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Madam How and Lady Why - or, First Lessons in Earth Lore for Children
by Charles Kingsley
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But what good will he do by putting chalk on it? Chalk is not rich and fertile, like manure, it is altogether poor, barren stuff: you know that, or ought to know it. Recollect the chalk cuttings and banks on the railway between Basingstoke and Winchester—how utterly barren they are. Though they have been open these thirty years, not a blade of grass, hardly a bit of moss, has grown on them, or will grow, perhaps, for centuries.

Come, let us find out something about the chalk before we talk about the caves. The chalk is here, and the caves are not; and "Learn from the thing that lies nearest you" is as good a rule as "Do the duty which lies nearest you." Let us come into the grubbed bit, and ask the farmer—there he is in his gig.

Well, old friend, and how are you? Here is a little boy who wants to know why you are putting chalk on your field.

Does he then? If he ever tries to farm round here, he will have to learn for his first rule—No chalk, no wheat.

But why?

Why, is more than I can tell, young squire. But if you want to see how it comes about, look here at this freshly-grubbed land—how sour it is. You can see that by the colour of it—some black, some red, some green, some yellow, all full of sour iron, which will let nothing grow. After the chalk has been on it a year or two, those colours will have all gone out of it; and it will turn to a nice wholesome brown, like the rest of the field; and then you will know that the land is sweet, and fit for any crop. Now do you mind what I tell you, and then I'll tell you something more. We put on the chalk because, beside sweetening the land, it will hold water. You see, the land about here, though it is often very wet from springs, is sandy and hungry; and when we drain the bottom water out of it, the top water (that is, the rain) is apt to run through it too fast: and then it dries and burns up; and we get no plant of wheat, nor of turnips either. So we put on chalk to hold water, and keep the ground moist.

But how can these lumps of chalk hold water? They are not made like cups.

No: but they are made like sponges, which serves our turn better still. Just take up that lump, young squire, and you'll see water enough in it, or rather looking out of it, and staring you in the face.

Why! one side of the lump is all over thick ice.

So it is. All that water was inside the chalk last night, till it froze. And then it came squeezing out of the holes in the chalk in strings, as you may see it if you break the ice across. Now you may judge for yourself how much water a load of chalk will hold, even on a dry summer's day. And now, if you'll excuse me, sir, I must be off to market.

Was it all true that the farmer said?

Quite true, I believe. He is not a scientific man—that is, he does not know the chemical causes of all these things; but his knowledge is sound and useful, because it comes from long experience. He and his forefathers, perhaps for a thousand years and more, have been farming this country, reading Madam How's books with very keen eyes, experimenting and watching, very carefully and rationally; making mistakes often, and failing and losing their crops and their money; but learning from their mistakes, till their empiric knowledge, as it is called, helps them to grow sometimes quite as good crops as if they had learned agricultural chemistry.

What he meant by the chalk sweetening the land you would not understand yet, and I can hardly tell you; for chemists are not yet agreed how it happens. But he was right; and right, too, what he told you about the water inside the chalk, which is more important to us just now; for, if we follow it out, we shall surely come to a cave at last.

So now for the water in the chalk. You can see now why the chalk-downs at Winchester are always green, even in the hottest summer: because Madam How has put under them her great chalk sponge. The winter rains soak into it; and the summer heat draws that rain out of it again as invisible steam, coming up from below, to keep the roots of the turf cool and moist under the blazing sun.

You love that short turf well. You love to run and race over the Downs with your butterfly-net and hunt "chalk-hill blues," and "marbled whites," and "spotted burnets," till you are hot and tired; and then to sit down and look at the quiet little old city below, with the long cathedral roof, and the tower of St. Cross, and the gray old walls and buildings shrouded by noble trees, all embosomed among the soft rounded lines of the chalk-hills; and then you begin to feel very thirsty, and cry, "Oh, if there were but springs and brooks in the Downs, as there are at home!" But all the hollows are as dry as the hill tops. There is not a brook, or the mark of a watercourse, in one of them. You are like the Ancient Mariner in the poem, with

"Water, water, every where, Nor any drop to drink."

To get that you must go down and down, hundreds of feet, to the green meadows through which silver Itchen glides toward the sea. There you stand upon the bridge, and watch the trout in water so crystal-clear that you see every weed and pebble as if you looked through air. If ever there was pure water, you think, that is pure. Is it so? Drink some. Wash your hands in it and try—You feel that the water is rough, hard (as they call it), quite different from the water at home, which feels as soft as velvet. What makes it so hard?

Because it is full of invisible chalk. In every gallon of that water there are, perhaps, fifteen grains of solid chalk, which was once inside the heart of the hills above. Day and night, year after year, the chalk goes down to the sea; and if there were such creatures as water-fairies—if it were true, as the old Greeks and Romans thought, that rivers were living things, with a Nymph who dwelt in each of them, and was its goddess or its queen—then, if your ears were opened to hear her, the Nymph of Itchen might say to you—

So child, you think that I do nothing but, as your sister says when she sings Mr. Tennyson's beautiful song,

"I chatter over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles."

Yes. I do that: and I love, as the Nymphs loved of old, men who have eyes to see my beauty, and ears to discern my song, and to fit their own song to it, and tell how

"'I wind about, and in and out, With here a blossom sailing, And here and there a lusty trout, And here and there a grayling,

"'And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel,

"'And draw them all along, and flow To join the brimming river, For men may come and men may go, But I go on for ever.'"

Yes. That is all true: but if that were all, I should not be let to flow on for ever, in a world where Lady Why rules, and Madam How obeys. I only exist (like everything else, from the sun in heaven to the gnat which dances in his beam) on condition of working, whether we wish it or not, whether we know it or not. I am not an idle stream, only fit to chatter to those who bathe or fish in my waters, or even to give poets beautiful fancies about me. You little guess the work I do. For I am one of the daughters of Madam How, and, like her, work night and day, we know not why, though Lady Why must know. So day by day, and night by night, while you are sleeping (for I never sleep), I carry, delicate and soft as I am, a burden which giants could not bear: and yet I am never tired. Every drop of rain which the south-west wind brings from the West Indian seas gives me fresh life and strength to bear my burden; and it has need to do so; for every drop of rain lays a fresh burden on me. Every root and weed which grows in every field; every dead leaf which falls in the highwoods of many a parish, from the Grange and Woodmancote round to Farleigh and Preston, and so to Brighton and the Alresford downs;—ay, every atom of manure which the farmers put on the land—foul enough then, but pure enough before it touches me—each of these, giving off a tiny atom of what men call carbonic acid, melts a tiny grain of chalk, and helps to send it down through the solid hill by one of the million pores and veins which at once feed and burden my springs. Ages on ages I have worked on thus, carrying the chalk into the sea. And ages on ages, it may be, I shall work on yet; till I have done my work at last, and levelled the high downs into a flat sea-shore, with beds of flint gravel rattling in the shallow waves.

She might tell you that; and when she had told you, you would surely think of the clumsy chalk-cart rumbling down the hill, and then of the graceful stream, bearing silently its invisible load of chalk; and see how much more delicate and beautiful, as well as vast and wonderful, Madam How's work is than that of man.

But if you asked the nymph why she worked on for ever, she could not tell you. For like the Nymphs of old, and the Hamadryads who lived, in trees, and Undine, and the little Sea-maiden, she would have no soul; no reason; no power to say why.

It is for you, who are a reasonable being, to guess why: or at least listen to me if I guess for you, and say, perhaps—I can only say perhaps—that chalk may be going to make layers of rich marl in the sea between England and France; and those marl-beds may be upheaved and grow into dry land, and be ploughed, and sowed, and reaped by a wiser race of men, in a better-ordered world than this: or the chalk may have even a nobler destiny before it. That may happen to it, which has happened already to many a grain of lime. It may be carried thousands of miles away to help in building up a coral reef (what that is I must tell you afterwards). That coral reef may harden into limestone beds. Those beds may be covered up, pressed, and, it may be, heated, till they crystallise into white marble: and out of it fairer statues be carved, and grander temples built, than the world has ever yet seen.

And if that is not the reason why the chalk is being sent into the sea, then there is another reason, and probably a far better one. For, as I told you at first, Lady Why's intentions are far wiser and better than our fancies; and she—like Him whom she obeys—is able to do exceeding abundantly, beyond all that we can ask or think.

But you will say now that we have followed the chalk-cart a long way, without coming to the cave.

