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Household Papers and Stories
by Harriet Beecher Stowe
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"And so am I," said Pheasant; "and yet, certainly, it is not what I mean or intend to do."

"But how to help it," said Dove.

"My dears," said I, "where there is a will there is a way. Only resolve that you will put the true beauty first,—that, even if you do have to seem unfashionable, you will follow the highest beauty of womanhood,—and the battle is half gained. Only resolve that your time, your strength, your money, such as you have, shall not all—nor more than half—be given to mere outward adornment, and you will go right. It requires only an army of girls animated with this noble purpose to declare independence in America, and emancipate us from the decrees and tyrannies of French actresses and ballet-dancers. En avant, girls! You yet can, if you will, save the republic."



X

WHAT ARE THE SOURCES OF BEAUTY IN DRESS

The conversation on dress which I had held with Jenny and her little covey of Birds of Paradise appeared to have worked in the minds of the fair council, for it was not long before they invaded my study again in a body. They were going out to a party, but called for Jenny, and of course gave me and Mrs. Crowfield the privilege of seeing them equipped for conquest.

Latterly, I must confess, the mysteries of the toilet rites have impressed me with a kind of superstitious awe. Only a year ago my daughter Jenny had smooth dark hair, which she wreathed in various soft, flowing lines about her face, and confined in a classical knot on the back of her head. Jenny had rather a talent for coiffure, and the arrangement of her hair was one of my little artistic delights. She always had something there,—a leaf, a spray, a bud or blossom, that looked fresh, and had a sort of poetical grace of its own.

But in a gradual way all this has been changing. Jenny's hair first became slightly wavy, then curly, finally frizzly, presenting a tumbled and twisted appearance, which gave me great inward concern; but when I spoke upon the subject I was always laughingly silenced with the definitive settling remark: "Oh, it's the fashion, papa! Everybody wears it so."

I particularly objected to the change on my own small account, because the smooth, breakfast-table coiffure, which I had always so much enjoyed, was now often exchanged for a peculiarly bristling appearance; the hair being variously twisted, tortured, woven, and wound, without the least view to immediate beauty or grace. But all this, I was informed, was the necessary means towards crimping for some evening display of a more elaborate nature than usual.

Mrs. Crowfield and myself are not party-goers by profession, but Jenny insists on our going out at least once or twice in a season, just, as she says, to keep up with the progress of society; and at these times I have been struck with frequent surprise by the general untidiness which appeared to have come over the heads of all my female friends. I know, of course, that I am only a poor, ignorant, bewildered man creature; but to my uninitiated eyes they looked as if they had all, after a very restless and perturbed sleep, come out of bed without smoothing their tumbled and disordered locks. Then, every young lady, without exception, seemed to have one kind of hair, and that the kind which was rather suggestive of the term "woolly." Every sort of wild abandon of frowzy locks seemed to be in vogue; in some cases the hair appearing to my vision nothing but a confused snarl, in which glittered tinklers, spangles, and bits of tinsel, and from which waved long pennants and streamers of different colored ribbons.

I was in fact very greatly embarrassed by my first meeting with some very charming girls, whom I thought I knew as familiarly as my own daughter Jenny, and whose soft, pretty hair had often formed the object of my admiration. Now, however, they revealed themselves to me in coiffures which forcibly reminded me of the electrical experiments which used to entertain us in college, when the subject stood on the insulated stool, and each particular hair of his head bristled and rose, and set up, as it were, on its own account. This high-flying condition of the tresses, and the singularity of the ornaments which appeared to be thrown at haphazard into them, suggested so oddly the idea of a bewitched person, that I could scarcely converse with any presence of mind, or realize that these really were the nice, well-informed, sensible little girls of my own neighborhood,—the good daughters, good sisters, Sunday-school teachers, and other familiar members of our best educated circles; and I came away from the party in a sort of blue maze, and hardly in a state to conduct myself with credit in the examination through which I knew Jenny would put me as to the appearance of her different friends.

I know not how it is, but the glamour of fashion in the eyes of girlhood is so complete that the oddest, wildest, most uncouth devices find grace and favor in the eyes of even well-bred girls, when once that invisible, ineffable aura has breathed over them which declares them to be fashionable. They may defy them for a time,—they may pronounce them horrid; but it is with a secretly melting heart, and with a mental reservation to look as nearly like the abhorred spectacle as they possibly can on the first favorable opportunity.

On the occasion of the visit referred to, Jenny ushered her three friends in triumph into my study; and, in truth, the little room seemed to be perfectly transformed by their brightness. My honest, nice, lovable little Yankee fireside girls were, to be sure, got up in a style that would have done credit to Madame Pompadour, or any of the most questionable characters of the time of Louis XIV. or XV. They were frizzled and powdered, and built up in elaborate devices; they wore on their hair flowers, gems, streamers, tinklers, humming-birds, butterflies, South American beetles, beads, bugles, and all imaginable rattletraps, which jingled and clinked with every motion; and yet, as they were three or four fresh, handsome, intelligent, bright-eyed girls, there was no denying the fact that they did look extremely pretty; and as they sailed hither and thither before me, and gazed down upon me in the saucy might of their rosy girlhood, there was a gay defiance in Jenny's demand, "Now, papa, how do you like us?"

"Very charming," answered I, surrendering at discretion.

"I told you, girls, that you could convert him to the fashions, if he should once see you in party trim."

"I beg pardon, my dear; I am not converted to the fashion, but to you, and that is a point on which I didn't need conversion; but the present fashions, even so fairly represented as I see them, I humbly confess I dislike."

"Oh, Mr. Crowfield!"

"Yes, my dears, I do. But then, I protest, I'm not fairly treated. I think, for a young American girl, who looks as most of my fair friends do look, to come down with her bright eyes and all her little panoply of graces upon an old fellow like me, and expect him to like a fashion merely because she looks well in it, is all sheer nonsense. Why, girls, if you wore rings in your noses, and bangles on your arms up to your elbows, if you tied your hair in a war-knot on the top of your heads like the Sioux Indians, you would still look pretty. The question isn't, as I view it, whether you look pretty,—for that you do, and that you will, do what you please and dress how you will. The question is whether you might not look prettier, whether another style of dress, and another mode of getting up, would not be far more becoming. I am one who thinks that it would."

"Now, Mr. Crowfield, you positively are too bad," said Humming-Bird, whose delicate head was encircled by a sort of crepy cloud of bright hair, sparkling with gold-dust and spangles, in the midst of which, just over her forehead, a gorgeous blue butterfly was perched, while a confused mixture of hairs, gold-powder, spangles, stars, and tinkling ornaments fell in a sort of cataract down her pretty neck. "You see, we girls think everything of you; and now we don't like it that you don't like our fashions."

"Why, my little princess, so long as I like you better than your fashions, and merely think they are not worthy of you, what's the harm?"

"Oh yes, to be sure. You sweeten the dose to us babies with that sugarplum. But really, Mr. Crowfield, why don't you like the fashions?"

"Because, to my view, they are in great part in false taste, and injure the beauty of the girls," said I. "They are inappropriate to their characters, and make them look like a kind and class of women whom they do not, and I trust never will, resemble internally, and whose mark therefore they ought not to bear externally. But there you are, beguiling me into a sermon which you will only hate me in your hearts for preaching. Go along, children! You certainly look as well as anybody can in that style of getting up; so go to your party, and to-morrow night, when you are tired and sleepy, if you'll come with your crochet, and sit in my study, I will read you Christopher Crowfield's dissertation on dress."

"That will be amusing, to say the least," said Humming-Bird; "and, be sure, we will all be here. And mind, you have to show good reasons for disliking the present fashion."

