works and vain.

Grey dial-stone, while yet thy shade Points out those hours are mine— While yet at early morn I rise— And rest at day's decline— Would that the SUN that formed thine, His bright rays beamed on me, That I, wise for the final day, Might measure time, like thee!

These were happy evenings—all the more happy from the circumstance that I was still in heart and appetite a boy, and could relish as much as ever, when their season came on, the wild raspberries of the Conon woods—a very abundant fruit in that part of the country—and climb as lightly as ever, to strip the guean-trees of their wild cherries. When the river was low, I used to wade into its fords in quest of its pearl muscles (Unio Margaritiferus); and, though not very successful in my pearl-fishing, it was at least something to see how thickly the individuals of this greatest of British fresh-water molluscs lay scattered among the pebbles of the fords, or to mark them creeping slowly along the bottom—when, in consequence of prolonged droughts, the current had so moderated that they were in no danger of being swept away—each on its large white foot, with its valves elevated over its back, like the carpace of some tall tortoise. I found occasion at this time to conclude, that the Unio of our river-fords secretes pearls so much more frequently than the Unionidae and Anadonta of our still pools and lakes, not from any specific peculiarity in the constitution of the creature, but from the effects of the habitat which it is its nature to choose. It receives in the fords and shallows of a rapid river many a rough blow from sticks and pebbles carried down in times of flood, and occasionally from the feet of the men and animals that cross the stream during droughts; and the blows induce the morbid secretions of which pearls are the result. There seems to exist no inherent cause why Anadon Cygnea, with its beautiful silvery nacre—as bright often, and always more delicate than that of Unio Margaritiferus—should not be equally productive of pearls; but, secure from violence in its still pools and lakes, and unexposed to the circumstances that provoke abnormal secretions, it does not produce a single pearl for every hundred that are ripened into value and beauty by the exposed current-tossed Unionidae of our rapid mountain rivers. Would that hardship and suffering bore always in a creature of a greatly higher family similar results, and that the hard buffets dealt him by fortune in the rough stream of life could be transmuted, by some blessed internal predisposition of his nature, into pearls of great price.

It formed one of my standing enjoyments at this time to bathe, as the sun was sinking behind the woods, in the deeper pools of the Conon—a pleasure which, like all the more exciting pleasures of youth, bordered on terror. Like that of the poet, when he "wantoned with the breakers," and the "freshening sea made them a terror," "'twas a pleasing fear." But it was not current nor freshening eddy that rendered it such: I had acquired, long before, a complete mastery over all my motions in the water, and, setting out from the shores of the Bay of Cromarty, have swam round vessels in the roadstead, when, among the many boys of a seaport town, not more than one or two would venture to accompany me; but the poetic age is ever a credulous one, as certainly in individuals as in nations: the old fears of the supernatural may be modified and etherealized, but they continue to influence it; and at this period the Conon still took its place among the haunted streams of Scotland. There was not a river in the Highlands that used, ere the erection of the stately bridge in our neighbourhood, to sport more wantonly with human life—an evidence, the ethnographer might perhaps say, of its purely Celtic origin; and as Superstition has her figures as certainly as Poesy, the perils of a wild mountain-born stream, flowing between thinly-inhabited banks, were personified in the beliefs of the people by a frightful goblin, that took a malignant delight in luring into its pools, or overpowering in its fords, the benighted traveller. Its goblin, the "water-wraith," used to appear as a tall woman dressed in green, but distinguished chiefly by her withered, meagre countenance, ever distorted by a malignant scowl. I knew all the various fords—always dangerous ones—where of old she used to start, it was said, out of the river, before the terrified traveller, to point at him, as in derision, with her skinny finger, or to beckon him invitingly on; and I was shown the very tree to which a poor Highlander had clung, when, in crossing the river by night, he was seized by the goblin, and from which, despite of his utmost exertions, though assisted by a young lad, his companion, he was dragged into the middle of the current, where he perished. And when, in swimming at sunset over some dark pool, where the eye failed to mark or the foot to sound the distant bottom, the twig of some sunken bush or tree has struck against me as I passed, I have felt, with sudden start, as if touched by the cold, bloodless fingers of the goblin.

The old chapel among the woods formed the scene, says tradition, of an incident similar to that which Sir Walter Scott relates in his "Heart of Mid-Lothian," when borrowing, as the motto of the chapter in which he describes the preparations for the execution of Porteous, from an author rarely quoted—the Kelpie. "The hour's come," so runs the extract, "but not the man;"—nearly the same words which the same author employs in his "Guy Mannering," in the cave scene between Meg Merrilies and Dirk Hatteraick. "There is a tradition," he adds in the accompanying note, "that while a little stream was swollen into a torrent by recent showers, the discontented voice of the water-spirit was heard to pronounce these words. At the same moment, a man urged on by his fate, or, in Scottish language, fey, arrived at a gallop, and prepared to cross the water. No remonstrance from the bystanders was of power to stop him: he plunged into the stream, and perished." So far Sir Walter. The Ross-shire story is fuller, and somewhat different in its details. On a field in the near neighbourhood of the chapel, now laid out into the gardens of Conon House, there was a party of Highlanders engaged in an autumnal day at noon, some two or three centuries ago, in cutting down their corn, when the boding voice of the wraith was heard rising from the Conon beneath—"The hour's come, but not the man." Immediately after, a courier on horseback was seen spurring down the hill in hot haste, making directly for what is known as a "fause ford," that lies across the stream just opposite the old building, in the form of a rippling bar, which, indicating apparently, though very falsely, little depth of water, is flanked by a deep black pool above and below. The Highlanders sprang forward to warn him of his danger, and keep him back; but he was unbelieving and in haste, and rode express, he said, on business that would brook no delay; and as for the "fause ford," if it could not be ridden, it could be swam; and, whether by riding or swimming, he was resolved on getting across. Determined, however, on saving him in his own despite, the Highlanders forced him from his horse, and, thrusting him into the little chapel, locked him in; and then, throwing open the door when the fatal hour had passed, they called to him that he might now pursue his journey. But there was no reply, and no one came forth; and on going in they found him lying cold and stiff, with his face buried in the water of a small stone font. He had fallen, apparently, in a fit, athwart the wall; and his predestined hour having come, he was suffocated by the few pints of water in the projecting font. At this time the stone font of the tradition—a rude trough, little more than a foot in diameter either way—was still to be seen among the ruins; and, like the veritable cannon in the Castle of Udolpho, beside which, according to Annette, the ghost used to take its stand, it imparted by its solid reality a degree of authenticity to the story in this part of the country, which, if unfurnished with a "local habitation," as in Sir Walter's note, it would have wanted. Such was one of the many stories of the Conon with which I became acquainted at a time when the beliefs they exemplified were by no means quite dead, and of which I could think as tolerably serious realities, when, lying a-bed all alone at midnight, the solitary inmate of a dreary barrack, listening to the roar of the Conon.

