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Allan Quatermain
by by H. Rider Haggard
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At the end of the hall is a dais spread with rich carpets, on which two thrones are set side by side. These thrones are shaped like great chairs, and made of solid gold. The seats are richly cushioned, but the backs are left bare, and on each is carved the emblem of the sun, shooting out his fiery rays in all directions. The footstools are golden lions couchant, with yellow topazes set in them for eyes. There are no other gems about them.

The place is lighted by numerous but narrow windows, placed high up, cut on the principle of the loopholes to be seen in ancient castles, but innocent of glass, which was evidently unknown here.

Such is a brief description of this splendid hall in which we now found ourselves, compiled of course from our subsequent knowledge of it. On this occasion we had but little time for observation, for when we entered we perceived that a large number of men were gathered together in front of the two thrones, which were unoccupied. The principal among them were seated on carved wooden chairs ranged to the right and the left of the thrones, but not in front of them, and were dressed in white tunics, with various embroideries and different coloured edgings, and armed with the usual pierced and gold-inlaid swords. To judge from the dignity of their appearance, they seemed one and all to be individuals of very great importance. Behind each of these great men stood a small knot of followers and attendants.

Seated by themselves, in a little group to the left of the throne, were six men of a different stamp. Instead of wearing the ordinary kilt, they were clothed in long robes of pure white linen, with the same symbol of the sun that is to be seen on the back of the chairs, emblazoned in gold thread upon the breast. This garment was girt up at the waist with a simple golden curb-like chain, from which hung long elliptic plates of the same metal, fashioned in shiny scales like those of a fish, that, as their wearers moved, jingled and reflected the light. They were all men of mature age and of a severe and impressive cast of features, which was rendered still more imposing by the long beards they wore.

The personality of one individual among them, however, impressed us at once. He seemed to stand out among his fellows and refuse to be overlooked. He was very old — eighty at least — and extremely tall, with a long snow-white beard that hung nearly to his waist. His features were aquiline and deeply cut, and his eyes were grey and cold-looking. The heads of the others were bare, but this man wore a round cap entirely covered with gold embroidery, from which we judged that he was a person of great importance; and indeed we afterwards discovered that he was Agon, the High Priest of the country. As we approached, all these men, including the priests, rose and bowed to us with the greatest courtesy, at the same time placing the two fingers across the lips in salutation. Then soft-footed attendants advanced from between the pillars, bearing seats, which were placed in a line in front of the thrones. We three sat down, Alphonse and Umslopogaas standing behind us. Scarcely had we done so when there came a blare of trumpets from some passage to the right, and a similar blare from the left. Next a man with a long white wand of ivory appeared just in front of the right-hand throne, and cried out something in a loud voice, ending with the word Nyleptha, repeated three times; and another man, similarly attired, called out a similar sentence before the other throne, but ending with the word Sorais, also repeated thrice. Then came the tramp of armed men from each side entrance, and in filed about a score of picked and magnificently accoutred guards, who formed up on each side of the thrones, and let their heavy iron-handled spears fall simultaneously with a clash upon the black marble flooring. Another double blare of trumpets, and in from either side, each attended by six maidens, swept the two Queens of Zu-Vendis, everybody in the hall rising to greet them as they came.

I have seen beautiful women in my day, and am no longer thrown into transports at the sight of a pretty face; but language fails me when I try to give some idea of the blaze of loveliness that then broke upon us in the persons of these sister Queens. Both were young — perhaps five-and-twenty years of age — both were tall and exquisitely formed; but there the likeness stopped. One, Nyleptha, was a woman of dazzling fairness; her right arm and breast bare, after the custom of her people, showed like snow even against her white and gold-embroidered 'kaf', or toga. And as for her sweet face, all I can say is, that it was one that few men could look on and forget. Her hair, a veritable crown of gold, clustered in short ringlets over her shapely head, half hiding the ivory brow, beneath which eyes of deep and glorious grey flashed out in tender majesty. I cannot attempt to describe her other features, only the mouth was most sweet, and curved like Cupid's bow, and over the whole countenance there shone an indescribable look of loving-kindness, lit up by a shadow of delicate humour that lay upon her face like a touch of silver on a rosy cloud.

She wore no jewels, but on her neck, arm, and knee were the usual torques of gold, in this instance fashioned like a snake; and her dress was of pure white linen of excessive fineness, plentifully embroidered with gold and with the familiar symbols of the sun.

Her twin sister, Sorais, was of a different and darker type of beauty. Her hair was wavy like Nyleptha's but coal-black, and fell in masses on her shoulders; her complexion was olive, her eyes large, dark, and lustrous; the lips were full, and I thought rather cruel. Somehow her face, quiet and even cold as it is, gave an idea of passion in repose, and caused one to wonder involuntarily what its aspect would be if anything occurred to break the calm. It reminded me of the deep sea, that even on the bluest days never loses its visible stamp of power, and in its murmuring sleep is yet instinct with the spirit of the storm. Her figure, like her sister's, was almost perfect in its curves and outlines, but a trifle more rounded, and her dress was absolutely the same.

As this lovely pair swept onwards to their respective thrones, amid the deep attentive silence of the Court, I was bound to confess to myself that they did indeed fulfil my idea of royalty. Royal they were in every way — in form, in grace, and queenly dignity, and in the barbaric splendour of their attendant pomp. But methought that they needed no guards or gold to proclaim their power and bind the loyalty of wayward men. A glance from those bright eyes or a smile from those sweet lips, and while the red blood runs in the veins of youth women such as these will never lack subjects ready to do their biddings to the death.

But after all they were women first and queens afterwards, and therefore not devoid of curiosity. As they passed to their seats I saw both of them glance swiftly in our direction. I saw, too, that their eyes passed by me, seeing nothing to charm them in the person of an insignificant and grizzled old man. Then they looked with evident astonishment on the grim form of old Umslopogaas, who raised his axe in salutation. Attracted next by the splendour of Good's apparel, for a second their glance rested on him like a humming moth upon a flower, then off it darted to where Sir Henry Curtis stood, the sunlight from a window playing upon his yellow hair and peaked beard, and marking the outlines of his massive frame against the twilight of the somewhat gloomy hall. He raised his eyes, and they met the fair Nyleptha's full, and thus for the first time the goodliest man and woman that it has ever been my lot to see looked one upon another. And why it was I know not, but I saw the swift blood run up Nyleptha's skin as the pink lights run up the morning sky. Red grew her fair bosom and shapely arm, red the swanlike neck; the rounded cheeks blushed red as the petals of a rose, and then the crimson flood sank back to whence it came and left her pale and trembling.

I glanced at Sir Henry. He, too, had coloured up to the eyes.

'Oh, my word!' thought I to myself, 'the ladies have come on the stage, and now we may look to the plot to develop itself.' And I sighed and shook my head, knowing that the beauty of a woman is like the beauty of the lightning — a destructive thing and a cause of desolation. By the time that I had finished my reflections both the Queens were on the thrones, for all this had happened in about six seconds. Once more the unseen trumpets blared out, and then the Court seated itself, and Queen Sorais motioned to us to do likewise.

Next from among the crowd whither he had withdrawn stepped forward our guide, the old gentleman who had towed us ashore, holding by the hand the girl whom we had seen first and afterwards rescued from the hippopotamus. Having made obeisance he proceeded to address the Queens, evidently describing to them the way and place where we had been found. It was most amusing to watch the astonishment, not unmixed with fear, reflected upon their faces as they listened to his tale. Clearly they could not understand how we had reached the lake and been found floating on it, and were inclined to attribute our presence to supernatural causes. Then the narrative proceeded, as I judged from the frequent appeals that our guide made to the girl, to the point where we had shot the hippopotami, and we at once perceived that there was something very wrong about those hippopotami, for the history was frequently interrupted by indignant exclamations from the little group of white-robed priests and even from the courtiers, while the two Queens listened with an amazed expression, especially when our guide pointed to the rifles in our hands as being the means of destruction. And here, to make matters clear, I may as well explain at once that the inhabitants of Zu-Vendis are sun-worshippers, and that for some reason or another the hippopotamus is sacred among them. Not that they do not kill it, because at a certain season of the year they slaughter thousands — which are specially preserved in large lakes up the country — and use their hides for armour for soldiers; but this does not prevent them from considering these animals as sacred to the sun. {Endnote 11} Now, as ill luck would have it, the particular hippopotami we had shot were a family of tame animals that were kept in the mouth of the port and daily fed by priests whose special duty it was to attend to them. When we shot them I thought that the brutes were suspiciously tame, and this was, as we afterwards ascertained, the cause of it. Thus it came about that in attempting to show off we had committed sacrilege of a most aggravated nature.

When our guide had finished his tale, the old man with the long beard and round cap, whose appearance I have already described, and who was, as I have said, the High Priest of the country, and known by the name of Agon, rose and commenced an impassioned harangue. I did not like the look of his cold grey eye as he fixed it on us. I should have liked it still less had I known that in the name of the outraged majesty of his god he was demanding that the whole lot of us should be offered up as a sacrifice by means of being burnt alive.

