I am less convinced that my society makes amends to Mordecai for your absence, but another substitute occasionally comes in the form of Jacob Cohen. It is worth while to catch our prophet's expression when he has that remarkable type of young Israel on his knee, and pours forth some Semitic inspiration with a sublime look of melancholy patience and devoutness. Sometimes it occurs to Jacob that Hebrew will be more edifying to him if he stops his ears with his palms, and imitates the venerable sounds as heard through that muffled medium. When Mordecai gently draws down the little fists and holds them fast, Jacob's features all take on an extraordinary activity, very much as if he was walking through a menagerie and trying to imitate every animal in turn, succeeding best with the owl and the peccary. But I dare say you have seen something of this. He treats me with the easiest familiarity, and seems in general to look at me as a second-hand Christian commodity, likely to come down in price; remarking on my disadvantages with a frankness which seems to imply some thoughts of future purchase. It is pretty, though, to see the change in him if Mirah happens to come in. He turns child suddenly—his age usually strikes one as being like the Israelitish garments in the desert, perhaps near forty, yet with an air of recent production. But, with Mirah, he reminds me of the dogs that have been brought up by women, and remain manageable by them only. Still, the dog is fond of Mordecai too, and brings sugar-plums to share with him, filling his own mouth to rather an embarrassing extent, and watching how Mordecai deals with a smaller supply. Judging from this modern Jacob at the age of six, my astonishment is that his race has not bought us all up long ago, and pocketed our feebler generations in the form of stock and scrip, as so much slave property. There is one Jewess I should not mind being slave to. But I wish I did not imagine that Mirah gets a little sadder, and tries all the while to hide it. It is natural enough, of course, while she has to watch the slow death of this brother, whom she has taken to worshipping with such looks of loving devoutness that I am ready to wish myself in his place.

For the rest, we are a little merrier than usual. Rex Gascoigne—you remember a head you admired among my sketches, a fellow with a good upper lip, reading law—has got some rooms in town now not far off us, and has had a neat sister (upper lip also good) staying with him the last fortnight. I have introduced them both to my mother and the girls, who have found out from Miss Gascoigne that she is cousin to your Vandyke duchess!!! I put the notes of exclamation to mark the surprise that the information at first produced on my feeble understanding. On reflection I discovered that there was not the least ground for surprise, unless I had beforehand believed that nobody could be anybody's cousin without my knowing it. This sort of surprise, I take it, depends on a liveliness of the spine, with a more or less constant nullity of brain. There was a fellow I used to meet at Rome who was in an effervescence of surprise at contact with the simplest information. Tell him what you would—that you were fond of easy boots—he would always say, "No! are you?" with the same energy of wonder: the very fellow of whom pastoral Browne wrote prophetically—

"A wretch so empty that if e'er there be In nature found the least vacuity 'Twill be in him."

I have accounted for it all—he had a lively spine.

However, this cousinship with the duchess came out by chance one day that Mirah was with them at home and they were talking about the Mallingers. Apropos; I am getting so important that I have rival invitations. Gascoigne wants me to go down with him to his father's rectory in August and see the country round there. But I think self-interest well understood will take me to Topping Abbey, for Sir Hugo has invited me, and proposes—God bless him for his rashness! —that I should make a picture of his three daughters sitting on a bank—as he says, in the Gainsborough style. He came to my studio the other day and recommended me to apply myself to portrait. Of course I know what that means.—"My good fellow, your attempts at the historic and poetic are simply pitiable. Your brush is just that of a successful portrait-painter—it has a little truth and a great facility in falsehood—your idealism will never do for gods and goddesses and heroic story, but it may fetch a high price as flattery. Fate, my friend, has made you the hinder wheel—rota posterior curras, et in axe secundo—run behind, because you can't help it." —What great effort it evidently costs our friends to give us these candid opinions! I have even known a man to take the trouble to call, in order to tell me that I had irretrievably exposed my want of judgment in treating my subject, and that if I had asked him we would have lent me his own judgment. Such was my ingratitude and my readiness at composition, that even while he was speaking I inwardly sketched a Last Judgment with that candid friend's physiognomy on the left. But all this is away from Sir Hugo, whose manner of implying that one's gifts are not of the highest order is so exceedingly good-natured and comfortable that I begin to feel it an advantage not to be among those poor fellows at the tip-top. And his kindness to me tastes all the better because it comes out of his love for you, old boy. His chat is uncommonly amusing. By the way, he told me that your Vandyke duchess is gone with her husband yachting to the Mediterranean. I bethink me that it is possible to land from a yacht, or to be taken on to a yacht from the land. Shall you by chance have an opportunity of continuing your theological discussion with the fair Supralapsarian—I think you said her tenets were of that complexion? Is Duke Alphonso also theological?—perhaps an Arian who objects to triplicity. (Stage direction. While D. is reading, a profound scorn gathers in his face till at the last word he flings down the letter, grasps his coat-collar in a statuesque attitude and so remains with a look generally tremendous, throughout the following soliloquy, "O night, O blackness, etc., etc.")

Excuse the brevity of this letter. You are not used to more from me than a bare statement of facts, without comment or digression. One fact I have omitted—that the Klesmers on the eve of departure have behaved magnificently, shining forth as might be expected from the planets of genius and fortune in conjunction. Mirah is rich with their oriental gifts.

What luck it will be if you come back and present yourself at the Abbey while I am there! I am going to behave with consummate discretion and win golden opinions, But I shall run up to town now and then, just for a peep into Gad Eden. You see how far I have got in Hebrew lore—up with my Lord Bolingbroke, who knew no Hebrew, but "understood that sort of learning and what is writ about it." If Mirah commanded, I would go to a depth below the tri-literal roots. Already it makes no difference to me whether the points are there or not. But while her brother's life lasts I suspect she would not listen to a lover, even one whose "hair is like a flock of goats on Mount Gilead"—and I flatter myself that few heads would bear that trying comparison better than mine. So I stay with my hope among the orchard-blossoms.

Your devoted,

HANS MEYRICK.

Some months before, this letter from Hans would have divided Deronda's thoughts irritatingly: its romancing, about Mirah would have had an unpleasant edge, scarcely anointed with any commiseration for his friend's probable disappointment. But things had altered since March. Mirah was no longer so critically placed with regard to the Meyricks, and Deronda's own position had been undergoing a change which had just been crowned by the revelation of his birth. The new opening toward the future, though he would not trust in any definite visions, inevitably shed new lights, and influenced his mood toward past and present; hence, what Hans called his hope now seemed to Deronda, not a mischievous unreasonableness which roused his indignation, but an unusually persistent bird-dance of an extravagant fancy, and he would have felt quite able to pity any consequent suffering of his friend's, if he had believed in the suffering as probable. But some of the busy thought filling that long day, which passed without his receiving any new summons from his mother, was given to the argument that Hans Meyrick's nature was not one in which love could strike the deep roots that turn disappointment into sorrow: it was too restless, too readily excitable by novelty, too ready to turn itself into imaginative material, and wear its grief as a fantastic costume. "Already he is beginning to play at love: he is taking the whole affair as a comedy," said Deronda to himself; "he knows very well that there is no chance for him. Just like him—never opening his eyes on any possible objection I could have to receive his outpourings about Mirah. Poor old Hans! If we were under a fiery hail together he would howl like a Greek, and if I did not howl too it would never occur to him that I was as badly off as he. And yet he is tender-hearted and affectionate in intention, and I can't say that he is not active in imagining what goes on in other people—but then he always imagines it to fit his own inclination."

With this touch of causticity Deronda got rid of the slight heat at present raised by Hans's naive expansiveness. The nonsense about Gwendolen, conveying the fact that she was gone yachting with her husband, only suggested a disturbing sequel to his own strange parting with her. But there was one sentence in the letter which raised a more immediate, active anxiety. Hans's suspicion of a hidden sadness in Mirah was not in the direction of his wishes, and hence, instead of distrusting his observation here, Deronda began to conceive a cause for the sadness. Was it some event that had occurred during his absence, or only the growing fear of some event? Was it something, perhaps alterable, in the new position which had been made for her? Or—had Mordecai, against his habitual resolve, communicated to her those peculiar cherished hopes about him, Deronda, and had her quickly sensitive nature been hurt by the discovery that her brother's will or tenacity of visionary conviction had acted coercively on their friendship—been hurt by the fear that there was more of pitying self-suppression than of equal regard in Deronda's relation to him? For amidst all Mirah's quiet renunciation, the evident thirst of soul with which she received the tribute of equality implied a corresponding pain if she found that what she had taken for a purely reverential regard toward her brother had its mixture of condescension.

In this last conjecture of Deronda's he was not wrong as to the quality in Mirah's nature on which he was founding—the latent protest against the treatment she had all her life being subject to until she met him. For that gratitude which would not let her pass by any notice of their acquaintance without insisting on the depth of her debt to him, took half its fervor from the keen comparison with what others had thought enough to render to her. Deronda's affinity in feeling enabled him to penetrate such secrets. But he was not near the truth in admitting the idea that Mordecai had broken his characteristic reticence. To no soul but Deronda himself had he yet breathed the history of their relation to each other, or his confidence about his friend's origin: it was not only that these subjects were for him too sacred to be spoken of without weighty reason, but that he had discerned Deronda's shrinking at any mention of his birth; and the severity of reserve which had hindered Mordecai from answering a question on a private affair of the Cohen family told yet more strongly here.

"Ezra, how is it?" Mirah one day said to him—"I am continually going to speak to Mr. Deronda as if he were a Jew?"