Besides the long evenings, we had an hour to breakfast, and another to dinner. Much of the breakfast hour was spent in cooking our food; but as a bit of oaten cake and a draught of milk usually served us for the mid-day meal, the greater part of the hour assigned to it was available for purposes of rest or amusement. And when the day was fine, I used to spend it by the side of a mossy stream, within a few minutes' walk of the work-shed, or in a neighbouring planting, beside a little irregular lochan, fringed round with flags and rushes. The mossy stream, black in its deeper pools, as if it were a rivulet of tar, contained a good many trout, which had acquired a hue nearly as deep as its own, and formed the very negroes of their race. They were usually of small size—for the stream itself was small; and, though little countries sometimes produce great men, little streams rarely produce great fish. But on one occasion, towards the close of autumn, when a party of the younger workmen set themselves, in a frolic, to sweep it with torch and spear, they succeeded in capturing, in a dark alder-o'ershaded pool, a monstrous individual, nearly three feet in length, and proportionally bulky, with a snout bent over the lower jaw at its symphysis, like the beak of a hawk, and as deeply tinged (though with more of brown in its complexion) as the blackest coal-fish I ever saw. It must have been a bull-trout, a visitor from the neighbouring river; but we all concluded at the time, from the extreme dinginess of its coat, that it had lived for years in its dark pool, a hermit apart from its fellows. I am not now, however, altogether certain that the inference was a sound one. Some fishes, like some men, have a wonderful ability of assuming the colours that best suit their interests for the time. I have been unable to determine whether the trout be one of these conformists; but it used to strike me at this period as at least curious, that the fishes in even the lower reaches of the dark little rivulet should differ so entirely in hue from those of the greatly clearer Conon, into which its peaty waters fall, and whose scaly denizens are of silvery brightness. No fish seems to possess a more complete power over its dingy coat than a very abundant one in the estuary of the Conon—the common flounder. Standing on the bank, I have startled these creatures from off the patch of bottom on which they lay—visible to only a very sharp eye—by pitching a very small pebble right over them. Was the patch a pale one—for a minute or so they carried its pale colour along with them into some darker tract, where they remained distinctly visible from the contrast, until, gradually acquiring the deeper hue, they again became inconspicuous. But if startled back to the same pale patch from which they had set out, I have then seen them visible for a minute or so, from their over-dark tint, until, gradually losing it in turn, they paled down, as at first, to the colour of the lighter ground. An old Highlander, whose suit of tartan conformed to the general hue of the heather, was invisible at a little distance, when traversing a moor, but came full into view in crossing a green field or meadow: the suit given by nature to the flounder, tinted apparently on the same principle of concealment, exhibits a degree of adaptation to its varying circumstances, which the tartan wanted. And it is certainly curious enough to find, in one of our commonest fishes, a property which used to be regarded as one of the standing marvels of the zoology of those remote countries of which the chameleon is a native.

The pond in the piece of planting, though as unsightly a little patch of water as might be, was, I found, a greatly richer study than the dark rivulet. Mean and small as it was—not larger in area inside its fringe of rushes than a fashionable drawing-room—its natural history would have formed an interesting volume; and many a half-hour have I spent beside it in the heat of the day, watching its numerous inhabitants—insect, reptilian, and vermiferous. There were two—apparently three—different species of libellula that used to come and deposit their eggs in it—one of the two, that large kind of dragon-fly (Eshna grandis), scarce smaller than one's middle-finger—which is so beautifully coloured black and yellow, as if adorned by the same taste one sees displayed in the chariots and liveries of the fashionable world. The other fly was a greatly more slender and smaller species or genus, rather Agrion; and it seemed two, not one, from the circumstance, that about one-half the individuals were beautifully variegated black and sky-blue, the other half black and bright crimson. But the peculiarity was merely a sexual one: as if in illustration of those fine analogies with which all nature is charged, the sexes put on the complementary colours, and are mutually fascinating, not by resembling, but by corresponding to, each other. I learned in time to distinguish the disagreeable-looking larvae of these flies, both larger and smaller, with their six hairy legs, and their grotesque formidable vizors, and found that they were the very pirates of the water, as the splendid insects into which they were ultimately developed were the very tyrants of the lower air. It was strange to see the beautiful winged creature that sprang out of the pupa into which the repulsive-looking pirate had been transformed, launch forth into its new element, changed in everything save its nature, but still unchanged in that, and rendering itself as formidable to the moth and the butterfly as it had been before to the newt and the tadpole. There is, I daresay, an analogy here also. It is in the first state of our own species, as certainly as in that of the dragon-fly, that the character is fixed. Further, I used to experience much interest in watching the progress of the frog, in its earlier stages from the egg to the fish; then from the fish to the reptile fish, with its fringed tail, and ventral and pectoral limbs; and, last of all, from the reptile fish to the complete reptile. I had not yet learned—nor was it anywhere known at the time—that the history of the individual frog, through these successive transformations, is a history in small of the animal creation itself in its earlier stages—that in order of time the egg-like mollusc had taken precedence of the fish, and the fish of the reptile; and that an intermediate order of creatures had once abounded, in which, as in the half-developed frog, the natures of both fish and reptile were united. But, though unacquainted with this strange analogy, the transformations were of themselves wonderful enough to fill for a time my whole mind. I remember being struck one afternoon, after spending my customary spare half hour beside the pond, and marking the peculiar style of colouring in the yellow and black libellulidae in the common wasp, and in a yellow and black species of ichneumon fly, to detect in some half-dozen gentlemen's carriages that were standing opposite our work-shed—for the good old knight of Conon House had a dinner-party that evening—exactly the same style of ornamental colouring. The greater number of the vehicles were yellow and black—just as these were the prevailing colours among the wasps and libellulidae; but there was a slight admixture of other colours among them too: there was at least one that was black and green, or black and blue, I forget which; and another black and brown. And so it was among the insects also: the same sort of taste, both in colour and the arrangements of colour, and even in the proportions of the various colours, seemed to have regulated the style of ornament manifested in the carriages of the dinner party, and of the insect visitors of the pond. Further, I thought I could detect a considerable degree of resemblance in form between a chariot and an insect. There was a great abdominal body separated by a narrow isthmus from a thoracic coach-box, where the directing power was stationed; while the wheels, poles, springs, and general framework on which the vehicle rested, corresponded to the wings, limbs, and antennae of the insect. There was at least sufficient resemblance of form to justify resemblance of colour; and here was the actual resemblance of colour which the resemblance of form justified. I remember that, in musing over the coincidence, I learned to suspect, for the first time, that it might be no mere coincidence after all; and that the fact embodied in the remarkable text which informs us that the Creator made man in his own image, might in reality lie at its foundation as the proper solution. Man, spurred by his necessities, has discovered for himself mechanical contrivances, which he has afterwards found anticipated as contrivances of the Divine Mind, in some organism, animal or vegetable. In the same way his sense of beauty in form or colour originates some pleasing combination of lines or tints; and then he discovers that it also has been anticipated. He gets his chariot tastefully painted black and yellow, and lo! the wasp that settles on its wheel, or the dragon-fly that darts over it, he finds painted in exactly the same style. His neighbour, indulging in a different taste, gets his vehicle painted black and blue, and lo! some lesser libellula or ichneumon fly comes whizzing past, to justify his style of ornament also, but at the same time to show that it, too, had existed ages before.

