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Memories and Anecdotes
by Kate Sanborn
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At one of her breakfasts I recollect Emerson, who often visited there, Bryant, Bayard Taylor, and Grace Greenwood. At another, John Fiske, President Andrew D. White, and other men interested in their line of thought. I must mention a lady who in the midst of their inspiring conversation broke forth in a loud tone to Mrs. Botta: "I found a splendid receipt for macaroni; mix it, when boiled, with stewed tomatoes and sprinkle freely with parmesan cheese before baking."

One evening Whitelaw Reid brought John Hay. He beckoned to me to come to him, and presenting Mr. Hay said: "I want to make a prediction in regard to this young man. If you live long enough you will hear of him as the greatest statesman and diplomat our country has ever had." A few evenings after, at a Dramatic Club of great talent, I saw Mr. Hay figuring as Cupid in Mrs. Jarley's wax-work show. He looked and acted his part, turning gracefully on his toes to show his wings and quiver of arrows. And Mr. Reid, mounted on a step-ladder behind a draped clothes-horse, represented the distressed Lord Ullin whose daughter was seen eloping in a boat with her Highland chief, the tossing waves being sheets in full motion.

For years it seemed as if this were the one truly cosmopolitan drawing-room in the city, because it drew the best from all sources. Italy and England, France and Germany, Spain, Russia, Norway and Hungary, Siam, China, India, and Japan sent guests hither. Liberals and Conservatives, peers and revolutionists, holders of the most ancient traditions, and advocates of the most modern theories—all found their welcome, if they deserved it, and each took away a new respect for the position of his opponent.

Madame Ristori, Salvini, Fechter, Campanini, and Madame Gerster were honoured with special receptions. Special receptions were also given in honour of George P. Marsh, on the occasion of his appointment as Minister to Turin in 1861, and to the officers of the Royal Navy of Italy when they came to this country to take possession of two frigates built by an American ship-builder for the Italian Government.



Emerson appreciated Mrs. Botta as a hostess. He enjoyed being in her home, saying it "rested him." "I wish that I could believe that in your miles of palaces were many houses and house-keepers as excellent as I know at 25 West 37th Street, your house with the expanding doors." He speaks of her invitation as "one of the happiest rainbows." "Your hospitality has an Arabian memory, to keep its kind purpose through such a long time. You were born under Hatem Yayi's own star, and like him, are the genius of hospitality." (Haten Yayi was a celebrated Oriental whose house had sixteen doors.)

And Mrs. Botta was greatly cheered by Emerson. She wrote:

I always wish I had had my photograph taken when Mr. Emerson was staying in my house. Everyone felt his influence, even the servants who would hardly leave the dining-room. I looked like a different being, and was so happy I forgot to see that he had enough to eat.

Early in her time some of her friends—such as Ripley, Curtis, and Cranch—had joined a small agricultural and educational association, called the "Brook Farm," near Roxbury, Massachusetts. She visited them once or twice, and saw Mr. Curtis engaged in washing dishes which had been used by "The Community." She remarked to him that perhaps he could be better employed for the progress of his fellow-men than in wasting his energy on something more easily done by others.

At one time she invited Bronson Alcott, one of the leaders of a similar movement, to preside over some conversazioni in her parlours, where he could elucidate his favourite subject. On one occasion, a lady in the audience, impressed by some sentiments uttered by the lecturer, inquired of him if his opinion was that we were gods. "No," answered Mr. Alcott, "we are not gods, but only godlings," an explanation which much amused Mrs. Botta, who was always quick in perceiving the funny side of a remark. (I timidly suggest that s be substituted for d.)

Mrs. Botta having promised to see Mr. Greeley, and urge him to give a favourable notice in the Tribune of the concert where a young singer was to make her debut, went down to his office to plead for a lenient criticism. But not one word appeared. So down she went to inquire the reason. She was ushered into the Editor's Sanctum, where he was busily writing and hardly looked up. She asked why he was so silent; it was such a disappointment. No reply. She spoke once more. Then came the verdict in shrill tones: "She can't sing. She can't sing. She can't sing."

New Year's calls were then the custom, and more than three hundred men paid their respects to Mr. and Mrs. Botta on the New Year's Day I spent with them. And everyone looked, as Theodore Hook said, as if he were somebody in particular. At one of these "Saturday Evenings," a stranger walked through her rooms, with hands crossed under his coat and humming execrably as he wandered along. The gentle hostess went to him with her winning smile and inquired, "Do you play also?" That proves her capacity for sarcasm and criticism which she seldom employed. She conversed remarkably well, but after all it was what she did not say that proved her greatness and self-control.

Mrs. Botta had talent in various directions. She made portrait busts in plaster that really were like the subjects, with occasionally an inspired success, and that without any teaching. She showed genius in this work. When a bust of her modelling was sent to Rome to be put into marble, the foremost of Italian sculptors, not knowing the maker, declared that nothing would be beyond the reach of the artist if he would come to Rome and study technique for a year. Mrs. Botta asked me to let her try to get my face. That was delightful. To be with her in her own studio and watch her interest! Later some discouragement, and then enthusiasm as at last the likeness came. She said she took the humorous side of my face. The other side she found sad. My friends not only recognized my face, but they saw my mother's face inwrought.

Mrs. Botta had talent in various directions. She published a large book, The Hand Book of Universal Literature, once used at Harvard and other colleges, and hoped to prepare one of similar style on Universal History. She also wrote a small volume of poems, but her days were given to the needs of others. Only a few mornings were we able to work on her Universal History. There were too many calls for advice, sympathy, or aid; the door-bell rang too often. I heard a young girl once say of her: "She is great enough to have been an inspired prophetess of olden times, and tender enough to have been the mother of our Dear Saviour." Such were the words of impassioned praise that fell from the lips of a young, motherless, Roman Catholic girl, one of the many whom Mrs. Botta had taught and befriended. Once, when reading to Mrs. Botta in connection with her "History," a man called to see her about getting material for her biography. To my surprise, she waved her hand to me saying, "This young lady is to be my biographer." As I felt entirely unable to attempt such a work I told her it should be made up of letters from a host of friends who had known her so well and so long. This pleased her, and after her death her husband wrote me urging me to edit such a composite picture, but knowing his superior fitness for the work, I thanked him for the compliment, but declined. What a delightful result was accomplished by his good judgment, literary skill, and the biographical notes gladly given by her intimate friends. I will give a few quotations from the tributes:

To me—as to others—her conversation was singularly inspiring; it suggested to a man his best trains of thought; it developed in him the best he had; it made him think better of himself and of mankind; it sent him away stronger for all good work.

She seemed to me capable of worshipping in equal fervour with Roman Catholics or with Unitarians—in a cathedral or in a hovel; and this religious spirit of hers shone out in her life and in her countenance. Very pleasant was her optimism; she looked about her in this world without distrust, and beyond her into the next world without fear.

She had a delightful sense of humour—so sweet, so delicate, so vivid. She had a gift of appreciation which I have never seen surpassed.

If Mrs. Botta found more in society than most persons do, it was because she carried more there.

Horace Greeley once said to me, "Anne Lynch is the best woman that God ever made."

Few women known to me have had greater grace or ease in the entertainment of strangers, while in her more private intercourse, her frank, intelligent, courteous ways won her the warmest and most desirable friendships.

The position of the Bottas in the literary and artistic world enabled them to draw together not only the best-known people of this country, but to a degree greater than any, as far as I know, the most distinguished visitors from abroad, beyond the ranks of mere title or fashion. No home, I think, in all the land compared with theirs in the number and character of its foreign visitors.

I should like to introduce you to her home as it was—the hall, with its interesting pictures and fragrant with fresh flowers; the dining-room, the drawing-rooms, with their magnetized atmosphere of the past (you can almost feel the presence of those who have loved to linger there); her own sanctum, where a chosen few were admitted; but the limits of space forbid. The queens of Parisian salons have been praised and idealized till we are led to believe them unapproachable in their social altitude. But I am not afraid to place beside them an American woman, uncrowned by extravagant adulation, but fully their equal—the artist, poet, conversationist, Anne C. L. Botta.

She was absolutely free from egotism or conceit, always avoiding allusion to what she had accomplished, or her unfulfilled longings. But she once told me:

Sandy (short for old, red sand stone), I would rather have had a child than to have made the most perfect statue or the finest painting ever produced. [She also said]: If I could only stop longing and aspiring for that which is not in my power to attain, but is only just near enough to keep me always running after it, like the donkey that followed an ear of corn which was tied fast to a stick.

Mrs. Botta came of a Celtic father, gay, humorous, full of impulsive chivalry and intense Irish patriotism, and of a practical New England mother, herself of Revolutionary stock, clear of judgment, careful of the household economy, upright, exemplary, and "facultied." In the daughter these inherited qualities blended in a most harmonious whole. Grant Allen, the scientific writer, novelist, and student of spiritualistic phenomena, thinks that racial differences often combine to produce a genius.

I often think of that rarely endowed friend in full faith that she now has the joys denied her here, and that her many-sided nature is allowed progress, full and free and far, in many directions. I am also sure that Heaven could not be Heaven to Mrs. Botta if she were not able to take soul flights and use wireless telegraphy to still help those she left behind, and hope that she can return to greet and guide us as we reach the unknown land.

