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Christmas - A Story
by Zona Gale
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On that walk home she had unlived her plans. Obscure speculations, stirring in her fear, at first tormented her, and then gave place to the conclusion that John had changed his mind, had seen perhaps that he could not after all let the child go so far, had found some one else to take him; and that the morrow would bring a letter to tell her so. In any case, she was not to have him. The conclusion swept her with the vigour of certainty. But instead of the relief for which she would have looked, that certainty gave her nothing but desolation. Until the moment when the expectation seemed to die she had not divined how it had grown into her days, as subtly as the growth of little cell and little cell. And now the weight upon her, instead of lifting, soaring in the possibility of the return of her old freedom, lay the more heavily, and her sense of oppression became abysmal.... "Something is going to happen," she had kept saying. "Something has happened...."

So she had got on toward her own door. There the swift relief was like an upbearing into another air, charged with more intimate largess for life. Now Mary sat in the stable in a sense of happy reality that clothed all her feeling—rather, in a sense of superreality, which she did not know how to accept.... So, slowly singing in her as she sat at her task, came that which had waited until she should open the way....

In the stable there was that fusion of shadow and light in which captive spaces reveal all their mystery. Little areas of brightness, of functioning; then dimness, then the deep. Brightness in which surfaces of worn floor, slivered wall, dusty glass, showed values more specific than those of colour. Dimness in which gray rafters with wavering edges, rough posts each with an accessory of shadow, an old harness in grotesque loops, ceased to be background and assumed roles. The background itself, modified by many an unshadowed promontory, was accented in caverns of manger and roof. The place revealed mystery and beauty in the casual business of saying what had to be said.

Mary filled her arms with hay, and turned to the manger. The raw smell of the clover smote her, and it was as sweet as Spring repromised. She stood for a moment with the hay in her arms, her breath coming swiftly....

Down on the marsh, not half an hour away, he was coming to her, to be with her, as she had grown used to imagining him. She had thought that he was not coming, and he was almost here.... She knew now that she was glad of this, no matter what it brought her; glad, as she had never known how to be glad of anything before. He was coming—there was a thrill in the words every time that she thought them. Already she was welcoming him in her heart, already he was here, already he was born into her life....

... With a soft, fierce rush of feeling not her own, it seemed to her that her point of perception was somehow drawn inward, as if she no longer saw from the old places, as if something in her that was not used to looking, looked. In the seat where her will had been was no will. But somewhere in there, beyond all conflict, she felt herself to be. Beyond a thousand mists, volitions, little seekings for comfort, rebellions at toil, the cryings of personality for its physical own, she stood at last, herself within herself. And that which, through the slow process of her life and of life and being immeasurably before her, had been seeking its expression, building up its own vehicle of incarnation, quite suddenly and simply flowered. It was as if the weight and the striving within her had been the pangs of some birth. She stood, as light of heart as a little child, filled with peace and tender exaltation.

These filled her on the road which she took to meet him—and took alone, for she would have no one go with her. ("What's come over Mary?" they asked one another in the kitchen. "She acts like she was somebody else and herself too.") The night lay about her as any other winter night, white and black,—a clean white world on which men set a pattern of highway and shelter, a clean dark sky on which a story is written in stars; and between—no mystery, but only growth. Out toward the drawbridge the road was not well broken. She went, stumbling in the ruts and hardly conscious of them. And Mary thought—

"Something in me is glad.

"It's as if something in me knew how to be glad more than I ever knew how alone.

"For I'm nothing but me, here in Old Trail Town, and yet it's as if Something had come, secret, on purpose to make me know why to be glad.

"It's something in the world bigger than I know about.

"It's in me, and I guess it was in folks before me, and it will be in folks always.

"It isn't just for Ebenezer Rule and the City.

"It's for everybody, here in Old Trail Town as much as anywhere.

"It's for folks that's hungry for it, and it's for folks that ain't.

"It's always been in the world and it always will be in the world, and some day we'll know what to do."

But this was hardly in her feeling, or even in her thought; it lay within her thanksgiving that the child was coming; and he only a little way down there across the marsh.