The evenings gradually closed in as the season waned—at first abridging, and at length wholly interdicting, my evening walks; and having no other place to which to retire, save the dark, gousty hay-loft into which a light was never admitted, I had to seek the shelter of the barrack, and succeeded usually in finding a seat within at least sight of the fire. The place was greatly over-crowded; and, as in all over-large companies, it had commonly its four or five groups of talkers; each group furnished with a topic of its own. The elderly men spoke about the state of the markets, and speculated, in especial, on the price of oatmeal; the apprentices talked about lasses; while knots of intermediate age discussed occasionally both markets and lasses too, or spoke of old companions, their peculiarities and history, or expatiated on the adventures of former work seasons, and the characters of the neighbouring lairds. Politics proper I never heard. During the whole season a newspaper never once entered the barrack door. At times a song or story secured the attention of the whole barrack; and there was in especial one story-teller whose powers of commanding attention were very great. He was a middle-aged Highlander, not very skilful as a workman, and but indifferently provided with English; and as there usually attaches a nickname to persons in the humbler walks that are marked by any eccentricity of character, he was better known among his brother workmen as Jock Mo-ghoal, i.e. John my Darling, than by his proper name. Of all Jock Mo-ghoal's stories Jock Mo-ghoal was himself the hero; and certainly most wonderful was the invention of the man. As recorded in his narratives, his life was one long epic poem, filled with strange and startling adventure, and furnished with an extraordinary machinery of the wild and supernatural; and though all knew that Jock made imagination supply, in his histories, the place of memory, not even Ulysses or AEneas—men who, unless very much indebted to their poets, must have been of a similar turn—could have attracted more notice at the courts of Alcinuous or Dido, than Jock in the barrack. The workmen used, on the mornings after big greater narratives, to look one another full in the face, and ask, with a smile rather incipient than fully manifest, whether "Jock wasna perfectly wonderfu' last nicht?"

He had several times visited the south of Scotland, as one of a band of Highland reapers, for employment in his proper profession very often failed poor Jock; and these journeys formed the grand occasions of his adventures. One of his narratives commenced, I remember, with a frightful midnight scene in a solitary churchyard. Jock had lost his way in the darkness; and, after stumbling among burial-mounds and tombstones, he had toppled into an open grave, which was of a depth so profound, that for some time he failed to escape from it, and merely pulled down upon himself, in his attempts to climb its loose sides, musty skulls, and great thigh-bones, and pieces of decayed coffins. At length, however, he did succeed in getting out, just as a party of unscrupulous resurrectionists were in the act of entering the burying-ground; and they, naturally enough preferring an undecayed subject that had the life in it to preserve it fresh, to dead corpses the worse for the keeping, gave him chase; and it was with the extremest difficulty that, after scudding over wild moors and through dark woods, he at length escaped them by derning himself in a fox-earth. The season of autumnal labour over, he visited Edinburgh on his way north; and was passing along the High Street, when, seeing a Highland girl on the opposite side with whom he was intimate, and whom he afterwards married, he strode across to address her, and a chariot coming whirling along the street at the time at full speed, he was struck by the pole and knocked down. The blow had taken him full on the chest; but though the bone seemed injured, and the integuments became frightfully swollen and livid, he was able to get up; and, on asking to be shown the way to a surgeon's shop, his acquaintance the girl brought him to an under-ground room in one of the narrow lanes off the street, which, save for the light of a great fire, would have been pitch dark at mid-day, and in which he found a little wrinkled old woman, as yellow as the smoke that filled the apartment. "Choose," said the hag, as she looked at the injured part, "one of two things—a cure slow but sure, or sudden but imperfect. Or shall I put back the hurt altogether till you get home?" "That, that," said Jock; "if I were ance home I could bear it well enouch." The hag began to pass her hand over the injured part, and to mutter under her breath some potent charm; and as she muttered and manipulated, the swelling gradually subsided, and the livid tints blanched, till at length nought remained to tell of the recent accident save a pale spot in the middle of the breast, surrounded by a thread-like circle of blue. And now, she said, you are well for three weeks; but be prepared for the fourth. Jock prosecuted his northward journey, and encountered the usual amount of adventure by the way. He was attacked by robbers, but, assistance coming up, he succeeded in beating them off. He lost his way in a thick mist, but found shelter, after many hours' wandering far among the hills, in a deserted shepherd's shielin'. He was nearly buried in a sudden snow-storm that broke out by night, but, getting into the middle of a cooped-up flock of sheep, they kept him warm and comfortable amid the vast drift-wreaths, till the light of morning enabled him to prosecute his journey. At length he reached home, and was prosecuting his ordinary avocations, when the third week came to a close; and he was on a lonely moor at the very hour he had met with the accident on the High Street, when he suddenly heard the distant rattle of a chariot, though not a shadow of the vehicle was to be seen; the sounds came bearing down upon him, heightening as they approached, and, when at the loudest, a violent blow on the breast prostrated him on the moor. The stroke of the High Street "had come back," just as the wise woman had said it would, though with accompaniments that Jock had not anticipated. It was with difficulty he reached his cottage that evening; and there elapsed fully six weeks ere he was able to quit it again. Such, in its outlines, was one of the marvellous narratives of Jock Mo-ghoal. He belonged to a curious class, known by specimen, in, I suppose, almost every locality, especially in the more primitive ones—for the smart ridicule common in the artificial states of society greatly stunt their growth; and in our literature—as represented by the Bobadils, Young Wildings, Caleb Balderstons, and Baron Munchausens—they hold a prominent place. The class is to be found of very general development among the vagabond tribes. I have listened to wonderful personal narratives that had not a word of truth in them, "from gipsies brown in summer glades that bask," as I took my seat beside their fire, in a wild rock-cave in the neighbourhood of Rosemarkie, or at a later period in the cave of Marcus; and in getting into conversation with individuals of the more thoroughly lapsed classes of our large towns, I have found that a faculty of extemporary fabrication was almost the only one which I could calculate on finding among them in a state of vigorous activity. That in some cases the propensity should be found co-existing with superior calibre and acquirement, and with even a sense of honour by no means very obtuse, must be regarded as one of the strange anomalies which so often surprise and perplex the student of human character. As a misdirected toe-nail, injured by pressure, sometimes turns round, and, re-entering the flesh, vexes it into a sore, it would seem as if that noble inventive faculty to which we owe the parable and the epic poem, were liable, when constrained by self-love, to similar misdirections; and certainly, when turned inwards upon its possessor, the moral character festers or grows callous around it.

