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Fairies and Folk of Ireland
by William Henry Frost
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"But are there no places there," the King asked again, "like the country parts of Ireland, with the fields and the bogs and all?"

"I can't tell you that," the merrow answered. "We've never been far on the land. Deep down under the sea it's the same way it is under the sea about Ireland. There's the land at the bottom, with the sand all fine and firm, like a floor, and there's the water above, like a green sky, and there are the shells and the sea-flowers, and there are the weeds that wave around you and over you, like red and green and purple curtains to your house, and it's all as cool and as neat as any of the sea-places around Ireland. And if you like to go up to get the warmth of the sun or the light of the stars, there's white sand where you can lie at your ease, and there's great rocks where you can sit and look out over the sea and get the fresh breeze. And that's all we know of it; we've not been away from the sea."

And after a week of voyaging through the sea—after going on and on for so long and so far that both fairies and mortals began to think that they must soon fall over the edge of the earth—the ship suddenly stood up straight, instead of rolling and pitching about, and a little later they saw the giant woman before them, holding up her torch, and beyond her they saw the city. And then it was only a bit of a while longer till they came close to the city.

"Look at it!" cried the King to all the fairies, who were crowded at the bow; "it's like the country, after all! Look at all the grass and the trees! But it has an iron chain all around it. I don't like the look of that." All fairies hate iron. They more than hate it; they simply cannot endure it. To touch any iron at all would hurt a fairy more than it would hurt you to touch it when it was red hot.

"But it's only a small place, anyway," said Naggeneen. "Look at the houses beyond there! There was nothing like them in Cork! And do you mind them strings of coaches, running along up in the air?"

"I was takin' note of them," said the King; "sure it's the strange country!"

The fairies all followed the O'Briens and the Sullivans. They were resolved not to lose sight of their only friends, in a land like this. They found that the O'Briens and the Sullivans were quickly taken to a big round house, in the very bit of a place like the country that they had first seen. The fairies did not like the inside of the big round house, so the King left a few to watch the O'Briens and the Sullivans, and to bring word if they made any important move, and the rest went out and found pleasanter places on the grass and under the trees. They had managed to get into the Battery Park without touching any of the horrible iron chains that were around it. They would have been a very sorry-looking company, if anybody could have seen them.

"I don't like it at all," the King said, "and nothing would please me better than to be at home again. If they're going to live in that big round house, I dunno what we'll do. We want to be near to them, and yet this is no place for us. We could stand it a little while, maybe. The grass is fine and smooth for dancing, but these lights, like suns, that they have all around on the tops of the poles, are terrible. Do they want no night at all here? And then what a noise there is! It's nothing but rattle and roar all day, and then the boats do be screeching around all night."

"Have no fear," said the Queen. "The O'Briens would never live in a place like this. They'll soon be out of it, and then we'll follow them and find a better place near where they go."

It proved that the Queen was right. Before long there came an alarm from those who had been left to watch, that the O'Briens and the Sullivans were coming out. In a moment more they came, and the whole tribe followed them. Old Mrs. O'Brien, who never forgot anything that was worth remembering, had not forgotten to write to some old friends who had come to America years before, that she and her son and his wife and their neighbors were coming. These old friends had found tenements for them, and soon they were in new homes. There was enough of Mrs. O'Brien's money to keep them for a little while, and they hoped that before it was gone, John and Peter would find work and would be getting more money.

The fairies followed them, filled with more and more wonder. For miles they followed, and then for more miles. It was not that the distance troubled them. They could have gone a hundred times as far without thinking of being tired. But they could scarcely believe their eyes when they saw these never-ending stone roads and these never-ending rows of stone and brick houses, all built so that they touched one another. They could not understand how people could live so close together, nor why they should want to do it, if they could. Perhaps you have never thought of it, but it is really true that the ways of mortals are just as wonderful to fairies as the ways of fairies are to mortals.

Indeed, the place where they found themselves at last was not a pleasant one for fairies. It was two places, in fact, but they were so much alike that there was nothing to choose between them. A tenement had been found for the O'Briens, up many flights of stairs, in a house with many other tenements. There was barely enough room in it for them to live, though it was better, in that respect, than their old cabin in Ireland. The stairs and the passage were far from clean, and they led down to a street that was just as far from clean.

It was hard all over with square stones, which had sunk, in places, and made hollows, which were filled with muddy water. Lean cats scuttled about here and there, and ran away, if anybody came near them, as if they expected to have stones thrown at them, and then, when the danger seemed past, they rummaged in the ash-barrels for scraps of meat or fish or bread. The people who lived in the houses sat on the doorsteps and on the curb-stones, and chattered and laughed and quarrelled and slept. The sun shone into the street, but it could not shine between the houses. A breeze blew up from the East River, which was not far away, but the air was none too fresh, for all that. The place that had been found for the Sullivans was in another street, not far away. It was much the same, as I have said, but it was even smaller, for there were only two of the Sullivans, and they could get on with less space.

The fairies were fairly terrified at all this. And was it any wonder? The poor little Good People! They had been used to a beautiful, bright hall, to green, fresh grass to dance on in the quiet, misty moonlight, and to cool shade for the day. What could they do in such a place as this? They remembered how the King of All Ireland had told them that they did not know whether the place where they were going was a place fit for them to live in.

The first thing that the King did was to send some of the fairies in all directions to see if they could spy out any place where the whole tribe could live in a decent and comfortable manner. The street, he was sure, would never do. Of course, if the Fairy King wanted a rock or a hill to open and let him into it, it would open, and he could live in it, if he chose, just as he used to in his own old rath. And no mortal who might happen to be about would know that anything unusual was happening. And just so the street would open for him, if he wanted it to. But before he had decided to try it he saw a place where some men had opened it, and that was quite enough for him. If you have ever seen a New York street opened, you know what it was like; if you have not, it is of no use to try to tell you.

But the messengers whom the King had sent in all directions were scarcely gone when those who had started toward the west were back with joyful news. "We have found a beautiful place," they said. "It's only a bit of a way from here, and if we live there we'll not be far from the O'Briens. Ye never saw grass smoother in your life, though it's not quite so green, maybe, as it is at home. And then there's tall trees of all kinds, and there's bushes that'll have flowers on them, belike, in the right time of the year. And there's smooth roads and walks, and there's hills and great rocks, that we could live inside of as easy as in a rath itself. It's a much quieter place than here, too, and the air is better, though it's so near. It's not wide toward the west, but off to the south it reaches as far as we can see, like a forest."

The King left a guard to watch, lest the O'Briens should like the place as little as himself and should leave it and be lost, and then he hurried with the rest to see the new country that had been discovered. If you know New York very well indeed, you have guessed already that it was the north end of Central Park which the fairies had found. But you may know New York pretty well and not know, as a good many people who live in it do not, that there is any north end to Central Park, still less that it is far prettier than the south end.

After all the distressing streets and houses that he had seen, the King was delighted with it. He found a big rock, which was the base of a hill, and at the top of it stood a queer little square stone house. Back in this hill, he declared, behind the rock and under the stone house, would be as pleasant a place to live as ever the rath was. He made the rock open, and he and all the fairies with him went in, although the policemen and the men and women in carriages and on horses and on bicycles and on foot who were all about, did not see that the rock looked at all different.

"A fine place for us it will make," said the King; "we couldn't be asking for a better. Get to work now, all of you. Hollow out the inside of the hill, only leave pillars to hold up the roof, and go and find gold for the floor and silver for the walls, and you can have every other pillar gold and every other one silver, after you get the rest done, and take down the rock that you left. And then find diamonds and rubies and emeralds to light it with."

No, I am not going to explain to you how the fairies did all this. I shall not tell you how they got the rock out nor what they did with it after they got it out. I will tell you all that there is any need of your knowing about it, and that is that in a very short time it was all done; that the new fairy palace was as much larger and finer and better than any fairy palace in Ireland ever was as we Americans intend that everything here shall be larger and finer and better than anything anywhere else. And it was all done before the most of the messengers who had been sent in other directions got back to tell what they had found.

These fairies went straight to where the O'Briens lived, and there the fairies who had been left on guard told them where to find the King, and asked them to say to him that they were tired of their duty and they wished that he could send somebody else to take their places.

The fairies were not much surprised when they found the King and all the tribe settled in a new palace, as comfortably as if they had never moved. The building of a palace in a night is no more to a fairy than it is to a New York man to come back after he has been out of town for a month and find a house twenty stories high in a place where there was a hole in the ground when he went away.

"What's the use at all to be tellin' Your Majesty what we've found in the places we've been," said one of the first who came back, "and you livin' this minute in the finest palace that was ever dug out of a hill?"

"You may tell us all the same," said the King.

"Well and good," said the fairy. "It's to the south I've been. First there's all this island that we're on, down to the place with the grass and the iron chain around it. Then there's the bay, with the ships. Then there's another island, with hills and trees, and then there's the sea, and a long shore, all sand, and hundreds of houses, big and little, where people live. And that's all."