After he had finished speaking the Queen Sorais addressed him in a soft and musical voice, and appeared, to judge from his gestures of dissent, to be putting the other side of the question before him. Then Nyleptha spoke in liquid accents. Little did we know that she was pleading for our lives. Finally, she turned and addressed a tall, soldierlike man of middle age with a black beard and a long plain sword, whose name, as we afterwards learnt, was Nasta, and who was the greatest lord in the country; apparently appealing to him for support. Now when Sir Henry had caught her eye and she had blushed so rosy red, I had seen that the incident had not escaped this man's notice, and, what is more, that it was eminently disagreeable to him, for he bit his lip and his hand tightened on his sword-hilt. Afterwards we learnt that he was an aspirant for the hand of this Queen in marriage, which accounted for it. This being so, Nyleptha could not have appealed to a worse person, for, speaking in slow, heavy tones, he appeared to confirm all that the High Priest Agon had said. As he spoke, Sorais put her elbow on her knee, and, resting her chin on her hand, looked at him with a suppressed smile upon her lips, as though she saw through the man, and was determined to be his match; but Nyleptha grew very angry, her cheek flushed, her eyes flashed, and she did indeed look lovely. Finally she turned to Agon and seemed to give some sort of qualified assent, for he bowed at her words; and as she spoke she moved her hands as though to emphasize what she said; while all the time Sorais kept her chin on her hand and smiled. Then suddenly Nyleptha made a sign, the trumpets blew again, and everybody rose to leave the hall save ourselves and the guards, whom she motioned to stay.

When they were all gone she bent forward and, smiling sweetly, partially by signs and partially by exclamations made it clear to us that she was very anxious to know where we came from. The difficulty was how to explain, but at last an idea struck me. I had my large pocket-book in my pocket and a pencil. Taking it out, I made a little sketch of a lake, and then as best I could I drew the underground river and the lake at the other end. When I had done this I advanced to the steps of the throne and gave it to her. She understood it at once and clapped her hands with delight, and then descending from the throne took it to her sister Sorais, who also evidently understood. Next she took the pencil from me, and after examining it with curiosity proceeded to make a series of delightful little sketches, the first representing herself holding out both hands in welcome, and a man uncommonly like Sir Henry taking them. Next she drew a lovely little picture of a hippopotamus rolling about dying in the water, and of an individual, in whom we had no difficulty in recognizing Agon the High Priest, holding up his hands in horror on the bank. Then followed a most alarming picture of a dreadful fiery furnace and of the same figure, Agon, poking us into it with a forked stick. This picture perfectly horrified me, but I was a little reassured when she nodded sweetly and proceeded to make a fourth drawing — a man again uncommonly like Sir Henry, and of two women, in whom I recognized Sorais and herself, each with one arm around him, and holding a sword in protection over him. To all of these Sorais, who I saw was employed in carefully taking us all in — especially Curtis — signified her approval by nodding.

At last Nyleptha drew a final sketch of a rising sun, indicating that she must go, and that we should meet on the following morning; whereat Sir Henry looked so disappointed that she saw it, and, I suppose by way of consolation, extended her hand to him to kiss, which he did with pious fervour. At the same time Sorais, off whom Good had never taken his eyeglass during the whole indaba [interview], rewarded him by giving him her hand to kiss, though, while she did so, her eyes were fixed upon Sir Henry. I am glad to say that I was not implicated in these proceedings; neither of them gave me her hand to kiss.

Then Nyleptha turned and addressed the man who appeared to be in command of the bodyguard, apparently from her manner and his frequent obeisances, giving him very stringent and careful orders; after which, with a somewhat coquettish nod and smile, she left the hall, followed by Sorais and most of the guards.

When the Queens had gone, the officer whom Nyleptha had addressed came forward and with many tokens of deep respect led us from the hall through various passages to a sumptuous set of apartments opening out of a large central room lighted with brazen swinging lamps (for it was now dusk) and richly carpeted and strewn with couches. On a table in the centre of the room was set a profusion of food and fruit, and, what is more, flowers. There was a delicious wine also in ancient-looking sealed earthenware flagons, and beautifully chased golden and ivory cups to drink it from. Servants, male and female, also were there to minister to us, and whilst we ate, from some recess outside the apartment

'The silver lute did speak between The trumpet's lordly blowing;'

and altogether we found ourselves in a sort of earthly paradise which was only disturbed by the vision of that disgusting High Priest who intended to commit us to the flames. But so very weary were we with our labours that we could scarcely keep ourselves awake through the sumptuous meal, and as soon as it was over we indicated that we desired to sleep. As a further precaution against surprise we left Umslopogaas with his axe to sleep in the main chamber near the curtained doorways leading to the apartments which we occupied respectively, Good and I in the one, and Sir Henry and Alphonse in the other. Then throwing off our clothes, with the exception of the mail shirts, which we considered it safer to keep on, we flung ourselves down upon the low and luxurious couches, and drew the silk-embroidered coverlids over us.

In two minutes I was just dropping off when I was aroused by Good's voice.

'I say, Quatermain,' he said, 'did you ever see such eyes?'

'Eyes!' I said, crossly; 'what eyes?'

'Why, the Queen's, of course! Sorais, I mean — at least I think that is her name.'

'Oh, I don't know,' I yawned; 'I didn't notice them much: I suppose they are good eyes,' and again I dropped off.

Five minutes or so elapsed, and I was once more awakened.

'I say, Quatermain,' said the voice.

'Well,' I answered testily, 'what is it now?'

'Did you notice her ankle? The shape —'

This was more than I could stand. By my bed stood the veldtschoons I had been wearing. Moved quite beyond myself, I took them up and threw them straight at Good's head — and hit it.

Afterwards I slept the sleep of the just, and a very heavy sleep it must be. As for Good, I don't know if he went to sleep or if he continued to pass Sorais' beauties in mental review, and, what is more, I don't care.



CHAPTER XIII ABOUT THE ZU-VENDI PEOPLE



And now the curtain is down for a few hours, and the actors in this novel drama are plunged in dewy sleep. Perhaps we should except Nyleptha, whom the reader may, if poetically inclined, imagine lying in her bed of state encompassed by her maidens, tiring women, guards, and all the other people and appurtenances that surround a throne, and yet not able to slumber for thinking of the strangers who had visited a country where no such strangers had ever come before, and wondering, as she lay awake, who they were and what their past has been, and if she was ugly compared to the women of their native place. I, however, not being poetically inclined, will take advantage of the lull to give some account of the people among whom we found ourselves, compiled, needless to state, from information which we subsequently collected.

The name of this country, to begin at the beginning, is Zu-Vendis, from Zu, 'yellow', and Vendis, 'place or country'. Why it is called the Yellow Country I have never been able to ascertain accurately, nor do the inhabitants themselves know. Three reasons are, however, given, each of which would suffice to account for it. The first is that the name owes its origin to the great quantity of gold that is found in the land. Indeed, in this respect Zu-Vendis is a veritable Eldorado, the precious metal being extraordinarily plentiful. At present it is collected from purely alluvial diggings, which we subsequently inspected, and which are situated within a day's journey from Milosis, being mostly found in pockets and in nuggets weighing from an ounce up to six or seven pounds in weight. But other diggings of a similar nature are known to exist, and I have besides seen great veins of gold-bearing quartz. In Zu-Vendis gold is a much commoner metal than silver, and thus it has curiously enough come to pass that silver is the legal tender of the country.

The second reason given is, that at certain times of the year the native grasses of the country, which are very sweet and good, turn as yellow as ripe corn; and the third arises from a tradition that the people were originally yellow skinned, but grew white after living for many generations upon these high lands. Zu-Vendis is a country about the size of France, is, roughly speaking, oval in shape; and on every side cut off from the surrounding territory by illimitable forests of impenetrable thorn, beyond which are said to be hundreds of miles of morasses, deserts, and great mountains. It is, in short, a huge, high tableland rising up in the centre of the dark continent, much as in southern Africa flat-topped mountains rise from the level of the surrounding veldt. Milosis itself lies, according to my aneroid, at a level of about nine thousand feet above the sea, but most of the land is even higher, the greatest elevation of the open country being, I believe, about eleven thousand feet. As a consequence the climate is, comparatively speaking, a cold one, being very similar to that of southern England, only brighter and not so rainy. The land is, however, exceedingly fertile, and grows all cereals and temperate fruits and timber to perfection; and in the lower-lying parts even produces a hardy variety of sugar-cane. Coal is found in great abundance, and in many places crops out from the surface; and so is pure marble, both black and white. The same may be said of almost every metal except silver, which is scarce, and only to be obtained from a range of mountains in the north.

Zu-Vendis comprises in her boundaries a great variety of scenery, including two ranges of snow-clad mountains, one on the western boundary beyond the impenetrable belt of thorn forest, and the other piercing the country from north to south, and passing at a distance of about eighty miles from Milosis, from which town its higher peaks are distinctly visible. This range forms the chief watershed of the land. There are also three large lakes — the biggest, namely that whereon we emerged, and which is named Milosis after the city, covering some two hundred square miles of country — and numerous small ones, some of them salt.

The population of this favoured land is, comparatively speaking, dense, numbering at a rough estimate from ten to twelve millions. It is almost purely agricultural in its habits, and divided into great classes as in civilized countries. There is a territorial nobility, a considerable middle class, formed principally of merchants, officers of the army, etc.; but the great bulk of the people are well-to-do peasants who live upon the lands of the lords, from whom they hold under a species of feudal tenure. The best bred people in the country are, as I think I have said, pure whites with a somewhat southern cast of countenance; but the common herd are much darker, though they do not show any negro or other African characteristics. As to their descent I can give no certain information. Their written records, which extend back for about a thousand years, give no hint of it. One very ancient chronicler does indeed, in alluding to some old tradition that existed in his day, talk of it as having probably originally 'come down with the people from the coast', but that may mean little or nothing. In short, the origin of the Zu-Vendi is lost in the mists of time. Whence they came or of what race they are no man knows. Their architecture and some of their sculptures suggest an Egyptian or possibly an Assyrian origin; but it is well known that their present remarkable style of building has only sprung up within the last eight hundred years, and they certainly retain no traces of Egyptian theology or customs. Again, their appearance and some of their habits are rather Jewish; but here again it seems hardly conceivable that they should have utterly lost all traces of the Jewish religion. Still, for aught I know, they may be one of the lost ten tribes whom people are so fond of discovering all over the world, or they may not. I do not know, and so can only describe them as I find them, and leave wiser heads than mine to make what they can out of it, if indeed this account should ever be read at all, which is exceedingly doubtful.