... It seemed quite credible and even fitting that the mighty, rushing, lighted Express, which seldom stopped at Old Trail Town, should that night come thundering across the marsh, and slow down at the drawbridge for her sake and the little boy's. Several coaches' length from where she stood she saw a lantern shine where they were lifting him down. She ran ankle deep through the thinly crusted snow.

"That's it!" said the conductor. "All the way from Idaho!" and swung his lantern from the step. "Merry Christmas!" he called back.

The little thing clasping Mary's hand suddenly leaped up and down beside her.

"Merry Christmas! Merry Christmas! Merry Christmas!" he shouted with all his might.

Mary Chavah stood silent, and as the train drew away held out her hand, still in silence, for the boy to take.

As the noise of the train lessened, he looked up.

"Are you her?" he asked soberly.

"Yes," she cried joyously, "I'm her!"

* * * * *

Their way led east between high banks of snow. At the end of the road was the village, looking like something lying on the great white plate of the meadows and being offered to one who needed it. At the far end of the road which was Old Trail Road, hung the blue arc light of the Town Hall, center to the constellation of the home lights and the shop lights and the street lights. There, in her house, were her neighbours, gathered to do no violence to that Christmas paper of theirs, since there was to be no "present trading," no "money spending." Nevertheless, they had drawn together by common consent, and it was Christmas Eve. She knew it now: There is no arbitrary shutting out of that for which Christmas stands. As its spirit was in the village, so its spirit is in the world—denied indeed, put upon, crowned with mockery, dragged in the dirt, bearing alien burdens, but through it all immaculate, waiting for men to cross the threshold at which it never ceases to beckon to a common heritage: Home of the world, with a thousand towers shining with uncounted lights, lying very near—above the village, at the end of the Old Trail Road, upon the earth at the end of a yet unbeaten path—where men face the sovereign fact of humanhood.

... But all this lay within Mary's dumb thanksgiving that the child was running at her side. And the vision that she saw streamed down from Capella, of the brightness of an hundred of our suns, the star that stood in the east above the village where she lived.

Lanterns glowed through the roadside shrubbery, little kindly lights, like answers; and at a bend in the road voices burst about them, and Buff Miles and the children, Gussie and Bennet and Tab and Pep and little Emily, ran, singing, and closed about Mary and the child, and went on with them, slipping into the "church choir Christmas carols," and more, that Buff had been fain to teach them. The music filled the quiet night, rose, in the children's voices, like an invocation to all time.

"One for the way it all begun, Two for the way it all has run, What three'll be for I do forget, But what will be has not been yet. So holly and mistletoe, So holly and mistletoe, So holly and mistletoe Over and over and over, oh!"

Between songs the children whispered together for a minute.

"What's the new little boy's name?" asked Tab.

Nobody knew. That would be something to find out.

"Well," Tab said, "to-morrow morning, right after breakfast, I'm going to bring Theophilus Thistledown down and lend him to him."

"Ain't we going to bury Sandy Claus right after breakfast?" demanded Gussie.

And all the children, even little Emily, answered:

"No, let's not."

They all went on together and entered Mary's gate. Those within,—hearing the singing, had opened the door, and they brought them through that deep arch of warmth and light. Afterward, no one could remember whether or not the greeting had been "Merry Christmas," but there could have been no mistaking what everybody meant.



XIV

At his gate in the street wall lined with snow-bowed lilacs and mulberries, Ebenezer Rule waited in the dark for his two friends to come back. He had found Kate Kerr in his kitchen methodically making a jar of Christmas cookies. ("You've got to eat, if it is Christmas," she had defended herself in a whisper.) And to her stupefaction he had dispatched her to Mary Chavah's with her entire Christmas baking in a basket.

"I don't believe they've got near enough for all the folks I see going," he explained it.

While he went within doors he had left the hobbyhorse in the snow, close to the wall; and he came back there to wait. The street had emptied. By now every one had gone to Mary Chavah's. Once he caught the gleam of lanterns down the road and heard children's voices singing. For some time he heard the singing, and after it had stopped he fancied that he heard it. Startled, he looked up into the wide night lying serene above the town, and not yet become vexed by the town's shadows and interrupted by their lights. It was as if the singing came from up there. But the night kept its way of looking steadily beyond him.