You are wrong. We have come to the very mouth of the cave. All we have to do is to say—not "Open Sesame," like Ali Baba in the tale of the Forty Thieves—but some word or two which Madam Why will teach us, and forthwith a hill will open, and we shall walk in, and behold rivers and cascades underground, stalactite pillars and stalagmite statues, and all the wonders of the grottoes of Adelsberg, Antiparos, or Kentucky.

Am I joking? Yes, and yet no; for you know that when I joke I am usually most in earnest. At least, I am now.

But there are no caves in chalk?

No, not that I ever heard of. There are, though, in limestone, which is only a harder kind of chalk. Madam How could turn this chalk into hard limestone, I believe, even now; and in more ways than one: but in ways which would not be very comfortable or profitable for us Southern folk who live on it. I am afraid that—what between squeezing and heating—she would flatten us all out into phosphatic fossils, about an inch thick; and turn Winchester city into a "breccia" which would puzzle geologists a hundred thousand years hence. So we will hope that she will leave our chalk downs for the Itchen to wash gently away, while we talk about caves, and how Madam How scoops them out by water underground, just in the same way, only more roughly, as she melts the chalk.

Suppose, then, that these hills, instead of being soft, spongy chalk, were all hard limestone marble, like that of which the font in the church is made. Then the rainwater, instead of sinking through the chalk as now, would run over the ground down-hill, and if it came to a crack (a fault, as it is called) it would run down between the rock; and as it ran it would eat that hole wider and wider year by year, and make a swallow- hole—such as you may see in plenty if you ever go up Whernside, or any of the high hills in Yorkshire—unfathomable pits in the green turf, in which you may hear the water tinkling and trickling far, far underground.

And now, before we go a step farther, you may understand, why the bones of animals are so often found in limestone caves. Down such swallow-holes how many beasts must fall: either in hurry and fright, when hunted by lions and bears and such cruel beasts; or more often still in time of snow, when the holes are covered with drift; or, again, if they died on the open hill-sides, their bones might be washed in, in floods, along with mud and stones, and buried with them in the cave below; and beside that, lions and bears and hyaenas might live in the caves below, as we know they did in some caves, and drag in bones through the caves' mouths; or, again, savages might live in that cave, and bring in animals to eat, like the wild beasts; and so those bones might be mixed up, as we know they were, with things which the savages had left behind—like flint tools or beads; and then the whole would be hardened, by the dripping of the limestone water, into a paste of breccia just like this in my drawer. But the bones of the savages themselves you would seldom or never find mixed in it—unless some one had fallen in by accident from above. And why? (For there is a Why? to that question: and not merely a How?) Simply because they were men; and because God has put into the hearts of all men, even of the lowest savages, some sort of reverence for those who are gone; and has taught them to bury, or in some other way take care of, their bones.

But how is the swallow-hole sure to end in a cave?

Because it cannot help making a cave for itself if it has time.

Think: and you will see that it must be so. For that water must run somewhere; and so it eats its way out between the beds of the rock, making underground galleries, and at last caves and lofty halls. For it always eats, remember, at the bottom of its channel, leaving the roof alone. So it eats, and eats, more in some places and less in others, according as the stone is harder or softer, and according to the different direction of the rock-beds (what we call their dip and strike); till at last it makes one of those wonderful caverns about which you are so fond of reading—such a cave as there actually is in the rocks of the mountain of Whernside, fed by the swallow-holes around the mountain-top; a cave hundreds of yards long, with halls, and lakes, and waterfalls, and curtains and festoons of stalactite which have dripped from the roof, and pillars of stalagmite which have been built up on the floor below. These stalactites (those tell me who have seen them) are among the most beautiful of all Madam How's work; sometimes like branches of roses or of grapes; sometimes like statues; sometimes like delicate curtains, and I know not what other beautiful shapes. I have never seen them, I am sorry to say, and therefore I cannot describe them. But they are all made in the same way; just in the same way as those little straight stalactites which you may have seen hanging, like icicles, in vaulted cellars, or under the arches of a bridge. The water melts more lime than it can carry, and drops some of it again, making fresh limestone grain by grain as it drips from the roof above; and fresh limestone again where it splashes on the floor below: till if it dripped long enough, the stalactite hanging from above would meet the stalagmite rising from below, and join in one straight round white graceful shaft, which would seem (but only seem) to support the roof of the cave. And out of that cave—though not always out of the mouth of it—will run a stream of water, which seems to you clear as crystal, though it is actually, like the Itchen at Winchester, full of lime; so full of lime, that it makes beds of fresh limestone, which are called travertine—which you may see in Italy, and Greece, and Asia Minor: or perhaps it petrifies, as you call it, the weeds in its bed, like that dropping-well at Knaresborough, of which you have often seen a picture. And the cause is this: the water is so full of lime, that it is forced to throw away some of it upon everything it touches, and so incrusts with stone—though it does not turn to stone—almost anything you put in it. You have seen, or ought to have seen, petrified moss and birds' nests and such things from Knaresborough Well: and now you know a little, though only a very little, of how the pretty toys are made.

Now if you can imagine for yourself (though I suppose a little boy cannot) the amount of lime which one of these subterranean rivers would carry away, gnawing underground centuries after centuries, day and night, summer and winter, then you will not be surprised at the enormous size of caverns which may be seen in different parts of the world—but always, I believe, in limestone rock. You would not be surprised (though you would admire them) at the caverns of Adelsberg, in Carniola (in the south of Austria, near the top of the Adriatic), which runs, I believe, for miles in length; and in the lakes of which, in darkness from its birth until its death, lives that strange beast, the Proteus a sort of long newt which never comes to perfection—I suppose for want of the genial sunlight which makes all things grow. But he is blind; and more, he keeps all his life the same feathery gills which newts have when they are babies, and which we have so often looked at through the microscope, to see the blood-globules run round and round inside. You would not wonder, either, at the Czirknitz Lake, near the same place, which at certain times of the year vanishes suddenly through chasms under water, sucking the fish down with it; and after a certain time boils suddenly up again from the depths, bringing back with it the fish, who have been swimming comfortably all the time in a subterranean lake; and bringing back, too (and, extraordinary as this story is, there is good reason to believe it true), live wild ducks who went down small and unfledged, and come back full-grown and fat, with water-weeds and small fish in their stomachs, showing they have had plenty to feed on underground. But—and this is the strangest part of the story, if true—they come up unfledged just as they went down, and are moreover blind from having been so long in darkness. After a while, however, folks say their eyes get right, their feathers grow, and they fly away like other birds.

Neither would you be surprised (if you recollect that Madam How is a very old lady indeed, and that some of her work is very old likewise) at that Mammoth Cave in Kentucky, the largest cave in the known world, through which you may walk nearly ten miles on end, and in which a hundred miles of gallery have been explored already, and yet no end found to the cave. In it (the guides will tell you) there are "226 avenues, 47 domes, 8 cataracts, 23 pits, and several rivers;" and if that fact is not very interesting to you (as it certainly is not to me) I will tell you something which ought to interest you: that this cave is so immensely old that various kinds of little animals, who have settled themselves in the outer parts of it, have had time to change their shape, and to become quite blind; so that blind fathers and mothers have blind children, generation after generation.

There are blind rats there, with large shining eyes which cannot see—blind landcrabs, who have the foot-stalks of their eyes (you may see them in any crab) still left; but the eyes which should be on the top of them are gone. There are blind fish, too, in the cave, and blind insects; for, if they have no use for their eyes in the dark, why should Madam How take the trouble to finish them off?

One more cave I must tell you of, to show you how old some caves must be, and then I must stop; and that is the cave of Caripe, in Venezuela, which is the most northerly part of South America. There, in the face of a limestone cliff, crested with enormous flowering trees, and festooned with those lovely creepers of which you have seen a few small ones in hothouses, there opens an arch as big as the west front of Winchester Cathedral, and runs straight in like a cathedral nave for more than 1400 feet. Out of it runs a stream; and along the banks of that stream, as far as the sunlight strikes in, grow wild bananas, and palms, and lords and ladies (as you call them), which are not, like ours, one foot, but many feet high. Beyond that the cave goes on, with subterranean streams, cascades, and halls, no man yet knows how far. A friend of mine last year went in farther, I believe, than any one yet has gone; but, instead of taking Indian torches made of bark and resin, or even torches made of Spanish wax, such as a brave bishop of those parts used once when he went in farther than any one before him, he took with him some of that beautiful magnesium light which you have seen often here at home. And in one place, when he lighted up the magnesium, he found himself in a hall full 300 feet high—higher far, that is, than the dome of St. Paul's—and a very solemn thought it was to him, he said, that he had seen what no other human being ever had seen; and that no ray of light had ever struck on that stupendous roof in all the ages since the making of the world. But if he found out something which he did not expect, he was disappointed in something which he did expect. For the Indians warned him of a hole in the floor which (they told him) was an unfathomable abyss. And lo and behold, when he turned the magnesium light upon it, the said abyss was just about eight feet deep. But it is no wonder that the poor Indians with their little smoky torches should make such mistakes; no wonder, too, that they should be afraid to enter far into those gloomy vaults; that they should believe that the souls of their ancestors live in that dark cave; and that they should say that when they die they will go to the Guacharos, as they call the birds that fly with doleful screams out of the cave to feed at night, and in again at daylight, to roost and sleep.

