Baker watched him edging away. "You're safe," he said. "The boss'll talk to you pretty soon if you feel like it—" He squinted at Tom in surprise, pointing an indolent thumb toward the door. "You planning to go out or something?"

Tom stopped short, his face red. The big man shrugged. "Go ahead. I ain't going to stop you." He grinned. "Go as far as you can."

Without a word Shandor threw open the door, looked out into the concrete corridor. At the end was a large, bright room. Cautiously he started down, then suddenly let out a cry and broke into a run, his eyes wide—

He reached the room, a large room, with heavy plastic windows. He ran to one of the windows, pulse pounding, and stared, a cry choking in his throat. The blackness of the crags contrasted dimly with the inky blackness of the sky beyond. Mile upon mile of jagged, rocky crags, black rock, ageless, unaged rock. And it struck him with a jolt how easily he had been able to run, how lightning-swift his movements. He stared again, and then he saw what he had seen in the pit, standing high outside the building on a rocky flat, standing bright and silvery, like a phantom finger pointing to the inky heavens, sleek, smooth, resting on polished tailfins, like an other-worldly bird poised for flight—

A voice behind him said, "You aren't really going anyplace, you know. Why run?" It was a soft voice, a kindly voice, cultured, not rough and biting like Baker's voice. It came from directly behind Shandor, and he felt his skin crawl. He had heard that voice before—many times before. Even in his dreams he had heard that voice. "You see, it's pretty cold out there. And there isn't any air. You're on the Moon, Mr. Shandor—"

He whirled, his face twisted and white. And he stared at the small figure standing at the door, a stoop-shouldered man, white hair slightly untidy, crow's-feet about his tired eyes. An old man, with eyes that carried a sparkle of youth and kindliness. The eyes of David P. Ingersoll.

* * * * *

Shandor stared for a long moment, shaking his head like a man seeing a phantom. When he found words, his voice was choked, the words wrenched out as if by force. "You're—you're alive."

"Yes. I'm alive."

"Then—" Shandor shook his head violently, turning to the window, and back to the small, white-haired man. "Then your death was just a fake."

The old man nodded tiredly. "That's right. Just a fake."

Shandor stumbled to a chair, sat down woodenly. "I don't get it," he said dully. "I just don't get it. The war—that—that I can see. I can see how you worked it, how you engineered it, but this—" he gestured feebly at the window, at the black, impossible landscape outside. "This I can't see. They're bombing us to pieces, they're bombing out Washington, probably your own home, your own family—last night—" he stopped, frowning in confusion—"no, it couldn't have been last night—two days ago?—well, whatever day it was, they were bombing us to pieces, and you're up here—why? What's it going to get you? This war, this whole rotten intrigue mess, and then this?"

The old man walked across the room and stared for a moment at the silent ship outside. "I hope I can make you understand. We had to come here. We had no choice. We couldn't do what we wanted any other way than to come here—first. Before anybody else."

"But why here? They're building a rocket there in Arizona. They'll be up here in a few days, maybe a few weeks—"

"Approximately forty-eight hours," corrected Ingersoll quietly. "Within forty-eight hours the Arizona rocket will be here. If the Russian rocket doesn't get here first."

"It doesn't make sense. It won't do you any good to be here if the Earth is blasted to bits. Why come here? And why bring me here, of all people? What do you want with me?"

Ingersoll smiled and sat down opposite Shandor. "Take it easy," he said gently. "You're here, you're safe, and you're going to get the whole story. I realize that this is a bit of a jolt—but you had to be jolted. With you I think the jolt will be very beneficial, since we want you with us. That's why we brought you here. We need your help, and we need it very badly. It's as simple as that."

Shandor was on his feet, his eyes blazing. "No dice. This is your game, not mine. I don't want anything to do with it—"

"But you don't know the game—"

"I know plenty of the game. I followed the trail, right from the start. I know the whole rotten mess. The trail led me all the way around Robin Hood's barn, but it told me things—oh, it told me plenty! It told me about you, and this war. And now you want me to help you! What do you want me to do? Go down and tell the people it isn't really so bad being pounded to shreds? Should I tell them they aren't really being bombed, it's all in their minds? Shall I tell them this is a war to defend their freedoms, that it's a great crusade against the evil forces of the world? What kind of a sap do you think I am?" He walked to the window, his whole body trembling with anger. "I followed this trail down to the end, I scraped my way down into the dirtiest, slimiest depths of the barrel, and I've found you down there, and your rotten corporations, and your crowd of heelers. And on the other side are three hundred million people taking the lash end of the whip on Earth, helping to feed you. And you ask me to help you!"

