The one unquestionable fact was that of his extraordinary seclusion. Nobody in the village, no student in the University, knew his history. No young lady in the Corinna Institute had ever had a word from him. Sometimes, as the boats of the University or the Institute were returning at dusk, their rowers would see the canoe stealing into the shadows as they drew near it. Sometimes on a moonlight night, when a party of the young ladies were out upon the lake, they would see the white canoe gliding ghost-like in the distance. And it had happened more than once that when a boat's crew had been out with singers among them, while they were in the midst of a song, the white canoe would suddenly appear and rest upon the water,—not very near them, but within hearing distance,—and so remain until the singing was over, when it would steal away and be lost sight of in some inlet or behind some jutting rock.

Naturally enough, there was intense curiosity about this young man. The landlady had told her story, which explained nothing. There was nobody to be questioned about him except his servant, an Italian, whose name was Paolo, but who to the village was known as Mr. Paul.

Mr. Paul would have seemed the easiest person in the world to worm a secret out of. He was good-natured, child-like as a Heathen Chinee, talked freely with everybody in such English as he had at command, knew all the little people of the village, and was followed round by them partly from his personal attraction for them, and partly because he was apt to have a stick of candy or a handful of peanuts or other desirable luxury in his pocket for any of his little friends he met with. He had that wholesome, happy look, so uncommon in our arid countrymen,—a look hardly to be found except where figs and oranges ripen in the open air. A kindly climate to grow up in, a religion which takes your money and gives you a stamped ticket good at Saint Peter's box office, a roomy chest and a good pair of lungs in it, an honest digestive apparatus, a lively temperament, a cheerful acceptance of the place in life assigned to one by nature and circumstance,—these are conditions under which life may be quite comfortable to endure, and certainly is very pleasant to contemplate. All these conditions were united in Paolo. He was the easiest; pleasantest creature to talk with that one could ask for a companion. His southern vivacity, his amusing English, his simplicity and openness, made him friends everywhere.

It seemed as if it would be a very simple matter to get the history of his master out of this guileless and unsophisticated being. He had been tried by all the village experts. The rector had put a number of well-studied careless questions, which failed of their purpose. The old librarian of the town library had taken note of all the books he carried to his master, and asked about his studies and pursuits. Paolo found it hard to understand his English, apparently, and answered in the most irrelevant way. The leading gossip of the village tried her skill in pumping him for information. It was all in vain.

His master's way of life was peculiar,—in fact, eccentric. He had hired rooms in an old-fashioned three-story house. He had two rooms in the second and third stories of this old wooden building: his study in the second, his sleeping-room in the one above it. Paolo lived in the basement, where he had all the conveniences for cooking, and played the part of chef for his master and himself. This was only a part of his duty, for he was a man-of-all-work, purveyor, steward, chambermaid,—as universal in his services for one man as Pushee at the Anchor Tavern used to be for everybody.

It so happened that Paolo took a severe cold one winter's day, and had such threatening symptoms that he asked the baker, when he called, to send the village physician to see him. In the course of his visit the doctor naturally inquired about the health of Paolo's master.

"Signor Kirkwood well,—molto bene," said Paolo. "Why does he keep out of sight as he does?" asked the doctor.

"He always so," replied Paolo. "Una antipatia."

Whether Paolo was off his guard with the doctor, whether he revealed it to him as to a father confessor, or whether he thought it time that the reason of his master's seclusion should be known, the doctor did not feel sure. At any rate, Paolo was not disposed to make any further revelations. Una antipatia,—an antipathy,—that was all the doctor learned. He thought the matter over, and the more he reflected the more he was puzzled. What could an antipathy be that made a young man a recluse! Was it a dread of blue sky and open air, of the smell of flowers, or some electrical impression to which he was unnaturally sensitive?

Dr. Butts carried these questions home with him. His wife was a sensible, discreet woman, whom he could trust with many professional secrets. He told her of Paolo's revelation, and talked it over with her in the light of his experience and her own; for she had known some curious cases of constitutional likes and aversions.

Mrs. Butts buried the information in the grave of her memory, where it lay for nearly a week. At the end of that time it emerged in a confidential whisper to her favorite sister-in-law, a perfectly safe person. Twenty-four hours later the story was all over the village that Maurice Kirkwood was the subject of a strange, mysterious, unheard-of antipathy to something, nobody knew what; and the whole neighborhood naturally resolved itself into an unorganized committee of investigation.



IV

What is a country village without its mysterious personage? Few are now living who can remember the advent of the handsome young man who was the mystery of our great university town "sixty years since,"—long enough ago for a romance to grow out of a narrative, as Waverley may remind us. The writer of this narrative remembers him well, and is not sure that he has not told the strange story in some form or other to the last generation, or to the one before the last. No matter: if he has told it they have forgotten it,—that is, if they have ever read it; and whether they have or have not, the story is singular enough to justify running the risk of repetition.

This young man, with a curious name of Scandinavian origin, appeared unheralded in the town, as it was then, of Cantabridge. He wanted employment, and soon found it in the shape of manual labor, which he undertook and performed cheerfully. But his whole appearance showed plainly enough that he was bred to occupations of a very different nature, if, in deed, he had been accustomed to any kind of toil for his living. His aspect was that of one of gentle birth. His hands were not those of a laborer, and his features were delicate and refined, as well as of remarkable beauty. Who he was, where he came from, why he had come to Cantabridge, was never clearly explained. He was alone, without friends, except among the acquaintances he had made in his new residence. If he had any correspondents, they were not known to the neighborhood where he was living. But if he had neither friends nor correspondents, there was some reason for believing that he had enemies. Strange circumstances occurred which connected themselves with him in an ominous and unaccountable way. A threatening letter was slipped under the door of a house where he was visiting. He had a sudden attack of illness, which was thought to look very much like the effect of poison. At one time he disappeared, and was found wandering, bewildered, in a town many miles from that where he was residing. When questioned how he came there; he told a coherent story that he had been got, under some pretext, or in some not incredible way, into a boat, from which, at a certain landing-place, he had escaped and fled for his life, which he believed was in danger from his kidnappers.

Whoever his enemies may have been,—if they really existed,—he did not fall a victim to their plots, so far as known to or remembered by this witness.

Various interpretations were put upon his story. Conjectures were as abundant as they were in the case of Kaspar Hauser. That he was of good family seemed probable; that he was of distinguished birth, not impossible; that he was the dangerous rival of a candidate for a greatly coveted position in one of the northern states of Europe was a favorite speculation of some of the more romantic young persons. There was no dramatic ending to this story,—at least none is remembered by the present writer.

"He left a name," like the royal Swede, of whose lineage he may have been for aught that the village people knew, but not a name at which anybody "grew pale;" for he had swindled no one, and broken no woman's heart with false vows. Possibly some withered cheeks may flush faintly as they recall the handsome young man who came before the Cantabridge maidens fully equipped for a hero of romance when the century was in its first quarter.

The writer has been reminded of the handsome Swede by the incidents attending the advent of the unknown and interesting stranger who had made his appearance at Arrowhead Village.

It was a very insufficient and unsatisfactory reason to assign for the young man's solitary habits that he was the subject of an antipathy. For what do we understand by that word? When a young lady screams at the sight of a spider, we accept her explanation that she has a natural antipathy to the creature. When a person expresses a repugnance to some wholesome article of food, agreeable to most people, we are satisfied if he gives the same reason. And so of various odors, which are pleasing to some persons and repulsive to others. We do not pretend to go behind the fact. It is an individual, and it may be a family, peculiarity. Even between different personalities there is an instinctive elective dislike as well as an elective affinity. We are not bound to give a reason why Dr. Fell is odious to us any more than the prisoner who peremptorily challenges a juryman is bound to say why he does it; it is enough that he "does not like his looks."

There was nothing strange, then, that Maurice Kirkwood should have his special antipathy; a great many other people have odd likes and dislikes. But it was a very curious thing that this antipathy should be alleged as the reason for his singular mode of life. All sorts of explanations were suggested, not one of them in the least satisfactory, but serving to keep the curiosity of inquirers active until they were superseded by a new theory. One story was that Maurice had a great fear of dogs. It grew at last to a connected narrative, in which a fright in childhood from a rabid mongrel was said to have given him such a sensitiveness to the near presence of dogs that he was liable to convulsions if one came close to him.

This hypothesis had some plausibility. No other creature would be so likely to trouble a person who had an antipathy to it. Dogs are very apt to make the acquaintance of strangers, in a free and easy way. They are met with everywhere,—in one's daily walk, at the thresholds of the doors one enters, in the gentleman's library, on the rug of my lady's sitting-room and on the cushion of her carriage. It is true that there are few persons who have an instinctive repugnance to this "friend of man." But what if this so-called antipathy were only a fear, a terror, which borrowed the less unmanly name? It was a fair question, if, indeed, the curiosity of the public had a right to ask any questions at all about a harmless individual who gave no offence, and seemed entitled to the right of choosing his way of living to suit himself, without being submitted to espionage.