Another fairy said: "I went farther to the west than this, but not much farther till I came to a great river. Of course I couldn't be crossin' the runnin' water, so I went round the mouth of it and then kept on. The country was all flat for a good way, and bars of iron everywhere, laid two and two, so many of them that I didn't dare rest anywhere, and there were towns and plenty of people, and then at long last I came to hills."

I suppose you know, without my telling you, that fairies cannot bear to cross running water, any more than they can bear to touch iron, and that was why this fairy had to go around the mouth of the Hudson River instead of going across it.

Then came another fairy, who had been to the north, and he said: "It beats everything, the lovely country I've seen. Never a better did I see anywhere. Hills and woods and mountains, and the trees all yellow and red and green and brown. I went up the big river on this side for a long way, and then I saw great mountains on the other side. So beautiful they looked, I wanted to go to them, only, sure, I couldn't cross the river. So I went round the head of it and came down back to the mountains. And there I found that they were full of fairies already. But they seemed to be Dutch, and it's little English they could talk, let alone Irish. Still we got along, and they gave me some mighty fine drink that they had. And they said that we could come there, the whole tribe, and welcome kindly, and I'ld say it was a good place to go, only it's farther off than this from them we want to be near."

"We'll stay where we are," said the King. "It's as well that we know what's all around us, but here we'll be more to ourselves, as many people as there are, for I'm thinkin' there's no fairies but us here."

Then slowly out of the crowd of fairies one came forward and said: "Your Majesty, could I be saying something that's breakin' my heart? It's hard for me to say and it'll maybe be harder for you to hear; but it's on my mind and I can't get it off my mind. Will you forgive me if I say it?"

And the King answered: "It's much that's bad and a little that's good we've heard since we left our own home. But it's best that we know all there is to know, bad or good. Say what you have to say."

"It's not far I've been," said the fairy; "only around here in the city that's all about us; but many things I've seen, and wonderful things. Ah, Your Majesty, don't blame me for what I'm saying, but what's to become of us all and of you yourself, I dunno. We know all about magic; we've known all about it for years—aye, for ages. And we thought that made us better than mortals. We thought they could never do the things we could do; maybe they never can. But oh, Your Majesty, they're doing things as good as we can do, or better. You wouldn't believe what the mortals in this country do, if you wasn't after seein' it. They do things as wonderful as we ourselves, and it's iron, iron, iron everywhere. We can do nothing with iron—we can't touch it—and what will we do at all to be ahead of them, or even up with them?"

"What's all this they do?" said the King.

"You saw yourself," the fairy said, "the coaches that went along up in the air. They go on bridges, miles long, built of iron. And they run on bars of iron. You saw for yourself that they had no horses, and the coach in front that pulls them is all made of iron, and men ride in them, as if it was no harm at all to touch iron. And that's not all. There are other coaches that go in the streets without horses. They have no iron coach in front to pull them. They go in different ways. Sometimes there's an iron rope, that's all the time moving and moving along under the street, and there's a gripping iron under the coach that takes hold on it, and so it's pulled along. And sometimes there's only a little string—not iron, I think, but some other metal—and something just reaches down from the coach and touches it, and that makes it go. I dunno how it is, but it makes it go. And sometimes there's fire comes out of it."

Then another fairy came out of the crowd and stood before the King. "Your Majesty," he said, "I can tell you more than that. I have been about the city, too, and I went into some of the houses. I saw a man talking to a little box on the wall. I came close and I heard that the box was talking to him too. I thought there was a fairy inside it, but I looked inside, and there was nothing there but iron and strange works that I couldn't understand. There were little strings of copper coming out of the box, and then a long string of iron, that led away over the tops of the houses."

The fairy stopped and shivered as he thought of the horrible string of iron. Then he went on: "I followed it and it came into another house, where there was so much iron that I couldn't stay there. But the strings of iron came out of this house and led in all directions. I followed them and I listened everywhere and I found what they were for, though how they do it all I dunno. And it's this way: Anywhere that there's a box you can talk to them that's in the house where all the iron strings go. And if they like to help you, you can talk to anybody else where there's a box. It may be a mile off or it may be a dozen miles off. Many a time those in the house where all the strings are will not help them that wants to talk, but when they will, it's easy. Yes, Your Majesty, one man talks to another ten miles off, as if he was standing by his side."

"Your Majesty," said another fairy, "you saw yourself the bright lights that were at the place where the grass was, that we came to first, and you've seen thousands more of them since. Do you know that they're not candles, and they're not lamps, and that there's no fire to them at all? There's strings of something, whatever it is, from one of them to another, and the light goes through that, whatever it is."

"There's another thing that they do with strings like that," said still another fairy. "I saw men doing it not far from here. They made a hole in a rock and they put one end of a string in it. Then where the other end was, a man pushed a thing like a sort of handle, and the rock was all burst open, and nobody had touched it."

And another fairy said: "Your Majesty, there are boats all the time going across the rivers—across the running water. Of course we always knew that mortals could cross running water, but these boats go without sails or oars, like the ship that we came here on. To be sure I couldn't go on one, because it was across running water, but I went near one, when it was at the shore, and it was all full of iron, and I got the most awful pains from being near it. It was as bad, almost, as I felt coming here, when I'ld get too near the iron sides of the ship."

"And a strange thing it was that I saw too," said another fairy. "I saw people looking into little boxes of wood, so I looked in too. And in one I saw a woman dancing, and in another there were horses running, and in another I saw two men fighting. And it was not a real woman or real horses or real men, but only pictures that moved and did the things that real people and horses would do."

The King listened to all this and then he sat and thought. "What is there in it that I can't do?" he asked. "Do you not all know of the coaches in Ireland that are drawn by horses without heads and driven by coachmen without heads?"

All the fairies looked at one another and nodded and said, "Yes, yes, we know."

But Naggeneen came forward and stood before the throne. Nobody had noticed that he had been listening or that he was there. "And what if those coaches were in Ireland?" he said. "They had horses, though the horses had no heads. Can you make iron coaches go without any horses at all?"

The King was trying to talk boldly, but he stammered and grew pale at the very thought of having anything to do with an iron coach, and he did not answer. He went on instead: "Can I not send any one of you on a message, as fast as the wind?"

"But can you talk for ten miles," Naggeneen asked, "and will the very voice of you go as fast as the lightning?"

"Why would I want to be doin' that," said the King, "when I can send a messenger as fast as I like?"

"That's not the question," said the cruel Naggeneen; "can you do it?"

"I never tried," said the King. "And can I not light up this palace," he went on, "or any other palace, with diamonds? Can I not make a light so that a man who looks behind him when he is going on a journey or at work in the fields will think his house is on fire and run back?"

"And when he has run back," said Naggeneen, "will he find that his house is on fire? You know that he will not. It's only glamour, and he'll soon be laughing at you. Oh, we can catch a few firebugs in spiders' webs and deceive a boy or a girl that's passing, and maybe make them turn aside and dance with us, but can you put real lights all over the country for miles—lights that will burn on and on and show real things? Our lights are lies themselves and they can no more than lead a silly mortal astray for a time; their lights tell the truth. What else can you do?"

The King had lost the most of his boldness. "They say," he said, "that men can burst open the rock. Can I not do that as well?"

"You can open this rock for us to pass through," said Naggeneen; "and what then? A man can see it open for a moment, if you choose to let him, and the next minute it's all as one as if you had never touched it. And the man thinks that's wonderful, for he doesn't know that you can do it no other way. All glamour again! Can you burst the rock open and leave it open, so that it will always be so, for mortal and for fairy?"

"Why should I want to be doin' that?" said the King.

"For the same reason makes the men want to do it, but you couldn't. And those boats that cross the river, full of iron—can you make them, and can you cross the running water in them?"

The King had no voice to answer. "And the pictures in the boxes," Naggeneen went on; "can you make pictures dance?"

"Sure," said the King, "I can make a man think he sees anything I like—a woman dancing or a horse running, or anything."

"Glamour! Glamour! Glamour!" cried Naggeneen. "You can make him think he sees! Yes, but he does not see. You can no more make a picture dance than you can cross a river!" And Naggeneen turned on his heel and walked off, as if he thought the King a poor creature that was not worth talking to.

The King had no more courage left in him than if he had been talking to the King of All Ireland instead of to Naggeneen. "Naggeneen," he cried, "come back and tell us something better nor all this. It's not pleasant you are in your talk, and it's often you make me angry with you, but after all you're cleverer than any of us. Tell us what to do. It was not like this where we lived before. There we could do all manner of things that mortals could not, and they were afraid of us."

"And so here too," said Naggeneen, "you can do all manner of things that mortals cannot, but they can do as many that you cannot—as many and better."

"But what are we to do," the King went on, "to show them that we're their masters? Sure we're cleverer than them all out, and we can prove it in some way."

"King," said Naggeneen, speaking as boldly as if he were himself a greater king, "you can never prove that you're cleverer than men, for you're not cleverer. It was a poor, wasted, weak, and sorrowful country that we came from, and it's a rich, new, strong, and happy country that we've come to. There's the differ. Clever you are, maybe, and your people, too, and I may be clever in my own way, and we may play our little tricks on mortals, as I did on the Sullivans, if they're as stupid as them. But mortals can be cleverer than we ever can when they are clever, and they can beat us every time if they know how. And do you know why? Because they have what we have not—because they have souls. I heard a school-master say once that the word 'mortal' was made from a word that meant death. And they call mortals that, I'm thinkin', because they never die. But you will die, King, and all your people, and I. We live on and on for thousands of years, and men come and change and pass away, but at the last day we shall be gone, as a bit of cloud up in the sky is gone when the sun shines on it. That's why men will always be greater and finer and stronger than us, with all our magic."