So the next evening there was a worsted party in my study, sitting in the midst of which I read as follows:—

WHAT ARE THE SOURCES OF BEAUTY IN DRESS

"The first one is appropriateness. Colors and forms and modes, in themselves graceful or beautiful, can become ungraceful and ridiculous simply through inappropriateness. The most lovely bonnet that the most approved modiste can invent, if worn on the head of a coarse-faced Irishwoman bearing a market-basket on her arm, excites no emotion but that of the ludicrous. The most elegant and brilliant evening dress, if worn in the daytime in a railroad car, strikes every one with a sense of absurdity; whereas both these objects in appropriate associations would excite only the idea of beauty. So a mode of dress obviously intended for driving strikes us as outre in a parlor; and a parlor dress would no less shock our eyes on horseback. In short, the course of this principle through all varieties of form can easily be perceived. Besides appropriateness to time, place, and circumstances, there is appropriateness to age, position, and character. This is the foundation of all our ideas of professional propriety in costume. One would not like to see a clergyman in his external air and appointments resembling a gentleman of the turf; one would not wish a refined and modest scholar to wear the outward air of a fast fellow, or an aged and venerable statesman to appear with all the peculiarities of a young dandy. The flowers, feathers, and furbelows which a light-hearted young girl of seventeen embellishes by the airy grace with which she wears them, are simply ridiculous when transferred to the toilet of her serious, well-meaning mamma, who bears them about with an anxious face, merely because a loquacious milliner has assured her, with many protestations, that it is the fashion, and the only thing remaining for her to do.

"There are, again, modes of dress in themselves very beautiful and very striking, which are peculiarly adapted to theatrical representation and to pictures, but the adoption of which as a part of unprofessional toilet produces a sense of incongruity. A mode of dress maybe in perfect taste on the stage, that would be absurd in an evening party, absurd in the street, absurd, in short, everywhere else.

"Now you come to my first objection to our present American toilet,—its being to a very great extent inappropriate to our climate, to our habits of life and thought, and to the whole structure of ideas on which our life is built. What we want, apparently, is some court of inquiry and adaptation that shall pass judgment on the fashions of other countries, and modify them to make them a graceful expression of our own national character, and modes of thinking and living. A certain class of women in Paris at this present hour makes the fashions that rule the feminine world. They are women who live only for the senses, with as utter and obvious disregard of any moral or intellectual purpose to be answered in living as a paroquet or a macaw. They have no family ties; love, in its pure domestic sense, is an impossibility in their lot; religion in any sense is another impossibility; and their whole intensity of existence, therefore, is concentrated on the question of sensuous enjoyment, and that personal adornment which is necessary to secure it. When the great ruling country in the world of taste and fashion has fallen into such a state that the virtual leaders of fashion are women of this character, it is not to be supposed that the fashions emanating from them will be of a kind well adapted to express the ideas, the thoughts, the state of society, of a great Christian democracy such as ours ought to be.

"What is called, for example, the Pompadour style of dress, so much in vogue of late, we can see to be perfectly adapted to the kind of existence led by dissipated women whose life is one revel of excitement; and who, never proposing to themselves any intellectual employment or any domestic duty, can afford to spend three or four hours every day under the hands of a waiting-maid, in alternately tangling and untangling their hair. Powder, paint, gold-dust and silver-dust, pomatums, cosmetics, are all perfectly appropriate where the ideal of life is to keep up a false show of beauty after the true bloom is wasted by dissipation. The woman who never goes to bed till morning, who never even dresses herself, who never takes a needle in her hand, who never goes to church, and never entertains one serious idea of duty of any kind, when got up in Pompadour style, has, to say the truth, the good taste and merit of appropriateness. Her dress expresses just what she is,—all false, all artificial, all meretricious and unnatural; no part or portion of her from which it might be inferred what her Creator originally designed her to be.

"But when a nice little American girl, who has been brought up to cultivate her mind, to refine her taste, to care for her health, to be a helpful daughter and a good sister, to visit the poor and teach in Sunday schools; when a good, sweet, modest little puss of this kind combs all her pretty hair backward till it is one mass of frowsy confusion; when she powders, and paints under her eyes; when she adopts, with eager enthusiasm, every outre, unnatural fashion that comes from the most dissipated foreign circles,—she is in bad taste, because she does not represent either her character, her education, or her good points. She looks like a second-rate actress, when she is, in fact, a most thoroughly respectable, estimable, lovable little girl, and on the way, as we poor fellows fondly hope, to bless some one of us with her tenderness and care in some nice home in the future.

"It is not the fashion in America for young girls to have waiting-maids,—in foreign countries it is the fashion. All this meretricious toilet—so elaborate, so complicated, and so contrary to nature—must be accomplished, and it is accomplished, by the busy little fingers of each girl for herself; and so it seems to be very evident that a style of hair-dressing which it will require hours to disentangle, which must injure and in time ruin the natural beauty of the hair, ought to be one thing which a well-regulated court of inquiry would reject in our American fashions.

"Again, the genius of American life is for simplicity and absence of ostentation. We have no parade of office: our public men wear no robes, no stars, garters, collars, etc.; and it would, therefore, be in good taste in our women to cultivate simple styles of dress. Now I object to the present fashions, as adopted from France, that they are flashy and theatrical. Having their origin with a community whose senses are blunted, drugged, and deadened with dissipation and ostentation, they reject the simpler forms of beauty, and seek for startling effects, for odd and unexpected results. The contemplation of one of our fashionable churches, at the hour when its fair occupants pour forth, gives one a great deal of surprise. The toilets there displayed might have been in good keeping among showy Parisian women in an opera house, but even their original inventors would have been shocked at the idea of carrying them into a church. The rawness of our American mind as to the subject of propriety in dress is nowhere more shown than in the fact that no apparent distinction is made between church and opera house in the adaptation of attire. Very estimable and we trust very religious young women sometimes enter the house of God in a costume which makes their utterance of the words of the litany and the acts of prostrate devotion in the service seem almost burlesque. When a brisk little creature comes into a pew with hair frizzed till it stands on end in a most startling manner, rattling strings of beads and bits of tinsel, mounting over all some pert little hat with a red or green feather standing saucily upright in front, she may look exceedingly pretty and piquant; and, if she came there for a game of croquet or a tableau party, would be all in very good taste; but as she comes to confess that she is a miserable sinner, that she has done the things she ought not to have done, and left undone the things she ought to have done,—as she takes upon her lips most solemn and tremendous words, whose meaning runs far beyond life into a sublime eternity,—there is a discrepancy which would be ludicrous if it were not melancholy.

"One is apt to think, at first view, that St. Jerome was right in saying,

"'She who comes in glittering vest To mourn her frailty, still is frail.'

But St. Jerome was in the wrong, after all; for a flashy, unsuitable attire in church is not always a mark of an undevout or entirely worldly mind; it is simply a mark of a raw, uncultivated taste. In Italy, the ecclesiastical law prescribing a uniform black dress for the churches gives a sort of education to European ideas of propriety in toilet, which prevents churches from being made theatres for the same kind of display which is held to be in good taste at places of public amusement. It is but justice to the inventors of Parisian fashions to say that, had they ever had the smallest idea of going to church and Sunday school, as our good girls do, they would immediately have devised toilets appropriate to such exigencies. If it were any part of their plan of life to appear statedly in public to confess themselves 'miserable sinners,' we should doubtless have sent over here the design of some graceful penitential habit, which would give our places of worship a much more appropriate air than they now have. As it is, it would form a subject for such a court of inquiry and adaptation as we have supposed, to draw a line between the costume of the theatre and the church.

"In the same manner, there is a want of appropriateness in the costume of our American women, who display in the street promenade a style of dress and adornment originally intended for showy carriage drives in such great exhibition grounds as the Bois de Boulogne. The makers of Parisian fashions are not generally walkers. They do not, with all their extravagance, have the bad taste to trail yards of silk and velvet over the mud and dirt of a pavement, or promenade the street in a costume so pronounced and striking as to draw the involuntary glance of every eye; and the showy toilets displayed on the pave by American young women have more than once exposed them to misconstruction in the eyes of foreign observers.

"Next to appropriateness, the second requisite to beauty in dress I take to be unity of effect. In speaking of the arrangement of rooms in the 'House and Home Papers,' I criticised some apartments wherein were many showy articles of furniture, and much expense had been incurred, because, with all this, there was no unity of result. The carpet was costly, and in itself handsome; the paper was also in itself handsome and costly; the tables and chairs also in themselves very elegant; and yet, owing to a want of any unity of idea, any grand harmonizing tint of color, or method of arrangement, the rooms had a jumbled, confused air, and nothing about them seemed particularly pretty or effective. I instanced rooms where thousands of dollars had been spent, which, because of this defect, never excited admiration; and others in which the furniture was of the cheapest description, but which always gave immediate and universal pleasure. The same rule holds good in dress. As in every apartment, so in every toilet, there should be one ground-tone or dominant color, which should rule all the others, and there should be a general style of idea to which everything should be subjected.