Now, it is these very Guacharo birds which are to me the most wonderful part of the story. The Indians kill and eat them for their fat, although they believe they have to do with evil spirits. But scientific men who have studied these birds will tell you that they are more wonderful than if all the Indians' fancies about them were true. They are great birds, more than three feet across the wings, somewhat like owls, somewhat like cuckoos, somewhat like goatsuckers; but, on the whole, unlike anything in the world but themselves; and instead of feeding on moths or mice, they feed upon hard dry fruits, which they pick off the trees after the set of sun. And wise men will tell you, that in making such a bird as that, and giving it that peculiar way of life, and settling it in that cavern, and a few more caverns in that part of the world, and therefore in making the caverns ready for them to live in, Madam How must have taken ages and ages, more than you can imagine or count.

But that is among the harder lessons which come in the latter part of Madam How's book. Children need not learn them yet; and they can never learn them, unless they master her alphabet, and her short and easy lessons for beginners, some of which I am trying to teach you now.

But I have just recollected that we are a couple of very stupid fellows. We have been talking all this time about chalk and limestone, and have forgotten to settle what they are, and how they were made. We must think of that next time. It will not do for us (at least if we mean to be scientific men) to use terms without defining them; in plain English, to talk about—we don't know what.



CHAPTER VIII—MADAM HOW'S TWO GRANDSONS

You want to know, then, what chalk is? I suppose you mean what chalk is made of?

Yes. That is it.

That we can only help by calling in the help of a very great giant whose name is Analysis.

A giant?

Yes. And before we call for him I will tell you a very curious story about him and his younger brother, which is every word of it true.

Once upon a time, certainly as long ago as the first man, or perhaps the first rational being of any kind, was created, Madam How had two grandsons. The elder is called Analysis, and the younger Synthesis. As for who their father and mother were, there have been so many disputes on that question that I think children may leave it alone for the present. For my part, I believe that they are both, like St. Patrick, "gentlemen, and come of decent people;" and I have a great respect and affection for them both, as long as each keeps in his own place and minds his own business.

Now you must understand that, as soon as these two baby giants were born, Lady Why, who sets everything to do that work for which it is exactly fitted, set both of them their work. Analysis was to take to pieces everything he found, and find out how it was made. Synthesis was to put the pieces together again, and make something fresh out of them. In a word, Analysis was to teach men Science; and Synthesis to teach them Art.

But because Analysis was the elder, Madam How commanded Synthesis never to put the pieces together till Analysis had taken them completely apart. And, my child, if Synthesis had obeyed that rule of his good old grandmother's, the world would have been far happier, wealthier, wiser, and better than it is now.

But Synthesis would not. He grew up a very noble boy. He could carve, he could paint, he could build, he could make music, and write poems: but he was full of conceit and haste. Whenever his elder brother tried to do a little patient work in taking things to pieces, Synthesis snatched the work out of his hands before it was a quarter done, and began putting it together again to suit his own fancy, and, of course, put it together wrong. Then he went on to bully his elder brother, and locked him up in prison, and starved him, till for many hundred years poor Analysis never grew at all, but remained dwarfed, and stupid, and all but blind for want of light; while Synthesis, and all the hasty conceited people who followed him, grew stout and strong and tyrannous, and overspread the whole world, and ruled it at their will. But the fault of all the work of Synthesis was just this: that it would not work. His watches would not keep time, his soldiers would not fight, his ships would not sail, his houses would not keep the rain out. So every time he failed in his work he had to go to poor Analysis in his dungeon, and bully him into taking a thing or two to pieces, and giving him a few sound facts out of them, just to go on with till he came to grief again, boasting in the meantime that he and not Analysis had found out the facts. And at last he grew so conceited that he fancied he knew all that Madam How could teach him, or Lady Why either, and that he understood all things in heaven and earth; while it was not the real heaven and earth that he was thinking of, but a sham heaven and a sham earth, which he had built up out of his guesses and his own fancies.

And the more Synthesis waxed in pride, and the more he trampled upon his poor brother, the more reckless he grew, and the more willing to deceive himself. If his real flowers would not grow, he cut out paper flowers, and painted them and said that they would do just as well as natural ones. If his dolls would not work, he put strings and wires behind them to make them nod their heads and open their eyes, and then persuaded other people, and perhaps half-persuaded himself, that they were alive. If the hand of his weather-glass went down, he nailed it up to insure a fine day, and tortured, burnt, or murdered every one who said it did not keep up of itself. And many other foolish and wicked things he did, which little boys need not hear of yet.

But at last his punishment came, according to the laws of his grandmother, Madam How, which are like the laws of the Medes and Persians, and alter not, as you and all mankind will sooner or later find; for he grew so rich and powerful that he grew careless and lazy, and thought about nothing but eating and drinking, till people began to despise him more and more. And one day he left the dungeon of Analysis so ill guarded, that Analysis got out and ran away. Great was the hue and cry after him; and terribly would he have been punished had he been caught. But, lo and behold, folks had grown so disgusted with Synthesis that they began to take the part of Analysis. Poor men hid him in their cottages, and scholars in their studies. And when war arose about him,—and terrible wars did arise,—good kings, wise statesmen, gallant soldiers, spent their treasure and their lives in fighting for him. All honest folk welcomed him, because he was honest; and all wise folk used him, for, instead of being a conceited tyrant like Synthesis, he showed himself the most faithful, diligent, humble of servants, ready to do every man's work, and answer every man's questions. And among them all he got so well fed that he grew very shortly into the giant that he ought to have been all along; and was, and will be for many a year to come, perfectly able to take care of himself.

As for poor Synthesis, he really has fallen so low in these days, that one cannot but pity him. He now goes about humbly after his brother, feeding on any scraps that are thrown to him, and is snubbed and rapped over the knuckles, and told one minute to hold his tongue and mind his own business, and the next that he has no business at all to mind, till he has got into such a poor way that some folks fancy he will die, and are actually digging his grave already, and composing his epitaph. But they are trying to wear the bear's skin before the bear is killed; for Synthesis is not dead, nor anything like it; and he will rise up again some day, to make good friends with his brother Analysis, and by his help do nobler and more beautiful work than he has ever yet done in the world.

So now Analysis has got the upper hand; so much so that he is in danger of being spoilt by too much prosperity, as his brother was before him; in which case he too will have his fall; and a great deal of good it will do him. And that is the end of my story, and a true story it is.

Now you must remember, whenever you have to do with him, that Analysis, like fire, is a very good servant, but a very bad master. For, having got his freedom only of late years or so, he is, like young men when they come suddenly to be their own masters, apt to be conceited, and to fancy that he knows everything, when really he knows nothing, and can never know anything, but only knows about things, which is a very different matter. Indeed, nowadays he pretends that he can teach his old grandmother, Madam How, not only how to suck eggs, but to make eggs into the bargain; while the good old lady just laughs at him kindly, and lets him run on, because she knows he will grow wiser in time, and learn humility by his mistakes and failures, as I hope you will from yours.

However, Analysis is a very clever young giant, and can do wonderful work as long as he meddles only with dead things, like this bit of lime. He can take it to pieces, and tell you of what things it is made, or seems to be made; and take them to pieces again, and tell you what each of them is made of; and so on, till he gets conceited, and fancies that he can find out some one Thing of all things (which he calls matter), of which all other things are made; and some Way of all ways (which he calls force), by which all things are made: but when he boasts in that way, old Madam How smiles, and says, "My child, before you can say that, you must remember a hundred things which you are forgetting, and learn a hundred thousand things which you do not know;" and then she just puts her hand over his eyes, and Master Analysis begins groping in the dark, and talking the saddest nonsense. So beware of him, and keep him in his own place, and to his own work, or he will flatter you, and get the mastery of you, and persuade you that he can teach you a thousand things of which he knows no more than he does why a duck's egg never hatches into a chicken. And remember, if Master Analysis ever grows saucy and conceited with you, just ask him that last riddle, and you will shut him up at once.

And why?

