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Last Words - A Final Collection of Stories
by Juliana Horatia Ewing
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There are only two of us. Our father, and our mother, and our brother, all died of fever, nearly five years ago. We shall never see them again till we go to Paradise, and that is one reason why we wish to try to be good and never to be naughty, so that we may be sure to see them again.

I remember them a little. I remember being frightened by sitting so high up on my father's shoulder, and then feeling so safe when I got into my mother's lap; and I remember Robin's curls, and his taking my woolly ball from me. I remember our black frocks coming in the hair-trunk with brass nails to the sea-side, where Margery and I were with our nurse, and her telling the landlady that our father and mother and brother were all laid in one grave. And I remember going home, and seeing the stone flags up in the yard, and a deep dark hole near the pump, and thinking that was the grave; and how Margery found me stark with fright, and knew better, and told me that the grave was in the church-yard, and that this hole was only where workmen had been digging for drains.

And then never seeing those three, day after day, and having to do without them ever since!

But Margery remembers a good deal more (she is three years older than I am). She remembers things people said, and the funeral sermon, and the books being moved into the attic, and she remembers Grandmamma's quarrel with Dr. Brown.

She says she was sitting behind the parlor curtains with Mrs. Trimmer's Roman History, and Grandmamma was sitting, looking very grave in her new black dress, with a pocket handkerchief and book in her lap, and sherry and sponge biscuits on a tray on the piano, for visitors of condolence, when Dr. Brown came in, looking very grave too, and took off one of his black gloves and shook hands. Then he took off the other, and put them both into his hat, and had a glass of sherry and a sponge biscuit, so Margery knew that he was a visitor of condolence.

Then he and Grandmamma talked a long time. Margery does not know what about, for she was reading Mrs. Trimmer; but she thinks they were getting rather cross with each other. Then they got up, and Dr. Brown looked into his hat, and took out his gloves, and Grandmamma wiped her eyes with her pocket handkerchief, and said "I hope I know how to submit, but it has been a heavy judgment, Dr. Brown."

And Margery was just beginning to cry too, when Dr. Brown said, "A very heavy judgment indeed, madam, for letting the cesspool leak into the well;" and it puzzled her so much that she stopped.

Then Grandmamma was very angry, and Dr. Brown was angry too, and then Grandmamma said, "I don't know another respectable practitioner, Dr. Brown, who would have said what you have said this morning."

And Dr. Brown brushed his hat the wrong way with his coat sleeve, and said, "Too true, madam! We are not a body of reformers, with all our opportunities; we're as bigoted as most priesthoods, but we count fewer missionary martyrs. The sins, the negligences, and the ignorances of every age have gone on much the same as far as we have been concerned, though very few people keep family chaplains, and most folk have a family doctor."

Then Grandmamma got very stiff, Margery says (she always is rather stiff), and said, "I am sorry, Dr. Brown, to hear you speak so ill of the members of an honorable profession, to which you yourself belong."

And Dr. Brown found out that he had brushed his hat the wrong way, and he brushed it right, and said, "Not at all, madam, not at all! I think we're a very decent set, for men with large public responsibilities, almost entirely shielded from the wholesome light of public criticism, who handle more lives than most Commanders, and are not called upon to publish our disasters or make returns of our losses. But don't expect too much of us! I say we are not reformers. They rise up amongst us now and again; but we don't encourage them, we don't encourage them. We are a privileged caste of medicine-men, whose 'mysteries' are protected by the faith of those to whom we minister, a faith fortified by ignorance and fear. I wish you Good morning, madam."

Margery has often repeated this to me. We call it "Dr. Brown's Speeches." She is very fond of spouting speeches, much longer ones than Dr. Brown's. She learns them by heart out of history books, and then dresses up and spouts them to me in our attic.

Margery says she did not understand at the time what they were quarrelling about; and when, afterwards, she asked Grandmamma what a cesspool was, Grandmamma was cross with her too, and said it was a very coarse and vulgar word, and that Dr. Brown was a very coarse and vulgar person. We've looked it out since in Johnson's Dictionary, for we thought it might be one of Dr. Brown's vulgar errors, but it is not there.

Margery reads a great deal of history; she likes it; she likes all the sensible books in the attic, and I like the rest, particularly poetry and fairy tales.

The books are mother's books, they belonged to her father. She liked having them all in the parlor, "littering the whole place," Jael says; but Grandmamma has moved them to the attic now, all but a volume of Sermons for Sunday, and the Oriental Annual, to amuse visitors if they are left alone. Only she says you never ought to leave your visitors alone.

Jael is very glad the books were taken to the attic, because "they gather dust worse than chimney ornaments;" so she says.

Margery and I are very glad too, for we are sent to play in the attic, and then we read as much as ever we like; and we move our pet books to our own corner and pretend they are our very own. We have very cosy corners; we pile up some of the big books for seats, and then make a bigger pile in front of us for tables, and there we sit.

Once Dr. Brown found us. We had got whooping cough, and he had come to see if we were better; and he is very big, and he tramped so heavily on the stairs I did really think he was a burglar; and Margery was a little frightened too, so we were very glad to see him; and when he saw us reading at our tables, he said, "So this is the Attic salt ye season life with, is it?" And then he laughed just as he always does.

There is one story in my favorite Fairy Book which Margery likes too; it is called "A Puzzling Tale." I read it to Margery when we were sitting in our tree seat in the garden, and I put my hand over the answer to the puzzle, and she could not guess; and if Margery could not guess, I do not think any one else could.

This is the tale:—"Three women were once changed into flowers, and grew in a field: but one was permitted to go home at night. Once, when day was dawning, and she was about to return to her companions in the field and become a flower again, she said to her husband, 'In the morning come to the field and pick me off my stalk, then I shall be released, and able to live at home for the future.' So the husband went to the field as he was told, and picked his wife and took her home."

"Now how did he know his wife's flower from the other two, for all the three flowers were alike?"

(That is the Puzzle. This is the answer):

"He knew his wife because there was no dew upon her flower."

There is a very nice picture of the three flowers standing stiff and upright, with leaves held out like hands, and large round flower faces, all three exactly alike. I have looked at them again and again, but I never could see any difference; for you can't see the dew on the ones who had been out all night, and so you can't tell which was the one who was allowed to go home. But I think it was partly being so fond of those round flower faces in the Puzzling Tale, that made me get so very very fond of Sunflowers.

We have splendid Sunflowers in our garden, so tall, and with such large round faces!

The Sunflowers were in bloom when Margery went away. She bade them good bye, and kissed her hands to them as well as to me. She went away in a cab, with her things in the hair trunk with brass nails on the top. She waved her hand to me as long as ever I could see her, and she wagged one finger particularly. I knew which finger it was, and what she meant. It was the little finger with that dignotion on the nail, which showed that she had a journey to go.

CHAPTER II.

"ON THE WING. SUNFLOWER SAINTS. DEW-DRENCHED. A BAD NIGHT. A BAD HEADACHE. REGULAR REGIMEN IN GRANDMAMMA'S YOUNG DAYS. TIRED NATURE'S SWEET RESTORER. A SINFUL WASTE OF CANDLE GREASE."

The Sunflowers were in bloom when Margery went away; and the swallows were on the wing. The garden was full of them all the morning, and when she had gone, they went too. They had been restless for days past, so I dare say they had dignotions of their own, that they had a journey to go as well as Margery.

But when they were gone, and she was gone, the garden felt very lonely. The Sunflowers stretched out their round faces just as if they were looking to see if the cab was coming back; and there was a robin, which kept hopping on and off the pump and peeping about with his eyes, as if he could not imagine what had become of all the swallows.

And Margery's black cat came and mewed to me, and rubbed itself against my pinafore, and walked up and down with me till I went in and got the "Ancient Mariner" and my little chair, and came back and read to the Sunflowers.

