* * * * *

Perhaps it is not desirable that a woman should be free in mind; she would immediately abuse her freedom. She cannot become philosophical without losing her special gift, which is the worship of all that is individual, the defense of usage, manners, beliefs, traditions. Her role is to slacken the combustion of thought. It is analogous to that of azote in vital air.

* * * * *

In every loving woman there is a priestess of the past—a pious guardian of some affection, of which the object has disappeared.

January 6, 1873.—I have been reading the seven tragedies of Aeschylus, in the translation of Leconte de Lisle. The "Prometheus" and the "Eumenides" are greatest where all is great; they have the sublimity of the old prophets. Both depict a religious revolution—a profound crisis in the life of humanity. In "Prometheus" it is civilization wrenched from the jealous hands of the gods; in the "Eumenides" it is the transformation of the idea of justice, and the substitution of atonement and pardon for the law of implacable revenge. "Prometheus" shows us the martyrdom which waits for all the saviors of men; the "Eumenides" is the glorification of Athens and the Areopagus—that is to say, of a truly human civilization. How magnificent it is as poetry, and how small the adventures of individual passion seem beside this colossal type of tragedy, of which the theme is the destinies of nations!

March 31, 1873. (4 P. M.)—

"En quel songe Se plonge Mon coeur, et que veut-il?"

For an hour past I have been the prey of a vague anxiety; I recognize my old enemy.... It is a sense of void and anguish; a sense of something lacking: what? Love, peace—God perhaps. The feeling is one of pure want unmixed with hope, and there is anguish in it because I can clearly distinguish neither the evil nor its remedy.

"O printemps sans pitie, dans l'ame endolorie, Avec tes chants d'oiseaux, tes brises, ton azur, Tu creuses sourdement, conspirateur obscur, Le gouffre des langueurs et de la reverie."

Of all the hours of the day, in fine weather, the afternoon, about 3 o'clock, is the time which to me is most difficult to bear. I never feel more strongly than I do then, "le vide effrayant de la vie," the stress of mental anxiety, or the painful thirst for happiness. This torture born of the sunlight is a strange phenomenon. Is it that the sun, just as it brings out the stain upon a garment, the wrinkles in a face, or the discoloration of the hair, so also it illumines with inexorable distinctness the scars and rents of the heart? Does it rouse in us a sort of shame of existence? In any case the bright hours of the day are capable of flooding the whole soul with melancholy, of kindling in us the passion for death, or suicide, or annihilation, or of driving us to that which is next akin to death, the deadening of the senses by the pursuit of pleasure. They rouse in the lonely man a horror of himself; they make him long to escape from his own misery and solitude—

"Le coeur trempe sept fois dans le neant divin."

People talk of the temptations to crime connected with darkness, but the dumb sense of desolation which is often the product of the most brilliant moment of daylight must not be forgotten either. From the one, as from the other, God is absent; but in the first case a man follows his senses and the cry of his passion; in the second, he feels himself lost and bewildered, a creature forsaken by all the world.

"En nous sont deux instincts qui bravent la raison, C'est l'effroi du bonheur et la soif du poison. Coeur solitaire, a toi prends garde!"

April 3, 1873.—I have been to see my friends ——. Their niece has just arrived with two of her children, and the conversation turned on Father Hyacinthe's lecture.

Women of an enthusiastic temperament have a curious way of speaking of extempore preachers and orators. They imagine that inspiration radiates from a crowd as such, and that inspiration is all that is wanted. Could there be a more naif and childish explanation of what is really a lecture in which nothing has been left to accident, neither the plan, nor the metaphors, nor even the length of the whole, and where everything has been prepared with the greatest care! But women, in their love of what is marvelous and miraculous, prefer to ignore all this. The meditation, the labor, the calculation of effects, the art, in a word, which have gone to the making of it, diminishes for them the value of the thing, and they prefer to believe it fallen from heaven, or sent down from on high. They ask for bread, but cannot bear the idea of a baker. The sex is superstitious, and hates to understand what it wishes to admire. It would vex it to be forced to give the smaller share to feeling, and the larger share to thought. It wishes to believe that imagination can do the work of reason, and feeling the work of science, and it never asks itself how it is that women, so rich in heart and imagination, have never distinguished themselves as orators—that is to say, have never known how to combine a multitude of facts, ideas, and impulses, into one complex unity. Enthusiastic women never even suspect the difference that there is between the excitement of a popular harangue, which is nothing but a mere passionate outburst, and the unfolding of a didactic process, the aim of which is to prove something and to convince its hearers. Therefore, for them, study, reflection, technique, count as nothing; the improvisatore mounts upon the tripod, Pallas all armed issues from his lips, and conquers the applause of the dazzled assembly.

Evidently women divide orators into two groups; the artisans of speech, who manufacture their laborious discourses by the aid of the midnight lamp, and the inspired souls, who simply give themselves the trouble to be born. They will never understand the saying of Quintilian, "Fit orator, nascitur poeta."

The enthusiasm which acts is perhaps an enlightening force, but the enthusiasm which accepts is very like blindness. For this latter enthusiasm confuses the value of things, ignores their shades of difference, and is an obstacle to all sensible criticism and all calm judgment. The "Ewig-Weibliche" favors exaggeration, mysticism, sentimentalism—all that excites and startles. It is the enemy of clearness, of a calm and rational view of things, the antipodes of criticism and of science. I have had only too much sympathy and weakness for the feminine nature. The very excess of my former indulgence toward it makes me now more conscious of its infirmity. Justice and science, law and reason, are virile things, and they come before imagination, feeling, reverie, and fancy. When one reflects that Catholic superstition is maintained by women, one feels how needful it is not to hand over the reins to the "Eternal Womanly."

May 23, 1873.—The fundamental error of France lies in her psychology. France has always believed that to say a thing is the same as to do it, as though speech were action, as though rhetoric were capable of modifying the tendencies, habits, and character of real beings, and as though verbiage were an efficient substitute for will, conscience, and education.

France proceeds by bursts of eloquence, of cannonading, or of law-making; she thinks that so she can change the nature of things; and she produces only phrases and ruins. She has never understood the first line of Montesquieu: "Laws are necessary relations, derived from the nature of things." She will not see that her incapacity to organize liberty comes from her own nature; from the notions which she has of the individual, of society, of religion, of law, of duty—from the manner in which she brings up children. Her way is to plant trees downward, and then she is astonished at the result! Universal suffrage, with a bad religion and a bad popular education, means perpetual wavering between anarchy and dictatorship, between the red and the black, between Danton and Loyola.

How many scapegoats will Prance sacrifice before it occurs to her to beat her own breast in penitence?

August 18, 1873. (Scheveningen).—Yesterday, Sunday, the landscape was clear and distinct, the air bracing, the sea bright and gleaming, and of an ashy-blue color. There were beautiful effects of beach, sea, and distance; and dazzling tracks of gold upon the waves, after the sun had sunk below the bands of vapor drawn across the middle sky, and before it had disappeared in the mists of the sea horizon. The place was very full. All Scheveningen and the Hague, the village and the capital, had streamed out on to the terrace, amusing themselves at innumerable tables, and swamping the strangers and the bathers. The orchestra played some Wagner, some Auber, and some waltzes. What was all the world doing? Simply enjoying life.

A thousand thoughts wandered through my brain. I thought how much history it had taken to make what I saw possible; Judaea, Egypt, Greece, Germany, Gaul; all the centuries from Moses to Napoleon, and all the zones from Batavia to Guiana, had united in the formation of this gathering. The industry, the science, the art, the geography, the commerce, the religion of the whole human race, are repeated in every human combination; and what we see before our own eyes at any given moment is inexplicable without reference to all that has ever been. This interlacing of the ten thousand threads which necessity weaves into the production of one single phenomenon is a stupefying thought. One feels one's self in the presence of law itself—allowed a glimpse of the mysterious workshop of nature. The ephemeral perceives the eternal.

What matters the brevity of the individual span, seeing that the generations, the centuries, and the worlds themselves are but occupied forever with the ceaseless reproduction of the hymn of life, in all the hundred thousand modes and variations which make up the universal symphony? The motive is always the same; the monad has but one law: all truths are but the variation of one single truth. The universe represents the infinite wealth of the Spirit seeking in vain to exhaust all possibilities, and the goodness of the Creator, who would fain share with the created all that sleeps within the limbo of Omnipotence.

To contemplate and adore, to receive and give back, to have uttered one's note and moved one's grain of sand, is all which is expected from such insects as we are; it is enough to give motive and meaning to our fugitive apparition in existence....

