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Another World - Fragments from the Star City of Montalluyah
by Benjamin Lumley (AKA Hermes)
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The electric agencies in our world are very powerful; and it is supposed that at an early age of our world's history the mountain-foot covered with cities extended considerably beyond the land on which stand the present lower cities, and for many miles beyond the actual point to which the sea now recedes at low water, and that through a great electric disturbance, the upheaving seas of mighty waters rolled on, and, rising to an immense height—some think above the summit of the great mountain—with resistless force carried away miles of intermediate rock-land, which had till then formed the heart of the mountain.

When after some time the waters receded the mountain mass above the point of their ravages was left suspended, deprived of the support of the intermediate and nether strata, which before the upheavings of the waters had connected the plateaus and peaks of the mountain with the land beneath.

The suspended or aerial mountain stretches from the high lands of the continent horizontally through the air, just as one of your largest continents stretches into the sea. Between it and the sea below, however, is a space to be measured by miles.

The sea in subsiding did not recede to its old limits; for a part only of the miles of the lower lands between the scooped-out mountain heart and the sea was restored to the world by the retiring waters, and the heart of the mountain having been carried away and engulfed for ever, the projecting mountain mass was left suspended not only over the land now covered by the lower cities, but for miles over the sea. Neither can be approached except by proceeding first for a long distance in an opposite direction inland, until the extreme point is reached where the sea stopped its ravages on the mountain's heart; the road then leads by circuitous bendings to the land below.

On the rocky ridges of the heart or indent of the mountain, and on the part of the mountain foot restored by the sea, now stand the middle and lower cities of Montalluyah.

The hanging mountain mass, with its promontories and high hills, presents all varieties of shape and outline, and is itself intersected by rocks, ravines, cataracts, and torrents.

One great torrent runs on for many miles, and having been swelled by tributaries into an immense gathering of mighty waters, rushes impetuously seaward, to the extreme point of the suspended mountain, whence from its aerial height it falls into the sea beneath, the spray bringing refreshment to the parched atmosphere of the lower and intervening cities, built on the ridges and peaks of the sea-worn heart of the mountain. This torrent, called the Great Cataract, forms a feature of great grandeur and beauty.

On the suspended mountain itself is built a city larger than your largest capitals, called the Upper city of Montalluyah. The Lower city, nearer the sea-level, is distant vertically about three miles from the nearest under part of the projecting mountain-arm above. The cities swarm with human beings, whilst the wealth of the districts is incalculable.

Before my time many of the under parts of the suspended mountain had broken from the parent mountain arm, burying cities and their inhabitants under the masses of rock.

In the then state of science these catastrophes could scarcely have been prevented, but at that time the inhabitants of Montalluyah rarely thought of preventing accidents till after they had occurred!

Although in my reign the suspended mountain did not threaten immediate danger, I saw that unless means could be devised to support it, like catastrophes would at some time recur, and perhaps the whole mountain arm would give way, hurling the upper cities to destruction, and crushing the nether cities under its falling masses. The terrible consequences that would ensue were more appalling even in their remoteness than the most vivid imagination dared realize.

Acting therefore on the principle governing my polity—that of preventing evils—I determined to use the immense mechanical and electrical powers with which the marvellous progress of science had supplied me, to construct a work strong and durable enough to support the suspended mountain.

I assembled from all parts the mighty men of our world, men of truth and wisdom, fathers of science and knowledge, chiefs in all the principal departments; for it was provided by one of my laws that before any great work was undertaken these men should be consulted, and that, so far as was in accordance with the chief intent, the work should be carried on in harmony with the requisitions of the principal sciences.

After much thought, deliberation, and study, a stupendous work was undertaken; a work so great in the parent thought, and so wondrous in the execution, that it is looked upon by the people as the wonder of our world.

With your limited mechanical appliances, and backwardness of electrical science, you will perhaps have difficulty in realizing the practicability of such a construction.



X.

THE MOUNTAIN SUPPORTER.

"Let all hearts unite in gratitude to Him who sent His angels to aid us in this work.

"He inspired the directing mind, and gave strength to those that executed. He created the fire that married the two substances into one indestructible compound mass.

"Behold, and wonder!"

A circular tower, whose base above the foundation is more than a mile in diameter, and whose round walls are more than a hundred feet in thickness, is carried up from the lower land nearest to the sea-level until the head of the tower reaches and supports the projecting mountain mass above.

The diameter of the tower-head is one-third of the diameter of the base. The diminution being very gradual is scarcely perceptible, and appears to be the effect of distance. The height of the tower is the same as its circumference at the base. Our ordinary powers of vision generally exceed yours, and the light in our world is more intense; and yet the head of the tower can from the lower cities seldom be distinguished from the illuminated clouds above.

The area in the interior of the tower at the base, and for some distance above, is divided horizontally and vertically, and the compartments are used for storehouses, including the storing of scientific instruments, and for experiments connected with science. The different strata and incidents of the atmosphere at various elevations are there studied with peculiar advantage, as there are numerous landings at different distances, and we have the means of ascending and descending the whole distance, or of alighting on any of the landings by means of a machine raised and lowered by electric power.

As the work progressed, stages were constructed at different heights on which buildings were erected, where the workmen and their families lived until the task was completed, the materials and electricities used, as well as provisions and necessaries, being raised to these stages by electric power. The principal material used is the hardest and most durable substance known in our world—an amalgamated material consisting of certain proportions of iron and marble fused into a solid compact mass by the action of fire and electricity.

HEAVY MATERIALS LIGHTENED BY ELECTRICITY.

The blocks used were of immense size, so huge, that even with our electrical and mechanical levers, many expedients were employed to raise them to their assigned places.

Electric science had greatly advanced in my reign, and electric powers had been discovered by which the heaviest masses could be lightened temporarily, so that their specific gravity, called by us the "tenacious electricity," and its tendency to seek the sympathetic electricity of the earth was temporarily diminished, if not entirely neutralized, without injury to the mass subjected to the operation.

Though the means and end are different, the principle is not unlike that by which you often lighten the specific gravity of bodies, and even change their nature by chemical combination, the action of fire, and other expedients, the bodies often resuming their specific gravity and original form. The means we employ for lightening bodies are far more rapid and effectual, and, at the same time, the materials acted upon are less abruptly or violently changed.

Notwithstanding all our knowledge of electric and mechanical powers, our thousands of artificers employed, and all the industry and energy exerted in obedience to my will, nine of our years[1]—more than thirty of yours—were spent in the completion of this stupendous work.

[Footnote 1: Our year is not calculated like yours. The year is marked by a peculiar appearance which the sun assumes at equidistant epochs.]

The tower of itself is an object of great grandeur and beauty, and is richly ornamented. The external walls of the plinth at the base of the tower are overlaid with gold and ravine[1] metal, inlaid with large transparent stones of varied colours. The ravine metal—a metal prized beyond gold—possesses beautiful veins of colour, which change with the temperature—veins of watery green, of purple, blue, and steel. When refined, it is most beautiful. The colours are sometimes so bright that it is dazzling to look at them.

[Footnote 1: So named from being found in the great ravine, the largest ravine in Montalluyah.]

On the tower are scrolls and images of peculiar meaning, and of large characters in gold and ravine metal, ornamented with transparent stones. The sun's rays playing on these stones, and particularly on a large yellow stone like an amethyst, illuminates the column with what may be called a supernatural light.

Alternating with the scrolls are designs representing episodes in my life and reign. These designs are in pure white marble in relief, and with the light of our world stand out prominently from the iron-marble, sufficiently large to be plainly seen at great distances from nearly all parts of the city. The proposal for thus recording the events of my reign came from the kings and people who loved me greatly.

As before observed, a person can be raised from the base to the top of the column, and through a shaft into the Upper city. The movement is rapid, and takes less than half an hour either way, whilst the journey by our external roads, by reason of the circuits to be taken, and the ascents and descents would, even to descend, occupy two days on a fleet horse. The passage through the Tower, however, is seldom used either for ascent or descent, except in cases of great emergency, because the great difference of the atmosphere above and below materially affects the health of the passenger.

The machinery, too, in the descent requires much care and calculation, for the weight of the descending body would otherwise increase to such an extent, that accidents would occur.

The difference of the atmosphere and the effect on the human frame between the Upper and Lower cities is remarkable; those accustomed to live in the Lower city have a disposition to spring from their feet when first arriving in the Upper city. I recollect a lady—rather weakly—who seemed mad, but was rational enough; only she could not for some time resist the impulse of springing upwards.