And now after I have said all this, I am, after all, going to hazard a theory of my own, though it is only a very little one, as the young lady said in mitigation of her baby. This theory is founded on a legend which I have heard among the Arabs on the east coast, which is to the effect that 'more than two thousand years ago' there were troubles in the country which was known as Babylonia, and that thereon a vast horde of Persians came down to Bushire, where they took ship and were driven by the north-east monsoon to the east coast of Africa, where, according to the legend, 'the sun and fire worshippers' fell into conflict with the belt of Arab settlers who even then were settled on the east coast, and finally broke their way through them, and, vanishing into the interior, were no more seen. Now, I ask, is it not at least possible that the Zu-Vendi people are the descendants of these 'sun and fire worshippers' who broke through the Arabs and vanished? As a matter of fact, there is a good deal in their characters and customs that tallies with the somewhat vague ideas that I have of Persians. Of course we have no books of reference here, but Sir Henry says that if his memory does not fail him, there was a tremendous revolt in Babylon about 500 BC, whereon a vast multitude were expelled from the city. Anyhow, it is a well-established fact that there have been many separate emigrations of Persians from the Persian Gulf to the east coast of Africa up to as lately as seven hundred years ago. There are Persian tombs at Kilwa, on the east coast, still in good repair, which bear dates showing them to be just seven hundred years old. {Endnote 12}

In addition to being an agricultural people, the Zu-Vendi are, oddly enough, excessively warlike, and as they cannot from the exigencies of their position make war upon other nations, they fight among each other like the famed Kilkenny cats, with the happy result that the population never outgrows the power of the country to support it. This habit of theirs is largely fostered by the political condition of the country. The monarchy is nominally an absolute one, save in so far as it is tempered by the power of the priests and the informal council of the great lords; but, as in many other institutions, the king's writ does not run unquestioned throughout the length and breadth of the land. In short, the whole system is a purely feudal one (though absolute serfdom or slavery is unknown), all the great lords holding nominally from the throne, but a number of them being practically independent, having the power of life and death, waging war against and making peace with their neighbours as the whim or their interests lead them, and even on occasion rising in open rebellion against their royal master or mistress, and, safely shut up in their castles and fenced cities, as far from the seat of government, successfully defying them for years.

Zu-Vendis has had its king-makers as well as England, a fact that will be well appreciated when I state that eight different dynasties have sat upon the throne in the last one thousand years, every one of which took its rise from some noble family that succeeded in grasping the purple after a sanguinary struggle. At the date of our arrival in the country things were a little better than they had been for some centuries, the last king, the father of Nyleptha and Sorais, having been an exceptionally able and vigorous ruler, and, as a consequence, he kept down the power of the priests and nobles. On his death, two years before we reached Zu-Vendis, the twin sisters, his children, were, following an ancient precedent, called to the throne, since an attempt to exclude either would instantly have provoked a sanguinary civil war; but it was generally felt in the country that this measure was a most unsatisfactory one, and could hardly be expected to be permanent. Indeed, as it was, the various intrigues that were set on foot by ambitious nobles to obtain the hand of one or other of the queens in marriage had disquieted the country, and the general opinion was that there would be bloodshed before long.

I will now pass on to the question of the Zu-Vendi religion, which is nothing more or less than sun-worship of a pronounced and highly developed character. Around this sun-worship is grouped the entire social system of the Zu-Vendi. It sends its roots through every institution and custom of the land. From the cradle to the grave the Zu-Vendi follows the sun in every sense of the saying. As an infant he is solemnly held up in its light and dedicated to 'the symbol of good, the expression of power, and the hope of Eternity', the ceremony answering to our baptism. Whilst still a tiny child, his parents point out the glorious orb as the presence of a visible and beneficent god, and he worships it at its up-rising and down-setting. Then when still quite small, he goes, holding fast to the pendent end of his mother's 'kaf' (toga), up to the temple of the Sun of the nearest city, and there, when at midday the bright beams strike down upon the golden central altar and beat back the fire that burns thereon, he hears the white-robed priests raise their solemn chant of praise and sees the people fall down to adore, and then, amidst the blowing of the golden trumpets, watches the sacrifice thrown into the fiery furnace beneath the altar. Here he comes again to be declared 'a man' by the priests, and consecrated to war and to good works; here before the solemn altar he leads his bride; and here too, if differences shall unhappily arise, he divorces her.

And so on, down life's long pathway till the last mile is travelled, and he comes again armed indeed, and with dignity, but no longer a man. Here they bear him dead and lay his bier upon the falling brazen doors before the eastern altar, and when the last ray from the setting sun falls upon his white face the bolts are drawn and he vanishes into the raging furnace beneath and is ended.

The priests of the Sun do not marry, but are recruited as young men specially devoted to the work by their parents and supported by the State. The nomination to the higher offices of the priesthood lies with the Crown, but once appointed the nominees cannot be dispossessed, and it is scarcely too much to say that they really rule the land. To begin with, they are a united body sworn to obedience and secrecy, so that an order issued by the High Priest at Milosis will be instantly and unhesitatingly acted upon by the resident priest of a little country town three or four hundred miles off. They are the judges of the land, criminal and civil, an appeal lying only to the lord paramount of the district, and from him to the king; and they have, of course, practically unlimited jurisdiction over religious and moral offences, together with a right of excommunication, which, as in the faiths of more highly civilized lands, is a very effective weapon. Indeed, their rights and powers are almost unlimited, but I may as well state here that the priests of the Sun are wise in their generation, and do not push things too far. It is but very seldom that they go to extremes against anybody, being more inclined to exercise the prerogative of mercy than run the risk of exasperating the powerful and vigorous-minded people on whose neck they have set their yoke, lest it should rise and break it off altogether.

Another source of the power of the priests is their practical monopoly of learning, and their very considerable astronomical knowledge, which enables them to keep a hold on the popular mind by predicting eclipses and even comets. In Zu-Vendis only a few of the upper classes can read and write, but nearly all the priests have this knowledge, and are therefore looked upon as learned men.

The law of the country is, on the whole, mild and just, but differs in several respects from our civilized law. For instance, the law of England is much more severe upon offences against property than against the person, as becomes a people whose ruling passion is money. A man may half kick his wife to death or inflict horrible sufferings upon his children at a much cheaper rate of punishment than he can compound for the theft of a pair of old boots. In Zu-Vendis this is not so, for there they rightly or wrongly look upon the person as of more consequence than goods and chattels, and not, as in England, as a sort of necessary appendage to the latter. For murder the punishment is death, for treason death, for defrauding the orphan and the widow, for sacrilege, and for attempting to quit the country (which is looked on as a sacrilege) death. In each case the method of execution is the same, and a rather awful one. The culprit is thrown alive into the fiery furnace beneath one of the altars to the Sun. For all other offences, including the offence of idleness, the punishment is forced labour upon the vast national buildings which are always going on in some part of the country, with or without periodical floggings, according to the crime.

The social system of the Zu-Vendi allows considerable liberty to the individual, provided he does not offend against the laws and customs of the country. They are polygamous in theory, though most of them have only one wife on account of the expense. By law a man is bound to provide a separate establishment for each wife. The first wife also is the legal wife, and her children are said to be 'of the house of the Father'. The children of the other wives are of the houses of their respective mothers. This does not, however, imply any slur upon either mother or children. Again, a first wife can, on entering into the married state, make a bargain that her husband shall marry no other wife. This, however, is very rarely done, as the women are the great upholders of polygamy, which not only provides for their surplus numbers but gives greater importance to the first wife, who is thus practically the head of several households. Marriage is looked upon as primarily a civil contract, and, subject to certain conditions and to a proper provision for children, is dissoluble at the will of both contracting parties, the divorce, or 'unloosing', being formally and ceremoniously accomplished by going through certain portions of the marriage ceremony backwards.

The Zu-Vendi are on the whole a very kindly, pleasant, and light-hearted people. They are not great traders and care little about money, only working to earn enough to support themselves in that class of life in which they were born. They are exceedingly conservative, and look with disfavour upon changes. Their legal tender is silver, cut into little squares of different weights; gold is the baser coin, and is about of the same value as our silver. It is, however, much prized for its beauty, and largely used for ornaments and decorative purposes. Most of the trade, however, is carried on by means of sale and barter, payment being made in kind. Agriculture is the great business of the country, and is really well understood and carried out, most of the available acreage being under cultivation. Great attention is also given to the breeding of cattle and horses, the latter being unsurpassed by any I have ever seen either in Europe or Africa.

The land belongs theoretically to the Crown, and under the Crown to the great lords, who again divide it among smaller lords, and so on down to the little peasant farmer who works his forty 'reestu' (acres) on a system of half-profits with his immediate lord. In fact the whole system is, as I have said, distinctly feudal, and it interested us much to meet with such an old friend far in the unknown heart of Africa.

The taxes are very heavy. The State takes a third of a man's total earnings, and the priesthood about five per cent on the remainder. But on the other hand, if a man through any cause falls into bona fide misfortune the State supports him in the position of life to which he belongs. If he is idle, however, he is sent to work on the Government undertakings, and the State looks after his wives and children. The State also makes all the roads and builds all town houses, about which great care is shown, letting them out to families at a small rent. It also keeps up a standing army of about twenty thousand men, and provides watchmen, etc. In return for their five per cent the priests attend to the service of the temples, carry out all religious ceremonies, and keep schools, where they teach whatever they think desirable, which is not very much. Some of the temples also possess private property, but priests as individuals cannot hold property.

