"I reckon you think," she resumed presently, "that I'm a mean, stingy old creetur not to give Janie the counterpane now, instead o' hoardin' it up, and all these quilts too, and keepin' folks waitin' for 'em till I die. But, honey, it ain't all selfishness. I'd give away my best dress or my best bonnet or an acre o' ground to anybody that needed 'em more'n I did; but these quilts—Why, it looks like my whole life was sewed up in 'em, and I ain't goin' to part with 'em while life lasts."

There was a ring of passionate eagerness in the old voice, and she fell to putting away her treasures as if the suggestion of losing them had made her fearful of their safety.

I looked again at the heap of quilts. An hour ago they had been patchwork, and nothing more. But now! The old woman's words had wrought a transformation in the homely mass of calico and silk and worsted. Patchwork? Ah, no! It was memory, imagination, history, biography, joy, sorrow, philosophy, religion, romance, realism, life, love, and death; and over all, like a halo, the love of the artist for his work and the soul's longing for earthly immortality.

No wonder the wrinkled fingers smoothed them as reverently as we handle the garments of the dead.



IV

"SWEET DAY OF REST"



I walked slowly down the "big road" that Sunday afternoon—slowly, as befitted the scene and the season; for who would hurry over the path that summer has prepared for the feet of earth's tired pilgrims? It was the middle of June, and Nature lay a vision of beauty in her vesture of flowers, leaves, and blossoming grasses. The sandy road was a pleasant walking-place; and if one tired of that, the short, thick grass on either side held a fairy path fragrant with pennyroyal, that most virtuous of herbs. A tall hedge of Osage orange bordered each side of the road, shading the traveler from the heat of the sun, and furnishing a nesting-place for numberless small birds that twittered and chirped their joy in life and love and June. Occasionally a gap in the foliage revealed the placid beauty of corn, oats, and clover, stretching in broad expanse to the distant purple woods, with here and there a field of the cloth of gold—the fast-ripening wheat that waited the hand of the mower. Not only is it the traveler's manifest duty to walk slowly in the midst of such surroundings, but he will do well if now and then he sits down and dreams.

As I made the turn in the road and drew near Aunt Jane's house, I heard her voice, a high, sweet, quavering treble, like the notes of an ancient harpsichord. She was singing a hymn that suited the day and the hour:

"Welcome, sweet day of rest, That saw the Lord arise, Welcome to this reviving breast, And these rejoicing eyes."

Mingling with the song I could hear the creak of her old splint-bottomed chair as she rocked gently to and fro. Song and creak ceased at once when she caught sight of me, and before I had opened the gate she was hospitably placing another chair on the porch and smiling a welcome.

"Come in, child, and set down," she exclaimed, moving the rocker so that I might have a good view of the bit of landscape that she knew I loved to look at.

"Pennyroy'l! Now, child, how did you know I love to smell that?" She crushed the bunch in her withered hands, buried her face in it and sat for a moment with closed eyes. "Lord! Lord!" she exclaimed, with deep-drawn breath, "if I could jest tell how that makes me feel! I been smellin' pennyroy'l all my life, and now, when I get hold of a piece of it, sometimes it makes me feel like a little child, and then again it brings up the time when I was a gyirl, and if I was to keep on settin' here and rubbin' this pennyroy'l in my hands, I believe my whole life'd come back to me. Honey-suckles and pinks and roses ain't any sweeter to me. Me and old Uncle Harvey Dean was jest alike about pennyroy'l. Many a time I've seen Uncle Harvey searchin' around in the fence corners in the early part o' May to see if the pennyroy'l was up yet, and in pennyroy'l time you never saw the old man that he didn't have a bunch of it somewheres about him. Aunt Maria Dean used to say there was dried pennyroy'l in every pocket of his coat, and he used to put a big bunch of it on his piller at night. Sundays it looked like Uncle Harvey couldn't enjoy the preachin' and the singin' unless he had a sprig of it in his hand, and I ricollect once seein' him git up durin' the first prayer and tiptoe out o' church and come back with a handful o' pennyroy'l that he'd gethered across the road, and he'd set and smell it and look as pleased as a child with a piece o' candy."

"Piercing sweet" the breath of the crushed wayside herb rose on the air. I had a distinct vision of Uncle Harvey Dean, and wondered if the fields of asphodel might not yield him some small harvest of his much-loved earthly plant, or if he might not be drawn earthward in "pennyroy'l time."

"I was jest settin' here restin'," resumed Aunt Jane, "and thinkin' about Milly Amos. I reckon you heard me singin' fit to scare the crows as you come along. We used to call that Milly Amos' hymn, and I never can hear it without thinkin' o' Milly."

"Why was it Milly Amos' hymn?" I asked.

Aunt Jane laughed blithely.

"La, child!" she said, "don't you ever git tired o' my yarns? Here it is Sunday, and you tryin' to git me started talkin'; and when I git started you know there ain't any tellin' when I'll stop. Come on and le's look at the gyarden; that's more fittin' for Sunday evenin' than tellin' yarns."

So together we went into the garden and marveled happily over the growth of the tasseling corn, the extraordinarily long runners on the young strawberry plants, the size of the green tomatoes, and all the rest of the miracles that sunshine and rain had wrought since my last visit.

The first man and the first woman were gardeners, and there is something wrong in any descendant of theirs who does not love a garden. He is lacking in a primal instinct. But Aunt Jane was in this respect a true daughter of Eve, a faithful co-worker with the sunshine, the winds, the rain, and all other forces of nature.

"What do you reckon folks'd do," she inquired, "if it wasn't for plantin'-time and growin'-time and harvest-time? I've heard folks say they was tired o' livin', but as long as there's a gyarden to be planted and looked after there's somethin' to live for. And unless there's gyardens in heaven I'm pretty certain I ain't goin' to be satisfied there."

But the charms of the garden could not divert me from the main theme, and when we were seated again on the front porch I returned to Milly Amos and her hymn.

"You know," I said, "that there isn't any more harm in talking about a thing on Sunday than there is in thinking about it." And Aunt Jane yielded to the force of my logic.

"I reckon you've heard me tell many a time about our choir," she began, smoothing out her black silk apron with fingers that evidently felt the need of knitting or some other form of familiar work. "John Petty was the bass, Sam Crawford the tenor, my Jane was the alto, and Milly Amos sung soprano. I reckon Milly might 'a' been called the leader of the choir; she was the sort o' woman that generally leads wherever she happens to be, and she had the strongest, finest voice in the whole congregation. All the parts appeared to depend on her, and it seemed like her voice jest carried the rest o' the voices along like one big river that takes up all the little rivers and carries 'em down to the ocean. I used to think about the difference between her voice and Miss Penelope's. Milly's was jest as clear and true as Miss Penelope's, and four or five times as strong, but I'd ruther hear one note o' Miss Penelope's than a whole song o' Milly's. Milly's was jest a voice, and Miss Penelope's was a voice and somethin' else besides, but what that somethin' was I never could say. However, Milly was the very one for a choir; she kind o' kept 'em all together and led 'em along, and we was mighty proud of our choir in them days. We always had a voluntary after we got our new organ, and I used to look forward to Sunday on account o' that voluntary. It used to sound so pretty to hear 'em begin singin' when everything was still and solemn, and I can never forgit the hymns they sung then—Sam and Milly and John and my Jane.

"But there was one Sunday when Milly didn't sing. Her and Sam come in late, and I knew the minute I set eyes on Milly that somethin' was the matter. Generally she was smilin' and bowin' to people all around, but this time she walked in and set the children down, and then set down herself without even lookin' at anybody, to say nothin' o' smilin' or speakin'. Well, when half-past ten come, my Jane began to play 'Welcome, sweet day of rest,' and all of 'em begun singin' except Milly. She set there with her mouth tight shut, and let the bass and tenor and alto have it all their own way. I thought maybe she was out o' breath from comin' in late and in a hurry, and I looked for her to jine in, but she jest set there, lookin' straight ahead of her; and when Sam passed her a hymn-book, she took hold of it and shut it up and let it drop in her lap. And there was the tenor and the bass and the alto doin' their best, and everybody laughin', or tryin' to keep from laughin'. I reckon if Uncle Jim Matthews had 'a' been there, he'd 'a' took Milly's place and helped 'em out, but Uncle Jim'd been in his grave more'n two years. Sam looked like he'd go through the floor, he was so mortified, and he kept lookin' around at Milly as much as to say, 'Why don't you sing? Please sing, Milly,' but Milly never opened her mouth.

"I'd about concluded Milly must have the sore throat or somethin' like that, but when the first hymn was give out, Milly started in and sung as loud as anybody; and when the doxology come around, Milly was on hand again, and everybody was settin' there wonderin' why on earth Milly hadn't sung in the voluntary. When church was out, I heard Sam invitin' Brother Hendricks to go home and take dinner with him—Brother Hendricks'd preached for us that day—and they all drove off together before I'd had time to speak to Milly.

"But that week, when the Mite Society met, Milly was there bright and early; and when we'd all got fairly started with our sewin', and everybody was in a good-humor, Sally Ann says, says she: 'Milly, I want to know why you didn't sing in that voluntary Sunday. I reckon everybody here wants to know,' says she, 'but nobody but me's got the courage to ask you.'

"And Milly's face got as red as a beet, and she burst out laughin', and says she: 'I declare, I'm ashamed to tell you all. I reckon Satan himself must 'a' been in me last Sunday. You know,' says she,'there's some days when everything goes wrong with a woman, and last Sunday was one o' them days. I got up early,' says she, 'and dressed the children and fed my chickens and strained the milk and washed up the milk things and got breakfast and washed the dishes and cleaned up the house and gethered the vegetables for dinner and washed the children's hands and faces and put their Sunday clothes on 'em, and jest as I was startin' to git myself ready for church,' says she, 'I happened to think that I hadn't skimmed the milk for the next day's churnin'. So I went down to the spring-house and did the skimmin', and jest as I picked up the cream-jar to put it up on that shelf Sam built for me, my foot slipped,' says she, 'and down I come and skinned my elbow on the rock step, and broke the jar all to smash and spilled the cream all over creation, and there I was—four pounds o' butter and a fifty-cent jar gone, and my spring-house in such a mess that I ain't through cleanin' it yet, and my right arm as stiff as a poker ever since.'