After the concert was over the paved esplanade behind the hotels and the two roads leading to the Hague were alive with people. One might have fancied one's self upon one of the great Parisian boulevards just when the theaters are emptying themselves—there were so many carriages, omnibuses, and cabs. Then, when the human tumult had disappeared, the peace of the starry heaven shone out resplendent, and the dreamy glimmer of the Milky Way was only answered by the distant murmur of the ocean.

Later.—What is it which has always come between real life and me? What glass screen has, as it were, interposed itself between me and the enjoyment, the possession, the contact of things, leaving me only the role of the looker-on?

False shame, no doubt. I have been ashamed to desire. Fatal result of timidity, aggravated by intellectual delusion! This renunciation beforehand of all natural ambitions, this systematic putting aside of all longings and all desires, has perhaps been false in idea; it has been too like a foolish, self-inflicted mutilation. Fear, too, has had a large share in it—

"La peur de ce que j'aime est ma fatalite."

I very soon discovered that it was simpler for me to give up a wish than to satisfy it. Not being able to obtain all that my nature longed for, I renounced the whole en bloc, without even taking the trouble to determine in detail what might have attracted me; for what was the good of stirring up trouble in one's self and evoking images of inaccessible treasure?

Thus I anticipated in spirit all possible disillusions, in the true stoical fashion. Only, with singular lack of logic, I have sometimes allowed regret to overtake me, and I have looked at conduct founded upon exceptional principles with the eyes of the ordinary man. I should have been ascetic to the end; contemplation ought to have been enough for me, especially now, when the hair begins to whiten. But, after all, I am a man, and not a theorem. A system cannot suffer, but I suffer. Logic makes only one demand—that of consequence; but life makes a thousand; the body wants health, the imagination cries out for beauty, and the heart for love; pride asks for consideration, the soul yearns for peace, the conscience for holiness; our whole being is athirst for happiness and for perfection; and we, tottering, mutilated, and incomplete, cannot always feign philosophic insensibility; we stretch out our arms toward life, and we say to it under our breath, "Why—why—hast thou deceived me?"

August 19,1873. (Scheveningen).—I have had a morning walk. It has been raining in the night. There are large clouds all round; the sea, veined with green and drab, has put on the serious air of labor. She is about her business, in no threatening but at the same time in no lingering mood. She is making her clouds, heaping up her sands, visiting her shores and bathing them with foam, gathering up her floods for the tide, carrying the ships to their destinations, and feeding the universal life. I found in a hidden nook a sheet of fine sand which the water had furrowed and folded like the pink palate of a kitten's mouth, or like a dappled sky. Everything repeats itself by analogy, and each little fraction of the earth reproduces in a smaller and individual form all the phenomena of the planet. Farther on I came across a bank of crumbling shells, and it was borne in upon me that the sea-sand itself might well be only the detritus of the organic life of preceding eras, a vast monument or pyramid of immemorial age, built up by countless generations of molluscs who have labored at the architecture of the shores like good workmen of God. If the dunes and the mountains are the dust of living creatures who have preceded us, how can we doubt but that our death will be as serviceable as our life, and that nothing which has been lent is lost? Mutual borrowing and temporary service seem to be the law of existence. Only, the strong prey upon and devour the weak, and the concrete inequality of lots within the abstract equality of destinies wounds and disquiets the sense of justice.

Same day.—A new spirit governs and inspires the generation which will succeed me. It is a singular sensation to feel the grass growing under one's feet, to see one's self intellectually uprooted. One must address one's contemporaries. Younger men will not listen to you. Thought, like love, will not tolerate a gray hair. Knowledge herself loves the young, as Fortune used to do in olden days. Contemporary civilization does not know what to do with old age; in proportion as it defies physical experiment, it despises moral experience. One sees therein the triumph of Darwinism; it is a state of war, and war must have young soldiers; it can only put up with age in its leaders when they have the strength and the mettle of veterans.

In point of fact, one must either be strong or disappear, either constantly rejuvenate one's self or perish. It is as though the humanity of our day had, like the migratory birds, an immense voyage to make across space; she can no longer support the weak or help on the laggards. The great assault upon the future makes her hard and pitiless to all who fall by the way. Her motto is, "The devil take the hindmost."

The worship of strength has never lacked altars, but it looks as though the more we talk of justice and humanity, the more that other god sees his kingdom widen.

August 20, 1873. (Scheveningen).—I have now watched the sea which beats upon this shore under many different aspects. On the whole, I should class it with the Baltic. As far as color, effect, and landscape go, it is widely different from the Breton or Basque ocean, and, above all, from the Mediterranean. It never attains to the blue-green of the Atlantic, nor the indigo of the Ionian Sea. Its scale of color runs from flint to emerald, and when it turns to blue, the blue is a turquoise shade splashed with gray. The sea here is not amusing itself; it has a busy and serious air, like an Englishman or a Dutchman. Neither polyps nor jelly-fish, neither sea-weed nor crabs enliven the sands at low water; the sea life is poor and meagre. What is wonderful is the struggle of man against a miserly and formidable power. Nature has done little for him, but she allows herself to be managed. Stepmother though she be, she is accommodating, subject to the occasional destruction of a hundred thousand lives in a single inundation.

The air inside the dune is altogether different from that outside it. The air of the sea is life-giving, bracing, oxydized; the air inland is soft, relaxing, and warm. In the same way there are two Hollands in every Dutchman: there is the man of the polder, heavy, pale, phlegmatic, slow, patient himself, and trying to the patience of others, and there is the man of the dune, of the harbor, the shore, the sea, who is tenacious, seasoned, persevering, sunburned, daring. Where the two agree is in calculating prudence, and in methodical persistency of effort.

August 22, 1873. (Scheveningen).—The weather is rainy, the whole atmosphere gray; it is a time favorable to thought and meditation. I have a liking for such days as these; they revive one's converse with one's self and make it possible to live the inner life; they are quiet and peaceful, like a song in a minor key. We are nothing but thought, but we feel our life to its very center. Our very sensations turn to reverie. It is a strange state of mind; it is like those silences in worship which are not the empty moments of devotion, but the full moments, and which are so because at such times the soul, instead of being polarized, dispersed, localized, in a single impression or thought, feels her own totality and is conscious of herself. She tastes her own substance. She is no longer played upon, colored, set in motion, affected, from without; she is in equilibrium and at rest. Openness and self-surrender become possible to her; she contemplates and she adores. She sees the changeless and the eternal enwrapping all the phenomena of time. She is in the religious state, in harmony with the general order, or at least in intellectual harmony. For holiness, indeed, more is wanted—a harmony of will, a perfect self-devotion, death to self and absolute submission.

Psychological peace—that harmony which is perfect but virtual—is but the zero, the potentiality of all numbers; it is not that moral peace which is victorious over all ills, which is real, positive, tried by experience, and able to face whatever fresh storms may assail it.

The peace of fact is not the peace of principle. There are indeed two happinesses, that of nature and that of conquest—two equilibria, that of Greece and that of Nazareth—two kingdoms, that of the natural man and that of the regenerate man.

Later. (Scheveningen).—Why do doctors so often make mistakes? Because they are not sufficiently individual in their diagnoses or their treatment. They class a sick man under some given department of their nosology, whereas every invalid is really a special case, a unique example. How is it possible that so coarse a method of sifting should produce judicious therapeutics? Every illness is a factor simple or complex, which is multiplied by a second factor, invariably complex—the individual, that is to say, who is suffering from it, so that the result is a special problem, demanding a special solution, the more so the greater the remoteness of the patient from childhood or from country life.

The principal grievance which I have against the doctors is that they neglect the real problem, which is to seize the unity of the individual who claims their care. Their methods of investigation are far too elementary; a doctor who does not read you to the bottom is ignorant of essentials. To me the ideal doctor would be a man endowed with profound knowledge of life and of the soul, intuitively divining any suffering or disorder of whatever kind, and restoring peace by his mere presence. Such a doctor is possible, but the greater number of them lack the higher and inner life, they know nothing of the transcendent laboratories of nature; they seem to me superficial, profane, strangers to divine things, destitute of intuition and sympathy. The model doctor should be at once a genius, a saint, a man of God.

September 11, 1873. (Amsterdam).—The doctor has just gone. He says I have fever about me, and does not think that I can start for another three days without imprudence. I dare not write to my Genevese friends and tell them that I am coming back from the sea in a radically worse state of strength and throat than when I went there, and that I have only wasted my time, my trouble, my money, and my hopes....