And now comes a question which I find some difficulty in answering. Are the Zu-Vendi a civilized or barbarous people? Sometimes I think the one, sometimes the other. In some branches of art they have attained the very highest proficiency. Take for instance their buildings and their statuary. I do not think that the latter can be equalled either in beauty or imaginative power anywhere in the world, and as for the former it may have been rivalled in ancient Egypt, but I am sure that it has never been since. But, on the other hand, they are totally ignorant of many other arts. Till Sir Henry, who happened to know something about it, showed them how to do it by mixing silica and lime, they could not make a piece of glass, and their crockery is rather primitive. A water-clock is their nearest approach to a watch; indeed, ours delighted them exceedingly. They know nothing about steam, electricity, or gunpowder, and mercifully for themselves nothing about printing or the penny post. Thus they are spared many evils, for of a truth our age has learnt the wisdom of the old-world saying, 'He who increaseth knowledge, increaseth sorrow.'

As regards their religion, it is a natural one for imaginative people who know no better, and might therefore be expected to turn to the sun and worship him as the all-Father, but it cannot justly be called elevating or spiritual. It is true that they do sometimes speak of the sun as the 'garment of the Spirit', but it is a vague term, and what they really adore is the fiery orb himself. They also call him the 'hope of eternity', but here again the meaning is vague, and I doubt if the phrase conveys any very clear impression to their minds. Some of them do indeed believe in a future life for the good — I know Nyleptha does firmly — but it is a private faith arising from the promptings of the spirit, not an essential of their creed. So on the whole I cannot say that I consider this sun-worship as a religion indicative of a civilized people, however magnificent and imposing its ritual, or however moral and high-sounding the maxims of its priests, many of whom, I am sure, have their own opinions on the whole subject; though of course they have nothing but praise for a system which provides them with so many of the good things of this world.

There are now only two more matters to which I need allude — namely, the language and the system of calligraphy. As for the former, it is soft-sounding, and very rich and flexible. Sir Henry says that it sounds something like modern Greek, but of course it has no connection with it. It is easy to acquire, being simple in its construction, and a peculiar quality about it is its euphony, and the way in which the sound of the words adapts itself to the meaning to be expressed. Long before we mastered the language, we could frequently make out what was meant by the ring of the sentence. It is on this account that the language lends itself so well to poetical declamation, of which these remarkable people are very fond. The Zu-Vendi alphabet seems, Sir henry says, to be derived, like every other known system of letters, from a Phoenician source, and therefore more remotely still from the ancient Egyptian hieratic writing. Whether this is a fact I cannot say, not being learned in such matters. All I know about it is that their alphabet consists of twenty-two characters, of which a few, notably B, E, and O, are not very unlike our own. The whole affair is, however, clumsy and puzzling. {Endnote 13} But as the people of Zu-Vendi are not given to the writing of novels, or of anything except business documents and records of the briefest character, it answers their purpose well enough.



CHAPTER XIV THE FLOWER TEMPLE



It was half-past eight by my watch when I woke on the morning following our arrival at Milosis, having slept almost exactly twelve hours, and I must say that I did indeed feel better. Ah, what a blessed thing is sleep! and what a difference twelve hours of it or so makes to us after days and nights of toil and danger. It is like going to bed one man and getting up another.

I sat up upon my silken couch — never had I slept upon such a bed before — and the first thing that I saw was Good's eyeglass fixed on me from the recesses of his silken couch. There was nothing else of him to be seen except his eyeglass, but I knew from the look of it that he was awake, and waiting till I woke up to begin.

'I say, Quatermain,' he commenced sure enough, 'did you observe her skin? It is as smooth as the back of an ivory hairbrush.'

'Now look here, Good,' I remonstrated, when there came a sound at the curtain, which, on being drawn, admitted a functionary, who signified by signs that he was there to lead us to the bath. We gladly consented, and were conducted to a delightful marble chamber, with a pool of running crystal water in the centre of it, into which we gaily plunged. When we had bathed, we returned to our apartment and dressed, and then went into the central room where we had supped on the previous evening, to find a morning meal already prepared for us, and a capital meal it was, though I should be puzzled to describe the dishes. After breakfast we lounged round and admired the tapestries and carpets and some pieces of statuary that were placed about, wondering the while what was going to happen next. Indeed, by this time our minds were in such a state of complete bewilderment that we were, as a matter of fact, ready for anything that might arrive. As for our sense of astonishment, it was pretty well obliterated. Whilst we were still thus engaged, our friend the captain of the guard presented himself, and with many obeisances signified that we were to follow him, which we did, not without doubts and heart-searchings — for we guessed that the time had come when we should have to settle the bill for those confounded hippopotami with our cold-eyed friend Agon, the High Priest. However, there was no help for it, and personally I took great comfort in the promise of the protection of the sister Queens, knowing that if ladies have a will they can generally find a way; so off we started as though we liked it. A minute's walk through a passage and an outer court brought us to the great double gates of the palace that open on to the wide highway which runs uphill through the heart of Milosis to the Temple of the Sun a mile away, and thence down the slope on the farther side of the temple to the outer wall of the city.

These gates are very large and massive, and an extraordinarily beautiful work in metal. Between them — for one set is placed at the entrance to an interior, and one at that of the exterior wall — is a fosse, forty-five feet in width. This fosse is filled with water and spanned by a drawbridge, which when lifted makes the palace nearly impregnable to anything except siege guns. As we came, one half of the wide gates were flung open, and we passed over the drawbridge and presently stood gazing up one of the most imposing, if not the most imposing, roadways in the world. It is a hundred feet from curb to curb, and on either side, not cramped and crowded together, as is our European fashion, but each standing in its own grounds, and built equidistant from and in similar style to the rest, are a series of splendid, single-storied mansions, all of red granite. These are the town houses of the nobles of the Court, and stretch away in unbroken lines for a mile or more till the eye is arrested by the glorious vision of the Temple of the Sun that crowns the hill and heads the roadway.

As we stood gazing at this splendid sight, of which more anon, there suddenly dashed up to the gateway four chariots, each drawn by two white horses. These chariots are two-wheeled, and made of wood. They are fitted with a stout pole, the weight of which is supported by leathern girths that form a portion of the harness. The wheels are made with four spokes only, are tired with iron, and quite innocent of springs. In the front of the chariot, and immediately over the pole, is a small seat for the driver, railed round to prevent him from being jolted off. Inside the machine itself are three low seats, one at each side, and one with the back to the horses, opposite to which is the door. The whole vehicle is lightly and yet strongly made, and, owing to the grace of the curves, though primitive, not half so ugly as might be expected.

But if the chariots left something to be desired, the horses did not. They were simply splendid, not very large but strongly built, and well ribbed up, with small heads, remarkably large and round hoofs, and a great look of speed and blood. I have often wondered whence this breed, which presents many distinct characteristics, came, but like that of its owners, it history is obscure. Like the people the horses have always been there. The first and last of these chariots were occupied by guards, but the centre two were empty, except for the driver, and to these we were conducted. Alphonse and I got into the first, and Sir Henry, Good, and Umslopogaas into the one behind, and then suddenly off we went. And we did go! Among the Zu-Vendi it is not usual to trot horses either riding or driving, especially when the journey to be made is a short one — they go at full gallop. As soon as we were seated the driver called out, the horses sprang forward, and we were whirled away at a speed sufficient to take one's breath, and which, till I got accustomed to it, kept me in momentary fear of an upset. As for the wretched Alphonse, he clung with a despairing face to the side of what he called this 'devil of a fiacre', thinking that every moment was his last. Presently it occurred to him to ask where we were going, and I told him that, as far as I could ascertain, we were going to be sacrificed by burning. You should have seen his face as he grasped the side of the vehicle and cried out in his terror.

But the wild-looking charioteer only leant forward over his flying steeds and shouted; and the air, as it went singing past, bore away the sound of Alphonse's lamentations.

And now before us, in all its marvellous splendour and dazzling loveliness, shone out the Temple of the Sun — the peculiar pride of the Zu-Vendi, to whom it was what Solomon's, or rather Herod's, Temple was to the Jews. The wealth, and skill, and labour of generations had been given to the building of this wonderful place, which had been only finally completed within the last fifty years. Nothing was spared that the country could produce, and the result was indeed worthy of the effort, not so much on account of its size — for there are larger fanes in the world — as because of its perfect proportions, the richness and beauty of its materials, and the wonderful workmanship. The building (that stands by itself on a space of some eight acres of garden ground on the hilltop, around which are the dwelling-places of the priests) is built in the shape of a sunflower, with a dome-covered central hall, from which radiate twelve petal-shaped courts, each dedicated to one of the twelve months, and serving as the repositories of statues reared in memory of the illustrious dead. The width of the circle beneath the dome is three hundred feet, the height of the dome is four hundred feet, and the length of the rays is one hundred and fifty feet, and the height of their roofs three hundred feet, so that they run into the central dome exactly as the petals of the sunflower run into the great raised heart. Thus the exact measurement from the centre of the central altar to the extreme point of any one of the rounded rays would be three hundred feet (the width of the circle itself), or a total of six hundred feet from the rounded extremity of one ray or petal to the extremity of the opposite one. {Endnote 14}

The building itself is of pure and polished white marble, which shows out in marvellous contrast to the red granite of the frowning city, on whose brow it glistens indeed like an imperial diadem upon the forehead of a dusky queen. The outer surface of the dome and of the twelve petal courts is covered entirely with thin sheets of beaten gold; and from the extreme point of the roof of each of these petals a glorious golden form with a trumpet in its hand and widespread wings is figured in the very act of soaring into space. I really must leave whoever reads this to imagine the surpassing beauty of these golden roofs flashing when the sun strikes — flashing like a thousand fires aflame on a mountain of polished marble — so fiercely that the reflection can be clearly seen from the great peaks of the range a hundred miles away.