There was no one in the barrack with whom I cared much to converse, or who, in turn, cared much to converse with me; and so I learned, on the occasions when the company got dull, and broke up into groups, to retire to the hay-loft where I slept, and pass there whole hours seated on my chest. The loft was a vast apartment, some fifty or sixty feet in length, with its naked rafters raised little more than a man's height over the floor; but in the starlit nights, when the openings in the wall assumed the character of square patches of darkness-visible stamped upon utter darkness, it looked quite as well as any other unlighted place that could not be seen; and in nights brightened by the moon, the pale beams, which found access at openings and crevices, rendered its wide area quite picturesque enough for ghosts to walk in. But I never saw any; and the only sounds I heard were those made by the horses in the stable below, champing and snorting over their food. They were, I doubt not, happy enough in their dark stalls, because they were horses, and had plenty to eat; and I was at times quite happy enough in the dark loft above, because I was a man, and could think and imagine. It is, I believe, Addison who remarks, that if all the thoughts which pass through men's minds were to be made public, the great difference which seems to exist between the thinking of the wise and of the unwise would be a good deal reduced; seeing that it is a difference which does not consist in their not having the same weak thoughts in common, but merely in the prudence through which the wise suppress their foolish ones. I still possess notes of the cogitations of these solitary evenings, ample enough to show that they were extraordinary combinations of the false and the true; but I at the same time hold them sufficiently in memory to remember, that I scarce, if at all, distinguished between what was false and true in them at the time. The literature of almost every people has a corresponding early stage, in which fresh thinking is mingled with little conceits, and in which the taste is usually false, but the feeling true.

Let me present my young readers, from my notes, with the variously compounded cogitations of one of these quiet evenings. What formed so long ago one of my exercises may now form one of theirs, if they but set themselves to separate the solid from the unsolid thinking contained in my abstract.

MUSINGS.

"I stood last summer on the summit of Tor-Achilty [a pyramidal hill about six miles from Conon side], and occupied, when there, the centre of a wide circle, about fifty miles in diameter. I can still call up its rough-edged sea of hills, with the clear blue firmament arching over, and the slant rays of the setting sun gleaming athwart. Yes, over that circular field, fifty miles across, the firmament closed all around at the horizon, as a watch-glass closes round the dial-plate of the watch. Sky and earth seemed co-extensive; and yet how incalculably vast their difference of area! Thousands of systems seemed but commensurate, to the eye, with a small district of earth fifty miles each way. But capacious as the human imagination has been deemed, can it conceive of an area of wider field? Mine cannot. My mind cannot take in more at a glance, if I may so speak, than is taken in by the eye. I cannot conceive of a wider area than that which the sight commands from the summit of a lofty eminence. I can pass in imagination through many such areas. I can add field to field ad infinitum; and thus conceive of infinite space, by conceiving of a space which can be infinitely added to; but all of space that I can take in at one process, is an area commensurate with that embraced at a glance by the eye. How, then, have I my conception of the earth as a whole—of the solar system as a whole—nay, of many systems as a whole? Just as I have my conceptions of a school-globe or of an Orrery—by diminution. It is through the diminution induced by distance that the sidereal heavens only co-extend, as seen from the top of Tor-Achilty, with a portion of the counties of Ross and Inverness. The apparent area is the same, but the colouring is different. Our ideas of greatness, then, are much less dependent on actual area than on what painters term aerial perspective. The dimness of distance, and the diminution of parts, are essential to right conceptions of great magnitude.

"Of the various figures presented to me here, I seize strong hold of but one. I brood over the picture of the solar system conjured up. I conceive of the satellites as light shallops that continually sail round heavier vessels, and consider how much more of space they must traverse than the orbs to which they are attached. The entire system is presented to me as an Orrery of the apparent size of the area of landscape seen from the hill-top; but dimness and darkness prevent the diminution from communicating that appearance of littleness to the whole which would attach to it, were it, like an actual Orrery, sharply defined and clear. As the picture rises before me, the entire system seems to possess, what I suspect it wants, its atmosphere like that of the earth, which reflects the light of the sun in the different degrees of excessive brightness—noon-tide splendour, the fainter shades of evening, and grey twilight obscurity. This veil of light is thickest towards the centre of the system; for when the glance rests on its edges, the suns of other systems may be seen peeping through. I see Mercury sparkling to the sun, with its oceans of molten glass, and its fountains of liquid gold. I see the ice-mountains of Saturn, hoar through the twilight. I behold the earth rolling upon itself, from darkness to light, and from light to darkness. I see the clouds of winter settling over one part of it, with the nether mantle of snow shining through them; I see in another a brown, dusky waste of sand lighted up by the glow of summer. One ocean appears smooth as a mirror—another is black with tempest. I see the pyramid of shade which each of the planets casts from its darkened side into the space behind; and I perceive the stars twinkling through each opening, as through the angular doors of a pavilion.