"Once upon a time," Ingersoll interrupted quietly, "there was a fox."

Shandor stopped and stared at him.

"—and the fox got caught in a trap. A big bear trap, with steel jaws, that clamped down on him and held him fast by the leg. He wrenched and he pulled, but he couldn't break that trap open, no matter what he did. And the fox knew that the farmer would come along almost any time to open that bear trap, and the fox knew the farmer would kill him. He knew that if he didn't get out of that trap, he'd be finished, sure as sin. But he was a clever fox, and he found a way to get out of the bear trap." Ingersoll's voice was low, tense in the still room. "Do you know what he did?"

Shandor shook his head silently.

"It was a very simple solution," said Ingersoll. "Drastic, but simple. He gnawed off his leg."

Another man had entered the room, a small, weasel-faced man with sallow cheeks and slick black hair. Ingersoll looked up with a smile, but Mariel waved him on, and took a seat nearby.

"So he chewed off his leg," Shandor repeated dully. "I don't get it."

"The world is in a trap," said Ingersoll, watching Shandor with quiet eyes. "A great big bear trap. It's been in that trap for decades—ever since the first World War. The world has come to a wall it can't climb, a trap it can't get out of, a vicious, painful, torturous trap, and the world has been struggling for seven decades to get out. It hasn't succeeded. And the time is drawing rapidly nigh for the farmer to come. Something had to be done, and done fast, before it was too late. The fox had to chew off its leg. And I had to bring the world to the brink of a major war."

Shandor shook his head, his mind buzzing. "I don't see what you mean. We never had a chance for peace, we never had a chance to get our feet on the ground from one round to the next. No time to do anything worthwhile in the past seventy years—I don't see what you mean about a trap."

Ingersoll settled back in his chair, the light catching his face in sharp profile. "It's been a century of almost continuous war," he said. "You've pointed out the whole trouble. We haven't had time to catch our breath, to make a real peace. The first World War was a sorry affair, by our standards—almost a relic of earlier European wars. Trench fighting, poor rifles, soap-box aircraft—nothing to distinguish it from earlier wars but its scope. But twenty uneasy years went by, and another war began, a very different sort of war. This one had fast aircraft, fast mechanized forces, heavy bombing, and finally, to cap the climax, atomics. That second World War could hold up its head as a real, strapping, fighting war in any society of wars. It was a stiff war, and a terrible one. Quite a bit of progress, for twenty years. But essentially, it was a war of ideologies, just as the previous one had been. A war of intolerance, of unmixable ideas—"

The old man paused, and drew a sip of water from the canister in the corner. "Somewhere, somehow, the world had missed the boat. Those wars didn't solve anything, they didn't even make a very strong pretense. They just made things worse. Somewhere, human society had gotten into a trap, a vicious circle. It had reached the end of its progressive tether, it had no place to go, no place to expand, to great common goal. So ideologies arose to try to solve the dilemma of a basically static society, and they fought wars. And they reached a point, finally, where they could destroy themselves unless they broke the vicious circle, somehow."

Shandor looked up, a deep frown on his face. "You're trying to say that they needed a new frontier."

"Exactly! They desperately needed it. There was only one more frontier they could reach for. A frontier which, once attained, has no real end." He gestured toward the black landscape outside. "There's the frontier. Space. The one thing that could bring human wars to an end. A vast, limitless frontier which could drive men's spirits upward and outward for the rest of time. And that frontier seemed unattainable. It was blocked off by a wall, by the jaws of a trap. Oh, they tried. After the first war the work began. The second war contributed unimaginably to the technical knowledge. But after the second war, they could go no further. Because it cost money, it required a tremendous effort on the part of the people of a great nation to do it, and they couldn't see why they should spend the money to get to space. After all, they had to work up the atomics and new weapons for the next war—it was a trap, as strong and treacherous as any the people of the world had ever encountered.