The fairies were all so terrified that they shrank away from Naggeneen and clung together and shook, in their fright, for this fear of living for a long time and then going out like a candle is their greatest fear. There was not a bit of color left in the King's face now. It was almost with a sob that he spoke again, and there was a kind of beseeching in his tone as he said: "Naggeneen, don't talk like that to us! We don't know it! It may be so, but we don't know it! We've tried many a time to find out, but no one that knew would ever tell us! We may have souls! We don't know that we've not! We may be saved!"

"You do know it!" Naggeneen cried. "Why will you try to deceive yourselves? You've no soul and I've no soul, and there's no way that we can have them. If there'd been any way, I'ld have had one long ago. But we'll never have them, and mortals will always outwit us, if they half know how. Shall I tell you how one of them outwitted me—a big, lazy, stupid gommoch, with not enough brains to keep his neck safe?"

The fairies were far past caring whether they heard a story or not, but they listened as Naggeneen went on. "I'm after tellin' you," he said, "that if there was any way that one of us could be gettin' a soul, I'ld have had one long ago. This was the way I tried it, and a silly mortal outwitted me. Guleesh na Guss Dhu was the name that was on him. I had heard—and I believed it—that if I could get a mortal woman married to me—a woman with a soul—that I would get a soul, too, that way. Well, I was never over-modest in my tastes, you know, and I thought that the daughter of the King of France was about right for me. A beautiful girl she was, with the rose and the lily fighting in her cheeks, and she was eighteen years old. But sure I thought that the differ of a few thousand years in our ages would be nothing to me, and I hoped it would be nothing to her either.

"I was living in a rath and wearing a green jacket then. All the others in the rath promised that they'ld help me. The King's daughter was to be married to the son of the King of another country on November Eve; and you know there's no better time to steal a girl than the night she's to be married, and November Eve is a fine time, too, so it was settled that we'ld go over to France and steal her on that night. But, as you know, we needed a mortal to help us. How else could we be bringin' her across from France? If we could put her on a horse behind a man, she'ld have flesh and blood to take a grip of, but if she was put up behind one of us, she might as well try to hold to a puff of smoke. You know that.

"We got ready, making sure that we'ld find some fool of a mortal ready for us when the time came, and sure enough, when we'd been out for a little look at the country before starting, and were coming back, there sat this same Guleesh na Guss Dhu, between the rath and the gable of his father's house, that was near by, staring up at the moon, like he'd never seen one before. There was no need to try to catch him or to bring him with us, or the likes of that. All we had to do was to let him hear us as we passed and let him see the door of the rath open, and in he came of himself to see what it was all about. We hadn't let him see ourselves yet, but he heard us all calling: 'My horse and bridle and saddle! My horse and bridle and saddle!' and what did he do but call out after us: 'My horse and bridle and saddle!'

"There was the beam of a plough lying near, and I changed it into a horse for him, and pleased he was when he saw it standing forninst him, with its bridle of gold and saddle of silver and all. The minute he saw it he jumped on it, and then we let him see all ourselves and our horses, and he nearly fell off again, with the sight of the crowd of us.

"Then I said to him: 'Are you coming with us to-night, Guleesh?'

"'I am,' he said.

"And with that we set off, and we overtook the wind that was before us, and the wind that was behind us did not overtake us. And we never stopped till we came to the sea. Then every one of us said: 'Hie over cap! Hie over cap!' and Guleesh said it after us, and the next second we was all up in the air, and we never stopped till we was in Rome. And why the whole tribe wanted to go by the way of Rome, never a know I know, for it's not on the way from Ireland to the palace of the King of France at all.

"Then I spoke up to Guleesh and says I: 'Do you know why we brought you here?' says I. 'The daughter of the King of France is to be married this night, and we mean to carry her off, and we need you so that she can sit behind you on the horse, for you are flesh and blood and she'll have something to hold to. Will you do that for us now?'

"'I'll do whatever you say,' says Guleesh; 'and where are we now, if you please?'

"'We're in Rome,' says I.

"'Oh, in Rome is it?' says Guleesh. 'Sure, then, I'm glad of that. The priest of our parish lost his place a little while ago, only because they said he drank too much, as if there'ld be any harm in that, and now is the fine time to go to the Pope and get a bull to put him back in his place.'

"'Ah, we've no time for that, Guleesh,' says I, 'and we must be gettin' to the palace of the King of France before we lose any more.'

"'Not a foot will I go,' says Guleesh, 'till I get the bull for the priest. You can go on and leave me here if you like, and you can stop for me when you come back.'

"Well, we had more talk about it, and then one of the others says: 'Sure, Naggeneen, we can't go without him and we can't get him to come with us, so we'll have to try to get the Pope's bull for him. Go with him to the Pope and help him all you can, and we'll wait for you.'

"'Come with me, then,' says I, and I took him by the hand, and before he knew how I did it, I had him in the room where the Pope was. The Pope was sitting by himself, reading a book, and he had a tumbler of hot whiskey, with a little bit of sugar, beside him on the table, all as comfortable as you please. 'Now, Guleesh,' says I, 'ask him for the bull, and tell him that if he won't give it to you, you'll set the house on fire. Then leave the rest to me.'

"So Guleesh walked up to him as bold as you please, and when the Pope saw him he was near scared to death, because he thought that nobody could get into the room where he was. Then Guleesh says to him: 'Don't be afraid, Your Honor; all I want of you is your bull to put our parish priest back in his place, that lost it some time ago, because somebody told lies about him and said that he drank too much. And when I have your bull I'll be leavin' you in peace again.'

"'Go on out o' this,' says the Pope; 'where are all my servants?' and he began calling for them, but Guleesh put his back against the door, so that nobody could open it on the other side, and then he began telling the Pope all about the priest, and the Pope had nothing to do but listen.

"And when he was done the Pope refused up and down to give him any pardon for the priest. 'Then,' says Guleesh, 'unless you give it to me at once I'll burn your house.' And with that I began blowing fire out of my mouth all around the room.

"'Oh, stop the fire,' cries the Pope, 'and I'll give you the pardon or anything else you ask!'

"So then I stopped the fire, and the Pope sat down and wrote the pardon for the priest, giving him back his old place, and gave it to Guleesh. That second I caught him by the hand and we were off again through the keyhole to where the other fairies were. In another minute we were all on our horses and away again. We overtook the wind that was before us, and the wind that was behind us did not overtake us till we were at the palace of the King of France. And there my fine boy Guleesh saw sights that he never saw the like of before.

"The place was almost as fine as this of yours here. There were long tables all about it, with everything on them that a body would be wanting to eat and drink, and as fast as any of it was eaten or drunk, there was more put in its place. Then there were hundreds of noblemen and ladies, all in clothes of silk and velvet and gold and silver, and all covered with jewels, till they shone in the light of the gold chandeliers, almost like they'd been chandeliers themselves. And they were talking and laughing and singing and playing, and some of them were dancing—not so well as we dance, of course, when we've a mind, but enough to make Guleesh think he was seeing the grandest sight that ever was in the world entirely. And up at one end of the hall was an altar and two bishops, ready to marry the Princess to the King's son as soon as it would be the right time.

"'And which of them all is the Princess?' says Guleesh to me.

"'That one there near to ye,' says I, pointing her out."

Naggeneen stopped in his story and seemed to forget for a moment that he was telling it. "Oh, but she was the beauty of the world!" he went on, speaking so low that the fairies could scarcely hear him. "There was the lily and the rose in her cheeks, and her arms like snow, and her hair like soft gold. Not like the gold that you dig out of the ground for your palace, but gold with life in it. And her eyes were like two big violets with the dew on them. And there stood the others all around her, all merry and happy, and she—

"'What is she crying for?' says Guleesh to me. 'Sure it's not right that eyes like those would have tears in them.'

"'True for you, it's not, Guleesh,' said I, 'and it's because there's no love in her heart for the man that she's to be married to. It's her father that's compelling her, for he has some arrangement of the sort with the other King, that's the father of the young man. And it's for that,' I said, 'that we're going to carry her off, and it's the best thing we could be doing for her as well as ourselves.'

"Just that minute the young Prince came and offered her his hand, and away they went in the dance, and the tears in her eyes all the time. And as soon as the dance was over, the King, her father, and the Queen, her mother, came and said that it was time they were married, and the two bishops waiting there all the time. So they led the Prince and the Princess up toward the altar, and she with the rose all gone out of her cheeks and only the lily left. But when they were not more than four yards from the altar I put out my foot before the Princess, and she fell, and then, with a word of a charm, I made her invisible to all but Guleesh and ourselves. Then I made a sign to Guleesh, and he took up the Princess and ran with her out of the hall, and all the rest of us after them. 'My horse and bridle and saddle!' says every one of us, and the same says Guleesh. He lifted the Princess up behind him on his horse and we were away again. We overtook the wind that was before us, and the wind that was behind us did not overtake us till we came to the sea. 'Hie over cap!' cried every one of us, and 'Hie over cap!' cried Guleesh, and in a moment we were in Ireland again.