There was no positive evidence bearing on the point as yet. But one of the village people had a large Newfoundland dog, of a very sociable disposition, with which he determined to test the question. He watched for the time when Maurice should leave his house for the woods or the lake, and started with his dog to meet him. The animal walked up to the stranger in a very sociable fashion, and began making his acquaintance, after the usual manner of well-bred dogs; that is, with the courtesies and blandishments by which the canine Chesterfield is distinguished from the ill-conditioned cur. Maurice patted him in a friendly way, and spoke to him as one who was used to the fellowship of such companions. That idle question and foolish story were disposed of, therefore, and some other solution must be found, if possible.

A much more common antipathy is that which is entertained with regard to cats. This has never been explained. It is not mere aversion to the look of the creature, or to any sensible quality known to the common observer. The cat is pleasing in aspect, graceful in movement, nice in personal habits, and of amiable disposition. No cause of offence is obvious, and yet there are many persons who cannot abide the presence of the most innocent little kitten. They can tell, in some mysterious way, that there is a cat in the room when they can neither see nor hear the creature. Whether it is an electrical or quasi-magnetic phenomenon, or whatever it may be, of the fact of this strange influence there are too many well-authenticated instances to allow its being questioned. But suppose Maurice Kirkwood to be the subject of this antipathy in its extremest degree, it would in no manner account for the isolation to which he had condemned himself. He might shun the firesides of the old women whose tabbies were purring by their footstools, but these worthy dames do not make up the whole population.

These two antipathies having been disposed of, a new suggestion was started, and was talked over with a curious sort of half belief, very much as ghost stories are told in a circle of moderately instructed and inquiring persons. This was that Maurice was endowed with the unenviable gift of the evil eye. He was in frequent communication with Italy, as his letters showed, and had recently been residing in that country, as was learned from Paolo. Now everybody knows that the evil eye is not rarely met with in Italy. Everybody who has ever read Mr. Story's "Roba di Roma" knows what a terrible power it is which the owner of the evil eye exercises. It can blight and destroy whatever it falls upon. No person's life or limb is safe if the jettatura, the withering glance of the deadly organ, falls upon him. It must be observed that this malign effect may follow a look from the holiest personages, that is, if we may assume that a monk is such as a matter of course. Certainly we have a right to take it for granted that the late Pope, Pius Ninth, was an eminently holy man, and yet he had the name of dispensing the mystic and dreaded jettatura as well as his blessing. If Maurice Kirkwood carried that destructive influence, so that his clear blue eyes were more to be feared than the fascinations of the deadliest serpent, it could easily be understood why he kept his look away from all around him whom he feared he might harm.

No sensible person in Arrowhead Village really believed in the evil eye, but it served the purpose of a temporary hypothesis, as do many suppositions which we take as a nucleus for our observations without putting any real confidence in them. It was just suited to the romantic notions of the more flighty persons in the village, who had meddled more or less with Spiritualism, and were ready for any new fancy, if it were only wild enough.

The riddle of the young stranger's peculiarity did not seem likely to find any very speedy solution. Every new suggestion furnished talk for the gossips of the village and the babble of the many tongues in the two educational institutions. Naturally, the discussion was liveliest among the young ladies. Here is an extract from a letter of one of these young ladies, who, having received at her birth the ever-pleasing name of Mary, saw fit to have herself called Mollie in the catalogue and in her letters. The old postmaster of the town to which her letter was directed took it up to stamp, and read on the envelope the direction to "Miss Lulu Pinrow." He brought the stamp down with a vicious emphasis, coming very near blotting out the nursery name, instead of cancelling the postage-stamp. "Lulu!" he exclaimed. "I should like to know if that great strapping girl isn't out of her cradle yet! I suppose Miss Louisa will think that belongs to her, but I saw her christened and I heard the name the minister gave her, and it was n't 'Lulu,' or any such baby nonsense." And so saying, he gave it a fling to the box marked P, as if it burned his fingers. Why a grown-up young woman allowed herself to be cheapened in the way so many of them do by the use of names which become them as well as the frock of a ten-year-old schoolgirl would become a graduate of the Corinna Institute, the old postmaster could not guess. He was a queer old man.

The letter thus scornfully treated runs over with a young girl's written loquacity:

"Oh, Lulu, there is such a sensation as you never saw or heard of 'in all your born days,' as mamma used to say. He has been at the village for some time, but lately we have had—oh, the weirdest stories about him! 'The Mysterious Stranger is the name some give him, but we girls call him the Sachem, because he paddles about in an Indian canoe. If I should tell you all the things that are said about him I should use up all my paper ten times over. He has never made a visit to the Institute, and none of the girls have ever spoken to him, but the people at the village say he is very, very handsome. We are dying to get a look at him, of course—though there is a horrid story about him—that he has the evil eye did you ever hear about the evil eye? If a person who is born with it looks at you, you die, or something happens—awful—is n't it?

"The rector says he never goes to church, but then you know a good many of the people that pass the summer at the village never do—they think their religion must have vacations—that's what I've heard they say—vacations, just like other hard work—it ought not to be hard work, I'm sure, but I suppose they feel so about it. Should you feel afraid to have him look at you? Some of the girls say they would n't have him for the whole world, but I shouldn't mind it—especially if I had on my eyeglasses. Do you suppose if there is anything in the evil eye it would go through glass? I don't believe it. Do you think blue eye-glasses would be better than common ones? Don't laugh at me—they tell such weird stories! The Terror—Lurida Vincent, you know-makes fun of all they say about it, but then she 'knows everything and doesn't believe anything,' the girls say—Well, I should be awfully scared, I know, if anybody that had the evil eye should look at me—but—oh, I don't know—but if it was a young man—and if he was very—very good-looking—I think—perhaps I would run the risk—but don't tell anybody I said any such horrid thing—and burn this letter right up—there 's a dear good girl."

It is to be hoped that no reader will doubt the genuineness of this letter. There are not quite so many "awfuls" and "awfullys" as one expects to find in young ladies' letters, but there are two "weirds," which may be considered a fair allowance. How it happened that "jolly" did not show itself can hardly be accounted for; no doubt it turns up two or three times at least in the postscript.

Here is an extract from another letter. This was from one of the students of Stoughton University to a friend whose name as it was written on the envelope was Mr. Frank Mayfield. The old postmaster who found fault with Miss "Lulu's" designation would probably have quarrelled with this address, if it had come under his eye. "Frank" is a very pretty, pleasant-sounding name, and it is not strange that many persons use it in common conversation all their days when speaking of a friend. Were they really christened by that name, any of these numerous Franks? Perhaps they were, and if so there is nothing to be said. But if not, was the baptismal name Francis or Franklin? The mind is apt to fasten in a very perverse and unpleasant way upon this question, which too often there is no possible way of settling. One might hope, if he outlived the bearer of the appellation, to get at the fact; but since even gravestones have learned to use the names belonging to childhood and infancy in their solemn record, the generation which docks its Christian names in such an un-Christian way will bequeath whole churchyards full of riddles to posterity. How it will puzzle and distress the historians and antiquarians of a coming generation to settle what was the real name of Dan and Bert and Billy, which last is legible on a white marble slab, raised in memory of a grown person, in a certain burial-ground in a town in Essex County, Massachusetts!

But in the mean time we are forgetting the letter directed to Mr. Frank Mayfield.

"DEAR FRANK,—Hooray! Hurrah! Rah!

"I have made the acquaintance of 'The Mysterious Stranger'! It happened by a queer sort of accident, which came pretty near relieving you of the duty of replying to this letter. I was out in my little boat, which carries a sail too big for her, as I know and ought to have remembered. One of those fitful flaws of wind to which the lake is so liable struck the sail suddenly, and over went my boat. My feet got tangled in the sheet somehow, and I could not get free. I had hard work to keep my head above water, and I struggled desperately to escape from my toils; for if the boat were to go down I should be dragged down with her. I thought of a good many things in the course of some four or five minutes, I can tell you, and I got a lesson about time better than anything Kant and all the rest of them have to say of it. After I had been there about an ordinary lifetime, I saw a white canoe making toward me, and I knew that our shy young gentleman was coming to help me, and that we should become acquainted without an introduction. So it was, sure enough. He saw what the trouble was, managed to disentangle my feet without drowning me in the process or upsetting his little flimsy craft, and, as I was somewhat tired with my struggle, took me in tow and carried me to the landing where he kept his canoe. I can't say that there is anything odd about his manners or his way of talk. I judge him to be a native of one of our Northern States,—perhaps a New Englander. He has lived abroad during some parts of his life. He is not an artist, as it was at one time thought he might be. He is a good-looking fellow, well developed, manly in appearance, with nothing to excite special remark unless it be a certain look of anxiety or apprehension which comes over him from time to time. You remember our old friend Squire B., whose companion was killed by lightning when he was standing close to him. You know the look he had whenever anything like a thundercloud came up in the sky. Well, I should say there was a look like that came over this Maurice Kirkwood's face every now and then. I noticed that he looked round once or twice as if to see whether some object or other was in sight. There was a little rustling in the grass as if of footsteps, and this look came over his features. A rabbit ran by us, and I watched to see if he showed any sign of that antipathy we have heard so much of, but he seemed to be pleased watching the creature.