Sunflowers are quite as good as dolls to play with. Margery and I think them better in some ways. You can't move them about unless you pick them; but then they will stand of themselves, which dolls will not. You can give them names just as well, and you can teach them lessons just as well. They will grow, which dolls won't; and they really live and die, which dolls don't. In fact, for tallness, they are rather like grown up people. Then more come out, which is nice; and you see the little Sunflowers growing into big ones, which you can't see with dolls.

We can play a Sunday game with the Sunflowers. We do not have any of our toys on Sunday, except in winter, when we have Noah's Ark. In the summer we may go in the garden between the services, and we always walk up and down together and play with the Sunflowers.

The Sunday Sunflower game is calling them after the black-letter saints in the Kalendar, and reading about them in a very old book—a big one with a black leather binding—in the attic, called "Lives of the Saints." I read, and then I tell it to Margery as we walk up and down, and say—"This is S. Prisca, this is S. Fabian, this is S. Agnes, this is S. Agatha, and this is S. Valentine"—and so on.

What made us first think of having them for Saints on Sunday, was that the yellow does sometimes look so very like a glory round their faces. We choose by turns which name to give to each, but if there is a very big one with a lot of yellow flaming out, we always called him S. George of England, because there is a very old figure of S. George slaying the Dragon, in a painted window in our Church; and S. George's hair is yellow, and standing out all round; and when the sun shines through the window, so that you can't see his nose and his mouth at all clearly, he looks quite wonderfully like a Sunflower. Then on week days, the game I like best, is pretending that they are women changed into flowers.

They feel so grown up with being so tall, that they are much more like grown up people turned into flowers than like children. I pretend my doll is my child when I play with her; but I don't think I could pretend a Sunflower was my child; and sometimes if Margery leaves me alone with rather big Sunflowers, when it is getting dusk, and I look up at them, and they stare at me with their big faces in the twilight, I get so frightened for fear they should have got leave to go home at night, and be just turning, that I run indoors as hard as ever I can.

Two or three times I have got up early and gone out to see if any one of them had no dew; but they have always been drenched, every one of them. Dew, thick over their brown faces, and rolling like tears down their yellow glories. I am quite sure that I have never seen a Sunflower yet, that had had leave to go home at night, and Margery says the same. And she is certain to know.

I had a very bad night, the night after Margery went away. I was so terribly frightened with being alone in the dark. I know it was very silly, but it was most miserable. I was afraid to go and wake Jael, and I was more afraid of going to Grandmamma, and I was most of all afraid of staying where I was. It seemed to be years and years before the light began to come a little; and the noises left off creaking, and dropping, and cracking, and moving about.

Next day I had a very bad headache. Jael does not like me when I have headaches, because I give trouble, and have to have hot water and mustard for my feet at odd times. Jael does not mind bringing up hot water at night; but she says she can't abide folk wanting things at odd times. So she does not like me when I have headaches; and when I have headaches, I do not much like her. She treads so very heavily, it shakes the floor just as ogres in ogre-stories shake the ground when they go out kidnapping; and then the pain jumps in my head till I get frightened, and wonder what happens to people when the pain gets so bad that they cannot bear it any longer.

That morning, I thought I never should have got dressed; stooping and fastening things do make you so very bad. I was very late, and Grandmamma was beginning to scold me, but when she saw I had got a headache she didn't—she only said I looked like a washed-out pocket handkerchief; and when I could not eat any breakfast, she said I must have a dose of rhubarb and magnesia, and as she had not got any rhubarb left, she sent Jael up to Dr. Brown's to get some.

I did not like having to take rhubarb and magnesia; but I was very glad to get rid of Jael for a bit, though I knew she would hate me for having had to take a message at an odd time. It was her shaking the room when she brought in the urn, and knocking the tongs into the fender with her dress as she went by, that had made me not able to eat any breakfast.

Just as she was starting, Grandmamma beckoned to her to come back, and told her to call at the barber's, and tell him to come up in the afternoon to "thin" my hair.

My hair is very thick. I brush as much out as I can; but I think it only gets thicker and thicker. Grandmamma says she believes that is what gives me so many headaches, and she says it is no use cutting it shorter, for it always is kept cut short; the only way is to thin it, that is, cutting lumps out here and there down to the roots. Thinning does make less of it; but when it grows again it is very difficult to keep tidy, which makes Jael say she "never see such a head, it's all odds and ends," and sometimes she adds—"inside and out." Margery can imitate Jael exactly.

When Jael came back, she said Dr. Brown would step down and see me himself. So he came.

Then he felt my pulse and asked me what sort of a night I had had, and I was obliged to tell him, and Grandmamma was very much vexed, and made me tell the whole truth, and she said I did not deserve any pity for my headaches when I brought them on myself, which is true.

I think it was being vexed with me that made her vexed with Dr. Brown, when he said rhubarb and magnesia would not do me any good. She said she liked a regular system with the health of young people; and when she and her six sisters were girls they were physicked with perfect regularity; they were bled in the spring, and the fall of the leaf; and had their hair thinned and their teeth taken out, once a quarter, by the advice of their excellent friend and local practitioner, who afterwards removed to London, and became very distinguished, and had his portrait painted in oils for one of the learned societies. And Grandmamma said she had been spared to survive all her family, and had never had a headache in her life.

Though my head was so bad, I listened as hard as I could to hear what Dr. Brown would say. For I thought—"if he makes one of his speeches, they will quarrel, and he will leave off being our doctor again."

But he didn't, he only said—"Well, well, madam, I'll send the child some medicine. Let her go and lie down at once, with a hot bottle to her feet, and as many pillows as she wants under her head; and don't let a sound reach her for the next three or four hours. When she wakes, give her a basin of bread and milk."

So he went away, and presently he came back himself with the medicine. It tasted very nice, and he was very kind; only he made Jael so cross with saying she had not put boiling water in the hot bottle, and sending it down again; and then making her fetch more pillows out of the spare bedroom (Jael does not like odd things any more than odd times). But I never had such a hot bottle or such a comfortable headache before, and he pulled the blind down, and I went to sleep. At first I dreamt a little of the pain, and then I forgot it, and then slept like a top, for hours and hours.

When I woke I found a basin of bread and milk, with a plate over it to keep it warm, on the rush-bottomed chair by the bed. It hadn't kept it very warm. It made me think of the suppers of the Three Bears in their three basins, and I daresay theirs were rather cold too. Perhaps their Jael boiled their bread and milk at her own time, whether they were ready for it or not.

But I think mine must have been like the Little Bear's supper, for I ate it all up.

My head was much better, so I went up to our attic, and got out the Fairy Book, that I might not think too much about Margery, and it opened of itself at the Puzzling Tale. I was just beginning to read it, when I heard a noise under the rafters, in one of those low sort of cupboard places that run all round the attic, where spare boxes and old things are kept, and where Margery and I sometimes play at Voyages of Discovery.

I thought Margery's black cat must be shut up there, but when I went to look, there was another crash, and then the door burst open, and out came Jael, with her cap so crushed that I could not help laughing.

I was glad to see her, for my head was well, so I liked her again, and did not mind her being ogre-footed, and I wanted to know what she was doing; but Jael had not got to like me again, and she spoke very crossly, and said it was more trouble of my giving, and that Dr. Brown had said that I was to have a light in my bedroom till Miss Margery came back—"if ever there was a sinful waste of candle-grease!" and that it wasn't likely the Mistress was going to throw away money on box night-lights; and she had sent the boy to the shop for half-a-dozen farthing rushlights—if they kept them, and if not, for half-a-pound of "sixteen" dips, and had sent her to the attic to find the old Rushlight-tin.

"What's it like, Jael?"