Through the kind suggestions of Mrs. Botta, I was asked to give talks on literary matters at the house of one of New York's most influential citizens. This I enjoyed immensely. Soon the large drawing-rooms were too small for the numbers who came. Next we went to the Young Women's Christian Association, to the library there, and later I decided to engage the church parlours in Doctor Howard Crosby's Church, Fourth Avenue and Twenty-second Street, New York. When I realized my audacious venture, I was frightened. Ten lectures had been advertised and some not written!

On the day for my first lecture the rain poured down, and I felt sure of a failure. My sister went with me to the church. As we drew near I noticed a string of carriages up and down the avenue. "There must be a wedding or a funeral," I whispered, feeling more in the mood of the latter, but never dreaming how much those carriages meant to me. As I went timidly into the room I found nearly every seat full, and was greeted with cordial applause. My sister took a seat beside me. My subject was "Spinster Authors of England." My hands trembled so visibly that I laid my manuscript on the table, but after getting in magnetic touch with those before me, I did not mind.

The reading occupied only one hour, and afterwards I was surrounded by New Hampshire women and New Yorkers who congratulated me warmly. There were reporters sent from seven of the best daily papers, whom I found sharpening their pencils expectantly. They gave correct and complimentary notices, and my success was now assured.

Mr. James T. Fields not only advised his New York friends to hear me, but came himself, bringing my father who was deeply gratified. Mr. Fields told father that I had a remarkably choice audience, among the best in the city. My father had felt very deeply, even to tears, the sharp, narrow and adverse criticism of one of his associates who considered that I unsexed myself by daring to speak in public, and who advised strongly against encouraging me in such unwomanly behaviour.

I was a pioneer as a lecturer on literature quite unconsciously, for I had gone along so gradually that I did not realize it—taken up and set down in a new place with no planning on my part.

Invited by many of the citizens of Hanover, New Hampshire, my old home, to go there and give my lecture on "Lady Morgan," the Irish novelist, for the purpose of purchasing a new carpet for the Congregational Church, I was surprised to feel again the same stern opposition; I was not permitted to speak in the church, but immediately was urged to accept the large recitation hall of the Scientific School. It was crowded to the doors and the college boys climbed up and swarmed about the windows. The carpet, a dark red ingrain, was bought, put down, and wore well for years.

Now came a busy life. I was asked to lecture in many places near New York, always in delightful homes. Had a class of married ladies at the home of Dr. J.G. Holland, where I gave an idea of the newest books. Doctor Holland gave me a department, "Bric-a-brac," in his magazine—Scribner's Magazine; and I was honoured by a request from the editors of the Galaxy to take the "Club Room" from which Mark Twain had just resigned. Meeting him soon after at a dinner, he said with his characteristic drawl: "Awful solemn, ain't it, having to be funny every month; worse than a funeral." I started a class in my own apartment to save time for ladies who wanted to know about the most interesting books as they were published, but whose constant engagements made it impossible to read them entirely for themselves. I suggested to the best publishers to send me copies of their attractive publications which I would read, condense, and then talk them over with these friends. All were glad to aid me. Their books were piled on my piano and tables, and many were sold. I want to say that such courtesy was a rare compliment. I used to go to various book stores, asking permission to look over books at a special reading table, and never met a refusal. I fear in these days of aiding the war sufferers, and keeping our bodies limber and free from rheumatism by daily dancing, this plan would not find patrons.

I was often "browsing," as they call it, at the Mercantile Library. At first I would sit down and give the names of volumes desired. That took too long. At last I was allowed to go where I liked and take what I wanted. I sent a pair of handsome slippers at Christmas to the man who had been my special servitor. He wrote me how he admired them and wished he could wear them, but alas! his feet had both been worn to a stub long ago from such continuous running and climbing to satisfy my seldom-satisfied needs. He added that several of the errand boys had become permanently crippled from over-exertion. I then understood why he had married a famous woman doctor. It is hard to get the books asked for in very large libraries. Once I was replying to an attack on Miss Elizabeth Stuart Phelps's style by Miss Dodge, well known under the pen name Gail Hamilton, and I gave this order: "Complete works of Miss Abigail Dodge—and please hurry." After intolerable waiting, two boys appeared looking very weary, bearing the many sermons and heavy memoirs of the Reverend Narcissus Dodge.

In my special class at home I begged my friends to ask questions in an off-hand way, and to comment upon my opinions. That was stimulating to all. One morning my theme was "Genius and Talent." I said Genius was something beyond—outside of—ourselves, which achieved great results with small exertion. Not by any means was it a bit of shoemakers' wax in the seat of one's chair (as Anthony Trollope put it). Talent must work hard and constantly for development. I said: "Genius is inspiration; Talent is perspiration." I had never heard that definition and thought it was mine. Of late it has been widely quoted, but with no acknowledgment, so I still think it is mine. Are there any other claimants—and prior to 1880?

There were many questions and decided differences of opinion. At last one lady said: "Please give us examples of men who possess genius rather than talent." As she spoke, the door opened, and in walked Mrs. Edmund Clarence Stedman, wife of the poet, and with her a most distinguished-looking woman, Mrs. William Whitney. I was a little embarrassed, but replied sweetly, "Sheets and Kelley," meaning "Keats and Shelley." Then followed a wild laugh in which I joined.

Dr. John Lord once told me he had a similar shock. He spoke of "Westford and Oxminster," instead of "Oxford and Westminster," and never again could he get it correctly, try as he would. Neither his twist nor mine was quite as bad as that of the speaker who said: "I feel within me a half-warmed fish; I mean a half-formed wish."

All genius [continued Lady Henrietta], whether it is artistic, or literary, or spiritual, is something given from outside. I once heard genius described as knowing by intuition what other people know by experience.

Something, or, I should say, somebody, for it involves intelligence and knowledge, tells you these things, and you just can't help expressing them in your own particular way, with brush, or pen, or voice, whatever your individual instrument may be.

From Patricia by Hon. Mrs. ROBERT HAMILTON.

It was a pleasure to see that my theory of Genius was the same as Lady Henrietta's in that charming book Patricia. I have enough collected on that subject to give me shivers of amazement as I read the mass of testimony. The mystery of Inspiration has always enthralled me.

I was invited to so many evenings "at home," dinners and luncheons, that I decided to reciprocate and be surely at home on Tuesday evenings. These affairs were very informal and exceedingly enjoyable. There were many who gladly entertained us by their accomplishments. Champney the artist, sent after blackboard and chalk, and did wonderfully clever things. Some one described a stiff and stupid reception where everyone seemed to have left themselves at home. Those who came to me brought their best. Mrs. Barnard, wife of President Barnard of Columbia College, urged me to give three lectures in her parlour. I could not find the time, but her house was always open to me. To know Mr. Barnard was a great privilege. When called to Columbia, it was apparently dying from starvation for new ideas, and stagnant from being too conservative and deep in set grooves. His plans waked up the sleepers and brought constant improvements. Though almost entirely deaf, he was never morose or depressed, but always cheerful and courageous. I used to dine with them often. Tubes from each guest extended into one through which he could hear quite well. He delighted in discussion of current events, historical matters, politics of the day, and was apparently well informed on every question. Unlike Harriet Martineau, who always put down her trumpet when anyone dared to disagree with her opinions, he delighted in a friendly controversy with anyone worthy of his steel. He fought with patience and persistence for the rights of women to have equal education with men, and at last gained his point, but died before Barnard College was in existence. Every student of Barnard ought to realize her individual indebtedness to this great educator, regarding him as the champion of women and their patron saint.



He was blessed in his home life. Mrs. Barnard was his shield, sunshine, and strength.

* * * * *

Studio, 1271 Broadway, corner 32d Street. April 8, 1887.

DEAR MISS SANBORN:

I send you "Ovis Montana" or Mountain Sheep, who never enjoyed the daily papers or devoured a scrap of poetry. The only civilized thing he ever did was to give his life for a piece of cold lead and got swindled at that.

To be grafted in your Album is immortality.

Sincerely yours, ALBERT BIERSTADT.

This gift was a big surprise to me. I was then corresponding with two Boston papers and one in the West. I thought it discourteous in the artists of the new Impressionist school, to sneer a little at Bierstadt's great paintings, as if he could ever be set back as a bye-gone or a has-been. And it gave me great pleasure to say so. I sent several letters to him, and one day I received a card asking me to call at his studio to look over some sketches. He said he wanted me to help him to select a sketch out of quite a pile on the table, as he wished to make a painting of one for a friend. I assured him I did not know enough to do that, but he insisted he was so busy that I must tell him which I thought would be most effective. I looked at every one, feeling quite important, and at last selected the Mountain Sheep poised on a high peak in a striking pose. A rare sight then.

At Christmas that splendid picture painted by Bierstadt was sent to our apartment for me. Never before had I received such appreciation for my amateur scribbling.

Ah, me! I was both complimented and proud. But my humiliation soon came. When I called to thank the kind donor and speak of the fine frame the mountain big-horn was now in, I was surprised to have Mr. Bierstadt present to me a tall, distinguished-looking foreigner as Munkacsy, the well-known Hungarian artist. He was most cordial, saying in French that he was glad to meet an American woman who could doubtless answer many questions he was anxious to ask. I could only partially get his meaning, so Bierstadt translated it to me. And I, who could read and translate French easily, had never found time to learn to chat freely in any language but my own. I could have cried right there; it was so mortifying, and I was losing such a pleasure. I had the same pathetic experience with a Russian artist, Verestchagin, whose immense picture, revealing the horrors of war, was then on exhibition in New York.