"If you ask me what my opinion is about this Maurice Kirkwood, I think he is eccentric in his habit of life, but not what they call a 'crank' exactly. He talked well enough about such matters as we spoke of,—the lake, the scenery in general, the climate. I asked him to come over and take a look at the college. He did n't promise, but I should not be surprised if I should get him over there some day. I asked him why he did n't go to the Pansophian meetings. He did n't give any reason, but he shook his head in a very peculiar way, as much as to say that it was impossible.

"On the whole, I think it is nothing more than the same feeling of dread of human society, or dislike for it, which under the name of religion used to drive men into caves and deserts. What a pity that Protestantism does not make special provision for all the freaks of individual character! If we had a little more faith and a few more caverns, or convenient places for making them, we should have hermits in these holes as thick as woodchucks or prairie dogs. I should like to know if you never had the feeling,

"'Oh, that the desert were my dwelling-place!'

"I know what your answer will be, of course. You will say, 'Certainly,

"'With one fair spirit for my minister;'"

"but I mean alone,—all alone. Don't you ever feel as if you should like to have been a pillar-saint in the days when faith was as strong as lye (spelt with a y), instead of being as weak as dish-water? (Jerry is looking over my shoulder, and says this pun is too bad to send, and a disgrace to the University—but never mind.) I often feel as if I should like to roost on a pillar a hundred feet high,—yes, and have it soaped from top to bottom. Wouldn't it be fun to look down at the bores and the duns? Let us get up a pillar-roosters' association. (Jerry—still looking over says there is an absurd contradiction in the idea.)

"What a matter-of-fact idiot Jerry is!

"How do you like looking over, Mr. Inspector general?"

The reader will not get much information out of this lively young fellow's letter, but he may get a little. It is something to know that the mysterious resident of Arrowhead Village did not look nor talk like a crazy person; that he was of agreeable aspect and address, helpful when occasion offered, and had nothing about him, so far as yet appeared, to prevent his being an acceptable member of society.

Of course the people in the village could never be contented without learning everything there was to be learned about their visitor. All the city papers were examined for advertisements. If a cashier had absconded, if a broker had disappeared, if a railroad president was missing, some of the old stories would wake up and get a fresh currency, until some new circumstance gave rise to a new hypothesis. Unconscious of all these inquiries and fictions, Maurice Kirkwood lived on in his inoffensive and unexplained solitude, and seemed likely to remain an unsolved enigma. The "Sachem" of the boating girls became the "Sphinx" of the village ramblers, and it was agreed on all hands that Egypt did not hold any hieroglyphics harder to make out than the meaning of this young man's odd way of living.



V

THE ENIGMA STUDIED.

It was a curious, if it was not a suspicious, circumstance that a young man, seemingly in good health, of comely aspect, looking as if made for companionship, should keep himself apart from all the world around him in a place where there was a general feeling of good neighborhood and a pleasant social atmosphere. The Public Library was a central point which brought people together. The Pansophian Society did a great deal to make them acquainted with each other for many of the meetings were open to outside visitors, and the subjects discussed in the meetings furnished the material for conversation in their intervals. A card of invitation had been sent by the Secretary to Maurice, in answer to which Paolo carried back a polite note of regret. The paper had a narrow rim of black, implying apparently some loss of relative or friend, but not any very recent and crushing bereavement. This refusal to come to the meetings of the society was only what was expected. It was proper to ask him, but his declining the invitation showed that he did not wish for attentions or courtesies. There was nothing further to be done to bring him out of his shell, and seemingly nothing more to be learned about him at present.

In this state of things it was natural that all which had been previously gathered by the few who had seen or known anything of him should be worked over again. When there is no new ore to be dug, the old refuse heaps are looked over for what may still be found in them. The landlord of the Anchor Tavern, now the head of the boarding-house, talked about Maurice, as everybody in the village did at one time or another. He had not much to say, but he added a fact or two.

The young gentleman was good pay,—so they all said. Sometimes he paid in gold; sometimes in fresh bills, just out of the bank. He trusted his man, Mr. Paul, with the money to pay his bills. He knew something about horses; he showed that by the way he handled that colt,—the one that threw the hostler and broke his collar-bone. "Mr. Paul come down to the stable. 'Let me see that cult you all 'fraid of,' says he. 'My master, he ride any hoss,' says Paul. 'You saddle him,' says be; and so they did, and Paul, he led that colt—the kickinest and ugliest young beast you ever see in your life—up to the place where his master, as he calls him, and he lives. What does that Kirkwood do but clap on a couple of long spurs and jump on to that colt's back, and off the beast goes, tail up, heels flying, standing up on end, trying all sorts of capers, and at last going it full run for a couple of miles, till he'd got about enough of it. That colt went off as ferce as a wild-cat, and come back as quiet as a cosset lamb. A man that pays his bills reg'lar, in good money, and knows how to handle a hoss is three quarters of a gentleman, if he is n't a whole one,—and most likely he is a whole one."

So spake the patriarch of the Anchor Tavern. His wife had already given her favorable opinion of her former guest. She now added something to her description as a sequel to her husband's remarks.

"I call him," she said, "about as likely a young gentleman as ever I clapped my eyes on. He is rather slighter than I like to see a young man of his age; if he was my sun, I should like to see him a little more fleshy. I don't believe he weighs more than a hundred and thirty or forty pounds. Did y' ever look at those eyes of his, M'randy? Just as blue as succory flowers. I do like those light-complected young fellows, with their fresh cheeks and their curly hair; somehow, curly hair doos set off anybody's face. He is n't any foreigner, for all that he talks Italian with that Mr. Paul that's his help. He looks just like our kind of folks, the college kind, that's brought up among books, and is handling 'em, and reading of 'em, and making of 'em, as like as not, all their lives. All that you say about his riding the mad colt is just what I should think he was up to, for he's as spry as a squirrel; you ought to see him go over that fence, as I did once. I don't believe there's any harm in that young gentleman,—I don't care what people say. I suppose he likes this place just as other people like it, and cares more for walking in the woods and paddling about in the water than he doos for company; and if he doos, whose business is it, I should like to know?"

The third of the speakers was Miranda, who had her own way of judging people.

"I never see him but two or three times," Miranda said. "I should like to have waited on him, and got a chance to look stiddy at him when he was eatin' his vittles. That 's the time to watch folks, when their jaws get a-goin' and their eyes are on what's afore 'em. Do you remember that chap the sheriff come and took away when we kep' tahvern? Eleven year ago it was, come nex' Thanksgivin' time. A mighty grand gentleman from the City he set up for. I watched him, and I watched him. Says I, I don't believe you're no gentleman, says I. He eat with his knife, and that ain't the way city folks eats. Every time I handed him anything I looked closeter and closeter. Them whiskers never grooved on them cheeks, says I to myself. Them 's paper collars, says I. That dimun in your shirt-front hain't got no life to it, says I. I don't believe it's nothiri' more 'n a bit o' winderglass. So says I to Pushee, 'You jes' step out and get the sheriff to come in and take a look at that chap.' I knowed he was after a fellah. He come right in, an' he goes up to the chap. 'Why, Bill,' says he, 'I'm mighty glad to see yer. We've had the hole in the wall you got out of mended, and I want your company to come and look at the old place,' says he, and he pulls out a couple of handcuffs and has 'em on his wrists in less than no time, an' off they goes together! I know one thing about that young gentleman, anyhow,—there ain't no better judge of what's good eatin' than he is. I cooked him some maccaroni myself one day, and he sends word to me by that Mr. Paul, 'Tell Miss Miranda,' says he, I that the Pope o' Rome don't have no better cooked maccaroni than what she sent up to me yesterday,' says he. I don' know much about the Pope o' Rome except that he's a Roman Catholic, and I don' know who cooks for him, whether it's a man or a woman; but when it comes to a dish o' maccaroni, I ain't afeard of their shefs, as they call 'em,—them he-cooks that can't serve up a cold potater without callin' it by some name nobody can say after 'em. But this gentleman knows good cookin', and that's as good a sign of a gentleman as I want to tell 'em by."



VI

STILL AT FAULT.

The house in which Maurice Kirkwood had taken up his abode was not a very inviting one. It was old, and had been left in a somewhat dilapidated and disorderly condition by the tenants who had lived in the part which Maurice now occupied. They had piled their packing-boxes in the cellar, with broken chairs, broken china, and other household wrecks. A cracked mirror lay on an old straw mattress, the contents of which were airing themselves through wide rips and rents. A lame clothes-horse was saddled with an old rug fringed with a ragged border, out of which all the colors had been completely trodden. No woman would have gone into a house in such a condition. But the young man did not trouble himself much about such matters, and was satisfied when the rooms which were to be occupied by himself and his servant were made decent and tolerably comfortable. During the fine season all this was not of much consequence, and if Maurice made up his mind to stay through the winter he would have his choice among many more eligible places.