"It's like a Rushlight-tin, to be sure," said Jael. "And it's not been used since your Pa and Ma's last illness. So it's safe to be thick with dust, and a pretty job it is for me to have to do, losing the pin out of my cap, and tearing my apron on one of them old boxes, all to find a dirty old Rushlight, just because of your whims and fancies, Miss Grace!"

"Jael, I am so sorry for your cap and apron. I will go in and find the Rushlight for you. Tell me, is it painted black, with a lot of round holes in the sides, and a little door, and a place like a candlestick in the middle? If it is, I know where it is."

I knew quite well. It was behind a very old portmanteau, and a tin box with a wig and moths in it, and the bottom part of the shower-bath, just at the corner, which Margery and I call Bass's Straits. So I made a Voyage of Discovery, and brought it out, "thick with dust," as Jael had said.

And Jael took it, and went away very cross and very ogre-footed, with her cap still awry; and as she stumped down the attic-stairs, and kept clattering the Rushlight against the rails, I could hear her muttering—"A sinful waste of candle-grease—whims and fancies—scandilus!"

CHAPTER III.

PAIN PAST. A REPRIEVE FROM THE BARBER. SUNFLOWER SLEEP. LITTLE MICHAELMAS GOOSE. SNUFFING A RUSHLIGHT. A PURSUIT OF KNOWLEDGE UNDER DIFFICULTIES. GRANDMAMMA WITH A WATCHMAN'S RATTLE.

Jael's ogre-footsteps had hardly ceased to resound from the wooden stairs, when these shook again to the tread of Dr. Brown.

He said—"How are you??" and I said—"Very happy, thank you," which was true. For the only nice thing about dreadful pain is that, when it is gone, you feel for a little bit as if you could cry with joy at having nothing to bear.

Then I thanked him for asking Grandmamma to let me have the Rushlight till Margery came home; and he said I ought to be very much obliged to him, for he had begged me off the barber too. So I asked him if he thought my hair gave me headaches, and he felt it, and said—"No!" which I was very glad of. He said he thought it was more what I grew inside, than what I grew outside my head that did it, and that I was not to puzzle too much over books.

I was afraid he meant the Puzzling Tale, so I told him it was very short, and the answer was given; so he said he should like to hear it—and I read it to him. He liked it very much, and he liked the picture; and I told him we thought they were Sunflowers, only that the glory-leaves were folded in so oddly, and we did not know why. And he said—"Why, because they're asleep, to be sure. Don't you know that flowers sleep as soundly as you do? They don't lie awake in the dark!"

And then he shook with laughing, till he shook the red into his face, and the tears into his eyes, as he always does.

Dr. Brown must know a great deal about flowers, much more than I thought he did; I told him so, and he said, "Didn't think I looked as like a flower sprite as yourself, eh? 'Pon my word, I don't think I'm unlike one of your favorites. Tall, ye know, big beaming face, eh? There are people more unlike a Sunflower than Dr. Brown! Ha! ha! ha!"

He laughed, he always does; but he told me quite delightful things about flowers: how they sleep, and breathe, and eat, and drink, and catch cold in draughts, and turn faint in the sun, and sometimes are all the better for a change ("like Miss Margery," so he said), and sometimes are home-sick and won't settle ("which I've a notion might be one of your follies, Miss Grace"), and turn pale and sickly in dark corners or stuffy rooms. But he never knew one that went home at night.

Except for being too big for our chairs and tables, and for going voyages of discovery, I do think Dr. Brown would make a very nice person to play with; he seems to believe in fancy things, and he knows so much, and is so good-natured. He asked me what flower I thought Jael was like; and when I told him Margery could imitate her exactly, he said he must see that some day. I dared not tell him Margery can do him too, making his speeches in the shovel hat we found in an old hat box near Bass's Straits, and a pair of old black gloves of Grandmamma's.

When he went away he patted my head, and said Margery and I must come to tea with him some day, and he would show us wonderful things in his microscope, and if we were very good, a plant that eats meat.

"But most flowers thrive by 'eating the air,' as the Irish say, and you're one of 'em, Miss Grace. Do ye hear? You're not to bury yourself in this attic in the holidays. Run out in the garden, and play with your friends the Sunflowers, and remember what I've told you about their going to sleep and setting you a good example. It's as true as Gospel, and there's many a rough old gardener besides Dr. Brown will tell you that flowers gathered in the morning last longer than those gathered in the evening, because those are fresh after a night's nap, and these are tired and want to rest, and not to be taken into parlors, and kept awake with candles. Good bye, little Michaelmas Goose!" And away he went, clomping downstairs, but not a bit like Jael.

When bedtime came I was a good deal tired; but after I got into bed I kept my candle alight for a time, hoping Jael would bring the Rushlight and put it on the floor near Margery's bed, as I had asked her to do. But after a while I had to put out my candle, for Grandmamma is rather particular about it, and then I was so sleepy I fell asleep. I was awakened by a noise and a sort of a flashing, and I thought it was thunder and lightning, but it was only Jael; she had come stumping in, and was flashing the Rushlight about before my eyes to see if I was asleep, and when she saw I was, she wanted to take it away again, but I begged and prayed, and then I said Grandmamma had promised, and she always keeps her promises, and I should go and ask her. So at last Jael set it down by Margery's bed, and went away more ogre-footed than ever; grumbling and growling about the waste of candle-grease. But I had got the Rushlight, so I didn't mind; I only hugged my knees, and laughed, and lay down again. And when I heard Jael go stumping upstairs, I knew that she had waited till her own bedtime to bring the Rushlight, and that was why it was late. And I thought to-morrow I would tell Grandmamma, for she promised, and she always performs. She does not spoil us, we know, but she is always fair. Jael isn't, always.

A Rushlight is a very queer thing. It looked so grim as it stood by Margery's bed, in a little round of light; rather like a ruined castle in the middle of a lake in the moonshine. A castle with one big door, and a lot of round windows with the light coming through. They made big spots and patches of light all about the room. I could not shut my eyes for watching them, for they were not all the same shape, and they kept changing and moving; at last they got so faint, I was afraid the Rushlight was going out, so I jumped up and went to see, and I found there was a very big thief in the candle, so I got the snuffers out of my candlestick, and snuffed it, and got into bed again; and now there were beautiful big moons of light all over Margery's bed-valance.

Thinking of the thief in the Rushlight made me think of a thief in a castle, and then of thieves getting into our house, and that if one got in at my window I could do nothing except scream for help, because Grandmamma keeps the Watchman's Rattle under her own pillow, and locks her bedroom door. And then I looked at my window, and saw a bit of light, and it made me quite cold, for I thought it was a burglar's lantern, till I saw it was the moon.

Then I knew how silly I was, and I determined that I would not be such a coward. I determined I would not think of burglars, nor ghosts, nor even Margery.

Margery and I are quite sure that we can think of things, and prevent ourselves thinking of things, by trying very hard. But it is rather difficult.

I tried, and I did. I thought I would think of flowers, and of Dr. Brown, for he is very cheerful to think of. So I thought of Sunflowers, and how they eat the air, and go to sleep at night, and perhaps look like the three women in the Fairy Tale. And I thought I would always pick flowers in the morning now, and never at night, when they want to go to sleep and not to be woke up in a parlor with candles.

And then I wondered: Would they wake with candles if they had begun to go to sleep? Would they wake with a jump, as I did, if Jael flashed the Rushlight in their faces? Would the moon wake them? Were they awake then, that very minute, like me, or asleep, as I was before Jael came in? Did they look like the picture in the Fairy Book, with their glory leaves folded over their faces? If I took a candle now, and held it before S. George of England, looking like that, would he wake with a start, and spread his glory leaves out all round, and stare at me, broad—wide awake?

