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A Siren
by Thomas Adolphus Trollope
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It might well have been that the new incident might have been prevented from bringing about the result it was calculated to bring about in the Ravenna Court; but the miscarriage would have been caused in an altogether different way from that which has been spoken as sometimes characterising our own courts.

It was very clear to everybody present that the judges would pronounce Paolina to be guilty of the crime they were investigating; and to everybody present, with one or two exceptions, this was a very agreeable and satisfactory winding-up of the unhappy affair. Ravenna would be able to wash her hands of the matter. It was wholly, both in conception and execution, the work of a stranger. Since so great a misfortune had happened, it could not be more satisfactorily accounted for.

It is probable enough, therefore, that any Tom, Jack, or Harry, who, at that conjuncture, had presented himself at the prefettura for the avowed purpose of bringing a new light to the solution of the mystery which had been already so satisfactorily solved, might have experienced considerable difficulty in obtaining for himself any access to, or hearing from, the judges.

But the person who had now thus presented himself at the prefettura of Ravenna belonged to a body, the very lowest and poorest members of which, in that country, can always find, somehow or other, some means of compassing almost any object which is not disapproved by some superior member of their own corporation. The new-comer was a friar—old Father Fabiano, the priest of St. Apollinare, as the reader may have conjectured.

The police agents had been anxious to produce him there, as the reader knows, and he had baffled their wishes. Now the result which it had been desired that he should contribute to had been brought about, or as good as brought about, without him. What did he want there now?

There was an old usher about the court, however, whose advancing years were beginning to make him disagreeably conscious that the time was at hand when a sentence to a long term of purgatory—to say nothing of any severer doom—might make it exceedingly desirable to him to stand well with all those who are understood to have influence with the government in the world beyond the grave; and,— if there had been no such person, the friar would have known somebody—some old or young woman, probably—or he would have known some other friar who knew some such, who would have been able to influence some brother, lover, or husband, in the way he wished. As it was, Father Fabiano had no difficulty at all in conveying the message he wished to communicate to the judges.

They turned back to their places in the court, to the surprise and sudden awakening of new interest in the audience, and ordered that the new witness who had presented himself should be admitted and heard.

And Father Fabiano, bowed with age, and his hoary head bent down on his breast, but neither shivering nor shaking, advanced to the witness-table. The crucifix was lying on it, and the friar, with the manner of a man recognizing in a new employment tools which he is well used to, at once stretched out his emaciated and claw-like hand, and made oath that he was about to speak the truth.

The Procuratore of the court then began to examine the old man with reference to his knowledge of the circumstances connected with the visit of Paolina Foscarelli to the church of St. Apollinare, and her disposal of herself after leaving it; but the friar replied that it would be uselessly occupying the time of the court to enter into any such particulars, inasmuch as he had come thither to prove that Paolina had nothing whatever to do with the crime.

"But," remarked the Procuratore, "if it is in your power to do that, why did you not give the necessary information to the Commissary of Police when you were, on several occasions, examined at St. Apollinare?"

"Signori miei," said the old man, addressing himself to the court in general, "it is no affair of mine to meddle with the administration of human justice. No words that I could say could undo the deed, or bring the murdered woman back to life. Evil enough had been done. Why should I cause further trouble, and sorrow, and shame, to others? It was more fitting to one of my order to leave retribution in the hands of Him who can best award it, and whose mercy may touch the heart of the sinner with repentance."

"But if so, frate mio," rejoined the Procuratore, "what, pray, is the motive that now brings you here?"

"Surely, the determination that the innocent shall not suffer for the guilty. It seemed to me that it would never be known, save to Him who knows the secrets of all hearts, what hand had done that terrible deed; but now I know that the fallibility of all human judgment has led questi Signori to the conclusion that the girl Paolina is guilty, and her condemnation would be a misfortune greater than the first—I knowing the hand which did that deed."

"Ha, you know the murderer; you suppose you know him? You come to offer us your guess, your suggestion?"

"I come, Signori miei, with pain and sorrow and great reluctance, to save you from condemning an innocent person by naming him who is guilty."

A sort of buzz and almost shiver of interest, anxiety, and expectation ran through the court, as the old friar spoke the above words in a stronger voice than that in which he had yet spoken.

"Friar," said the Procuratore solemnly and severely; "it is my duty, before you speak, to warn you to take heed to what you say. You are about, you say, to make an accusation the most tremendous that one man can bring against another. Bethink you whether you are able to substantiate what you are about to utter. Remember that, if you cannot substantiate it, it would be an hundred-fold better that your suspicion should remain unuttered."