The summer vacation of the Corinna Institute had now arrived, and the young ladies had scattered to their homes. Among the graduates of the year were Miss Euthymia Tower and Miss Lurida Vincent, who had now returned to their homes in Arrowhead Village. They were both glad to rest after the long final examinations and the exercises of the closing day, in which each of them had borne a conspicuous part. It was a pleasant life they led in the village, which was lively enough at this season. Walking, riding, driving, boating, visits to the Library, meetings of the Pansophian Society, hops, and picnics made the time pass very cheerfully, and soon showed their restoring influences. The Terror's large eyes did not wear the dull, glazed look by which they had too often betrayed the after effects of over-excitement of the strong and active brain behind them. The Wonder gained a fresher bloom, and looked full enough of life to radiate vitality into a statue of ice. They had a boat of their own, in which they passed many delightful hours on the lake, rowing, drifting, reading, telling of what had been, dreaming of what might be.

The Library was one of the chief centres of the fixed population, and visited often by strangers. The old Librarian was a peculiar character, as these officials are apt to be. They have a curious kind of knowledge, sometimes immense in its way. They know the backs of books, their title-pages, their popularity or want of it, the class of readers who call for particular works, the value of different editions, and a good deal besides. Their minds catch up hints from all manner of works on all kinds of subjects. They will give a visitor a fact and a reference which they are surprised to find they remember and which the visitor might have hunted for a year. Every good librarian, every private book-owner, who has grown into his library, finds he has a bunch of nerves going to every bookcase, a branch to every shelf, and a twig to every book. These nerves get very sensitive in old librarians, sometimes, and they do not like to have a volume meddled with any more than they would like to have their naked eyes handled. They come to feel at last that the books of a great collection are a part, not merely of their own property, though they are only the agents for their distribution, but that they are, as it were, outlying portions of their own organization. The old Librarian was getting a miserly feeling about his books, as he called them. Fortunately, he had a young lady for his assistant, who was never so happy as when she could find the work any visitor wanted and put it in his hands,—or her hands, for there were more readers among the wives and—daughters, and especially among the aunts, than there were among their male relatives. The old Librarian knew the books, but the books seemed to know the young assistant; so it looked, at least, to the impatient young people who wanted their services.

Maurice had a good many volumes of his own,—a great many, according to Paolo's account; but Paolo's ideas were limited, and a few well-filled shelves seemed a very large collection to him. His master frequently sent him to the Public Library for books, which somewhat enlarged his notions; still, the Signor was a very learned man, he was certain, and some of his white books (bound in vellum and richly gilt) were more splendid, according to Paolo, than anything in the Library.

There was no little curiosity to know what were the books that Maurice was in the habit of taking out, and the Librarian's record was carefully searched by some of the more inquisitive investigators. The list proved to be a long and varied one. It would imply a considerable knowledge of modern languages and of the classics; a liking for mathematics and physics, especially all that related to electricity and magnetism; a fancy for the occult sciences, if there is any propriety in coupling these words; and a whim for odd and obsolete literature, like the Parthenologia of Fortunius Licetus, the quaint treatise 'De Sternutatione,' books about alchemy, and witchcraft, apparitions, and modern works relating to Spiritualism. With these were the titles of novels and now and then of books of poems; but it may be taken for granted that his own shelves held the works he was most frequently in the habit of reading or consulting. Not much was to be made out of this beyond the fact of wide scholarship,—more or less deep it might be, but at any rate implying no small mental activity; for he appeared to read very rapidly, at any rate exchanged the books he had taken out for new ones very frequently. To judge by his reading, he was a man of letters. But so wide-reading a man of letters must have an object, a literary purpose in all probability. Why should not he be writing a novel? Not a novel of society, assuredly, for a hermit is not the person to report the talk and manners of a world which he has nothing to do with. Novelists and lawyers understand the art of "cramming" better than any other persons in the world. Why should not this young man be working up the picturesque in this romantic region to serve as a background for some story with magic, perhaps, and mysticism, and hints borrowed from science, and all sorts of out-of-the-way knowledge which his odd and miscellaneous selection of books furnished him? That might be, or possibly he was only reading for amusement. Who could say?

The funds of the Public Library of Arrowhead Village allowed the managers to purchase many books out of the common range of reading. The two learned people of the village were the rector and the doctor. These two worthies kept up the old controversy between the professions, which grows out of the fact that one studies nature from below upwards, and the other from above downwards. The rector maintained that physicians contracted a squint which turns their eyes inwardly, while the muscles which roll their eyes upward become palsied. The doctor retorted that theological students developed a third eyelid,—the nictitating membrane, which is so well known in birds, and which serves to shut out, not all light, but all the light they do not want. Their little skirmishes did not prevent their being very good friends, who had a common interest in many things and many persons. Both were on the committee which had the care of the Library and attended to the purchase of books. Each was scholar enough to know the wants of scholars, and disposed to trust the judgment of the other as to what books should be purchased. Consequently, the clergyman secured the addition to the Library of a good many old theological works which the physician would have called brimstone divinity, and held to be just the thing to kindle fires with,—good books still for those who know how to use them, oftentimes as awful examples of the extreme of disorganization the whole moral system may undergo when a barbarous belief has strangled the natural human instincts. The physician, in the mean time, acquired for the collection some of those medical works where one may find recorded various rare and almost incredible cases, which may not have their like for a whole century, and then repeat themselves, so as to give a new lease of credibility to stories which had come to be looked upon as fables.

Both the clergyman and the physician took a very natural interest in the young man who had come to reside in their neighborhood for the present, perhaps for a long period. The rector would have been glad to see him at church. He would have liked more especially to have had him hear his sermon on the Duties of Young Men to Society. The doctor, meanwhile, was meditating on the duties of society to young men, and wishing that he could gain the young man's confidence, so as to help him out of any false habit of mind or any delusion to which he might be subject, if he had the power of being useful to him.

Dr. Butts was the leading medical practitioner, not only of Arrowhead Village, but of all the surrounding region. He was an excellent specimen of the country doctor, self-reliant, self-sacrificing, working a great deal harder for his living than most of those who call themselves the laboring classes,—as if none but those whose hands were hardened by the use of farming or mechanical implements had any work to do. He had that sagacity without which learning is a mere incumbrance, and he had also a fair share of that learning without which sagacity is like a traveller with a good horse, but who cannot read the directions on the guideboards. He was not a man to be taken in by names. He well knew that oftentimes very innocent-sounding words mean very grave disorders; that all, degrees of disease and disorder are frequently confounded under the same term; that "run down" may stand for a fatigue of mind or body from which a week or a month of rest will completely restore the over-worked patient, or an advanced stage of a mortal illness; that "seedy" may signify the morning's state of feeling, after an evening's over-indulgence, which calls for a glass of soda-water and a cup of coffee, or a dangerous malady which will pack off the subject of it, at the shortest notice, to the south of France. He knew too well that what is spoken lightly of as a "nervous disturbance" may imply that the whole machinery of life is in a deranged condition, and that every individual organ would groan aloud if it had any other language than the terrible inarticulate one of pain by which to communicate with the consciousness.

When, therefore, Dr. Butts heard the word antipatia he did not smile, and say to himself that this was an idle whim, a foolish fancy, which the young man had got into his head. Neither was he satisfied to set down everything to the account of insanity, plausible as that supposition might seem. He was prepared to believe in some exceptional, perhaps anomalous, form of exaggerated sensibility, relating to what class of objects he could not at present conjecture, but which was as vital to the subject of it as the insulating arrangement to a piece of electrical machinery. With this feeling he began to look into the history of antipathies as recorded in all the books and journals on which he could lay his hands.

———————————————

The holder of the Portfolio asks leave to close it for a brief interval. He wishes to say a few words to his readers, before offering them some verses which have no connection with the narrative now in progress.

If one could have before him a set of photographs taken annually, representing the same person as he or she appeared for thirty or forty or fifty years, it would be interesting to watch the gradual changes of aspect from the age of twenty, or even of thirty or forty, to that of threescore and ten. The face might be an uninteresting one; still, as sharing the inevitable changes wrought by time, it would be worth looking at as it passed through the curve of life,—the vital parabola, which betrays itself in the symbolic changes of the features. An inscription is the same thing, whether we read it on slate-stone, or granite, or marble. To watch the lights and shades, the reliefs and hollows, of a countenance through a lifetime, or a large part of it, by the aid of a continuous series of photographs would not only be curious; it would teach us much more about the laws of physiognomy than we could get from casual and unconnected observations.

The same kind of interest, without any assumption of merit to be found in them, I would claim for a series of annual poems, beginning in middle life and continued to what many of my correspondents are pleased to remind me—as if I required to have the fact brought to my knowledge—is no longer youth. Here is the latest of a series of annual poems read during the last thirty-four years. There seems to have been one interruption, but there may have been other poems not recorded or remembered. This, the latest poem of the series, was listened to by the scanty remnant of what was a large and brilliant circle of classmates and friends when the first of the long series was read before them, then in the flush of ardent manhood:—

THE OLD SONG.

The minstrel of the classic lay Of love and wine who sings Still found the fingers run astray That touched the rebel strings.

Of Cadmus he would fair have sung, Of Atreus and his line; But all the jocund echoes rung With songs of love and wine.

Ah, brothers! I would fair have caught Some fresher fancy's gleam; My truant accents find, unsought, The old familiar theme.

Love, Love! but not the sportive child With shaft and twanging bow, Whose random arrows drove us wild Some threescore years ago;

Not Eros, with his joyous laugh, The urchin blind and bare, But Love, with spectacles and staff, And scanty, silvered hair.