Again and again I have felt like a dummy, if not an idiot, in such a position. I therefore beg all young persons to determine to speak and write at least one language beside their own.

Tom Hood wrote:

"Never go to France Unless you know the lingo If you do, like me, You'll repent by jingo."

But it's even worse to be unable in your own country to greet and talk with guests from other countries.

I should like to see the dead languages, as well as Saxon and Sanscrit, made elective studies every where; also the higher mathematics, mystic metaphysics, and studies of the conscious and subconscious, the ego and non-ego, matters of such uncertain study. When one stops to realize the tragic brevity of life on this earth, and to learn from statistics what proportion of each generation dies in infancy, in childhood, in early maturity, and how few reach the Biblical limit of life, it seems unnecessary to regard a brain-wearying "curriculum" as essential or even sensible. Taine gives us in his work on English Literature a Saxon description of life: "A bird flying from the dark, a moment in the light, then swiftly passing out into the darkness beyond."

And really why do we study as if we were to rival the ante-diluvians in age. Then wake up to the facts. I have been assured, by those who know, that but a small proportion of college graduates are successful or even heard of. They appear at commencement, sure that they are to do great things, make big money, at least marry an heiress; they are turned out like buttons, only to find out how hard it is to get anything to do for good pay. One multi-millionaire of Boston, whose first wages he told me were but four dollars a month, said there was no one he so dreaded to see coming into his office as a college man who must have help,—seldom able to write a legible hand, or to add correctly a column of figures. There is solid food for thought.

* * * * *

Lowell said that "great men come in clusters." That is true, but it is equally true that once in a great while, we are vouchsafed a royal guest, a man who mingles freely with the ordinary throng, yet stands far above them; a man who can wrest the primal secrets from nature's closed hand, who makes astounding discoveries, only to gladly disclose them to others.

Such an unusual genius was Professor Robert Ogden Doremus, whose enthusiasm was only matched by his modesty. In studying what he accomplished, I wonder whether he was not sent from the central yet universal "powers that be" to give us answers to some of the riddles of life; or had he visited so many planets further advanced than our own—for as Jean Paul Richter wrote "There is no end"—that he had learned that the supposedly impossible could be done. He assisted John W. Draper in taking the first photograph of the human face ever made. Science with him was never opposed to religion. His moving pictures and spectral analysis were almost miracles at that time. He delighted to show how the earth in forming was flattened at the poles, and he would illustrate the growth of the rings of Saturn. As a lecturer he was a star, the only chemist and scientist to offer experiments. His lectures were always attended by crowds of admirers. As a toxicologist he was marvellous in his accuracy; no poisoner could escape his exact analysis. His compressed cartridges, made waterproof and coated with collodion, were used in the blasting operations at the Mont Cenis tunnel through eight miles of otherwise impenetrable stone, solid Alpine rock, between France and Italy.

When the obelisk in Central Park showed signs of serious decay, he saved the hieroglyphics by ironing it with melted parafine. He makes us think of the juggler who can keep a dozen balls in the air as if it were an easy trick, never dropping one.



But I forget to give my own memories of Dr. and Mrs. Doremus in their delightful home on Fourth Avenue between 18th and 19th Streets,—a home full of harmony, melody, peace, and love. Vincenzo Botta called Dr. Doremus the "Maecenas of New York," and his beautiful wife, the ideal wife and mother, was named by her adoring husband the "queen of women." Mrs. Doremus was prominent in New York's various societies and charities, but the interests of her own family came first. One of her sons said: "She never neglected her children; we were always loved and well cared for." Both Dr. Doremus and his wife were devoted to music, always of the best. He was the first president of the Philharmonic Society who was not a musician by profession. All the preceding presidents had been selected from the active musicians in the society. One evening he was serenaded by the Philharmonic Society under the leadership of Carl Bergman, the recently elected president of the society. After the classic music had ceased, Dr. Doremus appeared and thanked the society for the compliment. All were invited into the house, where a bountiful collation was served and speeches made. If you could see the photograph of the Philharmonic Society serenading Dr. and Mrs. Doremus at their home, you would get a rare insight into the old New York life, as compared with the present, in which such a thing would be impossible. He said that his mother used to take a cup of tea at the Battery afternoons with her sons.

He was a lifelong friend of Christine Nilsson whom he considered the greatest vocal and dramatic genius of the age. He wrote: "Never did mortal woman sing as she sang that simple song that begins:

'Angels, Angels, bright and fair, Take, O take me to thy care!'"

I saw Nilsson and Parepa introduced there, who were to sail on the same steamer in a few days. Nilsson made the banjo fashionable in New York society, accompanying herself charmingly. All the famous opera singers regarded the house of Dr. Doremus a place where they were thoroughly at home, and always welcome. Ole Bull was for many years his most devoted friend. Dr. Doremus writes:

I recall that once when I was dining with Ole Bull, at the house of a friend, our host said: 'Doctor, I don't think much of Ole Bull's fiddling; you know what I mean—I don't think much of his fiddling as compared with his great heart.'

Mr. Edwin Booth, once walking with me, dropped my arm and exclaimed with a dramatic gesture: "Ole Bull wasn't a man—he was a god!"

The last time I had the privilege of listening to Ole Bull's witchery with his violin, he gave an hour to Norwegian folk-songs, his wife at the piano. She played with finish, feeling, and restraint. She first went through the air, then he joined in with his violin with indescribable charm. Critics said he lacked technique. I am glad he did: his music went straight to the heart. At the last he told us he would give the tune always played after a wedding when the guests had stayed long enough—usually three days—and their departure was desired. We were to listen for one shrill note which was imperative. No one would care or dare to remain after that.

Dr. Doremus showed me one evening a watch he was wearing, saying:

In Ole Bull's last illness when he no longer had strength to wind his watch, he asked his wife to wind it for him, and then send it to his best friend, saying: 'I want it to go ticking from my heart to his.'

That watch magnetized by human love passing through it is now in the possession of Arthur Lispenard Doremus, to whom it was left by his father. It had to be wound by a key in the old fashion, and it ran in perfect time for twenty-nine years. Then it became worn and was sent to a watchmaker for repairs. It is still a reliable timekeeper, quite a surprising story, as the greatest length of time before this was twenty-four years for a watch to run.

I think of these rare souls, Ole Bull and Dr. Doremus, as reunited, and with their loved ones advancing to greater heights, constantly receiving new revelations of omnipotent power, which "it is not in the heart of man to conceive."

LINES

Read at the Celebration of the Seventieth Birthday of DOCTOR R. OGDEN DOREMUS, January 11th, 1894, at 241 Madison Avenue, by LUTHER R. MARSH.

What shall be said for good Doctor Doremus? To speak of him well, it well doth beseem us. Not one single fault, through his seventy years, Has ever been noticed by one of his peers.

How flawless a life, and how useful withal! Fulfilling his duties at every call! Come North or come South, come East or come West, He ever is ready to work for the best.

In Chemics, the Doctor stands first on the list; The nature, he knows, of all things that exist. He lets loose the spirits of earth, rock or water, And drives them through solids, cemented with mortar.

How deftly he handles the retort and decanter! Makes lightning and thunder would scare Tam O'Shanter; Makes feathers as heavy as lead, in a jar, And eliminates spirits from coal and from tar.

By a touch of his finger he'll turn lead or tin To invisible gas, and then back again; He will set them aflame, as in the last day, When all things are lit by the Sun's hottest ray.

With oxygen, hydrogen, nitrogen,—all— No gas can resist his imperative call— He'll solidify, liquefy, or turn into ice; Or all of them re-convert, back in a trice.

Amid oxides and alkalies, bromides and salts, He makes them all dance in a chemical waltz; And however much he with acids may play, There's never a drop stains his pure mortal clay.

He well knows what things will affect one another; What acts as an enemy, and what as a brother; He feels quite at home with all chemic affinities, And treats them respectfully, as mystic Divinities.

His wisdom is spread from far Texas to Maine; For thousands on thousands have heard him explain The secrets of Nature, and all her arcana, From the youth of the Gulf, to the youth of Montana.

In Paris, Doremus may compress'd powder compound, Or, at home, wrap the Obelisk with paraffine round; Or may treat Toxicology ever anew, To enrich the bright students of famous Bellevue.

He believes in the spirits of all physical things, And can make them fly round as if they had wings; But ask him to show you the Spirit of Man— He hesitates slightly, saying, "See!—if you can."

Wherever he comes there always is cheer; If absent, you miss him; you're glad when he's near; His voice is a trumpet that stirreth the blood; You feel that he's cheery, and you know that he's good.

No doors in the city have swung open so wide, To artists at home, and to those o'er the tide; As, to Mario, Sontag, Badiali, Marini, To Nilsson and Phillips, Rachel and Salvini.

Much, much does he owe, for the grace of his life, To the influence ever of his beautiful wife; She, so grand and so stately, so true and so kind, So lovely in person and so charming in mind!