He smiled at her quietly, and said, "I suppose it is because he treats us as if he were our brother. But he loves not to have the difference of birth dwelt upon."

"He has never lived with his parents, Mr. Hans, says," continued Mirah, to whom this was necessarily a question of interest about every one for whom she had a regard.

"Seek not to know such things from Mr. Hans," said Mordecai, gravely, laying his hand on her curls, as he was wont. "What Daniel Deronda wishes us to know about himself is for him to tell us."

And Mirah felt herself rebuked, as Deronda had done. But to be rebuked in this way by Mordecai made her rather proud.

"I see no one so great as my brother," she said to Mrs. Meyrick one day that she called at the Chelsea house on her way home, and, according to her hope, found the little mother alone. "It is difficult to think that he belongs to the same world as those people I used to live amongst. I told you once that they made life seem like a madhouse; but when I am with Ezra he makes me feel that his life is a great good, though he has suffered so much; not like me, who wanted to die because I had suffered a little, and only for a little while. His soul is so full, it is impossible for him to wish for death as I did. I get the same sort of feeling from him that I got yesterday, when I was tired, and came home through the park after the sweet rain had fallen and the sunshine lay on the grass and flowers. Everything in the sky and under the sky looked so pure and beautiful that the weariness and trouble and folly seemed only a small part of what is, and I became more patient and hopeful."

A dove-like note of melancholy in this speech caused Mrs. Meyrick to look at Mirah with new examination. After laying down her hat and pushing her curls flat, with an air of fatigue, she placed herself on a chair opposite her friend in her habitual attitude, her feet and hands just crossed; and at a distance she might have seemed a colored statue of serenity. But Mrs. Meyrick discerned a new look of suppressed suffering in her face, which corresponded to the hint that to be patient and hopeful required some extra influence.

"Is there any fresh trouble on your mind, my dear?" said Mrs. Meyrick, giving up her needlework as a sign of concentrated attention.

Mirah hesitated before she said, "I am too ready to speak of troubles, I think. It seems unkind to put anything painful into other people's minds, unless one were sure it would hinder something worse. And perhaps I am too hasty and fearful."

"Oh, my dear, mothers are made to like pain and trouble for the sake of their children. Is it because the singing lessons are so few, and are likely to fall off when the season comes to an end? Success in these things can't come all at once." Mrs. Meyrick did not believe that she was touching the real grief; but a guess that could be corrected would make an easier channel for confidence.

"No, not that," said Mirah, shaking her head gently. "I have been a little disappointed because so many ladies said they wanted me to give them or their daughters lessons, and then I never heard of them again, But perhaps after the holidays I shall teach in some schools. Besides, you know, I am as rich as a princess now. I have not touched the hundred pounds that Mrs. Klesmer gave me; and I should never be afraid that Ezra would be in want of anything, because there is Mr. Deronda," and he said, 'It is the chief honor of my life that your brother will share anything with me.' Oh, no! Ezra and I can have no fears for each other about such things as food and clothing."

"But there is some other fear on your mind," said Mrs. Meyrick not without divination—"a fear of something that may disturb your peace; Don't be forecasting evil, dear child, unless it is what you can guard against. Anxiety is good for nothing if we can't turn it into a defense. But there's no defense against all the things that might be. Have you any more reason for being anxious now than you had a month ago?"

"Yes, I have," said Mirah. "I have kept it from Ezra. I have not dared to tell him. Pray forgive me that I can't do without telling you. I have more reason for being anxious. It is five days ago now. I am quite sure I saw my father."

Mrs. Meyrick shrank into a smaller space, packing her arms across her chest and leaning forward—to hinder herself from pelting that father with her worst epithets.

"The year has changed him," Mirah went on. "He had already been much altered and worn in the time before I left him. You remember I said how he used sometimes to cry. He was always excited one way or the other. I have told Ezra everything that I told you, and he says that my father had taken to gambling, which makes people easily distressed, and then again exalted. And now—it was only a moment that I saw him—his face was more haggard, and his clothes were shabby. He was with a much worse-looking man, who carried something, and they were hurrying along after an omnibus."

"Well, child, he did not see you, I hope?"

"No. I had just come from Mrs. Raymond's, and I was waiting to cross near the Marble Arch. Soon he was on the omnibus and gone out of sight. It was a dreadful moment. My old life seemed to have come back again, and it was worse than it had ever been before. And I could not help feeling it a new deliverance that he was gone out of sight without knowing that I was there. And yet it hurt me that I was feeling so—it seemed hateful in me—almost like words I once had to speak in a play, that 'I had warmed my hands in the blood of my kindred.' For where might my father be going? What may become of him? And his having a daughter who would own him in spite of all, might have hindered the worst. Is there any pain like seeing what ought to be the best things in life turned into the worst? All those opposite feelings were meeting and pressing against each other, and took up all my strength. No one could act that. Acting is slow and poor to what we go through within. I don't know how I called a cab. I only remember that I was in it when I began to think, 'I cannot tell Ezra; he must not know.'"

"You are afraid of grieving him?" Mrs. Meyrick asked, when Mirah had paused a little.

"Yes—and there is something more," said Mirah, hesitatingly, as if she were examining her feeling before she would venture to speak of it. "I want to tell you; I cannot tell any one else. I could not have told my own mother: I should have closed it up before her. I feel shame for my father, and it is perhaps strange—but the shame is greater before Ezra than before any one else in the world. He desired me to tell him all about my life, and I obeyed him. But it is always like a smart to me to know that those things about my father are in Ezra's mind. And—can you believe it? when the thought haunts me how it would be if my father were to come and show himself before us both, what seems as if it would scorch me most is seeing my father shrinking before Ezra. That is the truth. I don't know whether it is a right feeling. But I can't help thinking that I would rather try to maintain my father in secret, and bear a great deal in that way, if I could hinder him from meeting my brother."

"You must not encourage that feeling, Mirah," said Mrs. Meyrick, hastily. "It would be very dangerous; it would be wrong. You must not have concealment of that sort."

"But ought I now to tell Ezra that I have seen my father?" said Mirah, with deprecation in her tone.

"No," Mrs. Meyrick answered, dubitatively. "I don't know that it is necessary to do that. Your father may go away with the birds. It is not clear that he came after you; you may never see him again. And then your brother will have been spared a useless anxiety. But promise me that if your father sees you—gets hold of you in any way again—and you will let us all know. Promise me that solemnly, Mirah. I have a right to ask it."

Mirah reflected a little, then leaned forward to put her hands in Mrs. Meyrick's, and said, "Since you ask it, I do promise. I will bear this feeling of shame. I have been so long used to think that I must bear that sort of inward pain. But the shame for my father burns me more when I think of his meeting Ezra." She was silent a moment or two, and then said, in a new tone of yearning compassion, "And we are his children—and he was once young like us—and my mother loved him. Oh! I cannot help seeing it all close, and it hurts me like a cruelty."

Mirah shed no tears: the discipline of her whole life had been against indulgence in such manifestation, which soon falls under the control of strong motives; but it seemed that the more intense expression of sorrow had entered into her voice. Mrs. Meyrick, with all her quickness and loving insight, did not quite understand that filial feeling in Mirah which had active roots deep below her indignation for the worst offenses. She could conceive that a mother would have a clinging pity and shame for a reprobate son, but she was out of patience with what she held an exaggerated susceptibility on behalf of this father, whose reappearance inclined her to wish him under the care of a turnkey. Mirah's promise, however, was some security against her weakness.

That incident was the only reason that Mirah herself could have stated for the hidden sadness which Hans had divined. Of one element in her changed mood she could have given no definite account: it was something as dim as the sense of approaching weather-change, and had extremely slight external promptings, such as we are often ashamed to find all we can allege in support of the busy constructions that go on within us, not only without effort, but even against it, under the influence of any blind emotional stirring. Perhaps the first leaven of uneasiness was laid by Gwendolen's behavior on that visit which was entirely superfluous as a means of engaging Mirah to sing, and could have no other motive than the excited and strange questioning about Deronda. Mirah had instinctively kept the visit a secret, but the active remembrance of it had raised a new susceptibility in her, and made her alive as she had never been before to the relations Deronda must have with that society which she herself was getting frequent glimpses of without belonging to it. Her peculiar life and education had produced in her an extraordinary mixture of unworldliness, with knowledge of the world's evil, and even this knowledge was a strange blending of direct observation with the effects of reading and theatrical study. Her memory was furnished with abundant passionate situation and intrigue, which she never made emotionally her own, but felt a repelled aloofness from, as she had done from the actual life around her. Some of that imaginative knowledge began now to weave itself around Mrs. Grandcourt; and though Mirah would admit no position likely to affect her reverence for Deronda, she could not avoid a new painfully vivid association of his general life with a world away from her own, where there might be some involvement of his feeling and action with a woman like Gwendolen, who was increasingly repugnant to her—increasingly, even after she had ceased to see her; for liking and disliking can grow in meditation as fast as in the more immediate kind of presence. Any disquietude consciously due to the idea that Deronda's deepest care might be for something remote not only from herself but even from his friendship for her brother, she would have checked with rebuking questions:—What was she but one who had shared his generous kindness with many others? and his attachment to her brother, was it not begun late to be soon ended? Other ties had come before, and others would remain after this had been cut by swift-coming death. But her uneasiness had not reached that point of self-recognition in which she would have been ashamed of it as an indirect, presumptuous claim on Deronda's feeling. That she or any one else should think of him as her possible lover was a conception which had never entered her mind; indeed it was equally out of the question with Mrs. Meyrick and the girls, who with Mirah herself regarded his intervention in her life as something exceptional, and were so impressed by his mission as her deliverer and guardian that they would have held it an offense to him at his holding any other relation toward her: a point of view which Hans also had readily adopted. It is a little hard upon some men that they appear to sink for us in becoming lovers. But precisely to this innocence of the Meyricks was owing the disturbance of Mirah's unconsciousness. The first occasion could hardly have been more trivial, but it prepared her emotive nature for a deeper effect from what happened afterward.