"We may illustrate the effect of this principle in a very familiar case. It is generally conceded that the majority of women look better in mourning than they do in their ordinary apparel; a comparatively plain person looks almost handsome in simple black. Now why is this? Simply because mourning requires a severe uniformity of color and idea, and forbids the display of that variety of colors and objects which go to make up the ordinary female costume, and which very few women have such skill in using as to produce really beautiful effects.

"Very similar results have been attained by the Quaker costume, which, in spite of the quaint severity of the forms to which it adhered, has always had a remarkable degree of becomingness, because of its restriction to a few simple colors and to the absence of distracting ornament.

"But the same effect which is produced in mourning or the Quaker costume may be preserved in a style of dress admitting color and ornamentation. A dress may have the richest fullness of color, and still the tints may be so chastened and subdued as to produce the impression of a severe simplicity. Suppose, for example, a golden-haired blonde chooses for the ground-tone of her toilet a deep shade of purple, such as affords a good background for the hair and complexion. The larger draperies of the costume being of this color, the bonnet may be of a lighter shade of the same, ornamented with lilac hyacinths, shading insensibly towards rose-color. The effect of such a costume is simple, even though there be much ornament, because it is ornament artistically disposed towards a general result.

"A dark shade of green being chosen as the ground-tone of a dress, the whole costume may, in like manner, be worked up through lighter and brighter shades of green, in which rose-colored flowers may appear with the same impression of simple appropriateness that is made by the pink blossom over the green leaves of a rose. There have been times in France when the study of color produced artistic effects in costume worthy of attention, and resulted in styles of dress of real beauty. But the present corrupted state of morals there has introduced a corrupt taste in dress; and it is worthy of thought that the decline of moral purity in society is often marked by the deterioration of the sense of artistic beauty. Corrupt and dissipated social epochs produce corrupt styles of architecture and corrupt styles of drawing and painting, as might easily be illustrated by the history of art. When the leaders of society have blunted their finer perceptions by dissipation and immorality, they are incapable of feeling the beauties which come from delicate concords and truly artistic combinations. They verge towards barbarism, and require things that are strange, odd, dazzling, and peculiar to captivate their jaded senses. Such we take to be the condition of Parisian society now. The tone of it is given by women who are essentially impudent and vulgar, who override and overrule, by the mere brute force of opulence and luxury, women of finer natures and moral tone. The court of France is a court of adventurers, of parvenus; and the palaces, the toilets, the equipage, the entertainments, of the mistresses outshine those of the lawful wives. Hence comes a style of dress which is in itself vulgar, ostentatious, pretentious, without simplicity, without unity, seeking to dazzle by strange combinations and daring contrasts.

"Now, when the fashions emanating from such a state of society come to our country, where it has been too much the habit to put on and wear, without dispute and without inquiry, any or every thing that France sends, the results produced are often things to make one wonder. A respectable man, sitting quietly in church or other public assembly, may be pardoned sometimes for indulging a silent sense of the ridiculous in the contemplation of the forest of bonnets which surround him, as he humbly asks himself the question, Were these meant to cover the head, to defend it, or to ornament it? and, if they are intended for any of these purposes, how?

"I confess, to me nothing is so surprising as the sort of things which well-bred women serenely wear on their heads with the idea that they are ornaments. On my right hand sits a good-looking girl with a thing on her head which seems to consist mostly of bunches of grass, straws, with a confusion of lace, in which sits a draggled bird, looking as if the cat had had him before the lady. In front of her sits another, who has a glittering confusion of beads swinging hither and thither from a jaunty little structure of black and red velvet. An anxious-looking matron appears under the high eaves of a bonnet with a gigantic crimson rose crushed down into a mass of tangled hair. She is ornamented! she has no doubt about it.

"The fact is, that a style of dress which allows the use of everything in heaven above or earth beneath requires more taste and skill in disposition than falls to the lot of most of the female sex to make it even tolerable. In consequence, the flowers, fruits, grass, hay, straw, oats, butterflies, beads, birds, tinsel, streamers, jinglers, lace, bugles, crape, which seem to be appointed to form a covering for the female head, very often appear in combinations so singular, and the results, taken in connection with all the rest of the costume, are such, that we really think the people who usually assemble in a Quaker meeting-house are, with their entire absence of ornament, more becomingly attired than the majority of our public audiences. For if one considers his own impression after having seen an assemblage of women dressed in Quaker costume, he will find it to be, not of a confusion of twinkling finery, but of many fair, sweet faces, of charming, nice-looking women, and not of articles of dress. Now this shows that the severe dress, after all, has better answered the true purpose of dress, in setting forth the woman, than our modern costume, where the woman is but one item in a flying mass of colors and forms, all of which distract attention from the faces they are supposed to adorn. The dress of the Philadelphian ladies has always been celebrated for its elegance of effect, from the fact, probably, that the early Quaker parentage of the city formed the eye and the taste of its women for uniform and simple styles of color, and for purity and chastity of lines. The most perfect toilets that have ever been achieved in America have probably been those of the class familiarly called the gay Quakers,—children of Quaker families, who, while abandoning the strict rules of the sect, yet retain their modest and severe reticence, relying on richness of material, and soft, harmonious coloring, rather than striking and dazzling ornament.

"The next source of beauty in dress is the impression of truthfulness and reality. It is a well-known principle of the fine arts, in all their branches, that all shams and mere pretenses are to be rejected,—a truth which Ruskin has shown with the full lustre of his many-colored prose-poetry. As stucco pretending to be marble, and graining pretending to be wood, are in false taste in building, so false jewelry and cheap fineries of every kind are in bad taste; so also is powder instead of natural complexion, false hair instead of real, and flesh-painting of every description. I have even the hardihood to think and assert, in the presence of a generation whereof not one woman in twenty wears her own hair, that the simple, short-cropped locks of Rosa Bonheur are in a more beautiful style of hair-dressing than the most elaborate edifice of curls, rats, and waterfalls that is erected on any fair head nowadays."

"Oh, Mr. Crowfield! you hit us all now," cried several voices.

"I know it, girls,—I know it. I admit that you are all looking very pretty; but I do maintain that you are none of you doing yourselves justice, and that Nature, if you would only follow her, would do better for you than all these elaborations. A short crop of your own hair, that you could brush out in ten minutes every morning, would have a more real, healthy beauty than the elaborate structures which cost you hours of time, and give you the headache besides. I speak of the short crop,—to put the case at the very lowest figure,—for many of you have lovely hair of different lengths, and susceptible of a variety of arrangements, if you did not suppose yourself obliged to build after a foreign pattern, instead of following out the intentions of the great Artist who made you.

"Is it necessary absolutely that every woman and girl should look exactly like every other one? There are women whom Nature makes with wavy or curly hair: let them follow her. There are those whom she makes with soft and smooth locks, and with whom crinkling and creping is only a sham. They look very pretty with it, to be sure; but, after all, is there but one style of beauty? and might they not look prettier in cultivating the style which Nature seemed to have intended for them?

"As to the floods of false jewelry, glass beads, and tinsel finery which seem to be sweeping over the toilet of our women, I must protest that they are vulgarizing the taste, and having a seriously bad effect on the delicacy of artistic perception. It is almost impossible to manage such material and give any kind of idea of neatness or purity; for the least wear takes away their newness. And, of all disreputable things, tumbled, rumpled, and tousled finery is the most disreputable. A simple white muslin, that can come fresh from the laundry every week, is, in point of real taste, worth any amount of spangled tissues. A plain straw bonnet, with only a ribbon across it, is in reality in better taste than rubbishy birds or butterflies, or tinsel ornaments.

"Finally, girls, don't dress at haphazard; for dress, so far from being a matter of small consequence, is in reality one of the fine arts,—so far from trivial, that each country ought to have a style of its own, and each individual such a liberty of modification of the general fashion as suits and befits her person, her age, her position in life, and the kind of character she wishes to maintain.

"The only motive in toilet which seems to have obtained much as yet among young girls is the very vague impulse to look 'stylish,'—a desire which must answer for more vulgar dressing than one would wish to see. If girls would rise above this, and desire to express by their dress the attributes of true ladyhood, nicety of eye, fastidious neatness, purity of taste, truthfulness, and sincerity of nature, they might form, each one for herself, a style having its own individual beauty, incapable of ever becoming common and vulgar.