"We all had to laugh at the way Milly told it; and Sally Ann says, 'Well, that was enough to make a saint mad.' 'Yes,' says Milly, 'and you all know I'm far from bein' a saint. However,' says she, 'I picked up the pieces and washed up the worst o' the cream, and then I went to the house to git myself ready for church, and before I could git there, I heard Sam hollerin' for me to come and sew a button on his shirt; one of 'em had come off while he was tryin' to button it. And when I got out my work-basket, the children had been playin' with it, and there wasn't a needle in it, and my thimble was gone, and I had to hunt up the apron I was makin' for little Sam and git a needle off that, and I run the needle into my finger, not havin' any thimble, and got a blood spot on the bosom o' the shirt. Then,' says she, 'before I could git my dress over my head, here come little Sam with his clothes all dirty where he'd fell down in the mud, and there I had him to dress again, and that made me madder still; and then, when I finally got out to the wagon,' says she, 'I rubbed my clean dress against the wheel, and that made me mad again; and the nearer we got to the church, the madder I was; and now,' says she, 'do you reckon after all I'd been through that mornin', and dinner ahead of me to git, and the children to look after all the evenin', do you reckon that I felt like settin' up there and singin' "Welcome, sweet day o' rest"?' Says she, 'I ain't seen any day o' rest since the day I married Sam, and I don't expect to see any till the day I die; and if Parson Page wants that hymn sung, let him git up a choir of old maids and old bachelors, for they're the only people that ever see any rest Sunday or any other day.'

"We all laughed, and said we didn't blame Milly a bit for not singin' that hymn; and then Milly said: 'I reckon I might as well tell you all the whole story. By the time church was over,' says she, 'I'd kind o' cooled off, but when I heard Sam askin' Brother Hendricks to go home and take dinner with him, that made me mad again; for I knew that meant a big dinner for me to cook, and I made up my mind then and there that I wouldn't cook a blessed thing, company or no company. Sam'd killed chickens the night before,' says she, 'and they was all dressed and ready, down in the spring-house; and the vegetables was right there on the back porch, but I never touched 'em,' says she. 'I happened to have some cold ham and cold mutton on hand—not much of either one—and I sliced 'em and put the ham in one end o' the big meat-dish and the mutton in the other, with a big bare place between, so's everybody could see that there wasn't enough of either one to go 'round; and then,' says she, 'I sliced up a loaf o' my salt-risin' bread and got out a bowl o' honey and a dish o' damson preserves, and then I went out on the porch and told Sam that dinner was ready.'

"I never shall forgit how we all laughed when Milly was tellin' it. 'You know, Aunt Jane,' says she, 'how quick a man gits up when you tell him dinner's ready. Well, Sam he jumps up, and says he, "Why, you're mighty smart to-day, Milly; I don't believe there's another woman in the county that could git a Sunday dinner this quick." And says he, "Walk out, Brother Hendricks, walk right out."'"

Here Aunt Jane paused to laugh again at the long-past scene that her words called up.

"Milly used to say that Sam's face changed quicker'n a flash o' lightnin' when he saw the table, and he dropped down in his cheer and forgot to ask Brother Hendricks to say grace. 'Why, Milly,' says he, 'where's the dinner? Where's them chickens I killed last night, and the potatoes and corn and butter-beans?' And Milly jest looked him square in the face, and says she, 'The chickens are in the spring-house and the vegetables out on the back porch, and,' says she, 'do you suppose I'm goin' to cook a hot dinner for you all on this "sweet day o' rest"?'"

Aunt Jane stopped again to laugh.

"That wasn't a polite way for anybody to talk at their own table," she resumed, "and some of us asked Milly what Brother Hendricks said. And Milly's face got as red as a beet again, and she says: 'Why, he behaved so nice, he made me feel right ashamed o' myself for actin' so mean. He jest reached over and helped himself to everything he could reach, and says he, "This dinner may not suit you, Brother Amos, but it's plenty good for me, and jest the kind I'm used to at home." Says he, "I'd rather eat a cold dinner any time than have a woman toilin' over a hot stove for me."' And when he said that, Milly up and told him why it was she didn't feel like gittin' a hot dinner, and why she didn't sing in the voluntary; and when she'd got through, he says, 'Well, Sister Amos, if I'd been through all you have this mornin' and then had to git up and give out such a hymn as "Welcome, sweet day o' rest," I believe I'd be mad enough to pitch the hymn-book and the Bible at the deacons and the elders.' And then he turns around to Sam, and says he, 'Did you ever think, Brother Amos, that there ain't a pleasure men enjoy that women don't have to suffer for it?' And Milly said that made her feel meaner'n ever; and when supper-time come, she lit the fire and got the best hot supper she could—fried chicken and waffles and hot soda-biscuits and coffee and goodness knows what else. Now wasn't that jest like a woman, to give in after she'd had her own way for a while and could 'a' kept on havin' it? Abram used to say that women and runaway horses was jest alike; the best way to manage 'em both was to give 'em the rein and let 'em go till they got tired, and they'll always stop before they do any mischief. Milly said that supper tickled Sam pretty near to death. Sam was always mighty proud o' Milly's cookin'.

"So that's how we come to call that hymn Milly Amos' hymn, and as long as Milly lived folks'd look at her and laugh whenever the preacher give out 'Welcome, sweet day o' rest.'"

The story was over. Aunt Jane folded her hands, and we both surrendered ourselves to happy silence. All the faint, sweet sounds that break the stillness of a Sunday in the country came to our ears in gentle symphony,—the lisp of the leaves, the chirp of young chickens lost in the mazes of billowy grass, and the rustle of the silver poplar that turned into a mass of molten silver whenever the breeze touched it.

"When you've lived as long as I have, child," said Aunt Jane presently, "you'll feel that you've lived in two worlds. A short life don't see many changes, but in eighty years you can see old things passin' away and new ones comin' on to take their place, and when I look back at the way Sunday used to be kept and the way it's kept now, it's jest like bein' in another world. I hear folks talkin' about how wicked the world's growin' and wishin' they could go back to the old times, but it looks like to me there's jest as much kindness and goodness in folks nowadays as there was when I was young; and as for keepin' Sunday, why, I've noticed all my life that the folks that's strictest about that ain't always the best Christians, and I reckon there's been more foolishness preached and talked about keepin' the Sabbath day holy than about any other one thing.

"I ricollect some fifty-odd years ago the town folks got to keepin' Sunday mighty strict. They hadn't had a preacher for a long time, and the church'd been takin' things easy, and finally they got a new preacher from down in Tennessee, and the first thing he did was to draw the lines around 'em close and tight about keepin' Sunday. Some o' the members had been in the habit o' havin' their wood chopped on Sunday. Well, as soon as the new preacher come, he said that Sunday wood-choppin' had to cease amongst his church-members or he'd have 'em up before the session. I ricollect old Judge Morgan swore he'd have his wood chopped any day that suited him. And he had a load o' wood carried down cellar, and the nigger man chopped all day long down in the cellar, and nobody ever would 'a' found it out, but pretty soon they got up a big revival that lasted three months and spread 'way out into the country, and bless your life, old Judge Morgan was one o' the first to be converted; and when he give in his experience, he told about the wood-choppin', and how he hoped to be forgiven for breakin' the Sabbath day.

"Well, of course us people out in the country wouldn't be outdone by the town folks, so Parson Page got up and preached on the Fourth Commandment and all about that pore man that was stoned to death for pickin' up a few sticks on the seventh day. And Sam Amos, he says after meetin' broke, says he, 'It's my opinion that that man was a industrious, enterprisin' feller that was probably pickin' up kindlin'-wood to make his wife a fire, and,' says he, 'if they wanted to stone anybody to death they better 'a' picked out some lazy, triflin' feller that didn't have energy enough to work Sunday or any other day.' Sam always would have his say, and nothin' pleased him better'n to talk back to the preachers and git the better of 'em in a argument. I ricollect us women talked that sermon over at the Mite Society, and Maria Petty says: 'I don't know but what it's a wrong thing to say, but it looks to me like that Commandment wasn't intended for anybody but them Israelites. It was mighty easy for them to keep the Sabbath day holy, but,' says she, 'the Lord don't rain down manna in my yard. And,' says she, 'men can stop plowin' and plantin' on Sunday, but they don't stop eatin', and as long as men have to eat on Sunday, women'll have to work.'

"And Sally Ann, she spoke up, and says she, 'That's so; and these very preachers that talk so much about keepin' the Sabbath day holy, they'll walk down out o' their pulpits and set down at some woman's table and eat fried chicken and hot biscuits and corn bread and five or six kinds o' vegetables, and never think about the work it took to git the dinner, to say nothin' o' the dish-washin' to come after.'

"There's one thing, child, that I never told to anybody but Abram; I reckon it was wicked, and I ought to be ashamed to own it, but"—here her voice fell to a confessional key—"I never did like Sunday till I begun to git old. And the way Sunday used to be kept, it looks to me like nobody could 'a' been expected to like it but old folks and lazy folks. You see, I never was one o' these folks that's born tired. I loved to work. I never had need of any more rest than I got every night when I slept, and I woke up every mornin' ready for the day's work. I hear folks prayin' for rest and wishin' for rest, but, honey, all my prayer was, 'Lord, give me work, and strength enough to do it.' And when a person looks at all the things there is to be done in this world, they won't feel like restin' when they ain't tired.

"Abram used to say he believed I tried to make work for myself Sunday and every other day; and I ricollect I used to be right glad when any o' the neighbors'd git sick on Sunday and send for me to help nurse 'em. Nursing the sick was a work o' necessity, and mercy, too. And then, child, the Lord don't ever rest. The Bible says He rested on the seventh day when He got through makin' the world, and I reckon that was rest enough for Him. For, jest look; everything goes on Sundays jest the same as week-days. The grass grows, and the sun shines, and the wind blows, and He does it all."

"'For still the Lord is Lord of might; In deeds, in deeds He takes delight,'"

I said.

"That's it," said Aunt Jane, delightedly. "There ain't any religion in restin' unless you're tired, and work's jest as holy in his sight as rest."

Our faces were turned toward the western sky, where the sun was sinking behind the amethystine hills. The swallows were darting and twittering over our heads, a somber flock of blackbirds rose from a huge oak tree in the meadow across the road, and darkened the sky for a moment in their flight to the cedars that were their nightly resting place. Gradually the mist changed from amethyst to rose, and the poorest object shared in the transfiguration of the sunset hour.