Then I thought how often I had gone out early, and wet my petticoats, to see if any of them had no dew on their faces, and that I had never gone out at night to see if they looked like the women in the Fairy Tale; and I wondered why I never had, and I supposed it was because I was silly, and perhaps afraid of going out in the dark.

Then I remembered that it wasn't dark. There was a moon: besides my having a Rushlight.

Then I wondered if I was very very silly, and why Dr. Brown had called me a Michaelmas Goose. But I remembered that it must be because to-morrow was the 29th of September.

Then the stairs clock struck eleven.

I counted all the strokes, and then I saw that the Rushlight was getting dim again, so I got up and snuffed it, and all the moons came out as bright as ever; but I did not feel in the least sleepy.

I did not feel frightened any more. I only wished I knew for certain what Sunflowers look like when they are asleep, and whether you can wake them up with candles. And I went on wondering, and watching the moons.

Then the stairs clock struck a quarter-past eleven, and I thought—"Oh, Grace! if you were not such a coward, if you had jumped up when the clock struck eleven, and slipped down the back stairs, with the Rushlight in your hands, and unlocked the side door, you might have run down the grass walk without hurting your feet, and flashed it in the faces of the Sunflowers, and had a good look, and got back to bed again before the clock struck a quarter-past; and then it would have been done, and couldn't be undone, and you would have known whether they look like the picture, and if they wake up with candles, and you never could have unknown. But now, you'll go on putting off, and being frightened about it, and perhaps to-morrow Jael will tell Grandmamma you were asleep, and she won't let you have a Rushlight any more, not even when you are a grown-up young lady; and even when you get married and go away, you may marry a man who won't let you have one; and so you may never know what you want to know, all because you're a Michaelmas Goose."

Then the Rushlight began to get dim again, so I got up and snuffed it, and it shone out bright, and I thought "If it was Margery she would do it straight off. I won't be a Michaelmas Goose; I'll go while I'm up, and be back before the stairs clock strikes again, and then it will be done and can't be undone, and I shall know, and can't unknow."

So I took up the Rushlight and went as fast as I could.

I met a black beetle on the back stairs, which was horrid, but I went on. The side door key is very rusty and very stiff; I had to put down the Rushlight and use both my hands, and just then the clock struck the half-hour, which was rather a good thing, for it drowned the noise of the lock. It did not take me two minutes to run down the grass path, and there were the Sunflowers.

I did it and it can't be undone, but I don't know what I wanted to know after all, for the moon was shining in their faces, so they may not have been really sound asleep. They are so tall, the Rushlight was too heavy for me to lift right up, so I opened the door and took out the candle, and flashed it in their faces. But they did not take as much notice as I expected. Their glory leaves looked rather narrow and tight, but they were not quite like the flower-women in the picture.

Sunflowers are alive, I know; they look so different when they are dead. And I am sure they go to sleep, and wake up with candles, or Dr. Brown would not have said so. But it is rather a quiet kind of being alive and awake, I think. Something like Grandmamma, when she is very stiff on Sunday afternoon, and goes to sleep upright in a chair, and wakes up a little when her book drops. But not alive and awake like Margery's black cat, which must have heard me open the side door, and followed me without my seeing it. It did frighten me, with jumping out of the bushes, and looking at me with yellow eyes!

Then I saw another eye. The eye of a moth, who was on one of the leaves. A most beautiful fellow! His colored wings were rather tight, like the Sunflower's glory leaves, but he was wide awake—watching the candle.

I should have got back to bed quicker if it had not been for Margery's black cat and the night-moths. I wanted to get the cat into the house again, but she would not follow me, and the moths would; and I had such hard work to keep them out of the Rushlight.

There was nothing to drown the noise the key made when I locked the side-door again, and when I got to the bottom of the back stairs, I saw a light at the top, and there was Grandmamma in the most awful night cap you can imagine, with a candle in one hand, and the watchman's rattle in the other.

CHAPTER IV.

HEADS OFF! JAEL AND MASTER JOHN. FAREWELL. FRIEND IN NEED. A FREE PARDON.

The worst of it was, I caught such a very bad cold, I gave more trouble than ever; besides Grandmamma having rheumatism in her back with the draught up the back stairs, and nothing on but her night things and the watchman's rattle. I knew I deserved to be punished, but I did not think my punishment would have been such a terrible one.

I hoped it might have been lessons, or even, perhaps, not having the Rushlight again, but I did not think Grandmamma would think of hurting the Sunflowers.

She waited till I was well enough to go out, and I really began to think she was going to be kind enough to forgive me, with a free forgiveness. But that day she called me to her, and spoke very seriously, and said, that to punish me for my misconduct, and to try and cure me of the babyish nonsense I gave way to about things, she had decided to have all the Sunflowers destroyed at once, and not to have any seed sown for new ones, any more. The gardener was to do it next morning, and I was to be there to see. She hoped it would make me remember the occasion, and teach me better sense for the future.

I should have begged and prayed, but it is no use begging and praying to Grandmamma; Jael attends more to that. There was no comfort anywhere, except in thinking that Margery would be at home in two days, and that I could pour out all my sorrow to her.

As I went crying down the passage I met Jael.

"What's the matter now?" said she.

"Grandmamma's going to have all the Sunflowers killed," I sobbed. "Oh, I wish I'd never gone to look at them with the Rushlight!"

"That's how it is," said Jael sagely, "folks always wishes they'd done different when it's too late. But don't sob your heart out that fashion, Miss Grace. Come into the pantry and I'll give you a bit of cake."

"Thank you, dear Jael, you're very kind, but I don't think I could eat cake. Oh Jael, dear Jael! Do you think she would spare one, just one?"

"That she wouldn't, Miss Grace, so you needn't trouble your head about it. When your Grandmamma's made up her mind, there's no one ever I saw can move her, unless it be Dr. Brown. Besides, the missus has never much mattered those Sunflowers. They were your mamma's fancy, and she'd as many whims as you have, and put your Grandmamma about a good deal. She was always at your papa to be doing this and that to the place 'Wasting good money' as your Grandmamma said. Your papa was a very easy gentleman. He wanted to please his wife, and he wanted to please his mother. Deary me! I remember his coming to me in this very pantry—I don't know if it would be more than three months afore they were both taken—and, standing there, as it might be you, Miss Grace, and saying—'Jael,' he says, 'this window looks out on the yard,' he says; 'do you ever smell anything, Jael? You are here a good deal.' 'Master John,' I says, 'I thank my Maker, my nose never troubles me; but if it did' I says, 'I hope I know better than to set myself up to smell more than my neighbors.'—'To be sure, to be sure,' he says, looking round in a foolish kind of a way at the sink. Then he says, 'Jael, do you ever taste anything in the water? My wife thinks there's something wrong with the well.' 'Master John,' I says, 'with all respect to your good lady, she disturbs her mind a deal too much with books. An ounce of ex-perience, I say, is worth a pound of book learning; and I'll tell you what my father said to them parties that goes round stirring up stinks, when they were for meddling with his farm yard. "Let wells alone," he says, "and muck heaps likewise." And my father passed three-score years and ten, Master John, and died where he was born.' Well-a-day! I see your poor Pa now. He stood and looked as puzzled as a bee in a bottle. Then he says—'Well, Jael, my wife says Sunflowers are good against fevers; and there's no harm in sowing some.' Which he did that very afternoon, she standing by him, with her hand on his shoulder; but, bless ye, my dear! they were took long before the seeds was up. Your mother was a pretty woman, I'll say that for her. You'd never have thought it, to look at her, that she was so fond of poking in dirty places."

"Jael!" I said, "Mamma was right about the smells in the back yard. Margery and I hold our noses"—"you'd a deal better hold your tongues," interrupted Jael.