I had the pleasure of being well acquainted with Mr. Charles H. Webb, a truly funny "funny man," who had homes in New York and Nantucket. His slight stutter only added to the effect of his humorous talk. His letters to the New York Tribune from Long Branch, Saratoga, etc., were widely read. He knew that he wrote absolute nonsense at times, but nonsense is greatly needed in this world, and exquisitely droll nonsensical nonsense is as uncommon as common sense. The titles of his various books are inviting and informing, as Seaweed and What We Seed. He wrote several parodies on sensational novels of his time. Griffith Gaunt, he made fun of as "Liffith Lank"; St. Elmo, as "St. Twelmo." A Wicked Woman was another absurd tale. But I like best a large volume, "John Paul's Book, moral and instructive, travels, tales, poetry, and like fabrications, with several portraits of the author and other spirited engravings." This book was dedicated, "To the Bald-Headed, that noble and shining army of martyrs." When you turn to look at his portrait, and the illuminated title page, you find them not. The Frontispiece picture is upside down. The very ridiculosity of his easy daring to do or say anything is taking. He once wrote, in one of those trying books, with which we used to be bored stiff, with questions such as "What is your favourite hour of the day? He wrote dinner hour; what book not sacred would you part with last? My pocket-book. Your favourite motto? When you must,—you better." I especially liked the poem, "The Outside Dog in the Fight." Here are two specimens of his prose:

The fish-hawk is not an eagle. Mountain heights and clouds he never scales; fish are more in his way, he scales them—possibly regarding them as scaly-wags. For my bird is pious; a stern conservator is he of the public morals. Last Sunday a frivolous fish was playing not far from the beach, and Dr. Hawk went out and stopped him. 'Tis fun to watch him at that sort of work—stopping play—though somehow it does not seem to amuse the fish much. Up in the air he poises pensively, hanging on hushed wings as though listening for sounds—maybe a fish's. By and by he hears a herring—is he hard of herring, think you? Then down he drops and soon has a Herring Safe. (Send me something, manufacturers, immediately.) Does he tear his prey from limb to limb? No, he merely sails away through the blue ether—how happy can he be with either!—till the limb whereon his own nest is built is reached. Does the herring enjoy that sort of riding, think you? Quite as much, I should say, as one does hack-driving. From my point of view, the hawk is but the hackman of the air. Sympathize with the fish? Not much. Nor would you if you heard the pitiful cry the hawk sets up the moment he finds that his claws are tangled in a fish's back. Home he flies to seek domestic consolation, uttering the while the weeping cry of a grieved child; there are tears in his voice, so you know the fish must be hurting him. The idea that a hawk can't fly over the water of an afternoon without some malicious fish jumping up and trying to bite him!

If a fish wants to cross the water safely, let him take a Fulton ferryboat for it. There he will find a sign reading:

"No Peddling or Hawking allowed in this cabin." Strange that hawking should be so sternly prohibited on boats which are mainly patronized by Brooklynites chronically afflicted with catarrh!

Never shall it be said that I put my hand to the plow and turned back. For that matter never shall it be said of me that I put hand to a plow at all, unless a plow should chase me upstairs and into the privacy of my bed-room, and then I should only put hand to it for the purpose of throwing it out of the window. The beauty of the farmer's life was never very clear to me. As for its boasted "independence," in the part of the country I came from, there was never a farm that was not mortgaged for about all it was worth; never a farmer who was not in debt up to his chin at "the store." Contented! When it rains the farmer grumbles because he can't hoe or do something else to his crops, and when it does not rain, he grumbles because his crops do not grow. Hens are the only ones on a farm that are not in a perpetual worry and ferment about "crops:" they fill theirs with whatever comes along, whether it be an angleworm, a kernel of corn, or a small cobblestone, and give thanks just the same.

THE OUTSIDE DOG IN THE FIGHT

You may sing of your dog, your bottom dog, Or of any dog that you please, I go for the dog, the wise old dog, That knowingly takes his ease, And, wagging his tail outside the ring, Keeping always his bone in sight, Cares not a pin in his wise old head For either dog in the fight.

Not his is the bone they are fighting for, And why should my dog sail in, With nothing to gain but a certain chance To lose his own precious skin! There may be a few, perhaps, who fail To see it in quite this light, But when the fur flies I had rather be The outside dog in the fight.

I know there are dogs—most generous dogs Who think it is quite the thing To take the part of the bottom dog, And go yelping into the ring. I care not a pin what the world may say In regard to the wrong or right; My money goes as well as my song, For the dog that keeps out of the fight!

Mr. Webb, like Charles Lamb and the late Mr. Travers, stammered just enough to give piquancy to his conversation. To facilitate enunciation he placed a "g" before the letters which it was hard for him to pronounce. We were talking of the many sad and sudden deaths from pneumonia, bronchitis, etc., during the recent spring season, and then of the insincerity of poets who sighed for death and longed for a summons to depart. He said in his deliciously slow and stumbling manner: "I don't want the ger-pneu-m-mon-ia. I'm in no ger-hurry to ger-go." Mrs. Webb's drawing-rooms were filled with valuable pictures and bronzes, and her Thursday Evenings at home were a delight to many.

How little we sometimes know of the real spirit and the inner life of some noble man or woman. Mrs. Hermann was a remarkable instance of this. I thought I was well acquainted with Mrs. Esther Hermann, who, in her home, 59 West fifty-sixth Street New York, was always entertaining her many friends. Often three evenings a week were given to doing something worth while for someone, or giving opportunity for us to hear some famous man or woman speak, who was interested in some great project. And her refreshments, after the hour of listening was over, were of the most generous and delicious kind. Hers was a lavish hospitality. It was all so easily and quietly done, that no one realized that those delightful evenings were anything but play to her. She became interested in me when I was almost a novice in the lecture field, gave me two benefits, invited those whom she thought would enjoy my talks, and might also be of service to me. There was never the slightest stiffness; if one woman was there for the first time, and a stranger, Mrs. Hermann and her daughters saw that there were plenty of introductions and an escort engaged to take the lady to the supper room. Mrs. Hermann in those early days, often took me to drive in the park—a great treat. We chatted merrily together, and I still fancied I knew her. But her own family did not know of her great benefactions; her son only knew by looking over her check books, after her death, how much she had given away. Far from blazoning it abroad, she insisted on secrecy. She invited Mr. Henry Fairfield Osborn to call, who was keenly interested in securing money to start a Natural History Museum, he bringing a friend with him. After they had owned that they found it impossible even to gain the first donation, she handed Mr. Osborn, after expressing her interest, a check for ten thousand dollars. At first he thought he would not open it in her presence, but later did so. He was amazed and said very gratefully: "Madam, I will have this recognized at once by the Society." She said: "I want no recognition. If you insist, I shall take back the envelope." Her daughter describes her enthusiasm one very stormy, cold Sunday. Stephen S. Wise, the famous rabbi, was advertised to preach in the morning at such a place. "Mother was there in a front seat early, eager to get every word of wisdom that fell from his lips." Mr. Wise spoke at the Free Synagogue Convention at three o'clock P.M. "Mother was there promptly again, in front, her dark eyes glowing with intense interest." At eight P.M. he spoke at another hall on the other side of the city, "Mother was there." At the close, Mr. Wise stepped down from the platform to shake hands with Mrs. Hermann, and said, "I am surprised at seeing you at these three meetings, and in such bad weather." She replied,

"Why should you be surprised; you were at all three, weren't you?"

She had a long life of perfect health and never paid the least attention to the worst of weather if she had a duty to perform.

There was something of the fairy godmother in this large-hearted woman, whose modesty equalled her generosity. She dropped gifts by the way, always eager to help, and anxious to keep out of sight. Mrs. Hermann was one of those women who sow the seeds of kindness with a careless hand, and help to make waste places beautiful. She became deeply interested in education early in life, and her faith was evidenced by her work. She was one of the founders of Barnard College. Her checks became very familiar to the treasurers of many educational enterprises. She was one of the patrons of the American Association for the Advancement of Sciences, and many years ago gave one thousand dollars to aid the Association. Since then she has added ten thousand dollars as a nucleus toward the erection of a building to be called the Academy of Science. With the same generous spirit she contributed ten thousand dollars to the Young Men's Hebrew Association for educational purposes. It was for the purpose of giving teachers the opportunity of studying botany from nature, that she gave ten thousand dollars to the Botanical Garden in the Bronx.

Her knowledge of the great need for a technical school for Jewish boys preyed on her mind at night so that she could not sleep, and she felt it was wrong to be riding about the city when these boys could be helped. She sold her carriages and horses, walked for three years instead of riding, and sent a large check to start the school. It is pleasant to recall that the boys educated there have turned out wonderfully well, some of them very clever electricians.

I could continue indefinitely naming the acts of generosity of this noble woman, but we have said enough to show why her many friends desired to express their appreciation of her sterling virtues, and their love for the gentle lady, whose kindness has given happiness to countless numbers. To this end, some of her friends planned to give her a a testimonial, and called together representatives from the hundred and twenty-five different clubs and organizations of which she was a member, to consider the project. This suggestion was received with such enthusiasm that a committee was appointed who arranged a fitting tribute worthy of the occasion.

