This was what happened. As we came out of the barn the following spectacle confronted us. A few paces from the door, near a filthy pool, in which three ducks were splashing unconcernedly, there stood two peasants—one an old man of sixty, the other, a lad of twenty—both in patched homespun shirts, barefoot, and with cord tied round their waists for belts. The village constable Fedosyitch was busily engaged with them, and would probably have succeeded in inducing them to retire if we had lingered a little longer in the barn, but catching sight of us, he grew stiff all over, and seemed bereft of all sensation on the spot. Close by stood the bailiff gaping, his fists hanging irresolute. Arkady Pavlitch frowned, bit his lip, and went up to the suppliants. They both prostrated themselves at his feet in silence.

'What do you want? What are you asking about?' he inquired in a stern voice, a little through his nose. (The peasants glanced at one another, and did not utter a syllable, only blinked a little as if the sun were in their faces, and their breathing came quicker.)

'Well, what is it?' Arkady Pavlitch said again; and turning at once to Sofron, 'Of what family?'

'The Tobolyev family,' the agent answered slowly.

'Well, what do you want?' Mr. Pyenotchkin said again; 'have you lost your tongues, or what? Tell me, you, what is it you want?' he added, with a nod at the old man. 'And don't be afraid, stupid.'

The old man craned forward his dark brown, wrinkled neck, opened his bluish twitching lips, and in a hoarse voice uttered the words, 'Protect us, lord!' and again he bent his forehead to the earth. The young peasant prostrated himself too. Arkady Pavlitch looked at their bent necks with an air of dignity, threw back his head, and stood with his legs rather wide apart. 'What is it? Whom do you complain of?'

'Have mercy, lord! Let us breathe.... We are crushed, worried, tormented to death quite. (The old man spoke with difficulty.)

'Who worries you?'

'Sofron Yakovlitch, your honour.'

Arkady Pavlitch was silent a minute.

'What's your name?'

'Antip, your honour.'

'And who's this?'

'My boy, your honour.'

Arkady Pavlitch was silent again; he pulled his moustaches.

'Well! and how has he tormented you?' he began again, looking over his moustaches at the old man.

'Your honour, he has ruined us utterly. Two sons, your honour, he's sent for recruits out of turn, and now he is taking the third also. Yesterday, your honour, our last cow was taken from the yard, and my old wife was beaten by his worship here: that is all the pity he has for us!' (He pointed to the bailiff.)

'Hm!' commented Arkady Pavlitch.

'Let him not destroy us to the end, gracious protector!'

Mr. Pyenotchkin scowled, 'What's the meaning of this?' he asked the agent, in a low voice, with an air of displeasure.

'He's a drunken fellow, sir,' answered the agent, for the first time using this deferential address, 'and lazy too. He's never been out of arrears this five years back, sir.'

'Sofron Yakovlitch paid the arrears for me, your honour,' the old man went on; 'it's the fifth year's come that he's paid it, he's paid it— and he's brought me into slavery to him, your honour, and here—'

'And why did you get into arrears?' Mr. Pyenotchkin asked threateningly. (The old man's head sank.) 'You're fond of drinking, hanging about the taverns, I dare say.' (The old man opened his mouth to speak.) 'I know you,' Arkady Pavlitch went on emphatically; 'you think you've nothing to do but drink, and lie on the stove, and let steady peasants answer for you.'

'And he's an impudent fellow, too,' the agent threw in.

'That's sure to be so; it's always the way; I've noticed it more than once. The whole year round, he's drinking and abusive, and then he falls at one's feet.'

'Your honour, Arkady Pavlitch,' the old man began despairingly, 'have pity, protect us; when have I been impudent? Before God Almighty, I swear it was beyond my strength. Sofron Yakovlitch has taken a dislike to me; for some reason he dislikes me—God be his judge! He will ruin me utterly, your honour.... The last ... here ... the last boy ... and him he....' (A tear glistened in the old man's wrinkled yellow eyes). 'Have pity, gracious lord, defend us!'

'And it's not us only,' the young peasant began....

Arkady Pavlitch flew into a rage at once.

'And who asked your opinion, hey? Till you're spoken to, hold your tongue.... What's the meaning of it? Silence, I tell you, silence!... Why, upon my word, this is simply mutiny! No, my friend, I don't advise you to mutiny on my domain ... on my ... (Arkady Pavlitch stepped forward, but probably recollected my presence, turned round, and put his hands in his pockets ...) 'Je vous demande bien pardon, mon cher,' he said, with a forced smile, dropping his voice significantly. 'C'est le mauvais cote de la medaille ... There, that'll do, that'll do,' he went on, not looking at the peasants: 'I say ... that'll do, you can go.' (The peasants did not rise.) 'Well, haven't I told you ... that'll do. You can go, I tell you.'

Arkady Pavlitch turned his back on them. 'Nothing but vexation,' he muttered between his teeth, and strode with long steps homewards. Sofron followed him. The village constable opened his eyes wide, looking as if he were just about to take a tremendous leap into space. The bailiff drove a duck away from the puddle. The suppliants remained as they were a little, then looked at each other, and, without turning their heads, went on their way.

Two hours later I was at Ryabovo, and making ready to begin shooting, accompanied by Anpadist, a peasant I knew well. Pyenotchkin had been out of humour with Sofron up to the time I left. I began talking to Anpadist about the Shipilovka peasants, and Mr. Pyenotchkin, and asked him whether he knew the agent there.

'Sofron Yakovlitch? ... ugh!'

'What sort of man is he?'

'He's not a man; he's a dog; you couldn't find another brute like him between here and Kursk.'

'Really?'

'Why, Shipilovka's hardly reckoned as—what's his name?—Mr. Pyenotchkin's at all; he's not the master there; Sofron's the master.'

'You don't say so!'

'He's master, just as if it were his own. The peasants all about are in debt to him; they work for him like slaves; he'll send one off with the waggons; another, another way.... He harries them out of their lives.'

'They haven't much land, I suppose?'

'Not much land! He rents two hundred acres from the Hlinovsky peasants alone, and two hundred and eighty from our folks; there's more than three hundred and seventy-five acres he's got. And he doesn't only traffic in land; he does a trade in horses and stock, and pitch, and butter, and hemp, and one thing and the other.... He's sharp, awfully sharp, and rich too, the beast! But what's bad—he beats them. He's a brute, not a man; a dog, I tell you; a cur, a regular cur; that's what he is!'

'How is it they don't make complaints of him?'

'I dare say, the master'd be pleased! There's no arrears; so what does he care? Yes, you'd better,' he added, after a brief pause; 'I should advise you to complain! No, he'd let you know ... yes, you'd better try it on.... No, he'd let you know....'

I thought of Antip, and told him what I had seen.

'There,' commented Anpadist, 'he will eat him up now; he'll simply eat the man up. The bailiff will beat him now. Such a poor, unlucky chap, come to think of it! And what's his offence?... He had some wrangle in meeting with him, the agent, and he lost all patience, I suppose, and of course he wouldn't stand it.... A great matter, truly, to make so much of! So he began pecking at him, Antip. Now he'll eat him up altogether. You see, he's such a dog. Such a cur—God forgive my transgressions!—he knows whom to fall upon. The old men that are a bit richer, or've more children, he doesn't touch, the red-headed devil! but there's all the difference here! Why he's sent Antip's sons for recruits out of turn, the heartless ruffian, the cur! God forgive my transgressions!'

We went on our way.



XI

THE COUNTING-HOUSE

It was autumn. For some hours I had been strolling across country with my gun, and should probably not have returned till evening to the tavern on the Kursk high-road where my three-horse trap was awaiting me, had not an exceedingly fine and persistent rain, which had worried me all day with the obstinacy and ruthlessness of some old maiden lady, driven me at last to seek at least a temporary shelter somewhere in the neighbourhood. While I was still deliberating in which direction to go, my eye suddenly fell on a low shanty near a field sown with peas. I went up to the shanty, glanced under the thatched roof, and saw an old man so infirm that he reminded me at once of the dying goat Robinson Crusoe found in some cave on his island. The old man was squatting on his heels, his little dim eyes half-closed, while hurriedly, but carefully, like a hare (the poor fellow had not a single tooth), he munched a dry, hard pea, incessantly rolling it from side to side. He was so absorbed in this occupation that he did not notice my entrance.

'Grandfather! hey, grandfather!' said I. He ceased munching, lifted his eyebrows high, and with an effort opened his eyes.

'What?' he mumbled in a broken voice.

'Where is there a village near?' I asked.

The old man fell to munching again. He had not heard me. I repeated my question louder than before.

'A village?... But what do you want?'

'Why, shelter from the rain.'

'What?'

'Shelter from the rain.'

'Ah!' (He scratched his sunburnt neck.) 'Well, now, you go,' he said suddenly, waving his hands indefinitely, 'so ... as you go by the copse—see, as you go—there'll be a road; you pass it by, and keep right on to the right; keep right on, keep right on, keep right on.... Well, there will be Ananyevo. Or else you'd go to Sitovka.'

I followed the old man with difficulty. His moustaches muffled his voice, and his tongue too did not obey him readily.

'Where are you from?' I asked him.

'What?'

'Where are you from?'

'Ananyevo.'

'What are you doing here?'

'I'm watchman.'

'Why, what are you watching?'

'The peas.'

I could not help smiling.

'Really!—how old are you?'

'God knows.'

'Your sight's failing, I expect.'

'What?'

'Your sight's failing, I daresay?'

'Yes, it's failing. At times I can hear nothing.'