Because Analysis can only explain to you a little about dead things, like stones—inorganic things as they are called. Living things—organisms, as they are called—he cannot explain to you at all. When he meddles with them, he always ends like the man who killed his goose to get the golden eggs. He has to kill his goose, or his flower, or his insect, before he can analyse it; and then it is not a goose, but only the corpse of a goose; not a flower, but only the dead stuff of the flower.

And therefore he will never do anything but fail, when he tries to find out the life in things. How can he, when he has to take the life out of them first? He could not even find out how a plum-pudding is made by merely analysing it. He might part the sugar, and the flour, and the suet; he might even (for he is very clever, and very patient too, the more honour to him) take every atom of sugar out of the flour with which it had got mixed, and every atom of brown colour which had got out of the plums and currants into the body of the pudding, and then, for aught I know, put the colouring matter back again into the plums and currants; and then, for aught I know, turn the boiled pudding into a raw one again,—for he is a great conjurer, as Madam How's grandson is bound to be: but yet he would never find out how the pudding was made, unless some one told him the great secret which the sailors in the old story forgot—that the cook boiled it in a cloth.

This is Analysis's weak point—don't let it be yours—that in all his calculations he is apt to forget the cloth, and indeed the cook likewise. No doubt he can analyse the matter of things: but he will keep forgetting that he cannot analyse their form.

Do I mean their shape?

No, my child; no. I mean something which makes the shape of things, and the matter of them likewise, but which folks have lost sight of nowadays, and do not seem likely to get sight of again for a few hundred years. So I suppose that you need not trouble your head about it, but may just follow the fashions as long as they last.

About this piece of lime, however, Analysis can tell us a great deal. And we may trust what he says, and believe that he understands what he says.

Why?

Think now. If you took your watch to pieces, you would probably spoil it for ever; you would have perhaps broken, and certainly mislaid, some of the bits; and not even a watchmaker could put it together again. You would have analysed the watch wrongly. But if a watchmaker took it to pieces then any other watchmaker could put it together again to go as well as ever, because they both understand the works, how they fit into each other, and what the use and the power of each is. Its being put together again rightly would be a proof that it had been taken to pieces rightly.

And so with Master Analysis. If he can take a thing to pieces so that his brother Synthesis can put it together again, you may be sure that he has done his work rightly.

Now he can take a bit of chalk to pieces, so that it shall become several different things, none of which is chalk, or like chalk at all. And then his brother Synthesis can put them together again, so that they shall become chalk, as they were before. He can do that very nearly, but not quite. There is, in every average piece of chalk, something which he cannot make into chalk again when he has once unmade it.

What that is I will show you presently; and a wonderful tale hangs thereby. But first we will let Analysis tell us what chalk is made of, as far as he knows.

He will say—Chalk is carbonate of lime.

But what is carbonate of lime made of?

Lime and carbonic acid.

And what is lime?

The oxide of a certain metal, called calcium.

What do you mean?

That quicklime is a certain metal mixed with oxygen gas; and slacked lime is the same, mixed with water.

So lime is a metal. What is a metal? Nobody knows.

And what is oxygen gas? Nobody knows.

Well, Analysis, stops short very soon. He does not seem to know much about the matter.

Nay, nay, you are wrong there. It is just "about the matter" that he does know, and knows a great deal, and very accurately; what he does not know is the matter itself. He will tell you wonderful things about oxygen gas—how the air is full of it, the water full of it, every living thing full of it; how it changes hard bright steel into soft, foul rust; how a candle cannot burn without it, or you live without it. But what it is he knows not.

Will he ever know?

That is Lady Why's concern, and not ours. Meanwhile he has a right to find out if he can. But what do you want to ask him next?

What? Oh! What carbonic acid is. He can tell you that. Carbon and oxygen gas.

But what is carbon?

Nobody knows.

Why, here is this stupid Analysis at fault again.

Nay, nay, again. Be patient with him. If he cannot tell you what carbon is, he can tell you what is carbon, which is well worth knowing. He will tell you, for instance, that every time you breathe or speak, what comes out of your mouth is carbonic acid; and that, if your breath comes on a bit of slacked lime, it will begin to turn it back into the chalk from which it was made; and that, if your breath comes on the leaves of a growing plant, that leaf will take the carbon out of it, and turn it into wood. And surely that is worth knowing,—that you may be helping to make chalk, or to make wood, every time you breathe.

Well; that is very curious.

But now, ask him, What is carbon? And he will tell you, that many things are carbon. A diamond is carbon; and so is blacklead; and so is charcoal and coke, and coal in part, and wood in part.

What? Does Analysis say that a diamond and charcoal are the same thing?

Yes.

Then his way of taking things to pieces must be a very clumsy one, if he can find out no difference between diamond and charcoal.

Well, perhaps it is: but you must remember that, though he is very old—as old as the first man who ever lived—he has only been at school for the last three hundred years or so. And remember, too, that he is not like you, who have some one else to teach you. He has had to teach himself, and find out for himself, and make his own tools, and work in the dark besides. And I think it is very much to his credit that he ever found out that diamond and charcoal were the same things. You would never have found it out for yourself, you will agree.

No: but how did he do it?

He taught a very famous chemist, Lavoisier, about ninety years ago, how to burn a diamond in oxygen—and a very difficult trick that is; and Lavoisier found that the diamond when burnt turned almost entirely into carbonic acid and water, as blacklead and charcoal do; and more, that each of them turned into the same quantity of carbonic acid, And so he knew, as surely as man can know anything, that all these things, however different to our eyes and fingers, are really made of the same thing,—pure carbon.

But what makes them look and feel so different?

That Analysis does not know yet. Perhaps he will find out some day; for he is very patient, and very diligent, as you ought to be. Meanwhile, be content with him: remember that though he cannot see through a milestone yet, he can see farther into one than his neighbours. Indeed his neighbours cannot see into a milestone at all, but only see the outside of it, and know things only by rote, like parrots, without understanding what they mean and how they are made.

So now remember that chalk is carbonate of lime, and that it is made up of three things, calcium, oxygen, and carbon; and that therefore its mark is CaCO(3), in Analysis's language, which I hope you will be able to read some day.

But how is it that Analysis and Synthesis cannot take all this chalk to pieces, and put it together again?

Look here; what is that in the chalk?

Oh! a shepherd's crown, such as we often find in the gravel, only fresh and white.

Well; you know what that was once. I have often told you:—a live sea- egg, covered with prickles, which crawls at the bottom of the sea.

Well, I am sure that Master Synthesis could not put that together again: and equally sure that Master Analysis might spend ages in taking it to pieces, before he found out how it was made. And—we are lucky to-day, for this lower chalk to the south has very few fossils in it—here is something else which is not mere carbonate of lime. Look at it.

A little cockle, something like a wrinkled hazel-nut.

No; that is no cockle. Madam How invented that ages and ages before she thought of cockles, and the animal which lived inside that shell was as different from a cockle-animal as a sparrow is from a dog. That is a Terebratula, a gentleman of a very ancient and worn-out family. He and his kin swarmed in the old seas, even as far back as the time when the rocks of the Welsh mountains were soft mud; as you will know when you read that great book of Sir Roderick Murchison's, Siluria. But as the ages rolled on, they got fewer and fewer, these Terebratulae; and now there are hardly any of them left; only six or seven sorts are left about these islands, which cling to stones in deep water; and the first time I dredged two of them out of Loch Fyne, I looked at them with awe, as on relics from another world, which had lasted on through unnumbered ages and changes, such as one's fancy could not grasp.

But you will agree that, if Master Analysis took that shell to pieces, Master Synthesis would not be likely to put it together again; much less to put it together in the right way, in which Madam How made it.

And what was that?

By making a living animal, which went on growing, that is, making itself; and making, as it grew, its shell to live in. Synthesis has not found out yet the first step towards doing that; and, as I believe, he never will.

But there would be no harm in his trying?

Of course not. Let everybody try to do everything they fancy. Even if they fail, they will have learnt at least that they cannot do it.

But now—and this is a secret which you would never find out for yourself, at least without the help of a microscope—the greater part of this lump of chalk is made up of things which neither Analysis can perfectly take to pieces, nor Synthesis put together again. It is made of dead organisms, that is, things which have been made by living creatures. If you washed and brushed that chalk into powder, you would find it full of little things like the Dentalina in this drawing, and many other curious forms. I will show you some under the microscope one day.

They are the shells of animals called Foraminifera, because the shells of some of them are full of holes, through which they put out tiny arms. So small they are and so many, that there may be, it is said, forty thousand of them in a bit of chalk an inch every way. In numbers past counting, some whole, some broken, some ground to the finest powder, they make up vast masses of England, which are now chalk downs; and in some foreign countries they make up whole mountains. Part of the building stone of the Great Pyramid in Egypt is composed, I am told, entirely of them.