"Another minute and we were close to our own rath, and it was then that all the work of the night was lost. For then what did the fool Guleesh do but take the Princess in his arms and leap down off his horse, and he cried: 'I call you to myself, in the name of—' Oh, now, you little cowards, you've no call to shrink away like that and to try to be hiding in the dark corners! You know I can't say the name that he said. But he said it, and then the enchantment was all gone, and he saw that the horse he'd been riding was nothing but the beam of a plough and that the horse that each of the others had was only an old broom, or maybe a rag weed, or the like of that.

"And you know that there was no getting the Princess away from him after the words that he said. But I came close to her and struck her on the mouth. 'Now, Guleesh,' said I, 'you may keep her if you will, but she'll be dumb forever.' And with that we all disappeared from them.

"But you may be sure I watched them. They stood there together and Guleesh talked to her and tried to make her talk back, but it was of no use at all, and he soon found that she was dumb completely. Then he stood thinking what would he do with her, and at last he took her by the hand and started toward the priest's house. It was getting near day now, and the priest was up by the time they came to the door, and he opened it himself. And when he saw Guleesh and the girl, sure he thought they were come to be married, and he said: 'Ah, Guleesh, isn't it the nice boy ye are, that ye can't wait till a decent hour to be married, but ye must be comin' to me this early? And don't ye know I can't marry ye lawfully anyway, and I put out of my place?'

"Then says Guleesh: 'Sure, father, you can marry me or anybody else you like, for you have your place back again, and here's the Pope's bull for that same. But it's not that I come for, but to ask you to give shelter to this young lady, the daughter of the King of France.'



"And with that he takes the Pope's bull out of his pocket and gives it to the priest, and the priest looked at the writing and the seal and saw that there was no doubt but it was right. And so he made Guleesh and the Princess come in and sit down, while Guleesh told him the whole story, and not a word of it would he have believed only there was the Pope's bull that he couldn't deny, and so at long last he had to believe all that Guleesh told him. And the end of it was that the Princess stayed at the priest's house, for they didn't know how to send her back to her father's palace, and they had no money, and she couldn't speak to help them. And the priest gave out that she was the daughter of his brother, that lived in another county, and that she was making him a visit. And Guleesh went home and said how he'd been sleeping beside the rath all night."

Naggeneen paused in his story, while all the fairies drew quietly closer to him. "Do you see," he said, "how I was tricked by a fool of a mortal? Oh, she was the beauty of the world, and he took her from me with a word, as easily as you'ld steal the butter out of a churn. And that was not all.

"I said to myself that I was not done with my revenge on them yet. She could not speak and it was a sore punishment on the both of them. Yet she stayed on at the priest's house. The priest wrote letters to her father, as I heard, and gave them to merchants who were travelling, but none of them ever reached him. And Guleesh got mighty serious about his soul all at once, so that he had to be at the priest's house every day, and every day he saw the Princess. She could never talk to him, but she learned to make signs that he could understand. And so it went on for a year.

"And then, when it was November Eve again, and we had been out of the rath and were all coming into it again in a great crowd, there sat Guleesh, the same as before. He couldn't see us, but he must have heard us, for you could see that he was listening with all his ears. And I thought now was the fine time to be having the laugh on him. By that time everybody was shouting: 'My horse and bridle and saddle! My horse and bridle and saddle!' and Guleesh shouted as before: 'My horse and bridle and saddle! My horse and bridle and saddle!'

"'Now is my chance to be even with him,' thought I, and I said: 'Ah, Guleesh, my boy, is that yourself that's to the fore again? You'll get no horse to-night and you'll play no more tricks on us. How are you getting on with your Princess? Does she talk to you much? Or do you just like to sit and look at her?'

"And when I said that, he looked so pale and so sad that I almost screamed with joy, and I couldn't keep myself from whispering to the man that was next to me: 'And isn't he the stupid omadhaun, not to know that there's an herb growing close to his own door that would give her back her speech if he'd only boil it and give it to her?'

"'It's the stupid omadhaun he is,' said the other man.

"Oh, and it was me that was the omadhaun, to be saying it at all. Oh, why couldn't I hold my jaw? But it was like some spell was on me, and I had to say it. I had to say it! I couldn't have kept it back if I'd tried. And he heard every word!

"It's little more there is to tell. The next morning, as soon as there was light, there was Guleesh searching for any herb that was strange to him around the door. And it was not long till he found it. Then he boiled it, and he drank some of it himself, to see whether it might be poison, and it put him into a deep sleep. And when he woke he went to the priest's house and told the whole story and gave the Princess some of the drink, and then she went to sleep and did not wake till the next day. And when she woke she had her speech back.

"Ah, well, by this time they was both in love with each other, and all that I did for myself or against them had only helped them. But it was not long before the Princess was saying that she must be off to her father, and nothing that the priest and Guleesh could do would make her stay. So the priest took the jewels that she had on her when Guleesh first brought her, and he sold them and gave her the money, and she took it and paid her way back to France.

"And after that great grief and melancholy came over Guleesh, and nothing would do him but he must start off for France to find the Princess again. Start off he did, and that was the last that I ever saw of him, only I heard that he found the Princess at her father's court and that at long last they were married."

There was nothing strange in the last that Naggeneen had told—nothing more strange, I mean, than that a peasant boy should marry the daughter of the King of France—but his voice, before he had ended, was so low and so full of grief that all the other fairies kept very still to listen, and when he had told his story none of them spoke for a little while. At last the King said: "How long was all this ago, Naggeneen?"

"Many years," Naggeneen answered; "I couldn't be counting how many."

"Then what is it to you now?" said the King. "Sure they're both dead long ago, and here are you as sound as ever."

"Yes," Naggeneen cried, "as sound as ever and as sound as I'll ever be. They're not dead. They had souls. They're alive now, and when what they call 'the Last Day' comes, they'll live still, forever. And then I shall go out, like a shadow when the light falls on it. There's no more of me that can last than a shadow. And you will go out that way, too, and all of us. It was not her that I wanted so much. It was the soul that I thought I'ld get, and her married to me. That was it. And a stupid mortal had tricked me twice. It was then I left the rath. It was then I could bear to look at nobody, man or fairy. Then I put on the red jacket and went by myself. After a time I was a lepracaun, and a cluricaun, and nothing at all, as it suited me, and sometimes I lived in a rath with others, as I have in yours, and other times I went by myself. But I never forgot how I was tricked by a mortal, and I've never forgot how I missed getting a soul when I was near to it.

"You've never liked me; you've always thought me sour and harsh and cruel. Do you see why now? Since that time I've always hated all men, because of the one that tricked me; and I've always hated all women, because of the one I lost; and I've always hated all fairies, because they are all as weak and helpless and pitiful as myself. I hate myself and I hate all of you, because there's no good for any of us in all the world forever."

"Naggeneen," said the King, "we've never been too fond of you, it's true, but maybe we'ld have liked you better if you'd told us this before. But you're cleverer than all of us. Tell us what we'll do now, so that these mortals won't be getting the better of us all out."

"What'll you do?" Naggeneen answered; "there's nothing you can do. They'll outwit you, whatever you do."

"But there must be some way. Tell us what to do, Naggeneen," the King pleaded.

"I'll tell you what to do, then," said Naggeneen; "send out your people and let them learn the ways of men. Let them learn to make the iron coaches that go up in the air; let them learn to make the coaches that go on the ground, with the iron ropes; let them learn to talk miles away through iron strings; let them learn to make the bright lights that you see; let them learn to open the rock so that it will not close again; let them learn to cross running water in boats full of iron; let them learn to handle iron and do what they like with it, as if it were only gold, and then, maybe, they'll be able to do all the things that men do."

The fairies were simply cowering away from the King and Naggeneen and shivering and squealing with fright at the talk of handling iron and crossing running water. "Ah, Naggeneen," said the King, "you know we can't do all that. Tell us what we'll do at all."

"There's nothing that you can do," said Naggeneen. "There's only one thing I know you can try, and I think that'll do no good either."

"But what is it?" said the King. "We'll try it, anyway."

"It's not the time to try it yet," Naggeneen answered. "When the time comes I'll tell you."

"Then, Naggeneen," said the King, "give us a tune out of the fiddle."

And Naggeneen took the fiddle and played. But there was no merriment in it now. It was only the breath of sorrow and loss and disappointment that breathed from the shivering strings. The fairies did not dance; they only stood and listened, pale and still. In a few moments the King gave the sign for Naggeneen to stop, and in a minute more the lights were out and the whole palace was as quiet as the hill, before any palace was there.