"The answer, of course, was obvious. Each war brought a great surge of technological development, to build better weapons, to fight bigger wars. Some developments led to extremely beneficial ends, too—if it hadn't been for the second war, a certain British biologist might still be piddling around his understaffed, underpaid laboratory, wishing he had more money, and wondering why it was that that dirty patch of mold on his petri dish seemed to keep bacteria from growing—but the second war created a sudden, frantic, urgent demand for something, anything, that would stop infection—fast. And in no time, penicillin was in mass production, saving untold thousands of lives. There was no question of money. Look at the Manhattan project. How many millions went into that? It gave us atomic power, for war, and for peace. For peaceful purposes, the money would never have been spent. But if it was for the sake of war—"

Ingersoll smiled tiredly. "Sounds insane, doesn't it? But look at the record. I looked at the record, way back at the end of the war with China. Other men looked at the record, too. We got together, and talked. We knew that the military advantage of a rocket base on the moon could be a deciding factor in another major war. Military experts had recognized that fact back in the 1950's. Another war could give men the technological kick they needed to get them to space—possibly in time. If men got to space before they destroyed themselves, the trap would be broken, the frontier would be opened, and men could turn their energies away from destruction toward something infinitely greater and more important. With space on his hands men could get along without wars. But if we waited for peacetime to go to space, we might never make it. It might be too late.

"It was a dreadful undertaking. I saw the wealth in the company I directed and controlled at the end of the Chinese war, and the idea grew strong. I saw that a huge industrial amalgamation could be undertaken, and succeed. We had a weapon in our favor, the most dangerous weapon ever devised, a thousand times more potent than atomics. Hitler used it, with terrible success. Stalin used it. Haro-Tsing used it. Why couldn't Ingersoll use it? Propaganda—a terrible weapon. It could make people think the right way—it could make them think almost any way. It made them think war. From the end of the last war we started, with propaganda, with politics, with money. The group grew stronger as our power became more clearly understood. Mariel handled propaganda through the newspapers, and PIB, and magazines—a clever man—and Harry Dartmouth handled production. I handled the politics and diplomacy. We had but one aim in mind—to bring about a threat of major war that would drive men to space. To the moon, to a man-made satellite, somewhere or anywhere to break through the Earth's gravity and get to space. And we aimed at a controlled war. We had the power to do it, we had the money and the plants. We just had to be certain it wasn't the ultimate war. It wasn't easy to make sure that atomic weapons wouldn't be used this time—but they will not. Both nations are too much afraid, thanks to our propaganda program. They both leaped at a chance to make a face-saving agreement. And we hoped that the war could be held off until we got to the moon, and until the Arizona rocket project could get a ship launched for the moon. The wheels we had started just moved too fast. I saw at the beginning of the Berlin Conference that it would explode into war, so I decided the time for my 'death' had arrived. I had to come here, to make sure the war doesn't go on any longer than necessary."

Shandor looked up at the old man, his eyes tired. "I still don't see where I'm supposed to fit in. I don't see why you came here at all. Was that a wild-goose chase I ran down there, learning about this?"

"Not a wild goose chase. The important work can't start, you see, until the rocket gets here. It wouldn't do much good if the Arizona rocket got here, to fight the war. It may come for war, but it must go back for peace. We built this rocket to get us here first—built it from government specifications, though they didn't know it. We had the plant to build it in, and we were able to hire technologists not to find the right answers in Arizona until we were finished. Because the whole value of the war-threat depended solely and completely upon our getting here first. When the Arizona rocket gets to the moon, the war must be stopped. Only then can we start the real 'operation Bear Trap.' That ship, whether American or Russian, will meet with a great surprise when it reaches the Moon. We haven't been spotted here. We left in darkness and solitude, and if we were seen, it was chalked off as a guided missile. We're well camouflaged, and although we don't have any sort of elaborate base—just a couple of sealed rooms—we have a ship and we have weapons. When the first ship comes up here, the control of the situation will be in our hands. Because when it comes, it will be sent back with an ultimatum to all nations—to cease warfare, or suffer the most terrible, nonpartisan bombardment the world has ever seen. A pinpoint bombardment, from our ship, here on the Moon. There won't be too much bickering I think. The war will stop. All eyes will turn to us. And then the big work begins."