"A truly trained taste and eye would enable a lady to select from the permitted forms of fashion such as might be modified to her purposes, always remembering that simplicity is safe, that to attempt little and succeed is better than to attempt a great deal and fail.

"And now, girls, I will finish by reciting to you the lines old Ben Jonson addressed to the pretty girls of his time, which form an appropriate ending to my remarks:—

"'Still to be dressed As you were going to a feast; Still to be powdered, still perfumed; Lady, it is to be presumed, Though art's hid causes are not found, All is not sweet, all is not sound.

"'Give me a look, give me a face, That makes simplicity a grace,— Robes loosely flowing, hair as free: Such sweet neglect more taketh me Than all the adulteries of art, That strike my eyes, but not my heart.'"



XI

THE CATHEDRAL

"I am going to build a cathedral one of these days," said I to my wife, as I sat looking at the slant line of light made by the afternoon sun on our picture of the Cathedral of Milan.

"That picture is one of the most poetic things you have among your house ornaments," said Rudolph. "Its original is the world's chief beauty,—a tribute to religion such as Art never gave before and never can again,—as much before the Pantheon as the Alps, with their virgin snows and glittering pinnacles, are above all temples made with hands. Say what you will, those Middle Ages that you call Dark had a glory of faith that never will be seen in our days of cotton-mills and Manchester prints. Where will you marshal such an army of saints as stands in yonder white-marble forest, visibly transfigured and glorified in that celestial Italian air? Saintship belonged to the medieval Church; the heroism of religion has died with it."

"That's just like one of your assertions, Rudolph," said I. "You might as well say that Nature has never made any flowers since Linnaeus shut up his herbarium. We have no statues and pictures of modern saints; but saints themselves, thank God, have never been wanting. 'As it was in the beginning, is now, and ever shall be'"—

"But what about your cathedral?" said my wife.

"Oh yes!—my cathedral,—yes. When my stocks in cloud-land rise, I'll build a cathedral larger than Milan's; and the men, but more particularly the women, thereon, shall be those who have done even more than Saint Paul tells of in the saints of old, who 'subdued kingdoms, wrought righteousness, quenched the violence of fire, escaped the edge of the sword, out of weakness were made strong, waxed valiant in fight, turned to flight the armies of the aliens.' I am not now thinking of Florence Nightingale, nor of the host of women who have been walking worthily in her footsteps, but of nameless saints of more retired and private state,—domestic saints, who have tended children not their own through whooping-cough and measles, and borne the unruly whims of fretful invalids,—stocking-darning, shirt-making saints,—saints who wore no visible garment of haircloth, bound themselves with no belts of spikes and nails, yet in their inmost souls were marked and seared with the red cross of a lifelong self-sacrifice,—saints for whom the mystical terms self-annihilation and self-crucifixion had a real and tangible meaning, all the stronger because their daily death was marked by no outward sign. No mystical rites consecrated them; no organ-music burst forth in solemn rapture to welcome them; no habit of their order proclaimed to themselves and the world that they were the elect of Christ, the brides of another life: but small, eating cares, daily prosaic duties, the petty friction of all the littleness and all the inglorious annoyances of every day, were as dust that hid the beauty and grandeur of their calling even from themselves; they walked unknown even to their households, unknown even to their own souls; but when the Lord comes to build his New Jerusalem, we shall find many a white stone with a new name thereon, and the record of deeds and words which only He that seeth in secret knows. Many a humble soul will be amazed to find that the seed it sowed in such weakness, in the dust of daily life, has blossomed into immortal flowers under the eye of the Lord.

"When I build my cathedral, that woman," I said, pointing to a small painting by the fire, "shall be among the first of my saints. You see her there, in an every-day dress-cap with a mortal thread-lace border, and with a very ordinary worked collar, fastened by a visible and terrestrial breastpin. There is no nimbus around her head, no sign of the cross upon her breast; her hands are clasped on no crucifix or rosary. Her clear, keen, hazel eye looks as if it could sparkle with mirthfulness, as in fact it could; there are in it both the subtile flash of wit and the subdued light of humor; and though the whole face smiles, it has yet a certain decisive firmness that speaks the soul immutable in good. That woman shall be the first saint in my cathedral, and her name shall be recorded as Saint Esther. What makes saintliness in my view, as distinguished from ordinary goodness, is a certain quality of magnanimity and greatness of soul that brings life within the circle of the heroic. To be really great in little things, to be truly noble and heroic in the insipid details of every-day life, is a virtue so rare as to be worthy of canonization,—and this virtue was hers. New England Puritanism must be credited with the making of many such women. Severe as was her discipline, and harsh as seems now her rule, we have yet to see whether women will be born of modern systems of tolerance and indulgence equal to those grand ones of the olden times whose places now know them no more. The inconceivable austerity and solemnity with which Puritanism invested this mortal life, the awful grandeur of the themes which it made household words, the sublimity of the issues which it hung upon the commonest acts of our earthly existence, created characters of more than Roman strength and greatness; and the good men and women of Puritan training excelled the saints of the Middle Ages, as a soul fully developed intellectually, educated to closest thought, and exercised in reasoning, is superior to a soul great merely through impulse and sentiment.

"My earliest recollections of Aunt Esther, for so our saint was known, were of a bright-faced, cheerful, witty, quick-moving little middle-aged person, who came into our house like a good fairy whenever there was a call of sickness or trouble. If an accident happened in the great roystering family of eight or ten children (and when was not something happening to some of us?), and we were shut up in a sick-room, then duly as daylight came the quick step and cheerful face of Aunt Esther,—not solemn and lugubrious like so many sick-room nurses, but with a never failing flow of wit and story that could beguile even the most doleful into laughing at their own afflictions. I remember how a fit of the quinsy—most tedious of all sicknesses to an active child—was gilded and glorified into quite a fete by my having Aunt Esther all to myself for two whole days, with nothing to do but amuse me. She charmed me into smiling at the very pangs which had made me weep before, and of which she described her own experiences in a manner to make me think that, after all, the quinsy was something with an amusing side to it. Her knowledge of all sorts of medicines, gargles, and alleviatives, her perfect familiarity with every canon and law of good nursing and tending, was something that could only have come from long experience in those good old New England days when there were no nurses recognized as a class in the land, but when watching and the care of the sick were among those offices of Christian life which the families of a neighborhood reciprocally rendered each other. Even from early youth she had obeyed a special vocation as sister of charity in many a sick-room, and, with the usual keen intelligence of New England, had widened her powers of doing good by the reading of medical and physiological works. Her legends of nursing in those days of long typhus fever and other formidable and protracted forms of disease were to our ears quite wonderful, and we regarded her as a sort of patron saint of the sick-room. She seemed always so cheerful, so bright, and so devoted, that it never occurred to us youngsters to doubt that she enjoyed, above all things, being with us, waiting on us all day, watching over us by night, telling us stories, and answering, in her lively and always amusing and instructive way, that incessant fire of questions with which a child persecutes a grown person.

"Sometimes, as a reward of goodness, we were allowed to visit her in her own room, a neat little parlor in the neighborhood, whose windows looked down a hillside on one hand, under the boughs of an apple-orchard, where daisies and clover and bobolinks always abounded in summer time; and on the other faced the street, with a green yard flanked by one or two shady elms between them and the street. No nun's cell was ever neater, no bee's cell ever more compactly and carefully arranged; and to us, familiar with the confusion of a great family of little ones, there was always something inviting about its stillness, its perfect order, and the air of thoughtful repose that breathed over it. She lived there in perfect independence, doing, as it was her delight to do, every office of life for herself. She was her own cook, her own parlor and chamber maid, her own laundress; and very faultless the cooking, washing, ironing, and care of her premises were. A slice of Aunt Esther's gingerbread, one of Aunt Esther's cookies, had, we all believed, certain magical properties such as belonged to no other mortal mixture. Even a handful of walnuts that were brought from the depths of her mysterious closet had virtues in our eyes such as no other walnuts could approach. The little shelf of books that hung suspended by cords against her wall was sacred in our regard; the volumes were like no other books; and we supposed that she derived from them those stores of knowledge on all subjects which she unconsciously dispensed among us,—for she was always telling us something of metals, or minerals, or gems, or plants, or animals, which awakened our curiosity, stimulated our inquiries, and, above all, led us to wonder where she had learned it all. Even the slight restrictions which her neat habits imposed on our breezy and turbulent natures seemed all quite graceful and becoming. It was right, in our eyes, to cleanse our shoes on scraper and mat with extra diligence, and then to place a couple of chips under the heels of our boots when we essayed to dry our feet at her spotless hearth. We marveled to see our own faces reflected in a thousand smiles and winks from her bright brass andirons,—such andirons we thought were seen on earth in no other place,—and a pair of radiant brass candlesticks, that illustrated the mantelpiece, were viewed with no less respect.