"Such is the scene seen at right angles with the plane in which the planets move; but what would be its aspect if I saw it in the line of the plane? What would be its appearance if I saw it edgewise? There arises in my mind one of those uncertainties which so frequently convince me that I am ignorant. I cannot complete my picture, for I do not know whether all the planets move in one plane. How determine the point? A ray of light breaks in. Huzza! I have found it. If the courses of the planets as seen in the heavens form parallel lines, then must they all move in one plane; and vice versa. But hold! That would be as seen from the sun—if the planets could be seen from the sun. The earth is but one of their own number, and from it the point of view must be disadvantageous. The diurnal motion must perplex. But no. The apparent motion of the heavens need not disturb the observation. Let the course of the planets through the fixed stars, be marked, and though, from the peculiarity of the point of observation, their motion may at one time seem more rapid, and at another more slow, yet, if their plane be, as a workman would say, out of twist, their lines will seem parallel. Still in some doubt, however: I long for a glance at an Orrery, to determine the point; and then I remember that Ferguson, an untaught man like myself, had made more Orreries than any one else, and that mechanical contrivances of the kind were the natural recourse of a man unskilled in the higher geometry. But it would be better to be a mathematician than skilful in contriving Orreries. A man of the Newtonian cast of mind, and accomplished in the Newtonian learning, could solve the problem where I sat, without an Orrery.

"From the thing contemplated, I pass to the consideration of the mind that contemplates. Oh! that wonderful Newton, respecting whom the Frenchman inquired whether he ate and slept like other men! I consider how one mind excels another; nay, how one man excels a thousand; and, by way of illustration, I bethink me of the mode of valuing diamonds. A single diamond that weighs fifty carats is deemed more valuable than two thousand diamonds, each of which only weighs one. My illustration refers exclusively to the native powers; but may it not, I ask, bear also on the acquisition of knowledge? Every new idea added to the stock already collected is a carat added to the diamond; for it is not only valuable in itself, but it also increases the value of all the others, by giving to each of them a new link of association.

"The thought links itself on to another, mayhap less sound:—Do not the minds of men of exalted genius, such as Homer, Milton, Shakspere, seem to partake of some of the qualities of infinitude? Add a great many bricks together, and they form a pyramid as huge as the peak of Teneriffe. Add all the common minds together that the world ever produced, and the mind of a Shakspere towers over the whole, in all the grandeur of unapproachable infinity. That which is infinite admits of neither increase nor diminution. Is it not so with genius of a certain altitude? Homer, Milton, Shakspere, were perhaps men of equal powers. Homer was, it is said, a beggar; Shakspere an illiterate wool-comber; Milton skilled in all human learning. But they have all risen to an equal height. Learning has added nothing to the illimitable genius of the one; nor has the want of it detracted from the infinite powers of the others. But it is time that I go and prepare supper."

I visited the policies of Conon House a full quarter of a century after this time—walked round the kiln, once our barrack—scaled the outside stone-stair of the hay-loft, to stand for half a minute on the spot where I used to spend whole hours seated on my chest, so long before; and then enjoyed a quiet stroll among the woods of the Conon. The river was big in flood: it was exactly such a river Conon as I had lost sight of in the winter of 1821, and eddied past dark and heavy, sweeping over bulwark and bank. The low-stemmed alders that rose on islet and mound seemed shorn of half their trunks in the tide; here and there an elastic branch bent to the current, and rose and bent again; and now a tuft of withered heath came floating down, and now a soiled wreath of foam. How vividly the past rose up before me!—boyish day-dreams, forgotten for twenty years—the fossils of an early formation of mind, produced at a period when the atmosphere of feeling was warmer than now, and the immaturities of the mental kingdom grew rank and large, like the ancient cryptogamia, and bore no specific resemblance to the productions of a riper time. The season I had passed in the neighbourhood so long before—the first I had anywhere spent among strangers—belonged to an age when home is not a country, nor a province even, but simply a little spot of earth, inhabited by friends and relatives; and the verses, long forgotten, in which my joy had found vent when on the eve of returning to that home, came chiming as freshly into my memory as if scarce a month had passed since I had composed them beside the Conon. Here they are, with all the green juvenility of the home-sickness still about them—a true petrifaction of an extinct feeling:—

TO THE CONON.

Conon, fair flowed thy mountain stream, Through blossom'd heath and ripening field. When, shrunk by summer's fervid beam, Thy peaceful waves I first beheld. Calmly they swept thy winding shore. When harvest's mirthful feast was nigh— When, breeze-borne, with thy hoarser roar Came mingling sweet the reapers' cry.

But now I mark thy angry wave Rush headlong to the stormy sea; Wildly the blasts of winter rave, Sad rustling through the leafless tree Loose on its spray the alder leaf Hangs wavering, trembling, sear and brow And dark thy eddies whirl beneath, And white thy foam comes floating down.

Thy banks with withered shrubs are spread; Thy fields confess stern winter's reign; And gleams yon thorn with berries red, Like banner on a ravaged plain. Hark! ceaseless groans the leafless wood; Hark! ceaseless roars thy stream below Ben-Vaichard's peaks are dark with cloud Ben-Weavis' crest is white with snow.

And yet, though red thy stream comes down Though bleak th' encircling hills appear— Though field be bare, and forest brown, And winter rule the waning year— Unmoved I see each charm decay, Unmourn'd the sweets of autumn die; And fading flower and leafless spray Court all in vain the thoughtful sigh.

Not that dull grief delights to see Vex'd Nature wear a kindred gloom; Not that she smiled in vain to me, When gaily prank'd in summer's bloom Nay, much I loved, at even-tide, Through Brahan's lonely woods to stray. To mark thy peaceful billows glide, And watch the sun's declining ray.