It was when Anna Gascoigne, visiting the Meyricks; was led to speak of her cousinship with Gwendolen. The visit had been arranged that Anna might see Mirah; the three girls were at home with their mother, and there was naturally a flux of talk among six feminine creatures, free from the presence of a distorting male standard. Anna Gascoigne felt herself much at home with the Meyrick girls, who knew what it was to have a brother, and to be generally regarded as of minor importance in the world; and she had told Rex that she thought the University very nice, because brothers made friends there whose families were not rich and grand, and yet (like the University) were very nice. The Meyricks seemed to her almost alarmingly clever, and she consulted them much on the best mode of teaching Lotta, confiding to them that she herself was the least clever of her family. Mirah had lately come in, and there was a complete bouquet of young faces around the tea-table—Hafiz, seated a little aloft with large eyes on the alert, regarding the whole scene as an apparatus for supplying his allowance of milk.

"Think of our surprise, Mirah," said Kate. "We were speaking of Mr. Deronda and the Mallingers, and it turns out that Miss Gascoigne knows them."

"I only knew about them," said Anna, a little flushed with excitement, what she had heard and now saw of the lovely Jewess being an almost startling novelty to her. "I have not even seen them. But some months ago, my cousin married Sir Hugo Mallinger's nephew, Mr. Grandcourt, who lived in Sir Hugo's place at Diplow, near us."

"There!" exclaimed Mab, clasping her hands. "Something must come of that. Mrs. Grandcourt, the Vandyke duchess, is your cousin?"

"Oh, yes; I was her bridesmaid," said Anna. "Her mamma and mine are sisters. My aunt was much richer before last year, but then she and mamma lost all their fortune. Papa is a clergyman, you know, so it makes very little difference to us, except that we keep no carriage, and have no dinner parties—and I like it better. But it was very sad for poor Aunt Davilow, for she could not live with us, because she has four daughters besides Gwendolen; but then, when she married Mr. Grandcourt, it did not signify so much, because of his being so rich."

"Oh, this finding out relationships is delightful!" said Mab. "It is like a Chinese puzzle that one has to fit together. I feel sure something wonderful may be made of it, but I can't tell what."

"Dear me, Mab," said Amy, "relationships must branch out. The only difference is, that we happen to know some of the people concerned. Such things are going on every day."

"And pray, Amy, why do you insist on the number nine being so wonderful?" said Mab. "I am sure that is happening every day. Never mind, Miss Gascoigne; please go on. And Mr. Deronda?—have you never seen Mr. Deronda? You must bring him in."

"No, I have not seen him," said Anna; "but he was at Diplow before my cousin was married, and I have heard my aunt speaking of him to papa. She said what you have been saying about him—only not so much: I mean, about Mr. Deronda living with Sir Hugo Mallinger, and being so nice, she thought. We talk a great deal about every one who comes near Pennicote, because it is so seldom there is any one new. But I remember, when I asked Gwendolen what she thought of Mr. Deronda, she said, 'Don't mention it, Anna: but I think his hair is dark.' That was her droll way of answering: she was always so lively. It is really rather wonderful that I should come to hear so much about him, all through Mr. Hans knowing Rex, and then my having the pleasure of knowing you," Anna ended, looking at Mrs. Meyrick with a shy grace.

"The pleasure is on our side too; but the wonder would have been, if you had come to this house without hearing of Mr. Deronda—wouldn't it, Mirah?" said Mrs. Meyrick.

Mirah smiled acquiescently, but had nothing to say. A confused discontent took possession of her at the mingling of names and images to which she had been listening.

"My son calls Mrs. Grandcourt the Vandyke duchess," continued Mrs. Meyrick, turning again to Anna; "he thinks her so striking and picturesque."

"Yes," said Anna. "Gwendolen was always so beautiful—people fell dreadfully in love with her. I thought it a pity, because it made them unhappy."

"And how do you like Mr. Grandcourt, the happy lover?" said Mrs. Meyrick, who, in her way, was as much interested as Mab in the hints she had been hearing of vicissitude in in the life of a widow with daughters.

"Papa approved of Gwendolen's accepting him, and my aunt says he is very generous," said Anna, beginning with a virtuous intention of repressing her own sentiments; but then, unable to resist a rare occasion for speaking them freely, she went on—"else I should have thought he was not very nice—rather proud, and not at all lively, like Gwendolen. I should have thought some one younger and more lively would have suited her better. But, perhaps, having a brother who seems to us better than any one makes us think worse of others."

"Wait till you see Mr. Deronda," said Mab, nodding significantly. "Nobody's brother will do after him."

"Our brothers must do for people's husbands," said Kate, curtly, "because they will not get Mr. Deronda. No woman will do for him to marry."

"No woman ought to want him to marry him," said Mab, with indignation. "I never should. Fancy finding out that he had a tailor's bill, and used boot-hooks, like Hans. Who ever thought of his marrying?"

"I have," said Kate. "When I drew a wedding for a frontispiece to 'Hearts and Diamonds,' I made a sort of likeness to him for the bridegroom, and I went about looking for a grand woman who would do for his countess, but I saw none that would not be poor creatures by the side of him."

"You should have seen this Mrs. Grandcourt then," said Mrs. Meyrick. "Hans says that she and Mr. Deronda set each other off when they are side by side. She is tall and fair. But you know her, Mirah—you can always say something descriptive. What do you think of Mrs. Grandcourt?"

"I think she is the Princess of Eboli in Don Carlos," said Mirah, with a quick intensity. She was pursuing an association in her own mind not intelligible to her hearers—an association with a certain actress as well as the part she represented.

"Your comparison is a riddle for me, my dear," said Mrs. Meyrick, smiling.

"You said that Mrs. Grandcourt was tall and fair," continued Mirah, slightly paler. "That is quite true."

Mrs. Meyrick's quick eye and ear detected something unusual, but immediately explained it to herself. Fine ladies had often wounded Mirah by caprices of manner and intention.

"Mrs. Grandcourt had thought of having lessons of Mirah," she said turning to Anna. "But many have talked of having lessons, and then have found no time. Fashionable ladies have too much work to do."

And the chat went on without further insistance on the Princess of Eboli. That comparison escaped Mirah's lips under the urgency of a pang unlike anything she had felt before. The conversation from the beginning had revived unpleasant impressions, and Mrs. Meyrick's suggestion of Gwendolen's figure by the side of Deronda's had the stinging effect of a voice outside her, confirming her secret conviction that this tall and fair woman had some hold on his lot. For a long while afterward she felt as if she had had a jarring shock through her frame.

In the evening, putting her cheek against her brother's shoulder as she was sitting by him, while he sat propped up in bed under a new difficulty of breathing, she said—

"Ezra, does it ever hurt your love for Mr. Deronda that so much of his life was all hidden away from you—that he is amongst persons and cares about persons who are all so unlike us—I mean unlike you?"

"No, assuredly no," said Mordecai. "Rather it is a precious thought to me that he has a preparation which I lacked, and is an accomplished Egyptian." Then, recollecting that his words had reference which his sister must not yet understand, he added. "I have the more to give him, since his treasure differs from mine. That is a blessedness in friendship."

Mirah mused a little.

"Still," she said, "it would be a trial to your love for him if that other part of his life were like a crowd in which he had got entangled, so that he was carried away from you—I mean in his thoughts, and not merely carried out of sight as he is now—and not merely for a little while, but continually. How should you bear that! Our religion commands us to bear. But how should you bear it?"

"Not well, my sister—not well; but it will never happen," said Mordecai, looking at her with a tender smile. He thought that her heart needed comfort on his account.

Mirah said no more. She mused over the difference between her own state of mind and her brother's, and felt her comparative pettiness. Why could she not be completely satisfied with what satisfied his larger judgment? She gave herself no fuller reason than a painful sense of unfitness—in what? Airy possibilities to which she could give no outline, but to which one name and one figure gave the wandering persistency of a blot in her vision. Here lay the vaguer source of the hidden sadness rendered noticeable to Hans by some diminution of that sweet ease, that ready joyousness of response in her speech and smile, which had come with the new sense of freedom and safety, and had made her presence like the freshly-opened daisies and clear bird-notes after the rain. She herself regarded her uneasiness as a sort of ingratitude and dullness of sensibility toward the great things that had been given her in her new life; and whenever she threw more energy than usual into her singing, it was the energy of indignation against the shallowness of her own content. In that mood she once said, "Shall I tell you what is the difference between you and me, Ezra? You are a spring in the drought, and I am an acorn-cup; the waters of heaven fill me, but the least little shake leaves me empty."

"Why, what has shaken thee?" said Mordecai. He fell into this antique form of speech habitually in talking to his sister and to the Cohen children.

"Thoughts," said Mirah; "thoughts that come like the breeze and shake me—bad people, wrong things, misery—and how they might touch our life."

"We must take our portion, Mirah. It is there. On whose shoulder would we lay it, that we might be free?"