"We do, Jael, we do, because I don't like mustard plasters on my throat, and when the back yard smells a good deal, my throat is always sore. But oh, Jael! If Sunflowers are good for smells, don't you think we might tell Grandmamma, and she would let us have them for that?"

"She'll not, Miss Grace," said Jael, "so don't worry on. They're ragged things at the best, and all they're good for is to fatten fowls; and I shall tell Gardener he may cut their heads off and throw 'em to the poultry, before he roots up the rest."

I could not bear to hear her, so I went out to bid the Sunflowers good bye.

I held their dear rough stems, rough with nice little white hairs, and I knew how easily their poor heads would cut off, there is so much pith inside the stems.

I kissed all their dear faces one after another. They are very nice to kiss, especially in the sun, for then they smell honey-sweet, like blue Scabious, and lots of flowers that have not much scent, but only smell as if bees would like them. I kissed them once round for myself, and then once for Margery, for I knew how sorry she would be.

And it was whilst I was holding S. George of England's face in my two hands, kissing him for Margery, that I saw the Dignotion on my middle finger nail.

A Gift, a Beau, A Friend!

And then it flashed into my mind, all in a moment—"There can be no friend to me and the Sunflowers, except Dr. Brown, for Jael says he is the only person who ever changes Grandmamma's mind."

I dawdled that night when I could not make up my mind about going out with the Rushlight, but I did not wait one minute now. I climbed over the garden wall into the road, and ran as hard as I could run up to the top of the hill, where lived a man—I mean where Dr. Brown lived.

Now, I know that he is the kindest person that ever could be. I told him everything, and he asked particularly about my throat and the smells. Then he looked graver than I ever saw him, and said, "Listen, little woman; you must look out for spots on your little finger-nails. You're going away for a bit, till I've doctored these smells. Don't turn your eyes into saucers. Margery shall go with you; I wish I could turn ye both into flowers and plant ye out in a field for three months! but you are not to give me any trouble by turning home-sick, do you hear? I shall have trouble enough with Grandmamma, though I am joint guardian with her (your dear mother's doing, that!), and have some voice in the disposal of your fates. Now, if I save the Sunflowers, will you promise me not to cry to come home again till I send for you?"

"Shall you be able to change her mind, to let us have Sunflowers sown for next year, too?

"Yes!"

"Then I promise."

I could have danced for joy. The only thing that made me feel uncomfortable was having to tell Dr. Brown about the spot on my middle finger-nail. He would ask all about it, and so I let out about Johnson's Dictionary and the Dignotions, and Brown's Vulgar Errors, and I was afraid Margery would say I had been very silly, and let a cat out of a bag.

I hope he was not vexed about his vulgar errors. He only laughed till he nearly tumbled off his chair.

I never did have a spot on my journey-to-go nail, but we went away all the same; so I suppose Dignotions do not always tell true.

When Grandmamma forgave me, and told me she would spare the Sunflowers this time, as Dr. Brown had begged them off, she said—"And Dr. Brown assures me, Grace, that when you are stronger you will have more sense. I am sure I hope he is right."

I hope so, too!



TINY'S TRICKS AND TOBY'S TRICKS.

TINY.

"Oh Toby, my dear old Toby, you portly and princely Pug!

"You know it's bad for you to lie in the fender:—Father says that's what makes you so fat—and I want you to come and sit with me on the Kurdistan rug.

"Put your lovely black nose in my lap, and I'll count your great velvet wrinkles, and comfort you with kisses.

"If you'll only keep out of the fender—Father says you'll have a fit if you don't!—and give good advice to your poor Little Missis.

"Father says you are the wisest creature he knows, and you are but eight years old, and three months ago I was six.

"And yet mother says I'm the silliest little girl that she ever met with, because I am always picking up tricks.

"She does not know where I learnt to stand on one leg (unless it was from a goose), but it has made one of my shoulders stick out more than the other.



"It wasn't the goose who taught me to whistle up and down stairs. I learnt that last holidays from my brother.

"The baker's man taught me to put my tongue in my cheek when I'm writing copies, for I saw him do it when he was receipting a bill.

"And I learn't to wrinkle my forehead, and squeeze up my eyes, and make faces with my lips by imitating the strange doctor who attended us when we were ill.

"It was Brother Jack himself who showed me that the way to squint is to look at both sides of your nose.

"And then, Toby—would you believe it?—he turned round last holidays and said—'Look here, Tiny, if the wind changes when you're making that face it'll stay there, and remember you can't squint properly and keep your eye on the weathercock at the same time to see how it blows.'

"But boys are so mean!—and I catch stammering from his school friend—'Tut-tut-tut-tut-Tom,' as we call him—but I soon leave it off when he goes.

"I did not learn stooping and poking out my chin from any one; it came of itself. It is so hard to sit up; but mother says that much my worst trick.

"Is biting my finger nails; and I've bitten them nearly all down to the quick.

"She says if I don't lose these tricks, and leave off learning fresh ones, I shall never grow up like our pretty great-great-grandmamma.

"Do you know her, dear Toby? I don't think you do. I don't think you ever look at pictures, intelligent as you are!

"It's the big portrait, by Romney, of a beautiful lady, sitting beautifully up, with her beautiful hands lying in her lap.

"Looking over her shoulder, out of lovely eyes, with a sweet smile on her lips, in the old brocade Mother keeps in the chest, and a pretty lace cap.

"I should very much like to be like her when I grow up to that age; Mother says she was twenty-six.

"And of course I know she would not have looked so nice in her picture if she'd squinted, and wrinkled her forehead, and had one shoulder out, and her tongue in her cheek, and a round back, and her chin poked, and her fingers all swollen with biting;—but, oh, Toby, you clever Pug! how am I to get rid of my tricks?

"That is, if I must give them up; but it seems so hard to get into disgrace.

"For doing what comes natural to one, with one's own eyes and legs, and fingers, and face."

TOBY.

"Remove your arms from my neck, Little Missis—I feel unusually apoplectic—and let me take two or three turns on the rug.

"Whilst I turn the matter over in my mind, for never was there so puzzled a pug!

"I am, as your respected Father truly observes, a most talented creature.

"And as to fit subjects for family portraits and personal appearance—from the top of my massive brow to the tip of my curly tail, I believe myself to be perfect in every feature.

"And when my ears are just joined over my forehead like a black velvet cap, I'm reckoned the living likeness of a late eminent divine and once popular preacher.

"Did your great-great-grandmamma ever take a prize at a show? But let that pass—the real question is this:

"How is it that what I am most highly commended for, should in your case be taken amiss?

"Why am I reckoned the best and cleverest of dogs? Because I've picked up tricks so quickly ever since I was a pup.

"And if I couldn't wrinkle my forehead and poke out my chin, and grimace at the judges, do you suppose I should ever have been—Class Pug. First Prize—Champion and Gold Cup?

"We have one thing in common—I do not find it easy to sit up.

"But I learned it, and so will you. I can't imagine worse manners than to put one's tongue in one's cheek; as a rule, I hang mine gracefully out on one side.

"And I've no doubt it's a mistake to gnaw your fingers. I gnawed a good deal in my puppyhood, but chewing my paws is a trick that I never tried.

"How you stand on one leg I cannot imagine; with my figure it's all I can do to stand upon four.

"I balance biscuit on my nose. Do you? I jump through a hoop (an atrocious trick, my dear, after one's first youth—and a full meal!)—I bark three cheers for the Queen, and I shut the dining-room door.

"I lie flat on the floor at the word of command—In short, I've as many tricks as you have, and every one of them counts to my credit;

"Whilst yours—so you say—only bring you into disgrace, which I could not have thought possible if you had not said it.

"Indeed—but for the length of my experience and the solidity of my judgment—this would tempt me to think your mamma a very foolish person, and to advise you to disobey her; but I do not, Little Missis, for I know

"That if you belong to good and kind people, it is well to let them train you up in the way in which they think you should go.