V

THE TIME FOR NAGGENEEN'S PLAN

Little happened that needs to be told in the next few months, either to the fairies or to the human people. John O'Brien and Peter Sullivan were not long in finding work to do, and they were paid for it, and the two families got on better than they had in Ireland. The O'Briens got on better than the Sullivans. John was a better workman than Peter. Peter could do the work that was set before him in the way that he was told. But John could do better than that. He could see for himself how the work ought to be done, and he saw that if he did it well he might get better work to do. In Ireland, work as he would, he could no more than live, and so he had come to care little what he did or how he did it. But it was different here. The men who employed him saw that he was not a common workman, and soon they gave him better than the common work and more than the common pay.

But Peter was a common workman. Then, too, John's mother knew how to care for the house better than Ellen did, and because of that, too, the O'Briens did better. Every day, just as she used to do in Ireland, Mrs. O'Brien left something to eat and drink outside the house for the Good People. She said that she did not know whether there were any Good People here, but if there were they must be well treated. And when she found that what she left for them was taken, she said that she knew that there were Good People here. Of course she did not know that they were the same ones who had lived near them in Ireland. She put the milk and the water and the bread, or whatever she had for them, on the fire-escape, at the back of the rooms where they lived. And first she always laid down a little piece of carpet to put the dishes on, so that the fairies could come and get the food without touching the iron, for she knew that they could never do that. There was only one thing that did not go well with the O'Briens. Kitty's health did not come back to her, as they had hoped that it would. She did not need to do any work now, though she would do some, and the rest was good for her, but she was still pale and still weak.

Though the Sullivans did not find their fortunes so much improved in the new country as the O'Briens did, yet they felt that they had gained, too, and in one way especially. For the King of the fairies had forbidden Naggeneen to trouble them any more. Naggeneen asked what for at all he had come over all the sea, if he was not to trouble the Sullivans. The King was always ready enough to have Naggeneen's help, when he thought that his cleverness would be of use; but there were times when he would be obeyed, and this was one of them, so Naggeneen had to do as he was told.

The King tried all the things that Naggeneen had told him to do, to make his people learn all the wonderful magic that the human people knew so well. Naggeneen had told him at first that it would all be of no use, and so the King found it. The fairies were sent out to watch the men, to see all that they did, and to learn how to do it. It was all in vain.

The King often asked Naggeneen what was the one other way that he had said they might try. Naggeneen would never tell. When the time came to try it, he said, he would tell what it was, but it would be of no more use than the rest that they had done. Naggeneen laughed at all the others when they came home baffled and out of sorts. "You'll never do the things that men do," he said, "any more than they'll ever do the things that you do. And their wonders are more and better than yours."

After a time they ceased to try to learn any more. They began to live much as they had lived in Ireland. They had found a green place where they could dance, near the palace, but it was winter now, and the snow was over everything much of the time. They went to the O'Briens every day for the food that was left outside the window for them, and, for the most part, they spent the rest of the time in the palace. Often Naggeneen played the fiddle or the pipes for them. Then they forgot that it was his fault that they had ever come here, but when he stopped playing they remembered it and hated him again. And Naggeneen laughed at them. He had a strange laugh, without a bit of merriment or good-humor in it. There was something sad in his laugh and something sour, but nothing that it was pleasant to hear.

Then the spring began to come. The grass was looking a bit green and the air was warmer. They could dance on the grass now, whenever they liked. They had given up trying to learn the ways of men, and they were beginning to feel as if they had always lived here. Then Naggeneen came one evening and stood before the King and said: "It is the time now to try my plan, if you want to try it, but it's no good."

"What's the plan, then, at all?" the King asked.

"You know well," said Naggeneen, "that your people can find out nothing by going out and watching what men do. Now, what you want is to get a human child here, or maybe two of them, and keep them and let them grow up with you here, and then send them out to learn everything that men do, and come back and teach it to your people. Then you'll learn all these things that men do, and you can do the like."

"Ah, Naggeneen," said the King, "it's yourself was always the clever boy. We'll do that same."

"You will so," Naggeneen replied, "and no good will it ever do you. I've told you before and I tell you again, you'll never do the things that men do. But it's crazy you are to try all ways, and I have to be telling you the ways to try. Go on and do it, if it divarts you."

"And where'll we get the human child at all?" the Queen asked.

"Sure then," said Naggeneen, "and haven't you heard the news? Why, there's a baby at the Sullivans' since this morning, and one at the O'Briens' since this afternoon. The one at the Sullivans' is a boy and the one at the O'Briens' is a girl. Go and get them and leave two of your own people in their places. You know how to do that; it's nothing new to you."

"Take a child from the O'Briens!" the Queen cried. "From them that's always been so good to us and always given us the bit and sup, when they scarcely had it themselves? I'd never do such a thing."

"But you'ld be leaving one of your own people in the place of it," Naggeneen answered, "and they'ld never know the differ. Or if they did, it would be no matter. A woman makes a great hullabaloo when her child looks sick and she thinks it's dying on her, but she doesn't care at all after a little. And then, it doesn't die, and she thinks it's her own child all the time, and there's no harm done. And His Majesty here thinks it's going to do a power of good for all of you. It's not, but he thinks it is."

"We'll never take a child from the O'Briens if I can help it," the Queen said. "From the Sullivans I don't care, but not from the O'Briens."

"We'll have to do it," said the King. "I don't like to hurt the O'Briens myself, but it's for the good of us all, and it's our only chance. These mortals are getting ahead of us that far, and they'll be doing something next that will exterminate us entirely. We'll send and get both the children."

The Queen urged again that the O'Briens had always been good to the Good People and must not be harmed, but the King had his mind set on Naggeneen's plan and he would hear of nothing else. It was settled and it could not be changed. They must have both children. They should live among the fairies till they were old enough to be sent out to learn the ways of men. And they should always come back and teach the fairies the ways of men that they had learned.

"And it's to-night we'd better be doing it, if we're to do it at all," said the King. "Now, who'll be the ones to go and be put in the place of the children?"

Nobody seemed to care about going to play the part of a baby with the Sullivans, or even with the O'Briens. Everybody was trying to get out of the King's sight behind the others. "We'ld have to be lyin' still all day," one whispered, "with never a dance to rest ourselves with."

"They might be puttin' holy water on us," said another, and all who heard him shivered.

"There'll be all sorts of unpleasantness, anyway," said a third.

"Maybe they'ld find us out," said a fourth, "and then they'ld be puttin' all sorts of horrible charms on us to be rid of us."

But the King called one of the women and told her that she must go and stay in the place of the baby at the O'Briens. She whimpered a little, but she knew that what the King said must be done. Then the King looked around him and said, "Where's Naggeneen got to at all now?"

"Here I am to the fore," said Naggeneen.

"You'll go," said the King, "and you'll be put in the place of the boy that's at the Sullivans."

"I go!" said Naggeneen. "Never a step. Didn't I tell you of the plan? And that's enough. Now do it for yourself. I don't belong to you and you know it. Do your own work."

"I'll not be disputin' with you," said the King. "Whether you belong to me or no, you're in my palace along with my tribe, and you'll do what I tell you. It's tired of you I've been this great while, and now I've a chance to be rid of you. You'll go to the Sullivans and you'll stay there and you'll grow up like their child. And mind you play your part well and don't let them know what you are. If you do, they'll work some charm on you and be rid of you, and then we'll have to send back the real child, and all your own plan will be lost."

"And how will you carry out my plan without me?" Naggeneen asked. "Don't I always tell you what to do? You'll want me a dozen times a day."

"We'll not want you at all. You do tell us what to do and we do it when we like, and it's small good ever came of it. And then, if we do want anything of you, we know where to find you, and we'll easily come to you. It's been done before. You was left in the place of a young man that was taken away once before, and when the tribe that you was with then wanted to talk to you they came to you, and we can do the same if we like, but I don't think we shall like."

"That's just it," Naggeneen cried; "did you know about that time? This time would be just like it. Do you know how they drove me off? I couldn't help it then and I couldn't help it again. There's times when it seems like there's a charm on me, and so there is, belike, and I have to do a thing that it's bad for me to do. Do you know the whole of it, how it was that time?

"It was a man that time, as you say, and not a child. Rickard the Rake he was called, I remember, and a fine rake he was. Never a bit of work would he do, but he'ld always be at every fair or wake or the like of that. And so little good there was in him that the fairies in the rath where I was then said: 'It's an easy thing it'll be stealing him away, and serve him right, too, and he'll be handy for us, he's so good a dancer.'

"I was ordered to be the one to be left in his place, though I knew no good would come of it. And so one night, when he was dancing, we struck him with a dart in the hip, and he fell down where he was. And then, in all the bother and the noise that there was, it was easy to get him away and to leave me in the place of him. So they took me up and put me in bed and nursed me and did all they could think of for me, and me all the time squirming and squealing, like it was dying I was.

"They gave me everything I could think of to eat, and that was not so bad, for I never lived better in my life; but it was worn out I was getting, with lying there all the time and playing sick, and never a chance to stir about or get any air or a minute to myself. And the thing I was spoiling for was a tune out of the pipes or the fiddle. Then they brought a fairy-man to look at me, and he said it was a fairy and not Rickard at all that was in it, and I couldn't be telling you all the bad names he put on me and the things he said about me. And he said: 'Leave a pair of bagpipes near him, and maybe he'll play them. You know well Rickard never could play at all, and so if he plays them we'll know that it's not Rickard, but a fairy changeling, and then we'll know what to do.'"