It is a marvellous sight — this golden flower upborne upon the cool white marble walls, and I doubt if the world can show such another. What makes the whole effect even more gorgeous is that a belt of a hundred and fifty feet around the marble wall of the temple is planted with an indigenous species of sunflower, which were at the time when we first saw them a sheet of golden bloom.

The main entrance to this wonderful place is between the two northernmost of the rays or petal courts, and is protected first by the usual bronze gates, and then by doors made of solid marble, beautifully carved with allegorical subjects and overlaid with gold. When these are passed there is only the thickness of the wall, which is, however, twenty-five feet (for the Zu-Vendi build for all time), and another slight wall also of white marble, introduced in order to avoid causing a visible gap in the inner skin of the wall, and you stand in the circular hall under the great dome. Advancing to the central altar you look upon as beautiful a sight as the imagination of man can conceive. You are in the middle of the holy place, and above you the great white marble dome (for the inner skin, like the outer, is of polished marble throughout) arches away in graceful curves something like that of St Paul's in London, only at a slighter angle, and from the funnel-like opening at the exact apex a bright beam of light pours down upon the golden altar. At the east and the west are other altars, and other beams of light stab the sacred twilight to the heart. In every direction, 'white, mystic, wonderful', open out the ray-like courts, each pierced through by a single arrow of light that serves to illumine its lofty silence and dimly to reveal the monuments of the dead. {Endnote 15}

Overcome at so awe-inspiring a sight, the vast loveliness of which thrills the nerves like a glance from beauty's eyes, you turn to the central golden altar, in the midst of which, though you cannot see it now, there burns a pale but steady flame crowned with curls of faint blue smoke. It is of marble overlaid with pure gold, in shape round like the sun, four feet in height, and thirty-six in circumference. Here also, hinged to the foundations of the altar, are twelve petals of beaten gold. All night and, except at one hour, all day also, these petals are closed over the altar itself exactly as the petals of a water-lily close over the yellow crown in stormy weather; but when the sun at midday pierces through the funnel in the dome and lights upon the golden flower, the petals open and reveal the hidden mystery, only to close again when the ray has passed.

Nor is this all. Standing in semicircles at equal distances from each other on the north and south of the sacred place are ten golden angels, or female winged forms, exquisitely shaped and draped. These figures, which are slightly larger than life-size, stand with bent heads in an attitude of adoration, their faces shadowed by their wings, and are most imposing and of exceeding beauty.

There is but one thing further which calls for description in this altar, which is, that to the east the flooring in front of it is not of pure white marble, as elsewhere throughout the building, but of solid brass, and this is also the case in front of the other two altars.

The eastern and western altars, which are semicircular in shape, and placed against the wall of the building, are much less imposing, and are not enfolded in golden petals. They are, however, also of gold, the sacred fire burns on each, and a golden-winged figure stands on either side of them. Two great golden rays run up the wall behind them, but where the third or middle one should be is an opening in the wall, wide on the outside, but narrow within, like a loophole turned inwards. Through the eastern loophole stream the first beams of the rising sun, and strike right across the circle, touching the folded petals of the great gold flower as they pass till they impinge upon the western altar. In the same way at night the last rays of the sinking sun rest for a while on the eastern altar before they die away into darkness. It is the promise of the dawn to the evening and the evening to the dawn.

With the exception of those three altars and the winged figures about them, the whole space beneath the vast white dome is utterly empty and devoid of ornamentation — a circumstance that to my fancy adds greatly to its splendour.

Such is a brief description of this wonderful and lovely building, to the glories of which, to my mind so much enhanced by their complete simplicity, I only wish I had the power to do justice. But I cannot, so it is useless talking more about it. But when I compare this great work of genius to some of the tawdry buildings and tinsel ornamentation produced in these latter days by European ecclesiastical architects, I feel that even highly civilized art might learn something from the Zu-Vendi masterpieces. I can only say that the exclamation which sprang to my lips as soon as my eyes first became accustomed to the dim light of that glorious building, and its white and curving beauties, perfect and thrilling as those of a naked goddess, grew upon me one by one, was, 'Well! a dog would feel religious here.' It is vulgarly put, but perhaps it conveys my meaning more clearly than any polished utterance.

At the temple gates our party was received by a guard of soldiers, who appeared to be under the orders of a priest; and by them we were conducted into one of the ray or 'petal' courts, as the priests call them, and there left for at least half-an-hour. Here we conferred together, and realizing that we stood in great danger of our lives, determined, if any attempt should be made upon us, to sell them as dearly as we could — Umslopogaas announcing his fixed intention of committing sacrilege on the person of Agon, the High Priest, by splitting his head with Inkosi-kaas. From where we stood we could perceive that an immense multitude were pouring into the temple, evidently in expectation of some unusual event, and I could not help fearing that we had to do with it. And here I may explain that every day, when the sunlight falls upon the central altar, and the trumpets sound, a burnt sacrifice is offered to the Sun, consisting generally of the carcase of a sheep or ox, or sometimes of fruit or corn. This event comes off about midday; of course, not always exactly at that hour, but as Zu-Vendis is situated not far from the Line, although — being so high above the sea it is very temperate — midday and the falling of the sunlight on the altar were generally simultaneous. Today the sacrifice was to take place at about eight minutes past twelve.

Just at twelve o'clock a priest appeared, and made a sign, and the officer of the guard signified to us that we were expected to advance, which we did with the best grace that we could muster, all except Alphonse, whose irrepressible teeth instantly began to chatter. In a few seconds we were out of the court and looking at a vast sea of human faces stretching away to the farthest limits of the great circle, all straining to catch a glimpse of the mysterious strangers who had committed sacrilege; the first strangers, mind you, who, to the knowledge of the multitude, had ever set foot in Zu-Vendis since such time that the memory of man runneth not to the contrary.

As we appeared there was a murmur through the vast crowd that went echoing away up the great dome, and we saw a visible blush of excitement grow on the thousands of faces, like a pink light on a stretch of pale cloud, and a very curious effect it was. On we passed down a lane cut through the heart of the human mass, till presently we stood upon the brazen patch of flooring to the east of the central altar, and immediately facing it. For some thirty feet around the golden-winged figures the space was roped off, and the multitudes stood outside the ropes. Within were a circle of white-robed gold-cinctured priests holding long golden trumpets in their hands, and immediately in front of us was our friend Agon, the High Priest, with his curious cap upon his head. His was the only covered head in that vast assemblage. We took our stand upon the brazen space, little knowing what was prepared for us beneath, but I noticed a curious hissing sound proceeding apparently from the floor for which I could not account. Then came a pause, and I looked around to see if there was any sign of the two Queens, Nyleptha and Sorais, but they were not there. To the right of us, however, was a bare space that I guessed was reserved for them.

We waited, and presently a far-off trumpet blew, apparently high up in the dome. Then came another murmur from the multitude, and up a long lane, leading to the open space to our right, we saw the two Queens walking side by side. Behind them were some nobles of the Court, among whom I recognized the great lord Nasta, and behind them again a body of about fifty guards. These last I was very glad to see. Presently they had all arrived and taken their stand, the two Queens in the front, the nobles to the right and left, and the guards in a double semicircle behind them.

Then came another silence, and Nyleptha looked up and caught my eye; it seemed to me that there was meaning in her glance, and I watched it narrowly. From my eye it travelled down to the brazen flooring, on the outer edge of which we stood. Then followed a slight and almost imperceptible sidelong movement of the head. I did not understand it, and it was repeated. Then I guessed that she meant us to move back off the brazen floor. One more glance and I was sure of it — there was danger in standing on the floor. Sir Henry was placed on one side of me, Umslopogaas on the other. Keeping my eyes fixed straight before me, I whispered to them, first in Zulu and then in English, to draw slowly back inch by inch till half their feet were resting on the marble flooring where the brass ceased. Sir Henry whispered on to Good and Alphonse, and slowly, very very slowly, we shifted backwards; so slowly that nobody, except Nyleptha and Sorais, who saw everything seemed to notice the movement. Then I glanced again at Nyleptha, and saw that, by an almost imperceptible nod, she indicated approval. All the while Agon's eyes were fixed upon the altar before him apparently in an ecstasy of contemplation, and mine were fixed upon the small of his back in another sort of ecstasy. Suddenly he flung up his long arm, and in a solemn and resounding voice commenced a chant, of which for convenience' sake I append a rough, a very rough, translation here, though, of course, I did not then comprehend its meaning. It was an invocation to the Sun, and ran somewhat as follows: —

There is silence upon the face of the Earth and the waters thereof! Yea, the silence doth brood on the waters like a nesting bird; The silence sleepeth also upon the bosom of the profound darkness, Only high up in the great spaces star doth speak unto star, The Earth is faint with longing and wet with the tears of her desire; The star-girdled night doth embrace her, but she is not comforted. She lies enshrouded in mists like a corpse in the grave-clothes, And stretches her pale hands to the East.

Lo! away in the farthest East there is the shadow of a light; The Earth seeth and lifts herself. She looks out from beneath the hollow of her hand. Then thy great angels fly forth from the Holy Place, oh Sun, They shoot their fiery swords into the darkness and shrivel it up. They climb the heavens and cast down the pale stars from their thrones; Yea, they hurl the changeful stars back into the womb of the night; They cause the moon to become wan as the face of a dying man, And behold! Thy glory comes, oh Sun!

Oh, Thou beautiful one, Thou drapest thyself in fire. The wide heavens are thy pathway: thou rollest o'er them as a chariot. The Earth is thy bride. Thou dost embrace her and she brings forth children; Yea, Thou favourest her, and she yields her increase. Thou art the All Father and the giver of life, oh Sun. The young children stretch out their hands and grow in thy brightness; The old men creep forth and seeing remember their strength. Only the dead forget Thee, oh Sun!