But yet, though roll'd thy billows fair As e'er roll'd those of classic stream— Though green thy woods, now dark and bare, Bask'd beauteous in the western beam; To mark a scene that childhood loved, The anxious eye was turned in vain; Nor could I find the friend approved, That shared my joy or soothed my pain.

Now winter reigns: these hills no more Shall sternly bound my anxious view Soon, bent my course to Croma's shore, Shall I yon winding path pursue. Fairer than here gay summer's glow To me there wintry storms shall seem Then blow, ye bitter breezes, blow, And lash the Conon's mountain stream.



CHAPTER XI.

"The bounding pulse, the languid limb The changing spirit's rise and fall— We know that these were felt by him, For these are felt by all."—MONTGOMERY.

The apprenticeship of my friend William Ross had expired during the working season of this year, when I was engaged at Conon-side; and he was now living in his mother's cottage in the parish of Nigg, on the Ross-shire side of the Cromarty Firth. And so, with the sea between us, we could no longer meet every evening as before, or take long night-walks among the woods. I crossed the Firth, however, and spent one happy day in his society, in a little, low-roofed domicile, with a furze-roughened ravine on the one side, and a dark fir-wood on the other; and which, though picturesque and interesting as a cottage, must, I fear, have been a very uncomfortable home. His father, whom I had not before seen, was sitting beside the fire as I entered. In all except expression he was wonderfully like my friend; and yet he was one of the most vapid men I ever knew—a man literally without an idea, and almost without a recollection or a fact. And my friend's mother, though she showed a certain kindliness of disposition which her husband wanted, was loquacious and weak. Had my quondam acquaintance, the vigorous-minded maniac of Ord, seen William and his parents, she would have triumphantly referred to them in evidence that Flavel and the Schoolmen were wholly in the right in holding that souls are not "derived through parental traduction."

My friend had much to show me: he had made an interesting series of water-colour sketches of the old castles of the neighbourhood, and a very elaborate set of drawings of what are known as the Runic obelisks of Ross: he had made some first attempts, too, in oil-painting; but though his drawing was, as usual, correct, there was a deadness and want of transparency about his colouring, which characterized all his after attempts in the same department, and which was, I suspect, the result of some such deficiency in his perceptions of the harmonies of colour as that which, in another department of sense, made me so insensible to the harmonies of sound. His drawings of the obelisks were of singular interest. Not only have the thirty years which have since elapsed exerted their dilapidating effect on all the originals from which he drew, but one of the number—the most entire of the group at that time—has been since almost wholly destroyed; and so, what he was then able to do, there can be no such opportunity of doing again. Further, his representations of the sculptured ornaments, instead of being (what those of artists too often are) mere picturesque approximations, were true in every curve and line. He told me he had spent a fortnight in tracing out the involved mathematical figures, curves, circles, and right lines—on which the intricate fretwork of one of the obelisks was formed, and in making separate drawings of each compartment, before commencing his draught of the entire stone. And, looking with the eye of the stone-cutter at his preliminary sketches, from the first meagre lilies that formed the ground-work of some involved and difficult knot, to the elaborate knot itself, I saw that, with such a series of drawings before me, I myself could learn to cut Runic obelisks, in all the integrity of the complex ancient style, in less than a fortnight. My friend had formed some striking and original views regarding the theology represented by symbol on these ancient stones—at that time regarded as Runic, but now held to be rather of Celtic origin. In the centre of each obelisk, on the more important and strongly relieved side, there always occurs a large cross, rather of the Greek than of the Roman type, and usually elaborately wrought into a fretwork, composed of myriads of snakes, raised in some of the compartments over half-spheres resembling apples. In one of the Ross-shire obelisks—that of Shadwick, in the parish of Nigg—the cross is entirely composed of these apple-like, snake-covered protuberances; and it was the belief of my friend, that the original idea of the whole, and, indeed, the fundamental idea of this school of sculpture, was exactly that so emphatically laid down by Milton in the opening argument of his poem—man's fall symbolized by the serpents and the apples, and the great sign of his restoration, by the cross. But in order to indicate that to the divine Man, the Restorer, the cross itself was a consequence of the Fall, even it was covered over with symbols of the event, and, in one curious specimen, built up of them. It was the snakes and apples that had reared, i.e., rendered imperative, the cross. My friend further remarked, that from this main idea a sort of fretwork had originated, which seemed more modern in some of its specimens than the elaborately-carved snakes, and strongly-relieved apples, but in which the twistings of the one, and the circular outlines of the others might be distinctly traced; and that it seemed ultimately to have passed from a symbol into a mere ornament; as, in earlier instances, hieroglyphic pictures had passed into mere arbitrary signs or characters. I know not what may be thought of the theory of William Ross; but when, in visiting, several years ago, the ancient ruins of Iona, I marked, on the more ancient crosses, the snakes and apparent apples, and then saw how the same combination of figures appeared as mere ornamental fretwork on some of the later tombs, I regarded it as more probably the right one than any of the others I have yet seen broached on the subject. I dined with my friend this day on potatoes and salt, flanked by a jug of water; nor were the potatoes by any means very good ones; but they formed the only article of food in the household at the time. He had now dined and breakfasted upon them, he said, for several weeks together; but though not very strengthening, they kept in the spark of life; and he had saved up money enough to carry him to the south of Scotland in the spring, where he trusted to find employment. A poor friendless lad of genius, diluting his thin consumptive blood on bad potatoes and water, and, at the same time, anticipating the labours of our antiquarian societies by his elaborate and truthful drawings of an interesting class of national antiquities, must be regarded as a melancholy object of contemplation; but such hapless geniuses there are in every age in which art is cultivated, and literature has its admirers; and, shrinkingly modest and retiring in their natures, the world rarely finds them out in time.