Just here I must stop Naggeneen in his story for a minute, to tell you that when people in Ireland speak of a "fairy-man" they do not mean a man fairy. They mean a man who knows all about fairies. The fairy-men know all that the fairies can do, and they know the charms against them and the ways to cure a sickness that the fairies have brought upon anyone, and the ways to keep them from stealing the cream from the milk and the milk from the cow. So the people have great respect for a fairy-man or a fairy-woman, and they often send to one of them for help, when they think that the fairies may have done them a mischief.

"They left the pipes beside me," Naggeneen went on, "and then they went away. Oh, it was then I had the terrible time all out. Oh, may I never long for anything again as I longed to play them pipes! But I knew that they'ld be listening and watching, and if they caught me at it, I'ld have to pay for it, if they could make me. So I kept my hands off them and only groaned and took on as if the dart in my hip was killing me entirely.

"Then there was one hot afternoon, and everything was still about the house, and it was the harvest time, and they all had a right to be in the fields at work. And sure I thought it was there they were. And then the wish to play the pipes came on me worse than ever before. And it was then that it was like there was a charm on me, as I was telling you. I had to do what I did. I could no more help doing it than a girl can help dancing with us, when we get her in our ring on May Eve. But first I opened the door a crack and looked out into the kitchen, to see was there anybody there, and there was nobody. But they were all in another room, as I found out after, waiting and listening. There was the fairy-man and a fairy-woman and all the people of the house, and some of the neighbors.

"But if I'd seen them all I dunno if I could have done other than I did, the power, whatever it was, was on me that strong. And I took the pipes and played. It was soft I played at first, and then the music got the better of me and I went on more and louder, and I played tunes and tunes. I could play as well then as I can now, and so the other fairies, that had been without me for some time, must have heard me playing, for soon I heard the rustle and the whisper and the patter of their coming, and then they gathered round me, and I had been left there lonely for so long that I kept on playing, to keep them with me.

"It was then the fairy-man and the fairy-woman began talking, and I heard every word they said, as no doubt they meant I should. 'What'll we do with the little beast at all?' says she.

"'We'll do something that's not too unpleasant at first,' says he. 'We'll take him and hold his head under the water, and see will that drive any of the devilment out of him.'

"'Oh, the thief!' says she. 'That's not the way to treat him at all. Let's heat the shovel and put him on it and throw him out the window.'

"'Ah, why will you be that cruel?' says he. 'Just let me heat the tongs red hot in the fire and then I'll catch him by the nose with them, and we'll find out will that make him go home and send poor Rickard back to us.'

"'That's not enough,' says she. 'I'll go and bring some of the juice of the lussmore that I have, and we'll make him drink it, and then if he's a fairy he'll wish that he was a man, so that he could die, it'll make that consternation inside him.'

"'We'll do the both of them things,' says he, and with that they both started into the kitchen, and all the rest of the people after them. But you may believe that by that time I was not there at all. I'd had enough of their kindness and I didn't think it was right to wait for any more of it. But I looked in at the window for a last glimpse of them, and one of the women saw me, and she screamed, and then the fairy-man made after me with the tongs, and I had to vanish completely. And you know what would happen then. When they drove me off, of course we had to send back Rickard, and there they found him the next morning, asleep in his bed, as sound as ever he was in his life.

"And that was not all. The lesson that he'd had was enough for him, and he left drinking and fighting and swearing, and he helped his old father and his brothers on the farm, and he was another man altogether. And so it's as I told you. You can never get the better of men, if they know anything, and all you do to hurt them only helps them. And so it will be if you send me to the Sullivans."

"If you're done talking about it now," said the King, "you'll go to the Sullivans and stay in the place of the child that we're to carry off. It's not likely they'll be leaving any pipes or any fiddle about for you to play on, and you can stay there quite comfortable.

"Off with him now!" the King cried to a dozen of his men, "and mind you don't come back without the child. And the same to you," he said again to others of his men; "take the woman and leave her in the place of the child at the O'Briens'."

The two parties were off, like two little swarms of bees, the one with Naggeneen and the other with the woman. The rest of the fairies waited. The Queen sat on her throne, with her face turned away from the rest and hidden in her hands. The King, with a troubled face, sat looking straight before him, not moving an eye or a hand. The others stood as far off as they could go. Nobody played; nobody danced; nobody laughed or whispered. They waited and watched and listened. Then there was a little murmur and buzz of one of the parties coming back. It was the one that had been to the Sullivans.

The King looked up and seemed to look through the fairies without seeing them. "Have you the child with you?" he asked.

"We have," said the leader.

"And where's Naggeneen?" the King asked.

"Lying in the bed beside Mrs. Sullivan," the leader answered, "and squealing like a pig under a gate."

"Give the child something to eat and make him comfortable," said the King.

The Queen turned suddenly around. "Don't give him anything to eat yet," she said. "We've nothing here but our own food. You couldn't give him that. What did you bring him here for? Was it not so that you could send him out again, as he grows up, to learn to do the things that men do? And if he touched a bit of our food or our drink, you know he could never leave us."

"That's the true word," said the King. "Here! Some of you go to the O'Briens' and see is there any milk left out of the window. And bring back enough so there'll be some for the other child, when we get her."

As the fairies set off on this errand there came a sound like the whistling of the wind through the door, and those who had gone to bring the O'Briens' child were back. They were back in a whirl and a rush and a scramble and a rout. They were all screaming and crying and whimpering and gabbling and gibbering together, and they all fell and sprawled together in a heap before the King. In the midst of them was the woman who had been sent to take the place of the O'Briens' child.

"What for are you here without the child?" the King cried. "And what are you all doing there on the floor, like fish tumbled out of a basket? Get up and tell me what's wrong with you! Where is the child?"

The fairies all choked and gasped and groaned and tried to speak. Then the leader of the party staggered up to his feet and stammered out: "The child is where it was before we went for it. We could not bring it; we could not take it; we could not touch it. You might as well be asking us to bring a lily from the fields of heaven."

"And why could you not take it?" the King asked. "Was the mother holding it so fast in her arms? Could you not make her look the other way while you'ld be taking it? Could you not put some charm on her so that she'ld let it go? Or was she praying all the time, so that you could do nothing with her? Or was she making those signs over it that none of us can stand?"

"No, no," said the leader, so low that they could scarcely hear him; "no, it wasn't that; the mother was doing none of them things. The mother was dead!"

For a minute everybody was still. The Queen started and looked at the leader of the party and leaned toward him. All the others gazed at him too. Then the King said, "And why did you not bring the child?"

"I'm after telling you we couldn't touch the child," the leader answered. "I went to take it, and all at once I felt burning hot, and like I was all dried up into a cinder, and I think they must have drawn a circle of fire round the child. And then I had that fearful feeling that you have when you're near a horseshoe nail. There must have been one somewhere about. You couldn't mistake that feeling—as if needles of ice were going all through and through you. And so I was driven back and could get no nearer to the child."

The woman who had been sent to take the place of the child was standing near the King now, though she could scarcely stand at all, and her face was all wet with tears. "But they made me go nearer to the child than that," she cried. "These others pushed me close to her, so that I'ld take her place and give the child to them. And I felt burned up like a cinder, too, and then I felt the icy needles, and then worse than that. I felt as if I was all cut across and across and through and through with flaming swords, and torn with red-hot saws. Not the way it is when you divide yourself, so that you can be in two places at once. Anybody can do that, and it hurts no more than cutting a lock of hair, but this was—oh! there's only one thing could do this. There was a pair of open scissors lying close to the child, and I almost touched them!"

She could say no more, and there was no more to be said. "You couldn't get the child, then," said the King, "and there's the end of it. Nobody could, if they did all them things. I dunno how it is," the King went on, half to himself, "a child lies there with a pair of scissors open near by, and a horseshoe nail close to it—maybe hung around its neck—and a circle drawn around it with a coal of fire, and it never minds it at all. It sleeps and wakes and lies there as peaceful and happy and quiet as if there was nothing at all out of the common about it. I dunno how they can do it. They're queer people, these mortals. We can't get the girl. They was too clever for us. But we've got the boy, and we'll do the best we can with him."



VI

LITTLE KATHLEEN AND LITTLE TERENCE

The next morning John O'Brien was sitting alone, when there was a knock at the door. Then Peter Sullivan opened it, said "God save all here!" and came in.

"God save you kindly!" John answered.

"It's distressed we are," said Peter, "to hear of the death of poor Kitty. Ellen would be here with me to tell you so, only bein' in bed herself and not able to stir, and what'll come to all of us I dunno. I'm that disturbed about her I dunno what I'll do at all. I left her with one of the neighbors and came to see your mother about her. But sure it's you has the great grief on you already, whatever comes to us. It's not only you I'm thinkin' of, but it's the child, left with no mother. Oh, it's a terrible thing."

"My own mother can bring up any child," John answered. "Have no fear of that. It's us that knew Kitty that'll feel the loss of her."

"And how is the child doing, anyway?" Peter asked.

"She looks fine and healthy, glory be to God!" said John.