'Then how can you be a watchman, eh?'

'Oh, my elders know about that.'

'Elders!' I thought, and I gazed not without compassion at the poor old man. He fumbled about, pulled out of his bosom a bit of coarse bread, and began sucking it like a child, with difficulty moving his sunken cheeks.

I walked in the direction of the copse, turned to the right, kept on, kept right on as the old man had advised me, and at last got to a large village with a stone church in the new style, i.e. with columns, and a spacious manor-house, also with columns. While still some way off I noticed through the fine network of falling rain a cottage with a deal roof, and two chimneys, higher than the others, in all probability the dwelling of the village elder; and towards it I bent my steps in the hope of finding, in this cottage, a samovar, tea, sugar, and some not absolutely sour cream. Escorted by my half-frozen dog, I went up the steps into the outer room, opened the door, and instead of the usual appurtenances of a cottage, I saw several tables, heaped up with papers, two red cupboards, bespattered inkstands, pewter boxes of blotting sand weighing half a hundred-weight, long penholders, and so on. At one of the tables was sitting a young man of twenty with a swollen, sickly face, diminutive eyes, a greasy-looking forehead, and long straggling locks of hair. He was dressed, as one would expect, in a grey nankin coat, shiny with wear at the waist and the collar.

'What do you want?' he asked me, flinging his head up like a horse taken unexpectedly by the nose.

'Does the bailiff live here... or—'

'This is the principal office of the manor,' he interrupted. 'I'm the clerk on duty.... Didn't you see the sign-board? That's what it was put up for.'

'Where could I dry my clothes here? Is there a samovar anywhere in the village?'

'Samovars, of course,' replied the young man in the grey coat with dignity; 'go to Father Timofey's, or to the servants' cottage, or else to Nazar Tarasitch, or to Agrafena, the poultry-woman.'

'Who are you talking to, you blockhead? Can't you let me sleep, dummy!' shouted a voice from the next room.

'Here's a gentleman's come in to ask where he can dry himself.'

'What sort of a gentleman?'

'I don't know. With a dog and a gun.'

A bedstead creaked in the next room. The door opened, and there came in a stout, short man of fifty, with a bull neck, goggle-eyes, extraordinarily round cheeks, and his whole face positively shining with sleekness.

'What is it you wish?' he asked me.

'To dry my things.'

'There's no place here.'

'I didn't know this was the counting-house; I am willing, though, to pay...'

'Well, perhaps it could be managed here,' rejoined the fat man; 'won't you come inside here?' (He led me into another room, but not the one he had come from.) 'Would this do for you?'

'Very well.... And could I have tea and milk?'

'Certainly, at once. If you'll meantime take off your things and rest, the tea shall be got ready this minute.'

'Whose property is this?'

'Madame Losnyakov's, Elena Nikolaevna.'

He went out I looked round: against the partition separating my room from the office stood a huge leather sofa; two high-backed chairs, also covered in leather, were placed on both sides of the solitary window which looked out on the village street. On the walls, covered with a green paper with pink patterns on it, hung three immense oil paintings. One depicted a setter-dog with a blue collar, bearing the inscription: 'This is my consolation'; at the dog's feet flowed a river; on the opposite bank of the river a hare of quite disproportionate size with ears cocked up was sitting under a pine tree. In another picture two old men were eating a melon; behind the melon was visible in the distance a Greek temple with the inscription: 'The Temple of Satisfaction.' The third picture represented the half-nude figure of a woman in a recumbent position, much fore-shortened, with red knees and very big heels. My dog had, with superhuman efforts, crouched under the sofa, and apparently found a great deal of dust there, as he kept sneezing violently. I went to the window. Boards had been laid across the street in a slanting direction from the manor-house to the counting-house—a very useful precaution, as, thanks to our rich black soil and the persistent rain, the mud was terrible. In the grounds of the manor-house, which stood with its back to the street, there was the constant going and coming there always is about manor-houses: maids in faded chintz gowns flitted to and fro; house-serfs sauntered through the mud, stood still and scratched their spines meditatively; the constable's horse, tied up to a post, lashed his tail lazily, and with his nose high up, gnawed at the hedge; hens were clucking; sickly turkeys kept up an incessant gobble-gobble. On the steps of a dark crumbling out-house, probably the bath-house, sat a stalwart lad with a guitar, singing with some spirit the well-known ballad:

'I'm leaving this enchanting spot To go into the desert.'

The fat man came into the room.

'They're bringing you in your tea,' he told me, with an affable smile.

The young man in the grey coat, the clerk on duty, laid on the old card-table a samovar, a teapot, a tumbler on a broken saucer, a jug of cream, and a bunch of Bolhovo biscuit rings. The fat man went out.

'What is he?' I asked the clerk; 'the steward?'

'No, sir; he was the chief cashier, but now he has been promoted to be head-clerk.'

'Haven't you got a steward, then?'

'No, sir. There's an agent, Mihal Vikulov, but no steward.'

'Is there a manager, then?'

'Yes; a German, Lindamandol, Karlo Karlitch; only he does not manage the estate.'

'Who does manage it, then?'

'Our mistress herself.'

'You don't say so. And are there many of you in the office?'

The young man reflected.

'There are six of us.'

'Who are they?' I inquired.

'Well, first there's Vassily Nikolaevitch, the head cashier; then Piotr, one clerk; Piotr's brother, Ivan, another clerk; the other Ivan, a clerk; Konstantin Narkizer, another clerk; and me here—there's a lot of us, you can't count all of them.'

'I suppose your mistress has a great many serfs in her house?'

'No, not to say a great many.'

'How many, then?'

'I dare say it runs up to about a hundred and fifty.'

We were both silent for a little.

'I suppose you write a good hand, eh?' I began again.

The young man grinned from ear to ear, went into the office and brought in a sheet covered with writing.

'This is my writing,' he announced, still with the same smile on his face.

I looked at it; on the square sheet of greyish paper there was written, in a good bold hand, the following document:—

ORDER

From the Chief Office of the Manor of Ananyevo to the Agent, Mihal Vikulov.

No. 209.

'Whereas some person unknown entered the garden at Ananyevo last night in an intoxicated condition, and with unseemly songs waked the French governess, Madame Engene, and disturbed her; and whether the watchmen saw anything, and who were on watch in the garden and permitted such disorderliness: as regards all the above-written matters, your orders are to investigate in detail, and report immediately to the Office.'

'Head-Clerk, NIKOLAI HVOSTOV.'

A huge heraldic seal was attached to the order, with the inscription: 'Seal of the chief office of the manor of Ananyevo'; and below stood the signature: 'To be executed exactly, Elena Losnyakov.'

'Your lady signed it herself, eh?' I queried.

'To be sure; she always signs herself. Without that the order would be of no effect.'

'Well, and now shall you send this order to the agent?'

'No, sir. He'll come himself and read it. That's to say, it'll be read to him; you see, he's no scholar.' (The clerk on duty was silent again for a while.) 'But what do you say?' he added, simpering; 'is it well written?'

'Very well written.'

'It wasn't composed, I must confess, by me. Konstantin is the great one for that.'

'What?... Do you mean the orders have first to be composed among you?'

'Why, how else could we do? Couldn't write them off straight without making a fair copy.'

'And what salary do you get?' I inquired.

'Thirty-five roubles, and five roubles for boots.'

'And are you satisfied?'

'Of course I am satisfied. It's not everyone can get into an office like ours. It was God's will, in my case, to be sure; I'd an uncle who was in service as a butler.'

'And you're well-off?'

'Yes, sir. Though, to tell the truth,' he went on, with a sigh, 'a place at a merchant's, for instance, is better for the likes of us. At a merchant's they're very well off. Yesterday evening a merchant came to us from Venev, and his man got talking to me.... Yes, that's a good place, no doubt about it; a very good place.'

'Why? Do the merchants pay more wages?'

'Lord preserve us! Why, a merchant would soon give you the sack if you asked him for wages. No, at a merchant's you must live on trust and on fear. He'll give you food, and drink, and clothes, and all. If you give him satisfaction, he'll do more.... Talk of wages, indeed! You don't need them.... And a merchant, too, lives in plain Russian style, like ourselves; you go with him on a journey—he has tea, and you have it; what he eats, you eat. A merchant ... one can put up with; a merchant's a very different thing from what a gentleman is; a merchant's not whimsical; if he's out of temper, he'll give you a blow, and there it ends. He doesn't nag nor sneer.... But with a gentleman it's a woeful business! Nothing's as he likes it—this is not right, and that he can't fancy. You hand him a glass of water or something to eat: "Ugh, the water stinks! positively stinks!" You take it out, stay a minute outside the door, and bring it back: "Come, now, that's good; this doesn't stink now." And as for the ladies, I tell you, the ladies are something beyond everything!... and the young ladies above all!...'

'Fedyushka!' came the fat man's voice from the office.

The clerk went out quickly. I drank a glass of tea, lay down on the sofa, and fell asleep. I slept for two hours.

When I woke, I meant to get up, but I was overcome by laziness; I closed my eyes, but did not fall asleep again. On the other side of the partition, in the office, they were talking in subdued voices. Unconsciously I began to listen.

'Quite so, quite so, Nikolai Eremyitch,' one voice was saying; 'quite so. One can't but take that into account; yes, certainly!... Hm!' (The speaker coughed.)

'You may believe me, Gavrila Antonitch,' replied the fat man's voice: 'don't I know how things are done here? Judge for yourself.'