The one voluntary sign she made of her inward care was this distant allusion.



CHAPTER LIII.

"My desolation does begin to make A better life." —SHAKESPEARE: Antony and Cleopatra.

Before Deronda was summoned to a second interview with his mother, a day had passed in which she had only sent him a message to say that she was not yet well enough to receive him again; but on the third morning he had a note saying, "I leave to-day. Come and see me at once."

He was shown into the same room as before; but it was much darkened with blinds and curtains. The Princess was not there, but she presently entered, dressed in a loose wrap of some soft silk, in color a dusky orange, her head again with black lace floating about it, her arms showing themselves bare from under her wide sleeves. Her face seemed even more impressive in the sombre light, the eyes larger, the lines more vigorous. You might have imagined her a sorceress who would stretch forth her wonderful hand and arm to mix youth-potions for others, but scorned to mix them for herself, having had enough of youth.

She put her arms on her son's shoulders at once, and kissed him on both cheeks, then seated herself among her cushions with an air of assured firmness and dignity unlike her fitfulness in their first interview, and told Deronda to sit down by her. He obeyed, saying, "You are quite relieved now, I trust?"

"Yes, I am at ease again. Is there anything more that you would like to ask me?" she said, with the matter of a queen rather than of a mother.

"Can I find the house in Genoa where you used to live with my grandfather?" said Deronda.

"No," she answered, with a deprecating movement of her arm, "it is pulled down—not to be found. But about our family, and where my father lived at various times—you will find all that among the papers in the chest, better than I can tell you. My father, I told you, was a physician. My mother was a Morteira. I used to hear all those things without listening. You will find them all. I was born amongst them without my will. I banished them as soon as I could."

Deronda tried to hide his pained feeling, and said, "Anything else that I should desire to know from you could only be what it is some satisfaction to your own feeling to tell me."

"I think I have told you everything that could be demanded of me," said the Princess, looking coldly meditative. It seemed as if she had exhausted her emotion in their former interview. The fact was, she had said to herself, "I have done it all. I have confessed all. I will not go through it again. I will save myself from agitation." And she was acting out that scheme.

But to Deronda's nature the moment was cruel; it made the filial yearning of his life a disappointed pilgrimage to a shrine where there were no longer the symbols of sacredness. It seemed that all the woman lacking in her was present in him, as he said, with some tremor in his voice—

"Then are we to part and I never be anything to you?"

"It is better so," said the Princess, in a softer, mellower voice. "There could be nothing but hard duty for you, even if it were possible for you to take the place of my son. You would not love me. Don't deny it," she said, abruptly, putting up her hand. "I know what is the truth. You don't like what I did. You are angry with me. You think I robbed you of something. You are on your grandfather's side, and you will always have a condemnation of me in your heart."

Deronda felt himself under a ban of silence. He rose from his seat by her, preferring to stand, if he had to obey that imperious prohibition of any tenderness. But his mother now looked up at him with a new admiration in her glance, saying—

"You are wrong to be angry with me. You are the better for what I did." After pausing a little, she added, abruptly, "And now tell me what you shall do?"

"Do you mean now, immediately," said Deronda; "or as to the course of my future life?"

"I mean in the future. What difference will it make to you that I have told you about your birth?"

"A very great difference," said Deronda, emphatically. "I can hardly think of anything that would make a greater difference."

"What shall you do then?" said the Princess, with more sharpness. "Make yourself just like your grandfather—be what he wished you—turn yourself into a Jew like him?"

"That is impossible. The effect of my education can never be done away with. The Christian sympathies in which my mind was reared can never die out of me," said Deronda, with increasing tenacity of tone. "But I consider it my duty—it is the impulse of my feeling—to identify myself, as far as possible, with my hereditary people, and if I can see any work to be done for them that I can give my soul and hand to I shall choose to do it."

His mother had her eyes fixed on him with a wondering speculation, examining his face as if she thought that by close attention she could read a difficult language there. He bore her gaze very firmly, sustained by a resolute opposition, which was the expression of his fullest self. She bent toward him a little, and said, with a decisive emphasis—

"You are in love with a Jewess."

Deronda colored and said, "My reasons would be independent of any such fact."

"I know better. I have seen what men are," said the Princess, peremptorily. "Tell me the truth. She is a Jewess who will not accept any one but a Jew. There are a few such," she added, with a touch of scorn.

Deronda had that objection to answer which we all have known in speaking to those who are too certain of their own fixed interpretations to be enlightened by anything we may say. But besides this, the point immediately in question was one on which he felt a repugnance either to deny or affirm. He remained silent, and she presently said—

"You love her as your father loved me, and she draws you after her as I drew him."

Those words touched Deronda's filial imagination, and some tenderness in his glance was taken by his mother as an assent. She went on with rising passion: "But I was leading him the other way. And now your grandfather is getting his revenge."

"Mother," said Deronda, remonstrantly, "don't let us think of it in that way. I will admit that there may come some benefit from the education you chose for me. I prefer cherishing the benefit with gratitude, to dwelling with resentment on the injury. I think it would have been right that I should have been brought up with the consciousness that I was a Jew, but it must always have been a good to me to have as wide an instruction and sympathy as possible. And now, you have restored me my inheritance—events have brought a fuller restitution than you could have made—you have been saved from robbing my people of my service and me of my duty: can you not bring your whole soul to consent to this?"

Deronda paused in his pleading: his mother looked at him listeningly, as if the cadence of his voice were taking her ear, yet she shook her head slowly. He began again, even more urgently.

"You have told me that you sought what you held the best for me: open your heart to relenting and love toward my grandfather, who sought what he held the best for you."

"Not for me, no," she said, shaking her head with more absolute denial, and folding her arms tightly. "I tell you, he never thought of his daughter except as an instrument. Because I had wants outside his purpose, I was to be put in a frame and tortured. If that is the right law for the world, I will not say that I love it. If my acts were wrong—if it is God who is exacting from me that I should deliver up what I withheld—who is punishing me because I deceived my father and did not warn him that I should contradict his trust—well, I have told everything. I have done what I could. And your soul consents. That is enough. I have after all been the instrument my father wanted.—'I desire a grandson who shall have a true Jewish heart. Every Jew should rear his family as if he hoped that a Deliverer might spring from it.'"

In uttering these last sentences the Princess narrowed her eyes, waved her head up and down, and spoke slowly with a new kind of chest-voice, as if she were quoting unwillingly.

"Were those my grandfather's words?" said Deronda.

"Yes, yes; and you will find them written. I wanted to thwart him," said the Princess, with a sudden outburst of the passion she had shown in the former interview. Then she added more slowly, "You would have me love what I have hated from the time I was so high"—here she held her left hand a yard from the floor.—"That can never be. But what does it matter? His yoke has been on me, whether I loved it or not. You are the grandson he wanted. You speak as men do—as if you felt yourself wise. What does it all mean?"

Her tone was abrupt and scornful. Deronda, in his pained feeling, and under the solemn urgency of the moment, had to keep a clutching remembrance of their relationship, lest his words should become cruel. He began in a deep entreating tone:

"Mother, don't say that I feel myself wise. We are set in the midst of difficulties. I see no other way to get any clearness than by being truthful—not by keeping back facts which may—which should carry obligation within them—which should make the only guidance toward duty. No wonder if such facts come to reveal themselves in spite of concealments. The effects prepared by generations are likely to triumph over a contrivance which would bend them all to the satisfaction of self. Your will was strong, but my grandfather's trust which you accepted and did not fulfill—what you call his yoke—is the expression of something stronger, with deeper, farther-spreading roots, knit into the foundations of sacredness for all men. You renounced me—you still banish me—as a son"—there was an involuntary movement of indignation in Deronda's voice—"But that stronger Something has determined that I shall be all the more the grandson whom also you willed to annihilate."

His mother was watching him fixedly, and again her face gathered admiration. After a moment's silence she said, in a low, persuasive tone—

"Sit down again," and he obeyed, placing himself beside her. She laid her hand on his shoulder and went on—

"You rebuke me. Well—I am the loser. And you are angry because I banish you. What could you do for me but weary your own patience? Your mother is a shattered woman. My sense of life is little more than a sense of what was—except when the pain is present. You reproach me that I parted with you. I had joy enough without you then. Now you are come back to me, and I cannot make you a joy. Have you the cursing spirit of the Jew in you? Are you not able to forgive me? Shall you be glad to think that I am punished because I was not a Jewish mother to you?"

"How can you ask me that?" said Deronda, remonstrantly. "Have I not besought you that I might now at least be a son to you? My grief is that you have declared me helpless to comfort you. I would give up much that is dear for the sake of soothing your anguish."

"You shall give up nothing," said his mother, with the hurry of agitation. "You shall be happy. You shall let me think of you as happy. I shall have done you no harm. You have no reason to curse me. You shall feel for me as they feel for the dead whom they say prayers for—you shall long that I may be freed from all suffering—from all punishment. And I shall see you instead of always seeing your grandfather. Will any harm come to me because I broke his trust in the daylight after he was gone into darkness? I cannot tell:—if you think Kaddish will help me—say it, say it. You will come between me and the dead. When I am in your mind, you will look as you do now—always as if you were a tender son—always—as if I had been a tender mother."

She seemed resolved that her agitation should not conquer her, but he felt her hand trembling on his shoulder. Deep, deep compassion hemmed in all words. With a face of beseeching he put his arm around her and pressed her head tenderly under his. They sat so for some moments. Then she lifted her head again and rose from her seat with a great sigh, as if in that breath she were dismissing a weight of thoughts. Deronda, standing in front of her, felt that the parting was near. But one of her swift alternations had come upon his mother.