I found employment enough for my leisure during this winter in my books and walks, and in my uncle James's workshop, which, now that Uncle James had no longer to lecture me about my Latin, and my carelessness as a scholar in general, was a very pleasant place, where a great deal of sound remark and excellent information were always to be had. There was another dwelling in the neighbourhood in which I sometimes spent a not unpleasant hour. It was a damp underground room, inhabited by a poor old woman, who had come to the town from a country parish in the previous year, bringing with her a miserably deformed lad, her son, who, though now turned of twenty, more resembled, save in his head and face, a boy of ten, and who was so helpless a cripple, that he could not move from off his seat. "Poor lame Danie," as he was termed, was, notwithstanding the hard measure dealt him by nature, an even-tempered, kindly-dispositioned lad, and was, in consequence, a great favourite with the young people in the neighbourhood, especially with the humbly taught young women, who—regarding him simply as an intelligence, coupled with sympathies, that could write letters—used to find him employment, which he liked not a little, as a sort of amanuensis and adviser-general in their affairs of the heart. Richardson tells that he learned to write his Pamela by the practice he acquired in writing love-letters, when a very young lad, for half a score love-sick females, who trusted and employed him. "Poor Danie," though he bore on a skeleton body, wholly unfurnished with muscle, a brain of the average size and activity, was not born to be a novelist; but he had the necessary materials in abundance; and though secret enough to all his other acquaintance, I, who cared not a great deal about the matter, might, I found, have as many of his experiences as I pleased. I enjoyed among my companions the reputation of being what they termed "close-minded;" and Danie, satisfied, in some sort, that I deserved the character, seemed to find it a relief to roll over upon my shoulders the great weight of confidence which, rather liberally, as would seem, for his comfort, had been laid upon his own. It is recorded of himself by Burns, that he "felt as much pleasure in being in the secret of half the loves of the parish of Tarbolton, as ever did statesman in knowing the intrigues of half the Courts of Europe." And, writing to Dr. Moore, he adds, that it was "with difficulty" his pen was "restrained from giving him a couple of paragraphs on the love-adventures of his compeers, the humble inmates of the farm-house and cottage." I, on the other hand, bore my confidences soberly enough, and kept them safe and very close—regarding myself as merely a sort of back-yard of mind, in which Danie might store up at pleasure the precious commodities intrusted to his charge, which, from want of stowage, it cumbered him to keep, but which were his property, not mine. And though, I daresay, I could still fill more than "a couple of paragraphs" with the love-affairs of townswomen, some of whose daughters were courted and married ten years ago, I feel no inclination whatever, after having kept their secrets so long, to begin blabbing them now. Danie kept a draft-board, and used to take a pride in beating all his neighbours; but in a short time he taught me—too palpably to his chagrin—to beat himself; and finding the game a rather engrossing one besides, and not caring to look on the woe-begone expression that used to cloud the meek pale face of my poor acquaintance, every time he found his men swept off the board, or cooped up into a corner, I gave up drafts, the only game of the kind of which I ever knew anything, and in the course of a few years succeeded in unlearning pretty completely all the moves. It appeared wonderful that the processes essential to life could have been carried on in so miserable a piece of framework as the person of poor Danie: it was simply a human skeleton bent double, and covered with a sallow skin. But they were not carried on in it long. About eighteen months after the first commencement of our acquaintance, when I was many miles away, he was seized by a sudden illness, and died in a few hours. I have seen, in even our better works of fiction, less interesting characters portrayed than, poor gentle-spirited Danie, the love-depository of the young dames of the village; and I learned a thing or two in his school.

It was not until after several weeks of the working season had passed, that my master's great repugnance to doing nothing overcame his almost equally great repugnance again to seek work as a journeyman. At length, however, a life of inactivity became wholly intolerable to him; and, applying to his former employer, he was engaged on the previous terms—full wages for himself, and a very small allowance for his apprentice, who was now, however, recognised as the readier and more skilful stone-cutter of the two. In cutting mouldings of the more difficult kinds, I had sometimes to take the old man under charge, and give him lessons in the art, from which, however, he had become rather too rigid in both mind and body greatly to profit. We both returned to Conon-side, where there was a tall dome of hewn work to be erected over the main archway of the steading at which we had been engaged during the previous year; and, as few of the workmen had yet assembled on the spot, we succeeded in establishing ourselves as inmates of the barrack, leaving the hay-loft, with its inferior accommodation, to the later comers. We constructed for ourselves a bed-frame of rough slabs, and filled it with hay; placed our chests in front of it; and, as the rats mustered by thousands in the place, suspended our sack of oatmeal by a rope, from one of the naked rafters, at rather more than a man's height over the floor. And, having both pot and pitcher, our household economy was complete. Though resolved not to forego my evening walks, I had determined to conform also to every practice of the barrack; and as the workmen, drafted from various parts of the country, gradually increased around us, and the place became crowded, I soon found myself engaged in the rolicking barrack-life of the north-country mason. The rats were somewhat troublesome. A comrade who slept in the bed immediately beside ours had one of his ears bitten through one night as he lay asleep, and remarked, that he supposed it would be his weasand they would attack next time; and, on rising one morning, I found that the four brightly plated jack-buttons to which my braces had been fastened had been fairly cut from off my trousers, and carried away, to form, I doubt not, a portion of some miser-hoard in the wall. But even the rats themselves became a source of amusement to us, and imparted to our rude domicile, in some little degree, the dignity of danger. It was not likely that they would succeed in eating us all up, as they had done wicked Bishop Hatto of old; but it was at least something that they had begun to try.