Our heads with frosted locks are white, Our roofs are thatched with snow, But red, in chilling winter's spite, Our hearts and hearthstones glow.

Our old acquaintance, Time, drops in, And while the running sands Their golden thread unheeded spin, He warms his frozen hands.

Stay, winged hours, too swift, too sweet, And waft this message o'er To all we miss, from all we meet On life's fast-crumbling shore:

Say that to old affection true We hug the narrowing chain That binds our hearts,—alas, how few The links that yet remain!

The fatal touch awaits them all That turns the rocks to dust; From year to year they break and fall, They break, but never rust.

Say if one note of happier strain This worn-out harp afford, —One throb that trembles, not in vain, Their memory lent its chord.

Say that when Fancy closed her wings And Passion quenched his fire, Love, Love, still echoed from the strings As from Anacreon's lyre!

January 8, 1885.



VII

A RECORD OF ANTIPATHIES

In thinking the whole matter over, Dr. Butts felt convinced that, with care and patience and watching his opportunity, he should get at the secret, which so far bad yielded nothing but a single word. It might be asked why he was so anxious to learn what, from all appearances, the young stranger was unwilling to explain. He may have been to some extent infected by the general curiosity of the persons around him, in which good Mrs. Butts shared, and which she had helped to intensify by revealing the word dropped by Paolo. But this was not really his chief motive. He could not look upon this young man, living a life of unwholesome solitude, without a natural desire to do all that his science and his knowledge of human nature could help him to do towards bringing him into healthy relations with the world about him. Still, he would not intrude upon him in any way. He would only make certain general investigations, which might prove serviceable in case circumstances should give him the right to counsel the young man as to his course of life. The first thing to be done was to study systematically the whole subject of antipathies. Then, if any further occasion offered itself, he would be ready to take advantage of it. The resources of the Public Library of the place and his own private collection were put in requisition to furnish him the singular and widely scattered facts of which he was in search.

It is not every reader who will care to follow Dr. Butts in his study of the natural history of antipathies. The stories told about them are, however, very curious; and if some of them may be questioned, there is no doubt that many of the strangest are true, and consequently take away from the improbability of others which we are disposed to doubt.

But in the first place, what do we mean by an antipathy? It is an aversion to some object, which may vary in degree from mere dislike to mortal horror. What the cause of this aversion is we cannot say. It acts sometimes through the senses, sometimes through the imagination, sometimes through an unknown channel. The relations which exist between the human being and all that surrounds him vary in consequence of some adjustment peculiar to each individual. The brute fact is expressed in the phrase "One man's meat is another man's poison."

In studying the history of antipathies the doctor began with those referable to the sense of taste, which are among the most common. In any collection of a hundred persons there will be found those who cannot make use of certain articles of food generally acceptable. This may be from the disgust they occasion or the effects they have been found to produce. Every one knows individuals who cannot venture on honey, or cheese, or veal, with impunity. Carlyle, for example, complains of having veal set before him,—a meat he could not endure. There is a whole family connection in New England, and that a very famous one, to many of whose members, in different generations, all the products of the dairy are the subjects of a congenital antipathy. Montaigne says there are persons who dread the smell of apples more than they would dread being exposed to a fire of musketry. The readers of the charming story "A Week in a French Country-House" will remember poor Monsieur Jacque's piteous cry in the night: "Ursula, art thou asleep? Oh, Ursula, thou sleepest, but I cannot close my eyes. Dearest Ursula, there is such a dreadful smell! Oh, Ursula, it is such a smell! I do so wish thou couldst smell it! Good-night, my angel!——Dearest! I have found them! They are apples!" The smell of roses, of peonies, of lilies, has been known to cause faintness. The sight of various objects has had singular effects on some persons. A boar's head was a favorite dish at the table of great people in Marshal d'Albret's time; yet he used to faint at the sight of one. It is not uncommon to meet with persons who faint at the sight of blood. One of the most inveterately pugnacious of Dr. Butts's college-mates confessed that he had this infirmity. Stranger and far more awkward than this is the case mentioned in an ancient collection, where the subject of the antipathy fainted at the sight of any object of a red color. There are sounds, also, which have strange effects on some individuals. Among the obnoxious noises are the crumpling of silk stuffs, the sound of sweeping, the croaking of frogs. The effects in different cases have been spasms, a sense of strangling, profuse sweating,—all showing a profound disturbance of the nervous system.

All these effects were produced by impressions on the organs of sense, seemingly by direct agency on certain nerve centres. But there is another series of cases in which the imagination plays a larger part in the phenomena. Two notable examples are afforded in the lives of two very distinguished personages.

Peter the Great was frightened, when an infant, by falling from a bridge into the water. Long afterward, when he had reached manhood, this hardy and resolute man was so affected by the sound of wheels rattling over a bridge that he had to discipline himself by listening to the sound, in spite of his dread of it, in order to overcome his antipathy. The story told by Abbe Boileau of Pascal is very similar to that related of Peter. As he was driving in his coach and four over the bridge at Neuilly, his horses took fright and ran away, and the leaders broke from their harness and sprang into the river, leaving the wheel-horses and the carriage on the bridge. Ever after this fright it is said that Pascal had the terrifying sense that he was just on the edge of an abyss, ready to fall over.

What strange early impression was it which led a certain lady always to shriek aloud if she ventured to enter a church, as it is recorded? The old and simple way of accounting for it would be the scriptural one, that it was an unclean spirit who dwelt in her, and who, when she entered the holy place and brought her spiritual tenant into the presence of the sacred symbols, "cried with a loud voice, and came out of" her. A very singular case, the doctor himself had recorded, and which the reader may accept as authentic, is the following: At the head of the doctor's front stairs stood, and still stands, a tall clock, of early date and stately presence. A middle-aged visitor, noticing it as he entered the front door, remarked that he should feel a great unwillingness to pass that clock. He could not go near one of those tall timepieces without a profound agitation, which he dreaded to undergo. This very singular idiosyncrasy he attributed to a fright when he was an infant in the arms of his nurse.

She was standing near one of those tall clocks, when the cord which supported one of its heavy leaden weights broke, and the weight came crashing down to the bottom of the case. Some effect must have been produced upon the pulpy nerve centres from which they never recovered. Why should not this happen, when we know that a sudden mental shock may be the cause of insanity? The doctor remembered the verse of "The Ancient Mariner:"

"I moved my lips; the pilot shrieked And fell down in a fit; The holy hermit raised his eyes And prayed where he did sit. I took the oars; the pilot's boy, Who now doth crazy go, Laughed loud and long, and all the while His eyes went to and fro."

This is only poetry, it is true, but the poet borrowed the description from nature, and the records of our asylums could furnish many cases where insanity was caused by a sudden fright.

More than this, hardly a year passes that we do not read of some person, a child commonly, killed outright by terror,—scared to death, literally. Sad cases they often are, in which, nothing but a surprise being intended, the shock has instantly arrested the movements on which life depends. If a mere instantaneous impression can produce effects like these, such an impression might of course be followed by consequences less fatal or formidable, but yet serious in their nature. If here and there a person is killed, as if by lightning, by a sudden startling sight or sound, there must be more numerous cases in which a terrible shock is produced by similar apparently insignificant causes,—a shock which falls short of overthrowing the reason and does not destroy life, yet leaves a lasting effect upon the subject of it.

This point, then, was settled in the mind of Dr. Butts, namely, that, as a violent emotion caused by a sudden shock can kill or craze a human being, there is no perversion of the faculties, no prejudice, no change of taste or temper, no eccentricity, no antipathy, which such a cause may not rationally account for. He would not be surprised, he said to himself, to find that some early alarm, like that which was experienced by Peter the Great or that which happened to Pascal, had broken some spring in this young man's nature, or so changed its mode of action as to account for the exceptional remoteness of his way of life. But how could any conceivable antipathy be so comprehensive as to keep a young man aloof from all the world, and make a hermit of him? He did not hate the human race; that was clear enough. He treated Paolo with great kindness, and the Italian was evidently much attached to him. He had talked naturally and pleasantly with the young man he had helped out of his dangerous situation when his boat was upset. Dr. Butts heard that he had once made a short visit to this young man, at his rooms in the University. It was not misanthropy, therefore, which kept him solitary. What could be broad enough to cover the facts of the case? Nothing that the doctor could think of, unless it were some color, the sight of which acted on him as it did on the individual before mentioned, who could not look at anything red without fainting. Suppose this were a case of the same antipathy. How very careful it would make the subject of it as to where he went and with whom he consorted! Time and patience would be pretty sure to bring out new developments, and physicians, of all men in the world, know how to wait as well as how to labor.

Such were some of the crude facts as Dr. Butts found them in books or gathered them from his own experience. He soon discovered that the story had got about the village that Maurice Kirkwood was the victim of an "antipathy," whatever that word might mean in the vocabulary of the people of the place. If he suspected the channel through which it had reached the little community, and, spreading from that centre, the country round, he did not see fit to make out of his suspicions a domestic casus belli. Paolo might have mentioned it to others as well as to himself. Maurice might have told some friend, who had divulged it. But to accuse Mrs. Butts, good Mrs. Butts, of petit treason in telling one of her husband's professional secrets was too serious a matter to be thought of. He would be a little more careful, he promised himself, the next time, at any rate; for he had to concede, in spite of every wish to be charitable in his judgment, that it was among the possibilities that the worthy lady had forgotten the rule that a doctor's patients must put their tongues out, and a doctor's wife must keep her tongue in.