"Is she beautiful?" she said, abruptly.

"Who?" said Deronda, changing color.

"The woman you love."

It was not a moment for deliberate explanation. He was obliged to say, "Yes."

"Not ambitious?"

"No, I think not."

"Not one who must have a path of her own?"

"I think her nature is not given to make great claims."

"She is not like that?" said the Princess, taking from her wallet a miniature with jewels around it, and holding it before her son. It was her own in all the fire of youth, and as Deronda looked at it with admiring sadness, she said, "Had I not a rightful claim to be something more than a mere daughter and mother? The voice and the genius matched the face. Whatever else was wrong, acknowledge that I had a right to be an artist, though my father's will was against it. My nature gave me a charter."

"I do acknowledge that," said Deronda, looking from the miniature to her face, which even in its worn pallor had an expression of living force beyond anything that the pencil could show.

"Will you take the portrait?" said the Princess, more gently. "If she is a kind woman, teach her to think of me kindly."

"I shall be grateful for the portrait," said Deronda, "but—I ought to say, I have no assurance that she whom I love will have any love for me. I have kept silence."

"Who and what is she?" said the mother. The question seemed a command.

"She was brought up as a singer for the stage," said Deronda, with inward reluctance. "Her father took her away early from her mother, and her life has been unhappy. She is very young—only twenty. Her father wished to bring her up in disregard—even in dislike of her Jewish origin, but she has clung with all her affection to the memory of her mother and the fellowship of her people."

"Ah, like you. She is attached to the Judaism she knows nothing of," said the Princess, peremptorily. "That is poetry—fit to last through an opera night. Is she fond of her artist's life—is her singing worth anything?"

"Her singing is exquisite. But her voice is not suited to the stage. I think that the artist's life has been made repugnant to her."

"Why, she is made for you then. Sir Hugo said you were bitterly against being a singer, and I can see that you would never have let yourself be merged in a wife, as your father was."

"I repeat," said Deronda, emphatically—"I repeat that I have no assurance of her love for me, of the possibility that we can ever be united. Other things—painful issues may lie before me. I have always felt that I should prepare myself to renounce, not cherish that prospect. But I suppose I might feel so of happiness in general. Whether it may come or not, one should try and prepare one's self to do without it."

"Do you feel in that way?" said his mother, laying her hands on his shoulders, and perusing his face, while she spoke in a low meditative tone, pausing between her sentences. "Poor boy!——I wonder how it would have been if I had kept you with me——whether you would have turned your heart to the old things against mine——and we should have quarreled——your grandfather would have been in you——and you would have hampered my life with your young growth from the old root."

"I think my affection might have lasted through all our quarreling," said Deronda, saddened more and more, "and that would not have hampered—surely it would have enriched your life."

"Not then, not then——I did not want it then——I might have been glad of it now," said the mother, with a bitter melancholy, "if I could have been glad of anything."

"But you love your other children, and they love you?" said Deronda, anxiously.

"Oh, yes," she answered, as to a question about a matter of course, while she folded her arms again. "But,"——she added in a deeper tone,——"I am not a loving woman. That is the truth. It is a talent to love—I lack it. Others have loved me—and I have acted their love. I know very well what love makes of men and women—it is subjection. It takes another for a larger self, enclosing this one,"—she pointed to her own bosom. "I was never willingly subject to any man. Men have been subject to me."

"Perhaps the man who was subject was the happier of the two," said Deronda—not with a smile, but with a grave, sad sense of his mother's privation.

"Perhaps—but I was happy—for a few years I was happy. If I had not been afraid of defeat and failure, I might have gone on. I miscalculated. What then? It is all over. Another life! Men talk of 'another life,' as if it only began on the other side of the grave. I have long entered on another life." With the last words she raised her arms till they were bare to the elbow, her brow was contracted in one deep fold, her eyes were closed, her voice was smothered: in her dusky flame-colored garment, she looked like a dreamed visitant from some region of departed mortals.

Deronda's feeling was wrought to a pitch of acuteness in which he was no longer quite master of himself. He gave an audible sob. His mother, opened her eyes, and letting her hands again rest on his shoulders, said—

"Good-bye, my son, good-bye. We shall hear no more of each other. Kiss me."

He clasped his arms round her neck, and they kissed each other.

Deronda did not know how he got out of the room. He felt an older man. All his boyish yearnings and anxieties about his mother had vanished. He had gone through a tragic experience which must forever solemnize his life and deepen the significance of the acts by which he bound himself to others.



CHAPTER LIV.

"The unwilling brain Feigns often what it would not; and we trust Imagination with such phantasies As the tongue dares not fashion into words; Which have no words, their horror makes them dim To the mind's eye." —SHELLEY.

Madonna Pia, whose husband, feeling himself injured by her, took her to his castle amid the swampy flats of the Maremma and got rid of her there, makes a pathetic figure in Dante's Purgatory, among the sinners who repented at the last and desire to be remembered compassionately by their fellow-countrymen. We know little about the grounds of mutual discontent between the Siennese couple, but we may infer with some confidence that the husband had never been a very delightful companion, and that on the flats of the Maremma his disagreeable manners had a background which threw them out remarkably; whence in his desire to punish his wife to the unmost, the nature of things was so far against him that in relieving himself of her he could not avoid making the relief mutual. And thus, without any hardness to the poor Tuscan lady, who had her deliverance long ago, one may feel warranted in thinking of her with a less sympathetic interest than of the better known Gwendolen who, instead of being delivered from her errors or earth and cleansed from their effect in purgatory, is at the very height of her entanglement in those fatal meshes which are woven within more closely than without, and often make the inward torture disproportionate to what is discernable as outward cause.

In taking his wife with him on a yachting expedition, Grandcourt had no intention to get rid of her; on the contrary, he wanted to feel more securely that she was his to do as he liked with, and to make her feel it also. Moreover, he was himself very fond of yachting: its dreamy do-nothing absolutism, unmolested by social demands, suited his disposition, and he did not in the least regard it as an equivalent for the dreariness of the Maremma. He had his reasons for carrying Gwendolen out of reach, but they were not reasons that can seem black in the mere statement. He suspected a growing spirit of opposition in her, and his feeling about the sentimental inclination she betrayed for Deronda was what in another man he would have called jealously. In himself it seemed merely a resolution to put an end to such foolery as must have been going on in that prearranged visit of Deronda's which he had divined and interrupted.

And Grandcourt might have pleaded that he was perfectly justified in taking care that his wife should fulfill the obligations she had accepted. Her marriage was a contract where all the ostensible advantages were on her side, and it was only of those advantages that her husband should use his power to hinder her from any injurious self committal or unsuitable behavior. He knew quite well that she had not married him—had not overcome her repugnance to certain facts—out of love to him personally; he had won her by the rank and luxuries he had to give her, and these she had got: he had fulfilled his side of the contract.

And Gwendolen, we know, was thoroughly aware of the situation. She could not excuse herself by saying that there had been a tacit part of the contract on her side—namely, that she meant to rule and have her own way. With all her early indulgence in the disposition to dominate, she was not one of the narrow-brained women who through life regard all their own selfish demands as rights, and every claim upon themselves as an injury. She had a root of conscience in her, and the process of purgatory had begun for her on the green earth: she knew that she had been wrong.

But now enter into the soul of this young creature as she found herself, with the blue Mediterranean dividing her from the world, on the tiny plank-island of a yacht, the domain of the husband to whom she felt that she had sold herself, and had been paid the strict price—nay, paid more than she had dared to ask in the handsome maintenance of her mother:—the husband to whom she had sold her truthfulness and sense of justice, so that he held them throttled into silence, collared and dragged behind him to witness what he would, without remonstrance.

What had she to complain of? The yacht was of the prettiest; the cabin fitted up to perfection, smelling of cedar, soft-cushioned, hung with silk, expanded with mirrors; the crew such as suited an elegant toy, one of them having even ringlets, as well as a bronze complexion and fine teeth; and Mr. Lush was not there, for he had taken his way back to England as soon as he had seen all and everything on board. Moreover, Gwendolen herself liked the sea: it did not make her ill; and to observe the rigging of the vessel and forecast the necessary adjustments was a sort of amusement that might have gratified her activity and enjoyment of imaginary rule; the weather was fine, and they were coasting southward, where even the rain-furrowed, heat-cracked clay becomes gem-like with purple shadows, and where one may float between blue and blue in an open-eyed dream that the world has done with sorrow.

But what can still that hunger of the heart which sickens the eye for beauty, and makes sweet-scented ease an oppression? What sort of Moslem paradise would quiet the terrible fury of moral repulsion and cowed resistance which, like an eating pain intensifying into torture, concentrates the mind in that poisonous misery? While Gwendolen, throned on her cushions at evening, and beholding the glory of sea and sky softening as if with boundless love around her, was hoping that Grandcourt in his march up and down was not going to pause near her, not going to look at her or speak to her, some woman, under a smoky sky, obliged to consider the price of eggs in arranging her dinner, was listening for the music of a footstep that would remove all risk from her foretaste of joy; some couple, bending cheek by cheek, over a bit of work done by the one and delighted in by the other, were reckoning the earnings that would make them rich enough for a holiday among the furze and heather.