'Who does, if you don't, Nikolai Eremyitch? you're, one may say, the first person here. Well, then, how's it to be?' pursued the voice I did not recognise; 'what decision are we to come to, Nikolai Eremyitch? Allow me to put the question.'

'What decision, Gavrila Antonitch? The thing depends, so to say, on you; you don't seem over anxious.'

'Upon my word, Nikolai Eremyitch, what do you mean? Our business is trading, buying; it's our business to buy. That's what we live by, Nikolai Eremyitch, one may say.'

'Eight roubles a measure,' said the fat man emphatically.

A sigh was audible.

'Nikolai Eremyitch, sir, you ask a heavy price.' 'Impossible, Gavrila Antonitch, to do otherwise; I speak as before God Almighty; impossible.'

Silence followed.

I got up softly and looked through a crack in the partition. The fat man was sitting with his back to me. Facing him sat a merchant, a man about forty, lean and pale, who looked as if he had been rubbed with oil. He was incessantly fingering his beard, and very rapidly blinking and twitching his lips.

'Wonderful the young green crops this year, one may say,' he began again; 'I've been going about everywhere admiring them. All the way from Voronezh they've come up wonderfully, first-class, one may say.'

'The crops are pretty fair, certainly,' answered the head-clerk; 'but you know the saying, Gavrila Antonitch, autumn bids fair, but spring may be foul.'

'That's so, indeed, Nikolai Eremyitch; all is in God's hands; it's the absolute truth what you've just remarked, sir.... But perhaps your visitor's awake now.'

The fat man turned round ... listened....

'No, he's asleep. He may, though....'

He went to the door.

'No, he's asleep,' he repeated and went back to his place.

'Well, so what are we to say, Nikolai Eremyitch?' the merchant began again; 'we must bring our little business to a conclusion.... Let it be so, Nikolai Eremyitch, let it be so,' he went on, blinking incessantly; 'two grey notes and a white for your favour, and there' (he nodded in the direction of the house), 'six and a half. Done, eh?'

'Four grey notes,' answered the clerk.

'Come, three, then.'

'Four greys, and no white.'

'Three, Nikolai Eremyitch.'

'Three and a half, and not a farthing less.'

'Three, Nikolai Eremyitch.'

'You're not talking sense, Gavrila Antonitch.'

'My, what a pig-headed fellow!' muttered the merchant. 'Then I'd better arrange it with the lady herself.'

'That's as you like,' answered the fat man; 'far better, I should say. Why should you worry yourself, after all?... Much better, indeed!'

'Well, well! Nikolai Eremyitch. I lost my temper for a minute! That was nothing but talk.'

'No, really, why?...'

'Nonsense, I tell you.... I tell you I was joking. Well, take your three and a half; there's no doing anything with you.'

'I ought to have got four, but I was in too great a hurry—like an ass!' muttered the fat man.

'Then up there at the house, six and a half, Nikolai Eremyitch; the corn will be sold for six and a half?'

'Six and a half, as we said already.'

'Well, your hand on that then, Nikolai Eremyitch' (the merchant clapped his outstretched fingers into the clerk's palm). 'And good-bye, in God's name!' (The merchant got up.) 'So then, Nikolai Eremyitch, sir, I'll go now to your lady, and bid them send up my name, and so I'll say to her, "Nikolai Eremyitch," I'll say, "has made a bargain with me for six and a half."'

'That's what you must say, Gavrila Antonitch.'

'And now, allow me.'

The merchant handed the manager a small roll of notes, bowed, shook his head, picked up his hat with two fingers, shrugged his shoulders, and, with a sort of undulating motion, went out, his boots creaking after the approved fashion. Nikolai Eremyitch went to the wall, and, as far as I could make out, began sorting the notes handed him by the merchant. A red head, adorned with thick whiskers, was thrust in at the door.

'Well?' asked the head; 'all as it should be?'

'Yes.'

'How much?'

The fat man made an angry gesture with his hand, and pointed to my room.

'Ah, all right!' responded the head, and vanished.

The fat man went up to the table, sat down, opened a book, took out a reckoning frame, and began shifting the beads to and fro as he counted, using not the forefinger but the third finger of his right hand, which has a much more showy effect.

The clerk on duty came in.

'What is it?'

'Sidor is here from Goloplek.'

'Oh! ask him in. Wait a bit, wait a bit.... First go and look whether the strange gentleman's still asleep, or whether he has waked up.'

The clerk on duty came cautiously into my room. I laid my head on my game-bag, which served me as a pillow, and closed my eyes.

'He's asleep,' whispered the clerk on duty, returning to the counting- house.

The fat man muttered something.

'Well, send Sidor in,' he said at last.

I got up again. A peasant of about thirty, of huge stature, came in—a red-cheeked, vigorous-looking fellow, with brown hair, and a short curly beard. He crossed himself, praying to the holy image, bowed to the head-clerk, held his hat before him in both hands, and stood erect.

'Good day, Sidor,' said the fat man, tapping with the reckoning beads.

'Good-day to you, Nikolai Eremyitch.'

'Well, what are the roads like?'

'Pretty fair, Nikolai Eremyitch. A bit muddy.' (The peasant spoke slowly and not loud.)

'Wife quite well?'

'She's all right!'

The peasant gave a sigh and shifted one leg forward. Nikolai Eremyitch put his pen behind his ear, and blew his nose.

'Well, what have you come about?' he proceeded to inquire, putting his check handkerchief into his pocket.

'Why, they do say, Nikolai Eremyitch, they're asking for carpenters from us.'

'Well, aren't there any among you, hey?'

'To be sure there are, Nikolai Eremyitch; our place is right in the woods; our earnings are all from the wood, to be sure. But it's the busy time, Nikolai Eremyitch. Where's the time to come from?'

'The time to come from! Busy time! I dare say, you're so eager to work for outsiders, and don't care to work for your mistress.... It's all the same!'

'The work's all the same, certainly, Nikolai Eremyitch ... but....'

'Well?'

'The pay's ... very....'

'What next! You've been spoiled; that's what it is. Get along with you!'

'And what's more, Nikolai Eremyitch, there'll be only a week's work, but they'll keep us hanging on a month. One time there's not material enough, and another time they'll send us into the garden to weed the path.'

'What of it? Our lady herself is pleased to give the order, so it's useless you and me talking about it.'

Sidor was silent; he began shifting from one leg to the other.

Nikolai Eremyitch put his head on one side, and began busily playing with the reckoning beads.

'Our ... peasants ... Nikolai Eremyitch....' Sidor began at last, hesitating over each word; 'sent word to your honour ... there is ... see here....' (He thrust his big hand into the bosom of his coat, and began to pull out a folded linen kerchief with a red border.)

'What are you thinking of? Goodness, idiot, are you out of your senses?' the fat man interposed hurriedly. 'Go on; go to my cottage,' he continued, almost shoving the bewildered peasant out; 'ask for my wife there ... she'll give you some tea; I'll be round directly; go on. For goodness' sake, I tell you, go on.'

Sidor went away.

'Ugh!... what a bear!' the head clerk muttered after him, shaking his head, and set to work again on his reckoning frame.

Suddenly shouts of 'Kuprya! Kuprya! there's no knocking down Kuprya!' were heard in the street and on the steps, and a little later there came into the counting-house a small man of sickly appearance, with an extraordinarily long nose and large staring eyes, who carried himself with a great air of superiority. He was dressed in a ragged little old surtout, with a plush collar and diminutive buttons. He carried a bundle of firewood on his shoulder. Five house-serfs were crowding round him, all shouting, 'Kuprya! there's no suppressing Kuprya! Kuprya's been turned stoker; Kuprya's turned a stoker!' But the man in the coat with the plush collar did not pay the slightest attention to the uproar made by his companions, and was not in the least out of countenance. With measured steps he went up to the stove, flung down his load, straightened himself, took out of his tail-pocket a snuff- box, and with round eyes began helping himself to a pinch of dry trefoil mixed with ashes. At the entrance of this noisy party the fat man had at first knitted his brows and risen from his seat, but, seeing what it was, he smiled, and only told them not to shout. 'There's a sportsman,' said he, 'asleep in the next room.' 'What sort of sportsman?' two of them asked with one voice.

'A gentleman.'

'Ah!'

'Let them make a row,' said the man with the plush collar, waving his arms; 'what do I care, so long as they don't touch me? They've turned me into a stoker....'

'A stoker! a stoker!' the others put in gleefully.

'It's the mistress's orders,' he went on, with a shrug of his shoulders; 'but just you wait a bit ... they'll turn you into swineherds yet. But I've been a tailor, and a good tailor too, learnt my trade in the best house in Moscow, and worked for generals ... and nobody can take that from me. And what have you to boast of?... What? you're a pack of idlers, not worth your salt; that's what you are! Turn me off! I shan't die of hunger; I shall be all right; give me a passport. I'd send a good rent home, and satisfy the masters. But what would you do? You'd die off like flies, that's what you'd do!'

'That's a nice lie!' interposed a pock-marked lad with white eyelashes, a red cravat, and ragged elbows. 'You went off with a passport sharp enough, but never a halfpenny of rent did the masters see from you, and you never earned a farthing for yourself, you just managed to crawl home again and you've never had a new rag on you since.'

'Ah, well, what could one do! Konstantin Narkizitch,' responded Kuprya; 'a man falls in love—a man's ruined and done for! You go through what I have, Konstantin Narkizitch, before you blame me!'

'And you picked out a nice one to fall in love with!—a regular fright.'