"Aunt Esther's cat was a model for all cats,—so sleek, so intelligent, so decorous and well-trained, always occupying exactly her own cushion by the fire, and never transgressing in one iota the proprieties belonging to a cat of good breeding. She shared our affections with her mistress, and we were allowed as a great favor and privilege, now and then, to hold the favorite on our knees, and stroke her satin coat to a smoother gloss.

"But it was not for cats alone that she had attractions. She was in sympathy and fellowship with everything that moved and lived; knew every bird and beast with a friendly acquaintanceship. The squirrels that inhabited the trees in the front yard were won in time by her blandishments to come and perch on her window-sills, and thence, by trains of nuts adroitly laid, to disport themselves on the shining cherry tea-table that stood between the windows; and we youngsters used to sit entranced with delight as they gamboled and waved their feathery tails in frolicsome security, eating rations of gingerbread and bits of seedcake with as good a relish as any child among us.

"The habits, the rights, the wrongs, the wants, and the sufferings of the animal creation formed the subject of many an interesting conversation with her; and we boys, with the natural male instinct of hunting, trapping, and pursuing, were often made to pause in our career, remembering her pleas for the dumb things which could not speak for themselves.

"Her little hermitage was the favorite resort of numerous friends. Many of the young girls who attended the village academy made her acquaintance, and nothing delighted her more than that they should come there and read to her the books they were studying, when her superior and wide information enabled her to light up and explain much that was not clear to the immature students.

"In her shady retirement, too, she was a sort of Egeria to certain men of genius, who came to read to her their writings, to consult her in their arguments, and to discuss with her the literature and politics of the day,—through all which her mind moved with an equal step, yet with a sprightliness and vivacity peculiarly feminine.

"Her memory was remarkably retentive, not only of the contents of books, but of all that great outlying fund of anecdote and story which the quaint and earnest New England life always supplied. There were pictures of peculiar characters, legends of true events stranger than romance, all stored in the cabinets of her mind; and these came from her lips with the greater force because the precision of her memory enabled her to authenticate them with name, date, and circumstances of vivid reality. From that shadowy line of incidents which marks the twilight boundary between the spiritual world and the present life she drew legends of peculiar clearness, but invested with the mysterious charm which always dwells in that uncertain region; and the shrewd flash of her eye, and the keen, bright smile with which she answered the wondering question, 'What do you suppose it was?' or, 'What could it have been?' showed how evenly rationalism in her mind kept pace with romance.

"The retired room in which she thus read, studied, thought, and surveyed from afar the whole world of science and literature, and in which she received friends and entertained children, was perhaps the dearest and freshest spot to her in the world. There came a time, however, when the neat little independent establishment was given up, and she went to associate herself with two of her nieces in keeping house for a boarding-school of young girls. Here her lively manners and her gracious interest in the young made her a universal favorite, though the cares she assumed broke in upon those habits of solitude and study which formed her delight. From the day that she surrendered this independency of hers, she had never, for more than a score of years, a home of her own, but filled the trying position of an accessory in the home of others. Leaving the boarding-school, she became the helper of an invalid wife and mother in the early nursing and rearing of a family of young children,—an office which leaves no privacy and no leisure. Her bed was always shared with some little one; her territories were exposed to the constant inroads of little pattering feet; and all the various sicknesses and ailments of delicate childhood made absorbing drafts upon her time.

"After a while she left New England with the brother to whose family she devoted herself. The failing health of the wife and mother left more and more the charge of all things in her hands; servants were poor, and all the appliances of living had the rawness and inconvenience which in those days attended Western life. It became her fate to supply all other people's defects and deficiencies. Wherever a hand failed, there must her hand be. Whenever a foot faltered, she must step into the ranks. She was the one who thought for and cared for and toiled for all, yet made never a claim that any one should care for her.

"It was not till late in my life that I became acquainted with the deep interior sacrifice, the constant self-abnegation, which all her life involved. She was born with a strong, vehement, impulsive nature,—a nature both proud and sensitive,—a nature whose tastes were passions, whose likings and whose aversions were of the most intense and positive character. Devoted as she always seemed to the mere practical and material, she had naturally a deep romance and enthusiasm of temperament which exceeded all that can be written in novels. It was chiefly owing to this that a home and a central affection of her own were never hers. In her early days of attractiveness, none who would have sought her could meet the high requirements of her ideality; she never saw her hero, and so never married. Family cares, the tending of young children, she often confessed, were peculiarly irksome to her. She had the head of a student, a passionate love for the world of books. A Protestant convent, where she might devote herself without interruption to study, was her ideal of happiness. She had, too, the keenest appreciation of poetry, of music, of painting, and of natural scenery. Her enjoyment in any of these things was intensely vivid whenever, by chance, a stray sunbeam of the kind darted across the dusty path of her life; yet in all these her life was a constant repression. The eagerness with which she would listen to any account from those more fortunate ones who had known these things, showed how ardent a passion was constantly held in check. A short time before her death, talking with a friend who had visited Switzerland, she said, with great feeling: 'All my life my desire to visit the beautiful places of this earth has been so intense, that I cannot but hope that after my death I shall be permitted to go and look at them.'

"The completeness of her self-discipline may be gathered from the fact that no child could ever be brought to believe she had not a natural fondness for children, or that she found the care of them burdensome. It was easy to see that she had naturally all those particular habits, those minute pertinacities in respect to her daily movements and the arrangement of all her belongings, which would make the meddling, intrusive demands of infancy and childhood peculiarly hard for her to meet. Yet never was there a pair of toddling feet that did not make free with Aunt Esther's room, never a curly head that did not look up, in confiding assurance of a welcome smile, to her bright eyes. The inconsiderate and never ceasing requirements of children and invalids never drew from her other than a cheerful response; and to my mind there is more saintship in this than in the private wearing of any number of haircloth shirts or belts lined with spikes.

"In a large family of careless, noisy children there will be constant losing of thimbles and needles and scissors; but Aunt Esther was always ready, without reproach, to help the careless and the luckless. Her things, so well kept and so treasured, she was willing to lend, with many a caution and injunction, it is true, but also with a relish of right good will. And, to do us justice, we generally felt the sacredness of the trust, and were more careful of her things than of our own. If a shade of sewing-silk were wanting, or a choice button, or a bit of braid or tape, Aunt Esther cheerfully volunteered something from her well-kept stores, not regarding the trouble she made herself in seeking the key, unlocking the drawer, and searching out in bag or parcel just the treasure demanded. Never was more perfect precision, or more perfect readiness to accommodate others.

"Her little income, scarcely reaching a hundred dollars yearly, was disposed of with a generosity worthy a fortune. One tenth was sacredly devoted to charity, and a still further sum laid by every year for presents to friends. No Christmas or New Year ever came round that Aunt Esther, out of this very tiny fund, did not find something for children and servants. Her gifts were trifling in value, but well timed,—a ball of thread-wax, a paper of pins, a pin-cushion,—something generally so well chosen as to show that she had been running over our needs, and noting what to give. She was no less gracious as receiver than as giver. The little articles that we made for her, or the small presents that we could buy out of our childish resources, she always declared were exactly what she needed; and she delighted us by the care she took of them and the value she set upon them.

"Her income was a source of the greatest pleasure to her, as maintaining an independence without which she could not have been happy. Though she constantly gave to every family in which she lived services which no money could repay, it would have been the greatest trial to her not to be able to provide for herself. Her dress, always that of a true gentlewoman,—refined, quiet, and neat,—was bought from this restricted sum, and her small traveling expenses were paid out of it. She abhorred anything false or flashy: her caps were trimmed with real thread lace, and her silk dresses were of the best quality, perfectly well made and kept; and, after all, a little sum always remained over in her hands for unforeseen exigencies.