"Your excellent parents trained me to tricks; and very senseless some of them seemed, I must say:

"But I've lived to be proud of what I've been taught; and glad too that I learned to obey.

"For, depend upon it, if you never do as you're told till you know the reason why, or till you find that you must;

"You are much less of a Prize Pug than you might have been if you'd taken good government on trust."

* * * * *

"Take me back to your arms, Little Missis, I feel cooler, and calmer in my mind.

"Yes, there can be no doubt about it. You must do what your mother tells you, for you know that she's wise and kind.

"You must take as much pains to lose your tricks as I took to learn mine, long ago;

"And we may all live to see you yet—'Class Young Lady. First Prize. Gold Medal—of a Show.'"

TINY.

"Oh, Toby, my dear old Toby, you wise and wonderful Pug!

"Don't struggle off yet, stay on my knee for a bit, you'll be much hotter in the fender, and I want to give you a great, big hug.

"What are you turning round and round for? you'll make yourself giddy, Toby. If you're looking for your tail, it is there, all right.

"You can't see it for yourself because you're so fat, and because it is curled so tight.

"I daresay you could play with it, like Kitty, when you were a pup, but it must be a long time now since you've seen it.

"It's rather rude of you, Mr. Pug, to lie down with your back to me, and a grunt, but I know you don't mean it.

"I wanted to hug you, Toby, because I do thank you for giving me such good advice, and I know every word of it's true.

"I mean to try hard to follow it, and I'll tell you what I shall do.

"Nurse wants to put bitter stuff on the tips of my fingers, to cure me of biting them, and now I think I shall let her.

"I know they're not fit to be seen, but she says they would soon become better.

"I mean to keep my hands behind my back a good deal till they're well, and to hold my head up, and turn out my toes; and every time I give way to one of my tricks, I shall go and stand (on both legs) before the picture, and confess it to great-great-grand-mamma.

"Just fancy if I've no tricks left this time next year, Toby! Won't that show how clever we are?

"I for trying so hard to do what I'm told, and you for being so wise that people will say—'That sensible pug cured that silly little girl when not even her mother could mend her.'

"——Ah! Bad Dog! Where are you slinking off to?—Oh, Toby, darling! do, do take a little of your own good advice, and try to cure yourself of lying in the fender!"



THE OWL IN THE IVY BUSH.

OR, THE CHILDREN'S BIRD OF WISDOM.

INTRODUCTION.

"Hoot toots, man, yon's a queer bird!"

Bonnie Scotland.

I am an Owl; a very fluffy one, in spite of all that that Bad Boy pulled out! I live in an Ivy Bush. Children are nothing to me, naturally, so it seems strange that I should begin, at my time of life, to observe their little ways and their humors, and to give them good advice.

And yet it is so. I am the Friend of Young People. In my flight abroad I watch them. As I sit meditating in my Ivy Bush, it is their little matters which I turn over in my fluffy head. I have established a letter box for their communications at the Hole in the Tree. No other address will find me.

It is well known that I am a Bird of Wisdom. I am also an Observing Bird; and though my young friends may think I see less than I do, because of my blinking, and because I detest that vulgar glare of bright light without which some persons do not seem able to see what goes on around them, I would have children to know that if I can blink on occasion, and am not apt to let every starer read my counsel in my eyes, I am wide awake all the same. I am on the look-out when it's so dark that other folk can't see an inch before their noses, and (a word to the foolish and naughty!) I can see what is doing behind my back. And Wiseacre, Observer, and Wide-awake—I am the Children's Owl.

Before I open my mouth on their little affairs, before even I open my letters (if there are any waiting for me) I will explain how it came about that I am the Children's Owl.

It is all owing to that little girl; the one with the fluffy hair and the wise eyes. As an Observer I have noticed that not only I, but other people, seem to do what she wants, and as a Wiseacre I have reflected upon it as strange, because her temper is as soft and fluffy as her hair (which mine is not), and she always seems ready to give way to others (which is never my case—if I can help it). On the occasion I am about to speak of, I could not help it.

It was last summer that that Bad Boy caught me, and squeezed me into a wicker cage. Little did I think I should ever live to be so poked out, and rummaged, and torn to shreds by such a thing as a boy! I bit him, but he got me into the cage and put a cloth over it. Then he took me to his father, who took me to the front door of the house, where he is coachman and gardener, and asked for Little Miss to come out and see the new pet Tom had caught for her.

"It's a nasty tempered brute, but she's such a one for taming things," said the coachman, whipping off the cloth to show me to the housemaid, and letting in a glare of light that irritated me to frenzy. I flew at the housemaid, and she flew into the house. Then I rolled over and growled and hissed under my beak, and tried to hide my eyes in my feathers.

"Little Miss won't tame me," I muttered.

She did not try long. When she heard of me she came running out, the wind blowing her fluffy hair about her face, and the sun shining on it. Fluffed out by the wind, and changing color in the light and shade, the hair down her back is not entirely unlike the feathers of my own, though less sober perhaps in its tints. Like mine it makes a small head look large, and as she has big wise eyes, I have seen creatures less like an owl than Little Miss. Her voice is not so hoarse as mine. It is clear and soft, as I heard when she spoke:

"Oh, how good of you! And how good of Tom! I do so love owls. I always get Mary to put the silver owl by me at luncheon, though I am not allowed to eat pepper. And I have a brown owl, a china one, sitting on a book for a letter weight. He came from Germany. And Captain Barton gave me an owl pencil-case on my birthday, because I liked hearing about his real owl, but, oh, I never hoped I should have a real owl of my own. It was kind of Tom."

To hear that Bad Boy called kind was too much for endurance, and I let them see how savage I felt. If the wicker work had not been very strong the cage would not have held me.

"He's a tartar," said the coachman.

"Oh, no, Williams!" said Little Miss, "he's only frightened by the light. Give me the cloth, please."

"Take care, Miss. He'll bite you," cried the coachman, as she put the cloth over the cage, and then over her own head.

"No, he won't! I don't mind his snapping and hissing. I want him to see me, and know me. Then perhaps he'll get to like me, and be tame, and sit on the nursery clock and look wise. Captain Barton's owl used to sit on his clock. Poor fellow! Dear old owlie! Don't growl, my owl. Can you hoot, darling? I should like to hear you hoot."

Sometimes as I sit in my ivy bush, and the moon shines on the spiders' webs and reminds me of the threads of her hair, on a mild, sleepy night, if there's nothing stirring but the ivy boughs; sitting, I say, blinking between a dream and a doze, I fancy I see her face close to mine, as it was that day with the wicker work between. Our eyes looking at each other, and our fluffiness mixed up by the wind. Then I try to remember all the kind things she said to me to coax me to leave my ivy bush, and go to live on the nursery clock. But I can't remember half. I was in such a rage at the time, and when you are in a rage you miss a good deal, and forget a good deal.

I know that at last she left off talking to me, and I could see her wise eyes swimming in tears. Then she left me alone under the cloth.

"Well, Miss," said the coachman, "you don't make much of him, do ye? He's a Tartar, Miss, I'm afraid."

"I think, Williams, that he's too old. Captain Barton's owl was a little owlet when he first got him. I shall never tame this one, Williams, and I never was so disappointed in all my life. Captain Barton said he kept an owl to keep himself good and wise, because nobody could be foolish in the face of an owl sitting on his clock. He says both his godfathers are dead, and he has taken his owl for his godfather. These are his jokes, Williams, but I had set my heart on having an owl on the nursery clock. I do think I have never wished so much for anything in the world as that Tom's owl would be our Bird of Wisdom. But he never will. He will never let me tame him. He wants to be a wild owl all his life. I love him very much, and I should like him to have what he wants, and not be miserable. Please thank Tom very much, and please ask him to let him go."