The Procuratore, as well as every one else in the court, had little or no doubt that the friar was about to accuse the Marchese Ludovico as the perpetrator of the murder. And some, among whom were Signor Fortini, and Signor Logarini the Commissary of Police, were persuaded that the old man was going to trump up some story in the hope of saving his countrywoman, Paolina.

"Were it not for the necessity of protecting the innocent, Signori, God knows how much I should prefer to carry my terrible secret with me to the grave. Signori miei, these eyes SAW the deed done, that put the sleeping woman to death. Only God and I, the lowest of his servants! God and I saw the Marchese Lamberto di Castelmare do that deed!"

A loud indignant murmur of incredulity was beginning to rise throughout the crowded court, like the first getting up of a storm wind.

But it was suddenly hushed, and turned into a spasm of horror and intense shock, that made every man hold his breath, when the sound of a sudden heavy fall was heard; and it was seen that the Marchese Lamberto had fallen insensible to the ground.



CHAPTER VIII

The Truth!

The Professor Tomosarchi was in the court, and had been, as it happened, though unseen by the Marchese, fixing his eyes on him at the moment when the catastrophe narrated in the last chapter occurred. Springing forwards, therefore, the medical man was in a moment by the side of his old friend.

If, according to the strict letter of the requirements of their duty, the magistrates or the police authorities present ought, under the circumstances, to have prevented the free departure of the accused man to his own home, it did not occur to any one to do so. Professor Tomosarchi and Fortini between them, got him, still insensible, to his carriage, and took him to his home.

"Is it more than a mere fainting fit?" said the lawyer, as they both were supporting the person of the insensible Marchese. "Could you not do some thing to restore consciousness? Can that old friar have spoken the truth?"

"Apoplexy," said the Professor, with a serious and almost scared look into the other's eyes. "Apoplexy, and no mistake about it. Don't you hear the stertorous breathing. No, nothing can be attempted till we get him home. We shall be at the palazzo in a minute. We shall see; but I doubt—I doubt!"

"You mean that his life is in danger?" asked the lawyer.

"In danger! I have hardly any hope that he will ever return to consciousness or speak another word again."

"Good God! you don't mean that," cried the lawyer, much shocked.

"Indeed I do; it is possible, but very improbable that be should rally sufficiently to survive the attack," replied the Professor.

"Perhaps," rejoined the lawyer, gravely and sadly after a few moments of silence; "perhaps it would be best so. I fear me—I much fear me, that this can hardly be looked on but as the confirmation of that old man's declaration."

The Professor looked hard into the lawyer's eyes, as he nodded his head, without speaking, in grave assent.

They arrived in another minute at the door of the Palazzo Castelmare. The servants ran out, and they carried him up into the chamber where, ever since that fatal Ash Wednesday morning, he had, as Fortini now well understood, been suffering a long agony of remorse, apprehension, despair, all the intensity of which it was difficult to appreciate.

Life was not yet extinct when they laid him upon his bed; and the Professor proceeded to do what the rules of his science prescribed in the all but hopeless effort to combat the attack. But the miserable man had suffered his last in this life, and every effort to bring him back to further torture was unavailing. Within half-an- hour after he had been brought back to his palace he breathed his last.

"It is all over with him," said the Professor, looking up across the bed to the lawyer standing on the other side of it; "there was no possibility of prolonging his life—happily for him, and happily for everybody connected with him, and for all of us. Who would have thought a short month ago that such a life could have so ended?"

"The 24th of March, Signor Professore, is the anniversary on which, more fervently than on any other day of the year, I thank God for all his mercies," said the lawyer, with grim solemnity.

"I don't understand you, Signor Dottore; what has the 24th of March to do with this?" said Tomosarchi, staring at him.

"On the 24th of March, four-and-forty years ago, the Signora Fortini departed this life, Signor Professore. But for that gracious disposition of Providence, who knows that his lot, or worse, might not have been mine? From Eve downwards, Signor Professore, from Eve downwards, it is the same story—always the same story, in one shape or another—in one shape or another."

The Professor, who was the lawyer's junior by some thirty years, turned away with a shrug of the shoulders, and stepped across the room to the small escritoire near the window. There opening, without hesitation, and with the manner of a man familiar with the place, a small concealed drawer, he called the lawyer to him.

"Just come here and look at the contents of this drawer, Signor Fortini. There is a curious meaning in them."