When Thou art wroth then Thou dost hide Thy face; Thou drawest around Thee a thick curtain of shadows. Then the Earth grows cold and the Heavens are dismayed; They tremble, and the sound thereof is the sound of thunder: They weep, and their tears are outpoured in the rain; They sigh, and the wild winds are the voice of their sighing. The flowers die, the fruitful fields languish and turn pale; The old men and the little children go unto their appointed place When Thou withdrawest thy light, oh Sun!

Say, what art Thou, oh Thou matchless Splendour — Who set Thee on high, oh Thou flaming Terror? When didst Thou begin, and when is the day of Thy ending? Thou art the raiment of the living Spirit. {Endnote 16} None did place Thee on high, for Thou was the Beginning. Thou shalt not be ended when thy children are forgotten; Nay, Thou shalt never end, for thy hours are eternal. Thou sittest on high within thy golden house and measurest out the centuries. Oh Father of Life! oh dark-dispelling Sun!

He ceased this solemn chant, which, though it seems a poor enough thing after going through my mill, is really beautiful and impressive in the original; and then, after a moment's pause, he glanced up towards the funnel-sloped opening in the dome and added —

Oh Sun, descend upon thine Altar!

As he spoke a wonderful and a beautiful thing happened. Down from on high flashed a splendid living ray of light, cleaving the twilight like a sword of fire. Full upon the closed petals it fell and ran shimmering down their golden sides, and then the glorious flower opened as though beneath the bright influence. Slowly it opened, and as the great petals fell wide and revealed the golden altar on which the fire ever burns, the priests blew a blast upon the trumpets, and from all the people there rose a shout of praise that beat against the domed roof and came echoing down the marble walls. And now the flower altar was open, and the sunlight fell full upon the tongue of sacred flame and beat it down, so that it wavered, sank, and vanished into the hollow recesses whence it rose. As it vanished, the mellow notes of the trumpets rolled out once more. Again the old priest flung up his hands and called aloud —

We sacrifice to thee, oh Sun!

Once more I caught Nyleptha's eye; it was fixed upon the brazen flooring.

'Look out,' I said, aloud; and as I said it, I saw Agon bend forward and touch something on the altar. As he did so, the great white sea of faces around us turned red and then white again, and a deep breath went up like a universal sigh. Nyleptha leant forward, and with an involuntary movement covered her eyes with her hand. Sorais turned and whispered to the officer of the royal bodyguard, and then with a rending sound the whole of the brazen flooring slid from before our feet, and there in its place was suddenly revealed a smooth marble shaft terminating in a most awful raging furnace beneath the altar, big enough and hot enough to heat the iron stern-post of a man-of-war.

With a cry of terror we sprang backwards, all except the wretched Alphonse, who was paralysed with fear, and would have fallen into the fiery furnace which had been prepared for us, had not Sir Henry caught him in his strong hand as he was vanishing and dragged him back.

Instantly there arose the most fearful hubbub, and we four got back to back, Alphonse dodging frantically round our little circle in his attempts to take shelter under our legs. We all had our revolvers on — for though we had been politely disarmed of our guns on leaving the palace, of course these people did not know what a revolver was. Umslopogaas, too, had his axe, of which no effort had been made to deprive him, and now he whirled it round his head and sent his piercing Zulu war-shout echoing up the marble walls in fine defiant fashion. Next second, the priests, baffled of their prey, had drawn swords from beneath their white robes and were leaping on us like hounds upon a stag at bay. I saw that, dangerous as action might be, we must act or be lost, so as the first man came bounding along — and a great tall fellow he was — I sent a heavy revolver ball through him, and down he fell at the mouth of the shaft, and slid, shrieking frantically, into the fiery gulf that had been prepared for us.

Whether it was his cries, or the, to them, awful sound and effect of the pistol shot, or what, I know not, but the other priests halted, paralysed and dismayed, and before they could come on again Sorais had called out something, and we, together with the two Queens and most of the courtiers, were being surrounded with a wall of armed men. In a moment it was done, and still the priests hesitated, and the people hung in the balance like a herd of startled buck as it were, making no sign one way or the other.

The last yell of the burning priest had died away, the fire had finished him, and a great silence fell upon the place.

Then the High Priest Agon turned, and his face was as the face of a devil. 'Let the sacrifice be sacrificed,' he cried to the Queens. 'Has not sacrilege enough been done by these strangers, and would ye, as Queens, throw the cloak of your majesty over evildoers? Are not the creatures sacred to the Sun dead? And is not a priest of the Sun also dead, but now slain by the magic of these strangers, who come as the winds out of heaven, whence we know not, and who are what we know not? Beware, oh Queens, how ye tamper with the great majesty of the God, even before His high altar! There is a Power that is more than your power; there is a Justice that is higher than your justice. Beware how ye lift an impious hand against it! Let the sacrifice be sacrificed, oh Queens.'

Then Sorais made answer in her deep quiet tones, that always seemed to me to have a suspicion of mockery about them, however serious the theme: 'Oh, Agon, thou hast spoken according to thy desire, and thou hast spoken truth. But it is thou who wouldst lift an impious hand against the justice of thy God. Bethink thee the midday sacrifice is accomplished; the Sun hath claimed his priest as a sacrifice.'

This was a novel idea, and the people applauded it.

'Bethink thee what are these men? They are strangers found floating on the bosom of a lake. Who brought them here? How came they here? How know you that they also are not servants of the Sun? Is this the hospitality that ye would have our nation show to those whom chance brings to them, to throw them to the flames? Shame on you! Shame on you! What is hospitality? To receive the stranger and show him favour. To bind up his wounds, and find a pillow for his head, and food for him to eat. But thy pillow is the fiery furnace, and thy food the hot savour of the flame. Shame on thee, I say!'

She paused a little to watch the effect of her speech upon the multitude, and seeing that it was favourable, changed her tone from one of remonstrance to one of command.

'Ho! place there,' she cried; 'place, I say; make way for the Queens, and those whom the Queens cover with their "kaf" (mantle).'

'And if I refuse, oh Queen?' said Agon between his teeth.

'Then will I cut a path with my guards,' was the proud answer; 'ay, even in the presence of thy sanctuary, and through the bodies of thy priests.'

Agon turned livid with baffled fury. He glanced at the people as though meditating an appeal to them, but saw clearly that their sympathies were all the other way. The Zu-Vendi are a very curious and sociable people, and great as was their sense of the enormity that we had committed in shooting the sacred hippopotami, they did not like the idea of the only real live strangers they had seen or heard of being consigned to a fiery furnace, thereby putting an end for ever to their chance of extracting knowledge and information from, and gossiping about us. Agon saw this and hesitated, and then for the first time Nyleptha spoke in her soft sweet voice.

'Bethink thee, Agon,' she said, 'as my sister Queen has said, these men may also be servants of the Sun. For themselves they cannot speak, for their tongues are tied. Let the matter be adjourned till such time as they have learnt our language. Who can be condemned without a hearing? When these men can plead for themselves, then it will be time to put them to the proof.'

Here was a clever loophole of escape, and the vindictive old priest took it, little as he liked it.

'So be it, oh Queens,' he said. 'Let the men go in peace, and when they have learnt our tongue then let them speak. And I, even I, will make humble supplication at the altar lest pestilence fall on the land by cause of the sacrilege.'

These words were received with a murmur of applause, and in another minute we were marching out of the temple surrounded by the royal guards.

But it was not till long afterwards that we learnt the exact substance of what had passed, and how hardly our lives had been wrung out of the cruel grip of the Zu-Vendi priesthood, in the face of which even the Queens were practically powerless. Had it not been for their strenuous efforts to protect us we should have been slain even before we set foot in the Temple of the Sun. The attempt to drop us bodily into the fiery pit as an offering was a last artifice to attain this end when several others quite unsuspected by us had already failed.



CHAPTER XV SORAIS' SONG



After our escape from Agon and his pious crew we returned to our quarters in the palace and had a very good time. The two Queens, the nobles and the people vied with each other in doing us honour and showering gifts upon us. As for that painful little incident of the hippopotami it sank into oblivion, where we were quite content to leave it. Every day deputations and individuals waited on us to examine our guns and clothing, our chain shirts, and our instruments, especially our watches, with which they were much delighted. In short, we became quite the rage, so much so that some of the fashionable young swells among the Zu-Vendi began to copy the cut of some of our clothes, notably Sir Henry's shooting jacket. One day, indeed, a deputation waited on us and, as usual, Good donned his full-dress uniform for the occasion. This deputation seemed somehow to be a different class to those who generally came to visit us. They were little insignificant men of an excessively polite, not to say servile, demeanour; and their attention appeared to be chiefly taken up with observing the details of Good's full-dress uniform, of which they took copious notes and measurements. Good was much flattered at the time, not suspecting that he had to deal with the six leading tailors of Milosis. A fortnight afterwards, however, when on attending court as usual he had the pleasure of seeing some seven or eight Zu-Vendi 'mashers' arrayed in all the glory of a very fair imitation of his full-dress uniform, he changed his mind. I shall never forget his face of astonishment and disgust. It was after this, chiefly to avoid remark, and also because our clothes were wearing out and had to be saved up, that we resolved to adopt the native dress; and a very comfortable one we found it, though I am bound to say that I looked sufficiently ridiculous in it, and as for Alphonse! Only Umslopogaas would have none of these things; when his moocha was worn out the fierce old Zulu made him a new one, and went about unconcerned, as grim and naked as his own battleaxe.