'No, you must not say that, Konstantin Narkizitch.'

'Who's going to believe that? I've seen her, you know; I saw her with my own eyes last year in Moscow.'

'Last year she had gone off a little certainly,' observed Kuprya.

'No, gentlemen, I tell you what,' a tall, thin man, with a face spotted with pimples, a valet probably, from his frizzed and pomatumed head, remarked in a careless and disdainful voice; 'let Kuprya Afanasyitch sing us his song. Come on, now; begin, Kuprya Afanasyitch.

'Yes! yes!' put in the others. 'Hoorah for Alexandra! That's one for Kuprya; 'pon my soul ... Sing away, Kuprya!... You're a regular brick, Alexandra!' (Serfs often use feminine terminations in referring to a man as an expression of endearment.) 'Sing away!'

'This is not the place to sing,' Kuprya replied firmly; 'this is the manor counting-house.'

'And what's that to do with you? you've got your eye on a place as clerk, eh?' answered Konstantin with a coarse laugh. 'That's what it is!'

'Everything rests with the mistress,' observed the poor wretch.

'There, that's what he's got his eye on! a fellow like him! oo! oo! a!'

And they all roared; some rolled about with merriment. Louder than all laughed a lad of fifteen, probably the son of an aristocrat among the house-serfs; he wore a waistcoat with bronze buttons, and a cravat of lilac colour, and had already had time to fill out his waistcoat.

'Come tell us, confess now, Kuprya,' Nikolai Eremyitch began complacently, obviously tickled and diverted himself; 'is it bad being stoker? Is it an easy job, eh?'

'Nikolai Eremyitch,' began Kuprya, 'you're head-clerk among us now, certainly; there's no disputing that, no; but you know you have been in disgrace yourself, and you too have lived in a peasant's hut.'

'You'd better look out and not forget yourself in my place,' the fat man interrupted emphatically; 'people joke with a fool like you; you ought, you fool, to have sense, and be grateful to them for taking notice of a fool like you.'

'It was a slip of the tongue, Nikolai Eremyitch; I beg your pardon....'

'Yes, indeed, a slip of the tongue.'

The door opened and a little page ran in.

'Nikolai Eremyitch, mistress wants you.'

'Who's with the mistress?' he asked the page.

'Aksinya Nikitishna, and a merchant from Venev.'

'I'll be there this minute. And you, mates,' he continued in a persuasive voice, 'better move off out of here with the newly-appointed stoker; if the German pops in, he'll make a complaint for certain.'

The fat man smoothed his hair, coughed into his hand, which was almost completely hidden in his coat-sleeve, buttoned himself, and set off with rapid strides to see the lady of the manor. In a little while the whole party trailed out after him, together with Kuprya. My old friend, the clerk-on duty, was left alone. He set to work mending the pens, and dropped asleep in his chair. A few flies promptly seized the opportunity and settled on his mouth. A mosquito alighted on his forehead, and, stretching its legs out with a regular motion, slowly buried its sting into his flabby flesh. The same red head with whiskers showed itself again at the door, looked in, looked again, and then came into the office, together with the rather ugly body belonging to it.

'Fedyushka! eh, Fedyushka! always asleep,' said the head.

The clerk on duty opened his eyes and got up from his seat.

'Nikolai Eremyitch has gone to the mistress?'

'Yes, Vassily Nikolaevitch.'

'Ah! ah!' thought I; 'this is he, the head cashier.'

The head cashier began walking about the room. He really slunk rather than walked, and altogether resembled a cat. An old black frock-coat with very narrow skirts hung about his shoulders; he kept one hand in his bosom, while the other was for ever fumbling about his high, narrow horse-hair collar, and he turned his head with a certain effort. He wore noiseless kid boots, and trod very softly.

'The landowner, Yagushkin, was asking for you to-day,' added the clerk on duty.

'Hm, asking for me? What did he say?'

'Said he'd go to Tyutyurov this evening and would wait for you. "I want to discuss some business with Vassily Nikolaevitch," said he, but what the business was he didn't say; "Vassily Nikolaevitch will know," says he.'

'Hm!' replied the head cashier, and he went up to the window.

'Is Nikolai Eremyitch in the counting-house?' a loud voice was heard asking in the outer room, and a tall man, apparently angry, with an irregular but bold and expressive face, and rather clean in his dress, stepped over the threshold.

'Isn't he here?' he inquired, looking rapidly round.

'Nikolai Eremyitch is with the mistress,' responded the cashier. 'Tell me what you want, Pavel Andreitch; you can tell me.... What is it you want?'

'What do I want? You want to know what I want?' (The cashier gave a sickly nod.) 'I want to give him a lesson, the fat, greasy villain, the scoundrelly tell-tale!... I'll give him a tale to tell!'

Pavel flung himself into a chair.

'What are you saying, Pavel Andreitch! Calm yourself.... Aren't you ashamed? Don't forget whom you're talking about, Pavel Andreitch!' lisped the cashier.

'Forget whom I'm talking about? What do I care for his being made head- clerk? A fine person they've found to promote, there's no denying that! They've let the goat loose in the kitchen garden, you may say!'

'Hush, hush, Pavel Andreitch, hush! drop that ... what rubbish are you talking?'

'So Master Fox is beginning to fawn? I will wait for him,' Pavel said with passion, and he struck a blow on the table. 'Ah, here he's coming!' he added with a look at the window; 'speak of the devil. With your kind permission!' (He, got up.)

Nikolai Eremyitch came into the counting-house. His face was shining with satisfaction, but he was rather taken aback at seeing Pavel Andreitch.

'Good day to you, Nikolai Eremyitch,' said Pavel in a significant tone, advancing deliberately to meet him.

The head-clerk made no reply. The face of the merchant showed itself in the doorway.

'What, won't you deign to answer me?' pursued Pavel. 'But no ... no,' he added; 'that's not it; there's no getting anything by shouting and abuse. No, you'd better tell me in a friendly way, Nikolai Eremyitch; what do you persecute me for? what do you want to ruin me for? Come, speak, speak.'

'This is no fit place to come to an understanding with you,' the head- clerk answered in some agitation, 'and no fit time. But I must say I wonder at one thing: what makes you suppose I want to ruin you, or that I'm persecuting you? And if you come to that, how can I persecute you? You're not in my counting-house.'

'I should hope not,' answered Pavel; 'that would be the last straw! But why are you hum-bugging, Nikolai Eremyitch?... You understand me, you know.'

'No, I don't understand.'

'No, you do understand.'

'No, by God, I don't understand!'

'Swearing too! Well, tell us, since it's come to that: have you no fear of God? Why can't you let the poor girl live in peace? What do you want of her?'

'Whom are you talking of?' the fat man asked with feigned amazement.

'Ugh! doesn't know; what next? I'm talking of Tatyana. Have some fear of God—what do you want to revenge yourself for? You ought to be ashamed: a married man like you, with children as big as I am; it's a very different thing with me.... I mean marriage: I'm acting straight- forwardly.'

'How am I to blame in that, Pavel Andreitch? The mistress won't permit you to marry; it's her seignorial will! What have I to do with it?'

'Why, haven't you been plotting with that old hag, the housekeeper, eh? Haven't you been telling tales, eh? Tell me, aren't you bringing all sorts of stories up against the defenceless girl? I suppose it's not your doing that she's been degraded from laundrymaid to washing dishes in the scullery? And it's not your doing that she's beaten and dressed in sackcloth?... You ought to be ashamed, you ought to be ashamed—an old man like you! You know there's a paralytic stroke always hanging over you.... You will have to answer to God.'

'You're abusive, Pavel Andreitch, you're abusive.... You shan't have a chance to be insolent much longer.'

Pavel fired up.

'What? You dare to threaten me?' he said passionately. 'You think I'm afraid of you. No, my man, I'm not come to that! What have I to be afraid of?... I can make my bread everywhere. For you, now, it's another thing! It's only here you can live and tell tales, and filch....'

'Fancy the conceit of the fellow!' interrupted the clerk, who was also beginning to lose patience; 'an apothecary's assistant, simply an apothecary's assistant, a wretched leech; and listen to him—fie upon you! you're a high and mighty personage!'

'Yes, an apothecary's assistant, and except for this apothecary's assistant you'd have been rotting in the graveyard by now.... It was some devil drove me to cure him,' he added between his teeth.

'You cured me?... No, you tried to poison me; you dosed me with aloes,' the clerk put in.

'What was I to do if nothing but aloes had any effect on you?'

'The use of aloes is forbidden by the Board of Health,' pursued Nikolai. 'I'll lodge a complaint against you yet.... You tried to compass my death—that was what you did! But the Lord suffered it not.'

'Hush, now, that's enough, gentlemen,' the cashier was beginning....

'Stand off!' bawled the clerk. 'He tried to poison me! Do you understand that?'

'That's very likely.... Listen, Nikolai Eremyitch,' Pavel began in despairing accents. 'For the last time, I beg you.... You force me to it—can't stand it any longer. Let us alone, do you hear? or else, by God, it'll go ill with one or other of us—I mean with you!'

The fat man flew into a rage.

'I'm not afraid of you!' he shouted; 'do you hear, milksop? I got the better of your father; I broke his horns—a warning to you; take care!'

'Don't talk of my father, Nikolai Eremyitch.'

'Get away! who are you to give me orders?'

'I tell you, don't talk of him!'

'And I tell you, don't forget yourself.... However necessary you think yourself, if our lady has a choice between us, it's not you'll be kept, my dear! None's allowed to mutiny, mind!' (Pavel was shaking with fury.) 'As for the wench, Tatyana, she deserves ... wait a bit, she'll get something worse!'