Is it unmeaning chance that sets man's days, his dusty, common days, between the glories of the rising and the setting sun, and his life, his dusty, common life, between the two solemnities of birth and death? Bounded by the splendors of the morning and evening skies, what glory of thought and deed should each day hold! What celestial dreams and vitalizing sleep should fill our nights! For why should day be more magnificent than life?

As we watched in understanding silence, the enchantment slowly faded. The day of rest was over, a night of rest was at hand; and in the shadowy hour between the two hovered the benediction of that peace which "passeth all understanding."



V

MILLY BAKER'S BOY



It was the last Monday in May, and a steady stream of wagons, carriages, and horseback riders had been pouring into town over the smooth, graveled pike.

Aunt Jane stood on her front porch, looking around and above with evident delight. This was her gala Monday; and if any thoughts of the County Court days of happier years were in her mind, they were not permitted to mar her enjoyment of the present. There were no waters of Marah near her spring of remembrance.

"Clear as a whistle!" she exclaimed, peering through the tendrils of a Virginia creeper at the sea of blue ether where fleecy white clouds were floating, driven eastward by the fresh spring wind. "Folks'll come home dry to-night; last time they was as wet as drowned rats. Yonder comes the Crawfords, and there's Jim Amos on horseback in front of 'em. How d'ye, Jim! And yonder comes Richard Elrod in his new carriage. Jest look at him! I do believe he grows younger and handsomer every day of his life."

A sweet-faced woman sat beside him, and two pretty girls were in the seat behind them. Bowing courteously to the old woman on the door-step, Richard Elrod looked every inch a king of the soil and a perfect specimen of the gentleman farmer of Kentucky.

"The richest man in the county," said Aunt Jane exultingly, as she followed the vanishing carriage with her keen gaze. "He went to the legislatur' last winter; the 'Hon. Richard Elrod' they call him now. And I can remember the time when he was jest Milly Baker's boy, and nothin' honorable about it, either."

There was a suggestion of a story in the words and in the look in Aunt Jane's eyes. What wonder that the tides of thought flowed back into the channel of old times on a day like this, when every passing face was a challenge to memory? It needed but a hint to bring forth the recollections that the sight of Richard Elrod had stirred to life. The high-back rocker and the basket of knitting were transferred to the porch; and with the beauty and the music of a spring morning around us I listened to the story of Milly Baker's boy.

"I hardly know jest where to begin," said Aunt Jane, wrinkling her forehead meditatively and adjusting her needles. "Tellin' a story is somethin' like windin' off a skein o' yarn. There's jest two ends to the skein, though, and if you can git hold o' the right one it's easy work. But there's so many ways o' beginning a story, and you never know which one leads straightest to the p'int. I wonder many a time how folks ever finds out where to begin when they set out to write a book. However, I reckon if I start with Dick Elrod I'll git through somehow or other.

"You asked me jest now who Richard Elrod was. He was the son o' Dick Elrod, and Dick was the son of Richard Elrod, the old Squire. It's curious how you'll name two boys Richard, and one of 'em will always be called Richard and the other'll be called Dick. Nobody ever would 'a' thought o' callin' Squire Elrod 'Dick,' he was Richard from the day he was born till the day he died. But his son was nothin' but Dick all his life; Richard didn't seem to fit him somehow. And I've noticed that you can tell what sort of a man a boy's goin' to make jest by knowin' whether folks calls him Richard or Dick. I ain't sayin' that every Richard is a good man and every Dick a bad one. All I mean is that there's as much difference betwixt a 'Dick' and a 'Richard' as there is betwixt a roastin' ear and a peck o' corn meal. Both of 'em's corn, and both of 'em may be good, but they ain't the same thing by a long jump. There's been a Richard in the Elrod family as far back as you could track 'em; all of 'em good, steady, God-fearin' men till Dick come along. He was an only child, and of course that made a bad matter worse.

"There's some men that's born to git women into trouble, and Dick was one of 'em. Jest as handsome as a picture, and two years ahead o' his age when it come to size, and a way about him, from the time he put on pants, that showed jest what kind of a man he was cut out for. If the children was playin' 'Jinny, Put the Kittle on,' Dick would git kissed ten times to any other boy's once; and if it was 'Drop the Handkerchief,' every little gyirl in the ring'd be droppin' it behind Dick to git him to run after her, and that was the only time Dick ever did any runnin'. All he had to do was jest to sit still, and the gyirls did the runnin'. It was that way all his life; and folks used to say there was jest one woman in the world that Dick couldn't make a fool of, and that was his cousin Penelope, the old Squire's brother's child. She used to come down to the Squire's pretty near every summer, and when Dick saw how high and mighty she was, he begun to lay himself out to make her come down jest where the other women was, not because he keered anything for her,—such men never keer for anybody but theirselves,—he jest couldn't stand it to have a woman around unless she was throwin' herself at his head or at his feet. But he couldn't do anything with his cousin Penelope. She naturally despised him, and he hated her. Next to Miss Penelope, the only girl that appeared to be anything like a match for Dick was Annie Crawford, Old Man Bob Crawford's daughter. Old Man Bob was one o' the kind that thinks that the more children they've got the bigger men they are. Always made me think of Abraham and the rest o' the old patriarchs to see him come walkin' into church with them nine young ones at his heels, makin' so much racket you couldn't hear the sermon. He was mighty proud of his sons; but after Bob was born he wanted a daughter; and when they all kept turnin' out boys, he got crazier and crazier for a gyirl. Annie wasn't born till he was past sixty, and he like to 'a' lost his senses with joy. It was harvestin' time, and he jest stopped work and set on his front porch, and every time anybody passed by he'd holler, 'Well; neighbor, it's a gal this time!' If I'd 'a' been in Ann 'Liza's place, I'd 'a' gagged him. But la! she thought everything he did was all right. It got to be a reg'lar joke with the neighbors to ask Old Man Bob how many children he had, and he'd give a big laugh and say, 'Ten, neighbor, and all of 'em gals but nine.'

"Well, of course Annie was bound to be spoiled, especially as her mother died when she was jest four years old. How Ann 'Liza ever stood Old Man Bob and them nine boys as long as she did was a mystery to everybody. Ann 'Liza had done her best to manage Annie, with Old Man Bob pullin' against her all the time, but after she died Annie took the place and everything and everybody on it. Old Man Bob had raised all his boys on spare-the-rod-and-spile-the-child principle, but when Annie come, he turned his back on Solomon and give out that Annie mustn't be crossed by anybody. Sam Amos asked him once how he come to change his mind so about raisin' children, and Old Man Bob said he was of the opinion that that text ought to read, 'Spare the rod and spile the boy'; that Solomon had too much regyard for women to want to whip a gal child. If ever there was an old idiot he was one; I mean Old Man Bob, not Solomon; though Solomon wasn't as wise as he might 'a' been in some things.

"Well, Annie was a headstrong, high-tempered child to begin with; and havin' nobody to control her, she got to be the worst young one, I reckon, in the State o' Kentucky. I used to feel right sorry for her little brothers. They couldn't keep a top or a ball or marble or any plaything to save their lives. Annie would cry for 'em jest for pure meanness, and whatever it was that Annie cried for they had to give it up or git a whippin'. She'd break up their rabbit-traps and their bird-cages and the little wheelbarrers and wagons they'd make, and they didn't have any peace at home, pore little motherless things. I ricollect one day little Jim come runnin' over to my house draggin' his wagon loaded up with all his playthings, his little saw and hammer and some nails the cyarpenters had give him when Old Man Bob had his new stable built, and says he, 'Aunt Jane, please let me keep my tools over here. Annie says she's goin' to throw 'em in the well, and pappy'll make me give 'em to her if she cries for 'em.' Them tools stayed at my house till Jim outgrowed 'em, and he and Henry, the other little one, used to come and stay by the hour playin' with my Abram.

"It was all Old Man Bob could do to git a housekeeper to stay with him when Annie got older. One spring she broke up all the hen nests and turkey nests on the farm, and they had to buy chickens all summer and turkeys all next winter. They used to tell how she stood and hollered for two hours one day because the housekeeper wouldn't let her put her hand into a kittle o' boilin' lye soap. It's my belief that she was all that kept Old Man Bob from marryin' again in less'n a year after Ann 'Liza died. He courted three or four widders and old maids round the neighborhood, but there wasn't one of 'em that anxious to marry that she'd take Old Man Bob with Annie thrown in. As soon as she got old enough, Old Man Bob carried her with him wherever he went. County Court days you'd see him goin' along on his big gray mare with Annie behind him, holdin' on to the sides of his coat with her little fat hands, her sunbonnet fallin' off and her curls blowin' all around her face,—like as not she hadn't had 'em combed for a week,—and in the evenin' about sunset here they'd come, Annie in front fast asleep, and Old Man Bob holdin' her on one arm and guidin' his horse with the other. Harvestin' times Annie'd be out in the field settin' on a shock o' wheat and orderin' the hands around same as if she was the overseer; and Old Man Bob'd jest stand back and shake his sides laughin' and say: 'That's right, honey. Make 'em move lively. If it wasn't for you, pappy couldn't git his harvestin' done.'

"Every fall and spring he'd go to town to buy clothes for her, and people used to say the storekeepers laid in a extry stock jest for Old Man Bob, and charged him two or three prices for everything he bought. He'd walk into Tom Baker's store with his saddle-bags on his arm and holler out, 'Well, what you got to-day? Trot out your silks and your satins, and remember that the best ain't good enough for my little gal.'

"When Annie was twelve years old he took her off to Bardstown to git her education. When he come to say good-bye to her, he cried and she cried, and it ended with him settin' down and stayin' three weeks in Bardstown, waitin' for Annie to git over her homesickness. Folks never did git through plaguin' him about goin' off to boardin' school, and as soon as Sam Crawford seen him he says, 'Well, Uncle Bob, when do you reckon you'll git your diploma?'

"I never shall forgit the first time Annie come home to spend her Christmas. The neighbors didn't have any peace o' their lives for Old Man Bob tellin' 'em how Annie had growed, and how there wasn't a gal in the state that could hold a candle to her. And Sunday he come walkin' in church with Annie hangin' on to his arm jest as proud and happy as if he'd got a new wife.