This contradictory double fact—on the one side an eager hopefulness springing up afresh after all disappointments, and on the other an experience almost invariably unfavorable—can be explained like all illusions by the whim of nature, which either wills us to be deceived or wills us to act as if we were so.

Skepticism is the wiser course, but in delivering us from error it tends to paralyze life. Maturity of mind consists in taking part in the prescribed game as seriously as though one believed in it. Good-humored compliance, tempered by a smile, is, on the whole, the best line to take; one lends one's self to an optical illusion, and the voluntary concession has an air of liberty. Once imprisoned in existence, we must submit to its laws with a good grace; to rebel against it only ends in impotent rage, when once we have denied ourselves the solution of suicide.

Humility and submission, or the religious point of view; clear-eyed indulgence with a touch of irony, or the point of view of worldly wisdom—these two attitudes are possible. The second is sufficient for the minor ills of life, the other is perhaps necessary in the greater ones. The pessimism of Schopenhauer supposes at least health and intellect as means of enduring the rest of life. But optimism either of the stoical or the Christian sort is needed to make it possible for us to bear the worst sufferings of flesh, heart and soul. If we are to escape the grip of despair, we must believe either that the whole of things at least is good, or that grief is a fatherly grace, a purifying trial.

There can be no doubt that the idea of a happy immortality, serving as a harbor of refuge from the tempests of this mortal existence, and rewarding the fidelity, the patience, the submission, and the courage of the travelers on life's sea—there can be no doubt that this idea, the strength of so many generations, and the faith of the church, carries with it inexpressible consolation to those who are wearied, burdened, and tormented by pain and suffering. To feel one's self individually cared for and protected by God gives a special dignity and beauty to life. Monotheism lightens the struggle for existence. But does the study of nature allow of the maintenance of those local revelations which are called Mosaism, Christianity, Islamism? These religions founded upon an infantine cosmogony, and upon a chimerical history of humanity, can they bear confronting with modern astronomy and geology? The present mode of escape, which consists in trying to satisfy the claims of both science and faith—of the science which contradicts all the ancient beliefs, and the faith which, in the case of things that are beyond nature and incapable of verification, affirms them on her own responsibility only—this mode of escape cannot last forever. Every fresh cosmical conception demands a religion which corresponds to it. Our age of transition stands bewildered between the two incompatible methods, the scientific method and the religious method, and between the two certitudes, which contradict each other.

Surely the reconciliation of the two must be sought for in the moral law, which is also a fact, and every step of which requires for its explanation another cosmos than the cosmos of necessity. Who knows if necessity is not a particular case of liberty, and its condition? Who knows if nature is not a laboratory for the fabrication of thinking beings who are ultimately to become free creatures? Biology protests, and indeed the supposed existence of souls, independently of time, space, and matter, is a fiction of faith, less logical than the Platonic dogma. But the question remains open. We may eliminate the idea of purpose from nature, yet, as the guiding conception of the highest being of our planet, it is a fact, and a fact which postulates a meaning in the history of the universe.

My thought is straying in vague paths: why? because I have no creed. All my studies end in notes of interrogation, and that I may not draw premature or arbitrary conclusions I draw none.

Later on.—My creed has melted away, but I believe in good, in the moral order, and in salvation; religion for me is to live and die in God, in complete abandonment to the holy will which is at the root of nature and destiny. I believe even in the gospel, the good news—that is to say, in the reconciliation of the sinner with God, by faith in the love of a pardoning Father.

October 4, 1873. (Geneva).—I have been dreaming a long while in the moonlight, which floods my room with a radiance, full of vague mystery. The state of mind induced in us by this fantastic light is itself so dim and ghost-like that analysis loses its way in it, and arrives at nothing articulate. It is something indefinite and intangible, like the noise of waves which is made up of a thousand fused and mingled sounds. It is the reverberation of all the unsatisfied desires of the soul, of all the stifled sorrows of the heart, mingling in a vague sonorous whole, and dying away in cloudy murmurs. All those imperceptible regrets, which never individually reach the consciousness, accumulate at last into a definite result; they become the voice of a feeling of emptiness and aspiration; their tone is melancholy itself. In youth the tone of these Aeolian vibrations of the heart is all hope—a proof that these thousands of indistinguishable accents make up indeed the fundamental note of our being, and reveal the tone of our whole situation. Tell me what you feel in your solitary room when the full moon is shining in upon you and your lamp is dying out, and I will tell you how old you are, and I shall know if you are happy.

* * * * *

The best path through life is the high road, which initiates us at the right moment into all experience. Exceptional itineraries are suspicious, and matter for anxiety. What is normal is at once most convenient, most honest, and most wholesome. Cross roads may tempt us for one reason or another, but it is very seldom that we do not come to regret having taken them.

* * * * *

Each man begins the world afresh, and not one fault of the first man has been avoided by his remotest descendant. The collective experience of the race accumulates, but individual experience dies with the individual, and the result is that institutions become wiser and knowledge as such increases; but the young man, although more cultivated, is just as presumptuous, and not less fallible to-day than he ever was. So that absolutely there is progress, and relatively there is none. Circumstances improve, but merit remains the same. The whole is better, perhaps, but man is not positively better—he is only different. His defects and his virtues change their form, but the total balance does not show him to be the richer. A thousand things advance, nine hundred and ninety-eight fall back, this is progress. There is nothing in it to be proud of, but something, after all, to console one.

February 4, 1874.—I am still reading the "Origines du Christianisme" by Ernest Havet. [Footnote: Ernest Havet, born 1813, a distinguished French scholar and professor. He became professor of Latin oratory at the College de France in 1855, and a member of the Institute in January, 1880. His admirable edition of the "Pensees de Pascal" is well-known. "Le Christianisme et ses Origines," an important book, in four volumes, was developed from a series of articles in the Revue des deux Mondes, and the Revue Contemporaine.] I like the book and I dislike it. I like it for its independence and courage; I dislike it for the insufficiency of its fundamental ideas, and the imperfection of its categories.

The author, for instance, has no clear idea of religion; and his philosophy of history is superficial. He is a Jacobin. "The Republic and Free Thought"—he cannot get beyond that. This curt and narrow school of opinion is the refuge of men of independent mind, who have been scandalized by the colossal fraud of ultramontanism; but it leads rather to cursing history than to understanding it. It is the criticism of the eighteenth century, of which the general result is purely negative. But Voltairianism is only the half of the philosophic mind. Hegel frees thought in a very different way.

Havet, too, makes another mistake. He regards Christianity as synonymous with Roman Catholicism and with the church. I know very well that the Roman Church does the same, and that with her the assimilation is a matter of sound tactics; but scientifically it is inexact. We ought not even to identify Christianity with the gospel, nor the gospel with religion in general. It is the business of critical precision to clear away these perpetual confusions in which Christian practice and Christian preaching abound. To disentangle ideas, to distinguish and limit them, to fit them into their true place and order, is the first duty of science whenever it lays hands upon such chaotic and complex things as manners, idioms, or beliefs. Entanglement is the condition of life; order and clearness are the signs of serious and successful thought.

Formerly it was the ideas of nature which were a tissue of errors and incoherent fancies; now it is the turn of moral and psychological ideas. The best issue from the present Babel would be the formation or the sketching out of a truly scientific science of man.

February 16, 1874.—The multitude, who already possess force, and even, according to the Republican view, right, have always been persuaded by the Cleons of the day that enlightenment, wisdom, thought, and reason, are also theirs. The game of these conjurors and quacks of universal suffrage has always been to flatter the crowd in order to make an instrument of it. They pretend to adore the puppet of which they pull the threads.

The theory of radicalism is a piece of juggling, for it supposes premises of which it knows the falsity; it manufactures the oracle whose revelations it pretends to adore; it proclaims that the multitude creates a brain for itself, while all the time it is the clever man who is the brain of the multitude, and suggests to it what it is supposed to invent. To reign by flattery has been the common practice of the courtiers of all despotisms, the favorites of all tyrants; it is an old and trite method, but none the less odious for that.

The honest politician should worship nothing but reason and justice, and it is his business to preach them to the masses, who represent, on an average, the age of childhood and not that of maturity. We corrupt childhood if we tell it that it cannot be mistaken, and that it knows more than its elders. We corrupt the masses when we tell them that they are wise and far-seeing and possess the gift of infallibility.

It is one of Montesquieu's subtle remarks, that the more wise men you heap together the less wisdom you will obtain. Radicalism pretends that the greater number of illiterate, passionate, thoughtless—above all, young people, you heap together, the greater will be the enlightenment resulting. The second thesis is no doubt the repartee to the first, but the joke is a bad one. All that can be got from a crowd is instinct or passion; the instinct may be good, but the passion may be bad, and neither is the instinct capable of producing a clear idea, nor the passion of leading to a just resolution.