"This love of independence was one of the strongest features of her life, and we often playfully told her that her only form of selfishness was the monopoly of saintship,—that she who gave so much was not willing to allow others to give to her; that she who made herself servant of all was not willing to allow others to serve her.

"Among the trials of her life must be reckoned much ill health, borne, however, with such heroic patience that it was not easy to say when the hand of pain was laid upon her. She inherited, too, a tendency to depression of spirits, which at times increased to a morbid and distressing gloom. Few knew or suspected these sufferings, so completely had she learned to suppress every outward manifestation that might interfere with the happiness of others. In her hours of depression she resolutely forbore to sadden the lives of those around her with her own melancholy, and often her darkest moods were so lighted up and adorned with an outside show of wit and humor, that those who had known her intimately were astonished to hear that she had ever been subject to depression.

"Her truthfulness of nature amounted almost to superstition. From her promise once given she felt no change of purpose could absolve her; and therefore rarely would she give it absolutely, for she could not alter the thing that had gone forth from her lips. Our belief in the certainty of her fulfilling her word was like our belief in the immutability of the laws of nature. Whoever asked her got of her the absolute truth on every subject, and, when she had no good thing to say, her silence was often truly awful. When anything mean or ungenerous was brought to her knowledge, she would close her lips resolutely; but the flash in her eyes showed what she would speak were speech permitted. In her last days she spoke to a friend of what she had suffered from the strength of her personal antipathies. 'I thank God,' she said, 'that I believe at last I have overcome all that too, and that there has not been, for some years, any human being toward whom I have felt a movement of dislike.'

"The last year of her life was a constant discipline of unceasing pain, borne with that fortitude which could make her an entertaining and interesting companion even while the sweat of mortal agony was starting from her brow. Her own room she kept as a last asylum, to which she would silently retreat when the torture became too intense for the repression of society, and there alone, with closed doors, she wrestled with her agony. The stubborn independence of her nature took refuge in this final fastness, and she prayed only that she might go down to death with the full ability to steady herself all the way, needing the help of no other hand.

"The ultimate struggle of earthly feeling came when this proud self-reliance was forced to give way, and she was obliged to leave herself helpless in the hands of others. 'God requires that I should give up my last form of self-will,' she said; 'now I have resigned this, perhaps He will let me go home.'

"In a good old age, Death, the friend, came and opened the door of this mortal state, and a great soul, that had served a long appenticeship to little things, went forth into the joy of its Lord; a life of self-sacrifice and self-abnegation passed into a life of endless rest."

"But," said Rudolph, "I rebel at this life of self-abnegation and self-sacrifice. I do not think it the duty of noble women, who have beautiful natures and enlarged and cultivated tastes, to make themselves the slaves of the sick-room and nursery."

"Such was not the teaching of our New England faith," said I. "Absolute unselfishness,—the death of self,—such were its teachings, and such as Esther's the characters it made. 'Do the duty nearest thee' was the only message it gave to 'women with a mission;' and from duty to duty, from one self-denial to another, they rose to a majesty of moral strength impossible to any form of mere self-indulgence. It is of souls thus sculptured and chiseled by self-denial and self-discipline that the living temple of the perfect hereafter is to be built. The pain of the discipline is short, but the glory of the fruition is eternal."



XII

THE NEW YEAR [1865.]

Here comes the First of January, Eighteen Hundred and Sixty-Five, and we are all settled comfortably into our winter places, with our winter surroundings and belongings; all cracks and openings are calked and listed, the double windows are in, the furnace dragon in the cellar is ruddy and in good liking, sending up his warming respirations through every pipe and register in the house; and yet, though an artificial summer reigns everywhere, like bees we have our swarming place,—in my library. There is my chimney-corner, and my table permanently established on one side of the hearth; and each of the female genus has, so to speak, pitched her own winter tent within sight of the blaze of my camp-fire. I discerned to-day that Jenny had surreptitiously appropriated one of the drawers of my study-table to knitting-needles and worsted; and wicker work-baskets and stands of various heights and sizes seem to be planted here and there for permanence among the bookcases. The canary-bird has a sunny window, and the plants spread out their leaves and unfold their blossoms as if there were no ice and snow in the street, and Rover makes a hearth-rug of himself in winking satisfaction in front of my fire, except when Jenny is taken with a fit of discipline, when he beats a retreat, and secretes himself under my table.

Peaceable, ah, how peaceable, home and quiet and warmth in winter! And how, when we hear the wind whistle, we think of you, O our brave brothers, our saviors and defenders, who for our sake have no home but the muddy camp, the hard pillow of the barrack, the weary march, the uncertain fare,—you, the rank and file, the thousand unnoticed ones, who have left warm fires, dear wives, loving little children, without even the hope of glory or fame,—without even the hope of doing anything remarkable or perceptible for the cause you love,—resigned only to fill the ditch or bridge the chasm over which your country shall walk to peace and joy! Good men and true, brave unknown hearts, we salute you, and feel that we, in our soft peace and security, are not worthy of you! When we think of you, our simple comforts seem luxuries all too good for us, who give so little when you give all!

But there are others to whom from our bright homes, our cheerful firesides, we would fain say a word, if we dared.

Think of a mother receiving a letter with such a passage as this in it! It is extracted from one we have just seen, written by a private in the army of Sheridan, describing the death of a private. "He fell instantly, gave a peculiar smile and look, and then closed his eyes. We laid him down gently at the foot of a large tree. I crossed his hands over his breast, closed his eyelids down, but the smile was still on his face. I wrapt him in his tent, spread my pocket-handkerchief over his face, wrote his name on a piece of paper, and pinned it on his breast, and there we left him: we could not find pick or shovel to dig a grave." There it is!—a history that is multiplying itself by hundreds daily, the substance of what has come to so many homes, and must come to so many more before the great price of our ransom is paid!

What can we say to you, in those many, many homes where the light has gone out forever?—you, O fathers, mothers, wives, sisters, haunted by a name that has ceased to be spoken on earth,—you, for whom there is no more news from the camp, no more reading of lists, no more tracing of maps, no more letters, but only a blank, dead silence! The battlecry goes on, but for you it is passed by! the victory comes, but, oh, never more to bring him back to you! your offering to this great cause has been made, and been taken; you have thrown into it all your living, even all that you had, and from henceforth your house is left unto you desolate! O ye watchers of the cross, ye waiters by the sepulchre, what can be said to you? We could almost extinguish our own home-fires, that seem too bright when we think of your darkness; the laugh dies on our lip, the lamp burns dim through our tears, and we seem scarcely worthy to speak words of comfort, lest we seem as those who mock a grief they cannot know.

But is there no consolation? Is it nothing to have had such a treasure to give, and to have given it freely for the noblest cause for which ever battle was set,—for the salvation of your country, for the freedom of all mankind? Had he died a fruitless death, in the track of common life, blasted by fever, smitten or rent by crushing accident, then might his most precious life seem to be as water spilled upon the ground; but now it has been given for a cause and a purpose worthy even the anguish of your loss and sacrifice. He has been counted worthy to be numbered with those who stood with precious incense between the living and the dead, that the plague which was consuming us might be stayed. The blood of these young martyrs shall be the seed of the future church of liberty, and from every drop shall spring up flowers of healing. O widow! O mother! blessed among bereaved women! there remains to you a treasure that belongs not to those who have lost in any other wise,—the power to say, "He died for his country." In all the good that comes of this anguish you shall have a right and share by virtue of this sacrifice. The joy of freedmen bursting from chains, the glory of a nation new-born, the assurance of a triumphant future for your country and the world,—all these become yours by the purchase-money of that precious blood.

Besides this, there are other treasures that come through sorrow, and sorrow alone. There are celestial plants of root so long and so deep that the land must be torn and furrowed, ploughed up from the very foundation, before they can strike and nourish; and when we see how God's plough is driving backward and forward and across this nation, rending, tearing up tender shoots, and burying soft wild-flowers, we ask ourselves, What is He going to plant?