Fortini went across from the bed to the escritoire, and the Professor took from the drawer and showed to him a small coloured drawing of a human form, with just such a mark on it as had been visible on the spot of the wound which had destroyed La Bianca's life. He showed him also, in the same secret receptacle, a long very finely tempered needle, and a small quantity of perfectly white wax.

"Good God, Professor! Were you aware of the existence of these things here?" cried the lawyer, aghast.

"I knew that they were where I have now found them some four or five months ago—towards the end of last year. You do not remember, probably, some curious details of a crime that was perpetrated a year ago or more in the island of Sardinia. I don't know that the details were published save in the medical journals. You know how great an interest our unfortunate friend used to take in all such matters. We talked over that curious case. He doubted the possibility of causing death with so little violence, and by means which should leave so little trace behind them. I showed him how readily and easily it might be done. You may judge then, Signore Dottore, of the misgivings that assailed me when I discovered how that unhappy singer had been put to death. You will understand, too, why he so absolutely refused to see me, and how little desirous I was to see him."

"But, Signor Professore—what should you have done if—?"

"If that girl had been condemned. You may guess that my state of mind has not been a pleasant one. I did not know what to do: I hoped that no conviction would have been arrived at. Of course it would have been impossible to keep silence while that poor girl suffered the penalty of the crime I had such strong reason to think was the work of another. Truly it is in all ways best as it is."

"You are taking it for granted that the tribunal will give credit to the friar's testimony; but that is not certain; nay, it is not certain—at least, we do not yet know—we have only his assertion that he saw the Marchese do the deed. With these evidences before us," continued the lawyer, "we can hardly doubt that the fact was so. But stay—what is this?—a letter addressed to me—'Al Chiarmo Signor Dottore Giovacchino Fortini. To be opened only after my death, and in case my death shall happen within one year from the present time!' Perhaps this may render any further doubts as to the conduct we ought to pursue unnecessary. Let us see."

And Signor Fortini sat down to open and read the packet; while the Professor returned to the bed on which the dead man was lying, and occupied himself with paying the last duties to his friend's remains.

The letter was a very long one, consisting of several sheets of closely-written paper. It is unnecessary to add to these pages by giving a transcript of it, because the facts which it detailed at length are either such as the reader is already acquainted with or such as he can readily imagine for himself.

When the narrative reached the events which had occurred at the ball in the early hours of the Ash Wednesday morning, after mentioning the circumstance of the information which had been conveyed to the writer by the Conte Leandro Lombardoni as to the projected expedition to the Pineta, the Marchese went on to describe the state of mind in which he had left the Circolo. He protested that, although every smallest detail of what he did had remained stamped on his memory with a vivid clearness that would never more be obliterated, it would be unjust to judge his conduct as that of a man in the possession of his senses. He was, he said, mad—MAD!—and carried away by a hurricane of passions altogether beyond his power to control. He had not formed any distinct intention of following his nephew and La Bianca to the Pineta till he reached his own house. He had happened to approach the Palazzo from the back, through the stable-yard; and had there found old Niccolo, the groom, up. Then the idea of waylaying the pair in the forest had occurred to him. He had ordered a horse to be saddled; and had told the groom to let no one know that he had left the palace. He then went up to his room, dismissed his valet, and locked the door, as the servant had related to Signor Fortini. Then descending to the stables, by one of those private doors and stairs so frequently to be found in old Italian palaces, and generally contrived to communicate with the principal sleeping chamber of the dwelling, he mounted his horse, and rode furiously to the Pineta, quitting the city, not by the Porta Nueva, but by the next gate towards the south. He must have reached the forest before Ludovico and Bianca had left the city. He put his steaming horse into the abandoned hovel of a watcher of the cattle on the marshes; and then skulked about the edge of the wood in the vicinity of the road which enters it from the city. All this time he had, as he again and again declared in the long and repetitive document in the lawyer's hands, no formed intention of any sort in his mind. All he knew was that he was mad, and suffering torments worse than any imagination had ever depicted the tortures of the damned; the pulses were beating, and the blood was rushing in his ears and in his eyes, he wrote, in such sort that all sounds seem to him one universal buzzing, and all objects vague and uncertain, and tinged with the colour of blood.

And, in this condition, he waited and waited till almost a wild hope began to creep upon him that the Conte Leandro had lied to him.

Suddenly he saw them coming towards the edge of the wood.

With difficulty, he stood upright, resting the front of his shoulder and his forehead against the trunk of a tree, from behind which he glared out, while his eyes were blasted by what he saw.