And how did they get into the chalk?

Ah! How indeed? Let us think. The chalk must have been laid down at the bottom of a sea, because there are sea-shells in it. Besides, we find little atomies exactly like these alive now in many seas; and therefore it is fair to suppose these lived in the sea also.

Besides, they were not washed into the chalk by any sudden flood. The water in which they settled must have been quite still, or these little delicate creatures would have been ground into powder—or rather into paste. Therefore learned men soon made up their minds that these things were laid down at the bottom of a deep sea, so deep that neither wind, nor tide, nor currents could stir the everlasting calm.

Ah! it is worth thinking over, for it shows how shrewd a giant Analysis is, and how fast he works in these days, now that he has got free and well fed;—worth thinking over, I say, how our notions about these little atomies have changed during the last forty years.

We used to find them sometimes washed up among the sea-sand on the wild Atlantic coast; and we were taught, in the days when old Dr. Turton was writing his book on British shells at Bideford, to call them Nautili, because their shells were like Nautilus shells. Men did not know then that the animal which lives in them is no more like a Nautilus animal than it is like a cow.

For a Nautilus, you must know, is made like a cuttlefish, with eyes, and strong jaws for biting, and arms round them; and has a heart, and gills, and a stomach; and is altogether a very well-made beast, and, I suspect, a terrible tyrant to little fish and sea-slugs, just as the cuttlefish is. But the creatures which live in these little shells are about the least finished of Madam How's works. They have neither mouth nor stomach, eyes nor limbs. They are mere live bags full of jelly, which can take almost any shape they like, and thrust out arms—or what serve for arms—through the holes in their shells, and then contract them into themselves again, as this Globigerina does. What they feed on, how they grow, how they make their exquisitely-formed shells, whether, indeed, they are, strictly speaking, animals or vegetables, Analysis has not yet found out. But when you come to read about them, you will find that they, in their own way, are just as wonderful and mysterious as a butterfly or a rose; and just as necessary, likewise, to Madam How's work; for out of them, as I told you, she makes whole sheets of down, whole ranges of hills.

No one knew anything, I believe, about them, save that two or three kinds of them were found in chalk, till a famous Frenchman, called D'Orbigny, just thirty years ago, told the world how he had found many beautiful fresh kinds; and, more strange still, that some of these kinds were still alive at the bottom of the Adriatic, and of the harbour of Alexandria, in Egypt.

Then in 1841 a gentleman named Edward Forbes,—now with God—whose name will be for ever dear to all who love science, and honour genius and virtue,—found in the AEgean Sea "a bed of chalk," he said, "full of Foraminifera, and shells of Pteropods," forming at the bottom of the sea.

And what are Pteropods?

What you might call sea-moths (though they are not really moths), which swim about on the surface of the water, while the right-whales suck them in tens of thousands into the great whalebone net which fringes their jaws. Here are drawings of them. 1. Limacina (on which the whales feed); and 2. Hyalea, a lovely little thing in a glass shell, which lives in the Mediterranean.

But since then strange discoveries have been made, especially by the naval officers who surveyed the bottom of the great Atlantic Ocean before laying down the electric cable between Ireland and America. And this is what they found:

That at the bottom of the Atlantic were vast plains of soft mud, in some places 2500 fathoms (15,000 feet) deep; that is, as deep as the Alps are high. And more: they found out, to their surprise, that the oozy mud of the Atlantic floor was made up almost entirely of just the same atomies as make up our chalk, especially globigerinas; that, in fact, a vast bed of chalk was now forming at the bottom of the Atlantic, with living shells and sea-animals of the most brilliant colours crawling about on it in black darkness, and beds of sponges growing out of it, just as the sponges grew at the bottom of the old chalk ocean, and were all, generation after generation, turned into flints.

And, for reasons which you will hardly understand, men are beginning now to believe that the chalk has never ceased to be made, somewhere or other, for many thousand years, ever since the Winchester Downs were at the bottom of the sea: and that "the Globigerina-mud is not merely a chalk formation, but a continuation of the chalk formation, so that we may be said to be still living in the age of Chalk." {1} Ah, my little man, what would I not give to see you, before I die, add one such thought as that to the sum of human knowledge!

So there the little creatures have been lying, making chalk out of the lime in the sea-water, layer over layer, the young over the old, the dead over the living, year after year, age after age—for how long?

Who can tell? How deep the layer of new chalk at the bottom of the Atlantic is, we can never know. But the layer of live atomies on it is not an inch thick, probably not a tenth of an inch. And if it grew a tenth of an inch a year, or even a whole inch, how many years must it have taken to make the chalk of our downs, which is in some parts 1300 feet thick? How many inches are there in 1300 feet? Do that sum, and judge for yourself.

One difference will be found between the chalk now forming at the bottom of the ocean, if it ever become dry land, and the chalk on which you tread on the downs. The new chalk will be full of the teeth and bones of whales—warm-blooded creatures, who suckle their young like cows, instead of laying eggs, like birds and fish. For there were no whales in the old chalk ocean; but our modern oceans are full of cachalots, porpoises, dolphins, swimming in shoals round any ship; and their bones and teeth, and still more their ear-bones, will drop to the bottom as they die, and be found, ages hence, in the mud which the live atomies make, along with wrecks of mighty ships

"Great anchors, heaps of pearl,"

and all that man has lost in the deep seas. And sadder fossils yet, my child, will be scattered on those white plains:—

"To them the love of woman hath gone down, Dark roll their waves o'er manhood's noble head. O'er youth's bright locks, and beauty's flowing crown; Yet shall they hear a voice, 'Restore the dead.' Earth shall reclaim her precious things from thee. Give back the dead, thou Sea!"



CHAPTER IX—THE CORAL-REEF

Now you want to know what I meant when I talked of a bit of lime going out to sea, and forming part of a coral island, and then of a limestone rock, and then of a marble statue. Very good. Then look at this stone.

What a curious stone! Did it come from any place near here?

No. It came from near Dudley, in Staffordshire, where the soils are worlds on worlds older than they are here, though they were made in the same way as these and all other soils. But you are not listening to me.

Why, the stone is full of shells, and bits of coral; and what are these wonderful things coiled and tangled together, like the snakes in Medusa's hair in the picture? Are they snakes?

If they are, then they must be snakes who have all one head; for see, they are joined together at their larger ends; and snakes which are branched, too, which no snake ever was.

Yes. I suppose they are not snakes. And they grow out of a flower, too; and it has a stalk, jointed, too, as plants sometimes are; and as fishes' backbones are too. Is it a petrified plant or flower?

No; though I do not deny that it looks like one. The creature most akin to it which you ever saw is a star-fish.

What! one of the red star-fishes which one finds on the beach? Its arms are not branched.

No. But there are star-fishes with branched arms still in the sea. You know that pretty book (and learned book, too), Forbes's British Star- fishes? You like to look it through for the sake of the vignettes,—the mermaid and her child playing in the sea.

Oh yes, and the kind bogie who is piping while the sandstars dance; and the other who is trying to pull out the star-fish which the oyster has caught.

Yes. But do you recollect the drawing of the Medusa's head, with its curling arms, branched again and again without end? Here it is. No, you shall not look at the vignettes now. We must mind business. Now look at this one; the Feather-star, with arms almost like fern-fronds. And in foreign seas there are many other branched star-fish beside.

But they have no stalks?

Do not be too sure of that. This very feather-star, soon after it is born, grows a tiny stalk, by which it holds on to corallines and sea-weeds; and it is not till afterwards that it breaks loose from that stalk, and swims away freely into the wide water. And in foreign seas there are several star-fish still who grow on stalks all their lives, as this fossil one did.

How strange that a live animal should grow on a stalk, like a flower!

Not quite like a flower. A flower has roots, by which it feeds in the soil. These things grow more like sea-weeds, which have no roots, but only hold on to the rock by the foot of the stalk, as a ship holds on by her anchor. But as for its being strange that live animals should grow on stalks, if it be strange it is common enough, like many far stranger things. For under the water are millions on millions of creatures, spreading for miles on miles, building up at last great reefs of rocks, and whole islands, which all grow rooted first to the rock, like sea-weeds; and what is more, they grow, most of them, from one common root, branching again and again, and every branchlet bearing hundreds of living creatures, so that the whole creation is at once one creature and many creatures. Do you not understand me?

No.