This mode of communication would perhaps have been more resorted to had we not possessed the telegraph. The electric telegraph is, in its rapidity, not unlike that used in your world, but is different in construction and mode of working. What is written at one station is reproduced in its exact size and form at another. Even a portrait designed at one end of the telegraph with the electric acid would be instantaneously reproduced at the other end, perhaps many hundred miles distant.

At different stages of the Tower the colour of the atmosphere sensibly changes. This phenomenon is caused by certain minute particles which contain animalcula, or their ova, and exist at different distances in layers, and which as they are developed and become heavier have a tendency to fall into lower regions of the atmosphere, till they awaken into life under the influence of the sun. Blights, called by us Viscotae, "infectious visitors," are often thus generated, falling from layer to layer till they settle on plants and trees.

These ova, moved by the winds, are sometimes mixed together, but when the winds subside the more advanced and heaviest tend to settle in the lower regions of the air just as the heaviest particles of a mixture have a tendency to sink and settle below.

All this has been shown beyond doubt by a quantity of air being collected when falling fast, and at different times and altitudes. Each portion of air being secured in a separate glass case, the ova were then viewed through our powerful microscopes, and subjected to various tests.

The Mountain Supporter, which can be seen from nearly every part of the Middle and Lower cities of Montalluyah, is an object of inconceivable grandeur and beauty, its appearance varying according to the point whence it is seen.

This great work often seems broken into numerous parts of varied length, by mountains, rocks, and ravine sides, raising their heads between it and the spectator. Often, particularly when the clouds have been high, and the sky has been clear, I have seen from a distance parts of the huge Mountain Supporter seemingly broken into vertical lines towards the middle and lower parts in a way that, in conjunction with the upper parts, has produced an effect like that of an immense flower raising its head towards the skies, supported by a long stalk resting on many elegant but slender tendrils.

The grandeur and beauty of the tower is, if possible, heightened by the Great Cataract, in conjunction with which it is almost invariably seen. The falling waters vie with the Mountain Supporter in breadth, and overtop it by the height from which they are hurled; the one firm, stately, and magnificent in its solidity and repose, the other vapoury and grand in its gracefulness and movement; both inconceivably beautiful; the Cataract, a work of all-powerful Providence, whose wise purposes no one can scan in their entirety; the Supporter symbolizing the inspired genius of man, who, with the beneficent purpose of saving innumerable lives from destruction, had, by the sweat of his brow, constructed a work more stable than the solid rock,—work whose head might be said to "reach unto Heaven."



XI.

ELECTRICITY

IN MONTALLUYAH.

"A spark of Heaven power."

In the construction of the Mountain Supporter you will have perceived that we were greatly aided by our extended knowledge of electricity.

Before my reign, although electricity was used for some purposes, the existence of varieties in electricity, and the manifold uses to which their wondrous powers could be applied, were unknown.

Electricity was not then utilised for locomotion either on land or sea, or for raising ponderous bodies to an immense height, or in the various products of manufacture and art, or, in short, for any of the almost innumerable purposes where the various electricities are now employed, either separately or in combination.

This could not well be otherwise; for beyond a contrivance like your Leyden jar, for collecting "air electricity," no means of collecting, still less concentrating, electricity of any kind then existed.

The belief once generally entertained was, that there were but two electricities, or rather two varieties of the same electricity, one repellent and the other attractive, answering in a measure to your terms of positive and negative. Some, indeed, thought that several different kinds existed; but the renowned electricians—truly great men, for they had opened the gates of science—proclaimed that all electricities were in reality one and the same, modified only by accidents.

They referred to certain phenomena always resembling each other in whatever way the electricity producing them might be generated; and they argued, with an appearance of truth, that the electricity which produced these similar phenomena must be one and the same: for, asked they, are not like causes indicated by like effects? The principle was right, but, as was subsequently shown, the application and the conclusion were wrong. The error had arisen from the fact that electricities of every kind possess certain properties in common: thus, air electricity enters into the composition of them all. These common properties produce phenomena varying only in degree, but so similar to each other that, in the absence of further knowledge, the electricians concluded that their theory was correct, and, in consequence, many valuable discoveries were retarded for centuries.

MANY KINDS OF ELECTRICITY.

In my reign, however, tangible and visible proofs established beyond doubt that every kind of body and substance, whether animate or inanimate, contains an electricity of its own.

Although all electricities contain air electricity, and are similar in some other respects, yet each differs from all others by reason of some properties peculiar to itself, the species being different, though the genus is the same. As in the case of the blood of animals, which is called by the common name of blood in spite of material differences, when the species is different, so we have a generic name for all electricities, a term signifying "A spark of Heaven power."

Some electricities are diffused and attenuated; some are concentrated; others are so tenacious of the body to which they belong that they are all but steadfast. Some are sympathetic; some antipathetic, attracting or repelling each other; some mingle gently; others, when brought into contact, cause violent explosions.

DRAWING OUT AND CONCENTRATING ELECTRICITIES FOR USE.

WE discovered the means of drawing out the various electricities from the body to which they are appetent, and of concentrating and preserving them for use.

Man, beasts, birds, insects, fish, reptiles, trees, plants, water, in short, all substances organic and inorganic, possess each its own peculiar electricity. In naming fish, I refer to each species, and not merely to those already known to you as electrical, and which have the power of emitting strong currents of their own peculiar electricity. A huge fish, well known on your earth, supplies us with the most powerful of all electricities—an electricity of immense value. Docks sufficiently large are built expressly where the sea monster is driven, there to be subjected to the process by which he is made to yield up the electricity contained in his huge frame.

The different kinds of electricity collected and concentrated are stored ready for use in a large building called "The Electric Store-house,"— the electricities, secured in non-conducting pouches, being placed in separate compartments. This is the more necessary, since explosions arise when antagonistic electricities come into contact with each other, and the commingling of sympathetic electricities deteriorates their quality. For that reason care is taken to keep out light. By the electricity of light most other electricities are affected.

To the storehouse are attached extensive grounds for experiments and for exhibitions, which at the same time delight and instruct the people. I should observe that beautiful as well as humorous effects are produced by certain electrical combinations. By means of sympathetic action living bodies can be attracted and raised without removing their inherent electricity, as you attract light substances with the magnet or the electricity known to you.

WILD BIRDS CAUGHT BY ELECTRICITY.

The kind of electricity by which the body to be operated upon will be best attracted is well understood in Montalluyah. As a simple example, I will state that wild birds are caught by means of a sympathetic electricity. For this purpose a long, hollow metal tube is used, at the bottom of which is a globe containing a powerful acid. A receptacle at the top of the tube contains seeds much liked by the birds. They hover about these seeds, and, when they are within a certain distance, a slight pressure on a wooden spring causes a drop of the acid in the globe to escape into the tube, and so to set in movement a current of electricity, which, being very sympathetic to the bird, acts as an attractor so powerful, that it cannot get away. The tube is then gently lowered, and the birds are gradually drawn near to the earth, when a light net is thrown over the captives, and they are shaken into a cage-net at the bottom. Calmed by the electricity, they do not flutter or struggle when thus secured. It is very interesting to see the birds come nearer and nearer as the rod is lowered towards the ground.

For electrical purposes it is necessary to catch the birds alive. Those required for food are also caught in the same way, that they may be killed without pain, as, indeed, are all birds and animals used for food. Birds supply an electricity for lightening ponderous bodies; and by means of this, the immense blocks of iron-marble used for the construction of the Mountain Supporter were temporarily lightened, that they might be raised to their assigned places.



XII.

THE PAIN-LULLER.

VIVISECTION.

"Cause not pain, lest you yourselves be afflicted."

From a small pet-bird of pink and green plumage, called in our language the Nebo, is extracted an electricity known as the "Pain-luller."

The preparations previously used, though very serviceable, did not fulfil all requisites, and they so seriously suspended the vital action, that the patient often died in consequence. By means of the "pain-luller" vivisection and the most difficult surgical operations can be performed safely and painlessly, without any part of the system being affected by the action of the "pain-luller," with the exception of the nerves of sensation. We knew that the feeling of pain in animals depends on the action of a particular set of nerves. When this pain-lulling electricity is introduced into body, it is attracted to the nerves of sensation, and the sense of feeling remains suspended during several hours, whilst the other nerves and muscles—as, indeed, all the rest of the organization—continue to perform their functions as in their normal state.

VIVISECTION.

In vivisection the animal's eyes are bandaged, so that he does not even know what is going on, but is free from pain, whilst all the springs of action, with the one exception, remain in their normal state. This would not be the case if the animal suffered from acute pain and terror during the operation. The continued energy of the functions is thought essential to the complete success of the operation, whether on the human frame or in vivisection.

HOW DISCOVERED.