"Annie had improved wonderful. It wasn't jest her looks, for she always was as pretty as a picture, but she was as nice-mannered, well-behaved a gyirl as you'd want to see. There was jest as much difference betwixt her then and what she used to be as there is betwixt a tame fox and a wild one. Of course the wildness is all there, but it's kind o' covered up under a lot o' cute little tricks and ways; and that's the way it was with Annie. Squire Elrod's pew was jest across the aisle from Old Man Bob's, and I could see Dick watchin' her durin' church time. But Annie never looked one way nor the other. She set there with her hands folded and her eyes straight before her, and nobody ever would 'a' thought that she'd been ridin' horses bare-back and climbin' eight-rail fences ever since she could walk, mighty near.

"When she come back from school in June it was the same thing over again, Old Man Bob braggin' on her and everybody sayin' how sweet and pretty she was. Dick began to wait on her right away, and before long folks was sayin' that they was made for each other, especially as their farms jined. That's a fool notion, but you can't git it out o' some people's heads.

"Things went on this way for two or three years, Annie goin' and comin' and gittin' prettier all the time, and Dick waitin' on her whenever she was at home and carryin' on between times with every gyirl in the neighborhood. At last she come home for good, and Dick dropped all the others in a hurry and set out in earnest to git Annie. Folks said he was mightily in love, but accordin' to my way o' thinkin' there wasn't any love about it. The long and the short of it was that Annie knew how to manage him, and the other gyirls didn't. They was always right there in the neighborhood, and it don't help a woman to be always under a man's nose. But Annie was here and there and everywhere, visitin' in town and in Louisville and bringin' the town folks and the city folks home with her, and havin' dances and picnics, and doin' all she could to make Dick jealous. And then I always believed that Annie was jest as crazy about Dick as the rest o' the gyirls, but she had sense enough not to let him know it. It's human nature, you know, to want things that's hard to git. Why, if fleas and mosquitoes was sceerce, folks would go to huntin' 'em and makin' a big fuss over 'em. Annie made herself hard to git, and that's why Dick wanted her instead o' Harriet Amos, that was jest as good lookin' and better in every other way than Annie was. Everybody was sayin' what a blessed thing it was, and now Dick would give up his wild ways and settle down and be a comfort to the Squire in his old age.

"Well, along in the spring, a year after Annie got through with school, Sally Ann come to me, and says she, 'Jane, I saw somethin' last night and it's been botherin' me ever since;' and she went on to say how she was goin' home about dusk, and how she'd seen Dick Elrod and little Milly Baker at the turn o' the lane that used to lead up to Milly's house. 'They was standin' under the wild cherry tree in the fence corner,' says she, 'and the elderberry bushes was so thick that I could jest see Dick's head and shoulders and the top of Milly's head, but they looked to be mighty close together, and Dick was stoopin' over and whisperin' somethin' to her.'

"Well, that set me to thinkin', and I ricollected seein' Dick comin' down the lane one evenin' about sunset and at the same time I'd caught sight o' Milly walkin' away in the opposite direction. Our Mite Society met that day, and Sally Ann and me had it up, and we all talked it over. It come out that every woman there had seen the same things we'd been seein', but nobody said anything about it as long as they wasn't certain. 'Somethin' ought to be done,' says Sally Ann; 'it'd be a shame to let that pore child go to destruction right before our eyes when a word might save her. She's fatherless, and pretty near motherless, too,' says she.

"You see, the Bakers was tenants of old Squire Elrod's, and after Milly's father died o' consumption the old Squire jest let 'em live on the same as before. Mis' Elrod give 'em quiltin' and sewin' to do, and they had their little gyarden, and managed to git along well enough. Some folks called 'em pore white trash. They was pore enough, goodness knows, but they was clean and hard-workin', and that's two things that 'trash' never is. I used to hear that Milly's mother come of a good family, but she'd married beneath herself and got down in the world like folks always do when they're cast off by their own people. Milly had come up like a wild rose in a fence corner, and she was jest the kind of a girl to be fooled by a man like Dick, handsome and smooth talkin', with all the ways and manners that take women in. Em'ly Crawford used to say it made her feel like a queen jest to see Dick take his hat off to her. If men's manners matched their hearts, honey, this'd be a heap easier world for women. But whenever you see a man that's got good manners and a bad heart, you may know there's trouble ahead for some woman.

"Well, us women talked it over till dark come; and I reckon if we had app'inted a committee to look after Milly and Dick, somethin' might have been done. But everybody's business is nobody's business, and I thought Sally Ann would go to Milly and give her a word o' warnin', and Sally Ann thought I'd do it, and so it went, and nothin' was said or done at last; and before long it was all over the neighborhood that pore little Milly was in trouble."

Aunt Jane paused, took off her glasses and wiped them carefully on a corner of her gingham apron.

"Many's the time," she said slowly, "that I've laid awake till the chickens crowed, blamin' myself and wonderin' how far I was responsible for Milly's mishap. I've lived a long time since then, and I don't worry any more about such things. There's some things that's got to be; and when a person is all wore out tryin' to find out why this thing happened and why that thing didn't happen, he can jest throw himself back on the eternal decrees, and it's like layin' down on a good soft feather bed after you've done a hard day's work. The preachers'll tell you that every man is his brother's keeper, but 'tain't so. I ain't my brother's keeper, nor my sister's, neither. There's jest one person I've got to keep, and that's myself.

"The Bible says, 'A word spoken in due season, how good it is!' But when folks is in love there ain't any due season for speakin' warnin' words to 'em. There was Emmeline Amos: her father told her if she married Hal, he'd cut her name out o' the family Bible and leave her clear out o' his will. But that didn't hinder her. She went right on and married him, and lived to rue the day she did it. No, child, there's mighty little salvation by words for folks that's in love. I reckon if a word from me would 'a' saved Milly, the word would 'a' been given to me, and the season too, and as they wasn't, why I hadn't any call to blame myself.

"Abram and Sam Crawford did try to talk to Old Man Bob; but, la! you might as well 'a' talked to the east wind. All he said was, 'If Annie wants Dick Elrod, Annie shall have him.' That's what he'd been sayin' ever since Annie was born. Nobody said anything to Annie, for she was the sort o' girl who didn't care whose feelin's was tramped on, if she jest had her own way.

"So it went on, and the weddin' day was set, and nothin' was talked about but Annie's first-day dress and Annie's second-day dress, and how many ruffles she had on her petticoats, and what the lace on her nightgowns cost; and all the time there was pore Milly Baker cryin' her eyes out night and day, and us women gittin' up all our old baby clothes for Dick Elrod's unborn child."

Aunt Jane dropped her knitting in her lap, and gazed across the fields as if she were seeking in the sunlit ether the faces of those who moved and spoke in her story. A farm wagon came lumbering through the stillness, and she gathered up the double thread of story and knitting and went on.

"Annie always said she was goin' to have such a weddin' as the county never had seen, and she kept her word. Old Man Bob had the house fixed up inside and out. They sent up to Louisville for the cakes and things, and the weddin' cake was three feet high. There was a solid gold ring in it, and the bridesmaids cut for it; and every gyirl there had a slice o' the bride's cake to carry home to dream on that night. Annie's weddin' dress was white satin so heavy it stood alone, so they said. And Old Man Bob had the whole neighborhood laughin', tellin' how many heifers and steers it took to pay for the lace around the neck of it.

"Annie and Dick was married in October about the time the leaves fell, and Milly's boy was born the last o' November. Lord! Lord! what a world this is! Old Man Bob wouldn't hear to Annie's leavin' him, so they stayed right on in the old home place. In them days folks didn't go a-lopin' all over creation as soon as they got married; they settled down to housekeepin' like sensible folks ought to do. Old Lady Elrod was as foolish over Dick as Old Man Bob was over Annie, and it was laid down beforehand that they was to spend half the time at Old Man Bob's and half the time at the Squire's, 'bout the worst thing they could 'a' done. The further a young couple can git from the old folks on both sides the better for everybody concerned. And besides, Annie wasn't the kind of a gyirl to git along with Dick's mother. A gyirl with the kind o' raisin' Annie'd had wasn't any fit daughter-in-law for a particular, high-steppin' woman like Old Lady Elrod.

"There was some people that expected a heap o' Dick after he married, but I never did. If a man can't be faithful to a woman before he marries her, he ain't likely to be faithful after he marries her. And shore enough the shine wasn't off o' Annie's weddin' clothes before Dick was back to his old ways, drinkin' and carryin' on with the women same as ever, and the first thing we knew, him and Annie had a big quarrel, and Old Man Bob had ordered him off the place. However, they made it up and went over to the old Squire's to live, and things went on well enough till Annie's baby was born. Dick had set his heart on havin' a boy, but it turned out a girl, and as soon as they told him, he never even asked how Annie was, but jest went out to the stable and saddled his horse and galloped off, and nobody seen him for two days. He needn't 'a' took on so, for the pore little thing didn't live but a week. Annie had convulsions over Dick's leavin' her that way, and the doctor said that was what killed the child. Annie never was the same after this. She grieved for her child and lost her good looks, and when she lost them, she lost Dick. It wasn't long before Dick was livin' with his father, and she with hers. At last he went out West; and in less than three years Annie died; and a good thing she did, for a more soured, disappointed woman couldn't 'a' been found anywhere.

"Well, all this time Milly Baker's baby was growin' in grace, you might say. And a finer child never was born. Milly had named him Richard, and nature had wrote his father's name all over him. He was the livin' image of Dick, all but the look in his eyes; that was Milly's. Milly worshiped him, and there was few children raised any carefuler and better than Milly Baker's boy; that was what we always called him. Milly was nothin' but a child herself when he was born, but all at once she appeared to turn to a woman; acted like one and looked like one. It ain't time, honey, that makes people old; it's experience. Some folks never git over bein' children, and some never has any childhood; and pore little Milly's was cut short by trouble. If she felt ashamed of herself or the child, nobody ever knew it. I never could tell whether it was lack of sense, or whether she jest looked at things different from the rest of us; but to see her walk in church holding little Richard by the hand, nobody ever would 'a' thought but what she was a lawful wife. No woman could 'a' behaved better'n she did, I'm bound to say. She got better lookin' all the time, but she was as steady and sober as if she'd been sixty years old. Parson Page said once that Milly Baker had more dignity than any woman, young or old, that he'd ever seen. It seems right queer to talk about dignity in a pore gyirl who'd made the misstep she'd made, but I reckon it was jest that that made us all come to treat her as if she was as good as anybody. People can set their own price on 'emselves, I've noticed; and if they keep it set, folks'll come up to it. Milly didn't seem to think that she had done anything wrong; and when she brought little Richard up for baptism there wasn't a dry eye in the church; and when she joined the church herself there wasn't anybody mean enough to say a word against it, not even Silas Petty.