Then fancy to yourself a bush like that hawthorn bush, with numberless blossoms, and every blossom on that bush a separate living thing, with its own mouth, and arms, and stomach, budding and growing fresh live branches and fresh live flowers, as fast as the old ones die: and then you will see better what I mean.

How wonderful!

Yes; but not more wonderful than your finger, for it, too, is made up of numberless living things.

My finger made of living things?

What else can it be? When you cut your finger, does not the place heal?

Of course.

And what is healing but growing again? And how could the atoms of your fingers grow, and make fresh skin, if they were not each of them alive? There, I will not puzzle you with too much at once; you will know more about all that some day. Only remember now, that there is nothing wonderful in the world outside you but has its counterpart of something just as wonderful, and perhaps more wonderful, inside you. Man is the microcosm, the little world, said the philosophers of old; and philosophers nowadays are beginning to see that their old guess is actual fact and true.

But what are these curious sea-creatures called, which are animals, yet grow like plants?

They have more names than I can tell you, or you remember. Those which helped to make this bit of stone are called coral-insects: but they are not really insects, and are no more like insects than you are. Coral-polypes is the best name for them, because they have arms round their mouths, something like a cuttlefish, which the ancients called Polypus. But the animal which you have seen likest to most of them is a sea-anemone.

Look now at this piece of fresh coral—for coral it is, though not like the coral which your sister wears in her necklace. You see it is full of pipes; in each of those pipes has lived what we will call, for the time being, a tiny sea-anemone, joined on to his brothers by some sort of flesh and skin; and all of them together have built up, out of the lime in the sea-water, this common house, or rather town, of lime.

But is it not strange and wonderful?

Of course it is: but so is everything when you begin to look into it; and if I were to go on, and tell you what sort of young ones these coral-polypes have, and what becomes of them, you would hear such wonders, that you would be ready to suspect that I was inventing nonsense, or talking in my dreams. But all that belongs to Madam How's deepest book of all, which is called the BOOK OF KIND: the book which children cannot understand, and in which only the very wisest men are able to spell out a few words, not knowing, and of course not daring to guess, what wonder may come next.

Now we will go back to our stone, and talk about how it was made, and how the stalked star-fish, which you mistook for a flower, ever got into the stone.

Then do you think me silly for fancying that a fossil star-fish was a flower?

I should be silly if I did. There is no silliness in not knowing what you cannot know. You can only guess about new things, which you have never seen before, by comparing them with old things, which you have seen before; and you had seen flowers, and snakes, and fishes' backbones, and made a very fair guess from them. After all, some of these stalked star- fish are so like flowers, lilies especially, that they are called Encrinites; and the whole family is called Crinoids, or lily-like creatures, from the Greek work krinon, a lily; and as for corals and corallines, learned men, in spite of all their care and shrewdness, made mistake after mistake about them, which they had to correct again and again, till now, I trust, they have got at something very like the truth. No, I shall only call you silly if you do what some little boys are apt to do—call other boys, and, still worse, servants or poor people, silly for not knowing what they cannot know.

But are not poor people often very silly about animals and plants? The boys at the village school say that slowworms are poisonous; is not that silly?

Not at all. They know that adders bite, and so they think that slowworms bite too. They are wrong; and they must be told that they are wrong, and scolded if they kill a slowworm. But silly they are not.

But is it not silly to fancy that swallows sleep all the winter at the bottom of the pond?

I do not think so. The boys cannot know where the swallows go; and if you told them—what is true—that the swallows find their way every autumn through France, through Spain, over the Straits of Gibraltar, into Morocco, and some, I believe, over the great desert of Zahara into Negroland: and if you told them—what is true also—that the young swallows actually find their way into Africa without having been along the road before; because the old swallows go south a week or two first, and leave the young ones to guess out the way for themselves: if you told them that, then they would have a right to say, "Do you expect us to believe that? That is much more wonderful than that the swallows should sleep in the pond."

But is it?

Yes; to them. They know that bats and dormice and other things sleep all the winter; so why should not swallows sleep? They see the swallows about the water, and often dipping almost into it. They know that fishes live under water, and that many insects—like May-flies and caddis-flies and water-beetles—live sometimes in the water, sometimes in the open air; and they cannot know—you do not know—what it is which prevents a bird's living under water. So their guess is really a very fair one; no more silly than that of the savages, who when they first saw the white men's ships, with their huge sails, fancied they were enormous sea-birds; and when they heard the cannons fire, said that the ships spoke in thunder and lightning. Their guess was wrong, but not silly; for it was the best guess they could make.

But I do know of one old woman who was silly. She was a boy's nurse, and she gave the boy a thing which she said was one of the snakes which St. Hilda turned into stone; and told him that they found plenty of them at Whitby, where she was born, all coiled up; but what was very odd, their heads had always been broken of. And when he took it, to his father, he told him it was only a fossil shell—an Ammonite. And he went back and laughed at his nurse, and teased her till she was quite angry.

Then he was very lucky that she did not box his ears, for that was what he deserved. I dare say that, though his nurse had never heard of Ammonites, she was a wise old dame enough, and knew a hundred things which he did not know, and which were far more important than Ammonites, even to him.

How?

Because if she had not known how to nurse him well, he would perhaps have never grown up alive and strong. And if she had not known how to make him obey and speak the truth, he might have grown up a naughty boy.

But was she not silly?

No. She only believed what the Whitby folk, I understand, have some of them believed for many hundred years. And no one can be blamed for thinking as his forefathers did, unless he has cause to know better.

Surely she might have known better?

How? What reason could she have to believe the Ammonite was a shell? It is not the least like cockles, or whelks, or any shell she ever saw.

What reason either could she have to guess that Whitby cliff had once been coral-mud, at the bottom of the sea? No more reason, my dear child, than you would have to guess that this stone had been coral-mud likewise, if I did not teach you so,—or rather, try to make you teach yourself so.

No. I say it again. If you wish to learn, I will only teach you on condition that you do not laugh at, or despise, those good and honest and able people who do not know or care about these things, because they have other things to think of: like old John out there ploughing. He would not believe you—he would hardly believe me—if we told him that this stone had been once a swarm of living things, of exquisite shapes and glorious colours. And yet he can plough and sow, and reap and mow, and fell and strip, and hedge and ditch, and give his neighbours sound advice, and take the measure of a man's worth from ten minutes' talk, and say his prayers, and keep his temper, and pay his debts,—which last three things are more than a good many folks can do who fancy themselves a whole world wiser than John in the smock-frock.

Oh, but I want to hear about the exquisite shapes and glorious colours.

Of course you do, little man. A few fine epithets take your fancy far more than a little common sense and common humility; but in that you are no worse than some of your elders. So now for the exquisite shapes and glorious colours. I have never seen them; though I trust to see them ere I die. So what they are like I can only tell from what I have learnt from Mr. Darwin, and Mr. Wallace, and Mr. Jukes, and Mr. Gosse, and last, but not least, from one whose soul was as beautiful as his face, Lucas Barrett,—too soon lost to science,—who was drowned in exploring such a coral-reef as this stone was once.

Then there are such things alive now?

Yes, and no. The descendants of most of them live on, altered by time, which alters all things; and from the beauty of the children we can guess at the beauty of their ancestors; just as from the coral-reefs which exist now we can guess how the coral-reefs of old were made. And that this stone was once part of a coral-reef the corals in it prove at first sight.

And what is a coral-reef like?

You have seen the room in the British Museum full of corals, madrepores, brain-stones, corallines, and sea-ferns?

Oh yes.

Then fancy all those alive. Not as they are now, white stone: but covered in jelly; and out of every pore a little polype, like a flower, peeping out. Fancy them of every gaudy colour you choose. No bed of flowers, they say, can be more brilliant than the corals, as you look down on them through the clear sea. Fancy, again, growing among them and crawling over them, strange sea-anemones, shells, star-fish, sea-slugs, and sea-cucumbers with feathery gills, crabs, and shrimps, and hundreds of other animals, all as strange in shape, and as brilliant in colour. You may let your fancy run wild. Nothing so odd, nothing so gay, even entered your dreams, or a poet's, as you may find alive at the bottom of the sea, in the live flower-gardens of the sea-fairies.

There will be shoals of fish, too, playing in and out, as strange and gaudy as the rest,—parrot-fish who browse on the live coral with their beak-like teeth, as cattle browse on grass; and at the bottom, it may be, larger and uglier fish, who eat the crabs and shell-fish, shells and all, grinding them up as a dog grinds a bone, and so turning shells and corals into fine soft mud, such as this stone is partly made of.

But what happens to all the delicate little corals if a storm comes on?