The efficacy of the "pain-luller" was discovered by an accident. A little girl carrying a pet Nebo was knocked down, and the wheel of a chariot passed over her legs. In a convulsive effort to save her pet, the child pressed it to her bosom with so much force that she broke, the bird's skin. When the people ran to her assistance, and lifted her up, they found that both her legs were broken. To the surprise of all, she did not cry, but only asked to be taken to her mother, and continued to press the bird to her breast. From kindness, those near wished to take away the bird, but the girl would not loose her hold.

The doctors were astonished; for the severity of the fractures would ordinarily have caused acute pain, more particularly during the setting of the bones. The child, however, though quite conscious of what was passing, did not suffer in the least, but continued to pet her little bird.

After many experiments, my scientific men found that this entire absence of pain was due to the Nebo's electricity, which had escaped by the breaking of its skin. This electricity, attracted by the nerves of sensation, had entered the child's body when she pressed the pet convulsively to her bosom, the seat of great sensibility. The electricity only suspended the sense of feeling, but did not affect any other part of the child's system.



XIII.

THE MICROSCOPE.

CONCENTRATED LIGHT—MUSIC—EXPERIMENT ON THE LIVING MAN.

"The same Almighty Power that governs the universe of worlds governs the minutest particles of creation....In both is shown His infinite power."

The properties of our Microscopes (as of other optical instruments) are wondrously increased by the aid of an electricity called "concentrated light." [1]

[Footnote 1: In Montalluyah light in the ordinary state is said to be a highly attenuated electricity.]

In our fields is found a little worm, whose body is surrounded by a beautiful and powerful light, visible by day and by night.

While meditating on the cause of this phenomenon, it occurred to me that the light was probably attracted and concentrated round the little creature by its own electricity. After many experiments, my great electricians found that this was the case, and many valuable discoveries were the result.

A machine, called the "Enticer," charged with electricity abstracted from this worm, is placed in a high open spot, and light is attracted and concentrated in a marvellous manner. When the pouch for receiving the concentrated light is fully charged, and secured against the action of other electricities, it is detached from the machine, and its contents are preserved for use. The appearance of concentrated light is that of a beautiful halo.

MUSIC.

The power of music, beyond that derived from its mere execution, is greatly influenced by the amount of electricity infused into the sounds by the performer; and in our planet the human voice has often been known to soothe, and sometimes to restore, a disordered brain, by awakening the powers of some dormant division, when the electricity accompanying the sounds is sympathetic with the light in the brain of the listener. The human voice, other things being equal, is more electrical than sounds from musical instruments; for in the one case the emanations of light come direct from the living singer, whilst in the latter instance the electricity coming from the executant passes by contact with the instrument, and is thus transmitted through an intermediate conductor. The beauty and effect of many of our musical instruments, and particularly of the harp, are greatly increased by the application of electricity.

A skilful executant on our harp can assuage the passions of a multitude,—nay, he can excite many of the aspirations and sensibilities ascribed in your legends to Orpheus and other mythical personages.

It is thought in Montalluyah,—though it was never demonstrated,—that a modification of concentrated light forms the point of union between the immortal soul and the perishable portions of man.

INTERNAL CONCENTRATED LIGHT.

There is concentrated light—the very essence of light—within ourselves, particularly in the brain, to which the light, having travelled about the body, is conveyed, through the instrumentality of the blood, to the nerves and other organs.

In speaking of the brain, we often use words belonging to vision. Until the discovery of "concentrated light," we did not know how truthful were these expressions, one of which in our language answers to the "mind's eye." The eye as well as the brain contains concentrated light, and physical impressions received through the visual organs are by this electricity immediately conveyed to the sympathetic "light" of the brain.

By the application of concentrated light we can even increase for a time the intellectual powers, or, rather, we can strengthen the instrument through which the intellectual powers are manifested.

EXPERIMENT ON THE LIVING MAN.

The possession of concentrated light led to the discovery of the exact mode in which the brain acts in the living man. By experiments on transparent fish of the zoophyte class, and on the eyes of animals, we discovered the means of making a living body for a time transparent. The skull was rendered transparent accordingly, and by the aid of concentrated light and of an instrument called an "electric viewer," the currents of electricity in the brain were made visible.

These currents include myriads of electrical lines—literally composed of electricity—lines the nearest approach to your definition of a mathematical line, that which hath length without breadth.

The filaments, as we may truly call them, are of different forms, straight, spiral, and otherwise curved, and of varied length and colours. They are set in motion by the impulsion of thought. When we talked to the patient on a particular subject, one series of lines would be set in motion with indescribable rapidity; other topics would call into play other series of straight or curved lines. They can also be set in motion under the influence of certain electricities.

Although the experiments on the living man proved very valuable, they could not be conducted with impunity, and were therefore not often repeated. The man operated upon was insensible for some time afterwards, and felt the effects for years. He was, however, cared for during the rest of his life, and was not expected to work. Moreover, every kind of comfort, luxury, and amusement was provided for him and for a certain number of relatives and friends whom he selected as companions. Still he was not allowed to marry, that being one of the principal conditions to which he subscribed on being chosen for the experiment from amongst a host of candidates to whom all the serious consequences attending the operation were made known.



XIV.

PHYSICIANS.

DISEASE GERMS.

"Cure all evils in their early germ, so shall ye be spared endless suffering."

Physicians take very high rank in Montalluyah; they are furnished with palaces and gardens; their revenue is great; they are wholly provided for by the State, since on their knowledge and efforts depend greatly the prolongation of life, the prevention of disease and suffering, the preservation of beauty, and of invaluable nerve and brain power. As in the moral, so in the physical constitution, the aim is to discover and crush evils in their germ, before they have taken proportions dangerous to the individual and to the community.

Formerly the chief duty of physicians was to wait patiently until disease had worked great and even fatal mischief. Their chief occupation now is to preserve the patient's health and prevent disease, and if, from any but accidental causes, any one fell ill, it would be a disgrace to them. They were formerly called by a name answering to "Disease Doctors," whilst they are now known by a term signifying "Health Guardians."

Prior to seasons formerly unhealthy, the physicians make visitations from house to house. With the aid of powerful microscopes, they examine the minute particles of the perspiration issuing through the pores. The perspiration, being the result of efforts made by the system to throw off impurities, indicates whether the patient is in good health, or whether there is a tendency to disease. The state of the perspiration, though varying greatly, does not always show the exact nature of the malady; for many diseases present the same appearances, and, in that case, tests are applied, which do not fail to indicate to what malady the impurities belong.

To give an instance: There is a disease of the lungs called Scrofiuska, which impedes respiration, and is besides often attended with cough, emaciation of the body, and other symptoms like those that accompany consumption, for which indeed it was formerly mistaken. It is now well known to be a different disease, requiring different treatment. In scrofiuska the lungs swell inwardly, but tubercles are not generated, and, unlike consumption, this disease can be cured even when at its height. I recollect a bad case, early in my reign, where our physicians, mistaking the complaint for confirmed consumption, declared that the right lung was gone. A short time afterwards the real nature of the disease was discovered, and the patient was completely restored to health.

In both complaints, however, the perspiration, when viewed through our microscopes, presents exactly the same appearance. In consumption, and to a greater extent in scrofiuska, the lungs are covered with a web-like moisture, portions of which are thrown off by the system with the perspiration.

The ordinary appearance of perspiration in a healthy state is that of an oleaginous liquid consistency resembling, say, a thin cream; but the water exuded by the lungs has the appearance of dew, and is indeed called by a term signifying "lung-dew." It does not amalgamate with the oleaginous part of the perspiration.

Our doctors at first thought that they could detect incipient consumption from the appearance of this dew, whilst they had only ascertained that the germs of some one of several diseases existed in the system. For although the presence of lung-dew in any quantity gives intimation that all is not right, the specific malady is not indicated with certainty. The application of certain tests to the patient is necessary to discover the particular disease with the incipient germs of which he is afflicted.

Disease and contagion difficult to deal with in their advanced stages, when they have already made their presence known by symptoms too palpable to be disregarded, are easily mastered in their germ.

To collect the perspiration, a little instrument, called "the scraper," is passed over the skin, and at each turn deposits the perspiration in an air-tight receptacle attached to the instrument.

The blood was found to be but a partial test of disease, for there is much in the body which does not mingle with the blood, whilst the perspiration contains impurities thrown off by every part of the organization, and, when examined through our microscopes, never fails to give warning.

At the same time the blood is the subject of deep study in Montalluyah; and every point connected with its component parts, colour, circulation, heat, quality, purification, is thoroughly understood.

The physicians sometimes examine the breath. With this view, the patient breathes on a little instrument saturated with a preparation which condenses and retains the breath. Ample opportunity is thus afforded for its microscopic examination, and for the discovery of the unhealthy particles with which the breath may be impregnated.