A crowd is a material force, and the support of numbers gives a proposition the force of law; but that wise and ripened temper of mind which takes everything into account, and therefore tends to truth, is never engendered by the impetuosity of the masses. The masses are the material of democracy, but its form—that is to say, the laws which express the general reason, justice, and utility—can only be rightly shaped by wisdom, which is by no means a universal property. The fundamental error of the radical theory is to confound the right to do good with good itself, and universal suffrage with universal wisdom. It rests upon a legal fiction, which assumes a real equality of enlightenment and merit among those whom it declares electors. It is quite possible, however, that these electors may not desire the public good, and that even if they do, they may be deceived as to the manner of realizing it. Universal suffrage is not a dogma—it is an instrument; and according to the population in whose hands it is placed, the instrument is serviceable or deadly to the proprietor.

February 27, 1874.—Among the peoples, in whom the social gifts are the strongest, the individual fears ridicule above all things, and ridicule is the certain result of originality. No one, therefore, wishes to make a party of his own; every one wishes to be on the side of all the world. "All the world" is the greatest of powers; it is sovereign, and calls itself we. We dress, we dine, we walk, we go out, we come in, like this, and not like that. This we is always right, whatever it does. The subjects of We are more prostrate than the slaves of the East before the Padishah. The good pleasure of the sovereign decides every appeal; his caprice is law. What we does or says is called custom, what it thinks is called opinion, what it believes to be beautiful or good is called fashion. Among such nations as these we is the brain, the conscience, the reason, the taste, and the judgment of all. The individual finds everything decided for him without his troubling about it. He is dispensed from the task of finding out anything whatever. Provided that he imitates, copies, and repeats the models furnished by we, he has nothing more to fear. He knows all that he need know, and has entered into salvation.

April 29, 1874.—Strange reminiscence! At the end of the terrace of La Treille, on the eastern side, as I looked down the slope, it seemed to me that I saw once more in imagination a little path which existed there when I was a child, and ran through the bushy underwood, which was thicker then than it is now. It is at least forty years since this impression disappeared from my mind. The revival of an image so dead and so forgotten set me thinking. Consciousness seems to be like a book, in which the leaves turned by life successively cover and hide each other in spite of their semi-transparency; but although the book may be open at the page of the present, the wind, for a few seconds, may blow back the first pages into view.

And at death will these leaves cease to hide each other, and shall we see all our past at once? Is death the passage from the successive to the simultaneous—that is to say, from time to eternity? Shall we then understand, in its unity, the poem or mysterious episode of our existence, which till then we have spelled out phrase by phrase? And is this the secret of that glory which so often enwraps the brow and countenance of those who are newly dead? If so, death would be like the arrival of a traveler at the top of a great mountain, whence he sees spread out before him the whole configuration of the country, of which till then he had had but passing glimpses. To be able to overlook one's own history, to divine its meaning in the general concert and in the divine plan, would be the beginning of eternal felicity. Till then we had sacrificed ourselves to the universal order, but then we should understand and appreciate the beauty of that order. We had toiled and labored under the conductor of the orchestra; and we should find ourselves become surprised and delighted hearers. We had seen nothing but our own little path in the mist; and suddenly a marvelous panorama and boundless distances would open before our dazzled eyes. Why not?

May 31, 1874.—I have been reading the philosophical poems of Madame Ackermann. She has rendered in fine verse that sense of desolation which has been so often stirred in me by the philosophy of Schopenhauer, of Hartmann, Comte, and Darwin. What tragic force and power! What thought and passion! She has courage for everything, and attacks the most tremendous subjects.

Science is implacable; will it suppress all religions? All those which start from a false conception of nature, certainly. But if the scientific conception of nature proves incapable of bringing harmony and peace to man, what will happen? Despair is not a durable situation. We shall have to build a moral city without God, without an immortality of the soul, without hope. Buddhism and stoicism present themselves as possible alternatives.

But even if we suppose that there is no finality in the cosmos, it is certain that man has ends at which he aims, and if so the notion of end or purpose is a real phenomenon, although a limited one. Physical science may very well be limited by moral science, and vice versa. But if these two conceptions of the world are in opposition, which must give way?

I still incline to believe that nature is the virtuality of mind—that the soul is the fruit of life, and liberty the flower of necessity—that all is bound together, and that nothing can be done without. Our modern philosophy has returned to the point of view of the Ionians, the [Greek: physikoi], or naturalist thinkers. But it will have to pass once more through Plato and through Aristotle, through the philosophy of "goodness" and "purpose," through the science of mind.

July 3, 1874.—Rebellion against common sense is a piece of childishness of which I am quite capable. But it does not last long. I am soon brought back to the advantages and obligations of my situation; I return to a calmer self-consciousness. It is disagreeable to me, no doubt, to realize all that is hopelessly lost to me, all that is now and will be forever denied to me; but I reckon up my privileges as well as my losses—I lay stress on what I have, and not only on what I want. And so I escape from that terrible dilemma of "all or nothing," which for me always ends in the adoption of the second alternative. It seems to me at such times that a man may without shame content himself with being some thing and some one—

"Ni si haut, ni si bas...."

These brusque lapses into the formless, indeterminate state, are the price of my critical faculty. All my former habits become suddenly fluid; it seems to me that I am beginning life over again, and that all my acquired capital has disappeared at a stroke. I am forever new-born; I am a mind which has never taken to itself a body, a country, an avocation, a sex, a species. Am I even quite sure of being a man, a European, an inhabitant of this earth? It seems to me so easy to be something else, that to be what I am appears to me a mere piece of arbitrary choice. I cannot possibly take an accidental structure of which the value is purely relative, seriously. When once a man has touched the absolute, all that might be other than what it is seems to him indifferent. All these ants pursuing their private ends excite his mirth. He looks down from the moon upon his hovel; he beholds the earth from the heights of the sun; he considers his life from the point of view of the Hindoo pondering the days of Brahma; he sees the finite from the distance of the infinite, and thenceforward the insignificance of all those things which men hold to be important makes effort ridiculous, passion burlesque, and prejudice absurd.

August 7, 1874. (Clarens).—A day perfectly beautiful, luminous, limpid, brilliant.

I passed the morning in the churchyard; the "Oasis" was delightful. Innumerable sensations, sweet and serious, peaceful and solemn, passed over me.... Around me Russians, English, Swedes, Germans, were sleeping their last sleep under the shadow of the Cubly. The landscape was one vast splendor; the woods were deep and mysterious, the roses full blown; all around me were butterflies—a noise of wings—the murmur of birds. I caught glimpses through the trees of distant mists, of soaring mountains, of the tender blue of the lake.... A little conjunction of things struck me. Two ladies were tending and watering a grave; two nurses were suckling their children. This double protest against death had something touching and poetical in it. "Sleep, you who are dead; we, the living, are thinking of you, or at least carrying on the pilgrimage of the race!" such seemed to me the words in my ear. It was clear to me that the Oasis of Clarens is the spot in which I should like to rest. Here I am surrounded with memories; here death is like a sleep—a sleep instinct with hope.

* * * * *

Hope is not forbidden us, but peace and submission are the essentials.

September 1, 1874. (Clarens).—On waking it seemed to me that I was staring into the future with wide startled eyes. Is it indeed to me that these things apply. [Footnote: Amiel had just received at the hands of his doctor the medical verdict, which was his arret de mort.] Incessant and growing humiliation, my slavery becoming heavier, my circle of action steadily narrower!... What is hateful in my situation is that deliverance can never be hoped for, and that one misery will succeed another in such a way as to leave me no breathing space, not even in the future, not even in hope. All possibilities are closed to me, one by one. It is difficult for the natural man to escape from a dumb rage against inevitable agony.

Noon.—An indifferent nature? A Satanic principle of things? A good and just God? Three points of view. The second is improbable and horrible. The first appeals to our stoicism. My organic combination has never been anything but mediocre; it has lasted as long as it could. Every man has his turn, and all must submit. To die quickly is a privilege; I shall die by inches. Well, submit. Rebellion would be useless and senseless. After all, I belong to the better-endowed half of human-kind, and my lot is superior to the average.