What, indeed? Madam How has made them so well and wisely, that, like brave and good men, the more trouble they suffer the stronger they are. Day and night, week after week, the trade-wind blows upon them, hurling the waves against them in furious surf, knocking off great lumps of coral, grinding them to powder, throwing them over the reef into the shallow water inside. But the heavier the surf beats upon them, the stronger the polypes outside grow, repairing their broken houses, and building up fresh coral on the dead coral below, because it is in the fresh sea-water that beats upon the surf that they find most lime with which to build. And as they build they form a barrier against the surf, inside of which, in water still as glass, the weaker and more delicate things can grow in safety, just as these very Encrinites may have grown, rooted in the lime-mud, and waving their slender arms at the bottom of the clear lagoon. Such mighty builders are these little coral polypes, that all the works of men are small compared with theirs. One single reef, for instance, which is entirely made by them, stretches along the north-east coast of Australia for nearly a thousand miles. Of this you must read some day in Mr. Jukes's Voyage of H.M.S. "Fly." Every island throughout a great part of the Pacific is fringed round each with its coral-reef, and there are hundreds of islands of strange shapes, and of Atolls, as they are called, or ring-islands, which are composed entirely of coral, and of nothing else.

A ring-island? How can an island be made in the shape of a ring?

Ah! it was a long time before men found out that riddle. Mr. Darwin was the first to guess the answer, as he has guessed many an answer beside. These islands are each a ring, or nearly a ring of coral, with smooth shallow water inside: but their outsides run down, like a mountain wall, sheer into seas hundreds of fathoms deep. People used to believe, and reasonably enough, that the coral polypes began to build up the islands from the very bottom of the deep sea.

But that would not account for the top of them being of the shape of a ring; and in time it was found out that the corals would not build except in shallow water, twenty or thirty fathoms deep at most, and men were at their wits' ends to find out the riddle. Then said Mr. Darwin, "Suppose one of those beautiful South Sea Islands, like Tahiti, the Queen of Isles, with its ring of coral-reef all round its shore, began sinking slowly under the sea. The land, as it sunk, would be gone for good and all: but the coral-reef round it would not, because the coral polypes would build up and up continually upon the skeletons of their dead parents, to get to the surface of the water, and would keep close to the top outside, however much the land sunk inside; and when the island had sunk completely beneath the sea, what would be left? What must be left but a ring of coral reef, around the spot where the last mountain peak of the island sank beneath the sea?" And so Mr. Darwin explained the shapes of hundreds of coral islands in the Pacific; and proved, too, some strange things besides (he proved, and other men, like Mr. Wallace, whose excellent book on the East Indian islands you must read some day, have proved in other ways) that there was once a great continent, joined perhaps to Australia and to New Guinea, in the Pacific Ocean, where is now nothing but deep sea, and coral-reefs which mark the mountain ranges of that sunken world.

But how does the coral ever rise above the surface of the water and turn into hard stone?

Of course the coral polypes cannot build above the high-tide mark; but the surf which beats upon them piles up their broken fragments just as a sea-beach is piled up, and hammers them together with that water hammer which is heavier and stronger than any you have ever seen in a smith's forge. And then, as is the fashion of lime, the whole mass sets and becomes hard, as you may see mortar set; and so you have a low island a few feet above the sea. Then sea-birds come to it, and rest and build; and seeds are floated thither from far lands; and among them almost always the cocoa-nut, which loves to grow by the sea-shore, and groves of cocoa palms grow up upon the lonely isle. Then, perhaps, trees and bushes are drifted thither before the trade-wind; and entangled in their roots are seeds of other plants, and eggs or cocoons of insects; and so a few flowers and a few butterflies and beetles set up for themselves upon the new land. And then a bird or two, caught in a storm and blown away to sea finds shelter in the cocoa-grove; and so a little new world is set up, in which (you must remember always) there are no four-footed beasts, nor snakes, nor lizards, nor frogs, nor any animals that cannot cross the sea. And on some of those islands they may live (indeed there is reason to believe they have lived), so long, that some of them have changed their forms, according to the laws of Madam How, who sooner or later fits each thing exactly for the place in which it is meant to live, till upon some of them you may find such strange and unique creatures as the famous cocoa-nut crab, which learned men call Birgus latro. A great crab he is, who walks upon the tips of his toes a foot high above the ground. And because he has often nothing to eat but cocoa-nuts, or at least they are the best things he can find, cocoa-nuts he has learned to eat, and after a fashion which it would puzzle you to imitate. Some say that he climbs up the stems of the cocoa-nut trees, and pulls the fruit down for himself; but that, it seems, he does not usually do. What he does is this: when he finds a fallen cocoa-nut, he begins tearing away the thick husk and fibre with his strong claws; and he knows perfectly well which end to tear it from, namely, from the end where the three eye-holes are, which you call the monkey's face, out of one of which you know, the young cocoa-nut tree would burst forth. And when he has got to the eye-holes, he hammers through one of them with the point of his heavy claw. So far, so good: but how is he to get the meat out? He cannot put his claw in. He has no proboscis like a butterfly to insert and suck with. He is as far off from his dinner as the fox was when the stork offered him a feast in a long-necked jar. What then do you think he does? He turns himself round, puts in a pair of his hind pincers, which are very slender, and with them scoops the meat out of the cocoa-nut, and so puts his dinner into his mouth with his hind feet. And even the cocoa-nut husk he does not waste; for he lives in deep burrows which he makes like a rabbit; and being a luxurious crab, and liking to sleep soft in spite of his hard shell, he lines them with a quantity of cocoa-nut fibre, picked out clean and fine, just as if he was going to make cocoa-nut matting of it. And being also a clean crab, as I hope you are a clean little boy, he goes down to the sea every night to have his bath and moisten his gills, and so lives happy all his days, and gets so fat in his old age that he carries about his body nearly a quart of pure oil.

That is the history of the cocoa-nut crab. And if any one tells me that that crab acts only on what is called "instinct"; and does not think and reason, just as you and I think and reason, though of course not in words as you and I do: then I shall be inclined to say that that person does not think nor reason either.

Then were there many coral-reefs in Britain in old times?

Yes, many and many, again and again; some whole ages older than this, a bit of which you see, and some again whole ages newer. But look: then judge for yourself. Look at this geological map. Wherever you see a bit of blue, which is the mark for limestone, you may say, "There is a bit of old coral-reef rising up to the surface." But because I will not puzzle your little head with too many things at once, you shall look at one set of coral-reefs which are far newer than this bit of Dudley limestone, and which are the largest, I suppose, that ever were in this country; or, at least, there is more of them left than of any others.

Look first at Ireland. You see that almost all the middle of Ireland is coloured blue. It is one great sheet of old coral-reef and coral-mud, which is now called the carboniferous limestone. You see red and purple patches rising out of it, like islands—and islands I suppose they were, of hard and ancient rock, standing up in the middle of the coral sea.

But look again, and you will see that along the west coast of Ireland, except in a very few places, like Galway Bay, the blue limestone does not come down to the sea; the shore is coloured purple and brown, and those colours mark the ancient rocks and high mountains of Mayo and Galway and Kerry, which stand as barriers to keep the raging surf of the Atlantic from bursting inland and beating away, as it surely would in course of time, the low flat limestone plain of the middle of Ireland. But the same coral-reefs once stretched out far to the westward into the Atlantic Ocean; and you may see the proof upon that map. For in the western bays, in Clew Bay with its hundred islands, and Galway Bay with its Isles of Arran, and beautiful Kenmare, and beautiful Bantry, you see little blue spots, which are low limestone islands, standing in the sea, overhung by mountains far aloft. You have often heard those islands in Kenmare Bay talked of, and how some whom you know go to fish round them by night for turbot and conger; and when you hear them spoken of again, you must recollect that they are the last fragments of a great fringing coral-reef, which will in a few thousand years follow the fate of the rest, and be eaten up by the waves, while the mountains of hard rock stand round them still unchanged.