XV.

MADNESS.

"Think not others blind because ye will not see....The concentrated light of the soul is not visible to the naked eye."

The microscope also led to the discovery of the incipient causes of madness, by the facility it afforded us for the dissection and examination of the minutest portions of the numerous divisions of the brain.

Before my laws came into operation the incipient symptoms of monomania were rarely noticed, and many were driven into confirmed madness and crime by neglect or improper treatment, whilst some of the supposed lunatics were really wiser than their keepers or the doctors who attended them. It often happened that the aspirations of a superior mind were mistaken for indications of the malady, and led to the incarceration of the supposed lunatic. For instance, a poor man, who lived in the reign of my predecessor, thought, and truly thought, that electricity might be used as a motive power for the heaviest bodies, and supply the place of wood used as fuel in manufactures. He also thought that electricity, then impalpable to the senses, was the material ingredient affecting the weight and coherence of bodies. People laughed at what they supposed to be illusions, and there the matter might have stopped; but the poor man persisted in his assertions that the sun contained electricity, which could be attracted, concentrated, and applied to various purposes. He appealed to the well-known fact, that the sun ripens the fruits of the earth, changes the colours of substances, affects the brain, and produces many wondrous phenomena without visible contact. His lucubrations, instead of suggesting experiment, were received with derision, and the man himself was cruelly treated, his very persistency in the truth convincing the world that he was a confirmed madman. In vain he appealed to the officers charged to visit the monomaniacs, and, in spite of all his efforts, he died in a lunatic asylum.

So dangerous, indeed, was it formerly to announce new ideas opposed to those already received, that we had a proverb to the effect, that he was not mad who had "droll" thoughts, but he was so who told them to the world. The proverb is now somewhat reversed, and he is thought wicked who, being favoured with gleams of light, allows them to perish with him.

Accompanying all laws, I gave to the people my reasons at length for their promulgation, together with answers to anticipated objections; and in the exposition of the laws relating to madness I bid them recollect that had I endeavoured to put my thoughts into action some years earlier, I should undoubtedly have suffered similar persecution to those under which many others had succumbed.

Monomania is not now assumed, as formerly, from the seeming extravagance or supposed absurdity of people's words; for it is well known in Montalluyah that thoughts which a few years before were scoffed at as the height of absurdity are now acknowledged facts, and they who could doubt the existence of the now familiar phenomena would alone be thought mad! It is known, too, that people often say strange things from confused or indistinct recollections of what has befallen them in a prior state of existence, or from prenotion or intuition of things as yet unknown to others; and although in the sciences we accept nothing as conclusive that is not confirmed by experiment, the vastness or strangeness of the thought, far from attracting ridicule, generally leads to inquiry, experiments, and results. Many of our great discoveries have been suggested by hints which formerly would have seemed the ravings of a disordered mind.

With our microscopes we have been enabled to examine and dissect all the minutest divisions of the brain, each of which responds to certain trains of thought, and to ascertain the physical cause of madness.

This knowledge enables us to discriminate with certainty, to detect the existence, nature, and locality of the germ, and apply effectual remedies during the earliest tendency to the malady. Until this discovery was made, I took effectual means for curing the numbers in whose brains madness had already been developed. I erected many great buildings, where each patient was separated from the others, for in Montalluyah madness is thought to be more or less contagious; but after I had reigned some years the deserted divisions only served to show for what purpose they had been formerly used, and, with one single exception, kept in case of need, these buildings are now appropriated to other purposes.

Amongst the discoveries that astonished the brain-doctors and mind-tamers was the following:—It was formerly thought that the disease existed in the overworked, portion of the brain; but this was found to be an error, inasmuch as the disease exists in those parts of the brain which have lain dormant or have been little used. From these the oleaginous fluids essential to their life and activity are drawn to supply the overworked portion, which remains in full health and power. The doctors admitted that their original belief would alone suffice to account for their having failed to cure so many cases of madness.

The heat of the climate, the power of the sun, the then excessive use of stimulants, and the excitability of the people,—whose pulsation is more rapid than yours,—all tended formerly to augment the victims of the scourge.



XVI.

THE DEATH SOLACE.

INSECTS.

"Seek diligently and you will find healthful good even in noxious things."

In Montalluyah learned men are employed wholly in the study of the properties of insects, for these contain valuable electricities.

Colonies of insects, brought by the storms, formerly destroyed whole crops, till a simple mode was discovered for protecting our fields and capturing the marauders.

It was ascertained what plant the insects liked most. This, fortunately, proved to be a common plant—one that could be produced in great abundance. Large beds of it are grown in a place concealed as much as possible from view. Amongst the coveted flowers is sprinkled a strong scent, which attracts the insects, who, finding the plant they like so much, congregate there, abandoning entirely the other plants.

We have gauze of a very fine and yet strong texture, with which nets are formed. One half of the net is laid over the plant-bed when certain winds foretell the coming of the insects, and as soon as these have covered the favourite plant, the top of the net, moved by a spring from either side, closes over and secures the swarm. Where not necessary to secure the insects alive, we sprinkle over the attractive plant-beds a strong poison, which is itself extracted from insects.

There are at times certain impurities in places very difficult of access. Swarms of insects, secured in immense cages, are brought as near as can be to the spot. The cages opened, the insects instantly rush out in swarms, and soon consume everything that has produced the noxious exhalations. All insects,—indeed all created things,—have, in Montalluyah, some properties useful to man.

THE DEATH SOLACE.

After some years had passed, and my laws had time to operate, disease and crime were reduced to the smallest proportions. Life is now prolonged to a period which, before my reign, would have been thought fabulous, and people rarely die but of old age.

Man's progress having become a pleasant journey, I was encouraged to believe that the traveller might be enabled to quit the world without the ordinary death-struggle and convulsion, and with his expiring faculties so refreshed, that he would give his last directions with a clear brain and a cheerful heart.

From a little insect, my men of science extracted a material from which is prepared a potion agreeable to the taste. This is administered to the patient as soon as the physicians are satisfied that life is ebbing fast; and it, at the same time, calms and rouses the dying man.

Within five minutes after it has been taken, all signs of suffering disappear, and the countenance acquires a calm expression, succeeded by a smile of joy rarely seen in the most perfect health. The faculties of the dying man are brightened, and his sensations rendered delightful. He looks calmly on death, makes his dispositions with the serenity of robust health, converses familiarly with those dear to him, gives them his blessing, and passes away as though he were leaving only for a short and pleasant journey. I have seen many exhort their children and relatives, and speak of their departure for another world with an eloquence seldom heard on other occasions.

The effect of the potion on a person in full health is very different; it stimulates and excites, and is altogether prejudicial; and although it would rather do good than harm to a weakly person, its great virtues are only shown when taken by a man in his last moments. Where it is desirable merely to calm or to rouse, there are other and more effectual preparations.



XVII.

INTERNAL CITIES.

SUNSHINE PICTURES.

"Let the great be blessed for the joy they cause to fall on the world like refreshing dews."

There are two seasons in our world—the one called "moderate," the other "extreme." In the extreme season the heat is far beyond the most powerful heat prevailing in your tropics. Special precautions are then necessary to preserve the health of the people. None are allowed to expose themselves to the sun during the greater part of the day; a cooling regimen is enjoined, and animal food is forbidden for a certain period. In both seasons the light by day is intense; its nearest approach to colour is a warm, bright, golden hue, not the cold, white, greyish hue of your climates; and its red shades are sufficient to light our caverns and passages through the rocks to a certain distance.

Those who confer large benefits on the world are naturally entitled to enjoy a portion of the wealth and well-being they have successfully laboured to increase.

This truth I constantly bore in mind, and in spacious galleries perforating the rocks I built the Trombetski, or Internal Cities, for the especial use of those whose superior intelligence had been occupied for the good of the world. Here, sheltered from the scorching rays of the sun, are the palace residences of the higher classes during the extreme season. These galleries serve also to shorten distances between remote parts of the external world. With their streets and passages they form of themselves cities, with scarcely less movement than in those without.

Light is admitted through occasional apertures—some natural, some made by man. It is not as vivid as that of the external world, but subdued and beautifully soft, is ample indeed for all purposes by day, like the pale red of the shade in the external world. Even at night artificial light is not ordinarily required in the open air, the shade of the red light of night being sufficient. Both sea and fresh water in abundance is brought to every part of the internal cities, which abound in waterfalls and fountains, nothing being omitted that may contribute to beauty, health, or comfort.