Pavel dashed forward with uplifted fists, and the clerk rolled heavily on the floor.

'Handcuff him, handcuff him,' groaned Nikolai Eremyitch....

I won't take upon myself to describe the end of this scene; I fear I have wounded the reader's delicate susceptibilities as it is.

The same day I returned home. A week later I heard that Madame Losnyakov had kept both Pavel and Nikolai in her service, but had sent away the girl Tatyana; it appeared she was not wanted.



XII

BIRYUK

I was coming back from hunting one evening alone in a racing droshky. I was six miles from home; my good trotting mare galloped bravely along the dusty road, pricking up her ears with an occasional snort; my weary dog stuck close to the hind-wheels, as though he were fastened there. A tempest was coming on. In front, a huge, purplish storm-cloud slowly rose from behind the forest; long grey rain-clouds flew over my head and to meet me; the willows stirred and whispered restlessly. The suffocating heat changed suddenly to a damp chilliness; the darkness rapidly thickened. I gave the horse a lash with the reins, descended a steep slope, pushed across a dry water-course overgrown with brushwood, mounted the hill, and drove into the forest. The road ran before me, bending between thick hazel bushes, now enveloped in darkness; I advanced with difficulty. The droshky jumped up and down over the hard roots of the ancient oaks and limes, which were continually intersected by deep ruts—the tracks of cart wheels; my horse began to stumble. A violent wind suddenly began to roar overhead; the trees blustered; big drops of rain fell with slow tap and splash on the leaves; there came a flash of lightning and a clap of thunder. The rain fell in torrents. I went on a step or so, and soon was forced to stop; my horse foundered; I could not see an inch before me. I managed to take refuge somehow in a spreading bush. Crouching down and covering my face, I waited patiently for the storm to blow over, when suddenly, in a flash of lightning, I saw a tall figure on the road. I began to stare intently in that direction—the figure seemed to have sprung out of the ground near my droshky.

'Who's that?' inquired a ringing voice.

'Why, who are you?'

'I'm the forester here.'

I mentioned my name.

'Oh, I know! Are you on your way home?'

'Yes. But, you see, in such a storm....'

'Yes, there is a storm,' replied the voice.

A pale flash of lightning lit up the forester from head to foot; a brief crashing clap of thunder followed at once upon it. The rain lashed with redoubled force.

'It won't be over just directly,' the forester went on.

'What's to be done?'

'I'll take you to my hut, if you like,' he said abruptly.

'That would be a service.'

'Please to take your seat'

He went up to the mare's head, took her by the bit, and pulled her up. We set off. I held on to the cushion of the droshky, which rocked 'like a boat on the sea,' and called my dog. My poor mare splashed with difficulty through the mud, slipped and stumbled; the forester hovered before the shafts to right and to left like a ghost. We drove rather a long while; at last my guide stopped. 'Here we are home, sir,' he observed in a quiet voice. The gate creaked; some puppies barked a welcome. I raised my head, and in a flash of lightning I made out a small hut in the middle of a large yard, fenced in with hurdles. From the one little window there was a dim light. The forester led his horse up to the steps and knocked at the door. 'Coming, coming!' we heard in a little shrill voice; there was the patter of bare feet, the bolt creaked, and a girl of twelve, in a little old smock tied round the waist with list, appeared in the doorway with a lantern in her hand.

'Show the gentleman a light,' he said to her 'and I will put your droshky in the shed.'

The little girl glanced at me, and went into the hut. I followed her.

The forester's hut consisted of one room, smoky, low-pitched, and empty, without curtains or partition. A tattered sheepskin hung on the wall. On the bench lay a single-barrelled gun; in the corner lay a heap of rags; two great pots stood near the oven. A pine splinter was burning on the table flickering up and dying down mournfully. In the very middle of the hut hung a cradle, suspended from the end of a long horizontal pole. The little girl put out the lantern, sat down on a tiny stool, and with her right hand began swinging the cradle, while with her left she attended to the smouldering pine splinter. I looked round—my heart sank within me: it's not cheering to go into a peasant's hut at night. The baby in the cradle breathed hard and fast.

'Are you all alone here?' I asked the little girl.

'Yes,' she uttered, hardly audibly.

'You're the forester's daughter?'

'Yes,' she whispered.

The door creaked, and the forester, bending his head, stepped across the threshold. He lifted the lantern from the floor, went up to the table, and lighted a candle.

'I dare say you're not used to the splinter light?' said he, and he shook back his curls.

I looked at him. Rarely has it been my fortune to behold such a comely creature. He was tall, broad-shouldered, and in marvellous proportion. His powerful muscles stood out in strong relief under his wet homespun shirt. A curly, black beard hid half of his stern and manly face; small brown eyes looked out boldly from under broad eyebrows which met in the middle. He stood before me, his arms held lightly akimbo.

I thanked him, and asked his name.

'My name's Foma,' he answered, 'and my nickname's Biryuk' (i.e. wolf). [Footnote: The name Biryuk is used in the Orel province to denote a solitary, misanthropic man.—Author's Note.]

'Oh, you're Biryuk.'

I looked with redoubled curiosity at him. From my Yermolai and others I had often heard stories about the forester Biryuk, whom all the peasants of the surrounding districts feared as they feared fire. According to them there had never been such a master of his business in the world before. 'He won't let you carry off a handful of brushwood; he'll drop upon you like a fall of snow, whatever time it may be, even in the middle of the night, and you needn't think of resisting him— he's strong, and cunning as the devil.... And there's no getting at him anyhow; neither by brandy nor by money; there's no snare he'll walk into. More than once good folks have planned to put him out of the world, but no—it's never come off.'

That was how the neighbouring peasants spoke of Biryuk.

'So you're Biryuk,' I repeated; 'I've heard talk of you, brother. They say you show no mercy to anyone.'

'I do my duty,' he answered grimly; 'it's not right to eat the master's bread for nothing.'

He took an axe from his girdle and began splitting splinters.

'Have you no wife?' I asked him.

'No,' he answered, with a vigorous sweep of the axe.

'She's dead, I suppose?'

'No ... yes ... she's dead,' he added, and turned away. I was silent; he raised his eyes and looked at me.

'She ran away with a travelling pedlar,' he brought out with a bitter smile. The little girl hung her head; the baby waked up and began crying; the little girl went to the cradle. 'There, give it him,' said Biryuk, thrusting a dirty feeding-bottle into her hand. 'Him, too, she abandoned,' he went on in an undertone, pointing to the baby. He went up to the door, stopped, and turned round.

'A gentleman like you,' he began, 'wouldn't care for our bread, I dare say, and except bread, I've—'

'I'm not hungry.'

'Well, that's for you to say. I would have heated the samovar, but I've no tea.... I'll go and see how your horse is getting on.'

He went out and slammed the door. I looked round again, the hut struck me as more melancholy than ever. The bitter smell of stale smoke choked my breathing unpleasantly. The little girl did not stir from her place, and did not raise her eyes; from time to time she jogged the cradle, and timidly pulled her slipping smock up on to shoulder; her bare legs hung motionless.

'What's your name?' I asked her.

'Ulita,' she said, her mournful little face drooping more than ever.

The forester came in and sat down on the bench.

'The storm 's passing over,' he observed, after a brief silence; 'if you wish it, I will guide you out of the forest.'

I got up; Biryuk took his gun and examined the firepan.

'What's that for?' I inquired.

'There's mischief in the forest.... They're cutting a tree down on Mares' Ravine,' he added, in reply to my look of inquiry.

'Could you hear it from here?'

'I can hear it outside.'

We went out together. The rain had ceased. Heavy masses of storm-cloud were still huddled in the distance; from time to time there were long flashes of lightning; but here and there overhead the dark blue sky was already visible; stars twinkled through the swiftly flying clouds. The outline of the trees, drenched with rain, and stirred by the wind, began to stand out in the darkness. We listened. The forester took off his cap and bent his head.... 'Th ... there!' he said suddenly, and he stretched out his hand: 'see what a night he's pitched on.' I had heard nothing but the rustle of the leaves. Biryuk led the mare out of the shed. 'But, perhaps,' he added aloud, 'this way I shall miss him.' 'I'll go with you ... if you like?' 'Certainly,' he answered, and he backed the horse in again; 'we'll catch him in a trice, and then I'll take you. Let's be off.' We started, Biryuk in front, I following him. Heaven only knows how he found out his way, but he only stopped once or twice, and then merely to listen to the strokes of the axe. 'There,' he muttered, 'do you hear? do you hear?' 'Why, where?' Biryuk shrugged his shoulders. We went down into the ravine; the wind was still for an instant; the rhythmical strokes reached my hearing distinctly. Biryuk glanced at me and shook his head. We went farther through the wet bracken and nettles. A slow muffled crash was heard....

'He's felled it,' muttered Biryuk. Meantime the sky had grown clearer and clearer; there was a faint light in the forest. We clambered at last out of the ravine.

'Wait here a little,' the forester whispered to me. He bent down, and raising his gun above his head, vanished among the bushes. I began listening with strained attention. Across the continual roar of the wind faint sounds from close by reached me; there was a cautious blow of an axe on the brushwood, the crash of wheels, the snort of a horse....

'Where are you off to? Stop!' the iron voice of Biryuk thundered suddenly. Another voice was heard in a pitiful shriek, like a trapped hare.... A struggle was beginning.