But the third point of view alone can give joy. Only is it tenable? Is there a particular Providence directing all the circumstances of our life, and therefore imposing all our trials upon us for educational ends? Is this heroic faith compatible with our actual knowledge of the laws of nature? Scarcely; But what this faith makes objective we may hold as subjective truth. The moral being may moralize his sufferings by using natural facts for his own inner education. What he cannot change he calls the will of God, and to will what God wills brings him peace.

To nature both our continued existence and our morality are equally indifferent. But God, on the other hand, if God is, desires our sanctification; and if suffering purifies us, then we may console ourselves or suffering. This is what makes the great advantage of the Christian faith; it is the triumph over pain, the victory over death. There is but one thing necessary—death unto sin, the immolation of our selfish will, the filial sacrifice of our desires. Evil consists in living for self—that is to say, for one's own vanity, pride, sensuality, or even health. Righteousness consists in willingly accepting one's lot, in submitting to, and espousing the destiny assigned us, in willing what God commands, in renouncing what he forbids us, in consenting to what he takes from us or refuses us.

In my own particular case, what has been taken from me is health—that is to say, the surest basis of all independence; but friendship and material comfort are still left to me; I am neither called upon to bear the slavery of poverty nor the hell of absolute isolation.

Health cut off, means marriage, travel, study, and work forbidden or endangered. It means life reduced in attractiveness and utility by five-sixths.

Thy will be done!

September 14, 1874. (Charnex).—A long walk and conversation with ——. We followed a high mountain path. Seated on the turf, and talking with open heart, our eyes wandered over the blue immensity below us, and the smiling outlines of the shore. All was friendly, azure-tinted, caressing, to the sight. The soul I was reading was profound and pure. Such an experience is like a flight into paradise. A few light clouds climbed the broad spaces of the sky, steamers made long tracks upon the water at our feet, white sails were dotted over the vast distance of the lake, and sea-gulls like gigantic butterflies quivered above its rippling surface.

September 21, 1874. (Charnex).—A wonderful day! Never has the lake been bluer, or the landscape softer. It was enchanting. But tragedy is hidden under the eclogue; the serpent crawls under the flowers. All the future is dark. The phantoms which for three or four weeks I have been able to keep at bay, wait for me behind the door, as the Eumenides waited for Orestes. Hemmed in on all sides!

"On ne croit plus a son etoile, On sent que derriere la toile Sont le deuil, les maux et la mort."

For a fortnight I have been happy, and now this happiness is going.

There are no more birds, but a few white or blue butterflies are still left. Flowers are becoming rare—a few daisies in the fields, some blue or yellow chicories and colchicums, some wild geraniums growing among fragments of old walls, and the brown berries of the privet—this is all we were able to find. In the fields they are digging potatoes, beating down the nuts, and beginning the apple harvest. The leaves are thinning and changing color; I watch them turning red on the pear-trees, gray on the plums, yellow on the walnut-trees, and tinging the thickly-strewn turf with shades of reddish-brown. We are nearing the end of the fine weather; the coloring is the coloring of late autumn; there is no need now to keep out of the sun. Everything is soberer, more measured, more fugitive, less emphatic. Energy is gone, youth is past, prodigality at an end, the summer over. The year is on the wane and tends toward winter; it is once more in harmony with my own age and position, and next Sunday it will keep my birthday. All these different consonances form a melancholy harmony.

* * * * *

The distinguishing mark of religion is not so much liberty as obedience, and its value is measured by the sacrifices which it can extract from the individual.

* * * * *

A young girl's love is a kind of piety. We must approach it with adoration if we are not to profane it, and with poetry if we are to understand it. If there is anything in the world which gives us a sweet, ineffable impression, of the ideal, it is this trembling modest love. To deceive it would be a crime. Merely to watch its unfolding life is bliss to the beholder; he sees in it the birth of a divine marvel. When the garland of youth fades on our brow, let us try at least to have the virtues of maturity; may we grow better, gentler, graver, like the fruit of the vine, while its leaf withers and falls.

* * * * *

To know how to grow old is the master work of wisdom, and one of the most difficult chapters in the great art of living.

* * * * *

He who asks of life nothing but the improvement of his own nature, and a continuous moral progress toward inward contentment and religious submission, is less liable than any one else to miss and waste life.

January 2, 1875. (Hyeres.)—In spite of my sleeping draught I have had a bad night. Once it seemed as if I must choke, for I could breathe neither way.

Could I be more fragile, more sensitive, more vulnerable! People talk to me as if there were still a career before me, while all the time I know that the ground is slipping from under me, and that the defense of my health is already a hopeless task. At bottom, I am only living on out of complaisance and without a shadow of self-delusion. I know that not one of my desires will be realized, and for a long time I have had no desires at all. I simply accept what comes to me as though it were a bird perching on my window. I smile at it, but I know very well that my visitor has wings and will not stay long. The resignation which comes from despair has a kind of melancholy sweetness. It looks at life as a man sees it from his death-bed, and judges it without bitterness and without vain regrets.

I no longer hope to get well, or to be useful, or to be happy. I hope that those who have loved me will love me to the end; I should wish to have done them some good, and to leave them a tender memory of myself. I wish to die without rebellion and without weakness; that is about all. Is this relic of hope and of desire still too much? Let all be as God will. I resign myself into his hands.

January 22, 1875. (Hyeres).—The French mind, according to Gioberti, apprehends only the outward form of truth, and exaggerates it by isolating it, so that it acts as a solvent upon the realities with which it works. It takes the shadow for the substance, the word for the thing, appearance for reality, and abstract formula for truth. It lives in a world of intellectual assignats. If you talk to a Frenchman of art, of language, of religion, of the state, of duty, of the family, you feel in his way of speaking that his thought remains outside the subject, that he never penetrates into its substance, its inmost core. He is not striving to understand it in its essence, but only to say something plausible about it. On his lips the noblest words become thin and empty; for example—mind, idea, religion. The French mind is superficial and yet not comprehensive; it has an extraordinarily fine edge, and yet no penetrating power. Its desire is to enjoy its own resources by the help of things, but it has none of the respect, the disinterestedness, the patience, and the self-forgetfulness, which, are indispensable if we wish to see things as they are. Far from being the philosophic mind, it is a mere counterfeit of it, for it does not enable a man to solve any problem whatever, and remains incapable of understanding all that is living, complex, and concrete. Abstraction is its original sin, presumption its incurable defect, and plausibility its fatal limit.

The French language has no power of expressing truths of birth and germination; it paints effects, results, the caput mortuum, but not the cause, the motive power, the native force the development of any phenomenon whatever. It is analytic and descriptive, but it explains nothing, for it avoids all beginnings and processes of formation. With it crystallization is not the mysterious act itself by which a substance passes from the fluid state to the solid state. It is the product of that act.

The thirst for truth is not a French passion. In everything appearance is preferred to reality, the outside to the inside, the fashion to the material, that which shines to that which profits, opinion to conscience. That is to say, the Frenchman's center of gravity is always outside him—he is always thinking of others, playing to the gallery. To him individuals are so many zeros; the unit which turns them into a number must be added from outside; it may be royalty, the writer of the day, the favorite newspaper, or any other temporary master of fashion. All this is probably the result of an exaggerated sociability, which weakens the soul's forces of resistance, destroys its capacity for investigation and personal conviction, and kills in it the worship of the ideal.

January 27, 1875. (Hyeres).—The whole atmosphere has a luminous serenity, a limpid clearness. The islands are like swans swimming in a golden stream. Peace, splendor, boundless space!... And I meanwhile look quietly on while the soft hours glide away. I long to catch the wild bird, happiness, and tame it. Above all, I long to share it with others. These delicious mornings impress me indescribably. They intoxicate me, they carry me away. I feel beguiled out of myself, dissolved in sunbeams, breezes, perfumes, and sudden impulses of joy. And yet all the time I pine for I know not what intangible Eden.

Lamartine in the "Preludes" has admirably described this oppressive effect of happiness on fragile human nature. I suspect that the reason for it is that the finite creature feels itself invaded by the infinite, and the invasion produces dizziness, a kind of vertigo, a longing to fling one's self into the great gulf of being. To feel life too intensely is to yearn for death; and for man, to die means to become like unto the gods—to be initiated into the great mystery. Pathetic and beautiful illusion.