Not the first year, nor the second, after the ground has been broken up, does the purpose of the husbandman appear. At first we see only what is uprooted and ploughed in,—the daisy drabbled, and the violet crushed,—and the first trees planted amid the unsightly furrows stand dumb and disconsolate, irresolute in leaf, and without flower or fruit. Their work is under the ground. In darkness and silence they are putting forth long fibres, searching hither and thither under the black soil for the strength that years hence shall burst into bloom and bearing.

What is true of nations is true of individuals. It may seem now winter and desolation with you. Your hearts have been ploughed and harrowed and are now frozen up. There is not a flower left, not a blade of grass, not a bird to sing,—and it is hard to believe that any brighter flowers, any greener herbage, shall spring up than those which have been torn away; and yet there will. Nature herself teaches you to-day. Outdoors nothing but bare branches and shrouding snow; and yet you know that there is not a tree that is not patiently holding out at the end of its boughs next year's buds, frozen indeed, but unkilled. The rhododendron and the lilac have their blossoms all ready, wrapped in cere-cloth, waiting in patient faith. Under the frozen ground the crocus and the hyacinth and the tulip hide in their hearts the perfect forms of future flowers. And it is even so with you: your leaf buds of the future are frozen, but not killed; the soil of your heart has many flowers under it cold and still now, but they will yet come up and bloom.

The dear old book of comfort tells of no present healing for sorrow. No chastening for the present seemeth joyous, but grievous, but afterwards it yieldeth peaceable fruits of righteousness. We, as individuals, as a nation, need to have faith in that AFTERWARDS. It is sure to come,—sure as spring and summer to follow winter.

There is a certain amount of suffering which must follow the rending of the great cords of life, suffering which is natural and inevitable; it cannot be argued down; it cannot be stilled; it can no more be soothed by any effort of faith and reason than the pain of a fractured limb, or the agony of fire on the living flesh. All that we can do is to brace ourselves to bear it, calling on God, as the martyrs did in the fire, and resigning ourselves to let it burn on. We must be willing to suffer, since God so wills. There are just so many waves to go over us, just so many arrows of stinging thought to be shot into our soul, just so many faintings and sinkings and revivings only to suffer again, belonging to and inherent in our portion of sorrow; and there is a work of healing that God has placed in the hands of Time alone.

Time heals all things at last; yet it depends much on us in our suffering, whether time shall send us forth healed, indeed, but maimed and crippled and callous, or whether, looking to the great Physician of sorrows, and co-working with him, we come forth stronger and fairer even for our wounds.

We call ourselves a Christian people, and the peculiarity of Christianity is that it is a worship and doctrine of sorrow. The five wounds of Jesus, the instruments of the passion, the cross, the sepulchre,—these are its emblems and watchwords. In thousands of churches, amid gold and gems and altars fragrant with perfume, are seen the crown of thorns, the nails, the spear, the cup of vinegar mingled with gall, the sponge that could not slake that burning death-thirst; and in a voice choked with anguish the Church in many lands and divers tongues prays from age to age, "By thine agony and bloody sweat, by thy cross and passion, by thy precious death and burial!"—mighty words of comfort, whose meaning reveals itself only to souls fainting in the cold death-sweat of mortal anguish! They tell all Christians that by uttermost distress alone was the Captain of their salvation made perfect as a Saviour.

Sorrow brings us into the true unity of the Church,—that unity which underlies all external creeds, and unites all hearts that have suffered deeply enough to know that when sorrow is at its utmost there is but one kind of sorrow, and but one remedy. What matter, in extremis, whether we be called Romanist, or Protestant, or Greek, or Calvinist?

We suffer, and Christ suffered; we die, and Christ died; he conquered suffering and death, he rose and lives and reigns,—and we shall conquer, rise, live, and reign. The hours on the cross were long, the thirst was bitter, the darkness and horror real,—but they ended. After the wail, "My God, why hast thou forsaken me?" came the calm, "It is finished;" pledge to us all that our "It is finished" shall come also.

Christ arose, fresh, joyous, no more to die; and it is written that, when the disciples were gathered together in fear and sorrow, he stood in the midst of them, and showed unto them his hands and his side; and then were they glad. Already had the healed wounds of Jesus become pledges of consolation to innumerable thousands; and those who, like Christ, have suffered the weary struggles, the dim horrors of the cross,—who have lain, like him, cold and chilled in the hopeless sepulchre,—if his spirit wakes them to life, shall come forth with healing power for others who have suffered and are suffering.

Count the good and beautiful ministrations that have been wrought in this world of need and labor, and how many of them have been wrought by hands wounded and scarred, by hearts that had scarcely ceased to bleed!

How many priests of consolation is God now ordaining by the fiery imposition of sorrow! how many Sisters of the Bleeding Heart, Daughters of Mercy, Sisters of Charity, are receiving their first vocation in tears and blood!

The report of every battle strikes into some home; and heads fall low, and hearts are shattered, and only God sees the joy that is set before them, and that shall come out of their sorrow. He sees our morning at the same moment that He sees our night,—sees us comforted, healed, risen to a higher life, at the same moment that He sees us crushed and broken in the dust; and so, though tenderer than we, He bears our great sorrows for the joy that is set before us.

After the Napoleonic wars had desolated Europe, the country was, like all countries after war, full of shattered households, of widows and orphans and homeless wanderers. A nobleman of Silesia, the Baron von Kottwitz, who had lost his wife and all his family in the reverses and sorrows of the times, found himself alone in the world, which looked more dreary and miserable through the multiplying lenses of his own tears. But he was one of those whose heart had been quickened in its death anguish by the resurrection voice of Christ; and he came forth to life and comfort. He bravely resolved to do all that one man could to lessen the great sum of misery. He sold his estates in Silesia, bought in Berlin a large building that had been used as barracks for the soldiers, and, fitting it up in plain, commodious apartments, formed there a great family-establishment, into which he received the wrecks and fragments of families that had been broken up by the war,—orphan children, widowed and helpless women, decrepit old people, disabled soldiers. These he made his family, and constituted himself their father and chief. He abode with them, and cared for them as a parent. He had schools for the children; the more advanced he put to trades and employments; he set up a hospital for the sick; and for all he had the priestly ministrations of his own Christ-like heart. The celebrated Professor Tholuck, one of the most learned men of modern Germany, was an early protege of the old Baron's, who, discerning his talents, put him in the way of a liberal education. In his earlier years, like many others of the young who play with life, ignorant of its needs, Tholuck piqued himself on a lordly skepticism with regard to the commonly received Christianity, and even wrote an essay to prove the superiority of the Mohammedan to the Christian religion. In speaking of his conversion, he says,—"What moved me was no argument, nor any spoken reproof, but simply that divine image of the old Baron walking before my soul. That life was an argument always present to me, and which I never could answer; and so I became a Christian." In the life of this man we see the victory over sorrow. How many with means like his, when desolated by like bereavements, have lain coldly and idly gazing on the miseries of life, and weaving around themselves icy tissues of doubt and despair,—doubting the being of a God, doubting the reality of a Providence, doubting the divine love, embittered and rebellious against the power which they could not resist, yet to which they would not submit! In such a chill heart-freeze lies the danger of sorrow. And it is a mortal danger. It is a torpor that must be resisted, as the man in the whirling snows must bestir himself, or he will perish. The apathy of melancholy must be broken by an effort of religion and duty. The stagnant blood must be made to flow by active work, and the cold hand warmed by clasping the hands outstretched towards it in sympathy or supplication. One orphan child taken in, to be fed, clothed, and nurtured, may save a heart from freezing to death: and God knows this war is making but too many orphans!

It is easy to subscribe to an orphan asylum, and go on in one's despair and loneliness. Such ministries may do good to the children who are thereby saved from the street, but they impart little warmth and comfort to the giver. One destitute child housed, taught, cared for, and tended personally, will bring more solace to a suffering heart than a dozen maintained in an asylum. Not that the child will probably prove an angel, or even an uncommonly interesting mortal. It is a prosaic work, this bringing-up of children, and there can be little rose-water in it. The child may not appreciate what is done for him, may not be particularly grateful, may have disagreeable faults, and continue to have them after much pains on your part to eradicate them,—and yet it is a fact, that to redeem one human being from destitution and ruin, even in some homely every-day course of ministrations, is one of the best possible tonics and alteratives to a sick and wounded spirit.