"Squire Elrod give her the cottage rent free after her mother died, and betwixt nursin' and doin' fine needlework she made a good livin' for herself and the boy.

"Little Richard was a child worth workin' for from the start. Tall and straight as a saplin', and carried himself like he owned the earth, even when he was a little feller. It looked like all the good blood on both sides had come out in him, and there wasn't a smarter, handsomer boy in the county. The old Squire thought a heap of him, and nothin' but his pride kept him from ownin' the child outright and treatin' him like he was his own flesh and blood. Richard had an old head on young shoulders, though he was as full o' life as any boy; and by the time he was grown the old Squire trusted him with everything on the place and looked to him the same as if he'd been a settled man. After Old Lady Elrod died, he broke terrible fast, and folks used to say it was a pitiful sight to see him when he'd be watchin' Richard overseein' the hands and tendin' to things about the place. He'd lean on the fence, his hands tremblin' and his face workin', thinkin' about Dick and grievin' over him and wishin', I reckon, that Dick had been such a man as Milly's boy was.

"All these years nobody ever heard from Dick. Once in a while somebody'd come from town and say they'd seen somebody that had seen somebody else, and that somebody had seen Dick way out in California or Lord knows where, and that was all the news that ever come back. We'd all jest about made up our minds that he was dead, when one mornin', along in corn-plantin' time, the news was brought and spread over the neighborhood in no time that Dick Elrod had come home and was lyin' at the p'int of death. I remembered hearin' a hack go by on the pike the night before, and wondered to myself what was up. I thought, maybe, it was a runaway couple or some such matter, but it was pore Dick comin' back to his father's house, like the Prodigal Son, after twenty years. It takes some folks a long time, child, to git tired of the swine and the husks.

"Well, of course, it made a big commotion, and before we'd hardly taken it in, we heard that he'd sent for Milly, and her and Richard had gone together up to the big house.

"Jane Ann Petty was keepin' house for the old Squire, and she told us afterwards how it all come about.

"We had a young probationer preachin' for us that summer, and as soon as he heard about Dick, he goes up to the big house without bein' sent for to talk to him about his soul. I reckon he thought it'd be a feather in his cap if he could convert a hardened sinner like Dick.

"Jane Ann said they took him into Dick's room, and he set down by the bed and begun to lay off the plan o' salvation jest like he was preachin' from the pulpit, and Dick listened and never took his eyes off his face. When he got through Dick says, says he:

"'Do you mean to say that all I've got to do to keep out of hell and get into heaven is to believe on the Lord Jesus Christ?' And Brother Jonas, he says:

"'Yes, my dear brother, "Believe on the Lord Jesus Christ, and thou shalt be saved. The blood of Jesus Christ, his Son, cleanseth us from all sin."'

"And they said Dick jest laughed a curious sort o' laugh and says he:

"'It's a pretty God that'll make such a bargain as that!' And says he, 'I was born bad, I've lived bad, and I'm dyin' bad; but I ain't a coward nor a sneak, and I'm goin' to hell for my sins like a man. Like a man, do you hear me?'

"Jane Ann said the look in his eyes was awful; and the preacher turned white as a sheet. It was curious talk for a death-bed; but, when you come to think about it, it's reasonable enough. When a man's got hell in his heart, what good is it goin' to do him to git into heaven?"

"What, indeed?" I echoed, thinking how delightful it was that Aunt Jane and Omar Khayyam should be of one mind on this subject.

"When Dick said this the young preacher got up to go, but Dick called him back, and says he, 'I don't want any of your preachin' or prayin', but you stay here; there's another sort of a job for you to do.' And then he turned around to the old Squire and says, 'Send for Milly.'

"When we all heard that Milly'd been sent for, the first thing we thought was, 'How on earth is Milly goin' to tell Richard all he's got to know?' I never used to think we was anything over and above the ordinary out in our neighborhood, but when I ricollect that Richard Elrod come up from a boy to a man without knowin' who his father was, it seems like we must 'a' known how to hold our tongues anyhow. There wasn't man, woman, or child that ever hinted to Milly Baker's boy that he wasn't like other children, and so it was natural for us to wonder how Milly was goin' to tell him. Well, it wasn't any of our business, and we never found out. All we ever did know was that Milly and Richard walked over to the big house together, and Richard held his head as high as ever.

"They said that Dick give a start when Milly come into the room. I reckon he expected to see the same little girl he'd fooled twenty years back, and when she come walkin' in it jest took him by surprise.

"'Why, Milly,' says he, 'is this you?'

"And he held out his hand, and she walked over to the bed and laid her hand in his. Folks that was there say it was a strange sight for any one that remembered what them two used to be. Her so gentle and sweet-lookin', and him all wore out with bad livin' and wasted to a shadder of what he used to be.

"I've seen the same thing, child, over and over again. Two people'll start out together, and after a while they'll git separated, or, maybe, they'll live together a lifetime, and when they git to the end o' fifteen or twenty or twenty-five years, one'll be jest where he was when they set out, and the other'll be 'way up and 'way on, and they're jest nothin' but strangers after all. That's the way it was with Milly and Dick. They'd been sweethearts, and there was the child; but the father'd gone his way and the mother'd gone hers, and now there was somethin' between 'em like that 'great gulf' the Bible tells about. Well, they said Dick looked up at Milly like a hungry man looks at bread, and at last he says:

"'I'm goin' to make an honest woman of you, Milly.'

"And Milly looked him in the eyes and said as gentle and easy as if she'd been talkin' to a sick child: 'I've always been an honest woman, Dick.'

"This kind o' took him back again, but he says, right earnest and pitiful, 'I want to marry you, Milly; don't refuse me. I want to do one decent thing before I die. I've come all the way from California just for this. Surely you'll feel better if you are my lawful wife.'

"And they said Milly thought a minute and then she says: 'I don't believe it makes any difference with me, Dick. I've been through the worst, and I'm used to it. But if it'll make it any easier for you, I'll marry you. And then there's my boy; maybe it will be better for him.'

"'Where's the boy?' says Dick; 'I want to see him.'

"So Milly went and called Richard in. And as soon as Dick saw him he raised up on his elbow, weak as he was, and hollered out so you could hear him in the next room.

"'Why,' says he, 'it's myself! It's myself! Stand off there where I can see you, boy! Why, you're the man I ought to have been and couldn't be. These lyin' doctors,' says he, 'tell me that I haven't got a day to live, but I'm goin' to live another lifetime in you!'

"And then he fell back, gaspin' for breath, and young Richard stood there in the middle o' the floor with his arms folded and his face lookin' like it was made of stone.

"As soon as Dick could speak, they said he pulled Milly down and whispered something to her, and she went over to the chair where his clothes was hangin' and felt in the pocket of the vest and got a little pearl ring out. They said she shook like a leaf when she saw it. And Dick says: 'I took it away from you, Milly, twenty years ago, for fear you'd use it for evidence against me—scoundrel that I was; and now I'm goin' to put it on your finger again, and the parson shall marry us fair and square. I've got the license here under my pillow.' And Milly leaned over and lifted him and propped him up with the pillows, and the young parson said the ceremony over 'em, with Jane Ann and the old Squire for witnesses.

"As soon as the parson got through, Dick says: 'Boy, won't you shake hands with your father? I wouldn't ask you before.' But Richard never stirred. And Milly got up and went to him and laid her hand on his arm and says: 'My son, come and speak to your father.' And he walked up and took Dick's pore wasted hand in his strong one, and the old Squire set there and sobbed like a child. Jane Ann said he held on to Richard's hand and looked at him for a long time, and then he reached under the pillow and brought out a paper, and says he: 'It's my will; open it after I'm gone. I've squandered a lot o' money out West, but there's a plenty left, and that minin' stock'll make you a rich man. It's all yours and your mother's. I wish it was more,' says he, 'for you're a son that a king'd be proud of.'

"Them was about the last words he said. Dr. Pendleton said he wouldn't live through the night, and sure enough he begun to sink as soon as the young parson left, and he died the next mornin' about daybreak. Jane Ann said jest before he died he opened his eyes and mumbled somethin', and Milly seemed to know what he wanted, for she reached over and put Richard's hand on hers and Dick's, and he breathed his last jest that way.

"Milly wouldn't let a soul touch the corpse, but her and Richard. She was a mighty good hand at layin' out the dead, and them two washed and shrouded the body and laid it in the coffin, and the next day at the funeral Milly walked on one side o' the old Squire and Richard on the other, and the old man leaned on Richard like he'd found a prop for his last days.

"I ain't much of a hand to believe in signs, but there was one thing the day of the buryin' that I shall always ricollect. It had been rainin' off and on all day,—a soft, misty sort o' rain that's good for growin' things,—but while they were fillin' up the grave and smoothin' it off, the sun broke out over in the west, and when we turned around to leave the grave there was the brightest, prettiest rainbow you ever saw; and when Milly and Richard got into the old Squire's carriage and rode home with him, that rainbow was right in front of 'em all the way home. It didn't mean much for Milly and the Squire, but I couldn't help thinkin' it was a promise o' better things for Richard, and maybe a hope for pore Dick.

"Milly didn't live long after this. They found her dead in her bed one mornin'. The doctor said it was heart disease; but it's my belief that she jest died because she thought she could do Richard a better turn by dyin' than livin'. She'd lived for him twenty years and seen him come into his rights, and I reckon she thought her work was done. Dyin' for people is a heap easier'n livin' for 'em, anyhow.

"The old Squire didn't outlive Milly many years, and when he died Richard come into all the Elrod property. You've seen the Elrod place, ain't you, child? That white house with big pillars and porches in front of it. It's three miles further on the pike, and folks'll drive out there jest to look at it. I've heard 'em call it a 'colonial mansion,' or some such name as that. It was all run down when Richard come into possession of it, but now it's one o' the finest places in the whole state. That's the way it is with families: one generation'll tear down and another generation'll build up. Richard's buildin' up all that his father tore down, and I'm in hopes his work'll last for many a day."