"I'm sorry I brought him, Miss, to trouble you," said the coachman. "But Tom won't let him go. He'd a lot of trouble catching him, and if he's no good to you, Tom'll be glad of him to stuff. He's got some glass eyes out of a stuffed fox the moths ate, and he's bent on stuffing an owl, is Tom. The eyes would be too big for a pheasant, but they'll look well enough in an owl, he thinks."

My hearing is very acute, and not a word of that Bad Boy's brutal intentions was lost on me. I shrunk among my feathers and shivered with despair; but when I heard the voice of Little Miss I rounded my ear once more.

"No, Williams, no! He must not be stuffed. Oh, please beg Tom to come to me. Perhaps I can give him something to persuade him not. If he must stuff an owl, please, please let him stuff a strange owl. One I haven't made friends with. Not this one. He is very wild, but he is very lovely and soft, and I do so want him to be let go."

"Well, Miss, I'll send Tom and you can settle it with him. All I say, he's a Tartar, and stuffing's too good for him."

Whether she bribed Tom, or persuaded him, I don't know, but Little Miss got her way, and that Bad Boy let me go, and I went back to my Ivy Bush.

OWLHOOT I.

"What can't be cured must be endured."

Old Proverb.

It was the wish to see Little Miss once more that led my wings past her nursery window; besides, I had a curiosity to look at the clock.

It is an eight-day clock, in a handsome case, and would, undoubtedly, have been a becoming perch for a bird of my dignified appearance, but I will not describe it to-day. Nor will I speak of my meditations as I sit in my Ivy Bush like any other common owl, and reflect that if I had not had my own way, but had listened to Little Miss, I might have sat on an Eight-day Clock, and been godfather to the children. It is not seemly for an owl to doubt his own wisdom, but as I have taken upon me, for the sake of Little Miss, to be a child's counsellor, I will just observe, in passing, that though it is very satisfactory at the time to get your own way, you may live to wish that you had taken other folk's advice instead.

From that nursery I have taken flight to others. I sail by the windows, and throw a searching eye through these bars which are, I believe, placed there to keep top-heavy babies from tumbling out. Sometimes I peer down the chimney. From the nook of a wall or the hollow of a tree, I overlook the children's gardens and playgrounds. I have an eye to several schools, and I fancy (though I may be wrong) that I should look well seated on the top of an easel—just above the black-board, with a piece of chalk in my feathery foot.

Not that I have any notion of playing schoolmaster, or even of advising schoolmasters and parents how to make their children good and wise. I am the Children's Owl—their very own—and all my good advice is intended to help them to improve themselves.

It is wonderful how children do sometimes improve! I knew a fine little fellow, much made of by his family and friends, who used to be so peevish about all the little ups and downs of life, and had such a lamentable whine in his voice when he was thwarted in any trifle, that if you had heard without seeing him, you'd have sworn that the most miserable wretch in the world was bewailing the worst of catastrophes with failing breath. And all the while there was not a handsomer, healthier, better fed, better bred, better dressed, and more dearly loved, little boy in all the parish. When you might have thought, by the sound of it, that some starving skeleton of a creature was moaning for a bit of bread, the young gentleman was only sobbing through the soap and lifting his voice above the towels, because Nurse would wash his fair and rosy cheeks. And when cries like those of one vanquished in battle and begging and praying for his life, rang through the hall and up the front stairs, it proved to be nothing worse than Master Jack imploring his friends to "please, please," and "do, do," let him stay out to run in a final "go as you please" race with the young Browns (who dine a quarter of an hour later), instead of going in promptly when the gong sounded for luncheon.

Now the other day I peeped into a bedroom of that little boy's home. The sun was up, and so was Jack, but one of his numerous Aunts was not. She was in bed with a headache, and to this her pale face, her eyes shunning the light like my own, and her hair restlessly tossed over the pillow bore witness. When a knock came on the bedroom door, she started with pain, but lay down again and cried—"Come in!"

The door opened, but no one came in; and outside the voices of the little boy and his nurse were audible.

"I want to show her my new coat."

"You can't, Master Jack. Your Aunt's got a dreadful headache, and can't be disturbed."

No peevish complaints from Jack: only a deep sigh.

"I'm very sorry about her headache; and I'm very very sorry about my coat. For I am going out, and it will never be so new again."

His aunt spoke feebly.

"Nurse, I must see his coat. Let him come in."

Enter Jack.

It was his first manly suit, and he was trying hard for a manly soul beneath it, as a brave boy should. He came in very gently, but with conscious pride glowing in his rosy cheeks and out of his shining eyes. His cheeks were very red, for a step in life is a warming thing, and so is a cloth suit when you've been used to frocks.

It was a bottle-green coat, with large mother-o'-pearl buttons and three coachman's capes; and there were leggings to match. The beaver hat, too, was new, and becomingly cocked, as he stood by his Aunt's bedside and smiled.

"What a fine coat, Jack!"

"Made by a tailor, Auntie Julie. Real pockets!"

"You don't say so!"

He nodded.

"Leggings too!" and he stuck up one leg at a sudden right angle on to the bed; a rash proceeding, but the boy has a straight little figure, and with a hop or two he kept his balance.

"My dear Jack, they are grand. How warm they must keep your legs!"

He shook his beaver hat.

"No. They only tickles. That's what they do."

There was a pause. His Aunt remembered the old peevish ways. She did not want to encourage him to discard his winter leggings, and was doubtful what to say. But in a moment more his eyes shone, and his face took that effulgent expression which some children have when they are resolved upon being good.

"—and as I can't shake off the tickle, I have to bear it," added the little gentleman.

I call him the little gentleman advisedly. There is no stronger sign of high breeding in young people, than a cheerful endurance of the rubs of life. A temper that fits one's fate, a spirit that rises with the occasion. It is this kind of courage which the Gentlemen of England have shown from time immemorial, through peace and war, by land and sea, in every country and climate of the habitable globe. Jack is a child of that Empire on which the sun never sets, and if he live he is like to have larger opportunities of bearing discomfort than was afforded by the wooly worry of his bottle-green leggings. I am in good hopes that he will not be found wanting.

Some such thoughts, I believe, occurred to his Aunt.

"That's right, Jack. What a man you are!"

The rosy cheeks became carmine, and Jack flung himself upon his Aunt, and kissed her with resounding smacks.

A somewhat wrecked appearance which she presented after this boisterous hug, recalled the headache to his mind, and as he settled the beaver hat, which had gone astray, he said ruefully—

"Is your headache very bad, Auntie Julie!"

"Rather bad, Jack. And as I can't shake it off, I have to bear it."

He went away on tiptoe, and it was only after he had carefully and gently closed the bedroom door behind him, that he departed by leaps and bounds to show himself in his bottle-green coat and capes, and white buttons and leggings to match, and beaver hat to boot, first to the young Browns, and after that to the General Public.

As an Observer, I may say that it was a sight worth seeing; and as a Bird of some wisdom, I prophesy well of that boy.

OWLHOOT II.

"Then this ebony bird beguiling my sad fancy into smiling."

The Raven.

"Taffy was a thief."—Old Song.

I find the following letters at the Hole in the Tree.

"X LINES, SOUTH CAMP, ALDERSHOT.