Had Grandcourt the least conception of what was going on in the breast of his wife? He conceived that she did not love him; but was that necessary? She was under his power, and he was not accustomed to soothe himself, as some cheerfully-disposed persons are, with the conviction that he was very generally and justly beloved. But what lay quite away from his conception was, that she could have any special repulsion for him personally. How could she? He himself knew what personal repulsion was—nobody better; his mind was much furnished with a sense of what brutes his fellow-creatures were, both masculine and feminine; what odious familiarities they had, what smirks, what modes of flourishing their handkerchiefs, what costume, what lavender water, what bulging eyes, and what foolish notions of making themselves agreeable by remarks which were not wanted. In this critical view of mankind there was an affinity between him and Gwendolen before their marriage, and we know that she had been attractingly wrought upon by the refined negations he presented to her. Hence he understood her repulsion for Lush. But how was he to understand or conceive her present repulsion for Henleigh Grandcourt? Some men bring themselves to believe, and not merely maintain, the non-existence of an external world; a few others believe themselves objects of repulsion to a woman without being told so in plain language. But Grandcourt did not belong to this eccentric body of thinkers. He had all his life had reason to take a flattering view of his own attractiveness, and to place himself in fine antithesis to the men who, he saw at once, must be revolting to a woman of taste. He had no idea of moral repulsion, and could not have believed, if he had been told it, that there may be a resentment and disgust which will gradually make beauty more detestable than ugliness, through exasperation at that outward virtue in which hateful things can flaunt themselves or find a supercilious advantage.

How, then, could Grandcourt divine what was going on in Gwendolen's breast?

For their behavior to each other scandalized no observer—not even the foreign maid, warranted against sea-sickness; nor Grandcourt's own experienced valet: still less the picturesque crew, who regarded them as a model couple in high life. Their companionship consisted chiefly in a well-bred silence. Grandcourt had no humorous observations at which Gwendolen could refuse to smile, no chit-chat to make small occasions of dispute. He was perfectly polite in arranging an additional garment over her when needful, and in handing her any object that he perceived her to need, and she could not fall into the vulgarity of accepting or rejecting such politeness rudely.

Grandcourt put up his telescope and said, "There's a plantation of sugar-canes at the foot of that rock; should you like to look?"

Gwendolen said, "Yes, please," remembering that she must try and interest herself in sugar-canes as something outside her personal affairs. Then Grandcourt would walk up and down and smoke for a long while, pausing occasionally to point out a sail on the horizon, and at last would seat himself and look at Gwendolen with his narrow immovable gaze, as if she were part of the complete yacht; while she, conscious of being looked at was exerting her ingenuity not to meet his eyes. At dinner he would remark that the fruit was getting stale, and they must put in somewhere for more; or, observing that she did not drink the wine, he asked her if she would like any other kind better. A lady was obliged to respond to these things suitably; and even if she had not shrunk from quarrelling on other grounds, quarreling with Grandcourt was impossible; she might as well have made angry remarks to a dangerous serpent ornamentally coiled in her cabin without invitation. And what sort of dispute could a woman of any pride and dignity begin on a yacht?

Grandcourt had intense satisfaction in leading his wife captive after this fashion; it gave their life on a small scale a royal representation and publicity in which every thing familiar was got rid of, and every body must do what was expected of them whatever might be their private protest—the protest (kept strictly private) adding to the piquancy of despotism.

To Gwendolen, who even in the freedom of her maiden time, had had very faint glimpses of any heroism or sublimity, the medium that now thrust itself everywhere before her view was this husband and her relation to him. The beings closest to us, whether in love or hate, are often virtually our interpreters of the world, and some feather-headed gentleman or lady whom in passing we regret to take as legal tender for a human being, may be acting as a melancholy theory of life in the minds of those who live with them—like a piece of yellow and wavy glass that distorts form and makes color an affliction. Their trivial sentences, their petty standards, their low suspicions, their loveless ennui, may be making somebody else's life no better than a promenade through a pantheon of ugly idols. Gwendolen had that kind of window before her, affecting the distant equally with the near. Some unhappy wives are soothed by the possibility that they may become mothers; but Gwendolen felt that to desire a child for herself would have been a consenting to the completion of the injury she had been guilty of. She was reduced to dread lest she should become a mother. It was not the image of a new sweetly-budding life that came as a vision of deliverance from the monotony of distaste: it was an image of another sort. In the irritable, fluctuating stages of despair, gleams of hope came in the form of some possible accident. To dwell on the benignity of accident was a refuge from worse temptation.

The embitterment of hatred is often as unaccountable to onlookers as the growth of devoted love, and it not only seems but is really out of direct relation with any outward causes to be alleged. Passion is of the nature of seed, and finds nourishment within, tending to a predominance which determines all currents toward itself, and makes the whole life its tributary. And the intensest form of hatred is that rooted in fear, which compels to silence and drives vehemence into a constructive vindictiveness, an imaginary annihilation of the detested object, something like the hidden rites of vengeance with which the persecuted have made a dark vent for their rage, and soothed their suffering into dumbness. Such hidden rites went on in the secrecy of Gwendolen's mind, but not with soothing effect—rather with the effect of a struggling terror. Side by side with the dread of her husband had grown the self-dread, which urged her to flee from the pursuing images wrought by her pent-up impulse. The vision of her past wrong-doing, and what it had brought on her, came with a pale ghastly illumination over every imagined deed that was a rash effort at freedom, such as she had made in her marriage. Moreover, she had learned to see all her acts through the impression they would make on Deronda: whatever relief might come to her, she could not sever it from the judgment of her that would be created in his mind. Not one word of flattery, of indulgence, of dependence on her favor, could be fastened on by her in all their intercourse, to weaken his restraining power over her (in this way Deronda's effort over himself was repaid); and amid the dreary uncertainties of her spoiled life the possible remedies that lay in his mind, nay, the remedy that lay in her feeling for him, made her only hope. He seemed to her a terrible-browed angel, from whom she could not think of concealing any deed so as to win an ignorant regard from him: it belonged to the nature of their relation that she should be truthful, for his power over her had begun in the raising of a self-discontent which could be satisfied only by genuine change. But in no concealment had she now any confidence: her vision of what she had to dread took more decidedly than ever the form of some fiercely impulsive deed, committed as in a dream that she would instantaneously wake from to find the effects real though the images had been false: to find death under her hands, but instead of darkness, daylight; instead of satisfied hatred, the dismay of guilt; instead of freedom, the palsy of a new terror—a white dead face from which she was forever trying to flee and forever held back. She remembered Deronda's words: they were continually recurring in her thought—

"Turn your fear into a safeguard. Keep your dread fixed on the idea of increasing your remorse. * * * Take your fear as a safeguard. It is like quickness of hearing. It may make consequences passionately present to you."

And so it was. In Gwendolen's consciousness temptation and dread met and stared like two pale phantoms, each seeing itself in the other—each obstructed by its own image; and all the while her fuller self beheld the apparitions and sobbed for deliverance from them.

Inarticulate prayers, no more definite than a cry, often swept out from her into the vast silence, unbroken except by her husband's breathing or the plash of the wave or the creaking of the masts; but if ever she thought of definite help, it took the form of Deronda's presence and words, of the sympathy he might have for her, of the direction he might give her. It was sometimes after a white-lipped fierce-eyed temptation with murdering fingers had made its demon-visit that these best moments of inward crying and clinging for rescue would come to her, and she would lie with wide-open eyes in which the rising tears seemed a blessing, and the thought, "I will not mind if I can keep from getting wicked," seemed an answer to the indefinite prayer.

So the days passed, taking with them light breezes beyond and about the Balearic Isles, and then to Sardinia, and then with gentle change persuading them northward again toward Corsica. But this floating, gentle-wafted existence, with its apparently peaceful influences, was becoming as bad as a nightmare to Gwendolen.

"How long are we to be yachting?" she ventured to ask one day after they had been touching at Ajaccio, and the mere fact of change in going ashore had given her a relief from some of the thoughts which seemed now to cling about the very rigging of the vessel, mix with the air in the red silk cabin below, and make the smell of the sea odious.

"What else should we do?" said Grandcourt. "I'm not tired of it. I don't see why we shouldn't stay out any length of time. There's less to bore one in this way. And where would you go to? I'm sick of foreign places. And we shall have enough of Ryelands. Would you rather be at Ryeland's?"

"Oh, no," said Gwendolen, indifferently, finding all places alike undescribable as soon as she imagined herself and her husband in them. "I only wondered how long you would like this."

"I like yachting longer than anything else," said Grandcourt; "and I had none last year. I suppose you are beginning to tire of it. Women are so confoundedly whimsical. They expect everything to give way to them."

"Oh, dear, no!" said Gwendolen, letting out her scorn in a flute-like tone. "I never expect you to give way."

"Why should I?" said Grandcourt, with his inward voice, looking at her, and then choosing an orange—for they were at table.

She made up her mind to a length of yatching that she could not see beyond; but the next day, after a squall which had made her rather ill for the first time, he came down to her and said—

"There's been the devil's own work in the night. The skipper says we shall have to stay at Genoa for a week while things are set right."

"Do you mind that?" said Gwendolen, who lay looking very white amidst her white drapery.

"I should think so. Who wants to be broiling at Genoa?"

"It will be a change," said Gwendolen, made a little incautious by her languor.

"I don't want any change. Besides, the place is intolerable; and one can't move along the roads. I shall go out in a boat, as I used to do, and manage it myself. One can get a few hours every day in that way instead of striving in a damnable hotel."