Many of the most lovely flowers and plants in the external world are those which flourish in the red shade, and are, therefore, eminently suited to the internal cities, where, planted in profusion, they flourish greatly, and emit aromas like your essences, but invariably fresh, sweet, and wholesome. Their natural beauty and odours are increased by electricity, an agent by means of which we can give most beautiful fragrance—nay, colour, form, and variety to flowers in general.

The communication from the palaces in the external world is often by means of a winding path, descending from the basement of the upper palace to the palace in the internal world. By means of machines worked by electricity we have facilities for excavating earth; and where rocks or hard substances intervene we can remove large masses by the application of explosive electricities. These paths are therefore excavated with ease.

My palace, situate on the summit of the upper mountain city, communicates with a magnificent summer palace, reached easily by a well lighted descent. The daylight in the internal palaces is peculiarly beautiful, almost unearthly. Pictures of life-like power are painted expressly for this light.

In my summer palace is a saloon of very great proportions, with a floor of ivory inlaid with pearls. This saloon contains more than 150 pictures, works of our great artists, representing the principal events of my life. In these the figures are large as life. Here are depicted extreme perils which I had undergone; here are the present times contrasted with the past; and thus the benefits conferred by my reign are presented in a manner which appeals at once to the heart.

SUNSHINE PICTURES.

Great discoveries had been made of the enormous resources afforded by the sun. By the aid of machines this power is greatly utilized in manufactures, sciences, and arts. The loveliest colours of our fabrics are those imparted by the action of the sun with the aid of instruments fitted to the purpose.

When we desire to produce in a painting the effect of sunshine, the rays of the sun are attracted and permanently fixed on the parts of the picture we wish to illumine. The effect produced is as though the sun was actually shining on the picture. The effects of sunrise or sunset— the effects of the most brilliant, as well as the least vivid, sunshine—can be produced at will, and are exactly those of nature. Some of these effects are so vivid, that it would dazzle the eye to look on the sunny parts of the picture for any length of time.

A preparation sympathetic to the sun's rays having been rubbed over the part they are intended to illumine, the rays are concentrated there by means of an attracting and concentrating instrument. Another solution is then thrown rapidly on the part illumined in order to fix the rays permanently. A brush was used at first; but, in spite of all care, this left its deep shadow, which greatly marred the effect. Even now much care is necessary, and the solution must be thrown from the side with considerable address, so that the sun's rays may not be intercepted. This solution serves also to fix the rest of the colours. The picture is painted on a fine material like linen, of great durability.

This art of using the sun's rays was much used on the paintings in my summer palace. The brilliant sunlight of the outer world thrown on the principal figures produced a greater effect in the subdued light of the internal city.



XVIII.

THE PICTURES.

"Let pictures speak to the eye, to the ear, to the taste, to the heart, to the head, to the concentrated light of the soul, to the imagination as well as to the understanding. If they do not rouse good aspirations, cast them into the fathomless ravine, there to perish, a fitting food for the poisonous fungi that cover its sides."

Among the pictures to which I refer is a series representing the following subjects:—

I. FOUNDING OF THE SCHOOLS. II. THE OPENING OF THE AMUSEMENT GALLERY. III. MAN. IV. WOMAN. V. MARRIED LIFE. VI. FLOCKS AND HEEDS. VII. THE ALLMANYUKA. VIII. THE STAR INSTRUMENT. IX. NAVIGATION BEFORE AND SINCE MY REIGN. X. CONSUMPTION OF THE VITALITY. XI. MADNESS. XII. THE EXPOSITION OF THE NEW DOCTRINES. XIII. THE REBELS. XIV. THE MOUNTAIN SUPPORTER. XV. INVENTION OF THE LEAF INSTRUMENT. XVI. SUN-POWER AND ITS APPLICATION TO MANUFACTURES, AND FOR HEALTH PURPOSES. XVII. OPENING OF THE ELECTRIC THEATRE. XVIII. INVENTION OF THE INFANTS' EXERCISING MACHINES. XIX. THE INSTALLATION OF THE CHARACTER-DIVERS AND PRECEPTORS, IN PRESENCE OF THE TWELVE KINGS. XX. THE VALLEY OF THE ROCKS. XXI. THE CONSUMMATION.

I. THE FOUNDING OF THE SCHOOLS.

Education before and since the Tootmanyoso's reign is typified.

On one side a number of poor intelligent children are depicted wandering in ignorance. On the other is seen the college as now established, with indications of results. The one part of the picture is seen as if it were enveloped in darkness, whilst on another part the sun is shining brilliantly.

II. THE AMUSEMENT GALLERY.

The opening of the first Amusement Gallery is here depicted with the Tootmanyoso attending.

This is an interesting picture. It exhibits the gallery, with the different playthings and amusements, toys, musical instruments, live birds, small animals, flowers, and other objects. Amid these are shown the interest and delight of the little ones, happy groups of merry faces, the joy and gratitude of the mothers, the Tootmanyoso's satisfaction in contemplating his work, and the intent observation of the "Character-Divers," and "Overlookers," with other varied and interesting features.[1]

[Footnote 1: See p. 202.]

III. MAN.

Man is shown as he was before, and as he had become after I as Tootmanyoso had reigned about one hundred of your years. Man's life had been lengthened from your average age to one which before the employment of the means enjoined and carried out in my reign would have been considered impossible.

The different stages of man's life during both eras are here contrasted in every gradation. Thus we have the child as he was, the child as he is, commencing his education, and his entry into manhood; the coxcomb and dissipated man of former times, and the man of the present era, following the road leading to his own happiness and the good of others; middle age—the man struggling to draw the load up the hill with painful efforts, the other man engaged in congenial occupation; lastly, the disappointed and the happy old age.

IV. WOMAN.

In like manner we have a series of pictures showing woman's former state; her present education, in the representation of which episodes are given of her progress in her own sphere to the level and companionship of man. Reference is made to the means of increasing her beauty, and employing her charms for her own and man's happiness;[1] the gentleness of her nature in softening man's lot, whilst she is supported and defended by him; woman as a mother, her devotion to her children, and her joy and gratitude in contemplating the development of their strength and beauty through the means enjoined and practised in my reign.

[Footnote 1: See p. 94.]

One picture, let me add, represents the mode of choosing a husband,[2] and another represents ceremonies used in the preparations for marriage.[3]

[Footnote 2: See p. 104.]

[Footnote 3: See p. 120.]

V. MARRIED LIFE.

In the picture relating to this subject we first show marriage as it was. The wife and husband are rarely by each other's side; when they meet they are in common attire, and receive each other with frowns; the wife, in grand costume, smiles on strangers, and so on with other episodes of former married life.

With this state of things is then contrasted, in every detail, the happiness of the married state as it now exists.

VI. FLOCKS AND HERDS.

These are pictures showing the spare and lean cattle of earlier times, the former paucity of our flocks and herds, and the present innumerable supplies,—the result of good treatment, and of people's obedience to a law of mine which forbade them to slaughter the female, so that our resources for multiplying our stocks should not be diminished. The present humane method of treating animals, and the dispatching of the animal without pain, are admirably depicted.[1]

[Footnote 1: See p. 213.]

VII. THE ALLMANYUKA.

The different stages of my progress in creating the Allmanyuka, or new food, substituted by me for a strong, stimulating, and injurious condiment previously in general use, are represented in another series of paintings, showing the incipient thought and its perfection, the fruit in its various phases, my anxiety while watching the growth of the fruit, my joy when success had crowned my efforts, and the gratitude of the people.[2]

[Footnote 2: See p. 220.]

VIII. THE STAR INSTRUMENT.

The Tootmanyoso is seen looking through the "Star Instrument," while worlds are opening in the distance. This "star instrument," or "world viewer," is a gigantic telescope of immense power, aided by electricity, constructed for me at my suggestion.[1] The power of our telescopes is wondrously increased by electric and chemical combinations, but this one excelled all others in magnitude and power.

[Footnote 1: See p. 299.]

IX. NAVIGATION.

Navigation before and since my reign is here depicted. The frail and sluggish ships of former times are contrasted with the swift and powerful ships constructed in my reign.[2]

[Footnote 2: See p. 268.]

X. CONSUMPTION OF THE VITALITY.

An episode connected with the discovery of the incipient cause of this malady is here represented.[3]

[Footnote 3: See p. 235.]

XI. MADNESS.

In a series of pictures are portrayed various incidents illustrating the injuries formerly inflicted from ignorance of the causes of the malady, the really mad having often been regarded as sane, whilst many of the sane were treated as mad. Every phase of the malady as it formerly existed is depicted, as also the discoveries and incidents attending its detection and cure in its incipiency.

XII. EXPOSITION OF THE NEW DOCTRINES.

While representing the Tootmanyoso expounding some of his leading doctrines, the artist has given to many of the countenances a fearful expression of hatred and incredulity, while the Tootmanyoso's calm and settled purpose is grandly expressed in the dignity, eloquence, and unswerving faith depicted in his aspect and general bearing.