"It's a girl, they tell me."

"It is."

"Do you know yet what you'll call her?"

"We'll name her Kathleen, after her mother," said John.

"Then you'll be calling her Kitty, like her mother, I suppose."

"No—no," John answered, slowly; "I don't think I'll call her that. The child will be always Kathleen. I dunno if I can tell you how I feel about that. It was a name for a child, more than a woman—Kitty—and yet, now that she's gone from me, I've a feeling like it was something more than the name of a woman—like it was something holy, like the name of the blessed Mother of God. When I think of that name now, I want to think only of her, and I wouldn't like to be calling even her own child by it. It's Kathleen I'll call her—nothing else."

"You're right about all that, no doubt," said Peter; "but I can't be staying here, and Ellen and the child at home the way they are. You have your child left, and you say it's healthy—thank God for that same!—but it looks like I might have neither wife nor child."

"Don't say that, man alive," said John; "what's the matter at all then?"

"I can't stop discoursin' here," Peter answered. "I came to ask would your mother, being a knowledgable woman, step over for a bit and see can she tell at all what's the matter with Ellen and the child. There was a doctor there, but he seemed to do no good, and Ellen said your mother would know more than all the doctors, so I came to ask would she come. And if you care to come yourself, I'll be telling you how they are as we go along, but I can't stay here; it's too long to be away from them."

"Mother is with the child," said John; "I'll speak to her."

He went into another room, where the baby was sleeping and his mother was sitting beside her. He told her why Peter had come. "Step downstairs," said Mrs. O'Brien, "and ask Mrs. Mulvey will she sit by the baby till I'm back. Then I'll go with him. And you'd better come, too, John; the air will do you good."

John went down to another of the tenements in the house and came back with their neighbor, Mrs. Mulvey. "If you'll be so kind," Mrs. O'Brien said, "sit here by the baby till I'm back, and I'll not be long. And mind you keep everything as it is, unless she wakes, and then you'll know what to do as well as I, for you've children of your own. But don't disturb the pair of scissors that's there beside her, and don't take off the horseshoe nail that's hung round her neck."

"And what's them things for?" Mrs. Mulvey asked, with wonder in her eyes.

"Why, to keep the Good People from stealing the child," Mrs. O'Brien answered. "Did you never hear of those things? Don't you know the Good People can't stand the touch of iron, or even to be near it? And especially a horseshoe nail they can't stand. And the scissors, too, they couldn't come near, and then leaving them open they make a cross, and that keeps the child all the more from the Good People."

John and his mother left Mrs. Mulvey with little Kathleen and went with Peter. "And what's wrong with Ellen, then?" Mrs. O'Brien asked.

"I dunno that there's so much wrong with herself, as you might say," Peter answered. "I think it's more than anything else that she's worried about the child."

"And what's wrong with the child, then?"

"There's everything wrong with the child," said Peter. "It's not like the same child at all. Last night he was as healthy a boy as you'ld wish to see—quiet and peaceable and good-tempered and strong-looking, for his age. And now this morning he's thin and sick-looking, and there's black hair all over his arms, and his face is wrinkled, like he was a little old man, and he does nothing but cry and scream till you can't bear it, and twist and squirm till you can't hold him. It's like he was fairy-struck, only I don't believe in them things at all."

"Did you watch him close last night?" Mrs. O'Brien asked.

"Part of the time," Peter answered, "but I dare say we was both asleep other times."

"Was Ellen careful about her prayers last night, and were you so, too?"

"I can't say about that," Peter said. "We might be letting some of them go, such a time as that, you know, and make it up after."

"Yes," said Mrs. O'Brien, "make it up after by losing your child! Was there any iron anywhere about him?"

"I don't know that there was."

"And did you make a circle of fire about the place where he was lying?"

"I did not."

"The child's not been struck," said Mrs. O'Brien; "not the way you mean. It's not your child at all, but one of the Good People themselves, that's in it. They've stolen your child and left a changeling in the place of it."

"It's the same way you always talked, Mrs. O'Brien," said Peter. "I don't believe them things."

They had come to Peter's door by this time. They found Ellen lying in bed, looking frightened half to death, and beside her was the baby, or the fairy, or whatever it was. It was not crying loudly now, but it was keeping up a little whining and whimpering noise that was quite as unpleasant to listen to as a good, honest cry. Its face looked thin and pinched and old; it had a little thin, wispy hair on its head where no baby of the age that this one was supposed to be has a right to have any. Its arms and hands were thin and bony. It looked weak and sick, but it was rolling and wriggling about in the liveliest way. It would give a spring as if it were going straight off the bed upon the floor, and when poor Ellen caught at it to save it, it would roll back toward her, stop its crying for a second, and seem to be laughing at her, and then it would do the same thing again.

"It's plain enough," Mrs. O'Brien said, as soon as she saw it. "It's one of the Good People. But it's quick enough we'll be rid of it and have back your own child. Bring me some eggs."

"I'll have nothing of the sort now," said Ellen. "It's bad the poor child is with some sickness or other, but it's my own child, and I'll have nothing done to it that's not to do it good. If you know anything that'll help it, Mrs. O'Brien, tell me that, but don't be sayin' it's not my child."

"I'll not hurt the child, whatever it is," said Mrs. O'Brien, "but there are ways to tell whether it's your own child at all or one of the Good People. If you find it's one of them, then it's easy to do more, but in the meantime it's not harmed."

"I'll not have you trying any of them things," said Ellen. "I'll not have you saying it's not my child, and I'll not be thinking of such a thing myself. You see how poor and sick it's looking. If there's anything you can do for the child, do it, but don't be talking that way any more."

"Ellen," said Mrs. O'Brien, "you don't know what you're talking about at all. Wait now till I tell you what was told to me when I lived in Dublin, and I think that it was not far from there that it happened. It's about a woman that talked as you do. A sailor's wife she was, and there was a child born to her while her husband was away at sea. She thought he'ld be home soon, and so she wanted to put off the christening of the child till he'ld be back. So she waited and waited for a long time, and her husband did not come. The neighbors told her she was doing wrong to wait so long and she ought to have the child christened before anything would happen to it. But she wouldn't listen to them.

"So it went on for a year and a half, and still the father didn't come home. But the boy was healthy and happy, and the mother never had any trouble with him. But the trouble came. One day she'd been working in the field, and she came home, and as soon as she was in the house she heard crying from the bed where the child used to sleep. She ran to look at him, and he lay there, looking sick and thin and weak, the way your boy does, and crying that he was hungry. He was like her child and he was not like him. He'd grown so pale and bad-looking that she thought he'd had a stroke from the Good People. But she went to get him some bread and milk, and she asked her other boy, that was about seven years old, when it was and how it was that he began to be sick.

"'I left him playing near the fire,' the boy said, 'and I was in the other room. And I heard a rushing noise, like a great flock of birds flying down the chimney, and then I heard a cry from my brother and then again the noise, like the birds were flying out at the chimney again. And then I ran in and found him there the way you see him now.'

"Well, if the poor woman had never had trouble with the child before, she had nothing but trouble now. Crying and squalling it was all the time, and it nearly ate her out of house and home, and yet it seemed always sick and weak and thin. The neighbors came and they told her it was not her child at all, but one of the Good People that had been put in the place of it, and it was all her own fault for not having it christened in the right time. But not a word of it all would she listen to, and she said all the time that, whatever was wrong with it, it was her own child and she'ld hear nothing to the contrary.

"It was an out-of-the-way place where they lived, and there was no priest near, or she never could have kept it from being christened as long as she did. But at last the neighbors themselves said that if she didn't see to it, they would. And they said to her: 'It's not your child at all that's in it, and if you'll have it christened you'll see. And if you won't take the child to the priest with us now, we'll go to him ourselves and tell him all about it. It's not right to keep it from him longer.'

"So with that she thought it was no use and she'ld have to do as they said, and she took the child and tried to dress him, ready to take him to the priest to be christened. But the roars and the screams that he let out of him were more than anybody could bear, and at the last she said: 'Oh, I can't do it; it's too terrible a thing for him; he won't bear it, and how can I make him?'

"The next day when she came in from her work the other boy said to her: 'Mother, it was uncommon quiet he was while you was away to-day. And by and by I went in to see what was ailing him. And there he sat, looking so like an old man that I was near afraid of him. And he looked at me and he spoke as plain as an old man, and he says: "Pat," says he, "bring me a pipe, till I have a bit of a smoke. It's tired of life I am, lying here without it."'

"'"Ah," says I, "wait till my mother gets home and I'll tell her of this."'

"'"Tell her," says he, "and she'll not believe a word from you."'

"'And no more do I believe a word from you,' says the woman.

"Well, soon after that there came a letter from the father, saying that he'ld be at home now in a few days. With that the woman set off to town to buy things to eat and drink to welcome her husband home, and she said: 'Now we'll have the christening, as soon as ever he comes.'

"Then as soon as she was off, the neighbors said: 'Now is the time that we'll be done with that imp. We'll take him and have him christened while she's away, and we'll not give her the chance to put it off again because he cries.'