'No, no, you've made a mistake,' Biryuk declared panting; 'you're not going to get off....' I rushed in the direction of the noise, and ran up to the scene of the conflict, stumbling at every step. A felled tree lay on the ground, and near it Biryuk was busily engaged holding the thief down and binding his hands behind his back with a kerchief. I came closer. Biryuk got up and set him on his feet. I saw a peasant drenched with rain, in tatters, and with a long dishevelled beard. A sorry little nag, half covered with a stiff mat, was standing by, together with a rough cart. The forester did not utter a word; the peasant too was silent; his head was shaking.

'Let him go,' I whispered in Biryuk's ears; 'I'll pay for the tree.'

Without a word Biryuk took the horse by the mane with his left hand; in his right he held the thief by the belt. 'Now turn round, you rat!' he said grimly.

'The bit of an axe there, take it,' muttered the peasant.

'No reason to lose it, certainly,' said the forester, and he picked up the axe. We started. I walked behind.... The rain began sprinkling again, and soon fell in torrents. With difficulty we made our way to the hut. Biryuk pushed the captured horse into the middle of the yard, led the peasant into the room, loosened the knot in the kerchief, and made him sit down in a corner. The little girl, who had fallen asleep near the oven, jumped up and began staring at us in silent terror. I sat down on the locker.

'Ugh, what a downpour!' remarked the forester; 'you will have to wait till it's over. Won't you lie down?'

'Thanks.'

'I would have shut him in the store loft, on your honour's account,' he went on, indicating the peasant; 'but you see the bolt—'

'Leave him here; don't touch him,' I interrupted.

The peasant stole a glance at me from under his brows. I vowed inwardly to set the poor wretch free, come what might. He sat without stirring on the locker. By the light of the lantern I could make out his worn, wrinkled face, his overhanging yellow eyebrows, his restless eyes, his thin limbs.... The little girl lay down on the floor, just at his feet, and again dropped asleep. Biryuk sat at the table, his head in his hands. A cricket chirped in the corner ... the rain pattered on the roof and streamed down the windows; we were all silent.

'Foma Kuzmitch,' said the peasant suddenly in a thick, broken voice; 'Foma Kuzmitch!'

'What is it?'

'Let me go.'

Biryuk made no answer.

'Let me go ... hunger drove me to it; let me go.'

'I know you,' retorted the forester severely; 'your set's all alike— all thieves.'

'Let me go,' repeated the peasant. 'Our manager ... we 're ruined, that's what it is—let me go!'

'Ruined, indeed!... Nobody need steal.'

'Let me go, Foma Kuzmitch.... Don't destroy me. Your manager, you know yourself, will have no mercy on me; that's what it is.'

Biryuk turned away. The peasant was shivering as though he were in the throes of fever. His head was shaking, and his breathing came in broken gasps.

'Let me go,' he repeated with mournful desperation. 'Let me go; by God, let me go! I'll pay; see, by God, I will! By God, it was through hunger!... the little ones are crying, you know yourself. It's hard for us, see.'

'You needn't go stealing, for all that.'

'My little horse,' the peasant went on, 'my poor little horse, at least ... our only beast ... let it go.'

'I tell you I can't. I'm not a free man; I'm made responsible. You oughtn't to be spoilt, either.'

'Let me go! It's through want, Foma Kuzmitch, want—and nothing else— let me go!'

'I know you!'

'Oh, let me go!'

'Ugh, what's the use of talking to you! sit quiet, or else you'll catch it. Don't you see the gentleman, hey?'

The poor wretch hung his head.... Biryuk yawned and laid his head on the table. The rain still persisted. I was waiting to see what would happen.

Suddenly the peasant stood erect. His eyes were glittering, and his face flushed dark red. 'Come, then, here; strike yourself, here,' he began, his eyes puckering up and the corners of his mouth dropping; 'come, cursed destroyer of men's souls! drink Christian blood, drink.'

The forester turned round.

'I'm speaking to you, Asiatic, blood-sucker, you!'

'Are you drunk or what, to set to being abusive?' began the forester, puzzled. 'Are you out of your senses, hey?'

'Drunk! not at your expense, cursed destroyer of souls—brute, brute, brute!'

'Ah, you——I'll show you!'

'What's that to me? It's all one; I'm done for; what can I do without a home? Kill me—it's the same in the end; whether it's through hunger or like this—it's all one. Ruin us all—wife, children ... kill us all at once. But, wait a bit, we'll get at you!'

Biryuk got up.

'Kill me, kill me,' the peasant went on in savage tones; 'kill me; come, come, kill me....' (The little girl jumped up hastily from the ground and stared at him.) 'Kill me, kill me!'

'Silence!' thundered the forester, and he took two steps forward.

'Stop, Foma, stop,' I shouted; 'let him go.... Peace be with him.'

'I won't be silent,' the luckless wretch went on. 'It's all the same— ruin anyway—you destroyer of souls, you brute; you've not come to ruin yet.... But wait a bit; you won't have long to boast of; they'll wring your neck; wait a bit!'

Biryuk clutched him by the shoulder. I rushed to help the peasant....

'Don't touch him, master!' the forester shouted to me.

I should not have feared his threats, and already had my fist in the air; but to my intense amazement, with one pull he tugged the kerchief off the peasant's elbows, took him by the scruff of the neck, thrust his cap over his eyes, opened the door, and shoved him out.

'Go to the devil with your horse!' he shouted after him; 'but mind, next time....'

He came back into the hut and began rummaging in the corner.

'Well, Biryuk,' I said at last, 'you've astonished me; I see you're a splendid fellow.'

'Oh, stop that, master,' he cut me short with an air of vexation; 'please don't speak of it. But I'd better see you on your way now,' he added; 'I suppose you won't wait for this little rain....'

In the yard there was the rattle of the wheels of the peasant's cart.

'He's off, then!' he muttered; 'but next time!'

Half-an-hour later he parted from me at the edge of the wood.



XIII

TWO COUNTRY GENTLEMEN

I have already had the honour, kind readers, of introducing to you several of my neighbours; let me now seize a favourable opportunity (it is always a favourable opportunity with us writers) to make known to you two more gentlemen, on whose lands I often used to go shooting— very worthy, well-intentioned persons, who enjoy universal esteem in several districts.