Ten o'clock in the evening.—From one end to the other the day has been perfect, and my walk this afternoon to Beau Vallon was one long delight. It was like an expedition into Arcadia. Here was a wild and woodland corner, which would have made a fit setting for a dance of nymphs, and there an ilex overshadowing a rock, which reminded me of an ode of Horace or a drawing of Tibur. I felt a kind of certainty that the landscape had much that was Greek in it. And what made the sense of resemblance the more striking was the sea, which one feels to be always near, though one may not see it, and which any turn of the valley may bring into view. We found out a little tower with an overgrown garden, of which the owner might have been taken for a husbandman of the Odyssey. He could scarcely speak any French, but was not without a certain grave dignity. I translated to him the inscription on his sun-dial, "Hora est benefaciendi," which is beautiful, and pleased him greatly. It would be an inspiring place to write a novel in. Only I do not know whether the little den would have a decent room, and one would certainly have to live upon eggs, milk, and figs, like Philemon. February 15, 1875. (Hyeres).—I have just been reading the two last "Discours" at the French Academy, lingering over every word and weighing every idea. This kind of writing is a sort of intellectual dainty, for it is the art "of expressing truth with all the courtesy and finesse possible;" the art of appearing perfectly at ease without the smallest loss of manners; of being gracefully sincere, and of making criticism itself a pleasure to the person criticized. Legacy as it is from the monarchical tradition, this particular kind of eloquence is the distinguishing mark of those men of the world who are also men of breeding, and those men of letters who are also gentlemen. Democracy could never have invented it, and in this delicate genre of literature France may give points to all rival peoples, for it is the fruit of that refined and yet vigorous social sense which is produced by court and drawing-room life, by literature and good company, by means of a mutual education continued for centuries. This complicated product is as original in its way as Athenian eloquence, but it is less healthy and less durable. If ever France becomes Americanized this genre at least will perish, without hope of revival.

April 16, 1875. (Hyeres).—I have already gone through the various emotions of leave-taking. I have been wandering slowly through the streets and up the castle hill, gathering a harvest of images and recollections. Already I am full of regret that I have not made a better study of the country, in which I have now spent four months and more. It is like what happens when a friend dies; we accuse ourselves of having loved him too little, or loved him ill; or it is like our own death, when we look back upon life and feel that it has been misspent.

August 16,1875.—Life is but a daily oscillation between revolt and submission, between the instinct of the ego, which is to expand, to take delight in its own tranquil sense of inviolability, if not to triumph in its own sovereignty, and the instinct of the soul, which is to obey the universal order, to accept the will of God.

The cold renunciation of disillusioned reason brings no real peace. Peace is only to be found in reconciliation with destiny, when destiny seems, in the religious sense of the word, good; that is to say, when man feels himself directly in the presence of God. Then, and then only, does the will acquiesce. Nay more, it only completely acquiesces when it adores. The soul only submits to the hardness of fate by virtue of its discovery of a sublime compensation—the loving kindness of the Almighty. That is to say, it cannot resign itself to lack or famine, it shrinks from the void around it, and the happiness either of hope or faith is essential to it. It may very well vary its objects, but some object it must have. It may renounce its former idols, but it will demand another cult. The soul hungers and thirsts after happiness, and it is in vain that everything deserts it—it will never submit to its abandonment.

August 28, 1875. (Geneva).—A word used by Sainte-Beuve a propos of Benjamin Constant has struck me: it is the word consideration. To possess or not to possess consideration was to Madame de Stael a matter of supreme importance—the loss of it an irreparable evil, the acquirement of it a pressing necessity. What, then, is this good thing? The esteem of the public. And how is it gained? By honorable character and life, combined with a certain aggregate of services rendered and of successes obtained. It is not exactly a good conscience, but it is something like it, for it is the witness from without, if not the witness from within. Consideration is not reputation, still less celebrity, fame, or glory; it has nothing to do with savoir faire, and is not always the attendant of talent or genius. It is the reward given to constancy in duty, to probity of conduct. It is the homage rendered to a life held to be irreproachable. It is a little more than esteem, and a little less than admiration. To enjoy public consideration is at once a happiness and a power. The loss of it is a misfortune and a source of daily suffering. Here am I, at the age of fifty-three, without ever having given this idea the smallest place in my life. It is curious, but the desire for consideration has been to me so little of a motive that I have not even been conscious of such an idea at all. The fact shows, I suppose, that for me the audience, the gallery, the public, has never had more than a negative importance. I have neither asked nor expected anything from it, not even justice; and to be a dependent upon it, to solicit its suffrages and its good graces, has always seemed to me an act of homage and flunkeyism against which my pride has instinctively rebelled. I have never even tried to gain the good will of a coterie or a newspaper, nor so much as the vote of an elector. And yet it would have been a joy to me to be smiled upon, loved, encouraged, welcomed, and to obtain what I was so ready to give, kindness and good will. But to hunt down consideration and reputation—to force the esteem of others—seemed to me an effort unworthy of myself, almost a degradation. I have never even thought of it.

Perhaps I have lost consideration by my indifference to it. Probably I have disappointed public expectation by thus allowing an over-sensitive and irritable consciousness to lead me into isolation and retreat. I know that the world, which is only eager to silence you when you do speak, is angry with your silence as soon as its own action has killed in you the wish to speak. No doubt, to be silent with a perfectly clear conscience a man must not hold a public office. I now indeed say to myself that a professor is morally bound to justify his position by publication; that students, authorities, and public are placed thereby in a healthier relation toward him; that it is necessary for his good repute in the world, and for the proper maintenance of his position. But this point of view has not been a familiar one to me. I have endeavored to give conscientious lectures, and I have discharged all the subsidiary duties of my post to the best of my ability; but I have never been able to bend myself to a struggle with hostile opinion, for all the while my heart has been full of sadness and disappointment, and I have known and felt that I have been systematically and deliberately isolated. Premature despair and the deepest discouragement have been my constant portion. Incapable of taking any interest in my talents for my own sake, I let everything slip as soon as the hope of being loved for them and by them had forsaken me. A hermit against my will, I have not even found peace in solitude, because my inmost conscience has not been any better satisfied than my heart.

Does not all this make up a melancholy lot, a barren failure of a life? What use have I made of my gifts, of my special circumstances, of my half-century of existence? What have I paid back to my country? Are all the documents I have produced, taken together, my correspondence, these thousands of journal pages, my lectures, my articles, my poems, my notes of different kinds, anything better than withered leaves? To whom and to what have I been useful? Will my name survive me a single day, and will it ever mean anything to anybody? A life of no account! A great many comings and goings, a great many scrawls—for nothing. When all is added up—nothing! And worst of all, it has not been a life used up in the service of some adored object, or sacrificed to any future hope. Its sufferings will have been vain, its renunciations useless, its sacrifices gratuitous, its dreariness without reward.... No, I am wrong; it will have had its secret treasure, its sweetness, its reward. It will have inspired a few affections of great price; it will have given joy to a few souls; its hidden existence will have had some value. Besides, if in itself it has been nothing, it has understood much. If it has not been in harmony with the great order, still it has loved it. If it has missed happiness and duty, it has at least felt its own nothingness, and implored its pardon.

Later on.—There is a great affinity in me with the Hindoo genius—that mind, vast, imaginative, loving, dreamy, and speculative, but destitute of ambition, personality, and will. Pantheistic disinterestedness, the effacement of the self in the great whole, womanish gentleness, a horror of slaughter, antipathy to action—these are all present in my nature, in the nature at least which has been developed by years and circumstances. Still the West has also had its part in me. What I have found difficult is to keep up a prejudice in favor of any form, nationality, or individuality whatever. Hence my indifference to my own person, my own usefulness, interest, or opinions of the moment. What does it all matter? Omnis determinatio est negatio. Grief localizes us, love particularizes us, but thought delivers us from personality.... To be a man is a poor thing, to be a man is well; to be the man—man in essence and in principle—that alone is to be desired.

Yes, but in these Brahmanic aspirations what becomes of the subordination of the individual to duty? Pleasure may lie in ceasing to be individual, but duty lies in performing the microscopic task allotted to us. The problem set before us is to bring our daily task into the temple of contemplation and ply it there, to act as in the presence of God, to interfuse one's little part with religion. So only can we inform the detail of life, all that is passing, temporary, and insignificant, with beauty and nobility. So may we dignify and consecrate the meanest of occupations. So may we feel that we are paying our tribute to the universal work and the eternal will. So are we reconciled with life and delivered from the fear of death. So are we in order and at peace.

September 1, 1875.—I have been working for some hours at my article on Mme. de Stael, but with what labor, what painful effort! When I write for publication every word is misery, and my pen stumbles at every line, so anxious am I to find the ideally best expression, and so great is the number of possibilities which open before me at every step.