Judging more sanely than the poor Marchese was able to judge, and putting together all the circumstances and conduct and declarations of the other parties, we may probably conclude, that though he saw enough to madden the heart and brain of a man whose mind had already been warped and distorted by jealousy, he did not see aught that could have been deemed to menace the future happiness of Paolina. No doubt La Bianca, despite her declared intention to make the Marchese Lamberto a good and true wife, had he married her, would have preferred to become Marchese di Castelmare by a marriage with his nephew. No doubt she had a liking for Ludovico of a different kind from that which she had professed to feel for his uncle. No doubt her imagination had been fired, and her heart awakened to long for such love as she had seen given to each other by Ludovico and Paolina, which she too well understood to be of a kind which, despite her good resolutions, would not be found in her union with the Marchese Lamberto. And no doubt these feelings manifested themselves in her visible manner during the conversation which followed her confession to him of the engagement between her and his uncle.

It may also be suggested to those who have never been called upon to act as Ludovico was called upon to act, under the circumstances of receiving such a communication, so communicated from such a woman, that they would do well not to judge too severely any such parts of his behaviour under the ordeal, as may have been of a nature to produce a very deplorable effect on the jaundiced mind of his uncle, though, in reality, there was little real meaning and less serious harm in them.

Of course the unfortunate Marchese could not be expected to see or reason on what he saw in any such mood or tone. As he said in the writing he had left, what he saw as Ludovico and Bianca entered the forest, side by side, in deep and close talk, made a furious madman of him. He dodged, and watched them, as they sat down together—as they continued to talk in close confidence—till he saw her lay herself down on the bank to sleep, and saw him after awhile quit her side.

Then the devil entered into him, and ruled his hand with a whirlwind power which he could no more withstand than the chaff can withstand the tempest blast.

He came and stood over her as she lay on the turf—the beautiful, noxious creature. She had destroyed him; body, soul, and mind, she had destroyed him. And now—and now—ahi, ahi! After all he had suffered, after paying all the price he had paid! Ah, how lovely as she lay there sleeping—placidly sleeping, she! And he was to be cheated! Her beauty, her love was to be given to another.

No, no, no, poisonous, baneful, sorceress; no, be what might, that hell should never be!

He put his hand to the breast-pocket of his coat, and took from it a small pocket-book.

If man will find evil passions, the devil will always find means. Surely there must be some shadow of truth in the old legends that tell how the fiend aids those who give themselves to him.

The Marchese had, on leaving his chamber, quickly changed the coat he had worn at the ball for a morning one. And it so happened that in that was a pocket-book which contained the articles needed for the perpetration of the murder, placed there by him one day—in times that seemed now ages ago—when he was going to ask some explanation of the facts that had interested him from Professor Tomosarchi.

Like a balefully illumining lightning gleam, the clear memory that those things were there at his hand flashed across his mind.

In another minute the deed was done.

And, in a few minutes more, the Marchese, looking the madman he felt himself to be, got off his panting horse in his own stable-yard, threw the rein to the scared old groom, and regained his room as he had left it. Then the letter went on to speak of the terrible, the dreadful days and hours which had elapsed since that time. It was during the hours of that first morning, while it seemed to the excited mind of the Marchese that every sound that was audible in the Palazzo must herald the coming of those who had discovered the deed, that it had occurred to him to send for his lawyer and give him instructions for the preparation of his marriage contract. He would lose nothing by doing so, for the fact of his offer of marriage to the murdered woman would assuredly not be kept secret by the old man, her reputed father, and the maid-servant. And the fact of his declaring such an intention, and giving such instructions at that date, would very powerfully contribute to prevent any mind from conceiving the idea that he could have been cognizant of the death of La Bianca at the moment when he was so acting.

And in truth, as the lawyer, examining his own mind, said to himself, it had been this fact which had mainly prevented two or three little circumstances from pointing his suspicions in the direction of the truth.



CHAPTER IX

Conclusion

Little more need be added to complete this story of a great singer's Carnival engagement, and the consequences that arose out of it.

The consternation, the talk, the moralizings, of the little city may be readily imagined.

Of course the written statement left by the unhappy Marchese made all further judicial inquiry unnecessary. When the hand of a mightier power than that of any earthly judge struck him down before the eyes of all that world whose good opinion he had valued so highly, in the manner that has been related, the tribunal, of course, declared the business before it to be suspended. The result made it needless ever to resume the sitting. No retarded evidence against the Marchese had been given in court—no record of any accusation against him remained in the archives of it: and this was deemed to be a great point among a people who do not, by any means, hold that the law is the same "de non apparentibus et de non existentibus."