Here was a prospect which held hope in it. Gwendolen thought of hours when she would be alone, since Grandcourt would not want to take her in the said boat, and in her exultation at this unlooked-for relief, she had wild, contradictory fancies of what she might do with her freedom—that "running away" which she had already innumerable times seen to be a worse evil than any actual endurance, now finding new arguments as an escape from her worse self. Also, visionary relief on a par with the fancy of a prisoner that the night wind may blow down the wall of his prison and save him from desperate devices, insinuated itself as a better alternative, lawful to wish for.

The fresh current of expectation revived her energies, and enabled her to take all things with an air of cheerfulness and alacrity that made a change marked enough to be noticed by her husband. She watched through the evening lights to the sinking of the moon with less of awed loneliness than was habitual to her—nay, with a vague impression that in this mighty frame of things there might be some preparation of rescue for her. Why not?—since the weather had just been on her side. This possibility of hoping, after her long fluctuation amid fears, was like a first return of hunger to the long-languishing patient.

She was waked the next morning by the casting of the anchor in the port of Genoa—waked from a strangely-mixed dream in which she felt herself escaping over the Mont Cenis, and wondering to find it warmer even in the moonlight on the snow, till suddenly she met Deronda, who told her to go back.

In an hour or so from that dream she actually met Deronda. But is was on the palatial staircase of the Italia, where she was feeling warm in her light woolen dress and straw hat; and her husband was by her side.

There was a start of surprise in Deronda before he could raise his hat and pass on. The moment did not seem to favor any closer greeting, and the circumstances under which they had last parted made him doubtful whether Grandcourt would be civilly inclined to him.

The doubt might certainly have been changed into a disagreeable certainty, for Grandcourt on this unaccountable appearance of Deronda at Genoa of all places, immediately tried to conceive how there could have been an arrangement between him and Gwendolen. It is true that before they were well in their rooms, he had seen how difficult it was to shape such an arrangement with any probability, being too cool-headed to find it at once easily credible that Gwendolen had not only while in London hastened to inform Deronda of the yachting project, but had posted a letter to him from Marseilles or Barcelona, advising him to travel to Genoa in time for the chance of meeting her there, or of receiving a letter from her telling of some other destination—all which must have implied a miraculous foreknowledge in her, and in Deronda a bird-like facility in flying about and perching idly. Still he was there, and though Grandcourt would not make a fool of himself by fabrications that others might call preposterous, he was not, for all that, disposed to admit fully that Deronda's presence was, so far as Gwendolen was concerned, a mere accident. It was a disgusting fact; that was enough; and no doubt she was well pleased. A man out of temper does not wait for proofs before feeling toward all things animate and inanimate as if they were in a conspiracy against him, but at once threshes his horse or kicks his dog in consequence. Grandcourt felt toward Gwendolen and Deronda as if he knew them to be in a conspiracy against him, and here was an event in league with them. What he took for clearly certain—and so far he divined the truth—was that Gwendolen was now counting on an interview with Deronda whenever her husband's back was turned.

As he sat taking his coffee at a convenient angle for observing her, he discerned something which he felt sure was the effect of a secret delight—some fresh ease in moving and speaking, some peculiar meaning in her eyes, whatever she looked on. Certainly her troubles had not marred her beauty. Mrs. Grandcourt was handsomer than Gwendolen Harleth: her grace and expression were informed by a greater variety of inward experience, giving new play to her features, new attitudes in movement and repose; her whole person and air had the nameless something which often makes a woman more interesting after marriage than before, less confident that all things are according to her opinion, and yet with less of deer-like shyness—more fully a human being.

This morning the benefits of the voyage seemed to be suddenly revealing themselves in a new elasticity of mien. As she rose from the table and put her two heavily-jewelled hands on each side of her neck, according to her wont, she had no art to conceal that sort of joyous expectation which makes the present more bearable than usual, just as when a man means to go out he finds it easier to be amiable to the family for a quarter of an hour beforehand. It is not impossible that a terrier whose pleasure was concerned would perceive those amiable signs and know their meaning—know why his master stood in a peculiar way, talked with alacrity, and even had a peculiar gleam in his eye, so that on the least movement toward the door, the terrier would scuttle to be in time. And, in dog fashion, Grandcourt discerned the signs of Gwendolen's expectation, interpreting them with the narrow correctness which leaves a world of unknown feeling behind.

"A—just ring, please, and tell Gibbs to order some dinner for us at three," said Grandcourt, as he too rose, took out a cigar, and then stretched his hand toward the hat that lay near. "I'm going to send Angus to find a little sailing-boat for us to go out in; one that I can manage, with you at the tiller. It's uncommonly pleasant these fine evenings—the least boring of anything we can do."

Gwendolen turned cold. There was not only the cruel disappointment; there was the immediate conviction that her husband had determined to take her because he would not leave her out of his sight; and probably this dual solitude in a boat was the more attractive to him because it would be wearisome to her. They were not on the plank-island; she felt it the more possible to begin a contest. But the gleaming content had died out of her. There was a change in her like that of a glacier after sunset.

"I would rather not go in the boat," she said. "Take some one else with you."

"Very well; if you don't go, I shall not go," said Grandcourt. "We shall stay suffocating here, that's all."

"I can't bear to go in a boat," said Gwendolen, angrily.

"That is a sudden change," said Grandcourt, with a slight sneer. "But, since you decline, we shall stay indoors."

He laid down his hat again, lit his cigar, and walked up and down the room, pausing now and then to look out of the windows. Gwendolen's temper told her to persist. She knew very well now that Grandcourt would not go without her; but if he must tyrannize over her, he should not do it precisely in the way he would choose. She would oblige him to stay in the hotel. Without speaking again, she passed into the adjoining bedroom and threw herself into a chair with her anger, seeing no purpose or issue—only feeling that the wave of evil had rushed back upon her, and dragged her away from her momentary breathing-place.

Presently Grandcourt came in with his hat on, but threw it off and sat down sideways on a chair nearly in front of her, saying, in his superficial drawl—

"Have you come round yet? or do you find it agreeable to be out of temper. You make things uncommonly pleasant for me."

"Why do you want to make them unpleasant for me?" said Gwendolen, getting helpless again, and feeling the hot tears rise.

"Now, will you be good enough to say what it is you have to complain of?" said Grandcourt, looking into her eyes, and using his most inward voice. "Is it that I stay indoors when you stay?"

She could give no answer. The sort of truth that made any excuse for her anger could not be uttered. In the conflict of despair and humiliation she began to sob, and the tears rolled down her cheeks—a form of agitation which she had never shown before in her husband's presence.

"I hope this is useful," said Grandcourt, after a moment or two. "All I can say is, it's most confoundedly unpleasant. What the devil women can see in this kind of thing, I don't know. You see something to be got by it, of course. All I can see is, that we shall be shut up here when we might have been having a pleasant sail."

"Let us go, then," said Gwendolen, impetuously. "Perhaps we shall be drowned." She began to sob again.

This extraordinary behavior, which had evidently some relation to Deronda, gave more definiteness to Grandcourt's conclusions. He drew his chair quite close in front of her, and said, in a low tone, "Just be quiet and listen, will you?"

There seemed to be a magical effect in this close vicinity. Gwendolen shrank and ceased to sob. She kept her eyelids down and clasped her hands tightly.

"Let us understand each other," said Grandcourt, in the same tone. "I know very well what this nonsense means. But if you suppose I am going to let you make a fool of me, just dismiss that notion from your mind. What are you looking forward to, if you can't behave properly as my wife? There is disgrace for you, if you like to have it, but I don't know anything else; and as to Deronda, it's quite clear that he hangs back from you."

"It's all false!" said Gwendolen, bitterly. "You don't in the least imagine what is in my mind. I have seen enough of the disgrace that comes in that way. And you had better leave me at liberty to speak with any one I like. It will be better for you."

"You will allow me to judge of that," said Grandcourt, rising and moving to a little distance toward the window, but standing there playing with his whiskers as if he were awaiting something.

Gwendolen's words had so clear and tremendous a meaning for herself that she thought they must have expressed it to Grandcourt, and had no sooner uttered them than she dreaded their effect. But his soul was garrisoned against presentiments and fears: he had the courage and confidence that belong to domination, and he was at that moment feeling perfectly satisfied that he held his wife with bit and bridle. By the time they had been married a year she would cease to be restive. He continued standing with his air of indifference, till she felt her habitual stifling consciousness of having an immovable obstruction in her life, like the nightmare of beholding a single form that serves to arrest all passage though the wide country lies open.

"What decision have you come to?" he said, presently looking at her. "What orders shall I give?"

"Oh, let us go," said Gwendolen. The walls had begun to be an imprisonment, and while there was breath in this man he would have the mastery over her. His words had the power of thumb-screws and the cold touch of the rock. To resist was to act like a stupid animal unable to measure results.

So the boat was ordered. She even went down to the quay again with him to see it before midday. Grandcourt had recovered perfect quietude of temper, and had a scornful satisfaction in the attention given by the nautical groups to the milord, owner of the handsome yacht which had just put in for repairs, and who being an Englishman was naturally so at home on the sea that he could manage a sail with the same ease that he could manage a horse. The sort of exultation he had discerned in Gwendolen this morning she now thought that she discerned in him; and it was true that he had set his mind on this boating, and carried out his purpose as something that people might not expect him to do, with the gratified impulse of a strong will which had nothing better to exert itself upon. He had remarkable physical courage, and was proud of it—or rather he had a great contempt for the coarser, bulkier men who generally had less. Moreover, he was ruling that Gwendolen should go with him.