In this picture, too, are seen figures of children clothed in rich habits, who had been brought up in idleness, and taught to respect little else than money; some deriding, some in the act of throwing missiles at the principal figure, whom others are revering.

The poor people's joy when relieved by the Tootmanyoso from misery and oppression, and told that the gates of honour were open to themselves and their sons and daughters, is plainly shown. The beaming intelligence of beautiful children with lofty aspirations, expressing innate love of good and desire of knowledge, hitherto held back by want, is also represented. All this is more beautifully expressed by the painter than words can convey.

XIII. THE REBELS.

An episode in the Tootmanyoso's life when, alone and unarmed in his study, he was surrounded by a band of armed men, who had bound themselves by oath to murder him unless he complied with their rebellious demands, is here recorded in a picture, in which is portrayed the noble figure of the Tootmanyoso, unarmed and bareheaded, at the mercy of these furious armed men, who have the expression of wild beasts in their rage. The painter nevertheless has succeeded in giving to the faces of the rebels a cowering expression, as if they were inwardly awed by the undaunted calmness and aspect of the man they had come to destroy.

XIV. THE MOUNTAIN SUPPORTER.

Besides the most remarkable views of this wondrous work, the different interesting incidents attending its construction are recorded. Here, also, is portrayed the unsupported Mountain Arm, threatening many cities with destruction, as it appeared before the construction of the Supporter.

XV. INVENTION OF THE LEAF INSTRUMENT.

The discovery of the properties of leaves, and the invention of the "Leaf Instrument," by the aid of which fallen leaves are utilised as a valuable means of enriching the Earth. This was a great boon to my world, greatly increasing the fertility of the land and the excellence of the crops.

XVI. SUN-POWER.

The discovery of Sun-power; its application to manufactures and the arts; to various medicinal purposes, and to invigorating the constitution and brain of man.

XVII. THE ELECTRIC THEATRE.

The opening of the first Electric Theatre, and the exhibition of the wondrous feats accomplished by Electricity.

XVIII. INFANTS' EXERCISING MACHINES.

The Tootmanyoso suggesting to one of his scientific men, Drahna by name, the machines, the use of which prevented many of the accidents and diseases incident to infancy. There are many other pictures illustrating the discoveries by which health and beauty are preserved, and man's life is prolonged.[1]

[Footnote 1: See p. 187.]

XIX. INSTALLATION OF CHARACTER-DIVERS.

The Installation of Character-Divers and Preceptors is a ceremony of a very solemn character, and takes place in public, the Twelve Kings presiding. The candidate engages solemnly to fulfil the duties strictly and impartially.

XX. THE VALLEY OF THE ROCKS.

The Tootmanyoso addressing the people in the Valley of the Rocks; an extremely picturesque locality, studded with rocks, which, by his orders were sculptured into groups of gigantic statuary, calculated to impress the people's minds with grandeur and beauty.

XXI. THE CONSUMMATION.

The Tootmanyoso, on the completion of his work, is seen offering up thanks to Heaven.

The principal figure stands out from the picture in a marvellous way. A glory of light shines on the monarch's brow, and his eyes are illumined with heavenly fire and inspiration. In the background are the people, surrounded by plenty, and guarded by myriads of angels. Our painters have the art of giving to their delineations of angels an incorporeal vapoury appearance, like that of forms sometimes seen in sleep. The Tootmanyoso is in the act of accompanying his hymn of praise with the grand music of the harp. This instrument with us is of gigantic proportions, and, touched by a skilful player, produces lovely effects. It is not supported by the executant, but revolves easily on a ball and socket, to which, having been placed at the exact inclination required, it is fixed by a small bolt before he intones his hymns.[1]

[Footnote 1: See p. 243.]

It was delightful for me to go down occasionally to the great room, and to meditate on these pictures, and the subjects that had inspired the painters. The light and tone of the place, and the general impression made upon me, seemed to savour more of heaven than of earth.



XIX.

WOMAN.

CHOOSING BY HAND—CHOOSING BY FOOT—GIRLS' DOBMITORIES—EARLY RISING—PRAYERS.

"Let woman be as soft as down, as sharp as a lancet, as sparkling as the diamond, and as pure as Stainer's fount." [1]

[Footnote 1: See p. 149.]

Woman is the object of much solicitude and consideration, and enjoys many privileges. The tendency of her education is to qualify her for the position which nature intended her to hold as the companion and helpmate of man. However she is instructed, though not to so great in degree, in many branches of art and science, cultivated by the stronger sex, the design being to enable her to appreciate the efforts of man and to encourage and comfort him in his progress, but not to take his place. With us women are happy and contented, and words of complaint rarely fall from their lips.

Great precaution, however, is taken lest they should overwork themselves in the severer studies, or even in the lighter occupations, the tendrils of their nerves being so delicate, that, if once injured, they would seldom be restored to their normal condition.

There is this marked difference in the education of the two sexes. Boys are educated in manly and athletic sports, in all that can give them strength and physical development, and call out their masculine qualities, while the occupations and exercises allotted to girls tend to confirm and develope their natural delicacy, gentleness, and sweetness. The result, is, that whilst men are large of frame and endowed with great force and strength, the women in Montalluyah scarcely ever exceed the middle size. They are beautiful, and thoroughly feminine in form and feature, while in disposition they are sprightly, ingenuous, and truthful. Their carriage and movement are marked by elegance and grace, their voice is of melodious softness, and they are altogether distinguished by a peculiar charm and fascination.

Most of our women are brunettes, with rich black silky hair and eyes— large and beautiful as those of the gazelle; but the fair with blue eyes are considered the more beautiful—probably on account of their rarity.

The beauty of the woman, like the muscular development of the man, is greatly aided by the care now taken of children from their birth. Women were formerly left to themselves, and many, either from ignorance or want of thought, neglected to do justice to their proper qualities and charms, whilst they became enamoured of ostentation and indulged in a thoughtless extravagance which served to kindle the envy of their neighbours, and to bring ruin to their husbands. Whilst seeking extraneous aids to beauty, they neglected the simplest precautions for its preservation, though, when their charms had faded, they eagerly sought means to repair what were incorrectly called the ravages of time, but were only the unavoidable consequences of their own neglect. The heavenly light of their eyes had become dim; their complexions, originally of a warm purity, had become of a yellow tinge; their skin, soft to the touch and beautiful to the eye, had become shrivelled and hard; their dark and beautiful hair had become grey or fallen off, deprived of the nourishment which had been prodigally wasted, and the undulating and elegant form had often sunk into a misshapen mass.

We have now a belief that the harmonious development of the body is not only physically and aesthetically desirable, but assists in the healthful development of the mind, to which, for a time, that body belongs; beauty being regarded as "a precious gift from Heaven which it behoves every woman to preserve and improve." The exceptions to beauty are now rare, and women are scarcely less lovely in age than they were in youth. In many cases time has actually enhanced their attractions, improved, through the additional charm impressed on the countenance, by the sweetness and gracefulness of their nature.

Cosmetics for the reparation of beauty are not needed, but women of all ranks are enjoined to use various precautions for its preservation. We have cosmetics very efficacious for protecting the face from the burning sun, for keeping cool the natural moisture, for preserving the complexion, and for preventing wrinkles. In our climate the heat distends the skin, and by inducing excessive perspiration, reduces the fat required to support it. But for our cosmetics, wrinkles would be formed at an early age. As it is, the skin and complexion, as well as the form and features, are now preserved to the last period of life.

The hands and feet, and indeed all the details of beauty, are much cared for. The toes of the feet are exercised in a variety of ways, and are almost as elastic and pliable as the fingers, being, as well as the ankles ornamented with jewels. Soles, secured with sandals protect the under part of the foot. On many great occasions the sandals are dispensed with, the sole being secured by a preparation rendered adhesive by the warmth of the foot. This preparation is easily removed by the application of a sponge and water.

CHOOSING BY HANDS.

A lady's hands and feet form so great a feature in the estimation of her beauty, that they are made a distinctive test for deciding preferences on certain occasions.

Thus, partners for the dance are sometimes chosen in a way that excites a great deal of mirth. The custom is called "choosing by hands."