Aunt Jane's voice ceased, and there was a long silence. The full harvest of the story-telling was over; but sometimes there was an aftermath to Aunt Jane's tale, and for this I waited. I looked at the field opposite where the long, verdant rows gave promise of the autumn reaping, and my thoughts were busy tracing backward every link in the chain of circumstance that stretched between Milly Baker's boy of forty years ago and the handsome, prosperous man I had seen that morning. Ah, a goodly tale and a goodly ending! Aunt Jane spoke at last, and her words were an echo of my thought.

"There's lots of satisfactory things in this world, child," she said, beaming at me over her spectacles with the smile of the optimist who is born, not made. "There's a satisfaction in roundin' off the toe of a stockin', like I'm doin' now, and knowin' that your work's goin' to keep somebody's feet warm next winter. There's a satisfaction in bakin' a nice, light batch o' bread for the children to eat up. There's a satisfaction in settin' on the porch in the cool o' the evenin' and thinkin' o' the good day's work behind you, and another good day that's comin' to-morrow. This world ain't a vale o' tears unless you make it so on purpose. But of all the satisfactions I ever experienced, the most satisfyin' is to see people git their just deserts right here in this world. I don't blame David for bein' out o' patience when he saw the wicked flourishin' like a green bay tree.

"I never was any hand for puttin' things off, whether it's work or punishment; and I've never got my own consent to this way o' skeerin' people with a hell and wheedlin' 'em with a heaven way off yonder in the next world. I ain't as old as Methuselah, but I've lived long enough to find out a few things; and one of 'em is that if people don't die before their time, they'll git their heaven and their hell right here in this world. And whenever I feel like doubtin' the justice o' the Lord, I think o' Milly Baker's boy, and how he got everything that belonged to him, and he didn't have to die and go to heaven to git it either."

"'Though the mills of God grind slowly, yet they grind exceeding small; Though with patience He stands waiting, with exactness grinds He all.'"

I quoted the lines musingly, watching meanwhile their effect on Aunt Jane. Her eyes sparkled as her quick brain took in the meaning of the poet's words.

"That's it!" she exclaimed,—"that's it! I don't mind waitin' myself and seein' other folks wait, too, a reasonable time, but I do like to see everybody, sooner or later, git the grist that rightly belongs to 'em."



VI

THE BAPTIZING AT KITTLE CREEK



"There's a heap o' reasons for folks marryin'," said Aunt Jane, reflectively. "Some marries for love, some for money, some for a home; some marries jest to spite somebody else, and some, it looks like, marries for nothin' on earth but to have somebody always around to quarrel with about religion. That's the way it was with Marthy and Amos Matthews. I don't reckon you ever heard o' Marthy and Amos, did you, child? It's been many a year since I thought of 'em myself. But last Sunday evenin' I was over at Elnora Simpson's, and old Uncle Sam Simpson was there visitin'. Uncle Sam used to live in the neighborhood o' Goshen, but he moved up to Edmonson County way back yonder, I can't tell when, and every now and then he comes back to see his grandchildren. He's gittin' well on towards ninety, and I'm thinkin' this is about the last trip the old man'll make till he goes on his long journey. I was mighty glad to see him, and me and him set and talked about old times till the sun went down. What he didn't remember I did, and what I didn't remember he did; and when we got through talkin', Elnora—that's his grandson's wife—says, 'Well, Uncle Sam, if I could jest take down everything you and Aunt Jane said to-day, I'd have a pretty good history of everybody that ever lived in this county.'

"Uncle Sam was the one that started the talk about Marthy and Amos. He'd been leanin' on his cane lookin' out o' the door at Elnora's twins playin' on the grass, and all at once he says, says he, 'Jane, do you ricollect the time they had the big babtizin' down at Kittle Creek?' And he got to laughin', and I got to laughin', and we set there and cackled like a pair o' old fools, and nobody but us two seein' anything funny about it."

Aunt Jane's ready laugh began again at the mere remembrance of her former mirth. I kept discreetly silent, fearing to break the flow of reminiscence by some ill-timed question.

"Nobody ever could see," she continued, "how it was that Amos Matthews and Marthy Crawford ever come to marry, unless it was jest as I said, to have somebody always handy to quarrel with about their religion; and I used to think sometimes that Marthy and Amos got more pleasure that way than most folks git out o' prayin' and singin' and listenin' to preachin'. Amos was the strictest sort of a Presbyterian, and Marthy was a Babtist, and to hear them two jawin' and arguin' and bringin' up Scripture texts about predestination and infant babtism and close communion and immersion was enough to make a person wish there wasn't such a thing as churches and doctrines. Brother Rice asked Sam Amos once if Marthy and Amos Matthews was Christians. Brother Rice had come to help Parson Page carry on a meetin', and he was tryin' to find out who was the sinners and who was the Christians. And Sam says, 'No; my Lord! It takes all o' Marthy's time to be a Babtist and all o' Amos' to be a Presbyterian. They ain't got time to be Christians.'

"Some folks wondered how they ever got time to do any courtin', they was so busy wranglin' over babtism and election. And after Marthy had her weddin' clothes all made they come to a dead stop. Amos said he wouldn't feel like they was rightly married if they didn't have a Presbyterian minister to marry 'em, and Marthy said it wouldn't be marryin' to her if they didn't have a Babtist. I was over at Hannah Crawford's one day, and she says, says she, 'Jane, I've been savin' up my eggs and butter for a month to make Marthy's weddin' cake, and if her and Amos don't come to an understandin' soon, it'll all be a dead loss.' And Marthy says, 'Well, mother, I may not have any cake at my weddin', and I may not have any weddin', but one thing is certain: I'm not goin' to give up my principles.'

"And Hannah sort o' groaned—she hadn't had any easy time with Miles Crawford—and says she, 'You pore foolish child! Principles ain't the only thing a woman has to give up when she gits married.'

"I don't know whether they ever would 'a' come to an agreement if it hadn't been for Brother Morris. He was the Presidin' Elder from town, and a powerful hand for jokin' with folks. He happened to meet Amos one day about this time, and says he, 'Amos, I hear you and Miss Marthy can't decide betwixt Brother Page and Brother Gyardner. It'd be a pity,' says he, 'to have a good match sp'iled for such a little matter, and s'pose you compromise and have me to marry you.'

"And Amos says, 'I don't know but what that's the best thing that could be done. I'll see Marthy and let you know.' And, bless your life, they was married a week from that day. I went over and helped Hannah with the cake, and Brother Morris said as pretty a ceremony over 'em as any Presbyterian or Babtist could 'a' said.

"Well, the next Sunday everybody was on the lookout to see which church the bride and groom'd go to. Bush Elrod bet a dollar that Marthy'd have her way, and Sam Amos bet a dollar that they'd be at the Presbyterian church. Sam won the bet, and we was all right glad that Marthy'd had the grace to give up that one time, anyhow. Amos was powerful pleased havin' Marthy with him, and they sung out of the same hymn-book and looked real happy. It looked like they was startin' out right, and I thought to myself, 'Well, here's a good beginnin', anyhow.' But it happened to be communion Sunday, and of all the unlucky things that could 'a' happened for Marthy and Amos, that was about the unluckiest. I said then that if Parson Page had been a woman, he'd 'a' postponed that communion. But a man couldn't be expected to have much sense about such matters, so he goes ahead and gives out the hymn,

''Twas on that dark and dreadful day;'

and everybody in church was lookin' at Amos and Marthy and watchin' to see what she was goin' to do. While they was singin' the hymn the church-members got up and went forward to the front seats, and Amos went with 'em. That left Marthy all alone in the pew, and I couldn't help feelin' sorry for her. She tried to look unconcerned, but anybody could see she felt sort o' forsaken and left out, and folks all lookin', and some of 'em whisperin' and nudgin' each other. I knew jest exactly how Marthy felt. Abram said to me when we was on the way home that day, 'Jane, if I'd 'a' been in Amos' place, I believe I'd 'a' set still with Marthy. Marthy'd come with him and it looks like he ought to 'a' stayed with her.' I reckon, though, that Amos thought he was doin' right, and maybe it's foolish in women to care about things like that. Sam Amos used to say that nobody but God Almighty, that made her, ever could tell what a woman wanted and what she didn't want; and I've thought many a time that since He made women, it's a pity He couldn't 'a' made men with a better understandin' o' women's ways.

"Maybe if Amos'd set still that day, things would 'a' been different with him and Marthy all their lives, and then again, maybe it didn't make any difference. It's hard to tell jest what makes things go wrong in this world and what makes 'em go right. It's a mighty little thing for a man to git up and leave his wife settin' alone in a pew for a few minutes, but then there's mighty few things in this life that ain't little, till you git to follerin' 'em up and seein' what they come to."

I thought of Pippa's song:

"Say not a small event! Why 'small'? Costs it more pain that this, ye call A great event, should come to pass, Than that? Untwine me from the mass Of deeds which make up life, one deed Power shall fall short in or exceed!"

And Aunt Jane went serenely on:

"Anyhow, it wasn't long till Amos was goin' to his church and Marthy to hers, and they kept that up the rest of their lives. Still, they might 'a' got along well enough this way, for married folks don't have to think alike about everything, but they was eternally arguin' about their church doctrines. If Amos grumbled about the weather, Marthy'd say, 'Ain't everything predestined? Warn't this drought app'inted before the foundation of the world? What's the sense in grumblin' over the decrees of God?' And it got so that if Amos wanted to grumble over anything, he had to git away from home first, and that must 'a' been mighty wearin' on him; for, as a rule, a man never does any grumblin' except at home; but pore Amos didn't have that privilege. Sam Amos used to say—-Sam wasn't a church-member himself—that there was some advantages about bein' a Babtist after all; you did have to go under the water, but then you had the right to grumble. But if a man believed that everything was predestined before the foundations of the world, there wasn't any sense or reason in findin' fault with anything that happened. And he believed that he'd ruther jine the Babtist church than the Presbyterian, for he didn't see how he could carry on his farm without complainin' about the weather and the crops and things in general.