Meanwhile we pursued our study of the language steadily and made very good progress. On the morning following our adventure in the temple, three grave and reverend signiors presented themselves armed with manuscript books, ink-horns and feather pens, and indicated that they had been sent to teach us. So, with the exception of Umslopogaas, we all buckled to with a will, doing four hours a day. As for Umslopogaas, he would have none of that either. He did not wish to learn that 'woman's talk', not he; and when one of the teachers advanced on him with a book and an ink-horn and waved them before him in a mild persuasive way, much as a churchwarden invitingly shakes the offertory bag under the nose of a rich but niggardly parishioner, he sprang up with a fierce oath and flashed Inkosi-kaas before the eyes of our learned friend, and there was an end of the attempt to teach him Zu-Vendi.

Thus we spent our mornings in useful occupation which grew more and more interesting as we proceeded, and the afternoons were given up to recreation. Sometimes we made trips, notably one to the gold mines and another to the marble quarries both of which I wish I had space and time to describe; and sometimes we went out hunting buck with dogs trained for that purpose, and a very exciting sport it is, as the country is full of agricultural enclosures and our horses were magnificent. This is not to be wondered at, seeing that the royal stables were at our command, in addition to which we had four splendid saddle horses given to us by Nyleptha.

Sometimes, again, we went hawking, a pastime that is in great favour among the Zu-Vendi, who generally fly their birds at a species of partridge which is remarkable for the swiftness and strength of its flight. When attacked by the hawk this bird appears to lose its head, and, instead of seeking cover, flies high into the sky, thus offering wonderful sport. I have seen one of these partridges soar up almost out of sight when followed by the hawk. Still better sport is offered by a variety of solitary snipe as big as a small woodcock, which is plentiful in this country, and which is flown at with a very small, agile, and highly-trained hawk with an almost red tail. The zigzagging of the great snipe and the lightning rapidity of the flight and movements of the red-tailed hawk make the pastime a delightful one. Another variety of the same amusement is the hunting of a very small species of antelope with trained eagles; and it certainly is a marvellous sight to see the great bird soar and soar till he is nothing but a black speck in the sunlight, and then suddenly come dashing down like a cannon-ball upon some cowering buck that is hidden in a patch of grass from everything but that piercing eye. Still finer is the spectacle when the eagle takes the buck running.

On other days we would pay visits to the country seats at some of the great lords' beautiful fortified places, and the villages clustering beneath their walls. Here we saw vineyards and corn-fields and well-kept park-like grounds, with such timber in them as filled me with delight, for I do love a good tree. There it stands so strong and sturdy, and yet so beautiful, a very type of the best sort of man. How proudly it lifts its bare head to the winter storms, and with what a full heart it rejoices when the spring has come again! How grand its voice is, too, when it talks with the wind: a thousand aeolian harps cannot equal the beauty of the sighing of a great tree in leaf. All day it points to the sunshine and all night to the stars, and thus passionless, and yet full of life, it endures through the centuries, come storm, come shine, drawing its sustenance from the cool bosom of its mother earth, and as the slow years roll by, learning the great mysteries of growth and of decay. And so on and on through generations, outliving individuals, customs, dynasties — all save the landscape it adorns and human nature — till the appointed day when the wind wins the long battle and rejoices over a reclaimed space, or decay puts the last stroke to his fungus-fingered work.

Ah, one should always think twice before one cuts down a tree!

In the evenings it was customary for Sir Henry, Good, and myself to dine, or rather sup, with their Majesties — not every night, indeed, but about three or four times a week, whenever they had not much company, or the affairs of state would allow of it. And I am bound to say that those little suppers were quite the most charming things of their sort that I ever had to do with. How true is the saying that the very highest in rank are always the most simple and kindly. It is from your half-and-half sort of people that you get pomposity and vulgarity, the difference between the two being very much what one sees every day in England between the old, out-at-elbows, broken-down county family, and the overbearing, purse-proud people who come and 'take the place'. I really think that Nyleptha's greatest charm is her sweet simplicity, and her kindly genuine interest even in little things. She is the simplest woman I ever knew, and where her passions are not involved, one of the sweetest; but she can look queenly enough when she likes, and be as fierce as any savage too.

For instance, never shall I forget that scene when I for the first time was sure that she was really in love with Curtis. It came about in this way — all through Good's weakness for ladies' society. When we had been employed for some three months in learning Zu-Vendi, it struck Master Good that he was getting rather tired of the old gentlemen who did us the honour to lead us in the way that we should go, so he proceeded, without saying a word to anybody else, to inform them that it was a peculiar fact, but that we could not make any real progress in the deeper intricacies of a foreign language unless we were taught by ladies — young ladies, he was careful to explain. In his own country, he pointed out, it was habitual to choose the very best-looking and most charming girls who could be found to instruct any strangers who happened to come that way, etc.

All of this the old gentlemen swallowed open-mouthed. There was, they admitted, reason in what he said, since the contemplation of the beautiful, as their philosophy taught, induced a certain porosity of mind similar to that produced upon the physical body by the healthful influences of sun and air. Consequently it was probable that we might absorb the Zu-Vendi tongue a little faster if suitable teachers could be found. Another thing was that, as the female sex was naturally loquacious, good practice would be gained in the viva voce department of our studies.

To all of this Good gravely assented, and the learned gentlemen departed, assuring him that their orders were to fall in with our wishes in every way, and that, if possible, our views should be met.

Imagine, therefore the surprise and disgust of myself, and I trust and believe Sir Henry, when, on entering the room where we were accustomed to carry on our studies the following morning, we found, instead of our usual venerable tutors, three of the best-looking young women whom Milosis could produce — and that is saying a good deal — who blushed and smiled and curtseyed, and gave us to understand that they were there to carry on our instruction. Then Good, as we gazed at one another in bewilderment, thought fit to explain, saying that it had slipped his memory before — but the old gentlemen had told him, on the previous evening, that it was absolutely necessary that our further education should be carried on by the other sex. I was overwhelmed, and appealed to Sir Henry for advice in such a crisis.

'Well,' he said, 'you see the ladies are here, ain't they? If we sent them away, don't you think it might hurt their feelings, eh? One doesn't like to be rough, you see; and they look regular blues, don't they, eh?'

By this time Good had already begun his lessons with the handsomest of the three, and so with a sigh I yielded. That day everything went very well: the young ladies were certainly very clever, and they only smiled when we blundered. I never saw Good so attentive to his books before, and even Sir Henry appeared to tackle Zu-Vendi with a renewed zest. 'Ah,' thought I, 'will it always be thus?'

Next day we were much more lively, our work was pleasingly interspersed with questions about our native country, what the ladies were like there, etc., all of which we answered as best as we could in Zu-Vendi, and I heard Good assuring his teacher that her loveliness was to the beauties of Europe as the sun to the moon, to which she replied with a little toss of the head, that she was a plain teaching woman and nothing else, and that it was not kind 'to deceive a poor girl so'. Then we had a little singing that was really charming, so natural and unaffected. The Zu-Vendi love-songs are most touching. On the third day we were all quite intimate. Good narrated some of his previous love affairs to his fair teacher, and so moved was she that her sighs mingled with his own. I discoursed with mine, a merry blue-eyed girl, upon Zu-Vendian art, and never saw that she was waiting for an opportunity to drop a specimen of the cockroach tribe down my back, whilst in the corner Sir Henry and his governess appeared, so far as I could judge, to be going through a lesson framed on the great educational principles laid down by Wackford Squeers Esq., though in a very modified or rather spiritualized form. The lady softly repeated the Zu-Vendi word for 'hand', and he took hers; 'eyes', and he gazed deep into her brown orbs; 'lips', and — but just at that moment my young lady dropped the cockroach down my back and ran away laughing. Now if there is one thing I loathe more than another it is cockroaches, and moved quite beyond myself, and yet laughing at her impudence, I took up the cushion she had been sitting on and threw it after her. Imagine then my shame — my horror, and my distress — when the door opened, and, attended by two guards only, in walked Nyleptha. The cushion could not be recalled (it missed the girl and hit one of the guards on the head), but I instantly and ineffectually tried to look as though I had not thrown it. Good ceased his sighing, and began to murder Zu-Vendi at the top of his voice, and Sir Henry whistled and looked silly. As for the poor girls, they were utterly dumbfounded.

And Nyleptha! she drew herself up till her frame seemed to tower even above that of the tall guards, and her face went first red, and then pale as death.

'Guards,' she said in a quiet choked voice, and pointing at the fair but unconscious disciple of Wackford Squeers, 'slay me that woman.'

The men hesitated, as well they might.

'Will ye do my bidding,' she said again in the same voice, 'or will ye not?'

Then they advanced upon the girl with uplifted spears. By this time Sir Henry had recovered himself, and saw that the comedy was likely to turn into a tragedy.

'Stand back,' he said in a voice of thunder, at the same time getting in front of the terrified girl. 'Shame on thee, Nyleptha — shame! Thou shalt not kill her.'

'Doubtless thou hast good reason to try to protect her. Thou couldst hardly do less in honour,' answered the infuriated Queen; 'but she shall die — she shall die,' and she stamped her little foot.

'It is well,' he answered; 'then will I die with her. I am thy servant, oh Queen; do with me even as thou wilt.' And he bowed towards her, and fixed his clear eyes contemptuously on her face.

'I could wish to slay thee too,' she answered; 'for thou dost make a mock of me;' and then feeling that she was mastered, and I suppose not knowing what else to do, she burst into such a storm of tears and looked so royally lovely in her passionate distress, that, old as I am, I must say I envied Curtis his task of supporting her. It was rather odd to see him holding her in his arms considering what had just passed — a thought that seemed to occur to herself, for presently she wrenched herself free and went, leaving us all much disturbed.