First I will describe to you the retired General-major Vyatcheslav Ilarionovitch Hvalinsky. Picture to yourselves a tall and once slender man, now inclined to corpulence, but not in the least decrepit or even elderly, a man of ripe age; in his very prime, as they say. It is true the once regular and even now rather pleasing features of his face have undergone some change; his cheeks are flabby; there are close wrinkles like rays about his eyes; a few teeth are not, as Saadi, according to Pushkin, used to say; his light brown hair—at least, all that is left of it—has assumed a purplish hue, thanks to a composition bought at the Romyon horse-fair of a Jew who gave himself out as an Armenian; but Vyatcheslav Ilarionovitch has a smart walk and a ringing laugh, jingles his spurs and curls his moustaches, and finally speaks of himself as an old cavalry man, whereas we all know that really old men never talk of being old. He usually wears a frock-coat buttoned up to the top, a high cravat, starched collars, and grey sprigged trousers of a military cut; he wears his hat tilted over his forehead, leaving all the back of his head exposed. He is a good-natured man, but of rather curious notions and principles. For instance, he can never treat noblemen of no wealth or standing as equals. When he talks to them, he usually looks sideways at them, his cheek pressed hard against his stiff white collar, and suddenly he turns and silently fixes them with a clear stony stare, while he moves the whole skin of his head under his hair; he even has a way of his own in pronouncing many words; he never says, for instance: 'Thank you, Pavel Vasilyitch,' or 'This way, if you please, Mihalo Ivanitch,' but always 'Fanks, Pa'l 'Asilitch,' or ''Is wy, please, Mil' 'Vanitch.' With persons of the lower grades of society, his behaviour is still more quaint; he never looks at them at all, and before making known his desires to them, or giving an order, he repeats several times in succession, with a puzzled, far-away air: 'What's your name?... what, what's your name?' with extraordinary sharp emphasis on the first word, which gives the phrase a rather close resemblance to the call of a quail. He is very fussy and terribly close-fisted, but manages his land badly; he had chosen as overseer on his estate a retired quartermaster, a Little Russian, and a man of really exceptional stupidity. None of us, though, in the management of land, has ever surpassed a certain great Petersburg dignitary, who, having perceived from the reports of his steward that the cornkilns in which the corn was dried on his estate were often liable to catch fire, whereby he lost a great deal of grain, gave the strictest orders that for the future they should not put the sheaves in till the fire had been completely put out! This same great personage conceived the brilliant idea of sowing his fields with poppies, as the result of an apparently simple calculation; poppy being dearer than rye, he argued, it is consequently more profitable to sow poppy. He it was, too, who ordered his women serfs to wear tiaras after a pattern bespoken from Moscow; and to this day the peasant women on his lands do actually wear the tiaras, only they wear them over their skull-caps.... But let us return to Vyatcheslav Ilarionovitch. Vyatcheslav Ilarionovitch is a devoted admirer of the fair sex, and directly he catches sight of a pretty woman in the promenade of his district town, he is promptly off in pursuit, but falls at once into a sort of limping gait—that is the remarkable feature of the case. He is fond of playing cards, but only with people of a lower standing; they toady him with 'Your Excellency' in every sentence, while he can scold them and find fault to his heart's content. When he chances to play with the governor or any official personage, a marvellous change comes over him; he is all nods and smiles; he looks them in the face; he seems positively flowing with honey.... He even loses without grumbling. Vyatcheslav Ilarionovitch does not read much; when he is reading he incessantly works his moustaches and eyebrows up and down, as if a wave were passing from below upwards over his face. This undulatory motion in Vyatcheslav Ilarionovitch's face is especially marked when (before company, of course) he happens to be reading the columns of the Journal des Debats. In the assemblies of nobility he plays a rather important part, but on grounds of economy he declines the honourable dignity of marshal. 'Gentlemen,' he usually says to the noblemen who press that office upon him, and he speaks in a voice filled with condescension and self-sufficiency: 'much indebted for the honour; but I have made up my mind to consecrate my leisure to solitude.' And, as he utters these words, he turns his head several times to right and to left, and then, with a dignified air, adjusts his chin and his cheek over his cravat. In his young days he served as adjutant to some very important person, whom he never speaks of except by his Christian name and patronymic; they do say he fulfilled other functions than those of an adjutant; that, for instance, in full parade get-up, buttoned up to the chin, he had to lather his chief in his bath—but one can't believe everything one hears. General Hvalinsky is not, however, fond of talking himself about his career in the army, which is certainly rather curious; it seems that he had never seen active service. General Hvalinsky lives in a small house alone; he has never known the joys of married life, and consequently he still regards himself as a possible match, and indeed a very eligible one. But he has a house-keeper, a dark-eyed, dark-browed, plump, fresh-looking woman of five-and-thirty with a moustache; she wears starched dresses even on week-days, and on Sundays puts on muslin sleeves as well. Vyatcheslav Ilarionovitch is at his best at the large invitation dinners given by gentlemen of the neighbourhood in honour of the governor and other dignitaries: then he is, one may say, in his natural element. On these occasions he usually sits, if not on the governor's right hand, at least at no great distance from him; at the beginning of dinner he is more disposed to nurse his sense of personal dignity, and, sitting back in his chair, he loftily scans the necks and stand-up collars of the guests, without turning his head, but towards the end of the meal he unbends, begins smiling in all directions (he had been all smiles for the governor from the first), and sometimes even proposes the toast in honour of the fair sex, the ornament of our planet, as he says. General Hvalinsky shows to advantage too at all solemn public functions, inspections, assemblies, and exhibitions; no one in church goes up for the benediction with such style. Vyatcheslav Ilarionovitch's servants are never noisy and clamorous on the breaking up of assemblies or in crowded thoroughfares; as they make a way for him through the crowd or call his carriage, they say in an agreeable guttural baritone: 'By your leave, by your leave allow General Hvalinsky to pass,' or 'Call for General Hvalinsky's carriage.' ... Hvalinsky's carriage is, it must be admitted, of a rather queer design, and the footmen's liveries are rather threadbare (that they are grey, with red facings, it is hardly necessary to remark); his horses too have seen a good deal of hard service in their time; but Vyatcheslav Ilarionovitch has no pretensions to splendour, and goes so far as to think it beneath his rank to make an ostentation of wealth. Hvalinsky has no special gift of eloquence, or possibly has no opportunity of displaying his rhetorical powers, as he has a particular aversion, not only for disputing, but for discussion in general, and assiduously avoids long conversation of all sorts, especially with young people. This was certainly judicious on his part; the worst of having to do with the younger generation is that they are so ready to forget the proper respect and submission due to their superiors. In the presence of persons of high rank Hvalinsky is for the most part silent, while with persons of a lower rank, whom to judge by appearances he despises, though he constantly associates with them, his remarks are sharp and abrupt, expressions such as the following occurring incessantly: 'That's a piece of folly, what you're saying now,' or 'I feel myself compelled, sir, to remind you,' or 'You ought to realise with whom you are dealing,' and so on. He is peculiarly dreaded by post-masters, officers of the local boards, and superintendents of posting stations. He never entertains any one in his house, and lives, as the rumour goes, like a screw. For all that, he's an excellent country gentleman, 'An old soldier, a disinterested fellow, a man of principle, vieux grognard,' his neighbours say of him. The provincial prosecutor alone permits himself to smile when General Hvalinsky's excellent and solid qualities are referred to before him—but what will not envy drive men to!...

However, we will pass now to another landed proprietor.

Mardary Apollonitch Stegunov has no sort of resemblance to Hvalinsky; I hardly think he has ever served under government in any capacity, and he has never been reckoned handsome. Mardary Apollonitch is a little, fattish, bald old man of a respectable corpulence, with a double chin and little soft hands. He is very hospitable and jovial; lives, as the saying is, for his comfort; summer and winter alike, he wears a striped wadded dressing-gown. There's only one thing in which he is like General Hvalinsky; he too is a bachelor. He owns five hundred souls. Mardary Apollonitch's interest in his estate is of a rather superficial description; not to be behind the age, he ordered a threshing-machine from Butenop's in Moscow, locked it up in a barn, and then felt his mind at rest on the subject. Sometimes on a fine summer day he would have out his racing droshky, and drive off to his fields, to look at the crops and gather corn-flowers. Mardary Apollonitch's existence is carried on in quite the old style. His house is of an old-fashioned construction; in the hall there is, of course, a smell of kvas, tallow candles, and leather; close at hand, on the right, there is a sideboard with pipes and towels; in the dining-room, family portraits, flies, a great pot of geraniums, and a squeaky piano; in the drawing-room, three sofas, three tables, two looking-glasses, and a wheezy clock of tarnished enamel with engraved bronze hands; in the study, a table piled up with papers, and a bluish-coloured screen covered with pictures cut out of various works of last century; a bookcase full of musty books, spiders, and black dust; a puffy armchair; an Italian window; a sealed-up door into the garden.... Everything, in short, just as it always is. Mardary Apollonitch has a multitude of servants, all dressed in the old-fashioned style; in long blue full coats, with high collars, shortish pantaloons of a muddy hue, and yellow waistcoats. They address visitors as 'father.' His estate is under the superintendence of an agent, a peasant with a beard that covers the whole of his sheepskin; his household is managed by a stingy, wrinkled old woman, whose face is always tied up in a cinnamon-coloured handkerchief. In Mardary Apollonitch's stable there are thirty horses of various kinds; he drives out in a coach built on the estate, that weighs four tons. He receives visitors very cordially, and entertains them sumptuously; in other words, thanks to the stupefying powers of our national cookery, he deprives them of all capacity for doing anything but playing preference. For his part, he never does anything, and has even given up reading the Dream-book. But there are a good many of our landed gentry in Russia exactly like this. It will be asked: 'What is my object in talking about him?...' Well, by way of answering that question, let me describe to you one of my visits at Mardary Apollonitch's.

I arrived one summer evening at seven o'clock. An evening service was only just over; the priest, a young man, apparently very timid, and only lately come from the seminary, was sitting in the drawing-room near the door, on the extreme edge of a chair. Mardary Apollonitch received me as usual, very cordially; he was genuinely delighted to see any visitor, and indeed he was the most good-natured of men altogether. The priest got up and took his hat.

'Wait a bit, wait a bit, father,' said Mardary Apollonitch, not yet leaving go of my hand; 'don't go ... I have sent for some vodka for you.'

'I never drink it, sir,' the priest muttered in confusion, blushing up to his ears.

'What nonsense!' answered Mardary Apollonitch; 'Mishka! Yushka! vodka for the father!'

Yushka, a tall, thin old man of eighty, came in with a glass of vodka on a dark-coloured tray, with a few patches of flesh-colour on it, all that was left of the original enamel.

The priest began to decline.

'Come, drink it up, father, no ceremony; it's too bad of you,' observed the landowner reproachfully.

The poor young man had to obey.

'There, now, father, you may go.'

The priest took leave.

'There, there, that'll do, get along with you....'

'A capital fellow,' pursued Mardary Apollonitch, looking after him, 'I like him very much; there's only one thing—he's young yet. But how are you, my dear sir?... What have you been doing? How are you? Let's come out on to the balcony—such a lovely evening.'

We went out on the balcony, sat down, and began to talk. Mardary Apollonitch glanced below, and suddenly fell into a state of tremendous excitement.

'Whose hens are those? whose hens are those?' he shouted: 'Whose are those hens roaming about in the garden?... Whose are those hens? How many times I've forbidden it! How many times I've spoken about it!'

Yushka ran out.

'What disorder!' protested Mardary Apollonitch; 'it's horrible!'

The unlucky hens, two speckled and one white with a topknot, as I still remember, went on stalking tranquilly about under the apple-trees, occasionally giving vent to their feelings in a prolonged clucking, when suddenly Yushka, bareheaded and stick in hand, with three other house-serfs of mature years, flew at them simultaneously. Then the fun began. The hens clucked, flapped their wings, hopped, raised a deafening cackle; the house-serfs ran, tripping up and tumbling over; their master shouted from the balcony like one possessed: 'Catch 'em, catch 'em, catch 'em, catch 'em, catch 'em, catch 'em, catch 'em!'

At last one servant succeeded in catching the hen with the topknot, tumbling upon her, and at the very same moment a little girl of eleven, with dishevelled hair, and a dry branch in her hand, jumped over the garden-fence from the village street.

'Ah, we see now whose hens!' cried the landowner in triumph. 'They're Yermil, the coachman's, hens! he's sent his Natalka to chase them out.... He didn't send his Parasha, no fear!' the landowner added in a low voice with a significant snigger. 'Hey, Yushka! let the hens alone; catch Natalka for me.'