VIII

THE PANSOPHIAN SOCIETY.

The Secretary of this association was getting somewhat tired of the office, and the office was getting somewhat tired of him. It occurred to the members of the Society that a little fresh blood infused into it might stir up the general vitality of the organization. The woman suffragists saw no reason why the place of Secretary need as a matter of course be filled by a person of the male sex. They agitated, they made domiciliary visits, they wrote notes to influential citizens, and finally announced as their candidate the young lady who had won and worn the school name of "The Terror," who was elected. She was just the person for the place: wide awake, with all her wits about her, full of every kind of knowledge, and, above all, strong on points of order and details of management, so that she could prompt the presiding officer, to do which is often the most essential duty of a Secretary. The President, the worthy rector, was good at plain sailing in the track of the common moralities and proprieties, but was liable to get muddled if anything came up requiring swift decision and off-hand speech. The Terror had schooled herself in the debating societies of the Institute, and would set up the President, when he was floored by an awkward question, as easily as if he were a ninepin which had been bowled over.

It has been already mentioned that the Pansophian Society received communications from time to time from writers outside of its own organization. Of late these had been becoming more frequent. Many of them were sent in anonymously, and as there were numerous visitors to the village, and two institutions not far removed from it, both full of ambitious and intelligent young persons, it was often impossible to trace the papers to their authors. The new Secretary was alive with curiosity, and as sagacious a little body as one might find if in want of a detective. She could make a pretty shrewd guess whether a paper was written by a young or old person, by one of her own sex or the other, by an experienced hand or a novice.

Among the anonymous papers she received was one which exercised her curiosity to an extraordinary degree. She felt a strong suspicion that "the Sachem," as the boat-crews used to call him, "the Recluse," "the Night-Hawk," "the Sphinx," as others named him, must be the author of it. It appeared to her the production of a young person of a reflective, poetical turn of mind. It was not a woman's way of writing; at least, so thought the Secretary. The writer had travelled much; had resided in Italy, among other places. But so had many of the summer visitors and residents of Arrowhead Village. The handwriting was not decisive; it had some points of resemblance with the pencilled orders for books which Maurice sent to the Library, but there were certain differences, intentional or accidental, which weakened this evidence. There was an undertone in the essay which was in keeping with the mode of life of the solitary stranger. It might be disappointment, melancholy, or only the dreamy sadness of a young person who sees the future he is to climb, not as a smooth ascent, but as overhanging him like a cliff, ready to crush him, with all his hopes and prospects. This interpretation may have been too imaginative, but here is the paper, and the reader can form his own opinion:

MY THREE COMPANIONS.

"I have been from my youth upwards a wanderer. I do not mean constantly flitting from one place to another, for my residence has often been fixed for considerable periods. From time to time I have put down in a notebook the impressions made upon me by the scenes through which I have passed. I have long hesitated whether to let any of my notes appear before the public. My fear has been that they were too subjective, to use the metaphysician's term,—that I have seen myself reflected in Nature, and not the true aspects of Nature as she was meant to be understood. One who should visit the Harz Mountains would see—might see, rather his own colossal image shape itself on the morning mist. But if in every mist that rises from the meadows, in every cloud that hangs upon the mountain, he always finds his own reflection, we cannot accept him as an interpreter of the landscape.

"There must be many persons present at the meetings of the Society to which this paper is offered who have had experiences like that of its author. They have visited the same localities, they have had many of the same thoughts and feelings. Many, I have no doubt. Not all,—no, not all. Others have sought the companionship of Nature; I have been driven to it. Much of my life has been passed in that communion. These pages record some of the intimacies I have formed with her under some of her various manifestations.

"I have lived on the shore of the great ocean, where its waves broke wildest and its voice rose loudest.

"I have passed whole seasons on the banks of mighty and famous rivers.

"I have dwelt on the margin of a tranquil lake, and floated through many a long, long summer day on its clear waters.

"I have learned the 'various language' of Nature, of which poetry has spoken,—at least, I have learned some words and phrases of it. I will translate some of these as I best may into common speech.

"The OCEAN says to the dweller on its shores:—

"You are neither welcome nor unwelcome. I do not trouble myself with the living tribes that come down to my waters. I have my own people, of an older race than yours, that grow to mightier dimensions than your mastodons and elephants; more numerous than all the swarms that fill the air or move over the thin crust of the earth. Who are you that build your palaces on my margin? I see your white faces as I saw the dark faces of the tribes that came before you, as I shall look upon the unknown family of mankind that will come after you. And what is your whole human family but a parenthesis in a single page of my history? The raindrops stereotyped themselves on my beaches before a living creature left his footprints there. This horseshoe-crab I fling at your feet is of older lineage than your Adam,—perhaps, indeed, you count your Adam as one of his descendants. What feeling have I for you? Not scorn, not hatred,—not love,—not loathing. No!—-indifference,—blank indifference to you and your affairs that is my feeling, say rather absence of feeling, as regards you.—-Oh yes, I will lap your feet, I will cool you in the hot summer days, I will bear you up in my strong arms, I will rock you on my rolling undulations, like a babe in his cradle. Am I not gentle? Am I not kind? Am I not harmless? But hark! The wind is rising, and the wind and I are rough playmates! What do you say to my voice now? Do you see my foaming lips? Do you feel the rocks tremble as my huge billows crash against them? Is not my anger terrible as I dash your argosy, your thunder-bearing frigate, into fragments, as you would crack an eggshell?—No, not anger; deaf, blind, unheeding indifference,—that is all. Out of me all things arose; sooner or later, into me all things subside. All changes around me; I change not. I look not at you, vain man, and your frail transitory concerns, save in momentary glimpses: I look on the white face of my dead mistress, whom I follow as the bridegroom follows the bier of her who has changed her nuptial raiment for the shroud.

"Ye whose thoughts are of eternity, come dwell at my side. Continents and islands grow old, and waste and disappear. The hardest rock crumbles; vegetable and animal kingdoms come into being, wax great, decline, and perish, to give way to others, even as human dynasties and nations and races come and go. Look on me! "Time writes no wrinkle" on my forehead. Listen to me! All tongues are spoken on my shores, but I have only one language: the winds taught me their vowels the crags and the sands schooled me in my rough or smooth consonants. Few words are mine but I have whispered them and sung them and shouted them to men of all tribes from the time when the first wild wanderer strayed into my awful presence. Have you a grief that gnaws at your heart-strings? Come with it to my shore, as of old the priest of far-darting Apollo carried his rage and anguish to the margin of the loud-roaring sea. There, if anywhere you will forget your private and short-lived woe, for my voice speaks to the infinite and the eternal in your consciousness.

"To him who loves the pages of human history, who listens to the voices of the world about him, who frequents the market and the thoroughfare, who lives in the study of time and its accidents rather than in the deeper emotions, in abstract speculation and spiritual contemplation, the RIVER addresses itself as his natural companion.

"Come live with me. I am active, cheerful, communicative, a natural talker and story-teller. I am not noisy, like the ocean, except occasionally when I am rudely interrupted, or when I stumble and get a fall. When I am silent you can still have pleasure in watching my changing features. My idlest babble, when I am toying with the trifles that fall in my way, if not very full of meaning, is at least musical. I am not a dangerous friend, like the ocean; no highway is absolutely safe, but my nature is harmless, and the storms that strew the beaches with wrecks cast no ruins upon my flowery borders. Abide with me, and you shall not die of thirst, like the forlorn wretches left to the mercies of the pitiless salt waves. Trust yourself to me, and I will carry you far on your journey, if we are travelling to the same point of the compass. If I sometimes run riot and overflow your meadows, I leave fertility behind me when I withdraw to my natural channel. Walk by my side toward the place of my destination. I will keep pace with you, and you shall feel my presence with you as that of a self-conscious being like yourself. You will find it hard to be miserable in my company; I drain you of ill-conditioned thoughts as I carry away the refuse of your dwelling and its grounds."

But to him whom the ocean chills and crushes with its sullen indifference, and the river disturbs with its never-pausing and never-ending story, the silent LAKE shall be a refuge and a place of rest for his soul.

"'Vex not yourself with thoughts too vast for your limited faculties,' it says; 'yield not yourself to the babble of the running stream. Leave the ocean, which cares nothing for you or any living thing that walks the solid earth; leave the river, too busy with its own errand, too talkative about its own affairs, and find peace with me, whose smile will cheer you, whose whisper will soothe you. Come to me when the morning sun blazes across my bosom like a golden baldric; come to me in the still midnight, when I hold the inverted firmament like a cup brimming with jewels, nor spill one star of all the constellations that float in my ebon goblet. Do you know the charm of melancholy? Where will you find a sympathy like mine in your hours of sadness? Does the ocean share your grief? Does the river listen to your sighs? The salt wave, that called to you from under last month's full moon, to-day is dashing on the rocks of Labrador; the stream, that ran by you pure and sparkling, has swallowed the poisonous refuse of a great city, and is creeping to its grave in the wide cemetery that buries all things in its tomb of liquid crystal. It is true that my waters exhale and are renewed from one season to another; but are your features the same, absolutely the same, from year to year? We both change, but we know each other through all changes. Am I not mirrored in those eyes of yours? And does not Nature plant me as an eye to behold her beauties while she is dressed in the glories of leaf and flower, and draw the icy lid over my shining surface when she stands naked and ashamed in the poverty of winter?'