"If Marthy and Amos'd been divided on anything but their churches, the children might 'a' brought 'em together; but every time a child was born matters got worse. Amos, of course, wanted 'em all babtized in infancy, and Marthy wanted 'em immersed when they j'ined the church, and so it went. Amos had his way about the first one, and I never shall forgit the day it was born. I went over to help wait on Marthy and the baby, and as soon as I got the little thing dressed, we called Amos in to see it. Now, Amos always took his religion mighty hard. It didn't seem to bring him any comfort or peace o' mind. I've heard people say they didn't see how Presbyterians ever could be happy; but la, child, it's jest as easy to be happy in one church as in another. It all depends on what doctrines you think the most about. Now you take election and justification and sanctification, and you can git plenty o' comfort out o' them. But Amos never seemed to think of anything but reprobation and eternal damnation. Them doctrines jest seemed to weigh on him night and day. He used to say many a time that he didn't know whether he had made his callin' and election sure or not, and I don't believe he thought that anybody else had made theirs sure, either. Abram used to say that Amos looked like he was carryin' the sins o' the world on his shoulders.

"That day the baby was born I thought to myself, 'Well, here's somethin' that'll make Amos forgit about his callin' and election for once, anyhow;' and I wrapped the little feller up in his blanket and held him to the light, so his father could see him; and Amos looked at him like he was skeered, for a minute, and then he says, 'O Lord! I hope it ain't a reprobate.'

"Now jest think of a man lookin' down into a little new-born baby's face and talkin' about reprobates!

"Marthy heard what he said, and says she, 'Amos, are you goin' to have him babtized in infancy?'

"'Why, yes,' says Amos, 'of course I am.'

"And Marthy says, 'Well, hadn't you better wait until you find out whether he's a reprobate or not? If he's a reprobate, babtizin' ain't goin' to do him any good, and if he's elected he don't need to be babtized.'

"And I says, 'For goodness' sake, Marthy, you and Amos let the doctrines alone, or you'll throw yourself into a fever.' And I pushed a rockin'-chair up by the bed and I says, 'Here, Amos, you set here by your wife, and both of you thank the Lord for givin' you such a fine child;' and I laid the baby in Amos' arms, and went out in the gyarden to look around and git some fresh air. I gethered a bunch o' honeysuckles to put on Marthy's table, and when I got back, Marthy and the baby was both asleep, and Amos looked as if he was beginnin' to have some little hopes of the child's salvation.

"Marthy named him John; and Sam Amos said he reckoned it was for John the Babtist. But it wasn't; it was for Marthy's twin brother that died when he was jest three months old. Twins run in the Crawford family. Amos had him babtized in infancy jest like he said he would, and such a hollerin' and squallin' never was heard in Goshen church. The next day Sally Ann says to me, says she, 'That child must 'a' been a Babtist, Jane; for he didn't appear to favor infant babtism.'

"Well, Marthy had her say-so about the next child—that one was a boy, too, and they named him Amos for his father—and young Amos wasn't babtized in infancy; he was 'laid aside for immersion,' as Sam Amos said. Then it was Amos' time to have his way, and so they went on till young Amos was about fifteen years old and Marthy got him converted and ready to be immersed. The Babtists had a big meetin' that spring, and there was a dozen or more converts to be babtized when it was over. We'd been havin' mighty pleasant weather that March; I ricollect me and Abram planted our potatoes the first week in March, and I would put in some peas. Abram said it was too early, and sure enough the frost got 'em when they was about two inches high. It turned off real cold about the last o' March; and when the day for the babtizin' come, there was a pretty keen east wind, and Kittle Creek was mighty high and muddy, owin' to the rains they'd had further up. There was some talk o' puttin' off the babtizin' till better weather, but Brother Gyardner, he says: 'The colder the water, the warmer your faith, brethren; Christ never put off any babtizin' on account of the weather.'

"Sam Amos asked him if he didn't reckon there was some difference between the climate o' Kentucky and the climate o' Palestine. Sam was always a great hand to joke with the preachers. But the way things went that day the weather didn't make much difference anyhow to young Sam.

"The whole neighborhood turned out Sunday evenin' and went over to Kittle Creek to see the big babtizin'. Marthy and Amos and all the children was there, and Marthy looked like she'd had a big streak o' good luck. Sam Amos says to me, 'Well, Aunt Jane, Marthy's waited a long time, but she'll have her innin's now.'

"Bush Elrod was the first one to go under the water; and when two or three more had been babtized, it was young Amos' time. I saw Marthy pushin' him forward and beckonin' to Brother Gyardner like she couldn't wait any longer.

"Nobody never did know exactly how it happened. Some folks said that young Amos wasn't overly anxious to go under the water that cold day, and he kind o' slipped behind his father when he saw Brother Gyardner comin' towards him; and some went so fur as to say that Brother Gyardner was in the habit o' takin' a little spirits after a babtizin' to keep from takin' cold, and that time he'd taken it beforehand, and didn't know exactly what he was about. Anyhow, the first thing we knew Brother Gyardner had hold o' Amos himself, leadin' him towards the water. Amos was a timid sort o' man, easy flustered, and it looked like he lost his wits and his tongue too. He was kind o' pullin' back and lookin' round in a skeered way, and Brother Gyardner he hollered out, 'Come right along, brother! I know jest how it is myself; the spirit is willin', but the flesh is weak.' The Babtists was shoutin' 'Glory Hallelujah' and Uncle Jim Matthews begun to sing, 'On Jordan's stormy banks I stand,' and pretty near everybody j'ined in till you couldn't hear your ears. The rest of us was about as flustered as Amos. We knew in reason that Brother Gyardner was makin' a big mistake, but we jest stood there and let things go on, and no tellin' what might 'a' happened if it hadn't been for Sam Amos. Sam was a cool-headed man, and nothin' ever flustered him. As soon as he saw how things was goin' he set down on the bank and pulled off his boots; and jest as Brother Gyardner got into the middle o' the creek, here come Sam wadin' up behind 'em, and grabbed Amos by the shoulder and hollered out, 'You got the wrong man, parson! Here, Amos, take hold o' me.' And he give Amos a jerk that nearly made Brother Gyardner lose his footin', and him and Amos waded up to the shore and left Brother Gyardner standin' there in the middle o' the creek lookin' like he'd lost his job.

"Well, that put a stop to the singin' and the shoutin', and the way folks laughed was scandalous. They had to walk Amos home in a hurry to git his wet clothes off, and Uncle Jim Matthews and Old Man Bob Crawford went with him to rub him down. Amos was subject to bronchitis, anyhow. Marthy went on ahead of 'em in the wagon to have hot water and blankets ready. I'll give Marthy that credit; she appeared to forgit all about the babtizin' when Amos come up so wet and shiverin'. Sam couldn't git his boots on over his wet socks, and as he'd walked over to the creek, Silas Petty had to take him home in his spring wagon. Brother Gyardner all this time was lookin' round for young Amos, but he wasn't to be found high nor low, and that set folks to laughin' again, and so many havin' to leave, the babtizin' was clean broke up. Milly come up jest as Sam was gittin' into Old Man Bob's wagon, and says she, 'Well, Sam, you've ruined your Sunday pants this time.' And Sam says, 'Pants nothin'. The rest o' you all can save your Sunday pants if you want to, but this here's a free country, and I ain't goin' to stand by and see a man babtized against his will while I'm able to save him.' And if Sam'd saved Amos' life, instead o' jest savin' him from babtism, Amos couldn't 'a' been gratefuler. When Sam broke his arm the follerin' summer, Amos went over and set up with him at night, and let his own wheat stand while he harvested Sam's.

"Well, the next time the 'Sociation met, the Babtists had somethin' new to talk about. Old Brother Gyardner got up, and says he, 'Brethren, there's a question that's been botherin' me for some time, and I'd like to hear it discussed and git it settled, if possible;' and says he, 'If a man should be babtized accidentally, and against his will, would he be a Babtist? or would he not?' And they begun to argue it, and they had it up and down, and some was of one opinion and some of another. Brother Gyardner said he was inclined to think that babtism made a man a Babtist, but old Brother Bascom said if a man wasn't a Babtist in his heart, all the water in the sea wouldn't make him one. And Brother Gyardner said that was knockin' the props clean from under the Babtist faith. 'For,' says he, 'if bein' a Babtist in the heart makes a man a Babtist, then babtism ain't necessary to salvation, and if babtism ain't necessary, what becomes o' the Babtist church?'

"Somebody told Amos about the dispute they was havin' over his case, and Amos says, 'If them fool Babtists want that question settled, let 'em come to me.' Says he, 'My father and mother was Presbyterians, and my grandfather and grandmother and great-grandfather and great-grandmother on both sides; I was sprinkled in infancy, and I j'ined the Presbyterian church as soon as I come to the age of accountability, and if you was to carry me over to Jerusalem and babtize me in the river Jordan itself, I'd still be a Presbyterian.'"

Here Aunt Jane paused to laugh again. "There's some things, child," she said, as she wiped her glasses, "that people'll laugh over and then forgit; and there's some things they never git over laughin' about. The Kittle Creek babtizin' was one o' that kind. Old Man Bob Crawford used to say he wouldn't 'a' took five hundred dollars for that babtizin'. Old Man Bob was the biggest laugher in the country; you could hear him for pretty near half a mile when he got in a laughin' way; and he used to say that whenever he felt like havin' a good laugh, all he had to do was to think of Amos and how he looked with Brother Gyardner leadin' him into the water, and the Babtists a-singin' over him. Bush Elrod was another one that never got over it. Every time he'd see Amos he'd begin to sing, 'On Jordan's stormy banks I stand,' and Amos couldn't git out o' the way quick enough.

"Well, that's what made me and old Uncle Sam Simpson laugh so last Sunday. I don't reckon there's anything funny in it to folks that never seen it; but when old people git together and call up old times, they can see jest how folks looked and acted, and it's like livin' it all over again."

"I don't believe you can see it any plainer than I do, Aunt Jane," I hastened to assure her. "It is all as clear to me as any picture I ever saw. It was in March, you say, and the wind was cool, but the sun was warm; and if you sat in a sheltered place you might almost think it was the last of April."

"That's so, child. I remember me and Abram set under the bank on a rock that kind o' cut off the north wind, and it was real pleasant."

"Then there must have been a purple haze on the hills; and, while the trees were still bare, there was a look about them as if the coming leaves were casting their shadows before. There were heaps of brown leaves from last year's autumn in the fence corners, and as you and Uncle Abram walked home, you looked under them to see if the violets were coming up, and found some tiny wood ferns."