Composition demands a concentration, decision, and pliancy which I no longer possess. I cannot fuse together materials and ideas. If we are to give anything a form, we must, so to speak, be the tyrants of it. [Footnote: Compare this paragraph from the "Pensees of a new writer, M. Joseph Roux, a country cure, living in a remote part of the Bas Limousin, whose thoughts have been edited and published this year by M. Paul Marieton (Paris: Alphonse Lemerre):

"Le verbe ne souffre et ne connait que la volonte qui le dompte, et n'emporte loin sans peril que l'intelligence qui lui menage avec empire l'eperon et le frein."]

We must treat our subject brutally, and not be always trembling lest we are doing it a wrong. We must be able to transmute and absorb it into our own substance. This sort of confident effrontery is beyond me: my whole nature tends to that impersonality which respects and subordinates itself to the object; it is love of truth which holds me back from concluding and deciding. And then I am always retracing my steps: instead of going forward I work in a circle: I am afraid of having forgotten a point, of having exaggerated an expression, of having used a word out of place, while all the time I ought to have been thinking of essentials and aiming at breadth of treatment. I do not know how to sacrifice anything, how to give up anything whatever. Hurtful timidity, unprofitable conscientiousness, fatal slavery to detail!

In reality I have never given much thought to the art of writing, to the best way of making an article, an essay, a book, nor have I ever methodically undergone the writer's apprenticeship; it would have been useful to me, and I was always ashamed of what was useful. I have felt, as it were, a scruple against trying to surprise the secret of the masters of literature, against picking chef-d'oeuvres to pieces. When I think that I have always postponed the serious study of the art of writing, from a sort of awe of it, and a secret love of its beauty, I am furious with my own stupidity, and with my own respect. Practice and routine would have given me that ease, lightness, and assurance, without which the natural gift and impulse dies away. But on the contrary, I have developed two opposed habits of mind, the habit of scientific analysis which exhausts the material offered to it, and the habit of immediate notation of passing impressions. The art of composition lies between the two; you want for it both the living unity of the thing and the sustained operation of thought.

October 25, 1875.—I have been listening to M. Taine's first lecture (on the "Ancien Regime") delivered in the university hall. It was an extremely substantial piece of work—clear, instructive, compact, and full of matter. As a writer he shows great skill in the French method of simplifying his subject by massing it in large striking divisions; his great defect is a constant straining after points; his principal merit is the sense he has of historical reality, his desire to see things as they are. For the rest, he has extreme openness of mind, freedom of thought, and precision of language. The hall was crowded.

October 26, 1875.—All origins are secret; the principle of every individual or collective life is a mystery—that is to say, something irrational, inexplicable, not to be defined. We may even go farther and say, Every individuality is an insoluble enigma, and no beginning explains it. In fact, all that has become may be explained retrospectively, but the beginning of anything whatever did not become. It represents always the "fiat lux," the initial miracle, the act of creation; for it is the consequence of nothing else, it simply appears among anterior things which make a milieu, an occasion, a surrounding for it, but which are witnesses of its appearance without understanding whence it comes.

Perhaps also there are no true individuals, and, if so, no beginning but one only, the primordial impulse, the first movement. All men on this hypothesis would be but man in two sexes; man again might be reduced to the animal, the animal to the plant, and the only individuality left would be a living nature, reduced to a living matter, to the hylozoism of Thales. However, even upon this hypothesis, if there were but one absolute beginning, relative beginnings would still remain to us as multiple symbols of the absolute. Every life, called individual for convenience sake and by analogy, would represent in miniature the history of the world, and would be to the eye of the philosopher a microscopic compendium of it.

The history of the formation of ideas is what, frees the mind.

* * * * *

A philosophic truth does not become popular until some eloquent soul has humanized it or some gifted personality has translated and embodied it. Pure truth cannot be assimilated by the crowd; it must be communicated by contagion.

January 30, 1876.—After dinner I went two steps off, to Marc Monnier's, to hear the "Luthier de Cremone," a one-act comedy in verse, read by the author, Francois Coppee.

It was a feast of fine sensations, of literary dainties. For the little piece is a pearl. It is steeped in poetry, and every line is a fresh pleasure to one's taste.

This young maestro is like the violin he writes about, vibrating and passionate; he has, besides delicacy, point, grace, all that a writer wants to make what is simple, naive, heartfelt, and out of the beaten track, acceptable to a cultivated society.

How to return to nature through art: there is the problem of all highly composite literatures like our own. Rousseau himself attacked letters with all the resources of the art of writing, and boasted the delights of savage life with a skill and adroitness developed only by the most advanced civilization. And it is indeed this marriage of contraries which charms us; this spiced gentleness, this learned innocence, this calculated simplicity, this yes and no, this foolish wisdom. It is the supreme irony of such combinations which tickles the taste of advanced and artificial epochs, epochs when men ask for two sensations at once, like the contrary meanings fused by the smile of La Gioconda. And our satisfaction, too, in work of this kind is best expressed by that ambiguous curve of the lip which says: I feel your charm, but I am not your dupe; I see the illusion both from within and from without; I yield to you, but I understand you; I am complaisant, but I am proud; I am open to sensations, yet not the slave of any; you have talent, I have subtlety of perception; we are quits, and we understand each other.

February 1, 1876.—This evening we talked of the infinitely great and the infinitely small. The great things of the universe are for——so much easier to understand than the small, because all greatness is a multiple of herself, whereas she is incapable of analyzing what requires a different sort of measurement.

It is possible for the thinking being to place himself in all points of view, and to teach his soul to live under the most different modes of being. But it must be confessed that very few profit by the possibility. Men are in general imprisoned, held in a vice by their circumstances almost as the animals are, but they have very little suspicion of it because they have so little faculty of self-judgment. It is only the critic and the philosopher who can penetrate into all states of being, and realize their life from within.

When the imagination shrinks in fear from the phantoms which it creates, it may be excused because it is imagination. But when the intellect allows itself to be tyrannized over or terrified by the categories to which itself gives birth, it is in the wrong, for it is not allowed to intellect—the critical power of man—to be the dupe of anything.

Now, in the superstition of size the mind is merely the dupe of itself, for it creates the notion of space. The created is not more than the creator, the son not more than the father. The point of view wants rectifying. The mind has to free itself from space, which gives it a false notion of itself, but it can only attain this freedom by reversing things and by learning to see space in the mind instead of the mind in space. How can it do this? Simply by reducing space to its virtuality. Space is dispersion; mind is concentration.

And that is why God is present everywhere, without taking up a thousand millions of cube leagues, nor a hundred times more nor a hundred times less.

In the state of thought the universe occupies but a single point; but in the state of dispersion and analysis this thought requires the heaven of heavens for its expansion.

In the same way, time and number are contained in the mind. Man, as mind, is not their inferior, but their superior.

It is true that before he can reach this state of freedom his own body must appear to him at will either speck or world—that is to say, he must be independent of it. So long as the self still feels itself spatial, dispersed, corporeal, it is but a soul, it is not a mind; it is conscious of itself only as the animal is, the impressionable, affectionate, active and restless animal.

The mind being the subject of phenomena cannot be itself phenomenal; the mirror of an image, if it was an image, could not be a mirror. There can be no echo without a noise. Consciousness means some one who experiences something. And all the somethings together cannot take the place of the some one. The phenomenon exists only for a point which is not itself, and for which it is an object. The perceptible supposes the perceiver.

May 15, 1876.—This morning I corrected the proofs of the "Etrangeres." [Footnote: Les Etrangeres: Poesies traduites de diverses litteratures, par H. F. Amiel, 1876.] Here at least is one thing off my hands. The piece of prose theorizing which ends the volume pleased and satisfied me a good deal more than my new meters. The book, as a whole, may be regarded as an attempt to solve the problem of French verse-translation considered as a special art. It is science applied to poetry. It ought not, I think, to do any discredit to a philosopher, for, after all, it is nothing but applied psychology.

Do I feel any relief, any joy, pride, hope? Hardly. It seems to me that I feel nothing at all, or at least my feeling is so vague and doubtful that I cannot analyze it. On the whole, I am rather tempted to say to myself, how much labor for how small a result—Much ado about nothing! And yet the work in itself is good, is successful. But what does verse-translation matter? Already my interest in it is fading; my mind and my energies clamor for something else.

What will Edmond Scherer say to the volume?

* * * * *

To the inmost self of me this literary attempt is quite indifferent—a Lilliputian affair. In comparing my work with other work of the same kind, I find a sort of relative satisfaction; but I see the intrinsic futility of it, and the insignificance of its success or failure. I do not believe in the public; I do not believe in my own work; I have no ambition, properly speaking, and I blow soap-bubbles for want of something to do.

"Car le neant peut seul bien cacher l'infini."