"I have had strange experiences and sad thoughts in the course of a life not very long, but with a record which much longer lives could not match in incident. Oftentimes the temptation has come over me with dangerous urgency to try a change of existence, if such change is a part of human destiny,—to seek rest, if that is what we gain by laying down the burden of life. I have asked who would be the friend to whom I should appeal for the last service I should have need of. Ocean was there, all ready, asking no questions, answering none. What strange voyages, downward through its glaucous depths, upwards to its boiling and frothing surface, wafted by tides, driven by tempests, disparted by rude agencies; one remnant whitening on the sands of a northern beach, one perhaps built into the circle of a coral reef in the Pacific, one settling to the floor of the vast laboratory where continents are built, to emerge in far-off ages! What strange companions for my pall-bearers! Unwieldy sea-monsters, the stories of which are counted fables by the spectacled collectors who think their catalogues have exhausted nature; naked-eyed creatures, staring, glaring, nightmare-like spectres of the ghastly-green abysses; pulpy islands, with life in gelatinous immensity,—what a company of hungry heirs at every ocean funeral! No! No! Ocean claims great multitudes, but does not invite the solitary who would fain be rid of himself.

"Shall I seek a deeper slumber at the bottom of the lake I love than I have ever found when drifting idly over its surface? No, again. I do not want the sweet, clear waters to know me in the disgrace of nature, when life, the faithful body-servant, has ceased caring for me. That must not be. The mirror which has pictured me so often shall never know me as an unwelcome object.

"If I must ask the all-subduing element to be my last friend, and lead me out of my prison, it shall be the busy, whispering, not unfriendly, pleasantly companionable river.

"But Ocean and River and Lake have certain relations to the periods of human life which they who are choosing their places of abode should consider. Let the child play upon the seashore. The wide horizon gives his imagination room to grow in, untrammelled. That background of mystery, without which life is a poor mechanical arrangement, is shaped and colored, so far as it can have outline, or any hue but shadow, on a vast canvas, the contemplation of which enlarges and enriches the sphere of consciousness. The mighty ocean is not too huge to symbolize the aspirations and ambitions of the yet untried soul of the adolescent.

"The time will come when his indefinite mental horizon has found a solid limit, which shuts his prospect in narrower bounds than he would have thought could content him in the years of undefined possibilities. Then he will find the river a more natural intimate than the ocean. It is individual, which the ocean, with all its gulfs and inlets and multitudinous shores, hardly seems to be. It does not love you very dearly, and will not miss you much when you disappear from its margin; but it means well to you, bids you good-morning with its coming waves, and good-evening with those which are leaving. It will lead your thoughts pleasantly away, upwards to its source, downwards to the stream to which it is tributary, or the wide waters in which it is to lose itself. A river, by choice, to live by in middle age.

"In hours of melancholy reflection, in those last years of life which have little left but tender memories, the still companionship of the lake, embosomed in woods, sheltered, fed by sweet mountain brooks and hidden springs, commends itself to the wearied and saddened spirit. I am not thinking of those great inland seas, which have many of the features and much of the danger that belong to the ocean, but of those 'ponds,' as our countrymen used to call them until they were rechristened by summer visitors; beautiful sheets of water from a hundred to a few thousand acres in extent, scattered like raindrops over the map of our Northern sovereignties. The loneliness of contemplative old age finds its natural home in the near neighborhood of one of these tranquil basins."

Nature does not always plant her poets where they belong, but if we look carefully their affinities betray themselves. The youth will carry his Byron to the rock which overlooks the ocean the poet loved so well. The man of maturer years will remember that the sonorous couplets of Pope which ring in his ears were written on the banks of the Thames. The old man, as he nods over the solemn verse of Wordsworth, will recognize the affinity between the singer and the calm sheet that lay before him as he wrote,—the stainless and sleepy Windermere.

"The dwellers by Cedar Lake may find it an amusement to compare their own feelings with those of one who has lived by the Atlantic and the Mediterranean, by the Nile and the Tiber, by Lake Leman and by one of the fairest sheets of water that our own North America embosoms in its forests."

Miss Lurida Vincent, Secretary of the Pansophian Society, read this paper, and pondered long upon it. She was thinking very seriously of studying medicine, and had been for some time in frequent communication with Dr. Butts, under whose direction she had begun reading certain treatises, which added to such knowledge of the laws of life in health and in disease as she had brought with her from the Corinna Institute. Naturally enough, she carried the anonymous paper to the doctor, to get his opinion about it, and compare it with her own. They both agreed that it was probably, they would not say certainly, the work of the solitary visitor. There was room for doubt, for there were visitors who might well have travelled to all the places mentioned, and resided long enough on the shores of the waters the writer spoke of to have had all the experiences mentioned in the paper. The Terror remembered a young lady, a former schoolmate, who belonged to one of those nomadic families common in this generation, the heads of which, especially the female heads, can never be easy where they are, but keep going between America and Europe, like so many pith-balls in the electrical experiment, alternately attracted and repelled, never in contented equilibrium. Every few years they pull their families up by the roots, and by the time they have begun to take hold a little with their radicles in the spots to which they have been successively transplanted up they come again, so that they never get a tap-root anywhere. The Terror suspected the daughter of one of these families of sending certain anonymous articles of not dissimilar character to the one she had just received. But she knew the style of composition common among the young girls, and she could hardly believe that it was one of them who had sent this paper. Could a brother of this young lady have written it? Possibly; she knew nothing more than that the young lady had a brother, then a student at the University. All the chances were that Mr. Maurice Kirkwood was the author. So thought Lurida, and so thought Dr. Butts.

Whatever faults there were in this essay, it interested them both. There was nothing which gave the least reason to suspect insanity on the part of the writer, whoever he or she might be. There were references to suicide, it is true, but they were of a purely speculative nature, and did not look to any practical purpose in that direction. Besides, if the stranger were the author of the paper, he certainly would not choose a sheet of water like Cedar Lake to perform the last offices for him, in case he seriously meditated taking unceremonious leave of life and its accidents. He could find a river easily enough, to say nothing of other methods of effecting his purpose; but he had committed himself as to the impropriety of selecting a lake, so they need not be anxious about the white canoe and its occupant, as they watched it skimming the surface of the deep waters.

The holder of the Portfolio would never have ventured to come before the public if he had not counted among his resources certain papers belonging to the records of the Pansophian Society, which he can make free use of, either for the illustration of the narrative, or for a diversion during those intervals in which the flow of events is languid, or even ceases for the time to manifest any progress. The reader can hardly have failed to notice that the old Anchor Tavern had become the focal point where a good deal of mental activity converged. There were the village people, including a number of cultivated families; there were the visitors, among them many accomplished and widely travelled persons; there was the University, with its learned teachers and aspiring young men; there was the Corinna Institute, with its eager, ambitious, hungry-souled young women, crowding on, class after class coming forward on the broad stream of liberal culture, and rounding the point which, once passed, the boundless possibilities of womanhood opened before them. All this furnished material enough and to spare for the records and the archives of the society.

The new Secretary infused fresh life into the meetings. It may be remembered that the girls had said of her, when she was The Terror, that "she knew everything and didn't believe anything." That was just the kind of person for a secretary of such an association. Properly interpreted, the saying meant that she knew a great deal, and wanted to know a great deal more, and was consequently always on the lookout for information; that she believed nothing without sufficient proof that it was true, and therefore was perpetually asking for evidence where, others took assertions on trust.

It was astonishing to see what one little creature like The Terror could accomplish in the course of a single season. She found out what each member could do and wanted to do. She wrote to the outside visitors whom she suspected of capacity, and urged them to speak at the meetings, or send written papers to be read. As an official, with the printed title at the head of her notes, PANSOPHIAN SOCIETY, she was a privileged personage. She begged the young persons who had travelled to tell something of their experiences. She had contemplated getting up a discussion on the woman's rights question, but being a wary little body, and knowing that the debate would become a dispute and divide the members into two hostile camps, she deferred this project indefinitely. It would be time enough after she had her team well in hand, she said to herself,—had felt their mouths and tried their paces. This expression, as she used it in her thoughts, seems rather foreign to her habits, but there was room in her large brain for a wide range of illustrations and an ample vocabulary. She could not do much with her own muscles, but she had known the passionate delight of being whirled furiously over the road behind four scampering horses, in a rocking stage-coach, and thought of herself in the Secretary's chair as not unlike the driver on his box. A few weeks of rest had allowed her nervous energy to store itself up, and the same powers which had distanced competition in the classes of her school had of necessity to expend themselves in vigorous action in her new office.