Now look at England, and there you will see patches at least of a great coral-reef which was forming at the same time as that Irish one, and on which perhaps some of your schoolfellows have often stood. You have heard of St. Vincent's Rocks at Bristol, and the marble cliffs, 250 feet in height, covered in part with rich wood and rare flowers, and the Avon running through the narrow gorge, and the stately ships sailing far below your feet from Bristol to the Severn sea. And you may see, for here they are, corals from St. Vincent's Rocks, cut and polished, showing too that they also, like the Dudley limestone, are made up of corals and of coral- mud. Now, whenever you see St. Vincent's Rocks, as I suspect you very soon will, recollect where you are, and use your fancy, to paint for yourself a picture as strange as it is true. Fancy that those rocks are what they once were, a coral-reef close to the surface of a shallow sea. Fancy that there is no gorge of the Avon, no wide Severn sea—for those were eaten out by water ages and ages afterwards. But picture to yourself the coral sea reaching away to the north, to the foot of the Welsh mountains; and then fancy yourself, if you will, in a canoe, paddling up through the coral-reefs, north and still north, up the valley down which the Severn now flows, up through what is now Worcestershire, then up through Staffordshire, then through Derbyshire, into Yorkshire, and so on through Durham and Northumberland, till your find yourself stopped by the Ettrick hills in Scotland; while all to the westward of you, where is now the greater part of England, was open sea. You may say, if you know anything of the geography of England, "Impossible! That would be to paddle over the tops of high mountains; over the top of the Peak in Derbyshire, over the top of High Craven and Whernside and Pen-y- gent and Cross Fell, and to paddle too over the Cheviot Hills, which part England and Scotland." I know it, my child, I know it. But so it was once on a time. The high limestone mountains which part Lancashire and Yorkshire—the very chine and backbone of England—were once coral-reefs at the bottom of the sea. They are all made up of the carboniferous limestone, so called, as your little knowledge of Latin ought to tell you, because it carries the coal; because the coalfields usually lie upon it. It may be impossible in your eyes: but remember always that nothing is impossible with God.

But you said that the coal was made from plants and trees, and did plants and trees grow on this coral-reef?

That I cannot say. Trees may have grown on the dry parts of the reef, as cocoa-nuts grow now in the Pacific. But the coal was not laid down upon it till long afterwards, when it had gone through many and strange changes. For all through the chine of England, and in a part of Ireland too, there lies upon the top of the limestone a hard gritty rock, in some places three thousand feet thick, which is commonly called "the mill-stone grit." And above that again the coal begins. Now to make that 3000 feet of hard rock, what must have happened? The sea-bottom must have sunk, slowly no doubt, carrying the coral-reefs down with it, 3000 feet at least. And meanwhile sand and mud, made from the wearing away of the old lands in the North must have settled down upon it. I say from the North—for there are no fossils, as far as I know, or sign of life, in these rocks of mill-stone grit; and therefore it is reasonable to suppose that they were brought from a cold current at the Pole, too cold to allow sea-beasts to live,—quite cold enough, certainly, to kill coral insects, who could only thrive in warm water coming from the South.

Then, to go on with my story, upon the top of these mill-stone grits came sand and mud, and peat, and trees, and plants, washed out to sea, as far as we can guess, from the mouths of vast rivers flowing from the West, rivers as vast as the Amazon, the Mississippi, or the Orinoco are now; and so in long ages, upon the top of the limestone and upon the top of the mill-stone grit, were laid down those beds of coal which you see burnt now in every fire.

But how did the coral-reefs rise till they became cliffs at Bristol and mountains in Yorkshire?

The earthquake steam, I suppose, raised them. One earthquake indeed, or series of earthquakes, there was, running along between Lancashire and Yorkshire, which made that vast crack and upheaval in the rocks, the Craven Fault, running, I believe, for more than a hundred miles, and lifting the rocks in some places several hundred feet. That earthquake helped to make the high hills which overhang Manchester and Preston, and all the manufacturing county of Lancashire. That earthquake helped to make the perpendicular cliff at Malham Cove, and many another beautiful bit of scenery. And that and other earthquakes, by heating the rocks from the fires below, may have helped to change them from soft coral into hard crystalline marble as you see them now, just as volcanic heat has hardened and purified the beautiful white marbles of Pentelicus and Paros in Greece, and Carrara in Italy, from which statues are carved unto this day. Or the same earthquake may have heated and hardened the limestones simply by grinding and squeezing them; or they may have been heated and hardened in the course of long ages simply by the weight of the thousands of feet of other rock which lay upon them. For pressure, you must remember, produces heat. When you strike flint and steel together, the pressure of the blow not only makes bits of steel fly off, but makes them fly off in red-hot sparks. When you hammer a piece of iron with a hammer, you will soon find it get quite warm. When you squeeze the air together in your pop-gun, you actually make the air inside warmer, till the pellet flies out, and the air expands and cools again. Nay, I believe you cannot hold up a stone on the palm of your hand without that stone after a while warming your hand, because it presses against you in trying to fall, and you press against it in trying to hold it up. And recollect above all the great and beautiful example of that law which you were lucky enough to see on the night of the 14th of November 1867, how those falling stars, as I told you then, were coming out of boundless space, colder than any ice on earth, and yet, simply by pressing against the air above our heads, they had their motion turned into heat, till they burned themselves up into trains of fiery dust. So remember that wherever you have pressure you have heat, and that the pressure of the upper rocks upon the lower is quite enough, some think, to account for the older and lower rocks being harder than the upper and newer ones.

But why should the lower rocks be older and the upper rocks newer? You told me just now that the high mountains in Wales were ages older than Windsor Forest, upon which we stand: but yet how much lower we are here than if we were on a Welsh mountain.

Ah, my dear child, of course that puzzles you, and I am afraid it must puzzle you still till we have another talk; or rather it seems to me that the best way to explain that puzzle to you would be for you and me to go a journey into the far west, and look into the matter for ourselves; and from here to the far west we will go, either in fancy or on a real railroad and steamboat, before we have another talk about these things.

Now it is time to stop. Is there anything more you want to know? for you look as if something was puzzling you still.

Were there any men in the world while all this was going on?

I think not. We have no proof that there were not: but also we have no proof that there were; the cave-men, of whom I told you, lived many ages after the coal was covered up. You seem to be sorry that there were no men in the world then.

Because it seems a pity that there was no one to see those beautiful coral-reefs and coal-forests.

No one to see them, my child? Who told you that? Who told you there are not, and never have been any rational beings in this vast universe, save certain weak, ignorant, short-sighted creatures shaped like you and me? But even if it were so, and no created eye had ever beheld those ancient wonders, and no created heart ever enjoyed them, is there not one Uncreated who has seen them and enjoyed them from the beginning? Were not these creatures enjoying themselves each after their kind? And was there not a Father in Heaven who was enjoying their enjoyment, and enjoying too their beauty, which He had formed according to the ideas of His Eternal Mind? Recollect what you were told on Trinity Sunday—That this world was not made for man alone: but that man, and this world, and the whole Universe was made for God; for He created all things, and for His pleasure they are, and were created.



CHAPTER X—FIELD AND WILD

Where were we to go next? Into the far west, to see how all the way along the railroads the new rocks and soils lie above the older, and yet how, when we get westward, the oldest rocks rise highest into the air.

Well, we will go: but not, I think, to-day. Indeed I hardly know how we could get as far as Reading; for all the world is in the hay-field, and even the old horse must go thither too, and take his turn at the hay-cart. Well, the rocks have been where they are for many a year, and they will wait our leisure patiently enough: but Midsummer and the hay- field will not wait. Let us take what God gives when He sends it, and learn the lesson that lies nearest to us. After all, it is more to my old mind, and perhaps to your young mind too, to look at things which are young and fresh and living, rather than things which are old and worn and dead. Let us leave the old stones, and the old bones, and the old shells, the wrecks of ancient worlds which have gone down into the kingdom of death, to teach us their grand lessons some other day; and let us look now at the world of light and life and beauty, which begins here at the open door, and stretches away over the hay-fields, over the woods, over the southern moors, over sunny France, and sunnier Spain, and over the tropic seas, down to the equator, and the palm-groves of the eternal summer. If we cannot find something, even at starting from the open door, to teach us about Why and How, we must be very short-sighted, or very shallow-hearted.

There is the old cock starling screeching in the eaves, because he wants to frighten us away, and take a worm to his children, without our finding out whereabouts his hole is. How does he know that we might hurt him? and how again does he not know that we shall not hurt him? we, who for five-and-twenty years have let him and his ancestors build under those eaves in peace? How did he get that quantity of half-wit, that sort of stupid cunning, into his little brain, and yet get no more? And why (for this is a question of Why, and not of How) does he labour all day long, hunting for worms and insects for his children, while his wife nurses them in the nest? Why, too, did he help her to build that nest with toil and care this spring, for the sake of a set of nestlings who can be of no gain or use to him, but only take the food out of his mouth? Simply out of—what shall I call it, my child?—Love; that same sense of love and duty, coming surely from that one Fountain of all duty and all love, which makes your father work for you. That the mother should take care of her young, is wonderful enough; but that (at least among many birds) the father should help likewise, is (as you will find out as you grow older) more wonderful far. So there already the old starling has set us two fresh puzzles about How and Why, neither of which we shall get answered, at least on this side of the grave.

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