Self-satire, disillusion, absence of prejudice, may be freedom, but they are not strength.

July 12, 1876.—Trouble on trouble. My cough has been worse than ever. I cannot see that the fine weather or the holidays have made any change for the better in my state of health. On the contrary, the process of demolition seems more rapid. It is a painful experience, this premature decay!... "Apres tant de malheurs, que vous reste-t-il? Moi." This "moi" is the central consciousness, the trunk of all the branches which have been cut away, that which bears every successive mutilation. Soon I shall have nothing else left than bare intellect. Death reduces us to the mathematical "point;" the destruction which precedes it forces us back, as it were, by a series of ever-narrowing concentric circles to this last inaccessible refuge. Already I have a foretaste of that zero in which all forms and all modes are extinguished. I see how we return into the night, and inversely I understand how we issue from it. Life is but a meteor, of which the whole brief course is before me. Birth, life, death assume a fresh meaning to us at each phase of our existence. To see one's self as a firework in the darkness—to become a witness of one's own fugitive phenomenon—this is practical psychology. I prefer indeed the spectacle of the world, which is a vaster and more splendid firework; but when illness narrows my horizon and makes me dwell perforce upon my own miseries, these miseries are still capable of supplying food for my psychological curiosity. What interests me in myself, in spite of my repulsions is, that I find in my own case a genuine example of human nature, and therefore a specimen of general value. The sample enables me to understand a multitude of similar situations, and numbers of my fellow-men.

To enter consciously into all possible modes of being would be sufficient occupation for hundreds of centuries—at least for our finite intelligences, which are conditioned by time. The progressive happiness of the process, indeed may be easily poisoned and embittered by the ambition which asks for everything at once, and clamors to reach the absolute at a bound. But it may be answered that aspirations are necessarily prophetic, for they could only have come into being under the action of the same cause which will enable them to reach their goal. The soul can only imagine the absolute because the absolute exists; our consciousness of a possible perfection is the guarantee that perfection will be realized.

Thought itself is eternal. It is the consciousness of thought which is gradually achieved through the long succession of ages, races, and humanities. Such is the doctrine of Hegel. The history of the mind is, according to him one of approximation to the absolute, and the absolute differs at the two ends of the story. It was at the beginning; it knows itself at the end. Or rather it advances in the possession of itself with the gradual unfolding of creation. Such also was the conception of Aristotle.

If the history of the mind and of consciousness is the very marrow and essence of being, then to be driven back on psychology, even personal psychology, is to be still occupied with the main question of things, to keep to the subject, to feel one's self in the center of the universal drama. There is comfort in the idea. Everything else may be taken away from us, but if thought remains we are still connected by a magic thread with the axis of the world. But we may lose thought and speech. Then nothing remains but simple feeling, the sense of the presence of God and of death in God—the last relic of the human privilege, which is to participate in the whole, to commune with the absolute.

"Ta vie est un eclair qui meurt dans son nuage, Mais l'eclair t'a sauve s'il t'a fait voir le ciel."

July 26, 1876.—A private journal is a friend to idleness. It frees us from the necessity of looking all round a subject, it puts up with every kind of repetition, it accompanies all the caprices and meanderings of the inner life, and proposes to itself no definite end. This journal of mine represents the material of a good many volumes: what prodigious waste of time, of thought, of strength! It will be useful to nobody, and even for myself—it has rather helped me to shirk life than to practice it. A journal takes the place of a confidant, that is, of friend or wife; it becomes a substitute for production, a substitute for country and public. It is a grief-cheating device, a mode of escape and withdrawal; but, factotum as it is, though it takes the place of everything, properly speaking it represents nothing at all....

What is it which makes the history of a soul? It is the stratification of its different stages of progress, the story of its acquisitions and of the general course of its destiny. Before my history can teach anybody anything, or even interest myself, it must be disentangled from its materials, distilled and simplified. These thousands of pages are but the pile of leaves and bark from which the essence has still to be extracted. A whole forest of cinchonas are worth but one cask of quinine. A whole Smyrna rose-garden goes to produce one vial of perfume.

This mass of written talk, the work of twenty-nine years, may in the end be worth nothing at all; for each is only interested in his own romance, his own individual life. Even I perhaps shall never have time to read them over myself. So—so what? I shall have lived my life, and life consists in repeating the human type, and the burden of the human song, as myriads of my kindred have done, are doing, and will do, century after century. To rise to consciousness of this burden and this type is something, and we can scarcely achieve anything further. The realization of the type is more complete, and the burden a more joyous one, if circumstances are kind and propitious, but whether the puppets have done this or that—

"Trois p'tits tours et puis s'en vont!"

everything falls into the same gulf at last, and comes to very much the same thing.

To rebel against fate—to try to escape the inevitable issue—is almost puerile. When the duration of a centenarian and that of an insect are quantities sensibly equivalent—and geology and astronomy enable us to regard such durations from this point of view—what is the meaning of all our tiny efforts and cries, the value of our anger, our ambition, our hope? For the dream of a dream it is absurd to raise these make-believe tempests. The forty millions of infusoria which make up a cube-inch of chalk—do they matter much to us? and do the forty millions of men who make up France matter any more to an inhabitant of the moon or Jupiter?

To be a conscious monad—a nothing which knows itself to be the microscopic phantom of the universe: this is all we can ever attain to.

September 12, 1876.—What is your own particular absurdity? Why, simply that you exhaust yourself in trying to understand wisdom without practicing it, that you are always making preparations for nothing, that you live without living. Contemplation which has not the courage to be purely contemplative, renunciation which does not renounce completely, chronic contradiction—there is your case. Inconsistent skepticism, irresolution, not convinced but incorrigible, weakness which will not accept itself and cannot transform itself into strength—there is your misery.

The comic side of it lies in capacity to direct others, becoming incapacity to direct one's self, in the dream of the infinitely great stopped short by the infinitely little, in what seems to be the utter uselessness of talent. To arrive at immobility by excess of motion, at zero from abundance of numbers, is a strange farce, a sad comedy; the poorest gossip can laugh at its absurdity.

September 19, 1876.—My reading to-day has been Doudan's "Lettres et Melanges." [Footnote: Ximenes Doudan, born in 1800, died 1872, the brilliant friend and tutor of the De Broglie family, whose conversation was so much sought after in life, and whose letters have been so eagerly read in France since his death. Compare M. Scherer's two articles on Doudan's "Lettres" and "Pensees" in his last published volume of essays.] A fascinating book! Wit, grace, subtlety, imagination, thought—these letters possess them all. How much I regret that I never knew the man himself. He was a Frenchman of the best type, un delicat ne sublime, to quote Sainte-Beuve's expression. Fastidiousness of temper, and a too keen love of perfection, led him to withhold his talent from the public, but while still living, and within his own circle, he was the recognized equal of the best. He scarcely lacked anything except that fraction of ambition, of brutality and material force which are necessary to success in this world; but he was appreciated by the best society of Paris, and he cared for nothing else. He reminds me of Joubert.

September 20th.—To be witty is to satisfy another's wits by the bestowal on him of two pleasures, that of understanding one thing and that of guessing another, and so achieving a double stroke.

Thus Doudan scarcely ever speaks out his thought directly; he disguises and suggests it by imagery, allusion, hyperbole; he overlays it with light irony and feigned anger, with gentle mischief and assumed humility. The more the thing to be guessed differs from the thing said, the more pleasant surprise there is for the interlocutor or the correspondent concerned. These charming and delicate ways of expression allow a man to teach what he will without pedantry, and to venture what he will without offense. There is something Attic and aerial in them; they mingle grave and gay, fiction and truth, with a light grace of touch such as neither La Fontaine nor Alcibiades would have been ashamed of. Socratic badinage like this presupposes a free and equal mind, victorious over physical ill and inward discontents. Such delicate playfulness is the exclusive heritage of those rare natures in whom subtlety is the disguise of superiority, and taste its revelation. "What balance of faculties and cultivation it requires! What personal distinction it shows! Perhaps only a valetudinarian would have been capable of this morbidezza of touch, this marriage of virile thought and feminine caprice. If there is excess anywhere, it lies perhaps in a certain effeminacy of sentiment. Doudan can put up with nothing but what is perfect—nothing but what is absolutely harmonious; all that is rough, harsh, powerful, brutal, and unexpected, throws him into convulsions. Audacity—boldness of all kinds—repels him. This Athenian of the Roman time is a true disciple of Epicurus in all matters of sight, hearing, and intelligence—a crumpled rose-leaf disturbs him.