Her appeals had their effect. A number of papers were very soon sent in; some with names, some anonymously. She looked these papers over, and marked those which she thought would be worth reading and listening to at the meetings. One of them has just been presented to the reader. As to the authorship of the following one there were many conjectures. A well-known writer, who had spent some weeks at Arrowhead Village, was generally suspected of being its author. Some, however, questioned whether it was not the work of a new hand, who wrote, not from experience, but from his or her ideas of the condition to which a story-teller, a novelist, must in all probability be sooner or later reduced. The reader must judge for himself whether this first paper is the work of an old hand or a novice.

SOME EXPERIENCES OF A NOVELIST.

"I have written a frightful number of stories, forty or more, I think. Let me see. For twelve years two novels a year regularly: that makes twenty-four. In three different years I have written three stories annually: that makes thirty-three. In five years one a year,—thirty-eight. That is all, is n't it? Yes. Thirty-eight, not forty. I wish I could make them all into one composite story, as Mr. Galton does his faces.

"Hero—heroine—mamma—papa—uncle—sister, and so on. Love —obstacles—misery—tears—despair—glimmer of hope—unexpected solution of difficulties—happy finale.

"Landscape for background according to season. Plants of each month got up from botanical calendars.

"I should like much to see the composite novel. Why not apply Mr. Galton's process, and get thirty-eight stories all in one? All the Yankees would resolve into one Yankee, all the P——West Britons into one Patrick, etc., what a saving of time it would be!

"I got along pretty well with my first few stories. I had some characters around me which, a little disguised, answered well enough. There was the minister of the parish, and there was an old schoolmaster either of them served very satisfactorily for grandfathers and old uncles. All I had to do was to shift some of their leading peculiarities, keeping the rest. The old minister wore knee-breeches. I clapped them on to the schoolmaster. The schoolmaster carried a tall gold-headed cane. I put this in the minister's hands. So with other things,—I shifted them round, and got a set of characters who, taken together, reproduced the chief persons of the village where I lived, but did not copy any individual exactly. Thus it went on for a while; but by and by my stock company began to be rather too familiarly known, in spite of their change of costume, and at last some altogether too sagacious person published what he called a 'key' to several of my earlier stories, in which I found the names of a number of neighbors attached to aliases of my own invention. All the 'types,' as he called them, represented by these personages of my story had come to be recognized, each as standing for one and the same individual of my acquaintance. It had been of no use to change the costume. Even changing the sex did no good. I had a famous old gossip in one of my tales,—a much-babbling Widow Sertingly. 'Sho!' they all said, that 's old Deacon Spinner, the same he told about in that other story of his,—only the deacon's got on a petticoat and a mob-cap,—but it's the same old sixpence.' So I said to myself, I must have some new characters. I had no trouble with young characters; they are all pretty much alike,—dark-haired or light-haired, with the outfits belonging to their complexion, respectively. I had an old great-aunt, who was a tip-top eccentric. I had never seen anything just like her in books. So I said, I will have you, old lady, in one of my stories; and, sure enough, I fitted her out with a first-rate odd-sounding name, which I got from the directory, and sent her forth to the world, disguised, as I supposed, beyond the possibility of recognition. The book sold well, and the eccentric personage was voted a novelty. A few weeks after it was published a lawyer called upon me, as the agent of the person in the directory, whose family name I had used, as he maintained, to his and all his relatives' great damage, wrong, loss, grief, shame, and irreparable injury, for which the sum of blank thousand dollars would be a modest compensation. The story made the book sell, but not enough to pay blank thousand dollars. In the mean time a cousin of mine had sniffed out the resemblance between the character in my book and our great-aunt. We were rivals in her good graces. 'Cousin Pansie' spoke to her of my book and the trouble it was bringing on me,—she was so sorry about it! She liked my story,—only those personalities, you know. 'What personalities?' says old granny-aunt. 'Why, auntie, dear, they do say that he has brought in everybody we know,—did n't anybody tell you about—well,—I suppose you ought to know it,—did n't anybody tell you you were made fun of in that novel?' Somebody—no matter who—happened to hear all this, and told me. She said granny-aunt's withered old face had two red spots come to it, as if she had been painting her cheeks from a pink saucer. No, she said, not a pink saucer, but as if they were two coals of fire. She sent out and got the book, and made her (the somebody that I was speaking of) read it to her. When she had heard as much as she could stand,—for 'Cousin Pansie' explained passages to her,—explained, you know,—she sent for her lawyer, and that same somebody had to be a witness to a new will she had drawn up. It was not to my advantage. 'Cousin Pansie' got the corner lot where the grocery is, and pretty much everything else. The old woman left me a legacy. What do you think it was? An old set of my own books, that looked as if it had been bought out of a bankrupt circulating library.

"After that I grew more careful. I studied my disguises much more diligently. But after all, what could I do? Here I was, writing stories for my living and my reputation. I made a pretty sum enough, and worked hard enough to earn it. No tale, no money. Then every story that went from my workshop had to come up to the standard of my reputation, and there was a set of critics,—there is a set of critics now and everywhere,—that watch as narrowly for the decline of a man's reputation as ever a village half drowned out by an inundation watched for the falling of the waters. The fame I had won, such as it was, seemed to attend me,—not going before me in the shape of a woman with a trumpet, but rather following me like one of Actaeon's hounds, his throat open, ready to pull me down and tear me. What a fierce enemy is that which bays behind us in the voice of our proudest bygone achievement!

"But, as I said above, what could I do? I must write novels, and I must have characters. 'Then why not invent them?' asks some novice. Oh, yes! Invent them! You can invent a human being that in certain aspects of humanity will answer every purpose for which your invention was intended. A basket of straw, an old coat and pair of breeches, a hat which has been soaked, sat upon, stuffed a broken window, and had a brood of chickens raised in it,—these elements, duly adjusted to each other, will represent humanity so truthfully that the crows will avoid the cornfield when your scarecrow displays his personality. Do you think you can make your heroes and heroines,—nay, even your scrappy supernumeraries,—out of refuse material, as you made your scarecrow? You can't do it. You must study living people and reproduce them. And whom do you know so well as your friends? You will show up your friends, then, one after another. When your friends give out, who is left for you? Why, nobody but your own family, of course. When you have used up your family, there is nothing left for you but to write your autobiography.

"After my experience with my grand-aunt, I be came more cautious, very naturally. I kept traits of character, but I mixed ages as well as sexes. In this way I continued to use up a large amount of material, which looked as if it were as dangerous as dynamite to meddle with. Who would have expected to meet my maternal uncle in the guise of a schoolboy? Yet I managed to decant his characteristics as nicely as the old gentleman would have decanted a bottle of Juno Madeira through that long siphon which he always used when the most sacred vintages were summoned from their crypts to render an account of themselves on his hospitable board. It was a nice business, I confess, but I did it, and I drink cheerfully to that good uncle's memory in a glass of wine from his own cellar, which, with many other more important tokens of his good will, I call my own since his lamented demise.

"I succeeded so well with my uncle that I thought I would try a course of cousins. I had enough of them to furnish out a whole gallery of portraits. There was cousin 'Creeshy,' as we called her; Lucretia, more correctly. She was a cripple. Her left lower limb had had something happen to it, and she walked with a crutch. Her patience under her trial was very pathetic and picturesque, so to speak,—I mean adapted to the tender parts of a story; nothing could work up better in a melting paragraph. But I could not, of course, describe her particular infirmity; that would point her out at once. I thought of shifting the lameness to the right lower limb, but even that would be seen through. So I gave the young woman that stood for her in my story a lame elbow, and put her arm in a sling, and made her such a model of uncomplaining endurance that my grandmother cried over her as if her poor old heart would break. She cried very easily, my grandmother; in fact, she had such a gift for tears that I availed myself of it, and if you remember old Judy, in my novel "Honi Soit" (Honey Sweet, the booksellers called it),—old Judy, the black-nurse,—that was my grandmother. She had various other peculiarities, which I brought out one by one, and saddled on to different characters. You see she was a perfect mine of singularities and idiosyncrasies. After I had used her up pretty well, I came dawn upon my poor relations. They were perfectly fair game; what better use could I put them to? I studied them up very carefully, and as there were a good many of them I helped myself freely. They lasted me, with occasional intermissions, I should say, three or four years. I had to be very careful with my poor relations,—they were as touchy as they could be; and as I felt bound to send a copy of my novel, whatever it might be, to each one of them,—there were as many as a dozen,—I took care to mix their characteristic features, so that, though each might suspect I meant the other, no one should think I meant him or her. I got through all my relations at last except my father and mother. I had treated my brothers and sisters pretty fairly, all except Elisha and Joanna. The truth is they both had lots of odd ways,—family traits, I suppose, but were just different enough from each other to figure separately in two different stories. These two novels made me some little trouble; for Elisha said he felt sure that I meant Joanna in one of them, and quarrelled with me about it; and Joanna vowed and declared that Elnathan, in the other, stood for brother 'Lisha, and that it was a real mean thing to make fun of folks' own flesh and blood, and treated me to one of her cries. She was n't handsome when she cried, poor, dear Joanna; in fact, that was one of the personal traits I had made use of in the story that Elisha found fault with.