A large round screen, made expressly for the purpose, stands at one end of a ball-room; behind this a certain number of ladies—generally twelve at a time—place themselves, accompanied by the master of the ceremonies. The opening in the doorway is then closed. The screen, though not closed at the top, is sufficiently high to completely mask the ladies, and there are in it twelve or more small apertures, lined or faced with a soft crimson or other warm-coloured velvet, sufficiently large to admit of a hand being passed through, so that it may be seen and criticised on the exposed side of the screen. Through one of these openings each of the ladies passes her right hand, and the gentlemen choose the hand they prefer, each by touching a spring nearest the hand selected, and at the same time announcing his name. The chosen one is immediately led out from behind the screen and presented by the master of ceremonies to the gentleman, in the midst of the applause or merriment of the company before the screen, and of the rest of the ladies behind it. Ladies are very particular about their hands and nails, and, as may easily be conceived, give them a little extra attention before going to a party.

CHOOSING BY FOOT.

There is another peculiar mode of choosing partners—"by foot"—but this is conducted in a different manner, and is made to depend on the superior beauty of the foot, as decided by an arbiter, who is chosen by the company, and who is, of course, a man famous for his taste and knowledge of the beautiful.

While the arbiter pursues his duties, the ladies are concealed behind a screen, which is, however, open sufficiently at the bottom to disclose the foot and ankle. She to whom the palm is awarded has the first choice of a partner, and the others follow in succession in the order in which they have been ranked. This diversion, though exciting great interest, is not so happy as "the choice by hand." The ladies whose feet are placed in a lower rank often think themselves aggrieved, and are slightly jealous of their rivals, for in spite of the efficacy of my laws, I could not—whilst giving just triumphs to superior beauty— altogether prevent a feeling of disappointment in ladies who saw the palm given to others by one recognised as an honest and able judge,—a man whose taste was known to be irreproachable.

When the hand and foot of a young lady are inclined to coarseness, while at the same time her talents and goodness entitle her to a superior position, the fingers or toes, and afterwards the hand and foot themselves, are bound up, for a certain number of hours each day. We do not like "contradictions," or, as I have before observed, we object to a garment partly of rich brocade, partly of common stuff.

GIRLS' DORMITORIES.

At the head of all the means for preserving beauty are cleanliness, frequent ablutions, and a habit of early rising. In these girls of all ranks are well schooled, and to show you that in their education we do not neglect what are erroneously called trifles, I will tell you of one of the modes of treatment commonly employed in connexion with such matters.

In the colleges each girl has a separate sleeping-room, as we have a great objection to young girls sleeping together in one room, and inhaling each other's peculiar gas thrown off in the form of breath during their slumbers. Besides, when that practice prevailed, as it did formerly, the girls were in the habit of talking to each other upon subjects which often suggested inconvenient thoughts, even to the best disposed, and confirmed others in tendencies which eventually grew into confirmed vices.

On the pupil's retiring to rest, the door of her sleeping-room is fastened from the outside by one of the matrons. The girl has no means of opening it herself, but by touching a little spring at the head of her couch she can at any moment communicate with the matron night-watchers. These matron night-watchers—two for a certain number of girls—are on the alert during the night, remaining in a place called the "watch," where are suspended the electric bells, underneath each of which is the name of the girl occupying the room to which it corresponds.

Light is supplied to every dormitory by means of a lamp inserted in the wall, and opening from the outside. Half an hour after the door has been closed the matron extinguishes the light, without entering the room. The external red light of night is also excluded; for, as with you, darkness is thought much more conducive to refreshing sleep.

In consequence of the warmth of our climate, girls, being naturally rather luxurious, are not inclined to rise early. They are, however, all required to rise at the same hour, and this is the mode adopted for rousing them. At the end of each room, opposite to the sleeping-couch, is a kind of gong made of metal and formed like a pair of cymbals, united at the base by a hinge, and kept together by a bolt at the top.

At the hour of rising these cymbals are set in motion by the matron in the watch room, who touches a spring by which the bolt fastening the cymbals together is removed. Thereupon the cymbals immediately clash together, and produce loud discordant sounds. The girl, not liking the discordant noise, loses no time in stopping it, which is beyond her power unless she leaves her bed and fixes the bolt that keeps the two cymbals together.

This done, she goes into an adjoining room, in which are a bath and other preparations for her ablutions. The door communicating with the sleeping-room closes of itself, whereupon the matron enters the apartment, pulls off the bed-clothes, and opens a large skylight at the top, to admit the fresh air.

The ablutions of all the girls ended, they descend to their repast, after which they say a very short and simple prayer. In this thanks for their refreshing sleep and for the food they have partaken are united into one petition that the labours of the day may be blest by the Supreme.

The practice which formerly existed of saying long prayers before the girls partook of their first repast is abolished. Many young people have keen appetites after a night's rest, and when the old custom prevailed their thoughts would be wandering in a direction very different to that ostensibly taken by their prayers.

Although saying set prayers before the early meal is now not required of the young girl, gratitude to the Dispenser of all good is successfully inculcated. On the walls of the repast room are inscribed in large characters appropriate precepts adapted to the young intellect—such as "Think of God before you eat." In the meaning of these the young are instructed at an early age, and by various devices are imperceptibly led, through the medium of the eye, the ear, and the understanding to acquire the habit of directing their thoughts in conformity with the spirit of the precepts.

A careful discipline prevails, as I have intimated, in all matters relating to the education of girls of every rank, but, as soon as they attain one amongst the higher positions and marry, they are allowed, nay, encouraged, to indulge in many luxurious habits, to dress beautifully, and to wear magnificent jewels, but only according to their means.

As an instance of luxury in simple things, I will mention a peculiar soft reclining cushion, or settee, particularly adapted to exhibit the lady and her costume to the greatest advantage. As the lady sits down, however gently, it yields to the pressure, leaving her surrounded by the portion not pressed, which thus forms a background, and, as it were, a frame to the living picture. When she rises, the elastic cushion resumes its pristine form. The least movement is sufficient to cause the seat to rise or fall, and I have often seen ladies amuse themselves with this gentle exercise.

To these settees a pad is attached. On a spring being touched this opens, and forms a fan which by its own movement fans the lady, and at the same time emits a refreshing perfume, continuing to act until the lady closes it by touching a spring.

These settees are covered with silk of various colours, adapted to the ladies and their costume; a peculiar crimson ornamented with gold is the favourite colour. They are allowed to be used by the married ladies alone, and are much liked by them, the more so perhaps that in the colleges girls of all ranks are not allowed to use any seats but those without backs.



XX.

CHOICE OF A HUSBAND.

"Women are the mothers of the nation. The happiness of our life depends on theirs. They have much to bear. If we neglect them we neglect ourselves."

Having taken care by means of education to eradicate all incipient faults in woman, to confirm her health, to increase her powers of attraction, and fit her for the station which her talents and virtues entitle her to fill, we take the best means to ensure that the maiden shall at the proper age marry the man most pleasing to her, and most likely to secure the happiness of both.

In every district a council of ladies, who have passed through certain ordeals, and a council of elders, regulate all matters relating to marriage. Over each of these presides a man of a certain age, and of spotless character, whose qualities, actions, and mode of life have been observed and recorded from early youth.

Let me more particularly describe how the lady makes choice of a husband.

During thirty-one evenings in succession the girl intended for the marriage state is placed in an assemblage composed of eighty-five young men, one of whom she is expected to choose, but however quickly her mind may be made up she is not allowed to announce her decision till the thirty-first evening has arrived.

The eighty-five young men are selected by the councils from those only who have declared their intention of marrying. Any man of the same rank as the lady, who is desirous to be one of the eighty-five, is generally nominated at once, and if the girl has any especial liking for one particular person, she is allowed to communicate the fact privately to one of the ladies of the council.

In cases, however, where both the councils are of opinion that there is any serious objection to the eligibility of the young man, they have the right to withhold the summons. This right they rarely exercise, and never until after communicating with the lady where she has named the gentleman. Every contingency is well considered; besides, the regulations which govern every step connected with these meetings, and the sacred feeling with which the councils regard the delicate trust confided to them, prevent any inconvenience which might otherwise arise from their proceedings.

At these meetings the girl wears a peculiar headdress with a star in front, to distinguish her from other ladies who are allowed to be present, but who however are expected not to pay court to the gentlemen. It would have been unreasonable to require the exercise of so much self denial under the old system, but an acquisition of the power of self denial forms part of the training prescribed by my system of education, and is now ordinarily practised when needed. This privilege of being present is highly prized and eagerly sought by ladies, if only for one of the thirty-one chosen evenings.

The gentlemen who wish to have their pretensions favourably viewed, pay court to the young maiden of the star, and any gentleman who it is thought may prove agreeable can be called by the lady of the council, one of whom is always seated near the girl.

On occasions when some of the gentlemen present would rather not be amongst the aspirants, it is amusing to see them retire behind the others, hoping to escape without offence against the rules of good breeding. Should one of these be called by the lady superior, he will probably give himself awkward airs, and endeavour to be as little engaging as possible. The maiden generally looks modest and blushing, and needs the assistance of the lady superior, who is not unfrequently obliged to represent her in conversation.