The poem with which I close my tribute to my dear friend, Mrs. Hermann, is especially fitting to her beautiful life. Her family, even after they were all married and in happy homes of their own, were expected by the mother every Sunday evening. These occasions were inexpressibly dear to her warm heart, devoted to her children and grandchildren. But owing to her reticence she was even to them really unknown.

I had given at first many more instances of her almost daily ministrations but later this seemed to be in direct opposition to her oft-expressed wish for no recognition of her gifts. "We are spirits clad in veils," but of Mrs. Hermann this was especially true and I love her memory too well not to regard her wishes as sacred.

GNOSIS

Thought is deeper than all speech, Feeling deeper than all thought; Souls to souls can never teach What unto themselves was taught.

We are spirits clad in veils; Man by man was never seen; All our deep communing fails To remove the shadowy screen.

Heart to heart was never known; Mind with mind did never meet; We are columns left alone Of a temple once complete.

Like the stars that gem the sky, Far apart, though seeming near, In our light we scattered lie; All is thus but starlight here.

What is social company, But the babbling summer stream? What our wise philosophy But the glancing of a dream?

Only when the sun of love Melts the scattered stars of thought, Only when we live above What the dim-eyed world hath taught,

Only when our souls are fed By the fount which gave them birth, And by inspiration led Which they never drew from earth.

We, like parted drops of rain, Swelling till they meet and run, Shall be all absorbed again, Melting, flowing into one.

CHRISTOPHER PEARSE CRANCH (1813-1892).

Cranch's own title for this poem was "Enosis," not "Gnosis" as now given; "Enosis" being a Greek word meaning "all in one," which is illustrated by the last verse.

It was first published in the Dial in 1844. "Stanzas" appeared at the head, and at the end was his initial, "C."



CHAPTER IV

Three Years at Smith College—Appreciation of Its Founder—A Successful Lecture Tour—My Trip to Alaska.

"There is nothing so certain as the unexpected," and "if you fit yourself for the wall, you will be put in."

I was in danger of being spoiled by kindness in New York and the surrounding towns, if not in danger of a breakdown from constant activity, literary and social, with club interests and weekend visits at homes of delightful friends on the Hudson, when I was surprised and honoured by a call from President L. Clark Seelye of Smith College, Northampton, Massachusetts, who invited me to take the position of teacher of English Literature at that college.

I accepted, and remained at Northampton for three years, from 1880-1883. It was a busy life. I went on Saturday afternoons to a class of married ladies at Mrs. Terhune's (Marion Harland) in Springfield, Massachusetts, where her husband was a clergyman in one of the largest churches in that city. I also published several books, and at least two Calendars, while trying to make the students at Smith College enthusiastic workers in my department.

Mrs. Terhune was a versatile and entertaining woman, a most practical housekeeper; and she could tell the very best ghost story I ever heard, for it is of a ghost who for many years was the especial property of her father's family.

When I gave evening lectures at Mrs. Terhune's while at Smith College, I was accustomed to spend the night there. She always insisted upon rising early to see that the table was set properly for me, and she often would bring in something specially tempting of her own cooking. A picture I can never forget is that of Doctor Terhune who, before offering grace at meals, used to stretch out a hand to each of his daughters, and so more closely include them in his petition.

I used no special text-book while at Smith College, and requested my class to question me ten minutes at the close of every recitation. Each girl brought a commonplace book to the recitation room to take notes as I talked. Some of them showed great power of expression while writing on the themes provided. There was a monthly examination, often largely attended by friends out of town. I still keep up my interest in my pupils of that day. One of them told me that they thought at first I was currying popularity, I was so cordial and even affectionate, but they confessed they were mistaken.

Under President Seelye's wise management, Smith College has taken a high position, and is constantly growing better. The tributes to his thirty-seven years in service when he resigned prove how thoroughly he was appreciated. I give a few extracts:

We wish to record the fact that this has been, in a unique degree, your personal work. If you had given the original sum which called the College into being, and had left its administration to others, you would have been less truly the creator of the institution than you have been through your executive efficiency. Your plans have seldom been revised by the Board of Trustees, and your selection of teachers has brought together a faculty which is at least equal to the best of those engaged in the education of women. You have secured for the teachers a freedom of instruction which has inspired them to high attainment and fruitful work. You, with them, have given to the College a commanding position in the country, and have secured for it and for its graduates universal respect. The deep foundations for its success have been intellectual and spiritual, and its abiding work has been the building up of character by contact with character.

Fortunate in her location, fortunate in her large minded trustees, fortunate in the loyal devotedness of her faculty and supremely fortunate has our College been in the consecrated creative genius of her illustrious president. Bringing to his task a noble ideal, with rare sagacity as an administrator; with financial and economic skill rarely found in a scholar and idealist, but necessary to foster into fullest fruitfulness the slender pecuniary resources then at hand; with tact and suavity which made President Seelye's "no," if no were needed, more gracious than "yes" from others; with the force which grasps difficulties fearlessly; with dignified scholarship and a courtly manner, the master builder of our College, under whose hand the little one has become a thousand and the small one a strong republic, has achieved the realization of his high ideal and is crowned with honour and affection.

He has made one ashamed of any but the highest motives, and has taught us that sympathy and love for mankind are the traits for which to strive. The ideals of womanly life which he instilled will ever be held high before us.

There are many distinguished qualities which a college president must possess. He must be idealist, creator, executor, financier, and scholar. President Seelye—is all these—but he had another and a rarer gift which binds and links these qualities together, as the chain on which jewels are strung—President Seelye had immense capacity for work and patient attention for details. It is this unusual combination which has given us a great College, and has given to our president a unique position among educators.

I realize that I must at times have been rather a trying proposition to President Seelye for I was placed in an entirely new world, and having been almost wholly educated by my father, by Dartmouth professors, and by students of the highest scholarship, I never knew the mental friction and the averaging up and down of those accustomed to large classes. I gained far more there than I gave, for I learned my limitations, or some of them, and to try to stick closely to my own work, to be less impulsive, and not offer opinions and suggestions, unasked, undesired, and in that early stage of the college, objectionable. Still, President Seelye writes to me: "I remember you as a very stimulating teacher of English Literature, and I have often heard your pupils, here and afterwards, express great interest in your instruction."

The only "illuminating" incident in my three years at Smith College was owing to my wish to honour the graduating reception of the Senior class. I pinned my new curtains carefully away, put some candles in the windows, leaving two young ladies of the second year to see that all was safe. The house was the oldest but one in the town; it harboured two aged paralytics whom it would be difficult, if not dangerous, to remove. Six students had their home there. As my fire-guards heard me returning with my sister and some gentlemen of the town, they left the room, the door slammed, a breeze blew the light from the candles to the curtains, and in an instant the curtains were ablaze.

And now the unbelievable sequel. The room seemed all on fire in five minutes. Next, the overhead beam was blazing. I can tell you that the fire was extinguished by those gentlemen, and no one ever knew we had been so near a conflagration until three years later when the kind lady of the house wrote to me: "Dear Friend, did you ever have a fire in your room? In making it over I found some wood badly scorched." I have the most reliable witnesses, or you would never have believed it. In the morning my hostess said to the girls assembled at breakfast: "Miss Sanborn is always rather noisy when she has guests, but I never did hear such a hullabaloo as she made last evening."

It is certain that President Seelye deserves all the appreciation and affectionate regard he received. He has won his laurels and he needs the rest which only resignation could bring. The college is equally fortunate in securing as his successor, Marion LeRoy Burton, who in the coming years may lead the way through broader paths, to greater heights, always keeping President Seelye's ideal of the truly womanly type, in a distinctively woman's college.

As the Rev. Dr. John M. Greene writes me (the clergyman who suggested to Sophia Smith that she give her money to found a college for women, and who at eighty-five years has a perfectly unclouded mind): "I want to say that my ambition for Smith College is that it shall be a real women's college. Too many of our women's colleges are only men's colleges for women."

I desire now to add my tribute to that noble woman, Sophia Smith of Hatfield, Massachusetts.

On April 18, 1796, the town of Hatfield, in town meeting assembled, "voiced to set up two schools, for the schooling of girls four months in the year." The people of that beautiful town seemed to have heard the voice of their coming prophetess, commissioned to speak a word for woman's education, which the world has shown itself ready to hear.

In matters of heredity, Sophia Smith was fortunate. Her paternal grandmother, Mary Morton, was an extraordinary woman. After the death of her husband, she became the legal guardian of her six sons, all young, cared for a large farm, and trained her boys to be useful and respected in the community.

Sophia Smith was born in Hatfield, August 27, 1796; just six months before Mary Lyon was born in Ashfield, Massachusetts, about seventeen miles distant. Sophia remembered her grandmother and said: "I looked up to my grandmother with great love and reverence. She, more than once, put her hands on my head and said, 'I want you should grow up, and be a good woman, and try to make the world better.'" And her mother was equally religious, efficient, kind to the poor, sympathetic but not impulsive. Sophia lived in a country farmhouse near the Connecticut River for sixty-eight years. She was sadly hampered physically. One of the historians of Hatfield writes me:

Her infirmity of deafness was troublesome to some extent when she was young, making her shy and retiring. At forty she was absolutely incapable of hearing conversation. She also was lame in one foot and had a withered hand. In spite of this, I think she was an active and spirited girl, about like other girls. She was very fond of social intercourse, especially later in life when my father knew her, but this intercourse was confined to a small circle. Doctor Greene speaks of her timidity also. I know of no traditions about her girlhood. As an example of the thrift of the Smiths, or perhaps I should say, their exactness in all business dealings, my father says that Austin Smith never asked his sisters to sew a button or do repairs on his clothing without paying them a small sum for it, and he always received six cents for doing chores or running errands. No doubt this was a practice maintained from early youth, for when Sophia Smith was born, in 1796, the family was in very moderate circumstances. The whole community was poor for some time after the Revolution, and everyone saved pennies.