"SIR,—You speak with great feeling of that elevated position (I allude, of course, to the top of the eight-day clock), which circumstances led you somewhat hastily to decline. It would undoubtedly have become you, and less cannot be said for such a situation as the summit of an easel, overlooking the black-board, in an establishment for the education of youth. Meanwhile it may interest you to hear of a bird (not of your wisdom, but with parts, and a respectable appearance) who secured a somewhat similar seat in adopting that kind of home which you would not. It was in driving through a wood at some little distance from the above address that we found a wounded crow, and brought him home to our hut. He became a member of the family, and received the name of Slyboots, for reasons with which it is unnecessary to trouble you. He was made very welcome in the drawing-room, but he preferred the kitchen. The kitchen is a brick room detached from the wooden hut. It was once, in fact, an armorer's shop, and has since been converted to a kitchen. The floor is rudely laid, and the bricks gape here and there. A barrack fender guards the fire-place, and a barrack poker reposes in the fender. It is a very ponderous poker of unusual size and the commonest appearance, but with a massive knob at the upper end which was wont to project far and high above the hearth. It was to this seat that Slyboots elevated himself by his own choice, and became the Kitchen Crow. Here he spent hours watching the cook, and taking tit-bits behind her back. He ate what he could (more, I fear, than he ought), and hid the rest in holes and corners. The genial neighborhood of the oven caused him no inconvenience. His glossy coat, being already as black as a coal, was not damaged by a certain grimeyness which is undoubtedly characteristic of the (late) armorer's shop, of which the chimney is an inveterate smoker. Companies of his relatives constantly enter the camp by ways over which the sentries have no control (the Balloon Brigade being not yet even in the clouds); but Slyboots showed no disposition to join them. They flaunt and forage in the Lines, they inspect the ashpits and cookhouses, they wheel and manoeuvre on the parades, but Slyboots sat serene upon his poker. He had a cook-house all to himself.... He died. We must all die; but we need not all die of repletion, which, I fear, was his case. He buried his last meal between two bricks in the kitchen floor, and covered it very tidily with a bit of newspaper. The poker is vacant. Sir, I was bred to the sword and not to the pen, but I have a foolish desire for literary fame. I should be better pleased to be in print than to be promoted—for that matter one seems as near as the other—and my wife agrees with me. She is of a literary turn, and has helped me in the composition of this, but we both fear that the story having no moral you will not admit it into your Owlhoots. But if your wisdom could supply this, or your kindness overlook the defect, it would afford great consolation to a bereaved family to have printed a biography of the dear deceased. For we were greatly attached to him, though he preferred the cook. I can at any rate give you my word as a man of honor that these incidents are true, though, out of soldierly modesty, I will not trouble you with my name, but with much respect subscribe myself by that of

SLYBOOTS."

The gallant officer is too modest. This biography is not only true but brief, and these are rare merits in a memoir. As to the moral—it is not far to seek. Dear children, for whom I hoot! avoid greediness. If Slyboots had eaten tit-bits in moderation, he might be sitting on the poker to this day. I have great pleasure in making his brief career public to the satisfaction of his gallant friend, and I should be glad to hear that the latter had got his step by the same post as his Owlhoot.

The second letter is much farther from literary excellence than the first. I fear this little boy plays truant from school as well as taking apples which do not belong to him. It is high time that he learnt to spell, and also to observe the difference between meum and tuum. From not being well grounded on these two points, many boys have lost good situations in life when they grew up to be men.

"deer mister howl,—as you say you see behind your bak i spose its you told varmer jones of me for theres a tree with a whole in it just behind the orchurd he wolloped I shameful and I'll have no more of his apples they be a deal sowerer than yud think though they look so red, but do you call yourself a childerns friend and tell tails i dont i can tell you.

TOM TURNIP."

[PUBLISHER'S NOTE. Mrs. Ewing did not live to complete "The Owl in the Ivy Bush." This, and "Tiny's Tricks and Toby's Tricks" were first published after her death.]

* * * * *

Roberts Brothers Juvenile Books.

DEAR DAUGHTER DOROTHY.

BY MISS A. G. PLYMPTON.

With seven illustrations by the author. Small 4to. Cloth.

PRICE, $1.00.



"The child is father of the man,"—so Wordsworth sang; and here is a jolly story of a little girl who was her father's mother in a very real way. There were hard lines for him; and she was fruitful of devices to help him along, even having an auction of the pretty things that had been given her from time to time, and realizing a neat little sum. Then her father was accused of peculation; and she, sweetly ignorant of the ways of justice, went to the judge and labored with him, to no effect, though he was wondrous kind. Then in court she gave just the wrong evidence, because it showed how poor her father was, and so established a presumption of his great necessity and desperation. But the Deus ex machina—the wicked partner—arrived at the right moment, and owned up, and the good father was cleared, and little Daughter Dorothy was made glad. But this meagre summary gives but a poor idea of the ins and outs of this charming story, and no idea of the happy way in which it is told.—Christian Register.

ROBERTS BROTHERS, Boston.

* * * * *

LOUISA M. ALCOTT'S WRITINGS.

Miss Alcott is really a benefactor of households—H H

Miss Alcott has a faculty of entering into the lives and feelings of children that is conspicuously wanting in most writers who address them, and to this cause, to the consciousness among her readers that they are hearing about people like themselves, instead of abstract qualities labelled with names, the popularity of her books is due—MRS SARAH J HALE

Dear Aunt Jo! You are embalmed in the thoughts and loves of thousands of little men and women—EXCHANGE

Little Women, or Meg, Jo, Beth, and Amy With illustrations 16mo $1.50

Hospital Sketches, and Camp and Fireside Stories With illustrations 16mo 1.50

An Old-Fashioned Girl With illustrations 16mo 1.50

Little Men Life at Plumfield with Jo's Boys With illustrations 16mo 1.50

Jo's Boys and How they Turned Out A sequel to Little Men With portrait of Aunt Jo 16mo 1.50

Eight Cousins, or The Aunt Hill With illustrations 16mo 1.50

Rose in Bloom A sequel to Eight Cousins 16mo 1.50

Under the Lilacs With illustrations 16mo 1.50

Jack and Jill A Village Story With illustrations 16mo 1.50

Work A Story of Experience With character illustrations by Sol Eytinge 16mo 1.50

Moods A Novel New edition revised and enlarged 16mo 1.50

A Modern Mephistopheles, and A Whisper in the Dark 16mo 1.50

Silver Pitchers, and Independence A Centennial Love Story 16mo 1.25

Proverb Stories New edition, revised and enlarged 16mo 1.25

Spinning Wheel Stories With illustrations 16mo 1.25

A Garland for Girls and Other Stories With illustrations 16mo 1.25

My Boys &c First volume of Aunt Jo's Scrap Bag 16mo $1.00

Shawl-Straps Second volume of Aunt Jo's Scrap Bag 16mo 1.00

Cupid and Chow-Chow, &c Third volume of Aunt Jo's Scrap Bag 16mo 1.00

My Girls, &c Fourth volume of Aunt Jo's Scrap Bag 16mo 1.00

Jimmy's Cruise in the Pinafore, &c Fifth volume of Aunt Jo's Scrap Bag 16mo 1.00

An Old-Fashioned Thanksgiving, &c Sixth volume of Aunt Jo's Scrap Bag 16mo 1.00

Little Women Illustrated Embellished with nearly 200 characteristic illustrations from original designs drawn expressly for this edition of this noted American Classic One small quarto bound in cloth with emblematic designs 2.50

Little Women Series Comprising Little Women Little Men Eight Cousins Under the Lilacs An Old Fashioned Girl Jo's Boys Rose in Bloom Jack and Jill 8 large 16mo volumes in a handsome box 12.00

Miss Alcott's novels in uniform binding in sets Moods Work Hospital Sketches A Modern Mephistopheles and A Whisper in the Dark 4 volumes 16mo 6.00

Lulu's Library Vols I II III A collection of New Stories 16mo 1.00

These books are for sale at all bookstores, or will be mailed, post paid, on receipt of price, to any address

ROBERTS BROTHERS, PUBLISHERS,

Boston, Mass.

* * * * *

THE END

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