"So they went to the house and one of the women came up to the bed and clapped a quilt over him and had him wrapped up in it before he knew what was happening to him, and away they all went down toward the brook, on the way to the priest. Well, he kicked and he struggled to get free, but the woman held him so tight it was no use. But when they came to the running water, it was then he began bellowing like a herd of bulls, and kicking and pulling so that it was all she could do to hold him.

"She got her foot on the first of the stepping-stones, and it was then he began to get heavy, as if it was a stone that she was carrying. But she held hard and reached the second stone, and it seemed to her that he was nothing but a lump of lead, only still roaring and struggling; and, what with that and the rushing of the water below her, she began to get dizzy, but still she held on, and she had her foot on the stone in the middle of the stream when plump down he fell through the quilt that he was wrapped in, as if it had been nothing but a muslin handkerchief.



"And there he went floating down the stream, and shouting and laughing at them. For, you know, it's not being in running water that can hurt one of the Good People, but only crossing it, and if they tried to cross it they'ld be in awful pain till they got to the middle, and then nothing could keep them from falling in.

"So they were rid of him, and you know when you're rid of a changeling the Good People must send your own child back. And so the neighbors had not got back to the house when they met the mother running to meet them and bringing her own child, that she had found in its bed, when she got back from the town, sleeping, as well and as sound as ever it was.

"And now, Ellen," said Mrs. O'Brien, "will you let me try, in ways that I know, that can do no harm, whether this is your own child or not? And if it's not, you'll have your own back, as well as it was last night."

"This is my own child," Ellen answered, "and it's not by any silly tales like that that you can make me believe it isn't. I'll not have you doing anything of the sort. If you know anything that can help a baby when it's sick, you may do that, but nothing else."

"I do know one thing that can help a sick baby," Mrs. O'Brien answered "and that I'll do, if you like it or not. If that thing there is one of the Good People, as I think, it's not sick, and it will live for thousands of years after we are dead. We can neither help it nor much hurt it. But if that is your child, it doesn't look to me as if it would live an hour. I'll not try whether it's yours or not, but if it's yours I'll not stand by and see its soul die, that ought to be the soul of a Christian. Ellen Sullivan, that child will be christened before I leave this house."

"Christened!" poor Ellen cried in amazement. "And who's to christen him? We couldn't get a priest here in an hour—maybe not to-day."

"There's no need of a priest," Mrs. O'Brien said; "I'll christen him myself. Bring me some water there, Peter."

"But sure you can't do that," Peter protested. "Nobody but a priest could christen a child."

"I can christen the child as well as a priest," said Mrs. O'Brien; "you take a child to the priest to be christened, when it's easy and convenient, but when there's no priest near, and the child is sick and seems likely to die before one can come, anybody can christen it; and that christening stands, and it never has to be christened after. That's the law of the Church. Bring me the water. I never saw a child that seemed more likely to die than this one, if it's a child at all."

And Peter brought the water.

"What do you call the child?" Mrs. O'Brien asked.

"I think we'll call him Terence," Peter answered. "That was my grandfather's name, on my mother's side, and a decent man he was, and uncommon fond of myself when I was a bit of a gossoon, till he died, Heaven rest his soul! and I think I'd like to name the boy after him."

Now all that the child had been doing and all the noise that he had been making before were simply nothing to what he had been doing ever since Mrs. O'Brien first said the word "christen." He was screaming so that all this talk could scarcely be heard, and it was almost more than Mrs. O'Brien could do to hold him, when she took him in her arms. But she did hold him for a moment with one arm, while she dipped up some water with her hand and sprinkled it over him. Then the creature gave one great jump and was away from her and fell on the floor.

Before anybody else could move, Mrs. O'Brien herself picked him up and laid him on the bed. There was no sign that he was hurt. No child that was hurt could have screamed as he did. "Come, John," said Mrs. O'Brien, "we've done all that we can."

"May I walk back with you a piece?" said Peter. "There was something more that I was thinking I would say."

"Come back with us, of course, and welcome," said John.

They left the house and walked along the street.

"I think it was right, what you done, Mrs. O'Brien," said Peter. "I can't think about the child the way you think, but it was right what you done."

Mrs. O'Brien made no answer. "John," said Peter, "there's something that I was thinking of last night and this morning, and it was this: You have a girl and I have a boy, that was both born on the one day. It's good friends we've always been, and your father and your mother and my father and my mother before us. And I was just thinking when your girl and my boy grows up, supposing that they like each other well enough, it might be pleasant to all of us that they'ld be married some time.

"There's no man's son that I'd rather see a daughter of mine married to than yours, Peter," said John, "if she herself was pleased. I'ld not ask her to take anybody she didn't like, but if she came to love him, and he came to love her, I'ld be as pleased as yourself."

"It was that I wanted to say," said Peter, "and I'd better go back to Ellen now."

John and his mother said no more till they were at home. They both went into the room where little Kathleen was. Mrs. Mulvey sat watching the baby. She went out and left them. The child was sleeping as peacefully as if there were no such thing in the world as sorrow or loss or doubt, or a fairy to help or harm.

"John," said Mrs. O'Brien, "I'd think I might have done harm to that child in trying to christen it, only I'm as sure as ever I was of anything that it's not a child at all, but one of the Good People, so I think there's no harm done. I don't know what would happen any of the Good People if he was to be rightly christened. I think he'ld not be able to stand it and would be driven out, so that they'ld have to send back the real child. Now, if a priest ever sees that creature that we've just seen, and asks: 'Has this child been christened?' they'll have to answer 'Yes,' and he cannot be christened again. And yet, with the jump that he gave out of my arms when I sprinkled the water, it's not sure I am that a drop of it touched him."



VII

A CHAPTER THAT YOU CAN SKIP

This is a chapter that you can skip, if you want to. And really I should advise you to. Nothing of importance happened in the next eighteen years. Of course I am obliged to write a little something to fill in all that time, but you are not obliged to read it. That is where you have such an advantage. I think it is much better for a book to have some parts that can be skipped just as well as not, you get through it so much faster. I have often thought what a good thing it would be if somebody would write a book that we could skip the whole of. I think a good many people would like to have such a book as that. I know I should.

Then there is another reason why it will be well for you to skip a little about here. When you get farther on, if you happen to come to something that you don't understand, you can say: "Oh, this is probably all explained by something in that part that I skipped," and you can go right on. But if you had not skipped anything and then came to something that you did not understand, you would have to say: "There, now, I must have been reading carelessly and missed something," and you would have to go back and read the book all through again.

In these eighteen years Kathleen O'Brien and Terence Sullivan were growing up. I don't suppose there ever was another such child as Kathleen. And I should hope there never was another such child as Terence. Kathleen's grandmother had the most of the care of her, of course, but it was really no care at all. It would have been a pleasure for anybody to have the care of Kathleen. Even when she was a baby she was a perfect delight, and you know what babies are sometimes. At any rate, you would know, if you had known Terence. And when she got to be a few years older, say seven or eight—

Well, it is perfectly impossible for me to tell you how good and lovely Kathleen was. It is all very well to try to describe snow-capped mountains at sunrise, or a storm at sea, or moonlight at Niagara, or a prairie on fire, or anything of that sort, but nobody could tell you how good and lovely Kathleen was, so that you could understand it. I suppose she was a good deal the sort of child that you would be if you didn't put your elbows on the table, or your spoon in your mouth, or slam the doors, or cry when your hair is combed, or tease for things that you ought not to have, or whisper in company, or talk out loud when there are older persons present, or leave your playthings about when you are done with them, or get your clothes soiled when you play out of doors, or want to play at all when you ought to study your lessons, or ask to be allowed to sit up after bed-time, or bite your nails, or cut your bread, or leave your spoon in your cup instead of in your saucer, or take the biggest apple.

I don't say that Kathleen never did any of these things. I only say that she was so good that you would have to leave off every one of them or you would never catch up with her. If Kathleen had a fault, it was that she was too good. If I were going to have anything to do with her I would rather she should be a little bit worse than a single bit better. I am so glad you are skipping this part, because I shouldn't want you to try to be a bit worse than you are just for the sake of pleasing me. And I don't mean by all this that Kathleen was one of those children who are a bother all the time because they are so good. She may have done things that she ought not to do sometimes. I dare say she did. I know she did once. I will tell you all about that in the next chapter. She was just a dear, sweet little girl, as bright and merry and healthy as any little girl in the world ever was. And you would think so yourself, if you had known her and were not so jealous. If I should tell you that she was as pretty as she was good, I don't suppose you would believe me. But she was, just as surely as I am writing this book and you are reading it. I mean just as surely as I am writing it. I am not sure yet whether you are reading it or not.

But Terence! Well, the less said about him the better. Still, I suppose, I shall have to say something. He did every one of the things that I have just mentioned. And it wasn't because he didn't know any better; he seemed to like to do them, just because he knew that they were wrong. When he was a baby he was more trouble than twins, and bad twins at that. He cried all the time, except when he was eating or sleeping, and he slept only a little of the time and ate a great deal of it. He always seemed to be just about so sick, but it never hurt his appetite and he never got any sicker. After a while Ellen got used to his being sick, and she always said that he was delicate, poor child, and that was why he was so cross and so much trouble.

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