Presently, however, one of the guards returned with a message to the girls that they were, on pain of death, to leave the city and return to their homes in the country, and that no further harm would come to them; and accordingly they went, one of them remarking philosophically that it could not be helped, and that it was a satisfaction to know that they had taught us a little serviceable Zu-Vendi. Mine was an exceedingly nice girl, and, overlooking the cockroach, I made her a present of my favourite lucky sixpence with a hole in it when she went away. After that our former masters resumed their course of instruction, needless to say to my great relief.

That night, when in fear and trembling we attended the royal supper table, we found that Nyleptha was laid up with a bad headache. That headache lasted for three whole days; but on the fourth she was present at supper as usual, and with the most gracious and sweet smile gave Sir Henry her hand to lead her to the table. No allusion was made to the little affair described above beyond her saying, with a charming air of innocence, that when she came to see us at our studies the other day she had been seized with a giddiness from which she had only now recovered. She supposed, she added with a touch of the humour that was common to her, that it was the sight of people working so hard which had affected her.

In reply Sir Henry said, dryly, that he had thought she did not look quite herself on that day, whereat she flashed one of those quick glances of hers at him, which if he had the feelings of a man must have gone through him like a knife, and the subject dropped entirely. Indeed, after supper was over Nyleptha condescended to put us through an examination to see what we had learnt, and to express herself well satisfied with the results. Indeed, she proceeded to give us, especially Sir Henry, a lesson on her own account, and very interesting we found it.

And all the while that we talked, or rather tried to talk, and laughed, Sorais would sit there in her carven ivory chair, and look at us and read us all like a book, only from time to time saying a few words, and smiling that quick ominous smile of hers which was more like a flash of summer lightning on a dark cloud than anything else. And as near to her as he dared would sit Good, worshipping through his eyeglass, for he really was getting seriously devoted to this sombre beauty, of whom, speaking personally, I felt terribly afraid. I watched her keenly, and soon I found out that for all her apparent impassibility she was at heart bitterly jealous of Nyleptha. Another thing I found out, and the discovery filled me with dismay, and that was, that she also was growing devoted to Sir Henry Curtis. Of course I could not be sure; it is not easy to read so cold and haughty a woman; but I noticed one or two little things, and, as elephant hunters know, dried grass shows which way the wind has set.

And so another three months passed over us, by which time we had all attained to a very considerable mastery of the Zu-Vendi language, which is an easy one to learn. And as the time went on we became great favourites with the people, and even with the courtiers, gaining an enormous reputation for cleverness, because, as I think I have said, Sir Henry was able to show them how to make glass, which was a national want, and also, by the help of a twenty-year almanac that we had with us, to predict various heavenly combinations which were quite unsuspected by the native astronomers. We even succeeded in demonstrating the principle of the steam-engine to a gathering of the learned men, who were filled with amazement; and several other things of the same sort we did. And so it came about that the people made up their minds that we must on no account be allowed to go out of the country (which indeed was an apparent impossibility even if we had wished it), and we were advanced to great honour and made officers to the bodyguards of the sister Queens while permanent quarters were assigned to us in the palace, and our opinion was asked upon questions of national policy.

But blue as the sky seemed, there was a cloud, and a big one, on the horizon. We had indeed heard no more of those confounded hippopotami, but it is not on that account to be supposed that our sacrilege was forgotten, or the enmity of the great and powerful priesthood headed by Agon appeased. On the contrary, it was burning the more fiercely because it was necessarily suppressed, and what had perhaps begun in bigotry was ending in downright direct hatred born of jealousy. Hitherto, the priests had been the wise men of the land, and were on this account, as well as from superstitious causes, looked on with peculiar veneration. But our arrival, with our outlandish wisdom and our strange inventions and hints of unimagined things, dealt a serious blow to this state of affairs, and, among the educated Zu-Vendi, went far towards destroying the priestly prestige. A still worse affront to them, however, was the favour with which we were regarded, and the trust that was reposed in us. All these things tended to make us excessively obnoxious to the great sacerdotal clan, the most powerful because the most united faction in the kingdom.

Another source of imminent danger to us was the rising envy of some of the great lords headed by Nasta, whose antagonism to us had at best been but thinly veiled, and which now threatened to break out into open flame. Nasta had for some years been a candidate for Nyleptha's hand in marriage, and when we appeared on the scene I fancy, from all I could gather, that though there were still many obstacles in his path, success was by no means out of his reach. But now all this had changed; the coy Nyleptha smiled no more in his direction, and he was not slow to guess the cause. Infuriated and alarmed, he turned his attention to Sorais, only to find that he might as well try to woo a mountain side. With a bitter jest or two about his fickleness, that door was closed on him for ever. So Nasta bethought himself of the thirty thousand wild swordsmen who would pour down at his bidding through the northern mountain passes, and no doubt vowed to adorn the gates of Milosis with our heads.

But first he determined, as I learned, to make one more attempt and to demand the hand of Nyleptha in the open Court after the formal annual ceremony of the signing of the laws that had been proclaimed by the Queens during the year.

Of this astounding fact Nyleptha heard with simulated nonchalance, and with a little trembling of the voice herself informed us of it as we sat at supper on the night preceding the great ceremony of the law-giving.

Sir Henry bit his lip, and do what he could to prevent it plainly showed his agitation.

'And what answer will the Queen be pleased to give to the great Lord?' asked I, in a jesting manner.

'Answer, Macumazahn' (for we had elected to pass by our Zulu names in Zu-Vendis), she said, with a pretty shrug of her ivory shoulder. 'Nay, I know not; what is a poor woman to do, when the wooer has thirty thousand swords wherewith to urge his love?' And from under her long lashes she glanced at Curtis.

Just then we rose from the table to adjourn into another room. 'Quatermain, a word, quick,' said Sir Henry to me. 'Listen. I have never spoken about it, but surely you have guessed: I love Nyleptha. What am I to do?'

Fortunately, I had more or less already taken the question into consideration, and was therefore able to give such answer as seemed the wisest to me.

'You must speak to Nyleptha tonight,' I said. 'Now is your time, now or never. Listen. In the sitting-chamber get near to her, and whisper to her to meet you at midnight by the Rademas statue at the end of the great hall. I will keep watch for you there. Now or never, Curtis.'

We passed on into the other room. Nyleptha was sitting, her hands before her, and a sad anxious look upon her lovely face. A little way off was Sorais talking to Good in her slow measured tones.

The time went on; in another quarter of an hour I knew that, according to their habit, the Queens would retire. As yet, Sir Henry had had no chance of saying a word in private: indeed, though we saw much of the royal sisters, it was by no means easy to see them alone. I racked my brains, and at last an idea came to me.

'Will the Queen be pleased,' I said, bowing low before Sorais, 'to sing to her servants? Our hearts are heavy this night; sing to us, oh Lady of the Night' (Sorais' favourite name among the people).

'My songs, Macumazahn, are not such as to lighten the heavy heart, yet will I sing if it pleases thee,' she answered; and she rose and went a few paces to a table whereon lay an instrument not unlike a zither, and struck a few wandering chords.

Then suddenly, like the notes of some deep-throated bird, her rounded voice rang out in song so wildly sweet, and yet with so eerie and sad a refrain, that it made the very blood stand still. Up, up soared the golden notes, that seemed to melt far away, and then to grow again and travel on, laden with all the sorrow of the world and all the despair of the lost. It was a marvellous song, but I had not time to listen to it properly. However, I got the words of it afterwards, and here is a translation of its burden, so far as it admits of being translated at all.

SORAIS' SONG

As a desolate bird that through darkness its lost way is winging, As a hand that is helplessly raised when Death's sickle is swinging, So is life! ay, the life that lends passion and breath to my singing.

As the nightingale's song that is full of a sweetness unspoken, As a spirit unbarring the gates of the skies for a token, So is love! ay, the love that shall fall when his pinion is broken.

As the tramp of the legions when trumpets their challenge are sending, As the shout of the Storm-god when lightnings the black sky are rending, So is power! ay, the power that shall lie in the dust at its ending.

So short is our life; yet with space for all things to forsake us, A bitter delusion, a dream from which nought can awake us, Till Death's dogging footsteps at morn or at eve shall o'ertake us.

Refrain

Oh, the world is fair at the dawning — dawning — dawning, But the red sun sinks in blood — the red sun sinks in blood.

I only wish that I could write down the music too.

'Now, Curtis, now,' I whispered, when she began the second verse, and turned my back.

'Nyleptha,' he said — for my nerves were so much on the stretch that I could hear every word, low as it was spoken, even through Sorais' divine notes — 'Nyleptha, I must speak with thee this night, upon my life I must. Say me not nay; oh, say me not nay!'

'How can I speak with thee?' she answered, looking fixedly before her; 'Queens are not like other people. I am surrounded and watched.'

'Listen, Nyleptha, thus. I will be before the statue of Rademas in the great hall at midnight. I have the countersign and can pass in. Macumazahn will be there to keep guard, and with him the Zulu. Oh come, my Queen, deny me not.'

'It is not seemly,' she murmured, 'and tomorrow —'

Just then the music began to die in the last wail of the refrain, and Sorais slowly turned her round.

'I will be there,' said Nyleptha, hurriedly; 'on thy life see that thou fail me not.'



CHAPTER XVI BEFORE THE STATUE



It was night — dead night — and the silence lay on the Frowning City like a cloud.

Secretly, as evildoers, Sir Henry Curtis, Umslopogaas, and myself threaded our way through the passages towards a by-entrance to the great Throne Chamber. Once we were met by the fierce rattling challenge of the sentry. I gave the countersign, and the man grounded his spear and let us pass. Also we were officers of the Queens' bodyguard, and in that capacity had a right to come and go unquestioned.

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