He smiled, his thin face showing tired lines in the bright light. "I may die before the work is done. I don't know, nor care. I have no successor, nor have we any plans to perpetuate our power once the work is done. As soon as the people themselves will take over the work, the job is theirs, because no group can hope to ultimately control space. But first people must be sold on space, from the bottom up. They must be forced to realize the implications of a ship on the moon. They must realize that the first ship was the hardest, that the trap is sprung. The amputation is a painful one, there wasn't any known anaesthetic, but it will heal, and from here there is no further need for war. But the people must see that, understand its importance. They've got to have the whole story, in terms that they can't mistake. And that means a propagandist—"

"You have Mariel," said Shandor. "He's had the work, the experience—"

"He's getting tired. He'll tell you himself his ideas are slow, he isn't on his toes any longer. He needs a new man, a helper, to take his place. When the first ship comes, his job is done." The old man smiled. "I've watched you, of course, for years. Mariel saw that you were given his job when he left PIB to edit 'Fighting World.' He didn't think you were the man, he didn't trust you—thought you had been raised too strongly on the sort of gibberish you were writing. I thought you were the only man we could use. So we let you follow the trail, and watched to see how you'd handle it. And when you came to the Nevada plant, we knew you were the man we had to have—"

Shandor scowled, looking first at Ingersoll, then at Mariel's impassive face. "What about Ann?" he asked, and his voice was unsteady. "She knew about it all the time?"

"No. She didn't know anything about it. We were afraid she had upset things when she didn't turn my files over to Dartmouth as he'd told her. We were afraid you'd go ahead and write the story as you saw it then, which would have wrecked our plan completely. As it was, she helped us sidestep the danger in the long run, but she didn't know what she was really doing." He grinned. "The error was ours, of course. We simply underestimated our man. We didn't know you were that tenacious."

Shandor's face was haggard. "Look. I—I don't know what to think. This ship in Arizona—how long? When will it come? How do you know it'll ever come?"

"We waited until our agents there gave us a final report. The ship may be leaving at any time. But there's no doubt that it'll come. If it doesn't, one from Russia will. It won't be long." He looked at Shandor closely. "You'll have to decide by then, Tom."

"And if I don't go along with you?"

"We could lose. It's as simple as that. Without a spokesman, the plan could fall through completely. There's only one thing you need to make your decision, Tom—faith in men, and a sure conviction that man was made for the stars, and not for an endless circle of useless wars. Think of it, Tom. That's what your decision means."

Shandor walked to the window, stared out at the bleak landscape, watched the great bluish globe of earth, hanging like a huge balloon in the black sky. He saw the myriad pinpoints of light in the blackness on all sides of it, and shook his head, trying to think. So many things to think of, so very many things—

"I don't know," he muttered. "I just don't know—"

* * * * *

It was a long night. Ideas are cruel, they become a part of a man's brain, an inner part of his chemistry, they carve grooves deep in his mind which aren't easily wiped away. He knew he'd been living a lie, a bitter, hopeless, endless lie, all his life, but a liar grows to believe his own lies. Even to the point of destruction, he believes them. It was so hard to see the picture, now that he had the last piece in place.

A fox, and a bear trap. Such a simple analogy. War was a hellish proposition, it was cruel, it was evil. It could be lost, so very easily. And it seemed so completely, utterly senseless to cut off one's own leg—

And then he thought, somewhere, sometime, he'd see her again. Perhaps they'd be old by then, but perhaps not—perhaps they'd still be young, and perhaps she wouldn't know the true story yet. Perhaps he could be the first to tell her, to let her know that he had been wrong— Maybe there could be a chance to be happy, on Earth, sometime. They might marry, even, there might be children. To be raised for what? Wars and wars and more wars? Or was there another alternative? Perhaps the stars were winking brighter—

* * * * *

A hoarse shout rang through the quiet rooms. Ingersoll sat bolt upright, turned his bright eyes to Mariel, and looked down the passageway. And then they were crowding to the window as one of the men snapped off the lights in the room, and they were staring up at the pale bluish globe that hung in the sky, squinting, breathless—

And they saw the tiny, tiny burst of brightness on one side of that globe, saw a tiny whisp of yellow, cutting an arc from the edge, moving farther and farther into the black circle of space around the Earth, slicing like a thin scimitar, moving higher and higher, and then, magically, winking out, leaving a tiny, evaporating trail behind it.

"You saw it?" whispered Mariel in the darkness. "You saw it, David?"

"Yes. I saw it." Ingersoll breathed deeply, staring into the blackness, searching for a glimmer, a glint, some faint reassurance that it had not been a mirage they had seen. And then Ingersoll felt a hand in his, Tom Shandor's hand, gripping his tightly, wringing it, and when the lights snapped on again, he was staring at Shandor, tears of happiness streaming from his pale, tired eyes. "You saw it?" he whispered.

Shandor nodded, his heart suddenly too large for his chest, a peace settling down on him greater than any he had ever known in his life.

"They're coming," he said.



Transcriber's Note:

This etext was produced from Fantastic Universe December 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

THE END