But before the panting Yushka had time to reach the terrified little girl the house-keeper suddenly appeared, snatched her by the arm, and slapped her several times on the back....

'That's it! that's it!' cried the master, 'tut-tut-tut!... And carry off the hens, Avdotya,' he added in a loud voice, and he turned with a beaming face to me; 'that was a fine chase, my dear sir, hey?—I'm in a regular perspiration: look.'

And Mardary Apollonitch went off into a series of chuckles.

We remained on the balcony. The evening was really exceptionally fine.

Tea was served us.

'Tell me,' I began, 'Mardary Apollonitch: are those your peasants' huts, out there on the highroad, above the ravine?'

'Yes ... why do you ask?'

'I wonder at you, Mardary Apollonitch? It's really sinful. The huts allotted to the peasants there are wretched cramped little hovels; there isn't a tree to be seen near them; there's not a pond even; there's only one well, and that's no good. Could you really find no other place to settle them?... And they say you're taking away the old hemp-grounds, too?'

'And what is one to do with this new division of the lands?' Mardary Apollonitch made answer. 'Do you know I've this re-division quite on my mind, and I foresee no sort of good from it. And as for my having taken away the hemp-ground, and their not having dug any ponds, or what not— as to that, my dear sir, I know my own business. I'm a plain man—I go on the old system. To my ideas, when a man's master—he's master; and when he's peasant—he's peasant. ... That's what I think about it.'

To an argument so clear and convincing there was of course no answer.

'And besides,' he went on, 'those peasants are a wretched lot; they're in disgrace. Particularly two families there; why, my late father—God rest his soul—couldn't bear them; positively couldn't bear them. And you know my precept is: where the father's a thief, the son's a thief; say what you like.... Blood, blood—oh, that's the great thing!'

Meanwhile there was a perfect stillness in the air. Only rarely there came a gust of wind, which, as it sank for the last time near the house, brought to our ears the sound of rhythmically repeated blows, seeming to come from the stable. Mardary Apollonitch was in the act of lifting a saucer full of tea to his lips, and was just inflating his nostrils to sniff its fragrance—no true-born Russian, as we all know, can drink his tea without this preliminary—but he stopped short, listened, nodded his head, sipped his tea, and laying the saucer on the table, with the most good-natured smile imaginable, he murmured as though involuntarily accompanying the blows: 'Tchuki-tchuki-tchuk! Tchuki-tchuk!'

'What is it?' I asked puzzled. 'Oh, by my order, they're punishing a scamp of a fellow.... Do you happen to remember Vasya, who waits at the sideboard?'

'Which Vasya?'

'Why, that waited on us at dinner just now. He with the long whiskers.'

The fiercest indignation could not have stood against the clear mild gaze of Mardary Apollonitch.

'What are you after, young man? what is it?' he said, shaking his head. 'Am I a criminal or something, that you stare at me like that? "Whom he loveth he chasteneth"; you know that.'

A quarter of an hour later I had taken leave of Mardary Apollonitch. As I was driving through the village I caught sight of Vasya. He was walking down the village street, cracking nuts. I told the coachman to stop the horses and called him up.

'Well, my boy, so they've been punishing you to-day?' I said to him.

'How did you know?' answered Vasya.

'Your master told me.'

'The master himself?'

'What did he order you to be punished for?'

'Oh, I deserved it, father; I deserved it. They don't punish for trifles among us; that's not the way with us—no, no. Our master's not like that; our master ... you won't find another master like him in all the province.'

'Drive on!' I said to the coachman.' There you have it, old Russia!' I mused on my homeward way.



XIV

LEBEDYAN

One of the principal advantages of hunting, my dear readers, consists in its forcing you to be constantly moving from place to place, which is highly agreeable for a man of no occupation. It is true that sometimes, especially in wet weather, it's not over pleasant to roam over by-roads, to cut 'across country,' to stop every peasant you meet with the question, 'Hey! my good man! how are we to get to Mordovka?' and at Mordovka to try to extract from a half-witted peasant woman (the working population are all in the fields) whether it is far to an inn on the high-road, and how to get to it—and then when you have gone on eight miles farther, instead of an inn, to come upon the deserted village of Hudobubnova, to the great amazement of a whole herd of pigs, who have been wallowing up to their ears in the black mud in the middle of the village street, without the slightest anticipation of ever being disturbed. There is no great joy either in having to cross planks that dance under your feet; to drop down into ravines; to wade across boggy streams: it is not over-pleasant to tramp twenty-four hours on end through the sea of green that covers the highroads or (which God forbid!) stay for hours stuck in the mud before a striped milestone with the figures 22 on one side and 23 on the other; it is not wholly pleasant to live for weeks together on eggs, milk, and the rye-bread patriots affect to be so fond of.... But there is ample compensation for all these inconveniences and discomforts in pleasures and advantages of another sort. Let us come, though, to our story.

After all I have said above, there is no need to explain to the reader how I happened five years ago to be at Lebedyan just in the very thick of the horse-fair. We sportsmen may often set off on a fine morning from our more or less ancestral roof, in the full intention of returning there the following evening, and little by little, still in pursuit of snipe, may get at last to the blessed banks of Petchora. Besides, every lover of the gun and the dog is a passionate admirer of the noblest animal in the world, the horse. And so I turned up at Lebedyan, stopped at the hotel, changed my clothes, and went out to the fair. (The waiter, a thin lanky youth of twenty, had already informed me in a sweet nasal tenor that his Excellency Prince N——, who purchases the chargers of the—regiment, was staying at their house; that many other gentlemen had arrived; that some gypsies were to sing in the evenings, and there was to be a performance of Pan Tvardovsky at the theatre; that the horses were fetching good prices; and that there was a fine show of them.)

In the market square there were endless rows of carts drawn up, and behind the carts, horses of every possible kind: racers, stud-horses, dray horses, cart-horses, posting-hacks, and simple peasants' nags. Some fat and sleek, assorted by colours, covered with striped horse- cloths, and tied up short to high racks, turned furtive glances backward at the too familiar whips of their owners, the horse-dealers; private owners' horses, sent by noblemen of the steppes a hundred or two hundred miles away, in charge of some decrepit old coachman and two or three headstrong stable-boys, shook their long necks, stamped with ennui, and gnawed at the fences; roan horses, from Vyatka, huddled close to one another; race-horses, dapple-grey, raven, and sorrel, with large hindquarters, flowing tails, and shaggy legs, stood in majestic immobility like lions. Connoisseurs stopped respectfully before them. The avenues formed by the rows of carts were thronged with people of every class, age, and appearance; horse-dealers in long blue coats and high caps, with sly faces, were on the look-out for purchasers; gypsies, with staring eyes and curly heads, strolled up and down, like uneasy spirits, looking into the horses' mouths, lifting up a hoof or a tail, shouting, swearing, acting as go-betweens, casting lots, or hanging about some army horse-contracter in a foraging-cap and military cloak, with beaver collar. A stalwart Cossack rode up and down on a lanky gelding with the neck of a stag, offering it for sale 'in one lot,' that is, saddle, bridle, and all. Peasants, in sheepskins torn at the arm-pits, were forcing their way despairingly through the crowd, or packing themselves by dozens into a cart harnessed to a horse, which was to be 'put to the test,' or somewhere on one side, with the aid of a wily gypsy, they were bargaining till they were exhausted, clasping each other's hands a hundred times over, each still sticking to his price, while the subject of their dispute, a wretched little jade covered with a shrunken mat, was blinking quite unmoved, as though it was no concern of hers.... And, after all, what difference did it make to her who was to have the beating of her? Broad-browed landowners, with dyed moustaches and an expression of dignity on their faces, in Polish hats and cotton overcoats pulled half-on, were talking condescendingly with fat merchants in felt hats and green gloves. Officers of different regiments were crowding everywhere; an extraordinarily lanky cuirassier of German extraction was languidly inquiring of a lame horse-dealer 'what he expected to get for that chestnut.' A fair-haired young hussar, a boy of nineteen, was choosing a trace-horse to match a lean carriage-horse; a post-boy in a low- crowned hat, with a peacock's feather twisted round it, in a brown coat and long leather gloves tied round the arm with narrow, greenish bands, was looking for a shaft-horse. Coachmen were plaiting the horses' tails, wetting their manes, and giving respectful advice to their masters. Those who had completed a stroke of business were hurrying to hotel or to tavern, according to their class.... And all the crowd were moving, shouting, bustling, quarrelling and making it up again, swearing and laughing, all up to their knees in the mud. I wanted to buy a set of three horses for my covered trap; mine had begun to show signs of breaking down. I had found two, but had not yet succeeded in picking up a third. After a hotel dinner, which I cannot bring myself to describe (even Aeneas had discovered how painful it is to dwell on sorrows past), I repaired to a cafe so-called, which was the evening resort of the purchasers of cavalry mounts, horse-breeders, and other persons. In the billiard-room, which was plunged in grey floods of tobacco smoke, there were about twenty men. Here were free-and-easy young landowners in embroidered jackets and grey trousers, with long curling hair and little waxed moustaches, staring about them with gentlemanly insolence; other noblemen in Cossack dress, with extraordinarily short necks, and eyes lost in layers of fat, were snorting with distressing distinctness; merchants sat a little apart on the qui-vive, as it is called; officers were chatting freely among themselves. At the billiard-table was Prince N——a young man of two- and-twenty, with a lively and rather contemptuous face, in a coat hanging open, a red silk shirt, and loose velvet pantaloons; he was playing with the ex-lieutenant, Viktor Hlopakov.