As to her education, she used to sit on the doorsteps of the schoolhouse and hear the privileged boys recite their lessons. She also had four or five months of instruction in the schoolhouse, and was a student in Hopkins Academy for a short time and, when fourteen years old, attended school at Hartford, Connecticut, for a term of twelve weeks.



Then a long, uneventful, almost shut-in life, and in 1861 her brother Austin left her an estate of about four hundred and fifty thousand dollars.

Hon. George W. Hubbard of Hatfield was her financial adviser. He advised her to found an academy for Hatfield, which she did; and after Doctor Greene had caused her to decide on a college for women, Mr. Hubbard insisted on having it placed at Northampton, Massachusetts, instead of Hatfield, Massachusetts. With her usual modesty, she objected to giving her full name to the college, as it would look as if she were seeking fame for herself. She gave thirty thousand dollars to endow a professorship in the Andover Theological Seminary at Andover, Massachusetts.

She grew old gracefully, never soured by her infirmities, always denying herself to help others and make the world better for her living in it.

Her name must stand side by side with the men who founded Vassar, Wellesley, and Barnard, and that of Mary Lyon to whom women owe the college of Mt. Holyoke.

As Walt Whitman wrote:

I am the poet of the woman the same as the man, And I say it is as great to be a woman as to be a man, And I say there is nothing greater than the mother of men.

She was a martyr physically, and mentally a heroine. Let us never fail to honour the woman who founded Smith College.

Extracts from a letter replying to my question: "Is there a full-length portrait of Sophia Smith, now to be seen anywhere in the principal building at Smith College, Northampton?"

How I wish that some generous patron of Smith College might bestow upon it two thousand dollars for a full-length portrait of Sophia Smith to be placed in the large reading room, at the end of which is a full-length portrait of President Seelye. The presence of such a commanding figure seen by hundreds of girls every day would be a subtle and lasting influence.

I like to nibble at a stuffed date, but do not enjoy having my memory stuffed with dates, though I am proud rather than sensitive in regard to my age.

Lady Morgan was unwilling her age should be known, and pleads:

What has a woman to do with dates—cold, false, erroneous, chronological dates—new style, old style, precession of the equinoxes, ill-timed calculation of comets long since due at their station and never come? Her poetical idiosyncrasy, calculated by epochs, would make the most natural points of reference in woman's autobiography. Plutarch sets the example of dropping dates in favour of incidents; and an authority more appropriate, Madame de Genlis, who began her own memoires at eighty, swept through nearly an age of incident and revolution without any reference to vulgar eras signifying nothing (the times themselves out of joint), testifying to the pleasant incidents she recounts and the changes she witnessed. I mean to have none of them!

I hesitate to allude to my next experience after leaving Smith College, for it was so delightful that I am afraid I shall scarcely be believed, and am also afraid that my readers will consider me a "swell head" and my story only fit for a "Vanity Box." Yet I would not leave out one bit of the Western lecture trip. If it were possible to tell of the great kindness shown me at every step of the way without any mention of myself, I would gladly prefer to do that.

After leaving Smith College, I was enjoying commencement festivities in my own home—when another surprising event! Mr. George W. Bartholomew, a graduate of Dartmouth, who was born and brought up in a neighbouring Vermont town, told me when he called that he had established a large and successful school for young ladies in Cincinnati, Ohio, taking a few young ladies to live in his pleasant home. He urged me to go to his school for three months to teach literature, also giving lectures to ladies of the city in his large recitation hall. And he felt sure he could secure me many invitations to lecture in other cities.

Remembering my former Western experience with measles and whooping-cough, I realized that mumps and chicken-pox were still likely to attack me, but the invitation was too tempting, and it was gladly accepted, and I went to Cincinnati in the fall of 1884.

Mrs. Bartholomew I found a charming woman and a most cordial friend. Every day of three months spent in Cincinnati was full of happiness. Mrs. Broadwell, a decided leader in the best social matters, as well as in all public spirited enterprises, I had known years before in Hanover, N.H. Her brother, General William Haines Lytle, had been slain at Chickamauga during the Civil War, just in the full strength and glory of manhood. He wrote that striking poem, beginning: "I am dying, Egypt, dying." Here are two verses of his one poem:

As for thee, star-eyed Egyptian! Glorious sorceress of the Nile, Light the path to Stygian horrors With the splendors of thy smile. Give the Caesar crowns and arches, Let his brow the laurel twine; I can scorn the Senate's triumphs, Triumphing in love like thine.

I am dying, Egypt, dying; Hark! the insulting foeman's cry, They are coming! quick, my falchion! Let me front them ere I die. Ah! no more amid the battle Shall my heart exulting swell— Isis and Osiris guard thee! Cleopatra, Rome, farewell!

He was engaged to Miss Sarah Doremus, a sister of Professor Doremus of New York. After the terrible shock of his sudden death she never married, but devoted her life to carrying out her sainted mother's missionary projects, once taking a trip alone around the world to visit the missionary stations started by her mother.

As soon as I had arrived at Mr. Bartholomew's, Mrs. Broadwell gave me a dinner. Six unmarried ladies and seven well-known bachelors were the guests, as she wished to give me just what I needed, an endorsement among her own friends. The result was instant and potent.

Everyone at that dinner did something afterwards to entertain me. I was often invited to the opera, always had a box (long-stemmed roses for all the ladies), also to dinner and lunches. If anyone in the city had anything in the way of a rare collection, from old engravings to rare old books, an evening was devoted to showing the collection to me with other friends. One lady, Miss Mary Louise McLaughlin, invited me to lunch with her alone. Her brother, a bachelor lawyer, had at that time the finest private library in the city. She was certainly the most versatile in her accomplishments of anyone I have ever known. She had painted the best full-length portrait of Judge Longworth, father of the husband of Alice Roosevelt. She was a china painter to beat the Chinese, and author of four books on the subject. She was an artist in photography; had a portfolio of off-hand sketches of street gamins, newsboys, etc., full of life and expression. She brought the art of under glaze in china-firing to this country and had discovered a method of etching metal into fine woods for bedroom furniture. She was an expert at wood-carving, taking lessons from Ben Pitman. Was fond of housekeeping and made a success of it in every way. Anything else? Yes, she showed me pieces of her exquisite embroidery and had made an artistic and wholly sane "crazy-quilt" so much in vogue at that time. Her own beautiful china was all painted and finished by herself. As I left her, I felt about two feet high, with a pin head. And yet she was free from the slightest touch of conceit.

Miss Laura MacDonald (daughter of Alexander MacDonald, the business man who took great risks with Mr. John D. Rockefeller in borrowing money to invest largely in oil fields) was my pupil in the school, and through her I became acquainted with her lovely mother, who invited me to her home at Clifton, just out of Cincinnati, to lecture to a select audience of her special friends.

My lectures at Mr. Bartholomew's school were very well attended. Lists of my subjects were sent about widely, and when the day came for my enthusiastic praise of Christopher North (John Wilson), a sweet-faced old lady came up to the desk and placed before me a large bunch of veritable Scotch heather for which she had sent to Scotland.

In Cleveland, where I gave a series of talks, President Cutler, of Adelbert University, rose at the close of the last lecture and, looking genially towards me, made this acknowledgment: "I am free to confess that I have often been charmed by a woman, and occasionally instructed, but never before have I been charmed and instructed by the same woman."

Cleveland showed even then the spirit of the Cleveland of today, which is putting that city in the very first rank of the cities not only of the United States but of the world in civic improvement and municipal progress, morally and physically. Each night of my lectures I was entertained at a different house while there, and as a trifle to show their being in advance of other cities, I noticed that the ladies wore wigs to suit their costumes. That only became the fashion here last winter, but I saw no ultra colours such as we saw last year, green and pink and blue, but only those that suited their style and their costume.

At Chicago I was the guest of Mrs. H.O. Stone, who gave me a dinner and an afternoon reception, where I met many members of various clubs, and the youngest grandmothers I had ever seen. At a lunch given for me by Mrs. Locke, wife of Rev. Clinton B. Locke, I met Mrs. Potter Palmer, Mrs. Wayne MacVeagh, and Mrs. Williams, wife of General Williams, and formerly the wife of Stephen Douglas. Mrs. Locke was the best raconteur of any woman I have ever heard. Dartmouth men drove me to all the show places of that wonderful city. Lectured in Rev. Dr. Little's church parlors. He was not only a New Hampshire man, but born in Boscawen, New Hampshire, where my grandfather lived, and where my mother lived until her marriage.