Before a week has elapsed the maiden of the star has generally intimated by look, who is likely to be the selected one. Sometimes, however, she is fickle, and when one, encouraged by her expressive glance, has paid her court, she will encourage another and another, and another,—for on these occasions she has full liberty of action.

It is amusing to see the efforts of pretenders, and the expression put on, whilst overwhelming the lady with amiabilities when her thoughts and perhaps her glances lie in another direction. She in turn may be obliged to use all her power to attract the one she desires to select. If she be a coquette, each one of many will think that he himself is the fortunate swain on whom her choice will fall. The doubts existing in these instances cause great excitement and amusement, and between the meetings pearls against rubies, diamonds against diamonds, and other precious stones are staked on the event.

Great is the agitation on the thirty-first evening, when the maiden is expected to declare on whom her choice has fallen. She proclaims it by presenting the chosen one with an appropriate flower, and thus is spared the pain of a verbal declaration. A band of music then announces by a particular and well-known strain that the choice is made, and a march is played, to the measure of which the chosen one leads his intended to a throne on a slightly raised dais.

Each of the gentlemen then approaches, successively presenting to the maiden a flower,[1] which he lays on the table in front of the dais, wishing her at the same time happiness and joy.

[Footnote 1: See p. 126.]

The lady will perhaps kiss the flower presented when anxious to show regard for the giver, whom, however, she has not been able to choose. This ceremony of presenting flowers having been concluded, the future bride and bridegroom lead the way to the banqueting-room.

On the evening following, a meeting of three hours' duration takes place between the chosen one and the maiden, who is accompanied by the lady superior of the marriage council. The two converse, and if after mutual explanation anything incongruous is found, either party is at liberty to object, and the marriage does not take place; but if the three hours pass without objection no further question can be raised. The two are then looked upon as betrothed, and after a certain interval the marriage takes place.

It sometimes happens that at the meetings of the eighty-five the maiden, distracted between contending aspirants, is unable to give the preference to any. In that case she is put back for another year.

At the end of the year another assembly of young men is called; the number invited is limited, however, to forty-five, and the evenings are reduced to twelve. Should the lady again fail to select—a very improbable occurrence—another and final assembly would be called for the following year, the number of gentlemen being reduced to twenty-one, and the evenings to seven, and if the lady should still remain undecided she must be content to enjoy single blessedness during the rest of her life. For my own part, I do not recollect more than one case where the selection was postponed beyond the second year.



XXL.

THE DRESS OF SHAME.

SUN-COLOURED SILKS—THE ART OF PLEASING.

"Let not the ranks of the good be defiled by the presence of him who has betrayed his trust."

I never knew an instance of the trust confided to the Marriage Councils being in any way abused. None are selected for the office, who have not, after years of probation, shown themselves in every way worthy of the sacred trust.

A severe punishment would attend any deviation from the strict path of honour; the offender, condemned to wear "the dress of shame," would probably be degraded from his rank. After a time had passed, sufficient to exhibit his punishment as a warning to others, he would, perhaps, be banished to a distant country. It should be understood that every other part of our world is less agreeable than Montalluyah.

The dress of shame to which I have just referred, is a common robe formed of one piece, and of sombre colour, on which dress are placed marks indicating the nature of the offence and the name of the offender. Similar marks are likewise placed over his house, and are well understood by the people.

Independently of the deep degradation implied by this costume, the entire privation of his ordinary dress would alone be a punishment to the offender, for the people are very fond of dressing well. I encouraged the love of dress particularly in woman, for I thought that when properly regulated it was good, and heightened the beauty of the picture. With us the style of dress and the taste of its arrangement are thought indications of the mind within, but none are allowed to dress or wear jewels beyond their station.

After marriage ladies, according to their rank, are allowed to wear very rich costumes. The textures are beautiful and the colours very brilliant.

SUN SILK.

The sun gives lustre to fabrics and imparts colours which can be supplied by no other means. In your planet such brilliancy is never seen except in the sun itself. We have, for instance, a silk of a very remarkable colour, which is highly prized by the ladies. Of this you may form a remote notion if you imagine a bright silver green radiant with all the vividness and brilliancy you sometimes see in the sunsets of your southern climes.

Some of our silks in the natural state are of a chalky white. This silver green is obtained by exposing the silk, when woven into the piece, to the rays of the sun during the half-hour after noon; no other time of the day will answer as well. If the silk were kept beyond the half-hour, the tint given would be unequal. The material is exposed to the influence of the sun in a machine, which has two different actions; by one, that lasts for a quarter of an hour, the silk is unrolled, and by the other, which is of exactly the same duration, it is rolled back, the two operations being so regulated as to finish in the half-hour two "pangartas," equal to about twenty of your yards, the quantity required for a lady's dress. The colour penetrates through the silk, but the side exposed to the sun is the more brilliant.

Our Ladies also wear a silk most beautiful in texture and colour, called "Sun Silk." To obtain this silk, the sun is made to bear on silk-worms at particular hours of the day, and the result is, that the silk of the cocoon is of a colour resembling that of a bright sun.

There are numerous other beautiful colours prepared in different ways under the influence of the sun, and, by the action of the same luminary, fabrics for ladies' dresses are endowed with the power of repelling heat.

THE ART OF PLEASING.

Women are instructed in the art of pleasing, and the handsomest and most gifted exert themselves to this end. They are required to attend to their personal appearance abroad and at home. The married especially are enjoined to attend to this as much in the presence of their husbands as before strangers. A different custom prevailed in former times, when women after they had been some time married, thinking that their husbands' affection was secured, gave themselves no further care to please him, though still taking pains to appear handsome and fascinating to others. It was for visitors and strangers that the most comely apparel and the most engaging manners were put on; the consequence was, that the husband often preferred the society of those who in appearance at least seemed to care more for him than did his own wife. This was the cause of much of the immorality which formerly existed in our world.

The example, too, on children, was most injurious; it schooled them in deceit and disingenuousness. My laws declare that those, whether man or woman, are dishonest, who wear a behaviour to each other after marriage different to what they did before, for they have gained the affections of their victim by deceit—pretending one thing and doing another.



XXII.

COSTUMES.

"The harmonious beauty of dress gives often indication of the mind of the wearer."

While speaking of materials for dress, I will venture to interrupt "the preparations for the marriage" by giving a short description, of some of our costumes.

As certain of our manners and customs, besides having a character of their own, may be said to partake both of your Eastern and Western usages, so do our dresses partake both of your oriental and classical costumes.

LADY'S COSTUME.

The costume of the lady is loose and flowing. A jacket or bodice of purple tissue covers the right arm, and one side of the body to the waist, leaving the left arm, shoulder and part of the bosom exposed.

A small waistcoat, made of a crimson tissue, is worn underneath the bodice.

The tunic is of white tissue, beautifully embroidered with a gold thread. The short skirts show trousers of golden tissue, full, and not unlike those of your Turks. They are confined at the ankle by anklets, made of plain gold for the middle classes, whilst those worn by the upper classes are of ravine metal, ornamented with precious stones.

There are fringe trimmings to the tunic made of precious metals of every variety of colour, selected for their lightness and beauty, and enriched at their extremities with precious stones. The colours of the costume vary with the taste of the wearer, but are selected to harmonise one with another, and all with our brilliant light.

The feet are protected by a sole secured either by sandals or by means of an adhesive material.

Women are not allowed to wear stays, or in any way to confine the waist. Indeed such encumbrances would serve no good purpose, inasmuch as their forms are actually beautiful; their spines, in consequence of their physical education, are strong, and every part of the person, which might otherwise possibly require support, is in its proper place.

HEAD-ORNAMENTS.

In the hair is sometimes worn an ornament forming two wings, each consisting of a single diamond, which moves on small fine hinges, and is so arranged that the least breath of air will set it in motion. In the centre uniting the two wings, is a small crimson stone surmounted by a large round stone of purple-blue, from which sprouts out a very fine dagger of a greenish-gold colour. The rest of the head-dress is made of fine metal, chosen for its lightness, of the same tints. These metals are of equal, perhaps greater value, than gold, but are chosen for their qualities. The necklace and anklets correspond in character to the headdress, with the addition to the former of one large pearl, which hangs to the wings and rests on the lady's bosom. The bracelets are made in your Greek style—bands of gold set with large pearls. The soles to protect the feet are gilded with ravine metal. The sandals, which are of purple enamel of a peculiar kind, are often ornamented with jewels. The fan is composed of the choicest feathers of our native birds, and set in ravine metal of the most beautiful kind, studded with pearls and other precious stones.

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