And when they came down again at five o'clock, equipped for their boating, the scene was as good as a theatrical representation for all beholders. This handsome, fair-skinned English couple, manifesting the usual eccentricity of their nation, both of them proud, pale, and calm, without a smile on their faces, moving like creatures who were fulfilling a supernatural destiny—it was a thing to go out and see, a thing to paint. The husband's chest, back, and arms, showed very well in his close-fitting dress, and the wife was declared to be a statue.

Some suggestions were proffered concerning a possible change in the breeze, and the necessary care in putting about, but Grandcourt's manner made the speakers understand that they were too officious, and that he knew better than they.

Gwendolen, keeping her impassable air, as they moved away from the strand, felt her imagination obstinately at work. She was not afraid of any outward dangers—she was afraid of her own wishes which were taking shapes possible and impossible, like a cloud of demon-faces. She was afraid of her own hatred, which under the cold iron touch that had compelled her to-day had gathered a fierce intensity. As she sat guiding the tiller under her husband's eyes, doing just what he told her, the strife within her seemed like her own effort to escape from herself. She clung to the thought of Deronda: she persuaded herself that he would not go away while she was there—he knew that she needed help. The sense that he was there would save her from acting out the evil within. And yet quick, quick, came images, plans of evil that would come again and seize her in the night, like furies preparing the deed that they would straightway avenge.

They were taken out of the port and carried eastward by a gentle breeze. Some clouds tempered the sunlight, and the hour was always deepening toward the supreme beauty of evening. Sails larger and smaller changed their aspect like sensitive things, and made a cheerful companionship, alternately near and far. The grand city shone more vaguely, the mountains looked out above it, and there was stillness as in an island sanctuary. Yet suddenly Gwendolen let her hands fall, and said in a scarcely audible tone, "God help me!"

"What is the matter?" said Grandcourt, not distinguishing the words.

"Oh, nothing," said Gwendolen, rousing herself from her momentary forgetfulness and resuming the ropes.

"Don't you find this pleasant?" said Grandcourt.

"Very."

"You admit now we couldn't have done anything better?"

"No—I see nothing better. I think we shall go on always, like the Flying Dutchman," said Gwendolen wildly.

Grandcourt gave her one of his narrow examining glances, and then said, "If you like, we can go to Spezia in the morning, and let them take us up there."

"No; I shall like nothing better than this."

"Very well: we'll do the same to-morrow. But we must be turning in soon. I shall put about."



CHAPTER LV.

"Ritorna a tua scienza Che vuoi, quanto la cosa e piu perfetta Piu senta if bene, e cosi la doglienza." —DANTE.

When Deronda met Gwendolen and Grandcourt on the staircase, his mind was seriously preoccupied. He had just been summoned to the second interview with his mother.

In two hours after his parting from her he knew that the Princess Halm-Eberstein had left the hotel, and so far as the purpose of his journey to Genoa was concerned, he might himself have set off on his way to Mainz, to deliver the letter from Joseph Kalonymos, and get possession of the family chest. But mixed mental conditions, which did not resolve themselves into definite reasons, hindered him from departure. Long after the farewell he was kept passive by a weight of retrospective feeling. He lived again, with the new keenness of emotive memory, through the exciting scenes which seemed past only in the sense of preparation for their actual presence in his soul. He allowed himself in his solitude to sob, with perhaps more than a woman's acuteness of compassion, over that woman's life so near to his, and yet so remote. He beheld the world changed for him by the certitude of ties that altered the poise of hopes and fears, and gave him a new sense of fellowship, as if under cover of the night he had joined the wrong band of wanderers, and found with the rise of morning that the tents of his kindred were grouped far off. He had a quivering imaginative sense of close relation to the grandfather who had been animated by strong impulses and beloved thoughts, which were now perhaps being roused from their slumber within himself. And through all this passionate meditation Mordecai and Mirah were always present, as beings who clasped hands with him in sympathetic silence.

Of such quick, responsive fibre was Deronda made, under that mantle of self-controlled reserve into which early experience had thrown so much of his young strength.

When the persistent ringing of a bell as a signal reminded him of the hour he thought of looking into Bradshaw, and making the brief necessary preparations for starting by the next train—thought of it, but made no movement in consequence. Wishes went to Mainz and what he was to get possession of there—to London and the beings there who made the strongest attachments of his life; but there were other wishes that clung in these moments to Genoa, and they kept him where he was by that force which urges us to linger over an interview that carries a presentiment of final farewell or of overshadowing sorrow. Deronda did not formally say, "I will stay over to-night, because it is Friday, and I should like to go to the evening service at the synagogue where they must all have gone; and besides, I may see the Grandcourts again." But simply, instead of packing and ringing for his bill, he sat doing nothing at all, while his mind went to the synagogue and saw faces there probably little different from those of his grandfather's time, and heard the Spanish-Hebrew liturgy which had lasted through the seasons of wandering generations like a plant with wandering seed, that gives the far-off lands a kinship to the exile's home—while, also, his mind went toward Gwendolen, with anxious remembrance of what had been, and with a half-admitted impression that it would be hardness in him willingly to go away at once without making some effort, in spite of Grandcourt's probable dislike, to manifest the continuance of his sympathy with her since their abrupt parting.

In this state of mind he deferred departure, ate his dinner without sense of flavor, rose from it quickly to find the synagogue, and in passing the porter asked if Mr. and Mrs. Grandcourt were still in the hotel, and what was the number of their apartment. The porter gave him the number, but added that they were gone out boating. That information had somehow power enough over Deronda to divide his thoughts with the memories wakened among the sparse talithim and keen dark faces of worshippers whose way of taking awful prayers and invocations with the easy familiarity which might be called Hebrew dyed Italian, made him reflect that his grandfather, according to the Princess's hints of his character, must have been almost as exceptional a Jew as Mordecai. But were not men of ardent zeal and far-reaching hope everywhere exceptional? the men who had the visions which, as Mordecai said, were the creators and feeders of the world—moulding and feeding the more passive life which without them would dwindle and shrivel into the narrow tenacity of insects, unshaken by thoughts beyond the reach of their antennae. Something of a mournful impatience perhaps added itself to the solicitude about Gwendolen (a solicitude that had room to grow in his present release from immediate cares) as an incitement to hasten from the synagogue and choose to take his evening walk toward the quay, always a favorite haunt with him, and just now attractive with the possibility that he might be in time to see the Grandcourts come in from their boating. In this case, he resolved that he would advance to greet them deliberately, and ignore any grounds that the husband might have for wishing him elsewhere.

The sun had set behind a bank of cloud, and only a faint yellow light was giving its farewell kisses to the waves, which were agitated by an active breeze. Deronda, sauntering slowly within sight of what took place on the strand, observed the groups there concentrating their attention on a sailing-boat which was advancing swiftly landward, being rowed by two men. Amidst the clamorous talk in various languages, Deronda held it the surer means of getting information not to ask questions, but to elbow his way to the foreground and be an unobstructed witness of what was occurring. Telescopes were being used, and loud statements made that the boat held somebody who had been drowned. One said it was the milord who had gone out in a sailing boat; another maintained that the prostrate figure he discerned was miladi; a Frenchman who had no glass would rather say that it was milord who had probably taken his wife out to drown her, according to the national practice—a remark which an English skipper immediately commented on in our native idiom (as nonsense which—had undergone a mining operation), and further dismissed by the decision that the reclining figure was a woman. For Deronda, terribly excited by fluctuating fears, the strokes of the oars as he watched them were divided by swift visions of events, possible and impossible, which might have brought about this issue, or this broken-off fragment of an issue, with a worse half undisclosed—if this woman apparently snatched from the waters were really Mrs. Grandcourt.

But soon there was no longer any doubt: the boat was being pulled to land, and he saw Gwendolen half raising herself on her hands, by her own effort, under her heavy covering of tarpaulin and pea-jackets—pale as one of the sheeted dead, shivering, with wet hair streaming, a wild amazed consciousness in her eyes, as if she had waked up in a world where some judgment was impending, and the beings she saw around were coming to seize her. The first rower who jumped to land was also wet through, and ran off; the sailors, close about the boat, hindered Deronda from advancing, and he could only look on while Gwendolen gave scared glances, and seemed to shrink with terror as she was carefully, tenderly helped out, and led on by the strong arms of those rough, bronzed men, her wet clothes clinging about her limbs, and adding to the impediment of her weakness. Suddenly her wandering eyes fell on Deronda, standing before her, and immediately, as if she had been expecting him and looking for him, she tried to stretch out her arms, which were held back by her supporters, saying, in a muffled voice—

"It is come, it is come! He is dead!"

"Hush, hush!" said Deronda, in a tone of authority; "quiet yourself." Then to the men who were assisting her, "I am a connection of this lady's husband. If you will get her on to the Italia as quickly as possible, I will undertake everything else."

He stayed behind to hear from the remaining boatman that her husband had gone down irrecoverably, and that his boat was left floating empty. He and his comrade had heard a cry, had come up in time to see the lady jump in after her husband, and had got her out fast enough to save her from much damage.

After this, Deronda hastened to the hotel to assure himself that the best medical help would be provided; and being satisfied on this point, he telegraphed the event to Sir Hugo, begging him to come forthwith, and also to Mr. Gascoigne, whose address at the rectory made his nearest known way of getting the information to Gwendolen's mother. Certain words of Gwendolen's in the past had come back to him with the effectiveness of an inspiration: in moments of agitated confession she had spoken of her mother's presence, as a possible help, if she could have had it.