Of course there was no further obstacle to the marriage, in due time, of Ludovico and Paolina. A proper interval had, of course, to be allowed to elapse before the knot was definitively tied; but it was settled, and known to be settled by all Ravenna, and the strange and moving circumstances which had attended the young Marchese's fortunes had the effect of causing his marriage with the Venetian artist to be accepted by the "Society" more tolerantly than, perhaps, might otherwise have been the case. There was a sort of feeling that the whole affair was exceptional; that the higher powers had visibly taken the management of it into their own hands; that it was destined so to be, and must be, as such, accepted. Too much of pity, of wonder, of congratulation, and of condolence, were due from all his world to leave any space for censure on account of his marriage.

Doubtless there were explanations between them as to that hapless expedition to the Pineta; and doubtless they were satisfactory. Assuredly Ludovico never in his moments of most severe self- examination, sharpened, as such self-examination was, by the terrible nature of the result which had seemed to grow out of his conduct on that Ash Wednesday morning, could accuse himself of having done aught that could reasonably be held to leave at his door the responsibility of the events that had followed from it. Italian men are not apt to bring into any prominence the idea that where evil or misfortune is found there fault of some kind must exist also. They are content, for the most part, to accept the notion that all such matters are sufficiently accounted for by attributing them to "disgrazia"—the absence of favour, that is to say—the want of that favour at the Heavenly Court which it is on every occasion of life seen to be so necessary to successful well-being to possess at the Courts of Heaven's ecclesiastical, or lay vice-gerents.

Paolina insisted on employing a part of the time which necessarily elapsed before her marriage in completing the engagement she had undertaken, and the promise she had made to her English patron. But she found herself compelled to beg that some other specimen, chosen from among the wonderful wealth of early Christian art that remains at Ravenna, might be substituted for that in the choir of St. Apollinare. She made the attempt to return to the scaffolding by the side of the window, but she found that her strength was unequal to the task. She could not bear to look on the prospect from that window. By agreement with her employer, some further figures from the mosaics in San Vitale were substituted for those which had originally been selected in St. Apollinare. Her associations with the former church were of a more pleasant character; and Paolina never visited the desolate old building "in Classe" again. When the specimens selected in lieu of those in the latter building had been completed, Paolina and her friend and protectress returned with them to Venice, where it had been arranged that they were to be delivered to the Director of the Gallery.

In the ensuing Carnival Ludovico came hither, and the marriage was there solemnized. It is not intended to insinuate that he had not often made the journey from Ravenna to Venice in the interval. More of his time was probably passed there than in his native city. From Venice the newly married couple proceeded to Rome, and it was not till three or four years later, that the Marchese and Marchesa di Castelmare, bringing with them their two boys Lamberto and Ludovico, and their little Violante, the most exquisite little fairy that ever was seen, returned to make the Marchese's ancestral palace, ancestral city, their home.

There was one other stranger in Ravenna whose lamentations over the fate that had ever brought him thither were as loud as they were sincere. The poor old singing-master, Quinto Lalli, was left, by the death of his adopted daughter, as destitute of the means of support as desolate in his home and heart. He was not worth much; but it would be unjust to suppose of him that his violent outcry on her murderer was wholly or mainly prompted by the former consideration. There had been a real and strong affection between him and his adopted daughter, and her death in truth left him utterly desolate.

Yet he never again quitted the city he so much regretted having ever seen. His comfortable support was adequately provided for by the Marchese Ludovico. And often in after years—on summer evenings on a stone bench beneath a fig-tree in the garden of the cottage provided for him, and in winter at the chimney corner of its tiny parlour— might be seen the tall spare nun-like figure of a grave and gentle lady, earnestly labouring at the somewhat up-hill task of consoling the old man, and striving to shape the teachings of his Bohemian life to a better lesson than he was apt to draw from them. It was the Contessa Violante; and it may be concluded from her occupation both that she succeeded in escaping the pursuit of the Duca di San Sisto, and that her great-uncle the Cardinal did not succeed in becoming Pope at the most recent vacancy.

After the return of the Marchese and Marchesa di Castelmare to Ravenna, however, the greater number of the hours of the Contessa Violante were spent in the home of her little god-daughter Violante di Castelmare, and of her friend Paolina.

THE END

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