It is pleasant to record that I was carried along on my lecture tour, sometimes by invitation of a Dartmouth man, again by college girls who had graduated at Smith College; then at Peoria, Illinois; welcomed there by a dear friend from Brooklyn, New York, wife of a business man of that city. I knew of Peoria only as a great place for the manufacture of whisky, and for its cast-iron stoves, but found it a city, magnificently situated on a series of bold bluffs. And when I reached my friend's house, a class of ladies, who had been easily chatting in German, wanted to stay and ask me a few questions. These showed deep thought, wide reading, and finely disciplined minds. Only one reading there in the Congregational Church, where there was such a fearful lack of ventilation that I turned from my manuscript and quoted a bit from the "Apele for Are to the Sextant of the Old Brick Meetinouse by A. Gasper," which proved effectual.

I give this impressive exhortation entire as it should be more generally known.

A APELE FOR ARE TO THE SEXTANT

BY ARABELLA WILSON

O Sextant of the meetinouse which sweeps And dusts, or is supposed to! and makes fiers, And lites the gas, and sumtimes leaves a screw loose, In which case it smells orful—wus than lampile; And wrings the Bel and toles it, and sweeps paths; And for these servaces gits $100 per annum; Wich them that thinks deer let 'em try it; Gittin up before starlite in all wethers, and Kindlin fiers when the wether is as cold As zero, and like as not green wood for kindlins, (I wouldn't be hierd to do it for no sum;) But o Sextant there are one kermodity Wuth more than gold which don't cost nuthin; Wuth more than anything except the Sole of man! I mean pewer Are, Sextant, I mean pewer Are! O it is plenty out o dores, so plenty it doant no What on airth to do with itself, but flize about Scatterin leaves and bloin off men's hats; In short its jest as free as Are out dores; But O Sextant! in our church its scarce as piety, Scarce as bankbills when ajunts beg for mishuns, Which sum say is purty often, taint nuthin to me, What I give aint nuthing to nobody; but O Sextant! You shet 500 men women and children Speshily the latter, up in a tite place, Sum has bad breths, none of em aint too sweet, Sum is fevery, sum is scroflus, sum has bad teeth And sum haint none, and sum aint over clean; But evry one of em brethes in and out and in Say 50 times a minnet, or 1 million and a half breths an hour; Now how long will a church full of are last at that rate? I ask you; say fifteen minnets, and then what's to be did? Why then they must brethe it all over agin, And then agin and so on, till each has took it down At least ten times and let it up agin, and what's more, The same individible doant have the privilege Of brethin his own are and no one else, Each one must take wotever comes to him. O Sextant! doant you know our lungs is belluses To bio the fier of life and keep it from Going out: and how can bellusses blo without wind? And aint wind are? I put it to your konshens, Are is the same to us as milk to babies, Or water is to fish, or pendlums to clox, Or roots and airbs unto an Injun doctor, Or little pills unto an omepath. Or Boze to girls. Are is for us to brethe. What signifize who preaches ef I can't brethe? What's Pol? What's Pollus to sinners who are ded? Ded for want of breth! Why Sextant when we dye Its only coz we cant brethe no more—that's all. And now O Sextant! let me beg of you To let a little are into our cherch (Pewer are is sertin proper for the pews); And dew it week days and on Sundys tew— It aint much trobble—only make a hoal, And then the are will come in of itself (It loves to come in where it can git warm). And O how it will rouze the people up And sperrit up the preacher, and stop garps And yorns and fijits as effectool As wind on the dry boans the Profit tels Of.

I went as far as Omaha, and then was asked if I were not going West. The reason for this charming reception was that it was a novelty then to hear a young woman talk in a lively way on striking themes which had been most carefully prepared, and a light touch added, with frequent glints of humour. Byron declared that easy writing was very hard reading. I reversed that method, always working hard over each lecture. For instance, I spent two months in preparing "Bachelor Authors," cramming and condensing, and passing quickly over dangerous ground. With my vocal training I could easily be heard by an audience of five hundred.

A friend was eager to go to Alaska by Seattle; then, after our return, visit Yellowstone Park and San Francisco. She urged me so eloquently to accompany her, that I left my home in Metcalf, Massachusetts, taking great risks in many ways, but wonderful to relate, nothing disastrous occurred.

We scurried by fastest trains across the country to Seattle, just in time to take the Steamer Topeka from Seattle on August 8, 1899, the last boat of the season, and the last chance tourists ever had to see the Muir Glacier in its marvellous glory, as it was broken badly before the next summer.

My friend advised me kindly to ask no questions of the captain, as she knew well what a bore that was. I promised to be exceedingly careful. So, next morning, when that tall and handsome Captain Thompson came around the deck, with a smiling "Good morning," and bowing right and left, I was deeply absorbed in a book; the next time I was looking at a view; another time I played I was fast asleep. He never spoke to me, only stopped an instant before me and walked on. At last, a bow-legged pilot came directly from the captain's office to my open window, bringing to Miss Sanborn a bowl of extra large and luscious strawberries from Douglas Island, quite famous on account of the size and sweetness of this berry. With this gift came a note running thus:

DEAR MISS SANBORN:

I am a little puzzled by your frigid manner. Have you any personal prejudice against me? Walter Raymond wrote me before he sailed, to look you up, and do what I could for you, as you were quite a favourite on the Eastern coast, and any kindness shown to you would be considered a personal favour to him, and that he only wished he could take the trip with us.

I was amazed and mortified. I had obeyed my directions too literally, and must and did explain and apologize. After that, such pleasant attentions from him! Invited to call at his office with my friends, to meet desirable passengers, something nice provided for refreshment, and these gentlemen were always ready for cards or conversation. But the great occasion was when I had no idea of such an honour, that the captain said:

"We are soon to pass through the Wrangel Narrows, a dangerous place, and the steering through zigzag lines must be most careful. I am going to smuggle you on to the bridge to see me steer and hear me give my orders that will be repeated below. But as it is against the rule to take a woman up there at such a time, promise me to keep perfectly silent. If you make one remark you lose your life."

I agreed and kept my mouth shut without a muzzle. That "memory" is as clear today as if it had happened yesterday.

One day while reading in my fine stateroom, a lady came to the open door and asked me if I would go out with her on the deck that pleasant afternoon and meet some friends of hers. I thanked her, but refused as I was reading one of Hon. Justin McCarthy's books, and as I had the honour of meeting him and his most interesting wife in New York City at the home of Mrs. Henry M. Field, I was much engrossed in what he wrote. Again, another person came and entreated me to go to the deck; not suspecting any plot to test me, I went with her, and found a crowd gathered there, and a good-looking young man seemed to be haranguing them. He stopped as we came along and after being introduced went on with: "As I was saying, Miss Sanborn, I regard women as greatly our inferiors; in fact, essentially unemotional,—really bovine. Do you really not agree to that?" I almost choked with surprise and wrath, but managed to retort: "I am sorry to suppose your mother was a cow, but she must have been to raise a calf like you." And I walked away to the tune of great applause. It seems someone had said that I was never at a loss when a repartee was needed, and it was proposed to give me an opportunity. Next surprise: a call as we were nearing Seattle from a large and noticeable lady who introduced herself saying:

"I am the president of a club which I started myself, and feel bound to help on. I have followed you about a good deal, and shall be much obliged if you will jot down for me to read to this club everything you have said since you came on board. I know they will enjoy it." I was sorry my memory failed me entirely on that occasion. Still it was a great compliment!

But the Muir Glacier! We had to keep three and a half miles away, lest the steamer be injured by the small icebergs which broke off the immense mass into the water with a thunderous roar. A live glacier advances a certain distance each day and retreats a little. Those who visited the glacier brought back delicate little blue harebells they found growing in the clefts of ice. No description of my impressions? Certainly not! Too much of that has been done already.

We saw curious sights along the way, such as the salmon leaping into a fenced-in pool to deposit their spawn; there they could be easily speared, dried, and pitched into wagons as we pitch hay in New England. I saw the Indians stretching the salmon on boards put up in the sun, their color in the sun a brilliant pinkish red.

I saw bears fishing at the edge of water, really catching fish in their clumsy paws. Other bears were picking strawberries for their cubs. As I watched them strolling away, I thought they might be looking for a stray cow to milk to add flavour to the berries.

We stopped at Wrangel to look at the totem poles, many of which have since been stolen as the Indians did not wish to sell them; our usual method of business with that abused race. Totem poles are genealogical records, and give the history of the family before whose door they stand. No one would quietly take the registered certificates of Revolutionary ancestors searched for with great care from the Colonial Dames or members of the New England Society, and coolly destroy them. I agree with Charles Lamb who said he didn't want to be like a potato, all that was best of him under ground.

At Sitka the brilliant gardens and the large school for Indian girls were the objects of interest. It is a sad fact that the school which teaches these girls cleanly habits, the practical arts of sewing, and cooking simple but appetizing dishes, has made the girls unwilling to return to their dirty homes and the filthy habits of their parents. That would be impossible to them. So they are lured to visit the dance halls in Juneau, where they find admirers of a transient sort, but seldom secure an honest husband.

We called at Skagway, and the lady who was known by us told us there was much stress there placed upon the most formal attention to rigid conventionalities, calls made and returned, cards left and received at just the right time, more than is expected in Boston. And yet that town was hardly started, and dirt and disorder and chaos reigned supreme.

A company of unlucky miners came home in our steamer; no place for them to sleep but on deck near the doors of our stateroom, and they ate at one of the tables after three other hungry sets had been satisfied. A few slept on the tables. All the poultry had been killed and eaten. We found the Chinese cooks tried to make tough meat attractive by pink and yellow sauces. We were glad to leave the steamer to try the ups and downs of Seattle.