... It came to Ebenezer that the night had not always been so unconscious of his presence. The one long ago, for example, when he had slept beneath this wall and dreamed that he had a kingdom; those other nights, when he had wandered abroad with his star glass. Then the night used to be something else. It had seemed to meet him, to admit him. Now he knew, and for a long time had known, that when he was abroad in the night he was there, so to say, without its permission. As for men, he could not tell when relation with them had changed, when he had begun to think of them as among the externals; but he knew that now he ran along the surface of them and let them go. He never met them as Others, as belonging to countless equations of which he was one term, and they playing that wonderful, near role of Other. Thus he had got along, as if his own individuation were the only one that had ever occurred and as if all the mass of mankind—and the Night and the Day—were undifferentiated from some substance all inimical.

Then this vast egoism had heard itself expressed in the mention of Bruce's baby—the third generation. But by the great sorcery wherewith Nature has protected herself, this mammoth sense of self, when it extends unto the next generations, becomes a keeper of the race. Ebenezer had been touched, relaxed, disintegrated. Here was an interest outside himself which was yet no external. Vast, level reaches lay about that fact, and all long unexplored. But these were peopled. He saw them peopled....

... As in the cheer and stir within the house where that night were gathered his townsfolk, his neighbours, his "hands." He had thought that their way of meeting him, if he chose to go among them, would matter nothing. Abruptly now he saw that it would matter more than he could bear. They were in there at Mary's, the rooms full of little families, getting along as best they could, taking pride in their children, looking ahead, looking ahead—and they would not know that he understood. He could not have defined offhand what it was that he understood. But it had, it seemed, something to do with Letty's account book and Bruce's baby....

Gradually he let himself face what it was that he was wanting to do. And when he faced that, he left the hobbyhorse where it was under the wall and went into the street.

He took his place among the externals of the Winter night, himself unconscious of them. The night, with all its content, a thing of explicable fellowships, lay waiting patiently for those of its children who knew its face. In the dark and under the snow the very elements of earth and life were obscured, as in some clear wash correcting too strong values. He moved along the village, and now his dominant consciousness was the same consciousness in which that little village lived. But he knew it only as the impulse that urged him on toward Jenny's house. If he went to Jenny's, if he signified so that he wished not to be cut off from her and Bruce and the baby, if he asked Bruce to come back to the business, these meant a lifetime of modification to the boy's ideals for that business, and modification to the lives of the "hands" back there in Mary Chavah's house—and to something else....

"What else?" he asked himself.

Mechanically he looked up and saw the heavens crowded with bright watchers. In that high field one star, brighter than the others, hung over the little town. He found himself trying to see the stars as they had looked to him years ago, when they and the night had seemed to mean something else....

"What else?" he asked himself.

The time did not seem momentous. It was only very quiet. Nothing new was there, nothing different. It had always been so. The night lay in a sovereign consciousness of being more than just itself. "Do you think that you are all just you and nothing else?" it was seen to be compassionately asking.

"What else?" Ebenezer asked himself.

He did not face this yet. But in that hour which seemed pure essence, with no attenuating sound or touch, he kept on up the hill toward Jenny's house.

* * * * *

Mary Chavah left ajar the door from the child's room to the room where, in the dark, the tree stood. He had wanted the door to be ajar "so the things I think about can go back and forth," he had explained.

In the dining room she wrapped herself in the gray shawl and threw up the two windows. New air swept in, cleansing, replacing, prevailing. Her guests had left her early, as is the way in Old Trail Town. Then she had had her first moments with the child alone. He had done the things that she had not thought of his doing but had inevitably recognized: Had delayed his bed-going, had magnified and repeated the offices of his journey, had shown her the contents of his pockets, had repeatedly mentioned by their first names his playmates in Idaho and shown surprise when she asked him who they were. Mary stood now by the window conscious of a wonderful thing: That it seemed as if he had been there always.

In the clean inrush of the air she was aware of a faint fragrance, coming to her once and again. She looked down at her garden, lying wrapped in white and veiled with black, like some secret being. Three elements were slowly fashioning it, while the fourth, a soft fire within her, answered them. The fragrance made it seem as if the turn of the year were very near, as if its prophecy, evident once in the October violets in her garden, were come again. But when she moved, she knew that the fragrance came from within the room, from Ellen Bourne's Christmas rose, blossoming on the table.... Above, her eye fell on the picture that Jenny had brought to her on that day when she had all but emptied the house, as if in readiness. Almost she understood now the passionate expectation in that face, not unlike the expectation of those who in her dream had kept saying "You."