But this is not the only avenue to beneficence which the war opens. We need but name the service of hospitals, the care and education of the freedmen,—for these are charities that have long been before the eyes of the community, and have employed thousands of busy hands: thousands of sick and dying beds to tend, a race to be educated, civilized, and Christianized, surely were work enough for one age; and yet this is not all. War shatters everything, and it is hard to say what in society will not need rebuilding and binding up and strengthening anew. Not the least of the evils of war are the vices which a great army engenders wherever it moves,—vices peculiar to military life, as others are peculiar to peace. The poor soldier perils for us not merely his body, but his soul. He leads a life of harassing and exhausting toil and privation, of violent strain on the nervous energies, alternating with sudden collapse, creating a craving for stimulants, and endangering the formation of fatal habits. What furies and harpies are those that follow the army, and that seek out the soldier in his tent, far from home, mother, wife and sister, tired, disheartened, and tempt him to forget his troubles in a momentary exhilaration, that burns only to chill and to destroy! Evil angels are always active and indefatigable, and there must be good angels enlisted to face them; and here is employment for the slack hand of grief. Ah, we have known mothers bereft of sons in this war, who have seemed at once to open wide their hearts, and to become mothers to every brave soldier in the field. They have lived only to work,—and in place of one lost, their sons have been counted by thousands.

And not least of all the fields for exertion and Christian charity opened by this war is that presented by womanhood. The war is abstracting from the community its protecting and sheltering elements, and leaving the helpless and dependent in vast disproportion. For years to come, the average of lone women will be largely increased; and the demand, always great, for some means by which they may provide for themselves, in the rude jostle of the world, will become more urgent and imperative.

Will any one sit pining away in inert grief, when two streets off are the midnight dance-houses, where girls of twelve, thirteen, and fourteen are being lured into the way of swift destruction? How many of these are daughters of soldiers who have given their hearts' blood for us and our liberties!

Two noble women of the Society of Friends have lately been taking the gauge of suffering and misery in our land, visiting the hospitals at every accessible point, pausing in our great cities, and going in their purity to those midnight orgies where mere children are being trained for a life of vice and infamy. They have talked with these poor bewildered souls, entangled in toils as terrible and inexorable as those of the slave-market, and many of whom are frightened and distressed at the life they are beginning to lead, and earnestly looking for the means of escape. In the judgment of these holy women, at least one third of those with whom they have talked are children so recently entrapped, and so capable of reformation, that there would be the greatest hope in efforts for their salvation. While such things are to be done in our land, is there any reason why any one should die of grief? One soul redeemed will do more to lift the burden of sorrow than all the blandishments and diversions of art, all the alleviations of luxury, all the sympathy of friends.

In the Roman Catholic Church there is an order of women called the Sisters of the Good Shepherd, who have renounced the world to devote themselves, their talents and property, entirely to the work of seeking out and saving the fallen of their own sex; and the wonders worked by their self-denying love on the hearts and lives of even the most depraved are credible only to those who know that the Good Shepherd himself ever lives and works with such spirits engaged in such a work. A similar order of women exists in New York, under the direction of the Episcopal Church, in connection with St. Luke's Hospital; and another in England, who tend the "House of Mercy" of Clewer.

Such benevolent associations offer objects of interest to that class which most needs something to fill the void made by bereavement. The wounds of grief are less apt to find a cure in that rank of life where the sufferer has wealth and leisure. The poor widow, whoso husband was her all, must break the paralysis of grief. The hard necessities of life are her physicians; they send her out to unwelcome, yet friendly toil, which, hard as it seems, has yet its healing power. But the sufferer surrounded by the appliances of wealth and luxury may long indulge the baleful apathy, and remain in the damp shadows of the valley of death till strength and health are irrecoverably lost. How Christ-like is the thought of a woman, graceful, elegant, cultivated, refined, whose voice has been trained to melody, whose fingers can make sweet harmony with every touch, whose pencil and whose needle can awake the beautiful creations of art, devoting all these powers to the work of charming back to the sheepfold those wandering and bewildered lambs whom the Good Shepherd still calls his own! Jenny Lind once, when she sang at a concert for destitute children, exclaimed in her enthusiasm, "Is it not beautiful that I can sing so?" And so may not every woman feel, when her graces and accomplishments draw the wanderer, and charm away evil demons, and soothe the sore and sickened spirit, and make the Christian fold more attractive than the dizzy gardens of false pleasure?

In such associations, and others of kindred nature, how many of the stricken and bereaved women of our country might find at once a home and an object in life! Motherless hearts might be made glad in a better and higher motherhood; and the stock of earthly life that seemed cut off at the root, and dead past recovery, may be grafted upon with a shoot from the tree of life which is in the Paradise of God.

So the beginning of this eventful 1865, which finds us still treading the wine-press of our great conflict, should bring with it a serene and solemn hope, a joy such as those had with whom in the midst of the fiery furnace there walked one like unto the Son of God.

The great affliction that has come upon our country is so evidently the purifying chastening of a Father, rather than the avenging anger of a Destroyer, that all hearts may submit themselves in a solemn and holy calm still to bear the burning that shall make us clean from dross and bring us forth to a higher national life. Never, in the whole course of our history, have such teachings of the pure abstract Right been so commended and forced upon us by Providence. Never have public men been so constrained to humble themselves before God, and to acknowledge that there is a Judge that ruleth in the earth. Verily his inquisition for blood has been strict and awful; and for every stricken household of the poor and lowly hundreds of households of the oppressor have been scattered. The land where the family of the slave was first annihilated, and the negro, with all the loves and hopes of a man, was proclaimed to be a beast to be bred and sold in market with the horse and the swine,—that land, with its fair name, Virginia, has been made a desolation so signal, so wonderful, that the blindest passer-by cannot but ask for what sin so awful a doom has been meted out. The prophetic visions of Nat Turner, who saw the leaves drop blood and the land darkened, have been fulfilled. The work of justice which he predicted is being executed to the uttermost.

But when this strange work of judgment and justice is consummated, when our country, through a thousand battles and ten thousands of precious deaths, shall have come forth from this long agony, redeemed and regenerated, then God himself shall return and dwell with us, and the Lord God shall wipe away all tears from all faces, and the rebuke of his people shall he utterly take away.



XIII

THE NOBLE ARMY OF MARTYRS

When the first number of the Chimney-Corner appeared, the snow lay white on the ground, the buds on the trees were closed and frozen, and beneath the hard frost-bound soil lay buried the last year's flower-roots, waiting for a resurrection.

So in our hearts it was winter,—a winter of patient suffering and expectancy,—a winter of suppressed sobs, of inward bleedings,—a cold, choked, compressed anguish of endurance, for how long and how much God only could tell us.

The first paper of the Chimney-Corner, as was most meet and fitting, was given to those homes made sacred and venerable by the cross of martyrdom,—by the chrism of a great sorrow. That Chimney-Corner made bright by home firelight seemed a fitting place for a solemn act of reverent sympathy for the homes by whose darkness our homes had been preserved bright, by whose emptiness our homes had been kept full, by whose losses our homes had been enriched; and so we ventured with trembling to utter these words of sympathy and cheer to those whom God had chosen to this great sacrifice of sorrow.

The winter months passed with silent footsteps, spring returned, and the sun, with ever waxing power, unsealed the snowy sepulchre of buds and leaves,—birds reappeared, brooks were unchained, flowers filled every desolate dell with blossoms and perfume. And with returning spring, in like manner, the chill frost of our fears and of our dangers melted before the breath of the Lord. The great war, which lay like a mountain of ice upon our hearts, suddenly dissolved and was gone. The fears of the past were as a dream when one awaketh, and now we scarce realize our deliverance. A thousand hopes are springing up everywhere, like spring flowers in the forest. All is hopefulness, all is bewildering joy.

But this our joy has been ordained to be changed into a wail of sorrow. The kind hard hand, that held the helm so steadily in the desperate tossings of the storm, has been stricken down just as we entered port,—the fatherly heart that bore all our sorrows can take no earthly part in our joys. His were the cares, the watchings, the toils, the agonies, of a nation in mortal struggle; and God, looking down, was so well pleased with his humble faithfulness, his patient continuance in well-doing, that earthly rewards and honors seemed all too poor for him, so he reached down and took him to immortal glories. "Well done, good and faithful servant, enter thou into the joy of thy Lord!"

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