CHAPTER V

Frances E. Willard—Walt Whitman—Lady Henry Somerset—Mrs. Hannah Whitehall Smith—A Teetotaler for Ten Minutes—Olive Thorne Miller—Hearty Praise for Mrs. Lippincott (Grace Greenwood).

I was looking over some letters from Frances E. Willard last week. What a powerful, blessed influence was hers!

Such a rare combination of intense earnestness, persistence, and devotion to a "cause" with a gentle, forgiving, compassionate spirit, and all tempered by perfect self-control.

Visiting in Germantown, Pennsylvania, at the hospitable home of Mrs. Hannah Whitehall Smith, the Quaker Bible reader and lay evangelist, and writer of cheerful counsel, I found several celebrities among her other guests. Miss Willard and Walt Whitman happened to be present. Whitman was rude and aggressively combative in his attack on the advocate of temperance, and that without the slightest provocation. He declared that all this total abstinence was absolute rot and of no earthly use, and that he hated the sight of these women who went out of their way to be crusading temperance fanatics.

After this outburst he left the room. Miss Willard never alluded to his fiery criticism, didn't seem to know she had been hit, but chatted on as if nothing unpleasant had occurred.

In half an hour he returned; and with a smiling face made a manly apology, and asked to be forgiven for his too severe remarks. Miss Willard met him more than half-way, with generous cordiality, and they became good friends. And when with the women of the circle again she said: "Now wasn't that just grand in that dear old man? I like him the more for his outspoken honesty and his unwillingness to pain me."

How they laboured with "Walt" to induce him to leave out certain of his poems from the next edition! The wife went to her room to pray that he might yield, and the husband argued. But no use, it was all "art" every word, and not one line would he ever give up. The old poet was supposed to be poor and needy, and an enthusiastic daughter of Mrs. Smith had secured quite a sum at college to provide bed linen and blankets for him in the simple cottage at Camden. Whitman was a great, breezy, florid-faced out-of-doors genius, but we all wished he had been a little less au naturel.

To speak once more of Miss Willard, no one enjoyed a really laughable thing more than she did, but I never felt like being a foolish trifler in her presence. Her outlook was so far above mine that I always felt not rebuked, but ashamed of my superficial lightness of manner.

Just one illustration of the unconscious influence of her noble soul and her convincing words:

Many years ago, at an anniversary of Sorosis in New York, I had half promised the persuasive president (Jennie June) that I would say something. The possibility of being called up for an after-dinner speech! Something brief, terse, sparkling, complimentary, satisfactory, and something to raise a laugh! O, you know this agony! I had nothing in particular to say; I wanted to be quiet and enjoy the treat. But between each course I tried hard, while apparently listening to my neighbour, to think up something "neat and appropriate."

This coming martyrdom, which increases in horror as you advance with deceptive gayety, from roast to game, and game to ices, is really one of the severest trials of club life.

Miss Willard was one of the honoured guests of the day, and was called on first. When she arose and began to speak, I felt instantly that she had something to say; something that she felt was important we should hear, and how beautifully, how simply it was said! Not a thought of self, not one instant's hesitation for a thought or a word, yet it was evidently unwritten and not committed to memory. Every eye was drawn to her earnest face; every heart was touched. As she sat down, I rose and left the room rather rapidly; and when my name was called and my fizzling fireworks expected, I was walking up Fifth Avenue, thinking about her and her life-work. The whole experience was a revelation. I had never met such a woman. No affectation, nor pedantry, nor mannishness to mar the effect. It was in part the humiliating contrast between her soul-stirring words and my silly little society effort that drove me from the place, but all petty egotism vanished before the wish to be of real use to others with which her earnestness had inspired me.

One lady told me that after hearing her she felt she could go out and be a praying band all by herself. Indeed she was

A noble woman, true and pure, Who in the little while she stayed, Wrought works that shall endure.

She was asked who she would prefer to write a sketch of her and her work and she honoured me by giving me that great pleasure. The book appeared in 1883, entitled Our Famous Women.

Once when Miss Willard was in Boston with Lady Henry Somerset and Anna Gordon, I was delighted by a letter from Frances saying that Lady Henry wanted to know me and could I lunch with them soon at the Abbottsford. I accepted joyously, but next morning's mail brought this depressing decision: "Dear Kate, we have decided that there will be more meat in going to you. When can we come?" I was hardly settled in my house of the Abandoned Farm. There was no furnace in the house, only two servants with me. And it would be impossible to entertain those friends properly in the dead of the winter, and I nearly ready to leave for a milder clime. So I told them the stern facts and lost a rare treat.

This is the end of Miss Willard's good-bye letter to me when returning to England with Lady Henry:

Hoping to see you on my return, and hereby soliciting an exchange of photographs between you and Lady Henry and me,

I am ever and as ever Yours, FRANCES WILLARD.

While at Mrs. Smith's home in Germantown, both she and Miss Willard urged me to sign a Temperance Pledge that lay on the table in the library. I would have accepted almost anything either of those good friends presented for my attention. So after thinking seriously I signed. But after going to my room I felt sure that I could never keep that pledge. So I ran downstairs and told them to erase my name, which was done without one word of astonishment or reproof from either.

I wish I knew how to describe Hannah Whitehall Smith as she was in her everyday life. Such simple nobility, such tenderness for the tempted, such a love for sinners, such a longing to show them the better way. She said to me: "If my friends must go to what is called Hell I want to go with them." When a minister, who was her guest, was greatly roused at her lack of belief in eternal punishment and her infinite patience with those who lacked moral strength, he said: "There are surely some sins your daughters could commit which would make you drive them from your home." "There are no sins my daughters could commit which would not make me hug them more closely in my arms and strive to bring them back." Wherewith he exclaimed bitterly: "Madam, you are a mere mucilaginous mess." She made no reply, but her husband soon sent him word that a carriage would be at the door in one hour to convey him to the train for New York.

* * * * *

"If you do not love the birds, you cannot understand them."

I remember enjoying an article on the catbird several years ago in the Atlantic Monthly, and wanting to know more of the woman who had observed a pair of birds so closely, and could make so charming a story of their love-affairs and housekeeping experiences, and thinking that most persons knew next to nothing about birds, their habits, and homes.

Mrs. Olive Thorne Miller, who wrote that bird talk, is now a dear friend of mine, and while spending a day with me lately was kind enough to answer all my questions as to how and where and when she began to study birds. She is not a young woman, is the proud grandmother of seven children; but her bright face crowned with handsome white hair, has that young, alert, happy look that comes with having a satisfying hobby that goes at a lively pace. She said: "I never thought of being anything but a housekeeping mother until I was about thirty-one and my husband lost all his property, and want, or a thousand wants, stared us in the face. Making the children's clothes and my own, and cooking as well, broke down my health, so I bethought me of writing, which I always had a longing to do."

"What did you begin with?"

"Well, pretty poor stuff that no one was anxious to pay for; mostly in essay form expressing my own opinions on various important subjects. But it didn't go. I was complaining of my bad luck to a plain-spoken woman in charge of a circulating library, and she gave me grand advice. 'No one cares a snap for your opinions. You must tell something that folks want to know.'"

"Did you then take up birds?"

"O no; I went into the library, read some of Harriet Martineau's talks on pottery, and told children how a teacup was made and got one dollar for that. But those pot-boilers were not inspiring, and about ten years later a second woman adviser turned my course into another channel."

"How did that come about?"

"I had a bird-loving friend from the West visiting me, and took her to Prospect Park, Brooklyn, to see our birds. She pointed out several, and so interested me in their lives that from that day I began to study them, especially the wood-thrush and catbird. After I had studied them for two years, I wrote what I had seen. From that time my course has seemed marked out for me, and my whole time has been given to this one theme. I think every woman over forty-five ought to take up a fad; they would be much happier and better off."

"You told me once that three women had each in turn changed your career. Do give me the third."

"Well, after my articles and books had met with favour (I have brought out fifteen books), invitations to lecture or talk about birds kept pouring in. I was talking this over with Marion Harland (Mrs. Terhune), declaring I could never appear in public, that I should be frightened out of my wits, and that I must decline. My voice would all go, and my heart jump into my mouth. She exclaimed, 'For a sensible woman, you are the biggest fool I ever met!' This set me thinking, and with many misgivings I accepted an invitation."

"And did you nearly expire with stage fright?"

"Never was scared one bit, my dear. All bird-lovers are the nicest kind of folks, either as an audience or in their own homes. I have made most delightful acquaintances lecturing in fifteen different States; am now booked for a tour in the West, lecturing every day and taking classes into the fields and woods for actual observation. Nesting-time is the best time to study the birds, to know them thoroughly."

"Do you speak about dead birds on hats?"

"Yes, when I am asked to do so. Did you ever hear that Celia Thaxter, finding herself in a car with women whose head-gear emulated a bird-museum, was moved to rise and appeal to them in so kindly a way that some pulled off the feathers then and there, and all promised to reform? She loved birds so truly that she would not be angry when spring after spring they picked her seeds out of her 'Island Garden.'"

"Have you any special magnetic power over birds, so that they will come at your call or rest on your outstretched finger?"

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