There was a movement in her garden and on the walk footsteps. The three men stepped into the rectangle of lamplight—Abel, Ames and Simeon, who had left the party a little before the others and, hurrying back with the gifts that they planned, had met Ebenezer at his gate, getting home from Jenny's house. In Abel's arms was something globed, like a little world; in Simeon's, the tall, gray-gowned Saint Nicholas taken from the Exchange window, the lettered sign absent, but the little flag still in his hand; and Ebenezer was carrying the hobbyhorse. If at him the other two had wondered somewhat, they had said nothing, in that fashion of treating the essential which is as peculiar to certain simple, robust souls as to other kinds of great souls.

"Has the boy gone to bed?" Abel asked without preface.

"Yes," Mary answered, "he has. I'm sorry."

"Never mind," Simeon whispered, "you can give him these in the morning."

Mary, her shawl half hiding her face, stooped to take what the three lifted.

"They ain't presents, you know," Abel assured her positively. "They're just—well, just to let him know."

Mary set the strange assortment on the floor of the dining room—the things that were to be nothing in themselves, only just "to let him know."

"Thank you for him," she said gently. "And thank you for me," she added.

Ebenezer fumbled for a moment at his beaver hat, and took it off. Then the other two did so to their firm-fixed caps. And with an impulse that came from no one could tell whom, the three spoke—the first time hesitatingly, the next time together and confidently.

"Merry Christmas. Merry Christmas," they said.

Mary Chavah lifted her hand.

"Merry Christmas!" she cried.

———————————————————————————————————-

The following pages contain advertisements of Macmillan books by the same author, and new fiction.

———————————————————————————————————-

THE OTHER BOOKS OF MISS GALE

Mothers to Men

Decorated cloth, 12mo, $1.50 net; by mail, $1.62

The author is singularly successful in detaching herself from all the wear and tear of modern life and has produced a book filled with sweetness, beautiful in ideas, charming in characterizations, highly contemplative, and evidencing a philosophy of life all her own.

"One of the most widely read of our writers of short fiction."—The Bookman.

Friendship Village

Cloth, 12mo, $1.50

"As charming as an April day, all showers and sunshine, and sometimes both together, so that the delighted reader hardly knows whether laughter or tears are fittest."—The New York Times.

The Loves of Pelleas and Etarre

Cloth, 12mo, $1.50

"It contains the sort of message that seems to set the world right for even the most depressed, and can be depended upon to sweeten every moment spent over it."—San Francisco Chronicle.

Friendship Village Love Stories

Decorated cloth, gilt top, 12mo, $1.50

Miss Gale's pleasant and highly individual outlook upon life has never been revealed to better advantage than in these charming stories of the heart affairs of the young people of Friendship Village.

THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York

———————————————————————————————————-

NEW MACMILLAN FICTION

A MAN'S WORLD By Albert Edwards

Cloth, 12mo, $1.25 net; postpaid, $1.36

"A striking book that should attract wide attention."—New York Tribune.

"There never has been a book like 'A Man's World.' ... A novelist of skill and power.... His greatest gift is his power of creating the illusion of reality.... Vividness and conviction unite in the wonderful portrait of Nina.... There never has been such a character in American fiction before.... Nina will be one of the famous twentieth century heroines."—Brooklyn Eagle.

"It is a great book, full of the real things of life.... Zola might have written such a book had he lived in New York and not in Paris. Yet, it is doubtful if he could have told a better tale in a better way, for Nina and Ann are just as true to life as Nana and Ninon."—Chicago Record-Herald.

"The book is far from ordinary and its philosophy is extraordinary."—New York Times Book Review.

"A new type of human document—written in all sincerity and honesty."—New York Herald.

MY LOVE AND I By Martin Redfield

Cloth, 12mo, $1.35 net; postpaid, $1.47

Even the publishers do not know who the author of this remarkable book is. Its pages tell with powerful reality the struggle of a heart against the subtler problems of love and a solution not usually found in fiction. It is not an ordinary love story; it is, on the contrary, the intimate confession of a man's life.

THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York

———————————————————————————————————-

NEW MACMILLAN FICTION—Continued

THE RICH MRS. BURGOYNE By Kathleen Norris Author of "Mother"

Decorated cloth, 12mo, illustrated, $1.25 net; postpaid, $1.38

When it is rumored about in Santa Paloma that Mrs. Burgoyne, a widow and heiress to many millions, has bought an old-fashioned and somewhat run-down estate and intends to make her home in the little California town, food for gossip at all the bridge clubs is furnished for more than one meeting. To live well in Santa Paloma involves heavy expenditures for all sorts of social functions and many a family feels the strain which, however, they would not admit for worlds. The society clique think that everything will be run on even a more gorgeous scale with Mrs. Burgoyne's millions in the game, but they reckon without the possessor of these millions, as the successive events of the story show in a highly entertaining fashion.

LONDON LAVENDER By E. V. Lucas

Decorated cloth, 12mo, $1.35 net; postpaid, $1.47

We meet again several of the fine characters with whom Mr. Lucas has already made us acquainted in his other novels as well as others equally interesting and entertaining. The intimate sketches of various phases of London life—visits to the Derby, Zoo, the National Gallery—are delightfully chronicled and woven into a novel that is a most charming entertainment.

THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York

———————————————————————————————————-

NEW MACMILLAN FICTION—Continued

THE DRIFTING DIAMOND By Lincoln Colcord With Frontispiece in Colors by Anton Fischer

Decorated cloth, 12mo, $1.25 net

The strange effects which the possession of a gem of marvelous beauty and great value has upon several sharply differentiated characters is the thread with which this dramatic tale of events is woven. The combination of the mystical, the imaginative and the realistic makes very unusual reading. The diamond has the power of making its owner love it not for what it means in money, but for itself; it also has in it a lurking devil which portends evil happenings. The series of incidents which these qualities in the gem bring about, taken with the love story, which runs through it all, comprise a novel which holds the reader's attention from the very first adventure to the final outcome.

* * * * *

A New Novel By James Lane Allen

THE HEROINE IN BRONZE

Decorated cloth, 12mo, $1.35 net

In "The Heroine in Bronze" Mr. Allen has written with exquisite felicity of thought and expression a novel that is unique and powerful. The story of a young man,—a writer,—the women he loves, and the great novel he writes, is the design threading a background which reveals Mr. Allen's profound understanding of life and his high spirituality. "The Heroine in Bronze" is the most vital contribution to American literature in recent years.

THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York

———————————————————————————————————-

A BEAUTIFUL EDITION OF A BEAUTIFUL STORY

The Christmas Edition of Kathleen Norris's MOTHER

Decorated cloth, 12mo, illustrations, $1.25; by mail, $1.36

"A little book that can be finished in an hour, but the sweet thoughts will remain in the mind long after the book has been set aside.... Before I had covered ten pages I realized that I had something worth its weight in gold. What theme could be more interesting to the ordinary reader than 'Mother,' especially when it is a panegyric on maternal devotion? The author was fortunate in her selection and still happier in her treatment of it, for if there is anything that appeals, it is a true loyal discussion of mother and mother-love. In modern fiction we have too little of the chastening and purifying presence of real motherhood. Few books have the power of recalling worthy thoughts with the force and with the good effect possessed by this little book."—Catholic Columbian.

* * * * *

A NEW EDITION OF A MASTERPIECE

The Christmas Edition of Jack London's THE CALL OF THE WILD

Decorated cloth, 12mo, profusely illustrated in color, $1.50 net; by mail, $1.63

To all readers of Jack London and particularly to those who love his masterpiece, this new edition of "The Call of the Wild" will mean much. Some of the previous issues of this great book were thought to be beautiful, but none of them seems so now in comparison with the latest one, the make-up of which is distinguished by a number of features. In the first place there are many full-page plates reproduced in color from paintings done by Mr. Bransom. More than this, the first two pages of each chapter are printed in colors and decorated with head pieces and drawings, while every other two pages carry black and white half tones in the text, also the work of Mr. Bransom.

THE MACMILLAN COMPANY Publishers 64-66 Fifth Avenue New York

THE END

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