Aunt Jane dropped her knitting and leaned back in the high old-fashioned chair.

"Why, child," she said in an awe-struck tone, "are you a fortune-teller?"

"Not at all, Aunt Jane," I said, laughing at the dear old lady's consternation. "I am only a good guesser; and I wanted you to know that I not only see the things that you see and tell me, but some of the things that you see and don't tell me. Did Marthy ever get young Amos baptized?" I asked.

"La, yes," laughed Aunt Jane. "They finished up the babtizin' two weeks after that. It was a nice, pleasant day, and young Amos went under the water all right; but mighty little good it did him after all. For as soon as he come of age, he married Matildy Harris (Matildy was a Methodist), and he got to goin' to church with his wife, and that was the last of his Babtist raisin'."

Then we both were silent for a while, and I watched the gathering thunder-clouds in the west. A low rumble of thunder broke the stillness of the August afternoon. Aunt Jane looked up apprehensively.

"There's goin' to be a storm betwixt now and sundown," she said, "but I reckon them young turkeys'll be safe under their mother's wings by that time."

"Don't you think a wife ought to join her husband's church, Aunt Jane?" I asked with idle irrelevance to her remark.

"Sometimes she ought and sometimes she oughtn't," replied Aunt Jane oracularly. "There ain't any rule about it. Everybody's got to be their own judge about such matters. If I'd 'a' been in Marthy's place, I wouldn't 'a' j'ined Amos' church, and if I'd been in Amos' place I wouldn't 'a' j'ined Marthy's church. So there it is."

"But didn't you join Uncle Abram's church?" I asked, in a laudable endeavor to get at the root of the matter.

"Yes, I did," said Aunt Jane stoutly; "but that's a mighty different thing. Of course, I went with Abram, and if I had it to do over again, I'd do it. You see the way of it was this: my folks was Campbellites, or Christians they'd ruther be called. It's curious how they don't like to be called Campbellites. Methodists don't mind bein' called Wesleyans, and Presbyterians don't git mad if you call 'em Calvinists, and I reckon Alexander Campbell was jest as good a man as Wesley and a sight better'n Calvin, but you can't make a Campbellite madder than to call him a Campbellite. However, as I was sayin', Alexander Campbell himself babtized my father and mother out here in Drake's Creek, and I was brought up to think that my church was the Christian church, sure enough. But when me and Abram married, neither one of us was thinkin' much about churches. I used to tell Marthy that if a man'd come talkin' church to me, when he ought to been courtin' me, I'd 'a' told him to go on and marry a hymn-book or a catechism. I believe in religion jest as much as anybody, but a man that can't forgit his religion while he's courtin' a woman ain't worth havin'. That's my opinion. But as I was sayin', me and Abram had the church question to settle after we was married, and I don't believe either one of us thought about it till Sunday mornin' come. I ricollect it jest like it was yesterday. We was married in June, and you know how things always look about then. I've thought many a day, when I've been out in the gyarden workin' with my vegetables and getherin' my honeysuckles and roses, that if folks could jest live on and never git old and it'd stay June forever, that this world'd be heaven enough for anybody. And that's the way it was that Sunday mornin'. I ricollect I had on my 'second-day' dress, the prettiest sort of a changeable silk, kind 'o dove color and pink, and I had a leghorn bonnet on with pink roses inside the brim, and black lace mitts on my hands. I stood up before the glass jest before I went out to the gate where Abram was, waitin' for me, and I looked as pretty as a pink, if I do say it. 'Self-praise goes but a little ways,' my mother used to tell me, when I was a gyirl; but I reckon there ain't any harm in an old woman like me tellin' how she looked when she was a bride more'n sixty years ago."

And a faint color came into the wrinkled cheeks, while her clear, high laugh rang out. The outward symbols of youth and beauty were gone, but their unquenchable spirit lay warm under the ashes of nearly eight decades.

"Well, I went out, and Abram helped me into the buggy and, instead o' goin' straight on to Goshen church, he turned around and drove out to my church. When we walked in I could see folks nudgin' each other and laughin', and when meetin' broke and we was fixin' to go home, Aunt Maria Taylor grabbed hold o' me and pulled me off to one side and says she, 'That's right, Jane, you're beginnin' in time. Jest break a man in at the start, and you won't have no trouble afterwards.' And I jest laughed in her face and went on to where Abram was waitin' for me. I was too happy to git mad that day. Well, the next Sunday, when we got into the buggy and Abram started to turn round, I took hold o' the reins and says I, 'It's my time to drive, Abram; you had your way last Sunday, and now I'm goin' to have mine.' And I snapped the whip over old Nell's back and drove right on to Goshen, and Abram jest set back and laughed fit to kill.

"We went on that way for two or three months, folks sayin' that Abram and Jane Parrish couldn't go to the same church two Sundays straight along to save their lives, and everybody wonderin' which of us'd have their way in the long run. And me and Abram jest laughed in our sleeves and paid no attention to 'em; for there never was but one way for us, anyhow, and that wasn't Abram's way nor my way; it was jest our way. There's lots of married folks, honey, and one of 'em's here and one of 'em's gone over yonder, and there's a long, deep grave between 'em; but they're a heap nearer to each other than two livin' people that stay in the same house, and eat at the same table, and sleep in the same bed, and all the time there's two great thick church walls between 'em and growin' thicker and higher every day. Sam Amos used to say that if religion made folks act like Marthy and Amos did, he believed he'd ruther have less religion or none at all. But, honey, when you see married folks quarrelin' over their churches, it ain't too much religion that's the cause o' the trouble, it's too little love. Jest ricollect that; if folks love each other right, religion ain't goin' to come between 'em.

"Well, as soon as cold weather set in they started up a big revival at Goshen church. After the meetin' had been goin' on for three or four weeks, Parson Page give out one Sunday that the session would meet on the follerin' Thursday to examine all that had experienced a change o' heart and wanted to unite with the church. I never said a word to Abram, but Thursday evenin' while he was out on the farm mendin' some fences that the cattle had broke down, I harnessed old Nell to the buggy and drove out to Goshen. All the converts was there, and the session was questionin' and examinin' when I got in. When it come my turn, Parson Page begun askin' me if I'd made my callin' and election sure, and I come right out, and says I, 'I don't know much about callin' and election, Brother Page; I reckon I'm a Christian,' says I, 'for I've been tryin' to do right by everybody ever since I was old enough to know the difference betwixt right and wrong; but, if the plain truth was told, I'm j'inin' this church jest because it's Abram's church, and I want to please him. And that's all the testimony I've got to give.' And Parson Page put his hand over his mouth to keep from laughin'—he was a young man then and hadn't been married long himself—and says he, 'That'll do, Sister Parrish; brethren, we'll pass on to the next candidate.' I left 'em examinin' Sam Crawford about his callin' and election, and I got home before Abram come to the house, and the next day when I walked up with the rest of 'em Abram was the only person in the church that was surprised. When they'd got through givin' us the right hand o' fellowship, and I went back to our pew, Abram took hold o' my hand and held on to it like he never would let go, and I knew I'd done the right thing and I never would regret it."

There was a light on the old woman's face that made me turn my eyes away. Here was a personal revelation that should have satisfied the most exacting, but my vulgar curiosity cried out for further light on the past.

"What would you have done," I asked, "if Uncle Abram hadn't turned the horse that Sunday morning—if he had gone straight on to Goshen?"

Aunt Jane regarded me for a moment with a look of pitying allowance, such as one bestows on a child who doesn't know any better than to ask stupid questions.

"Shuh, child," she said with careless brevity, "Abram couldn't 'a' done such a thing as that."



VII

HOW SAM AMOS RODE IN THE

TOURNAMENT



"There's one thing I'd like mighty well to see again before I die," said Aunt Jane, "and that is a good, old-fashioned fair. The apostle says we must 'press forward, forgetting the things that are behind,' but there's some things I've left behind that I can't never forget, and the fairs we had in my day is one of 'em."

It was the quietest hour of an August afternoon—that time when one seems to have reached "the land where it is always afternoon"—and Aunt Jane and I were sitting on the back porch, shelling butter-beans for the next day's market. Before us lay the garden in the splendid fulness of late summer. Concord and Catawba grapes loaded the vines on the rickety old arbor; tomatoes were ripening in reckless plenty, to be given to the neighbors, or to lie in tempting rows on the window-sill of the kitchen and the shelves of the back porch; the second planting of cucumber vines ran in flowery luxuriance over the space allotted to them, and even encroached on the territory of the squashes and melons. Damsons hung purpling over the eaves of the house, and wasps and bees kept up a lively buzzing as they feasted on the windfalls of the old yellow peach tree near the garden gate. Nature had distributed her sunshine and showers with wise generosity that year, and neither in field nor in garden was there lack of any good thing. Perhaps it was this gracious abundance, presaging fine exhibits at the coming fair, that turned Aunt Jane's thoughts towards the fairs of her youth.

"Folks nowadays don't seem to think much about fairs," she continued; "but when I was young a fair was something that the grown folks looked forward to jest like children look for Christmas. The women and the men, too, was gittin' ready for the fair all the year round, the women piecin' quilts and knittin' socks and weavin' carpets and puttin' up preserves and pickles, and the men raisin' fine stock; and when the fair come, it was worth goin' to, child, and worth rememberin' after you'd gone to it.

"I hear folks talkin' about the fair every year, and I laugh to myself and I say, 'You folks don't know what a fair is.' And I set out there on my porch fair week and watch the buggies and wagons goin' by in the mornin' and comin' home at night, and I git right happy, thinkin' about the time when me and Abram and the children used to go over the same road to the fair, but a mighty different sort of fair from what they have nowadays. One thing is, honey, they have the fairs too soon. It never was intended for folks to go to fairs in hot weather, and here they've got to havin' 'em the first week in September, about the hottest, driest, dustiest time of the whole year. Nothin' looks pretty then, and it always makes me think o' folks when they've been wearin' their summer clothes for three months, and everything's all faded and dusty and drabbled. That's the way it generally is in September. But jest wait till two or three good rains come, and everything's washed clean and sweet, and the trees look like they'd got a new set o' leaves, and the grass comes out green and fresh like it does in the spring, and the nights and the mornin's feel cool, though it's hot enough in the middle o' the day; and maybe there'll come a touch of early frost, jest enough to turn the top leaves on the sugar maples. That's October, child, and that's the time for a fair.