The dwellers in the hay-loft had not been admitted in the previous season to the full privileges of the barrack, nor had they been required to share in all its toils and duties. They had to provide their quota of wood for the fire, and of water for general household purposes: but they had not to take their turn of cooking and baking for the entire mess, but were permitted, as convenience served, to cook and bake for themselves. And so, till now, I had made cakes and porridge, with at times an occasional mess of brose or brochan, for only my master and myself—a happy arrangement, which, I daresay, saved me a few rammings; seeing that, in at least my earlier efforts, I had been rather unlucky as a cook, and not very fortunate as a baker. My experience in the Cromarty caves had rendered me skilful in both boiling and roasting potatoes, and in preparing shell-fish for the table, whether molluscous or crustacean, according to the most approved methods; but the exigencies of our wild life had never brought me fairly in contact with the cerealia; and I had now to spoil a meal or two, in each instance, ere my porridge became palatable, or my cakes crisp, or my brose free and knotty, or my brochan sufficiently smooth and void of knots. My master, poor man, did grumble a little at first; but there was a general disposition in the barrack to take part rather with his apprentice than with himself; and after finding that the cases were to be given against him, he ceased making complaints. My porridge was at times, I must confess, very like leaven; but then, it was a standing recipe in the barrack, that the cook should continue stirring the mess and adding meal, until, from its first wild ebullitions in full boil, it became silent over the fire; and so I could show that I had made my porridge like leaven, quite according to rule. And as for my brochan, I succeeded in proving that I had actually failed to satisfy, though I had made two kinds of it at once in the same pot. I preferred this viand when of a thicker consistency than usual, whereas my master liked it thin enough to be drunk out of the bowl; but as it was I who had the making of it, I used more instead of less meal than ordinary, and unluckily, in my first experiment, mixed up the meal in a very small bowl. It became a dense dough-like mass; and on emptying it into the pot, instead of incorporating with the boiling water, it sank in a solid cake to the bottom. In vain I stirred, and manipulated, and kept up the fire. The stubborn mass refused to separate or dilute, and at length burnt brown against the bottom of the pot—a hue which the gruel-like fluid which floated over also assumed; and at length, in utter despair of securing aught approaching to an average consistency for the whole, and hearing my master's foot at the door, I took the pot from off the fire, and dished up for supper a portion of the thinner mixture which it contained, and which, in at least colour and consistency, not a little resembled chocolate. The poor man ladled the stuff in utter dismay. "Od, laddie," he said, "what ca' ye this? Ca' ye this brochan?" "Onything ye like, master," I replied; "but there are two kinds in the pot, and it will go hard if none of them please you." I then dished him a piece of the cake, somewhat resembling in size and consistency a small brown dumpling, which he of course found wholly inedible, and became angry. But this bad earth of ours "is filled," according to Cowper, "with wrong and outrage;" and the barrack laughed and took part with the defaulter. Experience, however, that does so much for all, did a little for me. I at length became a tolerably fair plain cook, and not a very bad baker; and now, when the exigencies required that I should take my full share in the duties of the barrack, I was found adequate to their proper fulfilment. I made cakes and porridge of fully the average excellence; and my brose and brochan enjoyed at least the negative happiness of escaping animadversion and comment.

Some of the inmates, however, who were exceedingly nice in their eating, were great connoisseurs in porridge; and it was no easy matter to please them. There existed unsettled differences—the results of a diversity of tastes—regarding the time that should be given to the boiling of the mess, respecting the proportion of salt that should be allotted to each individual, and as to whether the process of "mealing," as it was termed, should be a slow or a hasty one, and, of course, as in all controversies of all kinds, the more the matters in dispute were discussed, the more did they grow in importance. Occasionally the disputants had their porridge made at the same time in the same pot: there were, in especial, two of the workmen who differed upon the degree-of-salt question, whose bickers were supplied from the same general preparation; and as these had usually opposite complaints to urge against the cooking, their objections served so completely to neutralize each other, that they in no degree told against the cook. One morning the cook—a wag and a favourite—in making porridge for both the controversialists, made it so exceedingly fresh as to be but little removed from a poultice; and, filling with the preparation in this state the bicker of the salt-loving connoisseur, he then took a handful of salt, and mixing it with the portion which remained in the pot, poured into the bicker of the fresh man, porridge very much akin to a pickle. Both entered the barrack sharply set for breakfast, and sat down each to his meal; and both at the first spoonful dropped their spoons. "A ramming to the cook!" cried the one—"he has given me porridge without salt!" "A ramming to the cook!" roared out the other—"he has given me porridge like brine!" "You see, lads," said the cook, stepping out into the middle of the floor, with the air of a much-injured orator—"you see, lads, what matters have come to at last: there is the very pot in which I made in one mess the porridge in both their bickers. I don't think we should bear this any longer; we have all had our turn of it, though mine happens to be the worst; and I now move that these two fellows be rammed." No sooner said than done. There was a terrible struggling, and a burning sense of injustice; but no single man in the barrack was match for half-a-dozen of the others. The disputants, too, instead of making common cause together, were prepared to assist in ramming each the other; and so rammed they both were. And at length, when the details of the stratagem came out, the cook—by escaping for half an hour into the neighbouring wood, and concealing himself there, like some political exile under ban of the Government—succeeded in escaping the merited punishment.

The cause of justice was never, I found, in greater danger in our little community, than when a culprit succeeded in getting the laughers on his side. I have said that I became a not very bad baker. Still less and less sorely, as I improved in this useful art, did my cakes try the failing teeth of my master, until at length they became crisp and nice; and he began to find that my new accomplishment was working serious effects upon the contents of his meal-chest. With a keenly whetted appetite, and in vigorous health, I was eating a great deal of bread; and, after a good deal of grumbling, he at length laid it down as law that I should restrict myself for the future to two cakes per week. I at once agreed; but the general barrack, to whose ears some of my master's remonstrances had found their way, was dissatisfied; and it would probably have overturned in conclave our agreement, and punished the old man, my master, for the niggardly stringency of his terms, had I not craved, by way of special favour, to be permitted to give them a week's trial. One evening early in the week, when the old man had gone out, I mixed up the better part of a peck of meal in a pot, and placing two of the larger chests together in the same plane, kneaded it out into an enormous cake, at least equal in area to an ordinary-sized Newcastle grindstone. I then cut it up into about twenty pieces, and, forming a vast semicircle of stones round the fire, raised the pieces to the heat in a continuous row, some five or six feet in length. I had ample and ready assistance vouchsafed me in the "firing"—half the barrack were engaged in the work—when my master entered, and after scanning our employment in utter astonishment—now glancing at the ring of meal which still remained on the united chests, to testify to the huge proportions of the disparted bannock, and now at the cones, squares, rhombs, and trapeziums of cake that hardened to the heat in front of the fire, he abruptly asked—"What's this, laddie?—are ye baking for a wadding?" "Just baking one of the two cakes, master," I replied; "I don't think we'll need the other one before Saturday night." A roar of laughter from every corner of the barrack precluded reply; and in the laughter, after an embarrassed pause, the poor man had the good sense to join. And during the rest of the season I baked as often and as much as I pleased. It is, I believe, Goldsmith who remarks, that "wit generally succeeds more from being happily addressed, than from its native poignancy," and that "a jest calculated to spread at a gaming table, may be received with perfect indifference should it happen to drop in a mackerel-boat." On Goldsmith's principle, the joke of what was termed, from the well-known fairy tale, "the big bannock wi' the Malison," could have perhaps succeeded in only a masons' barrack; but never there at least could joke have been more successful.

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